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sixohsixoheightfourtwo · 1 year

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watchlist tag game!

tagged by @telomeke !

got a bit long so behind the cut

Currently watching -

A Boss and a Babe (Thailand 2023 / GMMTV) - watching this weekly. ok . LISTEN. I said some stuff in the tags of my first reblog about this series, when i had only seen the trailer, basically that it looked like they absolutely nailed what they were going for in terms of the tone, the dynamic, the chemistry, that it might be a bit silly but it looked GOOD. and . i stand by this!

I know there are people who aren't enjoying it... there always are. There are also people who have beef with Force & Book's previous series who are carrying that prejudice into this show. (imo enchante's biggest crime was that filter they used. everyone looking weirdly smooth. freaky tbh.) (also the last 2 eps were basically unnecessary but let's not get into it.) I feel like I saw a lot of people esp. at the beginning making excuses for watching ABAAB - saying well of course it's not good it's not doing anything new, someone even saying 'it's so bad it's good' - which baffles me lol. SO not how I feel about it! it's good! if you like it just accept it; if it's not for you it's not for you.

any way . Force + Book have really nice chemistry, great at showing the characters' comfort / ease / gentle loving care for each other without a lot of fireworks or histrionics. And tbh not a lot of like - tension even! they're too comfortable for there to be tension! eg. the scene where Cher helps Gun unbutton his shirt and they both go very quiet about it. & the scene where Gun accidentally crashes cher's livestream and he's not even really mad about it. It feels kind of like My School President in the tone it's going for, in that it's a bit silly and light but there is some substance beneath it and it can be cute but actually not overly NICE. And it feels like it's progressing towards a more natural idea of how a relationship develops than certain older bl which can be a bit all or nothing (eg. i JUST watched tonhon chonlatee .. scream) And this is surely gmmtv's first office bl since Sotus S which was five years ago? w/ever I feel like this series is maybe a bigger deal than it looks. Also it's a perfect non stressful weekly watch. (really feel like i almost DIED watching NLMG week to week.) check back in with me in uhh six weeks or whenever it's done.

Our Dating Sim (South Korea 2023 / Viki) - watching bc people on my dash were really into it. I'm two eps in and it's well done but it's not making me CRAZY the way I always want to be made crazy. I do love the k-bl short series format and the k-bl style of storytelling often gets to me quite intensely so I'm hopeful.

Bokura no Shokutaku/ Our Dining Table (Japan 2023) - one ep in. made me crave onigiri soso bad. I haven't read the original manga so I am watching fresh, no expectations. the first ep was totally delightful.

SUCCESSION - watching it weekly with one of my siblings . if u follow me u will know I am deeply into it & even a little weird about it & have been since november 2020. hashtag tomgreg rights hashtag kenstewy rights hashtag tomshiv rights. here's my hot take: in some ways i think the most recent ep was BETTER than the previous one.

Riverdale - watching it weekly ... admittedly usually while doing something else eg cooking. Listen. Riverdale is.. not explainable in any sensible way. If you know you know. Many things about it are stupid and unbearable but its derangement is unparalleled and i appreciate that. Almost no one is a full 3-d character it's like watching puppets.

How To with John Wilson - I absolutely love this series, it's on iPlayer in the UK but I think it's originally HBO. ep 1.6 How To Make Risotto actually haunts me. framed as a series of tutorials, it veers and goes off on tangents, in form it's kind of like visual essays edited together from .. fairly random footage shot on the streets of New York. with a lot of visual gags.

Looking forward to watching soon -

Our Skyy 2 ... truly .... I am going to be so insufferable for the next eight weeks. I'm planning to watch all of it - the only series I haven't watched is Star In My Mind. i WAS most anticipating the ATOTS episodes because i just want to see phupha + tian again. But NLMG and Eclipse and MSP look like they're doing some absolutely wild & funky things so yeah i am excited for all of it.

Only Friends - I think they've just started work on it right? but yeah. looking forward to getting a little unhinged about this.

The Eighth Sense - tbh I think i'm going to wait for it to finish before I watch it. I need some of the discourse to die down a bit so I can go in with the right frame of mind.

Still deciding if I’m gonna watch

Probably most of the upcoming GMMTV series I'll at least try but generally I like to read a few reactions before going in.

tagging @phneltwrites @brofisting @missionlameturtle @hexenmeisterer

#My recommendation for getting into riverdale is actually. JUST watch season 3. if that takes then watch season 4. & then proceed in any orde #order. s1 doesn't give an accurate impression of the series as a whole #tv #bl drama #succession #riverdale #kdrama #thai drama #a boss and a babe #bokura no shokutaku #our dining table #our dating sim #our skyy 2 #the eighth sense #tag game #watchlist

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royxrizafan · 2 years

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Apropos of literally nothing, I finished Killing Eve and now I’m feeling bitter about how many shows I get invested in that end so poorly it makes me kind of resent the investment I made and not want to ever rewatch again. I honestly don’t watch a fraction of as much TV as I used to and I think I’m realizing that this is why.

#seasons 3 and 4 of killing Eve just weren’t that great #the series finale was so bad that I actually felt uncomfortable watching it #made me think about crazy ex and how season 4 was so terrible that it undid a lot of my love for the show #jtv season 5 literally retconned major plot points about janes love life and career in ways that actually ruined the entire series for me #I loooooved that show and I will never rewatch it bc of how dirty the final season did it #don’t get me started on the past 2 seasons of Riverdale #tvd finale made me want to rip my eyes out and I legit watched that show since I was a teen #it may be unpopular but I thought the final season of g&f was so dull made no sense plot wise and was totally unfunny #Locke and key season 2 was like a bad YA novel from the early 2000s #season 3 of fruits basket cut like half of the novels the entire series was CREATED IN ORDER TO COVER #despite spending two seasons painstakingly being truthful to the books to the point they wasted space #poldark season 5 was embarrassing and I haven’t rewatched despite that being a former comfort show for me while it was still airing #honestly this is like every show I’ve gotten into in the past decade and why I will never shut up about the Shera finale bc it was like #the only time a show I loved ended in a way that made sense seemed thoughtful and intentional and had emotional truth to it #oh and free!#people literally came for my throat over this but I’m older and not in the fandom anymore so I’ll say it #phasing out half your main cast to add like ten new characters in your final two seasons is crap tv

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electrictouchfeaturingfalloutboy · 8 months

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I’m like. *this* close to having a glee hyperfixation but I’m trying very hard to stop myself because I’m committed to completely rewatching Buffy.

