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hairmetal666 · 1 year

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It starts in Eddie's second senior year, close to the beginning of the semester. Eddie's in trig (again). He's good at math, but Mundy fucking sucks, always giving Eddie shit for breathing, or his shoes squeaking on the linoleum, or whatever, and he ends up with detention most days. So, he hardly ever shows and can't be bothered to do the homework, even though he knows the answers more often than not.

On this particular day, Mundy is in a bad mood, on Eddie's case way more than normal. In the heat of frustration, Eddie scrawls, "I fucking hate this class" on a scrap of notebook paper, and for reasons he can't begin to explain, leaves it folded on the window ledge. He doesn't think anyone will answer; fully expects the paper to be gone come morning with maybe another detention slip under his belt to show for it. He's a little flabbergasted, the next day, when the note is still there, and loses his mind a little when he sees the words "tell me about it" underneath his first message. He doesn't recognize the handwriting, sloping and a little looped, and for most of the class period, he's too bemused to respond. Right before the final bell rings he scrawls, "trig. You?" He leaves the paper on the ledge again. "Algebra 2 :(" is the response.

They keep it up, just a few words at first, before Eddie accidentally doodles on the page, and the other guy scribbles a hasty formula, the math spectacularly wrong. There's a little arrow leading to the words, "this shit sucks." Eddie re-writes the formula with the correct math, leaving careful notations of how and why. The next day he sees, "Shit, dude, I totally get this now. Mundy should retire and let you take over." Which pleases Eddie down to his core.

The messages get longer, nothing super personal, but complaints about life, math help, Eddie's silly little doodles, bad jokes, the slightly lewd drawings typical of teen boys. Eddie's never had a better attendance record in his life, but there are some days where his notes are left unopened. Most remarkably a couple week period before Thanksgiving, where he goes unanswered for so long he figures whatever thing they had going is done. But after the holiday, the notes start up again, with no acknowledgement they ever stopped. Eddie doesn't bother questioning it.

They keep it up almost all year, and they're definitely friends, even though they're totally anonymous. And that wouldn't have changed, except it's the day before spring break and Eddie's vibrating out of his skin with anticipation of the time off, so he forgets his dnd notebook in Mundy's class. He makes it all the way to Click's before he realizes, then sprints back across the school. He crashes through Mundy's door, tripping a little over his own feet.

"Sorry," he pants. "I just left--" he looks over to his desk, far corner right by the window, and then forgets every word he's ever known because Steve Harrington Steve Harrington King Steve, stares right back at him. And he just. He stops and fucking laughs, because all this time--this whole goddamn year--it's been Harrington he exchanged notes with. And sure, the jock's star has fallen in the last few months, with the breakup with Nancy and all that shit with Hargrove, but it's still Steve Harrington. With his big house and his fancy car and his girls. It's pretty Steve Harrington, the focus of Eddie's most hopeless daydreams.

He has a few seconds to see Harrington's hazel eyes go wide, before Eddie spins on his heel and makes a hasty exit. He absolutely doesn't spend the break thinking about the notes, matching what Harrington wrote with the gossip Eddie heard on him from the past few months.

Once break ends, he doesn't bother going to Mundy's class at all.

The Friday of the first week back, Eddie walks out to his van, only to find King Steve leaning up against it. He's doing that obnoxious thing where he has one leg bent, foot resting against the side panel, arms crossed over his chest, stupid hair falling in glorious cascades around his face. It's ridiculously, unfairly attractive.

"What do you want?" Eddie asks. He opens his front door without fully looking at Steve.

"Can we talk?"

Eddie snorts, "what could you and I possibly have to talk about."

Steve narrows his eyes. It's so bitchy and so fucking cute it makes Eddie queasy. "You know what."

"Enlighten me, Harrington."

"C'mon, man, the notes!"

"What about them?

"Don't be stupid, Munson, you know what. Why'd you stop?"

Eddie pulls a pack of camels and his lighter out of his jacket pocket. "Lost its appeal once I knew who was on the other side. Surprised you even want to keep it up now that you know you've been writing to the freak."

