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#this character would have a massive complex
egcdeath · 1 day
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succession!patrick au WALK WITH ME.
it’s already mentioned that patrick’s parents own some sort of company where they have a board. why not imagine this is a massive media conglomerate? waystar zweigco anyone??
also patrick is such a kendall roy. like very much pathetic little meow meow. kinda a flop. definitely fell off. boyfailure. writing a fic where you’re kinda like a rava character where your marriage is actively flopping because patrick is a mess would just be so… yes.
but i also think a shiv/tom dynamic would be interesting to explore. but in an au where patrick is the shiv archetype (competing to be the company successor and getting close but never fully being in) and reader is more like a tom character (loves him but also loves the proximity to power) would be sooo fun to explore. like that complexity of loving each other but always kinda being restrained by environmental obstacles and bad decisions and trauma is just way too good to me.
i just love succession. and i love patrick. my brain is so rotted.
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khalidimitri · 11 months
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Another male/female fire emblem favs fusion! This time I’ve made Lysumi (using resplendent takumi)
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flydinom · 3 months
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He's very fun at parties..
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inspired by @okultraoldmanyaoi 's (and someone else I think but I can't remember their username) take on gary's breakdowns (i cant stop thinking about that since i saw that post)
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finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh
#Given some of it IS lines of code and stuff but like.. minus all that it's still probably at least 85 - 95k words hhhhhh#AND I have to do this for another 3 characters. Then a few partial quests for 3 others. THEN the other random misc stuff in the game#(like there are public areas in the city like a park and a forest that you can go and do a few things at. and chat with a few random#townsfolk that aren't actually full characters or anything. And there's a community board where you can#browse some of the random job advertisments or silly things that happen to be posted around#and also pick up a few odd jobs of your own to help earn coin to buy gifts for the npcs. etc. etc.)#Originally I was thinking like 'ah I'll make a short little game just to try it out! :3 It'll take maybe a few months!''#haha........................hee hee........................................hoho#Also evil that it would have been done already if I didn't totally drop itand stop working on it for like 5 years randomly#i could have made 5 years of steady slow progress gradually. instead of like 'one initial idea dump + about a month of art and writing'#...... 5 year break..... 'sudden mad dash to try to get probably 400.000 words written in a year or less' lol#I just really want to be done and have something out there already so it can lead to doing other things in my world..!!!!!! T o T#Like this can be an introduction and then maybe from that I can make other games. or short story anthologies. or other such things#But there needs to be some initially not very complex easy to interact with starting point first I guess... if that makes sense#That's part of why I stopped posting worldbuilding lore dump stuff as often because its' like.. massive walls of novella length#text are much more inacessible to engage with than like.. ooh a game! and there's characters! so its more approachable! and theres#visuals! oo! and the text is broken up in small bits line by line with other things in betwen! oo! etc. etc. lol#Not that THIS is even very accessible. I think dialogue heavy interactive fiction/visual novel type stuff is pretty niche and considered#boring or tedious compared to something with more ''gamplay'' like where you can actually move around in a world#and shoot things or whatever lol. But its an inbetween point. something SLIGHTLY#more accesible for now. Since i just dont have the budget or means or ability to make some skyrim type thing obviously LOL#Though maybe if theres any interest in the visual novel that could lead to making other things too. or at least I hope. I have a VERY cool#idea for a more ''gamey'' type of game that is a super fun concept and etc. but I would need to hire at least 2 people to make it.. ough..#I could do all the writing and probably half of the art. But I think I'd inevitably need a 3d artist and someone who can Code For Real hbjh#the system for ren'py (the thing I'm making a visual novel in) is not that complicated if you stick to just simple dialogue and stuff.#Making a whole moderately sized 3d game with minigames in it and a bunch of quest features and etc. would be out of my simplistic scope#''just learn it yourself!!' ... i barely manage to eat and sleep reliably every day lol... i do not function well enough to spend months#learning that many new skills. I already have a lot of of things I'm good at (not in a braggy way but just factually like.. i already have#a wide variety of different things under my belt).. at some point I have to just be happy with what i CAN already do and focus on that#and admit I need to get outside help sometimes ghjbh... NO more new skills/hobbies!!! ... ANYWAY
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usagimen · 4 days
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btw, this is massively sayuricore, thank you for reading this importance announcement
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earlgreybocchan · 25 days
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Animating this season like you can't have the slightest bit of jest and god forbid jesting about yaoi
#can't even jokingly say slurs like saying fag instead of drudge wasn't The joke#like ciel took his earrings out at school right he was trying to be normal at normal boy school and they are all using slurs in their...#...everyday social setup their whole social world within the school at least relies on every important guy having a guy who will do...#...anything for him which is literally ciel's entire bit but normie#anyway whatever i am not going to explicate every joke at play here but what really annoys me about the shojo sparkles joke getting cut...#...is that it's being used in different places like vincent got shojo sparkles yesterday and ciel's at the beginning but like that is...#...supposed to be the joke-y indicator this is NOT normie shojo school so why did these have to get animated so FLAT#like you mean you can't imply any subtext about ciel bc it would be problematic. this is a story that is literally ABOUT people playing...#...at who they are not. the whole series and every character is set on that premise. and you're going to cultivate an environment where...#...viewers accept that any kind of subtext at all is inherently problematic and needs cut from the story#like they could have cut more and i am interested to see how they're going to handle things like ciel getting carried off of the field. but#it's more uncomfortable to me to be like no being a gay teenager is inherently problematic actually he can't be gay but he can be...#...straight engaged to his cousin in earnest even though the narrative has established how that is fake too.#and not dipping into the whole sebastian thing fully but then you have a setup where you have made it unacceptable to tell any gay story...#...that might be slightly problematic even though here it genuinely is a lot of subtext you have to understand that there is subtext to get#and there is the element here with them too where they are liars and they are playacting. that's part of what makes the story so complex...#...and interesting!! is trying to decipher who is lying and why the world they live in makes them have to lie to survive#it's doing a massive disservice to this story to approach it from the angle of someone might think on that too hard and think it's...#...inappropriate :( let's be the yen press and tweet something about sebastian being a mom so no one has to question what they're looking a#in a STORY THAT'S ABOUT QUESTIONING THE TRUTH OF WHAT YOU ARE LOOKING AT#i don't even care about shipping this is just cultivating a massive media literacy problem where you are being encouraged to take a story..#..at face value and you can't make dark jokes and you can't make stories about problematic gay people#it also bothers me bc this story has been really popular in japan for like 20 years without the mass public being in a constant state of...#...is this demon his boyfriend or dad :( like they're just fucking watching it ahdjrf#that also bothers me bc it's like you guys can't engage with any grey area relationship in a story where it doesn't fit into a box#but anyways why can japan engage with it to make it as popular and long lasting as it is and not everyone else don't say bc japan is...#...full of freaks who only like freak stories. this is also symptomatic of things i have complained about elsewhere on this blog that us...#...dub culture has cultivated an environment where us normal cool americans are going to tell freakish japanese people how to engage...#...with their counterculture cartoons in the Right way without ever having to engage with another country's culture or a story in general.#my kuro posts
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valyrfia · 3 months
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The Sainz Effect on Media: What the Hell is Going On?
Last weekend, Carlos Sainz Jr. won the 2024 Australian GP, and subsequently, almost every single F1 media outlet has seemingly lost their minds. From the aramco power rankings giving him a perfect score (despite Max not getting one for a grand slam last weekend), to motorsport.com acting like a fan account, everyone is tripping over themselves to sing his praises.
F1 is a complex sport, it requires several different aspects to even get a car moving, even more to make it competitive, and even more to enable a championship fight. From driver line-up, to aero, from international politics, to tyre deg. There's no other sport like it. To truly be an expert in Formula 1, you have to have knowledge of how a track works, an understanding of combustion engines and aerodynamics, a grasp of interpersonal and sports psychologies, and a sense of international relations. This is why, even more so than any other sport, good journalism is vital to the sport's ecosystem. No one person can be expected to be an expert in all these areas, you need a team of people who are willing to pool their knowledge and resources before coming up with conclusions to disseminate to their audience.
But media also likes narrative, and media likes an underdog, that is undeniable. And you can create an excellent underdog narrative with Carlos. From losing his seat despite his teammate keeping his, to him having to get his appendix out in Jeddah, the circumstances are there to set up an underdog narrative. But the crux of the issue is this: anyone with any sort of F1 wheel knowledge understands why Charles was kept over Carlos (a better driver even in a car built away from his driving style, who is revered almost as a messiah figure amongst the traditional fans of the team), why Sir Lewis Hamilton is a much more desirable asset to a top team than Carlos (7x world champion, who brings in a massive draw for talent that will far outlast his stint with Ferrari). So what do you do with these characters who don't match the narrative that you want to push?
Simple. You discredit them.
Make no mistake, this is what we're seeing across every major F1 news outlet in the past week. A plain journalistic choice to choose narrative over integrity. There's all sorts of rumours whizzing around as to why that could be: from possible covert payouts from Sainz Sr, to possible misogyny towards Leclerc fans to pundits simply not being bothered to do their research. But the why of it, although important, doesn't matter nearly as much as the fact that however you look at it, these journalists are failing the sport they claim to love. What's even worse, is that it takes a simple glance at numbers to tell us that these media outlets are digging themselves a hole, and are going to have to backtrack or try and excuse their belief in this narrative in the coming months.
Let's take a common line that Sky Sports like to use as an example, "Carlos Sainz is driving for himself. How incredible would it be if Carlos could compete for the championship this year." Max Verstappen will likely win the championship this year, there are no ifs and buts about it. Red Bull are still developmentally leaps ahead of their rivals, and even if Ferrari were to catch them, Max is still at the wheel. And if Ferrari were to catch them, why would Ferrari prioritise Carlos over Charles? The only driver who has been proven to be able to beat Max in his current form at Red Bull on pure pace is Charles Leclerc, which he achieved in Las Vegas last year, and would've gone on to take the win at that same race if not for the safety car. The most likely championship fight this year is Max Verstappen vs. Charles Leclerc, and that's hinging on Ferrari matching Red Bull development. This outcome is blindingly obvious to anyone who knows how this sport works, and yet the current media angle seems to not be to explain how the sport works to the general public, but rather to double down on narratives that are certainly going to be proven incorrect in a manner of months, if not weeks.
Let's look at another common angle the media seem to like to take, "You have to ask, did Ferrari make a mistake swapping out Carlos Sainz for Lewis Hamilton?". Now, if you've been even near a TV showing F1 in the past ten years, it's pretty obvious this answer is of course not. Lewis Hamilton is likely the greatest driver of all time, his name in a lot of cases outshines the sport itself. No other driver on this grid even comes close to his level of acclaim. This reason alone is enough for Ferrari to sign him. Ferrari has not won a championship in close to two decades, the best and brightest engineers want to be working where they know the results are going to come from, and right now, as a stellar engineer, Red Bull or Mercedes or even McLaren would be a choice over Ferrari, which has the added hurdle of moving to Maranello (considering nearly all the other teams are located in the Midlands in the United Kingdom). Acclaim aside, Lewis Hamilton is still a very impressive driver. P3 in the championship last year to a Red Bull 1-2 is not something to be taken lightly, considering his teammate finished in P8 in the same car with only one more retirement. It does make pure racing sense to sign him over Carlos, who finished in P7, especially since Ferrari have an up and coming talent in Ollie Bearman, and what they need is someone with experience to fill that gap until Ollie can make it to Ferrari, and will likely happily step aside when that time comes at some point in the next five years.
However, has there been a single major F1 news outlet calmly and rationally explaining this thought process for those who may enjoy the sport but are not experts? No. Instead, what we get is Sainz sensationalism, and bias so explicit it tips right over into unprofessional. From The Race saying that a Sainz/Leclerc civil war is Leclerc fan hysteria, despite their own outlet running an article just months ago about tensions in Ferrari, to motorsport.com creating a CV for Carlos, and then proceeding to harass fans who ask why they are so keen to ignore facts. Every single F1 outlet seems to have lost their minds.
The sad thing is this will only backfire massively on Carlos himself. Charles will outperform Carlos, every metric from the past year indicates so. Ferrari may be in the running for the WCC by the midpoint of the season, but Carlos's win will fade into distant memory long before we reach Spa, and the average enjoyer will look back on all this crazy media hype and go "hm, well he didn't live up to expectations did he? He was massively overrated." And this too, will be the fault of F1 media.
In conclusion, F1 media sensationalism has failed Charles, Lewis, and Max, it will fail Carlos in the coming months, but most of all, it has failed the fans of the sport, by choosing to focus on far-fetched narratives, rather than deliver proper journalism and build equally compelling narratives out of the data on the table. It highlights a lack of skill and awareness, which threatens the entire ecosystem of the sport that we all know and love.
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ozzgin · 10 months
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How would the guys react to prehistoric reader fighting pickle (and she wins if that’s akay) Since he angered her. Because he ate her food( or she really loves food or she’s on her period)
(hope it makes sense )
I can never say no to a strong female character so it’s absolutely okay! If you‘d be so kind, I have two more asks regarding the prehistoric reader that I think are somewhat similar, so I’d just combine them under your request.
The first request: prehistoric pregnant reader “adopts” Baki (our affection deprived boy could use some love); her first spoken word is “Pickle”, and finally she gives birth to twins
The second request: prehistoric reader begins understanding modern human language, surprising the fighters, and begins translating for Pickle.
Baki Characters x Prehistoric! Fem Reader (II)
Featuring Pickle and his challengers. The sequel to our prehistoric reader that just gave birth and is slowly cozying up to modern life.
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Reader wins against Pickle
You don’t even remember what set you off. Maybe the pregnancy hormones had gotten out of hand, or Pickle’s successive wins had earned him too much audacity. What’s certain is that you weren’t pleased with his attitude and decided to remind him you’re not one of the humans for him to show this insolence.
Hearing the savage, vicious growls that erupted from your chest as you slammed Pickle’s unconscious body into the ground one final time, no one really dared to interrupt you. Retsu, Katsumi and Jack had already received extensive injuries from a Pickle that held back still. They didn’t wish to ponder what you could do to them in your current state. Baki glanced at his father, wondering if he’d be tempted to challenge you during this unique opportunity.
Yuujirou, however, was trying his best to hold back his laughter. He couldn’t remember the last time he was so entertained. If you were moping the floors with Pickle with a massive pregnant belly, how damn strong were you on a regular day? He nearly put his hands together in prayer, hoping you’d stick around once you were done popping kids. He wanted to fight you so badly and felt like a schoolgirl kicking her feet on the mattress the night before a class trip.
Baki finds it amusing that you’re seemingly stronger than Pickle. His only goal is defeating his father. Of course, anyone strong enough could provide him with extra training for the final battle, but at this point, with you as his opponent, he might actually be overreaching. He hopes you won’t decide to fight Yuujirou anytime soon, because he wants to be the one to defeat him first. Jack shares this sentiment but is also a bit deflated knowing how big the gap between him and the ancient humans is.
Reader’s first word
Pickle is curled up in his enclosure’s tree trunk, pouting mildly after the angry defeat he suffered. To add insult to the injury, he can hear Baki’s spoiled chuckles as you feed him some of your T-Rex meat. After his fight with Pickle, the young boy was most open to receive aftercare and attention and you found it utterly adorable that someone as strong as him enjoyed special treatment.
The other men found it rather humiliating to rely on you and would gently let you know that they can manage just fine. But Baki immediately clung onto you and in time you began to wonder about his family. You weren’t entirely sure how to express the question to him. Did he have a mother? Where was she? How would you gesture for “mother” in the first place? If only you could articulate the same noises the other humans used to communicate. It looked very efficient and also very complex.
You glance at Pickle’s hiding spot, lost in thought. You try to replay some of the dialogues you’ve witnessed. In your mind, you closely observe the men discussing things in front of your prehistoric mate. The way their jaw opens and closes at calculated intervals. Why is the tongue contracting so frequently? Is this the tool needed to turn your growls into intentional, obvious messages? You pucker your lips and allow some air to blow out, like a faint whistle. Then, you tighten your lips and release them with pressure, and a “pop” sound comes out. Baki observes your attempts, confused. You press your tongue against the roof of your mouth and exhale. Another flattened whistle is released.
Finally, you flex your vocal chords with just enough force that the growl smoothens out and is replaced by a continuous voice. You repeat the movements that you’ve practiced in your head. So many people have used this word when looking at him. It can only mean one thing, and you want to hear it roll out of your own mouth. “Pi-ku-ru~”
Pickle pokes his head out of the enclosure, perplexed. That was certainly your voice, but the contents delivered by it were nothing he would’ve expected. His eyebrows are raised and he looks at your equally shocked expression. Baki is dumbfounded. He feels like he just witnessed something forbidden, of unspeakable importance. The raw piece of meat hangs in his mouth, yet to be chewed. You turn to the small human, seeking approval. Was this the correct way to do it? Have you made your message clear?
Before a potential answer comes out, you rush to Pickle and grab his face between your hands. Such a bizarre sensation. Within this vast, intricate language that the humans used, this one sequence of contractions and movements was specially designated for him. This one prolonged sound, and his eyes will lock with yours because he knows it’s him you’re calling. You gently kiss Pickle and he clumsily returns the gesture, still unsure of what is happening.