#I’m in the middle of season 3 rn and last time I tried to rewatch I got to the prom I think?#and I’m committed to actually making serious headway #I’d like to finish watching Angel when I’m done but I also want to watch riverdale once it’s done #hannah makes a text post

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wolfofansbach · 8 months

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BEING A LIST OF THE THIRTEEN GREATEST RIVERDALE LINES, ON THE OCCASION OF THAT SHOW'S TERMINATION

As our much loved/hated show comes to an end, I feel compelled to record, for posterity, the greatest thirteen pieces of dialogue to spring from the pens of RAS and his henchmen. It was, of course, originally a top ten list, but I simply could not exclude a few of these treasures. Without further ado:

13.

“I dropped out in the 4th grade, to sell drugs, to support my nana.”

“That means you haven't known the triumphs and defeats, the epic highs and lows of high school football.”

Spoken by: an inmate of Leopold and Loeb Juvenile Detention Center, and Archie Andrews.

In: 3 x 2

Yeah, okay, this one had to be on the list. It’s funny, I’ll admit. It’s a great example of the overwrought semi-sincere melodrama that helped make this show so special. It’s low on the list largely because The Normies got their hands on it, so every time I hear someone make a reference I get all “do not cite the deep magic to me, witch.”

12.

“No! No! What are we supposed to do now? I’m horny as heck!”

Spoken by: Archie Andrews

In: 7 x 16

Season 7 is undeniably dreadful, and yet there are diamonds in the rough. The occasion is the failure of a projector, just as Archie and Reggie prepare to watch a pornographic film. The utter desperation with which KJ Apa delivers this line is exquisite. One is made to feel they are witnessing a genuine tragedy.

11.

“Tonight, they’re making an exception and debuting a cover of the song my parents claim they were listening to the night Jason and I were conceived.”

Spoken by: Cheryl Blossom.

In: 1 x 1

Really a fantastic line. A wonderful encapsulation of the casual absurdity of Cheryl’s character, and a foretaste of the lunacy we would plumb in later episodes and seasons.

10.

“In case you haven’t noticed, I’m weird. I’m a weirdo. I don’t fit in and I don’t want to fit in. Have you ever seen me without this stupid hat on? That’s weird.”

Spoken by: Jughead Jones

In: 1 x 10

A genuine classic. “High school football” before “high school football.” One is never entirely sure just how sincere the line is meant to be, both on a meta-level and in-universe. A perfect illumination of Jughead’s pretentiousness. It is made all the better by the occasional cuts to Lili Reinhard’s agonized face.

“At the last dance, multiple students were murdered.”

Spoken by: Principal Holden Honey.

In: 4 x 2

Delivered as an explanation to Toni and Cheryl, as to why there would be no school dance this year. Principal Honey is in fact supremely rational in the cancellation of this dance. This being Riverdale, he is of course treated as an unreasonable tyrant.

“Bro, I know all the secrets of this universe.”

Spoken by: Archie Andrews (evil version)

In: 6 x 5

Spoken as evil Archie reveals his evil plan to keep the parallel universes apart. KJ Apa’s delivery once again makes this line. He is comically sinister. Strangely, he sells it.

“A Vughead kiss, right now, in the present might be precisely what it takes to save a future Bughead from imploding.”

Spoken by: Jughead Jones.

In: 2 x 14

One of those lines that both makes me laugh and makes me genuinely angry. This was a fairly early season, and this may have actually been the first line to get me asking, ‘did they genuinely write and deliver that?’ Extra points for use of the atrocious ‘Vughead’ portmanteau ship name rather than ‘Jeronica.’

“I’m the ultimate wild card. I am the daughter of The Black Hood. The nightmare from next door. I’m training with the FBI and I’m coming for you, you psycho bitch.”

Spoken by: Betty Cooper

In: 4 x 14

Just delicious. Another one of those lines that leaves you somewhat unsure whether or not the writers understood how genuinely hysterical it was. “The Nightmare from Next Door” sounds like an announcer hyping up a wrestler. Spoken with a raw sincerity by Lili Reinhart. Also points for the heavy homoeroticism between Betty and Donna.

“For I am Cheryl Blossom, Queen of the Bees.”

Spoken by: Cheryl Blossom.

In: 5 x 16.

This one really doesn’t require any elaboration.

“Elijah ascended…and I will, too.”

Spoken by: Edgar Evernever.

In: 4 x 5.

Admittedly, this one is only spectacular with context. But in context—the context being that Chad Michael Murray delivers this line while dressed like Evel Knievel and standing in a cartoon rocket right out of a Warner Bros cartoon—it becomes utterly magnificent.

“It’s not queer baiting, it’s saving the world.”

Spoken by: Veronica Lodge.

In: 6 x 22.

It’s actually hard for me to decide whether this one is funnier with or without context. Without context it’s wonderful, but it possibly becomes even funnier when you know that the context is that Veronica needs to kiss Cheryl to transfer superpowers into her body so she can turn into a Scarlet Witch knock-off and stop a magic comet summoned by Sephiroth an English wizard who is also the Devil.

“If there’s no wedding reception, it means the Gargoyle King has won.”

Spoken by: Kevin Keller.

In: 3 x 12.

One of my personal favorites. This is a perfect line because like #3, it requires no real elaboration. There is absolutely no context in which it isn’t hysterical.

1 .