He pointedly ignores the little jolt Harrington gives at that, like the words hurt. Which is pretty rich from Steve Harrington, former #1 bully of Hawkins High.

"I've always known it was you," he says.

"You don't--wait what?"

I've known since, like, the first week, Munson."

"How??"

"What do you mean 'how,' dude, you're always drawing little pentagrams and d20's. Writing the word "Slayer" over and over. Who else would it be?"

And he can't even deal with the fact that Harrington knows what a d20 is (what the fuck) with everything else the other boy just said.

"I gotta go," is his only response. He ducks into his van, slamming the door basically in Harrington's face, before peeling out of the parking lot.

✏️✏️✏️✏️

It's the last day of school. Eddie's failed again. His grades, which weren't great to begin with, took a sharp nosedive after spring break, and he just can't wait to be done with this place for a few months. Harrington hasn't spoken to him again, and Eddie tries his hardest to ignore the other boy (aside from seeing him hanging out with Robin Buckley, a junior and a band geek, besides, and he forcibly has to remind himself that he doesn't care what Harrington does).

He slouches into his last math class of the year, slumping over in his seat. He rests his head on his desk, eyes blankly staring out the window as Mundy talks about what a joy most of them were to have in class. His eyes are unfocused, he contemplates a nap, and then he sees it. The tightly folded piece of paper resting on the window ledge.

Eddie almost doesn't take it. He almost ignores it, but he physically can't stop himself for reaching for it, unfolding it, staring at Harrington's now familiar handwriting.

Hey man, I'm pretty sure I fucked things up with us, and I owe you an apology. I've always known who you were, but you had no idea I was me. Buckley helped me see how that maybe freaked you out a little. I know I used to be a piece of shit. But I'm better--or I'm trying to be. And I'm so fucking sorry for the shit I did to you before and the things I didn't bother to stop. You don't owe me forgiveness, but you should know that I regret all of it. I liked passing notes with you. You made me laugh, and I don't know. It was nice to think someone liked me for reasons other than that I'm Steve Harrington, or whatever. I'd really like it if we could be friends. I get if you can't do that or don't want to.

Whatever the note actually ended with is scribbled out in pen so thick Eddie can't make it out.

All day he thinks about the note, the apology, all of it. Eddie thinks, if he's smart, he won't forgive Harrington. That he knows better than to trust him. But Eddie's never actually been that smart in this way, so he's not totally surprised to find himself walking to Steve's car after the last bell rings.

This time, Eddie's the one with his foot resting on the side panel of Steve's BMW, arms crossed over his chest. He doesn't have to wait long before Harrington makes his way to the car, chestnut hair dancing in the breeze, biceps on display in a short-sleeve polo. A little smile dances across his lips when he spots Eddie.

"So, you gonna tell me how you know what a d20 is, Harrington, or do I have to guess?" Eddie offers the other boy a cigarette.

"Babysitting?

"Babys--Are you serious??" Eddie splutters. Steve Harrington babysits. Steve Harrington babysits little dnd playing nerds. Steve Harrington wants to be his friend.

A full grin spreads across Steve's perfect face and Eddie is absolutely, 100%, fucked.

(Part 2)

(Steddie Notes is now posted in full on ao3!)

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apticho · 6 months

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my hope, my star

#my art #my ocs #hope #THIS STARTED ONLY AS A SKETCH AND THEN I GOT KIND OF CARRIES AWAY :BLUSH:#my friend mentioned hopes design had big princess tutu energy and i cant unsee it now My heart is so full #i definitely have to check it out when i have the time t_t #i really do love the ballerina imagery for hope and i think it really matches her :pleading:#carried* man ill never stop making typos however long ill be on the internet :pensive:#SORRY I KEEP MAKING A GAJILLION OF EDITS ON THIS SLKJDFHSF

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otlwoozi · 6 months

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MAMA 2024 ALBUM DAESANG - FML