Birth and aftermath
Professor Payne is pacing in front of the hospital room. He doesn’t know what to be more excited about. The fact that two more prehistoric humans will soon walk the modern Earth, or that their mother casually reproduced articulate language just a few days ago. He clenches his fist in his pocket, somewhat resentful of Baki for being the one to retell the story. What unbelievable potential. His nostrils can already pick up the fresh ink of the soon-to-be published newspapers: “Noam Chomsky’s works in linguistics threatened by latest breakthrough - Discovery of Dr. Payne shows that ancient, Jurassic humans posses the skill to acquire spoken language. Implications unknown.”
Meanwhile, the fighters are gathered in the cramped hospital room. As they have proven their friendship to Pickle, it’s only natural to share this intimate moment with him. Pickle is holding one baby in each arm, cooing at them excitedly. Katsumi is pretending to be focused on a sight outside the window in order to hide his glossy eyes; births are always emotional for him. Retsu is standing close to the entrance, arms folded. He, too, is distracted by the knowledge that you may understand them and reproduce their words. He absentmindedly goes back to his encounters with you, hoping he didn’t say anything out of place that you might’ve picked up.
Baki is sitting on the side of your bed, carefully kneading your hand in an attempt to relax you. “You really should try some of the hospital food, I don’t think I’ve ever gotten a dish this fancy!” He smiles at you and then nods in the direction of the tray. You follow his gaze and process his words. “Want try?” You manage to croak. Everyone in the room pauses to look at you. They already knew it from Baki, but hearing it firsthand truly is an astonishing experience. There’s a silent enthusiasm shared by the men standing close and Pickle tenses up, a small frown forming on his face. They better not get any ideas.
“What do you think about your new siblings?” Jack questions Baki jokingly. “Given you’ve been adopted by (Y/N) and all.” You follow the conversation with analytical eyes and Jack wants to try his hand at explaining the words to you. Once the meanings start to connect, you laugh and begin gesturing to Pickle, aided by short growls. Everyone assumes you’re translating to him. Pickle glares at Baki and his hold on the babies tightens, perhaps too hesitant to agree to your bond with the little modern human.
Pickle sighs deeply. Not only was he thrown into this strange world, but now there’s a bunch of men that are starting to show too much interest in you. He’ll have to put them in their place very soon if this continues. He’s especially annoyed at your fast learning pace when it comes to conversing with these creatures. He needs to hurry up and catch up to you if he wants to know the intentions of his rival friends.
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torchwood-99 · 7 months
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There's a lot of discussion about Tolkien's work and feminism, is it sexist, is it feminist, how does the fact that Tolkien's work held feminist themes make sense with the sexist views he expressed in real life, is this plot point regarding a woman sexist or feminist?
And I think the key thing here is remembering that feminism isn't a state of being or a personality trait, it's an action and a thought. A person can both be feminist and sexist. They can hold sexist attitudes and do sexist things and they can also hold feminist attitudes and do feminist things. After all, feminism is complex and the rights of women is a fight on multiple fronts, a war made up of multiple battles.
Tolkien was an upper class white man raised in a time of great sexism, and lived and worked in a sexist environment. He also had a very strong bond with his wife and lived in a time when women's rights and the role of women were undergoing massive changes. His works have far less women in them, and his women often get side-lined and their characterisation/plot relevance are often influenced by sexist tropes (passivity, existing to be a trophy, role defined by make relationships).
At the same time, his female characters can show great heroism, competency and power, and perform feats of heroism in ways that have traditionally been seen as "masculine", showing that a woman being a woman doesn't inherently make her incapable or suited only for certain jobs. And not only that, his characters, like Eowyn, outright call out sexism (all you words say, you are but a woman....you have leave to be burned in the house because the men will need it no more). He also has an in-universe female character speculate on how history has overlooked women, the history he wrote.
Tolkien's attitudes and beliefs would have been influenced by the attitudes and beliefs of his time. He would have grown up in a sexist environment and internalised rigid views about women and femininity and their proper role. He would have also; perhaps subconsciously or despite himself, taken in the feminist arguments women were making at the time, or even noticed himself some of the injustices that women suffered. The man himself didn't need to identify as a feminist to have expressed feminist views. After all, "I'm not a feminist but...." followed by a statement that is definitely feminist, is something we've all seen at some point.
There's also the badass, wonderful Haleth, who was originally conceived as a man, only to be changed into a woman by Tolkien later on. Perhaps he himself noted, as his own characters did, that women had been overlooked in his work. Just as the world around him changed and attitudes towards women adjusted, it is possible that Tolkien's did too. There would have been a difference in what was conservative in the year he was born and what was conservative in the year he died.
So, are Tolkien's work sexist? Yes. Are his works feminist? Yes. Are his female characters sexist? Yes. Are his female characters feminist? Yes.
We can read Tolkien's work and find feminist messages and be uplifted by them. We can also read Tolkien's work and criticise the sexism that is at play.
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ladybracknellssherry · 5 months
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My favourite part about the magic show in 1941 is that they really just didn't need to do it. It was totally unnecessary. They're up there, their miracles aren't working... Crowley could have just said look Mrs. H sorry we suddenly have tuberculosis, here's a wad of demonic cash, I'll drop you off a case of the next batch of hooch from the gents in Whitechapel when it's ready. (Might they have been able to miracle the bottles fixed/miracled new bottles???? 😂😭)
But Aziraphale wanted to do his magic. He wanted to do it because he wanted to perform. And he wanted to do it to impress Crowley. And he wanted to do it to help Crowley out of his spot with Mrs. H. But in that human way he seems to like doing things (poorly.)
And Crowley wanted to let Aziraphale perform. Crowley wanted for them to work together doing something fun. He wanted to let Aziraphale feel like he was doing something for him because once he did that - once he could pay Crowley back for saving him from the nazis - they wouldn't owe each other anything. Anything else that happened for the rest of the night would just be them just spending time together.
And that was the real point. Crowley and Aziraphale just wanted to spend some time together. As friends. But it also felt like such a good opportunity to say look, you know this is more than that, right? Because if we were just friends we could fuck off and say we had TB and just spend the night drinking. But no. They risked Aziraphale actually getting discorporated.
And it’s so funny to me that the idea is we're here to help out Mrs. H and they're on stage and Aziraphale is like "yes just shoot past my ear where Mrs. H is standing" LMFAO It’s affirming that no matter what happened in Edinburgh, St. James Park, all of the pretence of the arrangement - this was 'Trust in me that I trust you." And "This isn't a transaction or matter of convenience and I'm acknowledging it." It is..."We're a team...a group...a group of the two of us." And leave it to these two turn a "seriously just point a loaded gun at my face and shoot" into a perfectly them coded 'I love you.'
But you know...if we go the face value route of the final 15 and not some other theory...
(i had to edit this part multiple times because i am apparently just as bad as crowley and aziraphale at finding the right words to explain emotions so there's a lot of variation in any of the reblogs you might come across) I think that's a huge part of what hurts Aziraphale so fucking much when Crowley says "we could have been us." It cut down this massive thing in Aziraphale because for a while now he'd thought they already were. They were. They have been. They are. And Crowley tries to say they are in his confession, but in his clumsy hurt he jumbles it all up with negations and subjunctives. He never manages to get the words out to say "stay and we can stop pretending we aren't" or "we are but not like this." He gives his same jump ship offer as in past panics as the only scenario in which "we could be us." An unrealistic scenario. Aziraphale believes he is presenting a realistic offer (if the final 15 is face value.) But Crowley rejects him. Then that already weak "we could be" so quickly becomes "could have been."
People need to stop blaming Aziraphale for how he reacted to the kiss because there was so much happening there. So many thousands of thoughts and feelings and questions and fears and so much pain. They’re complex characters and behave in complex ways.
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quasi-normalcy · 9 months
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Which Star Trek series should you start with?
The Original Series: Advantages: + The one that started it all + Has some sophisticated and socially conscious science fiction that has held up exceptionally well + The lead characters all have really good chemistry and fun to see play off of one another + It's what most people probably think of when you say Star Trek (together with TNG) Disadvantages: - It can feel very dated and kind of sexist, particularly in its treatment of women - The sci-fi and social commentary may have held up, but damn it, the special effects really haven't - When TOS is bad, it's really, really bad.
The Animated Series: Advantages: + Basically just more TOS. Disadvantages: - Basically just more TOS, but substituting extremely cheap animation for bad special effects
The Next Generation: Advantages: + Probably the most popular one at this point + The crew is full of interesting characters and they're fun to spend time with + Just really smart people solving Space Mysteries + Socialist space utopia + Geordi-And-Data! + Lots of cool sci-fi concepts and social commentary + It's what most people probably think of when you say Star Trek (together with TOS) Disadvantages: - Although not in the same way as TOS, it can feel dated at times, particularly in terms of its treatment of women and it's near complete refusal to acknowledge queerness - Without wanting to bias viewer opinion, the first season is widely considered to be pretty bad - The series makes no bones about the fact that the socialist space utopia is better than every other society that has ever existed and will reiterate this point over and over again
Deep Space Nine: Advantages: + The most popular Trek series on Tumblr + Has a complete story arc, as well as arcs for all of its characters, including the extremely minor ones + Plain, simple, Garak. The humble tailor. + Garashir, if you're into that + Seriously has a really sophisticated treatment of things like post-colonial politics, anthropology, worldbuilding, and the horrors of warfare + Just the characters in general + Is the only Star Trek prior to the 2010s to even look meaningfully at queer representation Disadvantages: - Has an absolutely massive inferiority complex with respect to TNG and this drives a few poor writing decisions that seemingly exist just to poke the Socialist Space Utopia in its eye - Introduces a space religion and then just slowly turns it into Christianity with the numbers filed off - Seems to think that sexual harassment is just a quirky eccentricity - There's no women in its writers' room, and frankly it shows
Voyager: Advantages: + Probably the clearest instance of found family in space + Lots of really good episodes + Lots of fun new characters + Strong female role models + "Set a course...for home." Disadvantages: - Continuity? I never knew her! - Probably about 90% of Trek's reputation for technobabble comes from this one series - Even less queerness than TNG. - Only like...3 characters actually get arcs. - The first few seasons lean very hard into bullshit fake "Native American" spiritualism with one of the characters - How do these guys have warp drive but can't find any water?
Enterprise: Advantages: + Chronologically the first series + 90% less technobabble + The only series to plausibly frame our heroes as astronauts...on some kind of...star trek. + Still has probably the best production values of any series + Makes alien cultures of the week feel somehow richer and deeper than other series + Faith of the Heart is good, fuck you. Disadvantages: - Oh my god, the decon scenes - Seriously, if you've ever wondered what a "sexy" series written by a 14 year old boy who's only ever seen a bit of scrambled softcore porn on late-night cable would be like, this is the show for you - Somehow feels more sexist and racist than the show from the '60s - Seriously, the POC characters mostly exist to fill seats on the bridge; the women constantly have to undress themselves - Hellooooo, Bush II-era political analogies - Scott Bakula is a good actor but you wouldn't know it from this series - In season 3, they add a tambourine beat to Faith of the Heart and ruin it
Discovery: Advantages: + Noticed the lack of queer characters in the first 50 years of Star Trek canon and decided to make up for lost time + Seriously, the "Bury Your Gays" tally for this series is like...negative two + Just incredible representation in general + Some really good science fiction plots, particularly in later series + Some really fun, memorable characters + It's still running, so it has an active fandom on Tumblr Disadvantages: - Makes Elon Musk out to be one of the great visionary geniuses of history - Not really representative of Star Trek as a whole - The series swerves wildly in tone because of constant, behind-the-scenes churn in the writers' room - Offputtingly grimdark first season - Let's be honest, none of the season-long arcs have actually had satisfying conclusions - Half the cast feels like it's just there for exposition and to be killed for cheap drama
Picard: Advantages: + Has the best dramatic acting of any Star Trek series by a fair margin + Has the best musical score of any Star Trek series + Introduces a whole crew of fascinating new characters + Introduces all kinds of fascinating transhumanist concepts + AGNES. JURATI. Disadvantages: - You know all of those fascinating new characters that I mentioned? Yeah, it unceremoniously gets rid of all of them to bring back the old TNG gang. - You know that all of those fascinating transhumanist concepts that I mentioned? Yeah, it gets rid of those too so that to give us some generic action - Oh my god, someone teach the set designers to operate a fucking light switch - Grimdark - Nossssstalgia - Each season is basically unrelated to every other season - Depends so heavily on TNG that its final season is basically unwatchable if you haven't already seen a 30-year-old TV series
Lower Decks: Advantages: + It has probably the most efficient storytelling that I've ever seen; seriously, it's incredible how much it can fit into a half hour episode + It has a bunch of delightful, archetypical characters you get to know and love + You like hanging out with these people + The ship is kind of crap and you will learn to love it that way. + Basically a sitcom version of TNG. + Has a big fandom on Tumblr Disadvantages: - The art style is pretty Rick & Morty-ish - It takes most of its first season to really strike a good balance between being a sitcom and being a Star Trek series - The main character, Mariner, is kind of unlikable for the first season or so (she gets better) - Lots of callbacks to other series (though always either incidental or clearly explained) - Given that it's the first Star Trek sitcom, the comedy is honestly kinda the weakest part? Subjective I know.
Prodigy: Advantages: + Absolutely gorgeous to look at; the most visually stunning Star Trek by quite a ways + Lots of fun new characters on a cool ship + Gives you clear on-boarding notes to the Star Trek franchise if you're watching it for the first time + Can be watched on its own, but also works as a direct sequel to Voyager and a prequel to Picard (making both of them retoractively better, in fact) + Kind of like the Clone Wars or Rebels of the Star Trek universe, I guess? + Found family in space! The next generation! + Soon to be running on Netflix, so if you already have a Netflix subscription, you don't need to pay for another service + Written for a younger audience. Not necessarily an advantage, but nice if you happen to like family friendly animation or YA. Disadvantages: - *sigh* You basically need to pirate it. Thanks, Paramount. - Has a second season that we may or may not ever actually get to see even through piracy. Thanks, Paramount. - Isn't airing on the same streaming service as all of the other ones. Thanks, Paramount
Strange New Worlds: Advantages: + Basically what the original series would be if it were released today, rather than 57 years ago; all of the cool, socially consciousness sci-fi adventure, none of the weird 60s sexism + Fun, awesome characters you get to like spending time with right away + Incredible visuals + Nifty sci-fi concepts, mostly without the 90s-style technobabble Disadvantages: - A huge cast with only ten episodes a season, so many of them feel underdeveloped - Unfortunately, a bunch of its characters are younger versions of the characters from The Original Series, and they hog most of the spotlight; and the characters whose futures aren't locked in stone are kind of treated as disposable - In general, it needs to spend less time being a prequel, and more time being its own thing - "What if Starfleet ran into the Xenomorphs from Alien?" "Well, they'd probably kill them." "Okay, let's spend several episodes on this."
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mamayan · 11 months
Text
★LOVE★
Darling! Hisoka Morow x Yandere! Reader
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cw: NSFW • Obsessive/Possessive Themes • Fem! Reader • Noncon turned Dubcon • Yandere Themes • Murder • Emotional Instability • Yandere! Reader • Drug usage • HC • PIV
This is not “reader” inclusive as I’d assume nearly 99.9% of you do not exhibit true yandere traits. This is written with a female yandere in mind. No other physical descriptors will be used, but “reader” will have psychological descriptors and habits which will likely not match the majority. Please keep this in mind while reading. Thank you!
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To become so obsessed with a psychotic mass murdering clown magician like Hisoka, you’d need to be a special breed. Harley Quinn style if you will, but incorporating an even more massively unhealthy level of adoration and blindness.
Since Hisoka is a whimsical sociopath and amoral character, it’d likely attract someone that is… surprisingly selfless and mildly antisocial. His attitude and way of life likely trigger feelings of envy and jealousy at first within you. Why does he get to be so carefree? Why can’t you just slaughter your entire place of work when they piss you off?
So starts the morbid curiosity. Who is Hisoka Morow?
You’d see him in passing a time or two, maybe you’d even witness him kill or target an individual in battle. You’d stay undetected by Hisoka. This requires great skill in nen-ability and you’d likely be a pro-Hunter or something along those lines. You’d need to be incredibly powerful and a good strategist to have Hisoka as a darling. Specializing in stealth/tracking/spying would all do you well in aiding to observe stalk Hisoka.
He’d take a life so easily it’d stun you. His lack of remorse after even more. How does he feel so little? Why is he so easily aroused in battle? Why can’t you look away? Rationality will need to take a backseat in this budding crush you have. It won’t bloom into what you call “love” until he does something that speaks to you personally.
It’ll be entirely mundane too.
He’ll do one thing that will capture your heart. Maybe it’s when he spares Gon and Killua. He’d claim it’s because they’ll make worthy opponents later. You’ll see it as something else.