“Word of my exploits serving Nick his comeuppance has seeped into the demimonde of mobsters and molls my father used to associate with, so the five families are sending their youngest and brightest, their ‘princes,’ as it were to, well, come court the rare Mafia Princess who can belly up to the bar with the big boys.

Spoken by: Veronica Lodge.

In: 2 x 20.

This is, in my opinion, the all-timer. Every word is perfect. The rapid-fire alliteration. The use of the word ‘demimonde.’ The entirely unnecessary addition of ‘as it were.’ This is borderline Dr. Seuss. The fact that Camila Mendes delivered it without cracking a smile should have won her an Emmy. No. An Oscar. This line is Riverdale.

#riverdale #veronica lodge #jughead jones #betty cooper #archie andrews #kevin keller #cheryl blossom #edgar evernever

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no-fate-but-what-we-make · 2 years

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As Intimate As Chocolate Cake

Pairing: Sweet Pea x female!reader [2nd-person pov]

Word Count: 3.3k

Rating: T for swears; no warnings

Description: When Toni is put in charge of the new menu for the Whyte Wyrm, she decides to use the opportunity to set up two of her friends

A/N: Loosely based off a scene from Hart of Dixie season 4, episode 5: Bar-Be-Q Burritos, where George and Annabeth are set up on a date by their friend Lemon

Disclaimer: I’ve only seen up to parts of season 3 of Riverdale, therefore I know nothing about the current seasons and what has transpired, so there will be no spoilers. Also, this was written with minimal editing, so any errors are accidental. Gif credit to the owner, as it is not mine.

- - -

Cheryl Blossom walked into Pop’s, looking for Toni, but instead she found someone else.

Two someones, actually.

You’d been enjoying your strawberry malt and fries all by yourself when Sweet Pea had decided to join you without warning.

“Careful now - rumor has it if you drink too many strawberry milkshakes in one sitting, you’ll wake up as a strawberry.”

You couldn’t resist the urge to roll your eyes, dunking a pair of fries in the malt before bringing them to your lips. “Thank god this is a strawberry malt then, or I’d be fucked.”

He sat down in the booth across from you without asking, grabbing a fry before you could pull them away. “Milkshake, malt - same thing.”

“Nope,” you replied, popping the p. “Malts have malted milk powder; milkshakes do not.”

Sweet Pea pulled a face at that. “And why would you want that?!”

You shrugged. “Personal preference.”

“Weirdo.”

You looked up to give Sweet Pea a piece of your mind at that, but found him smiling instead. It was rare to see a smile from the Serpent, and seeing it made something that felt awfully like desire pool in your stomach. You ignored it, taking a sip of your malt while you gathered your thoughts. “Wow, a compliment? If I didn’t know any better, I’d think the world was ending.”

Sweet Pea snagged another fry, popping it into his mouth, the smile turning into a smirk. “Who knows? It might be.”

“Guess we’ll find out.”

Before you could respond to that, Cheryl interrupted. “Well, well, well. Fancy seeing the two of you here. And looking chummy, no doubt. What’s so funny?”

“The end of the world,” you quipped, causing Sweet Pea to snicker and you couldn’t help joining him.

“Haven’t you looked outside, Cheryl? Pigs are flying!”

Cheryl let out a huff, shaking her head. “Ignoring all that,” she said with a dismissive wave of her hand, “have either of you seen Toni? She said she would meet me here, but I can’t seem to find her.”

“Whyte Wyrm?” Sweet Pea supplied. “You know she’s been spending all her free time there ever since she became part owner.”

“I just didn’t think she’d get so caught up in it that she’d forget about date night!”

“Have you tried calling her?” You suggested, regretting it when Cheryl fixed you with a glare.

“Of course I’ve tried calling! She didn’t pick up and I-”

Just then, the door to the Chock’lit Shoppe opened, the bell signaling a new customer. The three of you turned to see Toni Topaz making her way over, pulling Cheryl in for a hug and a kiss. “Sorry I’m late,” she murmured. “Got a bit caught up reviewing the new menu for the Whyte Wyrm’s grand reopening.”

“You’re here now and that’s all that matters,” Cheryl said, her smile returning. “Ta-ta, you two. Don’t get too cozy over there.”

You and Sweet Pea burst into laughter once Cheryl and Toni were seated at the opposite end of Pop’s. “God, she can be so eccentric at times,” you giggled, shaking your head.

“I don’t know what Toni sees in her, but I’m glad the two of them have each other.”

“She sees in Cheryl what I have since elementary school: a girl with a lot of love to give who just needs someone to see her potential.”

Sweet Pea shot you a look as he grabbed another fry. “If you say so.”

“Hey, if I said the same thing about Toni, you’d be defending her, too. Cheryl’s my friend like Toni is yours - we go way back.”

“True.” You were almost taken aback when the Serpent agreed with you. He slid out of the booth before you could process what had just happened, but not before stealing a handful of fries off your plate. “Let me know when you’re here again - I can always get behind free fries.”

“In your dreams, Serpent!” You shouted at his retreating back, no malice in your voice at all.

- - -

“See what I mean?” Cheryl whispered to Toni, the two of them tucked away in their usual corner booth that surveyed the whole of Pop’s, splitting a milkshake. “There’s definitely something there.”

“Maybe,” Toni drawled, narrowing her eyes as she watched Sweet Pea duck his head and smile to himself when his back was turned from you. “I haven’t seen Sweet Pea look this smitten in a while.”

“Do you think they’d have a chance if we worked our matchmaking magic?”

“What is it you’re always saying? Sometimes the craziest ideas are the most brilliant ones?”

Cheryl smiled, leaning in to kiss Toni. “You’re absolutely right, Tonikins! Shall we start plotting now?”

- - -

“What’s up, Toni?” Sweet Pea growled into his phone, his frustration bleeding over from one phone call into the next. Fangs had been giving him shit for something and while he was glad to have Toni’s phone call as an excuse to hang up on his friend, he was still pissed.

“What’s up, Sweet Pea, is that I have the perfect solution to your dilemma.”