#seventeen #art #my KIDS. my hearts. 🫶🫶🫶🫶🫶🫶#i lost track of how many of them i drew multiple times so i had to do tally marks on a sketch layer #8 years after their first mama award seventeen is the DARLING of the industry this is all ive ever wanted for them #idols of idols #had a long talk w my friend abt the direction of kpop and not many groups still feel like classic idols they just feel like a group of ppl #svt has never let me down on that front bringing emotions n connecting is so sososo integral to their mission #and its through music but its also through ground level activities n styaing in touch w their core fans n eo #amidst the globalization of kpop SEVENTEEN STANDS STRONG AS IDOLS #ok sorry for tag rant #u have to endure it if u want to see my art

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starry-bi-sky · 2 months

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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

#dpxdc #dp x dc #danny fenton is not the ghost king #dpxdc crossover #dpdc #dp x dc crossover #dpxdc prompt #man i just really need more dpdc stuff where danny and bruce have a good relationship. like man i NEED it. like i need to see these two #bonding together. and not in a cracky 'oh danny is a distant friend/cousin/etc' stuff but like. active participants in each other's lives #or as active as can be in this case. i neeeeed these two getting along and caring about one another #this idea came to me like last night and hasn't left since nd it was driving me up the wall to think about both positively and negatively b #i neeeded someone to hear about this or i was gonna implode #danny is the first son #tried to just get the general gist of the idea down but i definitely thought of the idea that bruce lowkey suspects vlad for having a hand #Vlad allows Danny to sneak off because he thinks Danny is alone. if he knew Bruce was there he'd be piiisssed and would put a stop to it #Sam and Tucker are alive they just got ghosted for a bit by danny bc he was in Major Grief and didn't wanna socialize. He couldn't go to #them because he didn't wanna put them in danger via Vlad.#oh that thing he handed Bruce? Yeah that's his ghost core. I have a headcanon (that isnt always applied) that ghosts can take their cores #out of their bodies at will and painlessly and without issue. and its common practice actually to do so bc they can be a not insignificant #distance away from said core before problems start to act up. and its common for ghosts to leave their physical cores at their lairs for #safekeeping because as long as the physical core is fine: so is the ghost. they can reform if their body gets destroyed. it also acts as a #fast travel sometimes. where they can reform at their core in an instant. its not inspired in the slightest by SU but i do see the overlap #most cores are pretty small for safety sake: its harder to hit if its small. and they're pr resilient too but its better to be safe than #sorry. so yeah. danny essentially gave bruce the physical embodiment of his soul and indirectly said #'if anything happens to me at least i'll be safe with you'#danny doesn't know he's batman btw #starry rambles.#was gonna go into danny becoming a vigilante beside bruce but im sleeeepy so i'll do that in a reblog. he's gonna go by nightingale if #anyone is interested. stereotypical but to be frank it is a *good* name imo. has a good amount of syllables and consonants to it #and the bird theme. and since its part of an ancestral name it has even more backing for it being bird-y without being meta

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kastheory · 8 months

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steve did not bully eddie in "the past" steve was a grade below him for 3 out of 4 years of his high school career freshman steve heard this weird loudass sophomore talking w his friends at 100 decibels in the hallway about fighting elves in the woods or something (steve did not know what larping was nor care to find out) and then he went to class bc are you insane hes not fucking w a sophomore you dont normally fuck w people ahead of your grade especially if they yell at people and wear chains and get into fights in the woods (with elves?) and you dont even have classes w them. you dont even care much about them in the first place beyond passing gossip like HAVE YOU GUYS EVER BEEN IN HIGH SCHOOL. sorry. anyway.