Once your feelings for him are established, it’s impossible to find fault with him anymore. Everything he does is perfect, utterly adorable and fascinating, and he’s a silly kitten who can do no wrong in your mind. His clawed finger nails are proof that the most harm he can do is claw up some curtains.
Hisoka is constantly on the move, traveling often and usually very light. He does have a few spaces he uses more like storage than actual living quarters. This where you spend time when you aren’t observing him. Going through his things, envisioning a future with him, imagining him tied to the bed.
You’ll be delusional but no so much you believe you can have him without force. Wild cats are hard to tame after all, and a superiority complex over Hisoka will begin to develop the longer you watch and learn about him. You’ll likely have dug up all the skeletons of his past. You believe you know him best, who else understands him so well but you?
This dig includes any lovers or even potential lovers. They’re in the way and need to be gotten rid of. You can��t let them ruin him now can you?
Finding all of his past lovers isn’t easy, especially without alerting him to anything suspicious at first. Thankfully, despite his track record of murders, his love life is stale at best. A few hookups when he was younger, no long term relationships, but he does have a notable relationship with a female from the Phantom Troupe.
Machi, a beautiful woman which Hisoka blatantly flirts with. More than the usual too, it holds a level of sexual tension which invokes unparalleled rage inside you. It’s ironically not directed at Machi, but she’ll bear the brunt of it anyway.
Hisoka is given both a sick and delightful surprise when Machi’s severed head is delivered to his hotel suite in a box. A love poem hand written by you in it, but it’s a warning for him too.
It’s a grotesque combination, but it’ll most certainly catch his attention. A bouquet might’ve sufficed too, but Hisoka will now know of your existence. He doesn’t think this is a love note though, he thinks this is revenge. He’ll be angry too, because whether Machi was ever a real love rival or not, she was someone he wanted to fight. His designated prey was caught and killed before he even had a true chance of tasting victory over them. That must mean you are an even better treat.
It’ll drive you wild seeing how desperate he becomes to track you down and find you. He comes close a few times too, but always just out of reach. His real niche laying in combat unlike you. It feels romantic in a sense, and it’ll drive the fantasy further that you two are meant to be together. He’s meant to be yours isn’t he? As you begin leaving even more obvious hints of your presence in his life, he’ll realize it’s not revenge you’re seeking.
He’ll figure out he’s got a perverted little stalker when he finds your cute lace panties left for him to find. No need to mention you’d touched yourself on his bed to the thought of him and came in them. It’ll be fairly obvious from the fact that he hasn’t been to this particular hideout in a while and it’s spotless. No dust. Everything perfect, but he didn’t clean before he left this one. Then he’ll see on the unmade bed, a clear sign of a woman having intruded and marked the area. Strands of your hair. Your scent. Your clothes.
Still, he won’t catch you. He’ll bait you too, and sometimes you wonder if you’ve been caught only to realize he just knows he’s always being watched now. He doesn’t know your exact location or if you actually are there. “I liked your gift… hmm, but it would’ve been a nicer surprise to see you in them~” he’s flirtation and goading. It’ll be difficult to resist him, when he’s seemingly speaking straight at you. You know the moment you reveal yourself though, he’s not going to drop to his knees and offer himself to you. It’ll be a battle on sight. Though the thought of him getting aroused because of fighting you… makes you itch to throw caution to the wind.
Instead you clear any and all traces of your presence for several long months, until Hisoka grows avidly annoyed and then slowly disinterested, moving on to other opponents and amusements. Being in your line of work means a very much endless cash flow, the resources available to keep up with your favorite pass time of just watching him in all his glory. He’s perfection, even as his face twists up into a manic monstrous expression as he slaughters his victims, you see nothing but an angel. Never mind the screams and begging for mercy, isn’t he so cute when he plays a magic trick for them? It’s easy to become overwhelmed with jealously occasionally, but you’re good at being patient and reminding yourself that person isn’t special, Hisoka is just entertaining himself.
It’s also hard to remind yourself you aren’t special either. While it takes a certain sense of superiority over a darling to develop yandere tendencies, you’re also affected by an inferiority complex about the world. This means you’re isolated in how you interact with the world, no close friends or relatives, no real hobbies outside of what assists you with your work, hardly any social interactions that aren’t required. This is what makes Hisoka so fascinating, and it’s also what starts your real downward spiral to depravity.
What makes you truly snap and lose control to your yandere tendencies , is nothing other than Hisoka himself.
He’s coming down from a recent high of a fight in Heaven’s Arena, only showing up due to being challenged as a floor master, but the fight had been surprisingly up to his standards. His opponent was both entertaining and thrilling until their end. He was in a good mood, a very good one, so when a spectator approached him batting their lashes and hinting at spending the night in his suite… he said yes.
That was strike one.
Strike two was the audacity of the piece of shit throwing themself at him. You carefully followed, silent and untraceable as sexual tension began to rise in the elevator all three of you shared. Only they thought it was just them.
Strike three. Wasn’t your presence at least somewhat obvious? It’s highly delusional on your end to become enraged at other’s ignorance to your presence despite your mastery of hiding it. It’s what allowed you to watch Hisoka so long after all, but illogical as it is, you were still pissed. Furious at both of them but now mostly at Hisoka. Who was leaning over them, letting his height and teeth aching sugary tone seduce this common stray off the street like they were his personal favorite. They weren’t. He didn’t have any real favorites. Only toys that were disposable and this was no different but it didn’t matter because he was yours. And it seemed he needed to learn this.
Even Hisoka can be taken off guard, especially with his pants feeling too tight and the piece of ass before him being all to eager to please.
He’s unconscious when you finally reveal yourself. The deafening scream echoing throughout the elevator as it finally reached Hisoka’s designated floor and opening. Unfortunately for the poor soul screaming who was just looking to get laid, you weren’t in the mood to grant them anything less than a brutal death.
“Shut up! Shut up shut up shut up shut shut up!” Your fist broke bone with each strike, until your victim lay unrecognizable and very dead. You’d released your nen, and every nen user in this entire Arena now knows you’re here, all because anger got the best of you.
It didn’t matter, because even with the corpse at your feet, you were still furious.
You took both Hisoka and the body out of the elevator and swiftly worked to clean up the damage and fluids. You didn’t need the Arena fining you again. Hisoka was out cold, but he’s quick to recover so you work on getting him into his suite and bed, working his wrists into nen blocking steel cuffs. He’s spread like a star fish, each limb hooked to the fancy bed posts. You muttered anxiously as you dug around your bag, hands shaking as you pulled out a small leather pouch about the size of your palm.
It might seem overkill, but chaining and drugging ensured your personal safety once he woke up.
Never mind the fact that you could just leave after disposing of the body. Your heart fluttering and cheeks flushing as you looked upon his unconscious body on the bed prevented you from acting within reason. No, you wanted him to see you, if for no other reason than to establish where he was.
Beneath you.
Hiding your presence and that of the corpse, you quickly left the building with Hisoka’s key card to properly rid yourself of the responsibility and allow yourself to fully focus on Hisoka.
Returning was quick and painless, this time not revealing your presence until back in Hisoka’s suite.
His face was angelic while he slept, though his head would likely ache from the powerful blow you landed to the back to get him in this state. You contented yourself with just watching him for the next hour or so, until with no warning, he woke up. It was odd how he didn’t even twitch. Just suddenly aware of his situation and surroundings, alertness to his features immediately. You wished it was a sleepier and cuter wake up, but you still found it adorable how on guard he was instantly.
Those lovely gold orbs landed on you and narrowed, despite his sly smile. He might appear relaxed and languid for someone chained up and hardly able to move their body due to relaxants circulating their system, but you knew he was furious. Hisoka, as much as he loves playing with others, hates being played with. You stayed silent, letting him observe and calculate, allowing him time to run through his options and every plausible scenario.
“Well… good morning Ms. Stalker.” His airy words sent visible shivers down your spine, his eyes and focus, for the first time entirely on you. He also seemed to note your reaction, his smile sharp and predatory. “Oh? You like the nickname? Bad girl… don’t you know not to play with magic?” He tested his restraints, with surprisingly more strength than you thought he’d have after injecting him. He’d require another dose then. You were quick to work on that, his eyes tracking your movements and realizing your objective.
“Not even going to let me play?” He didn’t resist as you sterilized his arm before injecting him with a fourth dose. Three should’ve been enough to tranquilize an elephant but Hisoka wasn’t a normal human. He flexed his hands and twisted his wrists, copying the same with his feet and ankles. The cuffs were made specifically for him. You’d kindly taken off his shoes and socks, but his shirt and pants remained on. You felt your throat constrict and thighs clench at the thought of him naked. You’d already seen it a multitude of times but he hadn’t known you did. Watching him shower and change so shamelessly.
“You look ready to eat me. Is that what this is dear? You got jealous when I brought another up here?” His nickname for you threw you off, your eyes widening and meeting his teasing gaze. He looked sinfully beautiful like this, at your mercy yet still so him. You licked your lips, feeling mildly nervous now that you were about to speak to him. This was too good an opportunity to pass up though.
“Yes,” he paused when you finally answered, “I…I was very jealous.” Your hands gripped the bottom of your shirt, the material bunching as the earlier annoyance was brought back to your attention. You grimaced, “This wasn’t really how I intended for you to meet me for the first.”
“Oh? But we’re here nonetheless aren’t we?” His tone was a bit snarky, but he was correct. What did you do now? Make every little fantasy you had come true?
“How about this, yes? You take these off and I give you a painless death. Isn’t that nice of me?” His words have your eyes snapping up to his face, his words not matching his sweet expression. He wanted to kill you? Not even fight? You frowned, a low boiling of rage in the pit of your stomach.
“You think you hold any power here?” You sneered back at him, walking to look down at his sorry figure chained up and at your mercy. He was being a brat. You backhanded him swiftly, his head cracking to the side at the force and momentum. His pale skin already reddening as a small trail of blood tricked down his chin. His gaze was on fire as he turned back to look up at you. Defiant and piercing, but his smile never wavered. “How about this, Hisoka, you stay right where you are, and maybe I’ll be nice and let you finish tonight.” His eyes widened, a small moment of shock taking over his features but he quickly schooled them again.
You began undressing swift, throwing your clothes to the floor until you were only in your underwear. Your chest heaved, nipples tightening under the cool air of the room and Hisoka’s gaze. You couldn’t place his expression exactly, a combination of desire and rage most likely. You climbed atop the bed and thus him, knees on either side of his hips as you made light work of his shirt. Shredding the garment and tossing it to join your clothes. His pants were next, now both of you almost completely naked and staring at one another.
“Is this your idea of a good time Ms. Stalker? Tying up innocent magicians and having your way with them?” You laugh at this sentence, because it was silly to think too much about. He was still being light and teasing but he was exuding a little bit of bloodlust.
“No Hisoka, my idea of a good time is just you in general.” You placed a cold hand on his abdomen, sliding it up gently until it reached his throat. “Watching you, hearing you, smelling you…” your eyes trailed up his naked torso to his lips for a moment, before connecting your gazes. “This is your fault really. I didn’t ask to be haunted by you, I didn’t ask to feel like this, I didn’t ask to want someone so badly I’d gladly watch this word burn if it meant you’d be entirely mine.” It was a deeply disturbing confession. You sat down, right over his erection where you could grind your pussy against him and elicit a beautiful hiss of pleasure and pain from him. “I can’t, oh, I can’t decide if I want to own you or be you really,” you panted, beginning a slow rock of your hips as your arousal soared. The object of all your affection beneath you, looking so much like a cat being bathed it brought a small smile to your lips. This was all turning you on, and he seemed to also be enjoying himself somewhat.
“I very much would love to humor you dear, but I really do recommend you remove these.” He dropped his facade, his expression turning dark as he realized how unlikely you were to release him. You were clearly deranged, maybe more so than himself. He tugged against his chains, the rattling echoing around the room but it only served to make you amused. Despite his words, his hips had begun to lightly buck up into you now. Both of your underwear soaked through, a combination of your slick and his precum. His voice and tone sent your hormones flying to cloud nine, your face starting to look intoxicated as you gazed down at him with obsession.
“You say you want them off but do you really want this to end? I could just… leave you here. All night. Maybe I’ll come back just to make sure you, haah, stay hard?” You were panting and a little sweaty, breasts heaving as you became more intoxicated by the moment and him. You looked spelled bound and he looked downright menacing. Of course, because out of all things, Hisoka likes control. His flirtatious attitude can not be mistaken as submissive, but here you were forcing him into such a role. Threatening him with a punishment if he didn’t behave like a dog.
It made him want to bite you like one.
“Pretty Ms. Stalker could’ve told me she wanted her little pussy filled, no need to go to such lengths-tss!” He flinched when you finally fished his cock free, your soft cool hand a striking contrast to his pulsing hot shaft.
“You’re so pretty Hisoka.” You were lost to your own fantasies, not really registering his words anymore. He realized it quickly as you focused all your attention on his leaking cock, impressed by the size and girth. It would hurt, taking him, but the thought of stretching around him was driving you wild.
But first… you dropped your chest low and opened your mouth. Your tongue had him groaning low, the sound of his teeth grinding together had you even wetter than before. You licked from base to tip, slow and sensual. He tasted sweet. Not salty or bitter like you imagined and it had you quickly and messily taking him into your mouth.
For all you were, you weren’t experienced. This was your first blowjob but you prayed not your last, because as you choked and gagged to take more him, he was losing it himself. What you lacked in experience and skill, you were making up for in enthusiasm and pure need to please. Observing his reactions as you let his tip finally sink into your throat even as tears pricked your eyes and fell down your cheeks. It burned and ached, but you pushed the pain down as you watched him. He finally gave in and kept your gaze as you worked to make him cum, sucking and taking him as deep into your throat as you could. You were making an absolute mess of his cock and balls, slobbering all over him. It was erotic and truly enticing, and the only indication he was close was the twitch of his lip and his hips trying to make you take even more of him.
You tried to get all of him in your throat when he came, but you failed by an inch or so. You stayed still as his hot cum coated your throat and mouth, moaning at his musky sweet flavor and making sure to suck and milk him for any leftover until he was choking on his own moans for you.
You made sure to clean him up nicely, licking and making sure even his balls weren’t missed. When you finally pulled back to look at him, you nearly passed out at the sight.
He was slightly sweaty, breathing a little heavier with half lidded eyes glaring and grinning viciously at you. His cheeks flushed, the left slightly bruised from your earlier hit. His lips red and bitten, a bit of blood still leftover on his chin. He looked gorgeous. You couldn’t be blamed when you were stumbling off the bed to grab your camera from your bag. No need to turn the flash off since he knows of your presence now.
He scowls as you snap his picture, looking beautiful and ruined just for you.
“I- sorry- I just need this okay?” You set the camera down, eager to return and continue touching him and exploring.
He snorted, looking at you in disbelief with mild amusement. “Is that so? You needed to photograph me naked?”
“What? No. I have lots of those already. I wanted one of your face after I made you cum.” He seemed flabbergasted at your answer, but you couldn’t help your eager hands from cupping his cheeks and leaned down over his face. “You’re just so pretty I can’t help it.” You told him honestly, his expression relaxing into something neutral as he observes you. Fine by you, as you begin kissing his face, hair, cheek you hit and then his neck. You lick and suck over his pulse, enjoying the masculine groan as you mark him up and lick his sweat. You’re trembling as you wiggle down to his chest, playing with his nipples. Swirling your tongue elicits the best response, his back arching lightly and proving your theory that his nipples are sensitive.
His hardening cock beneath you all the proof you need, your own nipples pebbled and aching as you drag your chest against his while you work.
When he bucks up again underneath you, you finally release his nipple with a pop. Looking at his tossed and adorably fucked appearance, you shiver. His hair messy from throwing his head into the pillows. You licked your lips, finally clumsily trying to get out of your underwear but failing because of your position. With a huff of annoyance you just tore them off, finally completely naked and slightly embarrassed by his stare.
It hardly mattered if he liked what he saw, you weren’t so far gone that you thought you looked anything like his earlier willing catch which you’d crushed- “Pretty thing aren’t you?” You paused your internal rambling when he spoke. His voice low and husky, not as flirtatious and teasing like his usual tone. You’d never heard him use this voice before, you eyes meeting his with curiosity.
He chuckled, but his bloodlust from earlier was gone like it had never happened, “What’s wrong? You were so eager just a moment ago, don’t tell me you’re shy now? Is Ms. Stalker a virgin?”
His goading voice was back, covering up his earlier tone like it’d been a mistake. Though you were surprised he hit the nail on the head. You were a virgin. Not because you lacked people willing to fuck you, but because you lacked interpersonal skills to have a normal relationship. Intimacy terrified you before you’d fallen for Hisoka, but after it was all you seemed to want. To touch him, feel him, make him feel good. You wanted him desperately.
“I won’t be much longer.” You looked away and solidified your resolve as you moved to hover above him again, your dripping cunt begging to be filled. You balanced using one hand on his hip, the other gripping his once more hard cock and lining him up with your entrance. You let his tip brush through your sensitive folds as you shakily released a breath. You took one small peak at his face, his eyes watching you like how a hawk might watch it’s prey.