“What kind of solution?” He paused. “Wait. What’s my dilemma?”

“Nevermind that. Meet me for breakfast tomorrow morning so we can discuss.”

“Discuss what? I’m gonna need more details than that, T.”

Toni couldn’t help but let out a giggle. “All will be revealed tomorrow morning, Sweets. Riverdale Cafetorium at seven sharp - don’t be late!”

She hung up a moment later, leaving a stunned but obedient Sweet Pea in her wake.

- - -

“Cheryl? Is everything okay?” You asked when you answered Cheryl’s phone call. Before she’d met Toni, you and Cheryl spoke on the phone almost nightly; now she rarely called so you figured something had to be up.

“It will be. Meet me in the cafetorium tomorrow at seven?”

“Uh, sure? Why the phone call, though? You could’ve just texted.”

“Just wanted to hear your voice, YN. See you then!”

Nothing was said after that, the line going dead as Cheryl presumably hung up. “See you then,” you said into the void before going back to your nightly routine.

- - -

Toni and Cheryl were already seated at a table when you arrived, the two of them sharing a pastry as Sweet Pea looked on across from them.

“What’s he doing here?” You asked, unable to keep the harshness out of your voice. It was way too fucking early for this and you didn’t even have time for coffee.

“Calm down, dearie. Take a seat.” Cheryl was unusually perky but the tinge of obey me in her voice had you doing just that.

“Yeah, dearie. Take a seat,” Sweet Pea mimicked, and you couldn’t help shooting a glare in his direction. “But really, you two. What is it that was so urgent you couldn’t tell me over the phone last night?”

Toni sat up a little straighter, glancing at Cheryl briefly before she spoke, “Well, because Cheryl and I have a favor to ask. As you know, I’ve been stressing over the reopening of the Whyte Wyrm - particularly the menu - and I was hoping that as my friend,” she looked at Sweet Pea, “and my girlfriend’s best friend,” she looked at you, “that both of you would be willing to come over this weekend for a sample meal.”

“I knew she wanted something,” Sweet Pea leaned back, crossing his arms and muttering under his breath, and you couldn’t help but agree with that statement.

“Of course she did,” you said in the same tone before turning your attention back to Toni and Cheryl. “All you had to do was ask! Of course I will!”

“Me, too. But YN is right - next time just ask us. Not everything has to be a big scheme.”

His statement shocked you. The two of you hadn’t ever really agreed on much since Toni and Cheryl’s relationship had started, and now you were both agreeing with each other more than once in twenty-four hours? It was almost too much for you to handle. Sure, the two of you were polite and cordial with each other - for the most part - but lately it seemed to be getting out of hand.

“That’s really good advice, thank you,” Cheryl said, cutting in. “So, we’ll see you Saturday at eight? Oh, and dress real nice. Tonikins and I wanna see what the vibe could be like if we manage to bring in some fancier customers.”

And just like that, Cheryl and Toni stood up in unison just as the bell signaling first period rung, leaving both you and Sweet Pea stunned for the second time.

“Why do I feel like the scheming isn’t over yet?” Sweet Pea asked, turning to look at you.

Your eyes narrowed towards the doors where Cheryl and Toni had just exited. “Probably because it’s not…” Your voice trailed off as your gaze met his and you finally got a glimpse of his face up close and in broad daylight. A flash of his face from last night illuminated by the neon lights of Pop’s crossed your mind, specifically of him grinning as he popped a fry into his mouth. That same desire came flooding back and you knew you had to leave before you did something stupid and make a fool of yourself in front of the Serpent.

“See you Saturday at eight!” Sweet Pea called after you as he watched you walk away, wondering what the weekend had in store.

- - -

You sat in your car, putting the finishing touches on your lipstick and tugging at your dress one more time before taking a deep breath and getting out. After the ambush in the cafetorium by Cheryl and Toni, you’d spent more time than you cared to admit agonizing over your outfit, but in the end it was a no-brainer. You’d worn the dress you felt most confident in, pairing it with strappy heels and light makeup that accentuated your favorite facial features.

Seeing Sweet Pea all dressed up made you stop in your tracks. His version of ‘fancy’ was nice jeans and a button-down shirt with the sleeves rolled up to expose his forearms. His Serpent neck tattoo was on full display, standing out against the stark white of his shirt.

“Hey,” he said, crossing his arms and drawing your attention back to them. “You ready for this?”

“I guess so. There was never really an opportunity to back out now, was there?”

“Those two make it very hard to say no, don’t they?”

You huffed out a laugh, shaking your head. “Don’t I know it.”

Before either of you could say any more, the door swung open and out stepped Cheryl, clad in her signature red. “There you two are! Come on in! Welcome to the new and improved Whyte Wyrm!”

“You look…nice, by the way,” Sweet Pea murmured as he held the door for you, letting you in first.

A shiver of need raced through you at the feeling of his eyes on your body. You paused, looking back at him and meeting his gaze. “Thanks. You, too.”

Your mouth was practically watering as Cheryl set down a filet mignon in front of you. “And this is our bourbon-maple glaze filet mignon.”

“This looks delicious,” you said, smiling at Cheryl. “Give my compliments to the chef.” Toni stood off to the side, the first time you’d ever really seen her look nervous about anything.

“I gotta say, everything has looked fantastic tonight, Toni, and I’m sure the Whyte Wyrm’s reopening is going to be a huge success,” Sweet Pea chimed in, surprising you. You hadn’t really ever heard him give anyone a compliment, but you figured if anyone deserved a compliment from Sweet Pea, it was Toni.

“Thank you,” Toni murmured, nodding stoically.

“Well, you both have exquisite taste buds and despite how much you both have grown and changed over the years, I knew I could count on you-”

“Okay, what is going on with you?” Sweet Pea asked, the two of you exchanging a suspicious look.

Toni laughed awkwardly, trying to drag Cheryl away.

“Yeah, what’s so funny?”

“It’s just that we’ve all known each other for so long…” Cheryl trailed off, realizing her mistake.