then steve keeps catching this guy in his periphery over the next two years shouting about board games and controversial food opinions and metal bands that steve likes a few songs from but could not ever imagine giving that much of a shit about. like at all. and by (steve's) year 3 the motherfucker is bouncing off the walls giving speeches about what the hell ever and saying he cant fucking WAIT to get out of this FUCKED UP PLACE!!!! YEP ITS TRUE IN LESS THAN ONE MEASLY YEAR ILL BE SAYING MY SWEET SWEET GOODBYES TO THIS BRAINLESS CONFORMIST PRISON!!!! and hardly anyone reacts beyond rolling their eyes or snickering to their friends about it and this includes steve because who cares literally who cares. this guys been causing a ruckus since the beginning of time and hes weird and unpredictable and not worth trying to shove in a locker he would probably evade the attack anyway like a nimble mouse or squirrel he might even try to bite you. and steve didnt shove anybody in lockers in the first place so who cares and yeah he has pretty eyes and a funny way of talking and moving around but WHO CARES

and then steve goes through the first round of nightmarish shit that would become a yearly ordeal and then wraps up junior year in a perfectly normal not haunted whatsoever fashion. and then hes a senior and in his subtly cringefail era (ongoing) and that freak guy is STILL HERE for some reason and kinda pissed off and possibly a bit devastated about it so okay great now steve has a few classes with this angry weirdo loudguy but. crucially. he has had a lot of OTHER SHIT to deal with lately (MONSTERS ARE REAL) (GIRL DIED IN HIS POOL) (GF RESENTS HIM) (HAS NO FRIENDS) (COLLEGE APPS) so the only effect eddie's constantly loudmouthed & often unwarranted input during class ever has is that it adds a little flavor to the constant metaphorical and literal headache of steves life.

and then he goes through round 2 of shit and finishes his senior year with little hope for a satisfying future ahead of him and never once thinks about that guy again except when his fellow grads whisper about oh my godd did you hear that the freak flunked out again hahaha and yep sure enough eddie's not there at the graduation ceremony. and he thinks huh i wonder what his fucking problem is and then he MOVES ON. the end. thats the extent of """their past""" at least in terms of any actual interactions btwn the two of them i promise okay listen to me. i was there

#and i think its beautiful. this was not supposed to be like 600 words long lol #im just so tired of the 'sorry i used to bully you...' of it all like WHAT?? HE DIDNT DO THAT?? WOULD EDDIE NOT HAVE MENTIONED THAT-#SHIT IN HIS SPEECH ABOUT STEVES TRUE CHARACTER???? HES LIKE 'i thought u were an asshole lol' COS IT WAS ALL IMPRESSIONS AND GOSSIP #also im tempted to write or add what eddies perspective would have been but it would be a MUCH SHORTER post imo #oho another popular jock roaming the halls well those things are a dime a dozen. time to throw pretzels at my friends #steve #eddie #steddie #📼#🎱#edit... i drafted this in....... april........ LMFAO #🪩

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tofixtheshadows · 5 days

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Hello, op! While I do find your reading of Kabru’s self sacrifice and how little he eats really good, im curious why you consider him the deuteragonist? He is a foil to the protagonist yes, but still a supporting character.

I think its pretty clear Marcille is the second most important character in DM, and her story has much more weight than Kabru’s.

Hello! I've mentioned this on my blog before, but I actually consider Marcille and Kabru to both be deuteragonists to Laios's protagonist. I just wasn't talking about Marcille in that post.

Technically this term is meant to be used in playwriting, and the Greek tradition at that, so I'm playing a little loosey goosey with semantics and my argument would sound different if I were writing an academic paper. But this is tumblr dot edu and I'm trying to get a point across on my little blog, and part of the idea of a deuteragonist is that they support the protagonist. "Secondary main character who has their own importance in the narrative while bolstering the protagonist" works well enough for my purposes.

I think Marcille and Kabru are both playing specific and complementary roles to Laios. Marcille is at his side, facilitating the A plot: namely, "save Falin", which requires Marcille's magic, and then Marcille's method of resurrection ropes Thistle in, so the continuation of "save Falin" necessitates confronting the Dungeon Lord and conquering the dungeon (the B plot).

Kabru only intersects with Laios, but he is tied from the beginning to the B plot- and with dragging basically everyone else into it. Actually, the fact that he brings in this extremely loaded B plot despite only having brief face time with the protagonist should be seen as significant. In a sense, Kabru represents the surface world and all its concerns.

Before I talk about that more, I want to continue with the complementary line of thinking and point out that Kabru and Marcille have very similar background motivations.