You let his tip breach your entrance, no surprise that it stung. You didn’t prep yourself at all, and though you were wet enough, you wished you’d thought to carry a little lube in case this scenario ever occurred. It didn’t matter though because even if it hurt you were being connected to him and it made your chest swell with pride and happiness.
“Fuck, you’re tight- ah” he threw his head back and grit his teeth again, your gummy walls simultaneously sucking him in and pushing him out. It had him close already embarrassingly enough. The pleasure and pain mind numbing.
You’d only taken half of him but it was leaving you breathless, “m’trying” you could only gasp as you struggled to push more of him in, tears pricking your eyes once more as the pure stretch of his cock inside you was turning your brain off. It hurt but it felt good too.
“If you take these off, I’ll happily finish the job you’ve started dear~” Despite his tone, his face looked just as aroused and strained as your own. It was tempting, but deep down you really didn’t trust him. It came from knowing him that you didn’t trust him in the least. You shook your head, denying his prompting. His laugh is dark, even as his hips surge up to force another few inches into you. You cry out, bracing against his chest as you fall forward a bit. He does it again, sinking into you until finally you feel your hips meet and his tip kiss deeply into your cervix. You lay panting against his chest for a moment as his cock pulses inside you, your body pathetically struggling to adjust to his size.
“Take them off while I’m being nice.” He’s not asking, but still you shake your head and push yourself up, moaning as he sinks even deeper. Your hips take on an unsteady rhythm, testing the depth that feels the best but his hips throw you off each time you find the perfect angle. The stretch and friction drive you wild, your mind numbing to the pain and pleasure as you feel the coil inside you close to snapping.
“Feels good~” your moaning loudly, face fucked out and teary eyes locking with Hisoka’s. His eyes are burning, face scrunched up in frustration because your pace isn’t quite fast enough, nor is he hitting as deep as he’d like. His chains clink against the steel posts, you’re too distracted though to pay attention as you desperately work your hips towards your finish, bouncing on his dick. “M’gonna cum Hisoka” your deliriously close, the coil right about to snap-
When his chains do first.
“Huh,” You only get a split second to panic before he’s on you, breaking each steel bedpost and freeing his movement up again. His cuffs are still secured for a second but it’s meaningless a moment later when they shatter. His nen stored up enough to cancel their purpose of restraining him despite how much you’d paid that specialist who guaranteed no one could get out of them. Never mind that he should still be drugged up enough to he struggling to move at all.
You find your positions switched, your back hitting the mattress as you gaze up into his eyes now.
It’s silent for a moment, save your own pounding heart and icy fear now filling your veins. He just… looks at you. His face blank, eyes calculating but just when you decide it’s best to fight than let him slaughter you like this, he laughs.
Not like normal. This is borderline hysterical laughter, his hand wrapping around his torso as he howls with laughter.
Before you can activate your ability, he’s got a hand wrapped around your throat and squeezing just enough to warn you. “Did you think this would all just work out how you wanted dear?” You were scared, that was true, but as he nudged your thighs apart and dragged his still hard cock through your folds teasingly, you realized you were also horrifically aroused too.
All of your fantasies had you on top, because you didn’t trust him not to kill you if he was, if he even wanted to willingly touch you at all.
“Look at you~ poor thing,” he’s mockingly sweet as he leans over you, long tongue coming out to lick your tears off your cheek. As he leaned back, you truly didn’t expect his hand to leave your neck and slap you across the face. The sting follows after his hit lands, but it shocks you silly more than it actually hurts. You don’t have too long to think before he’s shoving himself back in, and your too far gone to stop the orgasm that slams into you. “Wait!” It too late even as you cry out, hands desperately grabbing on to something to anchor you. Him.
He hisses, face vicious as he stares down at you, “Did you really just cum?” His voice somewhat incredulous as he feels you twitch and writhe beneath him. He stayed still, letting you shakily come down from your high before he’s rocking into you.
Then he’s fucking you just how he likes. Hands gripping your hips in a death grip as he slams himself into your overstimulated cunt over and over. He leaves you mewling and fucked stupid beneath him as he mercilessly thrusts into you like a rag doll. You can’t keep up. Can hardly speak besides useless babbling, only making him laugh and sarcastically mock you for it.
“What’s wrong dear? Isn’t this what you wanted? Am I just so deep inside you~?” Cooing as you nod and cry harder.
It’s when he kisses you that you cum again. He tastes like bubblegum and you’re gone, creaming his cock as his tongue tangled with you own messily. It all feels too good, your arms wrapping around his neck, legs around his waist, while you just struggle to take it. His tip pounding away in a spot that has you gasping and sobbing below him, because despite everything, this is the most pleasure you’d ever felt. It was disorienting and left you mildly numb, his sharp claws trailing down your chest softly to settle his thumb over your clit and press until you came again.
This one was slightly painful, your muscles constricting so hard Hisoka finally fell over the edge himself. His moans so pretty, soft and deep as his hips still move despite him emptying himself inside you.
He recovers first, staring down at the pretty thing in his arms struggling to catch her breath.
You’d given quite the headache for a while now, but tonight really took everything up a notch. You certainly weren’t halfhearted, something of which he respected. You weren’t a weak thing either, his thrusts harsh enough to break a normal human’s hips, but you just looked fucked stupid. It was cruel of him to be so rough, but then again you’d really brought it on yourself hadn’t you?
You’d brought all this onto yourself, and whatever happened in the future too.
Because now he was a little hooked as well, and you were just too cute and interesting to leave alone now that he’s tasted you. Had you first.
He easily reached over to snag your camera, switching it on and snapping a picture of you still shaking and twitching with his cock still buried inside you and beginning to grow hard again.
Realization dawned on you, but even as you tried to move and get away from him, he had your wrist locked above your head to stop that nonsense.
“Nu-uh dear, I’m not finished. Not even a little.” His lustful gaze and sadistic smirk had you looking like a frightened animal, but it only served to rile him up further.
It’s after all, your fault for loving someone like him, right?
It’s important to note that once Hisoka becomes interested, he treasures it. But something he treasures one day can become trash the next… until you.
Hisoka is surprisingly a willing darling. Don’t think this reverses any roles, he’s not submissive to you in the slightest. He acts like a total brat but he’s dominant through and through, don’t expect to ride him unless he’s got full control to just fuck up into you.
He’s needier than you’d expect too. Not just with sex, that’s constant, but also in just having your company. He likes when you talk to him, interact with him, don’t expect to go back into observing from the sidelines. He’s all to happy to give you front row seats.
He’s just as jealous as you are, but he’ll purposely play into your jealousy by flirting with other women to rile you up. He just likes how you look enraged, finds it cute. If you do the same, he’ll make that individual sit tied to a chair while he fucks you in front of them until you can’t even apologize anymore. Then he’ll kill them. He welcomes the same treatment. You get a bit shy acting it out.
Bonnie and Clyde duo!
He’s not a yandere, though he gets jealous, he’s just a psychopath in general. He’ll still be Hisoka no matter what. While you can interact normally with others when necessary, your fixation on him will remain an outlier. Hisoka is just trash to everyone, and surprisingly decent to you. By your low standards.
He likes ice-cream and ice-cream dates. He’s an ice-cream date man.
Illumi doesn’t understand your relationship but respects your devotion. Wonders why more women can’t be like you. Hisoka likes that his friend is envious of what he has.
Enjoy your darling, he’s frustrating and difficult but all yours now!
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Dividers by @benkeibear
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whumpinggrounds · 1 year
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Overused Disability Tropes
Woohoo here we go. I expect this one to be a bit more controversial because I am using specific media as examples. I would really prefer if, when critiquing this post, you avoid defending specific media, and focus instead on what’s actually being said/represented about disabled communities. If you feel I’ve done a really grave injustice, you can come into my askbox/DMs/replies to talk to me about it, but I might not answer.
One more time: I am not interested in getting into a debate about whether something is a good show/movie/book/whatever. I’m not telling you it’s bad, or that you shouldn’t enjoy it! People can like whatever they want; I am only here to critique messaging. Do not yell at me about this.
Newest caveat aside, let’s get into it!
Inspiration Porn
Without a doubt, our biggest category! Term coined in 2012 by badass activist Stella Young, but the trope has been around for literal centuries. There are a few different kinds that I will talk about.
Disabled character/person is automatically noble/good because of their disability. A very early example would be A Christmas Carol’s Tiny Tim, or, arguably, Quasimodo from The Hunchback of Notre Dame. Real life examples include the Jerry Lewis MDA telethon, or children’s hospital ads that exploit sad-eyed kids with visible illness or disability.
Having a disability does not automatically make you a kind/angelic/noble person. This many not seem harmful, and may even seem positive, but in reality, it is condescending, inaccurate, and sets bizarre standards for how disabled people should behave.
This portrayal is often intended to elicit pity from abled audiences, which is also problematic.
In these portrayals, disability is not something to be proud of or identify with, only something to be suffered through.
Disabled character person does something relatively mundane and we all need to celebrate that. This is less common in writing, but happens in the real world when people do things like post pictures of disabled people at the gym captioned “What’s your excuse?”
This is condescending, and implies that anything disabled people are capable of, abled people are automatically capable of.
Makes it seem like it’s an incredible feat for a disabled person to accomplish tasks.
Uses people’s actual lives and actual disabilities as a reminder of “how good abled life is.”
The “Supercrip” stereotype is a specific kind of inspiration porn in which disabled people are shown to be capable of amazing things, “in spite of” their disability.
The Paralympics have been criticized for this, with people saying that advertisements and understandings of the Paralympics frame the athletes as inspiring not because they are talented or accomplished, but because their talents and accomplishments are seen as “so unlikely.”
Other examples include the way we discuss famous figures like Stephen Hawking, Alan Turing, or even Beethoven. Movies like The Theory of Everything and The Imitation Game frame the subjects’ diagnoses, whether actual or posited, as limitations that they had to miraculously break through in order to accomplish what they did. Discussions of Beethoven’s deafness focus on how incredible it was that he was able to overcome it and be a musician despite what is framed as a tragic acquisition of deafness.
The pity/heroism trap is a concise way of defining inspiration porn. If the media you’re creating or consuming inspires these emotions, and only these emotions, around disability, that is a representation that is centered on the feelings and perceptions of abled people. It’s reductive, it’s ableist, and it’s massively overdone.
Disabled Villains
To be clear, disabled people can and should be villains in fiction. The problem comes when disabled people are either objects of pity/saintly heroes, or villains, and there is no complexity to those representations. When there is so little disabled rep out there (less than 3.5% of characters in current media), having a disabled villain contributes to the othering of disability, as well as the idea that disability can make someone evil. There are also a few circumstances in which particular disabilities are used to represent evil, and I’ll talk about how that’s problematic. 
Mentally ill villains are colossally overdone, particularly given that mentally ill people are more likely to be the victims of violence than perpetrators of it.  This is true of all mental illness, including “””scary””” things like personality disorders or disorders on the schizoaffective spectrum. Mental illness is stigmatized enough without media framing mentally ill people as inherently bad or more suspectible to evil. This prejudice is known as sanism.
Explicit fictional examples of this include the Joker, or Kevin Wendell Crumb in Split.
People can also be coded as mentally ill without it being explicitly stated, and that’s also problematic and sanist. In the Marvel movie Doctor Strange and the Multiverse of Madness, Wanda’s appearance and behavior are coded as mentally ill. This is used to make her “creepy.” Horror movies do this a lot - mental illness does not render someone creepy, and should not be used as a tool in this way.
Visible disability or difference to indicate evil is another common, incredibly offensive, and way overdone trope. This is mostly commonly done through facial difference, and the examples are endless. These portrayals equate disability or disfigurement with ugliness, and that ugliness with evil. It renders the disabled villain in question an outcast, undesirable, and uses their disability or difference to dehumanize these characters and separate them from others. This is incredibly prevalent and incredibly painful for people with visible disability or facial difference.
An example of visible disability indicating evil is Darth Vader’s prosthetics and vastly changed physical appearance that happen exactly in time with his switch to the dark side. In contrast, when Luke needs a prosthetic, it is lifelike and does not visually separate him from the rest of humanity/the light.
Dr. Who’s John Lumic is another example of the “Evil Cripple” trope.
Examples of facial difference indicating evil range from just about every James Bond movie, to Scar in the Lion King, Dr. Isabel Maru in Wonder Woman, Taskmaster in Black Widow, Captain Hook in Peter Pan, and even Doofenschmirtz-2 in Phineas and Ferb the Movie. Just because some of the portrayals are silly (looking at you, Phineas and Ferb) doesn’t make the coding of facially scarred villains any less hurtful.  
A slightly different, but related phenomenon I’ll include here is the idea of the disability con. This is when a character fakes a disability for personal gain. This represents disabled people as potential fakers, and advances the idea that disabled people get special privileges that abled people can and should co-opt for their own reasons. 
In The Usual Suspects, criminal mastermind Verbal Clint fakes disability to avoid suspicion and take advantage of others. In Arrested Development, a lawyer fakes blindness in order to gain the sympathy and pity of the jury.
In much more complex examples such as Sharp Objects, a mother with Munchausen by proxy fakes her daughter’s illness in order to receive attention and pity. Portrayals like this make Munchausen or MBP seem more common than it is, and introduce the idea that parents may be lying or coaching their children to lie about necessary medical treatment.
Disability as Morality
Sometimes, the disabled character themselves is a moral lesson, like Auggie in Wonder. Sheerly through existing, Auggie “teaches” his classmates about kindness, the evils of bullying, and not judging a book by its cover. This also fits well under inspiration porn. This is problematic, because the disabled character is defined in terms of how they advance the other characters’ morality and depth.
In the “Disabled for a Day” trope, an otherwise abled character experiences a temporary disability, learns a moral lesson, and is restored to full ability by the end of the episode/book/movie. Once again, disability is used as a plot device, rather than a complex experience, along with more permanent disability being rejected as impossible for heroes or main characters.
Examples include an episode of M*A*S*H where Hawkeye is temporarily blinded, an episode of Law and Order: SVU where Elliott Stabler is temporarily blinded, and an episode of Criminal Minds where Agent Hotchner experiences temporary hearing loss.
Real life examples include sensitivity trainings where participants are asked to wear a blindfold, headphones, or use a wheelchair for a given amount of time. This does not impart the lived experience of disability. It should not be used as a teaching tool. 
Disabled people as inherently pure. This is related to inspiration porn and disabled people as noble, but is different in that it is usually appears in combination with developmental, cognitive, or intellectual disabilities. These characters are framed as sweet, “simple,” and a reminder to other characters to be cheerful, happy, or grateful.
Examples include Forrest Gump, Rain Man, I Am Sam, and What’s Eating Gilbert Grape.
No matter what the stereotypes of a given diagnosis are (yes, I’m thinking of the automatic cheerfulness associated with Down Syndrome), disabled people have personalities. They are capable of being sad, angry, sarcastic, irritable, annoying - any number of things beyond good/sweet/pure. It is reductive to act otherwise.
Disability as Surreal
Less common than some of the others, but still worth thinking about!
Disabled characters are framed as mystical, magical, or other than human, a condition that is either created by or indicated through their disability status. This is especially common with little people.
“Disability superpower” is when a character compensates for, or is uniquely able to have a superpower because of, their disability. Common tropes include the Blind Seer, Blind Weapon Master, Genius Cripple and Super Wheel Chair.
Examples include Pam from Supernatural, Charles Xavier from X-Men, or the grandpa in Spy Kids.
Disability as Undesirable
Last and least favorite category here. Let’s go.
Disabled people as asexual or not sexually desirable. Disabled people can be asexual, obviously. When every portrayal is asexual, that’s a big problem. It frames disabled people as sexually undesirable or implies that it is impossible for people with disabilities to have rewarding, mutually satisfying sexual relationships.
Examples include The Fault in Our Stars or Artie in Glee.
Abandoned due to disability. Hate this trope. Often equates disability with weakness. Don’t want to talk about it. It’s all right there in the title. Don’t do it.
Examples: Quasimodo in Hunchback of Notre Dame, several kittens in the Warrior Cat series, several episodes of Law and Order: SVU, Bojack Horseman, and Vikings.
Discussed in 300 and Wolf of Wall Street.
Ancient cultures and animal nature are often cited as reasoning for this trope/practice. This is not founded in fact. Many ancient civilizations, including Sparta, cared for disabled people. Many animals care for disabled young. These examples should not be used to justify modern human society.
Disabled characters are ostracized for disability. Whether they act “““normal”““ or odd, characters with visible or merely detectable disabilities are treated differently.
Examples include pretty much every piece of media I’ve said so far. This is particularly prevalent for people with visible physical disabilities or neurodivergence. Also particularly prevalent for characters with albinism.
This is not necessarily an inaccurate portrayal - disabled people face a lot of discrimination and ableism. It is, however, very, very common.
Bury your disabled. What it says on the label.
Examples: Animorphs, Harry Potter and the Deathly Hallows, American Horror Story, Criminal Minds, Dr. Who, Star Trek, The Wire.
Mercy killing is a subtrope of the above but disgusting enough that it deserves its own aside. I may make a separate post about this at some point because this post is kind of exhausting and depressing me.