“I knew it!” Sweet Pea clapped his hands, more excited than you’d seen him while he was stealing your fries at Pop’s. “I knew it!”

“Knew what?” Toni asked, her turn to look suspicious.

“You and Cheryl are out here trying to get YN and I closer so we can be some weird, messed-up version of the Breakfast Club.”

You let out a groan, shaking your head. “Seriously? Cheryl, you know how I feel about you trying to set me up with people! I thought we agreed you were going to stop doing that after eighth grade.”

Sweet Pea crossed his arms and your attention diverted to his delicious forearms once again. “And that’s why we’re here…this is a scheme within a scheme,” he tutted, giving both Toni and Cheryl a reproachful look.

“Excuse us for wanting to try to get the two of you to see in each other what Cheryl and I see in both of you!”

“This is just like that time Toni and Cheryl left us in the woods for some fucked up bonding experience over our hatred of Weatherbee.”

“Or when they sent us on that futile mission to the abandoned Southside High and we had to hide in the janitor’s closet until they were able to get us out.” Sweet Pea glared at them. “The two of you can be so annoying.”

“So fucking annoying,” you agreed, seething as more memories popped up where you and Sweet Pea had been thrown into situations thanks to Toni and Cheryl’s scheming.

“Do either of you want dessert or not? Cuz if you keep whining, Cheryl and I will just eat it ourselves.”

That shut the two of you up and Toni nodded, satisfied. “Enjoy your filet mignon.”

“We’ll be here,” Sweet Pea said, finally getting a chance to cut into his steak.

“Oh, fuck this is good,” you couldn’t help groaning at the first bite. “I had my doubts about a bourbon maple glaze on steak but this is…wow.”

“Mm-hmm.” Sweet Pea’s hum of approval sent another foreign feeling racing through you.

You tried to think of another conversation topic, but all you could think of was yet another time you and Sweet Pea had been forced together by either Toni’s or Cheryl’s schemes.

Conversation flowed pretty easily after that, and neither of you paid any attention when Toni slipped in and cleared your plates while Cheryl served a single slice of chocolate cake between the two of you.

The cake was delicious, maple syrup infused into the icing, of course.

“Fuck, this chocolate cake…Wow. You’d think Toni would’ve splurged and given us two pieces,” Sweet Pea shook his head as he brought his fork in for another bite.

“I know,” you agreed, nodding. “It’s like you’re stealing my fries all over again.”

“Ha ha,” Sweet Pea deadpanned, making you giggle. “Doesn’t Cheryl have some weird, fucked up saying for this?”

His question took you by surprise, but you knew exactly what he was talking about, rattling off the phrase as if Cheryl herself was saying it. “It’s the most intimate thing two people can do other than…” You stopped short, your eyes widening as you realized the final word.

Your eyes met Sweet Pea’s, his expression mirroring yours as you both finished the word in unison.

“Sex.”

The sounds of your forks hitting the fancy china were the only sounds in the room as the two of you processed what had just happened.

“Are they…?” You started.

Sweet Pea finished. “Trying to set us up?” You nodded and he pinched the bridge of his nose and sighed. “They better not be.”

“They’re really outdone themselves this time. It’s a goddamn scheme within a scheme within a scheme.”

“I mean, I just don’t understand why they think we would make a good couple. It’s so random and strange - no offense.”

You shrugged, truly unoffended even though you’d have been lying if you said you hadn’t been entertaining the idea all night. “None taken.”

“I’m still not convinced there isn’t more to this scheme.”

“God, I hope not,” you said, resisting the urge to run your hands over your face but you didn’t want to ruin your makeup. “There’s only so many schemes I can participate in during a year and I think I’ve already hit my limit.”

Sweet Pea looked around before leaning in, a smirk on his face. “What do you say we get out of here? We’re not technically dining and dashing because this was free, but I could definitely go for some fries and a chocolate milkshake.”

You didn’t have to be asked twice, dabbing your mouth with your napkin before pushing your chair back and heading out, Sweet Pea instinctively taking your hand in his as the two of you made a mad dash for Pop’s.

“Thanks,” the two of you said in unison as Pop Tate set your malt and Sweet Pea’s milkshake down in front of you, placing a large order of fries in the center of the table.

“I don’t know how I’m gonna be able to finish all these fries after the meal we’ve just had,” you said, eyeing the basket as you took a sip of your malt.

“I’m sure we’ll find a way if we sit here long enough.”

Your phone vibrated with an incoming text from Cheryl but you ignored it, turning your phone facedown on the table. Sweet Pea did the same and you couldn’t help feeling secretly thrilled that all his attention was now focused on you.

“So,” you started, picking up a fry, “Fancy a trip down memory lane?”

You didn’t think you’d ever seen the Serpent smile as much as he did tonight, and it was starting to affect you. Before tonight, you never would have thought twice about considering someone like Sweet Pea as boyfriend potential, but there was something about both Toni and Cheryl butting into your dating life to bring Sweet Pea in that was making you reconsider.

You reached for the last fry at the same time he did, your fingers brushing his. You recoiled as butterflies fluttered in your stomach, but it didn’t seem to affect him. “It’s all yours,” Sweet Pea said, gesturing to the solitary fry.

“You sure?” You hesitated. “We could split it.”

Sweet Pea shook his head. “Like I said, it’s yours.”

You couldn’t help the smile that bloomed on your lips as you dunked the last fry into the dregs of your malt. “Maybe there’s more to you than just a Southside Serpent.”

That made him chuckle and duck his head - and in that moment, he had never looked more attractive. “Well, maybe there’s more to you than just Cheryl’s sidekick.”

It was well past midnight when the two of you exited Pop’s, making your way to your separate vehicles.

You stalled at the door to your car, part of you not wanting the night to end. “I…had a lot of fun tonight.”

“Me, too.” Sweet Pea stepped closer and you sucked in a breath. “Maybe, we could do this again without Cheryl and Toni’s interference?”

“I’d like that. Are we counting this as a date?”