Laios wants to save his sister first and foremost, and it's only along the way that he starts to consider what he'd do with the responsibility of Dungeon Lord. Coming to the conclusion that he wants to create a home for disparate peoples to live in harmony has connective tissue to both Kabru and Marcille's desires.

Marcille is the only one in their party who starts out with a greater motivation other than saving Falin (Izutsumi is a special case, but she's ultimately along for the ride), one that she keeps hidden for a long time. Because she is a mage, and because she is driven by a very personal tragedy (my dad died; I am terrified of outliving everyone), she is looking for a miracle to bring the different races closer together.

Kabru comes from a background of personal tragedy as well, but it's also a far greater, more political tragedy than just the death of a parent. It is not a coincidence that Kabru is a brown boy from an exploited region that suffered despite and because of military intervention from a first-world power, nor that he was adopted by a white woman whose coddling/dehumanization of him represents the paternalistic oversight of these world powers.

Thus, Kabru's motivations are both personal and political: if they, the short-lived races, can finally access the secrets of the dungeons, then not only can they have agency in stopping tragedies like Utaya's, but it will also give them a greater power of self-determination.

Marcille and Kabru have both correctly identified and set themselves against a problem that is greater than saving the life of one girl, greater even than sealing this one dungeon.

Despite Marcille's hopes, there is no grand magic solution to this. Only small, slow, backbreaking, ordinary solutions, the kind you labor over in kitchens and bedrooms and throne rooms and meeting houses and hearths and negotiation tables. The kind you run a kingdom with.

There is a reason why Dungeon Meshi ends with Marcille and Kabru on either side of Laios's throne.

Okay: back to Kabru (under the cut).

I've talked about this a little before, but I'll reiterate here: I consider Kabru to be the counterweight to the back half of the story. In a very literal sense too, as he pulls the focus up from the depths to the surface not once, but twice. Dungeon Meshi builds itself on the premise that the traditional "dungeon" must function as an actual ecosystem, and the monsters in it are biological actors in that ecosystem and not merely magical obstacles independent of their environment. The first couple dozen chapters are focused on this. Like regular animals, monsters have needs and instincts and unique behaviors, and they can be killed and consumed as part of a food chain.

And then Kabru comes along and he reminds us that humans are also part of their own special ecosystem, with their own needs and instincts and unique behaviors, and that beyond the biological drive of the literal food chain there are also complex social issues influencing these behaviors (like capitalism). Tansu's visit with the governor introduced us to these ideas, but Kabru is the one who carries them.

The way he and his party break down Laios's party also serves an important function. I think most readers are so busy being shocked that Kabru is "so wrong" about our goofy boy Laios that they don't realize that he isn't actually wrong about anything (he's only missing the context of what drives Laios, which he admits to and is part of the reason why he pursues him). We've gotten only Laios's view of things so far, and Laios is pretty tunnel-visioned. The narrative, through Kabru, is telling the reader this is how our protagonist actually comes across to his community.

We like Laios because we are following his story from his inner circle. We know he's naive and struggles with people but that he has a good heart and is ultimately just a big silly guy who won't harm anybody if he can help it. But we only know that because we're seeing him with his inner circle, in his environment. Outside of the dungeon, Laios is anti-social to the point of rudeness; he misreads situations and misjudges people, he acts in ways that cause friction, and he accidentally aligns himself with people who make his whole enterprise look suspicious: a prominent half-foot community leader, a mysterious foreigner literally surrounded by spies, the disgraced daughter of a criminal who now has to shoulder the burden of her father's reputation, and an elf in a land where there are no elves. And they seem to be very good at what they're doing. Yet this whole time, Laios acts as if he doesn't care about profit or taking the kingdom, the only logical reasons why anyone on the Island would gather up such a party and throw themselves into this death pit day after day.

Yeah of course Kabru finds this suspicious and interesting. Of course people don't know what to make of Laios. This all reiterates the question that Zon the orc already raised: What will you do, Laios, if you defeat the Mad Mage? If you gain control of all of this? Can you be a leader? Laios himself doesn't know yet.