Examples: Me Before You, Killing Eve, Star Trek: The Next Generation, Of Mice and Men, and Million Dollar Baby.
Disability-negating superpowers imply that disability is undesirable by solving it supernaturally instead of actually portraying it, and giving their character powers instead.
Examples include (arguably) Toph from Avatar: the Last Airbender, Captain America: The First Avenger, The Legend of Korra, Dr. Strange, and Daredevil.
Overcoming disability portrays disability as a hindrance and something that can be defeated through technology and/or willpower.
Fictional examples include WALL-E, Kill Bill, The Goonies, The Dark Knight Trilogy, Heidi, The Secret Garden, The Inheritance Cycle, Agents of S.H.I.E.L.D, The Big Bang Theory, Dr. Strangelove, Sherlock, The Witcher.
Real life examples include videos of wheelchair users standing from their chair to walk down the aisle at a wedding, or d/Deaf children “hearing” for the first time through cochlear implants.
What Does This Mean for Your Writing?
First of all, congratulations for making it this far!
Now, as I have said again and again, I’m not going to tell you what to write. I’ll ask some questions to hopefully help guide your process.
What tropes might you be playing into when writing disabled characters? Why do you find these tropes compelling, or worth writing about? How prevalent are these tropes? How harmful are they? What messages do they send to actual disabled people?
Just because they are common tropes does not mean they are universally awful. Cool fantasy or futuristic workarounds are not necessarily bad rep. Showing the ugly realities of ableism is not necessarily bad rep. It’s just a very, very common representation of disability, and it’s worth thinking about why it’s so common, and why you’re writing it.
As always, conduct your own research, know your own characters and story, and make your own decisions. If you have questions, concerns, or comments, please hit me up! Add your own information! This is not monolithic whatsoever.
Happy writing!
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peachdues · 10 months
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Phantasmagoria (Part I)
Tell Me to Stop (Sanemi’s Version)
Sanemi x F!Reader, Modern AU
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A/N: it's time. This one is very personal to me, and I've drawn a lot upon my own life/experiences to write this. I hope it lives up to expectations, but in case it doesn't, remember there is still a part two and a part three (so more smut/angst/feelings).
Massive TW: grief, loss of parent to cancer, canon character death (in non-canon way), drug and alcohol abuse, anger, unhealthy coping mechanisms galore.
CW: 10.5k words; explicit sexual content. Unprotected sex/oral (F!receiving), mildly dubious consent (Reader doesn't tell Sanemi it's her first time, and there's a question whether he would've done it); both Sanemi and Reader are under the influence. Creampie, lots of cursing, angst.
For the playlist, listen here.
Without further ado!
Speak in tongues / I don't even recognize your face / mirror on the wall / tell me all the ways to stay away
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phan·tas·ma·go·ri·a – an exhibition of optical effects and illusions; a constantly shifting complex succession of things seen or imagined.
Once upon a time, as a little girl, she’d believed love was pretty; she imagined it would be soft, pink, and shiny and make her feel warm and pretty in return.
As an adult, she’d come to realize that love wasn’t pretty at all; it was cold, lonely, and painful.
Love was dull and harsh and all-consuming.
Love was black.
For Y/N, loving Sanemi Shinazugawa was like falling into one of the black holes she’d learned about in science class as a child. It was infinite and empty and there was no space for anything but the all-consuming void that promised to rip her apart and condemn her to oblivion.
This love had taken her naïve, romantic heart to chew up and spit back out, leaving her only with a misshapen lump held together by the leftover sinew of her hopes and dreams.
Y/N believed her love for Sanemi would be the death of her. It was a poison that had seeped into her veins and was slowly rotting her from the inside out. She knew it was stupid to love someone who would not and could not love her back, but she hadn’t yet figured out a way to stop.
And since she could not stop loving him, she could only resign herself to its toxicity until it killed her for good.
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Summer had ended, and Y/N was dreading having to return to Ubayashiki University. Dreading it because she’d spent the entirety of the summer back in her – their – hometown, caring for her ailing mother, and that isolation had meant she didn’t have to wake up every day with a pit in her stomach at the thought of running into him. But then her mother had finally succumbed to her illness a week prior, and Y/N was now forced to carry on in the world as though hers had not just been blown apart.
Looking back, Genya’s death had marked the end for a lot of things, including the once-irreverent trio that had been Y/N, Kyojuro, and Sanemi.
They had been friends – the best of friends, really, since pre-school, in large part because of their parents. Kyojuro, as warm and as vibrant as the sun, had been their grounding force, always wise beyond his years but quick to laugh. Then there was Sanemi, and though he could be prone to his episodes of anger, he was a staunch, loyal defender of his friends and would do anything if it meant making them smile. Last, there had been Y/N, and she’d been so happy to just love her boys and be loved by them. She’d always felt invincible with them by her side, ready to take on the world, together.
And for a while, they did.
Their friendship withstood even the toughest of trials. It lasted through the death of Kyojuro’s mother and the subsequent decline of his father, so unable to cope that he could not function without the bitter sting of alcohol to soothe the pain of Rukka’s absence. Their friendship had even endured the deaths of both Sanemi’s and Genya’s parents at the hands of a drunk driver, the shrapnel from the crash permanently scarring both of the boys’ faces, though Sanemi had born the worst of it.
But because they’d had one another, they’d made it through. Y/N’s own mother, though a single parent, took in both Shinazugawa boys until the state placed them in a home, though that rarely stopped Sanemi from frequenting Y/N’s house after school. Even Kyojuro grew to be a constant fixture around her house, drawn to the warmth and love her mother showed both boys as if they were her own.
And then they all grew up, and they were set to begin their first year of university at Ubaya-U come the fall. The three of them had been eager to set out into the world, to grab at any and all opportunities that arose, and for each of them to become great in their own right.
But not two weeks into the fall semester, Sanemi received the phone call that had brought his world crashing down around him. Genya, his beloved, cherished younger brother, had been shot dead outside of their foster home, killed by some kid in retaliation for some fight Genya hadn’t picked.
Y/N hadn’t been with him when he received the news, instead only getting a text from Kyojuro to getthefuckoverhereNOW. She’d bolted from her class and ran to the boys’ dorm across campus. She’d found Sanemi, curled into a ball on the floor beneath a hole he’d punched into the drywall, sobbing, and she hadn’t known what else to do but hold him along with Kyojuro while her own tears threatened to blind her.
Hours later, when Sanemi realized he would have to return to their hometown to make final arrangements, he’d asked Y/N to accompany him to the train station. Kyojuro would have gone as well, but he’d been unable to call off from work, and so the three had planned for Y/N to return with him the next day, as she was the only one between the three of them with a car on campus.
Of course, Y/N agreed to drive Sanemi to the train station, because she couldn’t possibly imagine leaving him alone. He’d looked so lost, so broken, and she would’ve done anything, anything at all, to lessen the weight on his shoulders.
Because she loved him, and she’d loved him for years, and love meant giving everything you had, everything you were to the other, especially in times of need. So she agreed, and though he’d been unable to speak, Sanemi had rested his head on her shoulder in silent gratitude.
She’d not known that, in her efforts to love and support him at his lowest, she would doom their group’s entire dynamic.
In retrospect, she shouldn’t have said anything. It was the wrong time, the wrong way to tell him what was in her heart, and she’d known that; but she hadn’t been able to stop herself. She’d been unable to stop the way her heart clenched as she walked him towards the platform at Amane Station, his head hung low and his eyes rimmed red from hours of crying. It hurt her to see him in such pain, hurt so badly that she’d been desperate to alleviate it in any way she could. She’d thought it would have been enough to hug him, to give him a reassuring squeeze and a promise that she and Kyo would be back home the following morning and that he wouldn’t be alone.
But then, before she could stop them, those cursed words had fallen from her lips and ruined her, ruined everything.
I love you, Sanemi. With all my heart.
As soon as she’d heard herself say it, she’d known she’d fucked up. She knew, as Sanemi stiffened in her embrace and pulled away from her, that she’d indelibly altered things between them, and that she could never take those words back. And she’d known, the moment she saw the cold, bewildered look in his eyes, so angry it made her stomach drop, that he neither returned nor wanted her love.
“What the fuck am I supposed to do with that?” He snapped, stepping back from her, creating a chasm between them that could not be bridged.
His train had finally arrived, and he’d stormed away from her, turned his back to her, and refused to look back as he boarded the car. She’d stayed behind, standing there amidst a throng of travelers and their families, for a long while, tears slipping hot and fast down her cheeks until the salt burned permanent tracks into her skin.
It hadn’t mattered that Kyojuro had called her later, Sanemi having filled him in on what happened, what she’d done, to tell her not to worry; that Sanemi had just been frustrated and overwhelmed, and that all would be well between them after the funeral.
Kyojuro lied. Sanemi hadn’t so much as looked her way the entire time she and Kyo were with him during his brother’s funeral and had refused to even acknowledge her small greeting. Y/N understood he was going through the worst pain imaginable, and she’d known he was angry because she’d dumped her feelings on him when he’d been in no place to receive them, but his rejection still fucking hurt.
Worse than his rejection had been his total ignorance of her, his obstinate refusal to so much as acknowledge her existence. Y/N hadn’t been able to understand how he could be so angry with her to not even treat her like a person, to pretend as though they hadn’t been friends – best friends – since they were in diapers.
Y/N had wanted to give him space, however, and wanted herself to stop loving him so things could one day go back to how they’d been, so she started to distance herself from Sanemi, believing she would still have Kyojuro, her sun, to lean on if she needed it.
But she’d been wrong, so very wrong. Because Kyojuro had defended Sanemi with a not-so-gentle reminder that ‘he’s dealing with a lot right now,’ which only fractured her heart even more because Kyojuro had taken a side and it hadn’t been hers.
Thus, Y/N was left to love them both at a distance, and she was forced to watch them carry on their friendship without her, even though they’d all come to Ubaya-U together and even though her exile from the group meant that Y/N had no friends at all.
So, her first semester at university, the semester she’d dreamed would be life-changing and exciting, became a cacophony of sobs smothered into her pillow at night so her roommate wouldn’t hear her winking out like a dying star. And she had no friends, because her best friend didn’t think she was his, and she couldn’t stop loving a boy who didn’t want to love her back.
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Her mom got sick in the spring of her first year. Initially, it had been a good prognosis. Y/N somehow managed to balance her busy, pre-law class load with her mother’s care, fluidly alternating between office hours and hospital appointments. But no friends meant she’d had no one to talk to, no one to lean on in those moments when her legs gave out and sobs wracked her body because she’d been so fucking scared of losing her mom. But she’d been kept busy enough to be able to squash that loneliness down and ignore it like her boys had ignored her, and so, she’d pushed through.
By the time summer had come, however, things had grown exponentially worse. Several nights ended in Y/N having to call an ambulance to rush to her home, because her mom had fallen and Y/N wasn’t strong enough to lift her by herself, and there hadn’t been anyone else she could call.
There had been a few times – maybe two or three – when she’d passed Kyojuro on the street, home briefly to check on his little brother, and the fiery blonde would make a face like he wanted to say something like he wanted to talk to her or care about her, but Y/N would turn and run before he had the chance.
She never saw Sanemi, though that hadn’t surprised her. She hadn’t expected him to be able to stomach being back home so soon after Genya.
Her mother’s condition yo-yoed throughout the summer and into the early fall of her second year of university. Just when it finally seemed as though things were looking up for her mother, when she was just days from her last treatment, she died.
No one had been there to hold her – to comfort her – when Y/N began wailing as her mother’s chest rose for the last time and did not go back down.
Her mother had died, and Y/N had been left utterly and completely alone.
Her mother’s funeral had taken place on a sunny October day, the autumn air cool and crisp as an apple. She’d stood beside her mother’s casket as stranger after stranger passed, offering their condolences and personal anecdotes of her mother’s kindness.
Not once had she seen a familiar face. Not once had either of her boys made an appearance, not even for the woman who had loved them as her own.
She’d returned to campus a few days later, and because the universe had decided she’d not suffered nearly enough for some unknown crime, she ran into him. By the cruelest twist of fate, Sanemi decided to cross the street opposite her at the same time, and what was left of her heart skipped several beats.
For all her efforts to put distance between them, she still loved him, and it was a realization so bitter she thought she would start dry heaving right there on the pavement. She tried to duck her head, to avoid catching his attention, but the crosswalk light changed, and he was suddenly walking towards her, and she couldn’t help but chance a glance up.
Lilac eyes collided with her own, and Y/N thought the world was about to open beneath her and swallow her whole.
His gaze lingered for a touch longer than normal for a stranger, and Y/N feared he’d be able to see the scars from her tears on her face or see how her heart still bore the tattoo of his name. But then he blinked, and she took the chance to vanish among the throng of students, dashing back to her dorm before the tears could spill down her cheeks once more.
She barely made it to her room before her legs gave out from under her, her sobs choking from her throat.
She wished her mother had taken her with her.
—————————————————————————
It was fitting that Y/N met the personification of spring at the start of the spring semester.
Her name was Mitsuri, and Y/N sat next to her in her 8:00 AM class. The girl was so bubbly and bright that it was difficult, even for the drab Y/N to resist striking up a conversation with her. Mitsuri was a streak of color that bloomed across Y/N’s eternal gray sky, with her exotic pink and green hair and permanent blush. It took only a few weeks, but Mitsuri and Y/N became the best of friends, and Y/N could not get over how good it felt to have one of those again.
Mitsuri and Y/N began to do everything together, and bit by bit, Y/N felt herself smiling more, laughing as her friend flirted with every him, her, and them who crossed their path. They figured out they shared nearly every class together, and when they weren’t furiously taking notes during their lectures, they were studying together in small corners around campus, dreaming of what was to come after exams and graduation in a year and a half.
Her pink-haired friend helped Y/N feel confident again, like a person. Mitsuri helped bring Y/N back out of the shell she’d so carefully crafted in the wake of her abandonment, and she began to feel a little lighter, a little more buoyant thanks to the happy, beautiful girl at her side.
That wasn’t to say Mitsuri didn’t have her own demons – she very much did. At night, Mitsuri and Y/N push their beds together in the latter’s dorm (Y/N’s first roommate had long since moved out). There, huddled together under the mess of blankets and pillows, they would whisper the names of their heartache with one another – Sanemi and Obanai – and they comforted each other, wiping their tears away with soft promises that as long as they had one another, they would be okay.
By March, Mitsuri convinced Y/N to go clubbing with her. Y/N was hesitant until she looked in the mirror after her friend had spent the evening primping her and turning her into a woman Y/N scarcely recognized in the mirror. Her friend had dressed her in a short, emerald green dress that hugged every curve just right, a teasing slit going high up on her left thigh. Y/N’s hair had been slicked back into a high ponytail that swung tantalizingly between her shoulder blades. Her cleavage was a bit more exposed in the pinkette’s dress than Y/N was accustomed to, but damn if she didn’t look downright sumptuous.
Y/N was determined to let loose, to not think about the black stain on her heart that was him, and so she greedily accepted Mitsuri’s hand as the two braved the chilly, early spring air. Mitsuri pulled her through the doors of the club -- the Kizuki Moon Lounge -- and for the first time in a year and a half, she felt alive.
Beneath the strobe of multi-colored lights, amidst the pulsing bass of the techno-music threatening to rupture her eardrums, Y/N had found herself anew; no longer was she the sad, morose girl who barely existed. Under Mitsuri’s care, Y/N transformed into a raving princess, who owned the sticky floor of the Kizuki’s club each time she and her friend traipsed onto it in their too-high heels, wearing too-short dresses and clutching too-strong drinks in their greedy hands.
In April, Mitsuri introduced her to Shinobu, a wisp of a pharmacology student who was every bit as beautiful as she was terrifying, though Y/N could not exactly place why the petite girl could scare off any ill-intentioned man that tried to swagger over to them, given her ever-present, sugary-sweet smile.
She also met three girls – Hinatsuru, Makio, and Suma – who were beautiful and fun-loving and rounded out the newly-formed friend group with their fire-and-ice personalities.
First, there was Hinatsuru – quieter, but still capable of throwing it back and having a grand old time, especially once her drink of choice (rum and Coke) had the opportunity to work its way through her blood. A pretty blush was always the telltale sign that Hina was ready to jump up on a table and captivate anyone who had the pleasure of watching her dance.
Next, there was Makio, brash and bold, but fiercely loyal. Some asshole had made the mistake of snapping the thong-like top of Mitsuri’s skirt once and found his head shoved down on the table, his arm pulled back in a self-defense maneuver as the dark-haired beauty threatened to wrench the man’s offending arm from its socket.
Finally, there was Suma, who often clung to the other two like a lost child, but once she gained her confidence, would flirt with absolutely anything and everything that moved, with a sultry giggle and a bat of her pretty eyes. Within only twenty minutes of knowing her, Suma had convinced Y/N to make out with her, the beautiful girl tasting like cotton candy and summertime as their tongues lazily danced together beneath the throb of the club lights.