“I don’t know. Would you like it to count as a date?”

Not one to shy away from getting what you want, you decided to go for it. “Well, if you were planning to kiss me goodnight if this was a date, then yes, I would like tonight to count as a date.”

Sweet Pea towered over you, his eyes flickering between your eyes and mouth. You could hear your heartbeat in your ears as you stared up at him, waiting for him to make the first move. “I’d never turn down an opportunity to kiss a pretty girl goodnight.”

With that, your lips met in a tender kiss, the promise of something more lingering in the air when you finally pulled away. “Goodnight, YN,” Sweet Pea murmured, his thumb brushing over your cheek as he stepped back. “Get home safe.”

“Goodnight, Sweet Pea.”

#sweet pea x reader #sweet pea fanfiction #sweet pea fanfic #sweet pea imagine #sweet pea imagines #riverdale imagines #riverdale imagine #riverdale fanfic #riverdale fanfiction #sweet pea x you #sweet pea x y/n #sweet pea fluff

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olreid · 1 year

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riverdale is.. schrodinger's show? ??

lol re tags on this post i assume? this is actually alfie @hypokeimena's phrase #alfiepilled and literally just means that he does not watch the show but does watch us watch the show and so always at any time any plot point or series of events is possible because riverdale exists in a state of totipotency right up until the moment of viewing the footage to see what actually happened which again he crucially never does.

HOWEVER i have adopted this phrase into my own riverdale lexicon because i think it helps to get at something which is usually kind of difficult to articulate about riverdale's method. riverdale, more than your typical tv program, IS a show where anything can happen, and that quality has not changed or diminished over the course of its run. typically, in tv, as you build out the world and the characters, you become better able to predict what will happen next; the window of probable events grows smaller, even if only slightly. people pair off, foreclosing other relationships; they pick a career, choosing one life over other possible lives they might have lived. even shocking plot twists are operating under a set of basic rules that govern how the setting and the genre operate such that the overarching parameters of what is possible in the world don't change. but not so in riverdale! it's not committed to the sanctity of its own canon, which frees the team up to create a show that reminds me more of a collage; different narrative pieces get swapped around to see what kinds of meanings they might produce with very little preciousness about continuity or canonicity compared to other programs. different storylines are repeated by filtering them through new genres to see what emerges. season 7's premise is a perfect example of this!

the other thing about riverdale that makes it schrodinger's show to me is that it is always operating on multiple registers of reality simultaneously, so that any number of things might be happening at once depending on how you're reading it. for example, in the season 3 g&g plot, many episodes are framed by games of g&g that precisely mirror real-world events going on concurrently in town, e.g. jughead accurately describing archie's prison break as it's happening even though he's not physically there. maybe this is just an extradiegetic narrative device; maybe particular characters are omniscient or psychic in some way; maybe the game itself has powers that allow it to shape the world or the story; maybe riverdale itself only has a certain number of pre-set stories that it can tell. the list could go on. the point is that all of these are equally likely; riverdale does not privilege realism or groundedness, really the opposite, but neither does it often confirm for certain that something supernatural is happening. rather, the viewer is left to interpret for themselves; to choose between these options if they want, or perhaps instead to hold them all simultaneously. indeed, riverdale never forces you to pick, to narrow it down; in riverdale, more than any other show i've ever watched, you can have everything you want, and you can have it all at once, because there is no definitive reality, which means everything is pretty much equally (un)real. the cw is pioneering quantum television and we're here to witness it! what a time to be alive!!!

#asks #anon #RIVERDALE

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kesleyjo · 8 months

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I'm having some finale wine and I think I've got it. My final resolute head canon of Riverdale.

Keep in mind I have not watched the end of season 5 through the end and have absolutely no intention to, but I've seen and heard enough about *gestures vaguely* all of that to still stand by this.

Disclaimer: I do not believe this is what the writers intended whatsoever. This is all my imagination. I do however believe in this canon whole heartedly and its as true to me as whatever RAS's vision is to him. You choose who to trust.

Okay so first and foremost the entire series is written by Jughead. It's all his writings that are probably all sitting in a google docs draft folder.

I justify this due to the following:

He is the narrator

The entire series is obsessed with Betty Cooper for good or ill (I'll get to it)

Its all kind of sort of been alluded to that its all Jughead's writings anyway. At least in S1, again. I'll get to the why of that in a second.

He started writing season 1 in his junior year (so a year after the events of the S1). He read In Cold Blood (on his own, not for class, very important to him that you all know this) and was like "Hey my town had a murder and I have some trauma around it, so I should totes do this." And thus S1 is born.

This is why that season is (relatively) more grounded and far more realistic than the rest of the series because its based on a real true thing that happened and the real feelings and emotions of people involved. It has the least amount of exaggeration (but enough, because Jughead) and has the most coherent plot, which would make sense since Jughead isn't making anything up, he is recalling events.

This is also the only season that directly ties Jughead's narration and the plot to the book Jughead is writing on page, and thus tying them both together. Because again, its a thing that really happened.

So the characterizations, motivations, and actions of everyone in season 1 is the model of how and how these characters actually are and are a base for further exaggeration.

Seasons 2-4 are also based on true events but are exaggerations/interpretations of things that really happened, but are altered to make them more interesting to Jughead's readers (heh).

I don't want this post to be a novel so here is a brief listing of that I am thinking here for some of the main plots (but if you have a plot you want me to fit into this canon let me know):

The Black Hood: When Jughead showed Betty his first manuscript (S1) the positive constructive criticism she gave was that, "True crime is really popular right now, so this fits in with the zeitgeist." And Jughead ran with it. Fred also had his first heart attack at this time...we all know where I'm going with that so I'll just leave that there. RIP.