This is all necessary context for our protagonist and the journey he has to go on, and it's fittingly brought up by the most socially adept character, who is so concerned with human ecosystems and the bigger picture of the dungeon. There is a reason why Kabru, as a character, is connected to large webs of people as he moves throughout the narrative: his own party, Toshiro's party, the Canaries, the denizens of the first floor of the dungeon.

Kabru is responsible for bringing Toshiro down to Laios's party. Toshiro is not a big mover and shaker in the story itself, but his confrontation with Laios is a huge part of Laios's character arc. His detour down to the lower levels also allows Izutsumi to escape and join Laios's party later.

We also have this very important moment:

It shows the first inkling- to the audience, to Kabru, and to Laios himself- that Laios is willing to do a painful, necessary thing to protect other people, that he won't just allow them to become collateral for his sister/monsters. That he can listen, and that he can assess a situation beyond his personal feelings. Again, fittingly, big-picture-thinker Kabru is the catalyst for this.

And then, not content to leave him as merely a device for Laios's character growth, the focus slingshots back up to the surface, and we follow Kabru.

The Canaries were going to go into the dungeon soon anyway, and they were always going to stir up the crowd in order to lure Thistle to them. Unless Thistle had given up right then and managed to slip away, the story could have very easily ended here:

Falin, immobilized and surrounded by Canaries, would have certainly been killed, and there would have been no way to ever resurrect her. Thistle would have been neutralized. The dungeon would have been taken by the elves, and anyone they could get their hands on would have been imprisoned at best. And maybe the dungeon would have been managed safely ... or maybe something would have gone wrong, and more lives would have been lost. Remember: the Canaries arrived in Utaya one year before the tragedy.

This is a huge moment that changes Laios's life forever, and he doesn't even know it. Kabru single-handedly keeps the story on course by sabotaging the Canaries, and he does it not just for Laios's sake, but for everyone's sake. For his friends and companions in the dungeon and everyone else outside it. Laios is a part of his motivation, a key player in Kabru's hopes, but Kabru has his own desires, his own agenda. He's trying to change the world. In a way, he succeeds. And while the Canaries might wish it were otherwise, as an entity in the narrative they are always anchored to Kabru's character. The two forces collide because of Kabru. The unsealing of the Winged Lion and Marcille's emergency ascension to Dungeon Lord happen indirectly because of Kabru.

While I have talked so much already that I don't want to give a detailed breakdown of it, I do want to mention Kabru's unique interiority as a character. That is to say: we see the inside of Kabru's head more than anyone else. Every character in the main ensemble gets their own moments of inner monologues or fifteen minutes in the limelight, but for Kabru, it's constant. He's always thinking, talking, narrating. His POV chapters always stand out for how first-person they feel compared to most others.

Notably, the only other character I could compare that to is Marcille, specifically during the dungeon rabbit debacle and her ascension afterward, which is when she really takes center stage as a character.

I hope I've explained my reasoning without becoming too insufferable.

To cap off my thoughts with a nod to my original post, I cannot stress enough how significant it is, thematically, that Kabru's relationship with food is the inverse of Laios's. It isn't just that Laios is the main character in a story about cooking monsters and Kabru happens to be his monster-hating foil. The artistic choice to deny the reader the visual of this character ever enjoying food, and only ever putting it in his mouth in situations where it hurts him, in a manga that gives so much attention to eating and the pleasures of meals, cannot be understated.

#Dungeon Meshi #Marcille Donato #Kabru #Kabru of Utaya #Dungeon Meshi meta #Dungeon Meshi spoilers #I started answering this at 10:30 AM but took several detours #mostly I was at work. some people shitpost at work. god knows what I'm doing.#I am so fucking sorry I did not mean for it to be this long. I had to EDIT THIS DOWN #paging malewifesband I feel like this does the trick wrt: Kabru's function in the narrative #of course I have more to say about he and Laios specifically (she threatened)#musings with Dea #I think I'll go back and add image descriptions but it's been eight hours and I need dinner!#and also to play FFXIV #dungeonposting #Dea's anonymous friends

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