With her new group of girlfriends, Y/N began to lose herself to the alluring beck and call of Ubayashiki’s local rave scene, her nights quickly becoming defined by sticky drinks and jeweled makeup, and the skimpy outfits Mitsuri always shoved her into. But she could not find it in her heart to care, because for once, her mind was on something else that didn’t involve the smell of pine, or lavender eyes, or the feeling of a home that no longer existed.
But even though the sour drinks made her feel so warm and vibrant while she danced, there were still moments when clarity hit and she missed them.
She missed the way Kyojuro’s strong arm would drape around her shoulders, heavy and warm, and how his embrace always felt like home, his deep laugh infectious.
She missed the way Sanemi would pretend to hug her unwillingly but would leave his hands lingering on her back or her waist once she moved to pull away, a small smirk tugging on the corners of his tantalizing mouth. She missed the smell of his cologne, woodsy and clean, as he would lean in close to her face to tease her until she blushed.
She missed them so much that the sharp sting of alcohol eventually stopped dulling the pulsing ache in the cavity where her heart once beat. No matter how many shots, no matter how many sticky acid drinks she tossed back, that gnawing in her chest would not cease.
Then, one night, Shinobu pressed a small, lilac pill into her hand, and everything changed.
Initially, Y/N was apprehensive, because the pill perfectly matched the hue of the eyes of the person she wanted to forget most. But Shinobu promised her that this pill she’d created in a lab for school – Wisteria – will have her feeling like a kid on Christmas, and that promise, coupled with a flutter of Shinobu’s pretty eyelashes made Y/N cave.
At first, she felt nothing, no impact beyond the slight buzz provided by the round of shots she’d done upon first arriving at the Kizuki. But then, as Mitsuri twirled her beneath the flashing lights of pink and yellow, Y/N’s world exploded with a vibrance she’d neither seen nor felt in nearly two years. Everything, all at once, became magical; effervescent; infinite.
The Wisteria seeped into her veins and made her feel like Christmas lights had been implanted under her skin. Y/N felt shiny and beautiful and sparkly under the combined effect of Shinobu’s magical concoction and the balancing burn of her tequila, and with her new group of girlfriends flanking her side as they bumped to and ground against one another to the beat of the music, Y/N felt almost like she did when it was just her and her boys. Only now, Y/N felt even better, because, with her girls, she could ignore the way the black in her heart was slowly beginning to fester, even if that meant Y/N was beginning to feel more and more numb with each passing rendezvous at the club.
Because that numbness meant that at least she couldn’t feel the acrid bite of her unrequited love for him, and that was what she wanted all along, right?
—————————————————————————
(May)
Of course, Y/N should’ve known she couldn’t stay light and resplendent and numb in her neon and black light paradise forever. Because unfortunately, despite the large student body at Ubaya-U, her new friend group just has to intermingle with them.
Really, it was all Shinobu’s fault. Towards the end of the semester, Shinobu began dating a quiet, withdrawn boy named Giyuu, who happened to be good friends with the man that Hinatsuru, Makio, and Suma all have a thing for – Tengen.
Tengen was a recent graduate of Ubaya-U, and an even more recent hire at the local police department, his imposing size and discerning ears a coveted asset amongst the group of detectives who’d scouted him out. Having someone affiliated with the local police be part of their group ended up being a huge advantage to them, however, given the general inclination for people to look the other way whenever Shinobu began dealing her Wisteria in the secluded corners of the Kizuki’s lounge.
What was not an advantage, however, were Tengen’s friends, because Tengen, apparently, had become best fucking friends with Kyojuro, and by default, him.
Y/N stood awkwardly between Mitsuri and Shinobu as the latter presented her group of girlfriends to the new, rag-tag medley of boys that now included the very two Y/N had gone to great lengths to avoid. She tried to ignore the burning weight of both boys’ stares as Y/N finally introduced herself to Shinobu’s new boy toy. Only when she could not possibly avoid them any longer, not without raising questions, did Y/N finally allow herself to turn to them.
“Y/N!” Kyojuro looked so surprised to see her and yet, so overjoyed that it didn’t feel fair.
Y/N could tell by the jerky way the blonde’s arms twitched towards her that he’d been about to envelop her in one of his signature bear hugs, but he’d hesitated, apparently uncertain whether he was still permitted to do so.
Ultimately, Kyojuro’s elation at seeing her once again won over his doubt, and he pulled her in tightly against his chest, his arms squeezing her with a security she hadn’t realized she’d been missing. For the briefest moment, Y/N’s eyes fluttered shut as she allowed herself to thaw, ever so slightly, in the fierce warmth of her friend’s embrace.
It was a mistake; the moment she’d allowed herself to relax, she’d felt the damning prickle of tears behind her eyelids, and an uncomfortable lump had begun to take form in her throat. So with more reluctance than Y/N wanted to acknowledge she felt, she stepped away from Kyojuro, hoping that the dim lights of the club concealed the mist clouding her eyes.
Unfortunately, the end of Y/N’s reunion with her former, fiery friend meant there were no more obstacles, no more distractions, between her and the white-haired, scar-speckled man who gazed at her with an intensity that, to her annoyance, still made her want to squirm.
And as his eyes bore into her, she chanted over and over in her mind for him not to say it, to not let her name fall from his lips, because she could not bear to hear it. It would’ve been easier, so much easier, if he simply pretended like she didn’t exist, because then she could go on pretending like she wasn’t walking around without a heart; like he hadn’t been carrying it with him even all these months later.
His eyes did not match the smirk he had as he said her name, but it still took everything Y/N had not to fold right there.
But she couldn’t, she wouldn’t let him know that he still held any power over her, and so she merely raised an eyebrow at him and smirked back, challenging him.
“Sanemi.”
—————————————————————————
“’Sanemi’ is your name when I’m mad at you,” Y/N warned him, tapping his knuckles with the spoon she used to stir the cake batter. “Otherwise, you’re just ‘Nemi.’”
Sanemi smirked at her, sticking his finger back into the bowl to swipe another glob of cake batter as Y/N mixed Kyojuro’s birthday cake together. “And what about when I’m being annoying?”
Y/N flicked a bit of batter at him, nailing him perfectly on his nose with the chocolate mixture. “Asshole seems the most appropriate.” She squatted down to pull a baking pan out from below her mother’s stove. “Did you remember to get the candles?”
The grocery bag crinkled as her white-haired best friend shook it, the box of candles within jostling. “Sixty-one candles for the sixty-one-year-old man,” Sanemi said proudly.
“Haha,” Y/N mocked, though she swiped the bag from his hand to check to ensure he’d actually bought sixteen and not, as he claimed, sixty-one candles. “I’m impressed. It seems you are capable of following directions.”
Sanemi leaned across the counter and peered up into her face, that damn smirk of his widening as he saw the faint blush creep across her cheeks. “I always follow your directions, Y/N.” He said lowly, raising a finger to wipe a speck of cake batter from her cheek.
“Hardly,” Y/N scoffed, using the need to get Kyojuro’s cake in the oven as an excuse to turn away from him and hide her warming face. “I think you prefer malicious compliance.”
“You wound me!” Sanemi protested, splaying across her mother’s counter in mock-injury. “When have I ever not followed your instructions with a smile on my face?”
Y/N turned back to him with a teasing grin. “’Nemi, since when do you ever smile?”
—————————————————————————
Shinobu’s eyes flickered back and forth between them, a smile forming on her face even as Mitsuri tugged pleadingly at her hand. “Do you two know each other?”
Sanemi said “yes” at the same time Y/N said “no,” and the former’s head snapped to Y/N’s face, who fought to keep her features neutral and cool. “Not anymore, anyways.” She clarified though she refused to acknowledge the way Sanemi flinched in response.
Shinobu looked between them again, her smile fading to something more pensive. Kyojuro only continued to watch Y/N, his expression sad and so very out of place in this castle of infinite pleasure and fun, and Y/N found herself desperate to escape it – to escape them.
Suma, the gods’ gift to the universe, interrupted the tense moment with her arrival, and she produced a small baggie of those lilac pills that promised Y/N’s escape. Y/N could feel both Kyojuro and Sanemi gawking at her as Suma pulled her in close, the little lilac pill already dissolving on her tongue, and kissed her, as they’d done so many times before.
When the raven-haired girl pulled away with a giggle on her lips, Y/N looked back to her former friends and held her tongue out, Suma’s pill now almost completely dissolved in her mouth, and she winked at them. Let them realize that their Y/N was long-gone, buried alongside the mother whose death they refused to acknowledge.
Suma offered the newcomers a pill each, and Y/N was surprised that both accepted. Kyojuro hesitated more than the ivory-haired man next to him, who held Y/N’s eyes as he placed the little tablet on his own wicked tongue, an answer to her earlier challenge. Y/N grimaced at the idea that Sanemi was willing to play along in this little game, willing to impose upon her paradise if it meant torturing her a little more.
So Y/N tossed her hair over her shoulders and turned her back to him, letting Suma and then Makio, tug her back into the crush of people on the dance floor to twirl and grind to the music, as both boys stared after her and she let herself be lost to them once more.
—————————————————————————
He found her the following Friday, as she waited against the bar for her drink.
“And where have you been hidin’ all this time?” Y/N fought the shiver that threatened to lick up her spine at the sound of that cursed, gravelly voice that had always made her weak at the knees.
But Y/N hadn’t spent the last twenty months learning how to keep off of Sanemi Shinazugawa’s radar for nothing, hadn’t learned to keep her grief and rage and pain locked deep inside the empty cavern of her chest, just to crumble under the intensity of that lilac stare.
Y/N threw her head back to swallow the shot of tequila the bartender had placed in front of her before turning to face him. Sanemi looked every bit the simpering, cocky asshole she’d always known him to be, leaning up against the sticky wood of the bar, one fist resting idly under his cheek as he watched her.
She met his gaze evenly, shoulders loose with a relaxedness that she didn’t feel. “I’ve been right here,” she replied smoothly.
Sanemi shook his head, clicking his tongue disapprovingly at her. “Nah, you haven’t,” he downed his own shot of vodka before returning his eyes to her, looking her over in consideration. “Though, I guess it would’ve been hard to know it was you anyways.”
Y/N bristled at the comment but kept her voice light. “I’m not sure I know what you mean.”
Sanemi watched her carefully for a moment, though his eyebrows furrowed, as though he was struggling to choose his words. “I just wouldn’t have expected to see you in a place like this.” He decided, after a moment, a frown tugging at the corners of his sinful mouth.
It was Y/N’s turn to smirk. “That would assume you knew me at all to begin with,” she challenged, motioning to the bartender for another shot.
Something tightened in Sanemi’s eyes as he held her gaze, and it clenched the knot of unease that had balled in her stomach. “I did, once.”
Y/N kept her face impassive. “Maybe, as a girl.” She accepted her second shot from the bartender and brought it to her lips, biting down on a wince as the sharp burn of the cheap liquid slid down her throat. “But not as a woman.”
Though she did not show it, his words struck a wound deep within her that she’d not realized still festered; because, as hard as she tried to pretend that the man beside her was a mere stranger, his words reminded her of the harsh truth.
She was still in love with him; had been, ever since she’d learned what love meant.
A shadow flashed across his face before disappearing, that insufferable smirk sliding onto his face once more. “I guess you’re right; a girl doesn’t wear a dress like that.” Sanemi purred.
Y/N fluttered her eyelashes at him, a foreign boldness taking over her mind even as the echo of her heart begged her to flee. “Do you like what you see, Sanemi?”
Her former friend’s answering grin was wolfish. “I’ve always liked what I’ve seen of you, Y/N,” he grabbed her last shot from her hand, ignoring the protest in her eyes as he tipped the tequila back easily down his throat. “You just always seem to disappear before I have a chance to properly appreciate you.”
Y/N knew she should run away from him, and fast, but her hand betrayed her as it reached up to brush a bit of confetti from his hair that lingered from earlier. She nearly hummed in satisfaction at the way Sanemi’s breath hitched in his throat as she drew close, her fingers just barely grazing the skin of his forehead.
“Guess you’ll have to catch me.” Was her only response, before Y/N departed for the dance floor and her friends once more.
Sanemi’s eyes remained locked on her the entire night.
————————————————————————
The days blurred into weeks, as Y/N and Sanemi’s new relationship took form.
The convergence of their friend groups was inevitable, though Y/N resented it; but now, they all went out as a unit, rather than as two separate groups which just so happened to run into one another, and it annoyed Y/N to no end.
More annoying was the fact that Sanemi seemed as willing to partake in the sacred ritual of taking Shinobu’s precious Wisteria with them, though he seemed to do it less out of a desire to feel like the flashing strobe lights of the club and more so because he wanted to get on Y/N’s nerves.
“Drugs are bad for your health, y’know,” that damnable gravelly voice snapped her attention away from the Wisteria that sat in Shinobu’s palm.
Sanemi’s shoulder bumped into hers as he came to stand beside her in a darkened corner of the Kizuki’s seating lounge, out of sight from prying eyes as Shinobu dispersed her latest batch of tiny purple pills, a smirk on his lips and a challenge in his eyes.
Y/N scoffed, reaching to take the small offering from her friend’s hand. “And so is that vodka you keep slugging back.” Y/N’s fingers were about to close around the Wisteria when Sanemi plucked it from the dark-haired girl’s hand, a cry of indignation squeaking past Y/N’s lips.
Sanemi held the pill teasingly in front of her mouth as Y/N glowered up at him. “Open up,” he ordered, pinching her key to paradise between his thumb and index finger.
Eyes locked with his, Y/N slowly let her lips part and held out her tongue. Sanemi leaned forward, taking her jaw in his free hand as he placed the small tablet on her tongue with the other.
 “Good girl,” he murmured, eyes lowering to her mouth as he watched her, hungrily.
As she accepted the Wisteria from him, Y/N let her tongue flick out and graze against his skin, dragging it lightly up the calloused edge of his index finger before she closed her mouth, letting the tablet dissolve on her tongue. Sanemi exhaled harshly through his nose, his hand gripping her chin possessively as he stared down at her mouth, and Y/N thought for a moment that he was about to give in right there and kiss her.
At the last moment, Kyojuro clapped him on the shoulder as he returned from the bar, and the spell was broken. Y/N blushed slightly as she turned back to Shinobu who made no secret of her raised eyebrow at the exchange between the two former friends.
Later, as she broke away from her friends dancing on the floor, she’d noticed Sanemi for once, was not looking at her, but at the hand he’d used to slip her the Wisteria, an unreadable heat in his eyes.
————————————————————————-
Sanemi liked to watch her while she danced.
At first, it had been unsettling to feel a pair of eyes boring into her back as she bumped and ground against Mitsuri or Suma, head tossed back as she let Shinobu’s pills work their magic, but she’d grown accustomed to it. Now, she craved the knowledge that he was thoroughly transfixed by her, because that meant at the very least, she was filling his thoughts while they were out almost as much as he filled hers every moment of the day, despite her efforts to numb him out of her life.
She’d confided her secret joy in Mitsuri, who’d conspiratorially promised her they would do anything and everything to drive the lilac-eyed man wild with desperation so that he might feel an ounce of the pining he’d shackled Y/N to feeling every time he so much as looked her way.
One night, a gaggle of them had gathered over in one of the Kizuki’s seated lounge areas as Shinobu pressed her Wisteria into their greedy, waiting palms. Sanemi’s eyes were locked on Y/N, as they usually were, as she’d exchanged a knowing glance with her pink-haired best friend and placed her pill beneath the heavy glass of her discarded drink and ground the violet pill into magic dust.
Eyes on Sanemi, Y/N delicately cupped the powder in one hand and brought her free fingers to the low bodice of her corseted top, tugging lightly on the strings to loosen it, inching it down lower to reveal the tops of the twin swells of her breasts, though stopping before she could be accused of exposing herself in public. She then turned her attention back to Mitsuri, her pink-and-green friend watching her with a sugary deviousness that made her stomach bubble with excitement.
Wordlessly, Y/N leaned back on the table, to the cheers and cat-calls of her friends, and she sprinkled some of the violet dust along the exposed top of her cleavage. Mitsuri leaned over her body, all vanilla perfume and pink hair tickling Y/N’s delicate skin as her friend held one nostril closed and inhaled every speck of the amethyst powder with the other. Y/N’s eyes rolled back into her head, and she let out a wanton moan beneath the black lights of the Kizuki, as her best friend kissed her collarbone in thanks.
Sanemi had gruffly excused himself for the bathroom and did not return for another five minutes. In his absence, Mitsuri had slyly let Y/N know that his eyes hadn’t once left her face throughout the entire vulgar exchange, much to her secret delight.
Y/N knew she was dancing closer and closer to the fire.
She knew that Sanemi wasn’t far from snapping, from losing whatever restraint he thought he had when it came to her, as she deliberately pressed each one of his buttons every time their group ventured out.
The next time he came close to breaking was when he saw another put his hands on her.
A hand gripped her ass, and Y/N turned and saw a man with long white hair and odd-colored eyes give her a wink. He was attractive, that was certain, but there was something predatory in his eyes that made her feel gross, so she moved closer to her circle of friends, keeping an eye over her shoulder.
Eventually, the strange man wandered off, and Y/N felt as though she could relax once more as she swung her hips to the beat thumping over the stereo strongly enough to make the dance floor vibrate. Shinobu held out a hand that Y/N eagerly grabbed, her friend twirling her as she laughed, carefree and alive beneath the resplendent rainbow of lights.