Making Hal the Black Hood: Hal leaves the family after the Polly debacle and finding some racy pics on Betty's computer (she sent them to Jug, she wasn't a camgirl) and decides to start his life over with a woman who is far more moral (and probably like 2 years older than Polly)

The Serpents/Class War with Hiram: Not a gang, just those under the boot of the rich that Hiram tries to eradicate through good ol fashioned gentrification. Archie and Veronica also start spending more time doing rich people shit and that drives a divide between the two main couples of the core four. But less about political plots and more about teenagers growing apart because of different interests

Season 3: Putting this all together because Jughead was having a hard time finding a plot here. So he focused on Alice's new weird young boyfriend who actually ended up taking off with Polly (leaving her twins), his newfound obsession with DnD (Betty was exhaustedly supportive of this) and Kevin's endless talk about the new megachurch he just joined. He and Betty also started watching a lot of horror films and Hitchcock at the time which leads us to...

Season 4: He and Betty go off to different schools but its because of college, not because Jug is the chosen one (again see why he is writing all of this himself). He meets a lot of pretentious people that challenge his relationship with Betty and he turns it into a mystery.

So now we have made it to 4.17. Ugh.

Okay so Jughead has written all of this, and reading everything back feels that Archie and Betty (who go to the same college now and are friends again after growing apart after he dated Veronica) have grown too close and Jug self destructs.

He self sabotages so hard and makes a story up in his head that Betty would be much happier with Archie who is doing perfectly mediocre at college while Jughead flunked out.

So he and Betty break up after a lot of frustrated fighting.

And he begins to write Betty differently. Wildly differently.

(You can't tell me this doesn't make more sense than whatever the hell happened in the show.)

Jughead dejected from his failure at school and his breakup Writes on and off for the next few years. His next main attempt is S5. His attempt at more realistic writing.

(Its also after Betty enters his life again, because at her core Betty is his muse)

He works through his fictional frustrations of Betty and Archie as a possible couple (They never dated. Archie is actually a aromantic pansexual who does not do commitment) and realized that he made it all up and they have nothing in common.

Jughead and Betty get back together at the end of "Season 5" but Betty tells him that writing about their real life is what tore them apart, so he needs to not use their relationship in his writing anymore.

So Jughead decided to get weird and wildly experimental with his writing. And because Jughead is not a particularly good writer S6 and S7 are born.

Betty, absolutely running out of positive things to say about his last few writing attempts tells him that maybe these exaggerated versions of their lives that bear no resemblance to the real world have run their course, and he should try something new.

So Jughead wraps up this now unrecognizable series of writings and moves onto something new.

With Betty diligently serving as his editor. She got distracted with her new job and left him unattended for those last few seasons and look what happened.

Also I realize that Archie/Veronica/Cheryl/Toni are absent in this so briefly

Archie: He always was in awe of Archie and slightly jealous of what he perceived he had over Jughead...this is why he is the quasi-hero and also why he tortures Arch and treats him like an idiot.

Veronica: I cannot stress this enough. He and Veronica have no relationship. She is his friend's girlfriend and his girlfriend's best friend. The only thing he really knows about her is she is rich and hot. So he makes that her core personality and slaps on whatever traits fit her best for whatever plot he is writing at the time.

(This is also why almost all the women Veronica, Tabitha, Jessica, and Toni all are at some time his love interest. Self instert fan fic Jug. We see you.)

Cheryl/Toni: He and Toni are friends and Cheryl is her girlfriend who endlessly terrifies him. That is the core of her characterization.

I already regret the fact that I am sharing this long-winded mess with the world...but I can't take it back now.

Enjoy. And if you don't that is fine. It's my head canon not yours. Go make your own.

Have fun on finale night folks.

#rd spoilers #not really but for safety #head canon #this is a mess #but I stand by it #I didn't proof this and I'm a glass of wine in so be gentle

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bauxitt · 7 months

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HoA AU where everything is the same except the CW produced the show with a rating of 16+ (think riverdale style) here are a few plot points for fun

This is mostly Jerome points because I barely remember other plots. It's been years. Feel free to add

Jerome's abusive parent(s) would probably be a bigger plot point and actually explain why he's so withdrawn emotionally and trusting of no one, yet desperate for attention and wanting to make others miserable like him. Selfish because he's very aware that if he doesn't put himself first, no one will. Except for Poppy, who he knows needs someone putting her first like he doesn't have. I kind of like the idea that Poppy sort of takes that for granted (not mean-spirited but more naively) and uses that to her advantage, hurting Jerome by accident.

Patricia and Jerome get to be the gays they were always meant to be, but could not because it's a children's show how scandalous. Don't try and deny it.

Joy and Eddie get to be the bisexuals they clearly are, and so Patricia/Joy and Eddie/Jerome happen instead

Jerome always doing scams to get money is because his mother never sends him any, leaving him constantly poor. (A personal hc of mine).

Said scams go from silly ones that end in his humiliation like the show to downright sketchy ones with scary people that puts him trouble way over his head (build up to when he gets in contact with Rufus).

Jerome's dealings with Rufus in s1 are deeper rooted in Jerome needing money and feeling shunned by Alfie and the others, and Rufus sees a desperate teenager wanting approval and affection.

Patricia's trauma from Rufus being addressed and having consequences that was barely touched upon in the show.

Rufus gets to have a knife and a gun, much more fun :)

Also, "mummify you alive" is actually just "kill you" and Jerome is truly threatened with said knife and gun

The gang are constantly let down by how useless the police are, always ending in them having to deal with whatever it is, from Patricia and Jerome's kidnapping, to Victor and his cult, and joy's disappearance and Rufus going around threatening children with guns and sharp objects. Really, they're just paid to turn the other cheek when it comes to anubis.

The teenage drama is extra extra

Victor and his cult are still rather harmless, they don't wish harm on the children, but it's much more ominous and mystical.

When Rufus grabs Jerome, it's for leverage against Sibuna and Victor, aware that Victor don't want harm to come to the children of his house.

Both Patricia and Jerome will have to be tied while captive because that makes sense. They are unfortunately also probably slapped around/beaten by Rufus for their sharp sarcasm. As well as Rufus having an actually secure place to keep the captive.