The song slowed to something more sensual, and Y/N was about to take her cue and move toward the bar when a hand grazed her upper arm.
Though it had been nearly two years since she’d last felt his touch, Y/N knew only one person capable of bestowing such a warm and gentle caress, even in spite of his hardened appearance.
Sanemi, to her eternal surprise, had made an appearance on the dance floor – his first if she remembered correctly.
His eyebrow was raised in question at her, and Y/N couldn’t help but appreciate he was asking permission to dance with her, rather than just sidling up and grinding on her like any other man would.
Sanemi looked so god damn handsome in that printed short-sleeve shirt. His sleeves had been cuffed to further show off his considerable biceps, and he’d left the top three buttons open, revealing his scarred but downright divinely toned chest. As he leaned in slightly, waiting for her permission, Y/N caught a whiff of his cologne, and it smelled like home.
Fuck it, she thought, her lips curving up into a siren’s smile as he stepped closer to her, bringing one large hand up to hold her waist as they began rocking to the beat of the music. Their foreheads were nearly touching as their bodies pressed closer and closer together, Y/N’s hips completely flush against his as they danced. Their noses brushed, and Y/N realized how dangerously close their lips had come.
Sanemi brought his other hand up to press against the small of her back, the one on her waist tightening slightly. Y/N looped one arm around his neck, her other hand coming to rest against his chest as they ground, Sanemi setting the pace perfectly in time with the beat.
Through her eyelashes, Y/N could see Sanemi’s amethyst gaze drop to her lips.
She knew she should pull away; she knew if she let him close the distance between their lips, she would also be closing the distance she’d spent so much time carefully crafting between her, and him, and even Kyojuro.
But Y/N also knew she couldn’t pull away, either; she’d waited, for so damn long, to know what his lips would feel like, and she was drunk and a little high, so the inhibitions that would normally have sent her running had long since been overshadowed by her unbounded want for him.
She felt his breath against her lips, and she closed her eyes.
Before she could finally achieve her lifelong dream of kissing Sanemi Shinazugawa, the music changed from the slow, sensual beat that they had been grinding to, to something louder, faster, and more exciting.
A scream grew louder as Mitsuri returned from heaving her guts up in the bathroom, and grabbed Y/N’s wrist, wrenching her from Sanemi’s grip and hauling her deeper into the dance floor to rave alongside her.
By the time Y/N was able to emerge from the surging crush of people dancing and raving, Sanemi was already back at the bar, leaning against it with his beer in hand, watching her.
She’d half expected him to look angry, but he only raised his drink at her, in toast.
The smirk that tugged on the corners of his mouth was full of promise.
—————————————————————————
Y/N supposed it was inevitable that this game of cat-and-mouse they’d been playing would end, and end like this.
She’d known where the night was heading the moment she showed up at the club in Mitsuri’s emerald green dress – the one she’d worn her very first time there in that strobe light palace – and saw his eyes darken from lilac to eggplant. Y/N felt the blazing heat of his stare in her bones even as she danced with her girls, could feel his magnetic pull as he watched her like a predator eyeing its next meal.
The more sober part of her was nervous, knew that she was about to cross a line she couldn’t walk back from. She knew that what was about to happen – giving her first time to Sanemi – would do nothing but exacerbate the poisonous love in her heart, but that part of her was so small, so feeble against the fire she felt in her blood as she approached the bar where he stood.
She pretended not to notice that he watched every move she made as she leaned over the ledge to order another shot. Only after the bartender placed the little glass in front of her, only after she tipped her head back and let the acid liquid slide down her throat, did she turn to meet his punishing gaze.
“You really should try joining in on the fun, Sanemi,” she kept her voice at a normal volume, forcing him to lean in slightly to hear her over the pulsing beat of the club music. She resisted the urge to close her eyes as the familiar whiff of his cologne hit her nose, the smell of a home and of a time before he ripped her heart out and stomped it to dust.
Sanemi smirked, and her stomach dipped at just how beautiful he looked, standing there below the pulsing glow of the lights. “I’m havin’ fun watching from here.” His lips were close enough to her ear that she shivered, gooseflesh erupting over her bare arms.
She wouldn’t let him know how much he still got to her, but she also couldn’t resist teasing him a little further, curious to see how far she could push him until he broke. She lifted her hand to pat the part of his chest he’d left exposed, his skin burning under her touch, as she made to pass him.
Sanemi snapped.
He grabbed her hand before she could pull it away and tugged her closer to him, knocking Y/N’s breath from her as he whirled her around and pressed her up against the dirty club wall to kiss her like she’d never been kissed before. He pinned the hand she’d had on his chest against the wall, over her head, while the other burned its imprint onto her waist. His kiss was demanding and hard, but Y/N was addicted to him. She brought her free hand to his neck, digging her nails in slightly to the sensitive skin to elicit a growl from him as he nipped her bottom lip.
Sanemi released the arm he’d pinned to the greasy club wall to hold the side of her face, tilting her head to he could deepen their kiss, his tongue sliding into her mouth to dance with her own. Y/N couldn’t control her body as she pressed into him, desperate to feel him against her, to feel him fill every empty part of her until she felt whole again. She knew she was dooming herself further, knew she was only setting herself up to fall harder than she already had, but she couldn’t stop because it was Sanemi, and she loved him.
She felt his growing hardness against her thigh, and she couldn’t stop her hips from grinding against him, heat pooling in her belly. Sanemi moaned into her mouth as her hips undulated against his, and Y/N felt herself go molten at the sound. She wanted to make him do it again and again, but Sanemi tore his mouth from hers before she could.
His chest was heaving, and his eyes were wild and dark as he looked at her. His eyes fell on her reddened, kiss-swollen mouth, and even in the dim light of the club, Y/N could see his pupils explode. He grabbed her hand, and suddenly he was tugging her through the crowded dance floor, through the groups of people near the exit, until they were outside, the night air cool on their overheated skin.
Together, they stumbled down dark, empty streets, though Y/N could not find it in herself to feel afraid, because Sanemi was there, and while he may not have cared about her enough to love her, he was still a gentleman who wouldn’t let her be hurt by anyone but him. They walked as she laughed because he kept stopping and pulling on her hand to kiss her again and again, as though he too, could not get enough of her.
Y/N didn’t know where they were going, but eventually, they arrived at an apartment complex, and it dawned on her that he’d brought her to his home. His lips were on hers the whole walk to his door, never breaking even as he fumbled for his keys. Sanemi finally unlocked the door and pushed her inside his dark apartment, kicking the door shut behind him.
Sanemi’s hands shot for her waist as he crushed her against him, his tongue licking the roof of her mouth. Y/N was sweaty and slightly sticky from the club, but the way Sanemi held her to him made her feel so god damn pretty like he’d been set adrift in a starless sea and she was his only lifeline. Sanemi’s hands moved from her waist to cup her ass, kneading her flesh as he moaned into her mouth again. His hands slid lower, grabbing her thighs to lift her up so her legs could wrap around his waist.
“We shouldn’t be doing this,” she murmurs, her head tilted back as Sanemi’s lips laid claim to her neck, his hips pressing her harshly against the entryway wall of his apartment.
The snow-haired man groaned, his hands fondling the soft curve of her ass beneath her dress. “Then tell me to stop,” he whispered, his breath hot as his tongue teasingly traced across her collarbone.
Y/N whimpered as she tightened her legs around his hips, locking him closer to her. If he stopped then, she thought she would fall completely apart.
“Tch, just as I thought,” his teeth nipped harshly against her throat as Sanemi pulled back to look into her eyes. “You can’t.”
Sanemi set her down, but he did not pull away, instead kneeling before her to run his large, warm hands up the length of her calves before bringing them around to the back of her knees. He tapped each leg one at a time, signaling her to lift it slightly. With a jolt, Y/N was completely suspended in the air with both legs over his shoulders, as he buried his face into her cunt.
He did not even bother removing the flimsy, lacy thong she’d worn under her dress, choosing instead to bypass it entirely as his tongue dragged right up her slit. Y/N’s head smacked into the wall behind her as she moaned, and she couldn’t tell whether it was the Wisteria or Sanemi that had her seeing fractals of light behind her eyes. She found that she didn’t much care either way, however, because what Sanemi was doing to her felt fucking incredible.
Her fingers fisted in his hair as Sanemi fucked her with his tongue, his teeth grazing across her clit in time with his thrusts into her. He was groaning lewdly as he feasted upon her, eyes lifting every so often to meet hers, to ensure she was enjoying it as much as he was.
“I knew you’d taste fucking sweet,” he muttered as he broke for air, fingers digging firmly into her ass as he hauled her back onto his mouth. His tongue darted in and out of her folds, lapping up every drop of her essence that he coaxed out of her, before he dove right back into her entrance, forcing her to ride his tongue as she writhed above him. Y/N desperately sought to grab onto anything for purchase, so that she could grind harder against his face, but Sanemi had her pinned in the middle of the wall, rendering her helpless to let him tear her first orgasm from her, followed by another, and then another, never once lifting his mouth off her tender core.
Eventually, Sanemi decided he’d had enough, and he moved to carry her to his bedroom. Just after he tossed her onto his plush mattress, there was a moment before he pounced on her when Y/N could really look at him. The only source of light was from the full moon outside, casting everything in Sanemi’s bedroom in its silvery glow. The moonlight illuminated the soft platinum of his hair, made his lavender irises melt into precious gems of amethyst as he raked his eyes over her panting, blushing form. His gaze darkened at the sight of her dress strap, hanging off her shoulder, before dropping to the hem that has ridden up her legs.
Y/N barely had time to take another breath before he was on her again, almost ripping the fabric from her in his haste to get it off, to expose her.
“This fucking dress,” he growled in her ear, finally tugging the zipper all the way down and shoving it down her legs, chucking the flimsy material behind him.
She was almost bare to him, but he was still clothed, far too clothed. Y/N sat up and ripped his shirt, the buttons popping all over the bed while he smirked down at her. She couldn’t find it in herself to be embarrassed, however, because then his skin was touching hers, and it felt like heaven even if Y/N knew she was only descending deeper into hell.
Sanemi graced her lips with one more bruising kiss before beginning his descent down her body, and Y/N felt electrified under his touch.
His hot mouth first came to her bare breasts. “Fuck,” he whispered as he let his tongue trace the first of her mounds, swirling around her hardened nipple before letting his teeth nip gently at her. Y/N squirmed under his ministrations, the sensation foreign to her and yet somehow, it felt wholly right, that the first person to explore her body this way would be him.
Not that she would tell him, of course; she didn’t want him to hold back, she needed him to fuck her as though there was no tomorrow. If he knew it was her first time, he would slow, or perhaps insist on stopping altogether, given that they were both high, and she couldn’t have that.
Sanemi pressed his hips down against hers, pinning her against the mattress and stilling her movements as he took his time lavishing her breasts, covering her in small marks that he soothes with sweet kisses that were enough to get her utterly drunk on him. Y/N let out a high-pitched whine as she felt Sanemi grind against the mattress as he sucked on her other breast, his abdomen pressing deliciously against her aching cunt still covered by the lace of her thong, as she desperately swiveled her hips, eager for him to relieve her once more.  
Her desperation spurred his movement, as he detached himself from her breast with a low groan, resuming his descent down her body, pausing only to suck and nip at her stomach, before settling between her legs once more. Sanemi’s lips met the band of her thong and he growled, deep and guttural as he pressed his nose against her, inhaling deeply and letting his tongue flick out once more to lap at her wetness over the rough lace obscuring her from view.
Y/N was nearly sobbing from overstimulation, Sanemi having already ensured she’d finished on his tongue three times in the hallway. Now, she needed him to fill her, and quick, or else she thought she would combust.
“Sanemi,” she whined, and his eyes flicked back up to hers, dark with want. “Please, I need you.”
Her words had an instantaneous effect on the heaving man between her legs, because suddenly his body was covering her own, his weight pressing down on her, and his pants were gone, and he was slamming into her with a force that left her screaming and writhing against his soft sheets.
“Shit!” Sanemi snarled in her ear as his cock plunged into her dripping heat, so tight and so unaccustomed to the thick length now bullying in and out of her with abandon. “You’re so – ah – fuckin’ perfect.”
Y/N was sobbing on his mattress, but not from any discomfort. The combination of Sanemi’s body mixing with the Wisteria had utterly blurred out any pain or unease she felt at the intrusion of his rigid length into her core, and instead, Y/N felt herself shatter into a million pieces, only to be fucked back together again by Sanemi, who kept one bruising hand on her hip while the other ensnared itself in her hair as he thrust wildly in and out of her.
But she was not close enough for him. The silver-haired god above her pulled her legs over his forearms and braced his hands on her inner thighs to spread her wide as he pounded into her, leaning down into her face to make her blush, just like he used to do. Only now, instead of teasing her, he was whispering filth that had her turning scarlet and begging for more.
“Fuck, Y/N,” he grunted, his hips snapping in and out of her with a ferocity that left her breathless. "You've no idea –”
The speed with which he drilled into her propelled them up his bed, but Sanemi moved an arm to come between her head and the wrought iron of his bedframe, protecting her.
“You’re a fucking dream,” he snarled, sitting back on his knees as he began to bounce her against his groin, her breasts jolting with every forceful snap of his hips.
“Sanemi,” Y/N moaned, her back arching off his luxurious sheets as her legs tightened around his hips. Under his breath, Sanemi swore.
“Again,” he croaked, the sticky pap pap of his hips slapping against hers filling his room with the sweet music of their dance. “Say it again.”
Y/N could hardly process his demand over the sensual drag of his cock in and out of her needy walls, Sanemi’s movements chasing every breath from her and replacing it with him, as though there were some parts of her that remained untainted by him.
“Again,” Sanemi insisted, his groin pressing against hers as he ground against her, his rough base swirling over her aching clit demandingly, causing her legs to spasm around his hips.
“S-Sanemi!” Y/N howled as he lifted himself from the mattress by his knees, taking her hips with him as he suspended her half in mid-air and pounded relentlessly into her, rendering her incapable of making any other sound that wasn’t a devotional to him.
Through bleary eyes, Y/N looked to see Sanemi’s own gaze fixed on the way her mouth was frozen in a perfect “o” as he pulled moan after sigh from her throat with his hips, his fingers digging into the plush of her ass as he bounced her up and down his aching member again and again. Y/N arched her back even more, allowing him to hit deeper within her and she felt an unfamiliar pressure begin to build in her stomach.
It was similar to what she felt out in Sanemi’s hallway, beneath his tongue, but this time was different. Every push and drag of his cock into her syrupy wetness had her feeling electric like the lights of the Kizuki club were being strung beneath her skin and plugged in, and she was slowly becoming a beacon of light for the man chasing his own release above her. Her eyes rolled back into her head as that coil wound tightly, Sanemi’s name falling from her mouth like a plea as she begged him to let her fall apart in his arms.
Above her, Sanemi fared no better, as his hips began to jerk and press into her without the steady rhythym he’d so carefully built, a cacophony of snarls and moans pouring from his mouth along with the filth he muttered against her skin as he sucked harshly at her neck.
Sanemi readjusted his stance above her, his thighs pressing hers down into the mattress, and Y/N lost control.
“N-Nemi!” Y/N gasped as the unfamiliar coil in her belly suddenly unwound. She was far too overcome by her pleasure to recognize she’d accidentally used her old, affectionate nickname for him as she reached her peak.
But the slip did not go unnoticed by the snow-haired man rutting into her from above, as the moment the nickname fell from her lips in her haze, Sanemi’s own release followed, his seed barreling into her hot and fast as a pleasured cry of her name tore from his throat.
Sanemi’s hips rolled into hers for what felt like hours as he poured every ounce of himself into her greedy, demanding core, Y/N taking every drip of his cum. It felt exquisite, to have the man she’d so desperately loved for so long be reduced to such a mess by her body, and Y/N savored the way his warmth filled her, as though it were possible of bestowing life back upon her even though it was he who’d chased it away to begin with.
He collapsed atop her, finally spent and satisfied, an arm winding around her waist as he sleepily pressed a kiss into the juncture between her neck and shoulder. Sanemi rolled to his back, pulling her with him, and locking her against his chest as though they were lovers. But the combination of the night’s activities with the dwindling effects of the Wisteria had exhausted him, and it was not long before his chest began rising and falling in a steady pattern of sleep.
Y/N giggled quietly to herself, marveling over the fact that her tolerance for Shinobu’s Wisteria was apparently much higher than his. Under the moonlight, she found her dress puddled in a corner of his room and shrugged it back on, gathering her heels in one hand and locating her bag with the other. She turned back and looked at the sleeping face of the man who still held her heart and smiled slightly, before closing his bedroom door gently and taking off into the summer night.
There was a new ache between her legs, no doubt the product of having her virginity taken in such an enthusiastic way by the man she’d left sleeping in his apartment, though he was none the wiser. Y/N felt oddly satisfied, as though she’d achieved some lifelong goal, as the summer air caressed her face. As she stumbled down the night-warmed pavement back to her apartment, Y/N laughed, her chest feeling light and empty for the first time in a long while.
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Want more angst? Smut? Pain? Stick around for part two and see shit literally hit the fan.
Likes, reblogs, tags, and comments are always appreciated!!
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evesetchings · 3 months
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So in @novalizinpeace’s poppy playtime au, specifically in the cartoon portion, the critters have these magic pendants that give them certain abilities. This isn’t limited to the gang, and all sorts of different pendants exist for different characters, but there’s a catch.
In this post, they talk about how if the magic in the pendant overwhelms a critter, it can transform them into a myth, a magical, monstrous being with incredible power, but can sometimes be incredibly dangerous to the people around them.
So I decided to take the 8 main critters and turn them into horrible little beasties for my amusement, and now I wish to show you guys the fruits of my labor.
tw for mild body horror and psychological horror under the cut
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Dogday - Sol
This is the only ‘canon’ myth critter that exists in the au. Every time Dogday is pushed past his limit and gets too angry with something he transforms into sol, who is a mindless flaming warrior with no logic or regard for their surroundings. This leads to them being pretty dangerous to be around, but Sol isn’t evil, they just want to protect their user from any harm, and if left to their own devices, would probably self-isolate to protect themselves (and others) from harm.
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2. Hoppy Hopscotch - Notus
The first of my original designs. Notus is the transformed version of Hoppy, and has the same weather manipulation powers, just to a much larger degree. Although she mostly uses it to make her storms larger. Notus’s mental state is much more stable than Sol (relatively), specifically in that she can remember her past life, but not specific people, so friends and even family are hardly whispers in her mind, if even that. She is quite competitive, viewing her storms as a contest to see how big she can make them, and will never back down from a challenge, doing everything in her power to win, but she is also a graceful loser, and hates cheaters. Her name comes from the Greek god of south winds, who is associated with wetness and the coming of rains.
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3. Bubba bubbaphant - Ganesha
This guy’s name comes from the Hindu deity of new beginnings and the patron of the sciences and arts, who is also represented by a man with an elephant’s head and four arms. His mental state is similar to that of Notus, in that he can remember specific events from his past, but not people. He has become incredibly intelligent, being able to solve complex equations and understand lots of different subjects, but his already prevalent neuroticism has been turned up to eleven, with even the slightest infraction driving him to a rage, which can make him incredibly dangerous to deal with, but also rewarding, as his intellect allows him to answer many questions. He can also spin webs, because spider.
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4. Bobby Bearhug - Callisto
Callisto is a little different from the other myths. She can remember her name, and her past, and the people around her, but only sometimes. You see, her pendant’s natural power is to absorb the excess emotion around her, and it still does that, but if she absorbs to much, then it leads to her transformation into a massive bear like monster with one goal, to make the excess stop by any means necessary. This has led to her voluntary exile in order to stop herself from hurting the people around her, which causes Bobby a great deal of pain, but it’s better than letting herself hurt the people she cares about the most. Her name comes from a nymph who was transformed into (what else) a bear by a furious Hera.
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5. Pickypiggy - Limos
Unlike most of the others, Limos can hardly remember who she once was, much less the people in her life or what they mean to her. Instead she is driven by her one deepest instinct: to care and provide for the people around her. She works tirelessly to cook and prepare extravagant meals for anyone who might need it, leading to her neglecting her own health and her living environment. She also has to deal with a ravenous hunger that pains her every moment, and often leads her to devouring her dishes as soon as she finished, causing even further distress. Her name comes from the Greek goddess of starvation, which i don’t think is a very good comparison, but I can’t think of anything better, so eh.
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6. KickinChicken - The Roc
Kickin’s transformed state is probably the least actively dangerous to be around. He’s a large, powerful bird capable of flying incredibly fast, as well as being incredibly loud and aggressive, but never actively harmful. His mental state is kind of the opposite of Notus and Ganesha, in that he can remember specific people and places, but not his past nor his name, and goes out of his way to try and help others. The key word being ‘try’, as his loud and aggressive demeanor often end up causing more damage than assistance. His name comes from an Arabian creature that is described as a bird of prey large enough to carry an elephant, which I thought was a good choice, and I couldn’t find any mythological chickens that really fit him.
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7. Craftycorn - Apophis
Her name comes from an Egyptian monster that is said to be the embodiment of chaos and disorder, although Crafty is significantly less malevolent than her mythological counterpart. The main effect of her presence is the chaotic shifting of her environment, colors swapping and shapes changing into maelstrom of chaos around her, with the effect getting stronger the closer you get towards her, and any critter who does so has the very real risk of being torn apart. Apophis herself isn’t doing much better, with her entire body constantly melting into multicolored goop that has a consistency similar to that of candle wax. Not much is known about her mental state, as no one is brave enough to get close to her for risk of being killed, but there has to be something left of her as her maelstrom very much has the capacity to expand over the entire world and destroy it, the only reason it hasn’t is because Crafty appears to be holding it back through sheer force of willpower.
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8. Catnap - Ouranos
Ouranos is probably the one who’s the most ‘in there’, besides Callisto in her non murder mode. He can remember his past life quite clearly and the people in them. In fact the only difference between him and normal Catnap is that Ouranos is slightly more apathetic towards outside events. He’s floated off into space and now observes to world from the heavens, watching as everything drifts by, because he can’t exactly leave. He can, however, see his friends suffering, and wishes he had the capability to help them in any way he could.
Once again thanks to @novalizinpeace for the au and all concepts belong to her.
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alice-after-dark · 18 days
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Vox as an Abuse Victim
So here is that massive Vox post I promised, a day late for...reasons. I swear I have been working on this post for days, even before that StaticMoth discourse influx in my inbox.
After making my post about Vox and Angel and reading @deeply-unserious-fellow's post about a similar topic, I thought it might be finally time to make this post. Most people who have seen my content know how I typically portray StaticMoth. I have mixed feelings about Valentino at the best of times and outright dislike him at the worst. But frankly this post isn't actually about him (well, mostly). It's about Vox and why I am really hoping that Viv keeps the angle of Vox being an abuse victim.
TW for domestic abuse, physical violence, implied sexual abuse, abusive relationships, gaslighting/victim-blaming, and other canon-typical triggers. Contain abusive StaticMoth.
Honestly? The primary reason I hope she keeps it is because it would make him an even more complex character and bring attention to a criminally underrepresented group: abuse victims who are also bad people.
As pointed out in the post I tagged above, the world has become obsessed with this idea of a "palatable" victim, the poor suffering cinnamon roll. An abuse victim is expected to look like a victim. You're supposed to instantly feel sorry for them and want to protect them...but that's not so easy when the victim is someone who also hurts people, is it? It's not so easy to pretend they didn't do bad things too...but they are still a victim. That does not change just because they are a bad person. And thus it becomes complicated and interesting. Because it's not so easy to root for the victim when they're also victimizing others, especially when those others are people we care about...like Angel Dust. At the bare minimum, Vox is doing nothing to stop Valentino from abusing Angel or any of his other employees. Having Vox be a victim of the same abuse that Angel Dust suffers (at the hands of the same abuser no less) and yet also being someone who enables Angel's abuse creates a very complicated situation.
In a most media, the discovery of a mean/bad person being abused is frequently portrayed in a "well, they were abused so you can't be mad at them anymore" kind of light. Like "see? They're just an asshole because they were being abused! Now that we know, they're suddenly a good person!" Except that's not how it works. Someone can be a bad person and also be a victim. And even if them being an asshole was the result of their abuse, those behaviors and the consequences of those behaviors don't just vanish. They still hurt people and frankly I would riot if it came out that Vox was being abused by Valentino and then everyone in the show just up and forgave him for being an asshole. Like...no? He would still need to make up for his own shit and actually work towards being a better person. I like this character because he's an unapologetic asshole. If making him a victim takes that away, then that would be such a missed opportunity.
In fact, one thing I find interesting is that I definitely believe that Vox would have no problem admitting to being a bad person, but would rather fight an exorcist alone than admit to being a victim. His ego won't allow for it. He would probably laugh in your face and call you delusional while literally having a broken screen. Because he can't admit it, even to himself. He would see it as a sign of weakness and that's not acceptable to him (side note that being a victim does not make you weak, that's just what Vox's toxic mindset tells him). While I am fairly certain that he would have moved on from most 1950s mindsets since he is all about the future and progress and moving forward, toxic masculinity is still very much a thing today and I can definitely see him embodying it in some aspects, like needing to appear strong and in control at all times (and Hell's power hierarchy definitely encourages this mindset, so...). Fuck, even now in fucking 2024, men still have a hard time being taken seriously as the victims of abuse. Unless of course you fit a certain mold.
Angel Dust is the perfect example of this. He is a palatable male victim. He's effeminate, he's funny, he's friendly, he's caring, and we actively see him miserable in his suffering. Despite being in Hell just like the rest of them and having been a former mafia member and clearly able to stand on his own two feet it combat, his victimhood is constantly on display and the audience wants to protect and save him. On the opposite end, Vox is shown in a position of power that is constantly reinforced. He's an Overlord, he's manipulative, he's cruel, he's greedy, and he enables abusive behavior from others. He is not a palatable victim, which is why it's perfect.
Now let's get into what I believe is the actual evidence that this dynamic could still be present.
Something I see people commonly say is that Vox being abused by Valentino doesn't make sense because why wouldn't Vox just fight back? He could just shock Valentino into next Tuesday? And to these people I kindly say fuck you. Because while physical strength can be a factor in abuse, it is very rarely the thing that keeps the victim from leaving. Abuse, even when physical, is heavily psychological. It's like telling a victim "well, why didn't you just leave?" It's not that easy. Abusers tend to target those with low self-esteem and it's made pretty clear that Vox is a very insecure person (I feel the need to point out that having an ego and having high self-esteem are not the same thing, in fact having a big ego is typically a side effect of very low self-esteem). It's entirely possible that Vox makes the conscious decision not to fight back because he's afraid of what will happen if he does. He's afraid Valentino will leave. We know Valentino is just as mentally and emotionally abusive to those around him as he is physically abusive and we have actively witnessed him playing into Vox's insecurities and mentally messing with him (specifically in the events leading up to "Stayed Gone").
So let's talk about the scene leading up to "Stayed Gone," because I also see Vox's behavior towards Valentino here used as justification for why it's not possible for Valentino to be abusing Vox. Full disclosure, I myself in the past have even thought that it demonstrated them being mutually abusive towards each other, but have since changed my opinion after reading more takes and doing further analysis. Having rewatched this scene many times now, I have some observations.
There's a small moment that always caught my attention when I watched this scene because I wasn't sure what it meant, but looking at it in the context of this post, I think I can see a possibility. When Vox goes to see Valentino, he approaches the doors and they are opened for him by Valentino's servants. Vox pauses in the doorway, glances at them, then continues on inside.
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What was the point of this moment? It seems out of place. Surely Vox has gone to Valentino's room before? Surely this door opening thing isn't new? And looking at Vox's face here, he looks...concerned? Like...they might hear what goes on inside? And he maintains that expression even as he enters the room, like he doesn't like that those two are out there and might hear them.
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It also makes the entire situation feel so routine. Like Valentino is upset and these girls just expect Vox to show up and take care of it. And the scenes prior to this also sets it up as a normal occurrence. Vox rearranges his entire schedule to deal with Valentino, like he absolutely expects this situation could take up the rest of his day. And Valentino clearly doesn't listen to Velvette in this regard as she had to call Vox to come deal with Valentino despite him wrecking her department. Her comment even further establishes this as normal when she tells Vox that Valentino is "up in his tower, waiting for a flat-faced prince to calm him down." And when Vox arrives? "FUCKING FINALLY!" All of this sets up a standard situation: when Valentino is upset, it is Vox's job to calm him down and make him feel better. Valentino is a full grown adult and yet he has made it someone else's problem to manage his emotions.
Then of course we have the classic moment of Valentino literally throwing his glass at Vox only seconds after Vox has arrived. And this has to have been a conscious decision, because right before that, he throws his first glass on the ground before demanding another. So if he wanted to just break something, he didn't need to throw it at Vox, but he did. And I definitely don't think he cared if Vox got out of the way or not. But how easily Vox moves aside tells us that he fully expected to have things thrown at him and was ready for it. Now, I do believe that Valentino would throw shit at literally anyone when he is mad, but the key here is that Vox, his supposed friend, on-and-off lover, and business partner, is not exempt from this behavior. He even breaks Vox's phone when he realizes Vox is not paying attention to him. He has no qualms breaking Vox's property just to soothe his rage (I would also like to point out that he fucking obliterated that thing; just how hard did he fucking throw it?!).
Something in this scene that did initially throw me as I was writing this is that Vox doesn't seem particularly afraid of Valentino. Not the way we see Angel is when Valentino gets angry. We also see him actively get angry with Valentino, get in his face, and manipulate him. In the past, I believed this behavior from Vox to have established their relationship as mutually abusive. However, after reading yet another post from @deeply-unserious-fellow, I realized that everything Vox does here is only in direct response to Valentino's tantrum.
So let's go through some things here. When Vox initially tries to tell Valentino he can't go to the hotel, Valentino straight up ignores him. Does not respond to Vox's words, completely carries on like he didn't even speak. From this point on, Vox takes an entirely different approach to the situation. He manipulates Valentino into thinking that not shooting up the hotel is his idea and even offers further appeasement in the form of shooting his own employees as a method to satisfy Valentino's temper. I admit to initially viewing this as Vox being abusive, but frankly, when your options are being manipulative or letting your business partner go shoot up a hotel that houses the literal Princess of Hell, yeah, I'd take the manipulation route. Because, as I pointed out above, Vox cannot actually control Valentino. He tries to give him an order and is completely ignored. And even when he does successfully manipulate him, he still has to appease him in some capacity.
Now, there's also something here that is often played for shits and giggles, but I'm taking it 100% seriously right now. Many people point out that Vox's screen gets brighter when he gets in Valentino's face. Valentino is a moth demon and after Vox does this, he seems to be dazed for a moment, enough for Vox to rapidly switch back into manipulator mode and does his thing. It seems to have snapped Valentino out of his rage and I literally can't help but think that Vox has learned this as a defense mechanism. Valentino can't see very well, so it's very likely Vox's hypnotism doesn't work on him, so Vox had to find other ways of manipulating him and calming him down when he's in one of his rages.
Something I also want to point out is that it is made very clear through a single solitary moment that Valentino is in no way afraid of Vox. When he tells Vox about Alastor, Vox screams in his face, manhandles him, and Valentino just...pushes him off and saunters away, grinning like the cat that caught the canary. He doesn't even look upset or concerned when Vox grabs him. He just...laughs it off...like he knows Vox won't actually hurt him. Because I genuinely think Vox won't. Later in the episode, we hear Valentino's voicemails to Angel Dust and how he's emotionally manipulating him, telling him he can't really get better. I wouldn't be surprised to find that he's given Vox a similar treatment, especially considering that it's obvious Valentino knew what kind of reaction he would get out of Vox by bringing up Alastor. And sure, he brushes it off with a kink joke, but in all seriousness, why did Valentino keep Alastor's return from Vox? We know Angel has been at the hotel for a little while and Alastor has been involved with it as of a week prior to the beginning of season 1, so why suddenly bring it up? It's almost like he was specifically holding onto this information, waiting for the perfect time to use it that would be the most beneficial to him.
There's also another little scene that always caught my attention. It's when Valentino is getting pissed about the shadow construct that Angel Dust is flirting with.
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Valentino starts getting pissy again, demands Vox's attention, gets annoyed when he doesn't get it, then immediately switches to mocking and confident when Vox starts bitching about Alastor. Like...he's so fucking proud of himself for getting Vox all worked up over Alastor. Like it's some kind of game for him. Riling Vox up and messing with his emotions is fun for Valentino. Alastor dredges up some real shit for Vox and Valentino exploits it. And from here on, he just keeps egging him on. Now, I'm pretty sure "Stayed Gone" would have happened with or without Valentino, but the point here is that he is definitely playing with Vox's emotions here.
As for the not being afraid aspect, again, Valentino hasn't actually threatened him with something that truly scares him. I don't think he's afraid of what Valentino could physically do to him. It's more likely to make him mad than anything else, even if he doesn't fight back (he'll probably go take out his anger on someone else). The thing about Vox is that we see that he does not like to appear weak in any capacity and I think this extends well into his own psyche. If he admits, even to himself, that he's a victim...to him, that's admitting weakness and he just can't do that. So Valentino's not abusing him, they just had a fight. He didn't hit back because he's in control of himself and he knows he could totally toast Valentino. It's Vox's own fault for pushing his buttons when he knew Valentino was mad. It wasn't rape cause he never said "no".
TLDR: Vox can be both an asshole and an abuse victim and it would be a really interesting aspect to his character as long as the show does it right and doesn't scrap his assholeness to make him a more palatable victim. Show him being a victim and also victimizing others. Show him not wanting to accept that he has been abused. LET PEOPLE BE UNCOMFORTABLE WITH FEELING SORRY FOR HIM.
(that's all for now, I have literally been working on this post for days and I'm exhausted)
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