Expanding on how terrified Jerome is of Rufus, like even in the children's show, he was clearly scared. And why he's so scared.

The Edison Sweet plot being deepened and explored further with sweet making more effort, and Eddie being more reluctant. Getting an actual payoff for the plot with Eddie finally accepting his dad and them bonding

Nina the chosen one plots are actually rather dramatic already, but what they're doing and the consequences are further impacting on the group. I can't remember much of this, so feel free to give thoughts.

I must have blacked out/repressed season 3 because i can't remember a single plot point related to that 🤷‍♀️

#house of anubis #hoa #sibuna #jerome clarke #eddie miller #mara jaffray #alfie lewis #amber millington #nina martin #fabian rutter #patricia williamson

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rythmicjea · 7 days

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Archie's Dream 5x04

Should I be finishing up my chapter for Narwals? Yes. Am I? No. Instead, I can't get Archie's dream out of my head. Season 5 is considered to be "the worst" season. That's because the majority of people don't understand it. There are so many layers to this season. It's like a 14 hour long episode of the X-Files. If you take episodes 1-3 to really be the end of season 4 (and we all should) it's the shortest season out of all of them.

The show needed to get everyone back together in Riverdale. That's how shows like this work. The impetus is Archie's dream. On the surface it's a warning that Riverdale is in trouble. The soul of Riverdale is on the verge of collapse. And yes, that is true. Get closer though, and you start to see the shadows underneath.

The dream opens in the boys locker room of Riverdale High. Archie Andrews is giving his team a pep talk before the game. His voice is darker, deeper, it's that of a drill sergeant. He prepares them saying it's not going to be easy. That they have never faced anything like it but they cannot be afraid. He barks, "Do you know why?" And they answer "Because we're Bulldogs!"

The camera lingers on Reggie. Why Reggie? Here's the thing most people don't recognize about Mantle the Magnificent. He may not like you, but if you go to Riverdale, you're a Bulldog. And he will defend any Bulldog for any reason. That's why he's so offended and incensed that Jughead wears his Serpent's jacket. Because to him, Jughead is spitting in Riverdale's face. Jughead is one of Riverdale's sons and that should mean more.

We see the General tell them that their mission is to save their fallen brother. The next shot is of a football field as No Man's Land (the stretch of land between two trenches in war). There are football players in the background running plays. There are bombs going off and artillery fire whizzing by. I am an avid football fan. I grew up on Ohio State football. A football game is often referred to as a "battle". You'll hear phrases like "Battle on the Grid Iron". Each game is life or death for the players and the fans. But this is more than just a football game. This is actual life or death.

Reggie goes down. Shot in the chest from enemy fire. This is representative of how Reggie is on the "wrong" side in the season. He's aligned himself with Hiram. He doesn't care for the town and the school that he once loved so deeply.

Archie is then flown into the air by a bomb. He doesn't want to go further. He doesn't think he can. You would think that he would look at his target. Instead, he sees Cheryl. She's in her Vixens uniform. And while you can hear the squad cheering, Cheryl isn't speaking. She smiles at him, with tears in her eyes, nodding at him to go forward. Why is she here? They weren't particularly close. Why would she care about his mission? Because Cheryl has lost a brother. She knows that pain of not being able to help and the guilt that comes with surviving. She can't let Archie go through that.

Then we see the fallen soldier. We don't know his identity until Archie gets to him. It's Jughead. A chest wound pouring out blood. His heart was broken by his first love and his best friend. Jughead only says one line and it is "I just need a little help". We come to learn in the season that Jughead has become an alcoholic. His line is one that many addicts say. It's so simple to believe that with just a little help they can overcome their affliction. A lot of times it's said to get a fix. Just a tiny one to help get through the withdrawal.

On the sidelines is everyone who loves Jughead. The Serpents, Betty, Veronica, and Pop. They're all cheering for Archie to do what needs to be done. And at the last moment we see Hiram standing with a gun pointed at Archie. In the first four seasons it was always about Archie vs Hiram. But everyone forgets that the actual thorn in Hiram's side was Jughead. It's Jughead that exposes him. It's Jughead that picks up the pieces of his parental duties for Veronica. It's Jughead who is willing to risk everything to see Hiram exposed for all of his corruption and evil deeds. And Hiram knows it. But Hiram can't do anything to Jughead without exposing himself. That's why he willingly lets Jughead take himself to the slaughter against the ghoulies. Hiram was behind riot night. And that gunshot wound in Jughead's chest? Who's to say it wasn't Hiram who pulled the trigger?

Archie's dream tells the story of season 5. There's many reasons for him to come home. He declares that Riverdale is "dying" and they need to save it. But it's not Riverdale that he has to save, it's Jughead. He hasn't spoken to Jughead in seven years. When he calls his three friends, Betty and Veronica drop what they are doing immediately to answer. Jughead is the only one who hesitates. We never see him answer. Jughead is the most reluctant to stay.

NO ONE on the show knows how to handle an addiction. Not even Jughead. He knows how to take care of his father but it was never his responsibility to save his father. And FP? FP gets sober cold turkey. He falls off the wagon at his retirement party. He is magically able to handle alcohol responsibly. That's not how addiction works.

Archie offers Jughead a place to stay and a teaching position at the school. Archie lets him go when he needs to go back to New York without any questions asked. Archie is the subliminal support system that was taken from Jughead at the end of high school. He doesn't know what to do exactly (and he has his own issues - PTSD) but he can do the passive things to help his brother.

After seven years of silence, Archie has a dream that tells him his best friend and brother is in danger and he's the only one who can help. And if that's being an invitation back to a safe place and a warm bed then he does it without hesitation. To many Archie IS Riverdale. He is the heart of the town. But, Jughead put Riverdale on the map. Jughead is the town's conscience. To Archie, Jughead is Riverdale.

#riverdale #jughead jones #archie andrews #cheryl blossom #jarchie #Not a Jarchie post but celebrating this friendship #long post #very long post #long reads #character analysis #media analysis

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