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#they're gonna kill each other
d-lanx · 16 days
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kyriathanatos · 8 months
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there is something truly vile about yt shorts/tiktoks made about fucking psychology. just got reccomended this on yt (even though i dont watch these???)
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yeah dude thats gaslighting. you got it. good job
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cementcornfield · 6 months
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football is mad entertaining when the teams HATE each other oh my lord
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bunnykittii · 2 months
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:p
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"—No but like, why?" "Because you have neuroses, Barnes."
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edithdraws · 10 months
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Listen they barely interact face to face but Adam Warlock and Mistress Death have the funniest dynamic of all time actually.
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ruvviks · 4 days
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PLEASE DO NOT TAG AS YOUR OWN OC OR PAIRING.
Nathan and Ruben share a bond more powerful than most; mutual understanding through past experiences no one should ever have to go through, and through past actions so horrible they cannot be spoken of. Their grief and the blood on their hands binds them to the STEM technology they created, which has alienated them from the rest of the world— but they give each other the comfort they have both longed for so desperately for years, and that is all they need. They are each other's counterpart; you cannot imagine one without the other, like two sides of the same coin. Through their pain, their grief, their desire, and their regret, they have become one.
anna akhmatova, the guest // bones; equinox // 'i won't become' by kim jakobsson // agustín gómez-arcos, the carnivorous lamb // by oxy // achilles come down; gang of youths // czeslaw milosz, from 'new and collected poems: 1931-2001' // 'extended ambience portrait from a resonant biostructure' and 'migraine tenfold times ten' by daniel vega // a little death; the neighbourhood // marina tsvetaeva, from 'poem of the end' // by drummnist // katie maria, winter // 'nocturne in black and gold the falling rocket' by james abbott mcneill whistler // micah nemerever, these violent delights // body language; we are fury // 'the penitent' by emil melmoth // chelsea dingman, from 'of those who can't afford to be gentle'
taglist (opt in/out)
@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;
@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;
@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;
@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree
#tew#edit:nathan#nuclearocs#nuclearedits#so much shame in my body but still used my taglist but um let me know if you want to be excluded from oc/ship web weaves#just really wanted to share this one because i'm very proud of it and i want it on my blog. so. :]#recognition of the self through the other + wanting so desperately for the other to be deserving of a second chance#because if there is hope for them than there is hope for you etc etc and so on. that's the core of their dynamic i think#they understand each other on such a fundamental level that no one else comes close to because they are in so many ways the same#like how in in the first game leslie could sync up with ru/vik and all that? nathan would be a VERY good candidate for that as well#and it makes me insane!! and then the added layer of nathan being lead developer of mobius' new and improved STEM system#which makes him the same as ru/vik AGAIN but in like. the way that they're both men of [computer] science#and there's the fact they both have a dead sister. they both killed their parents. they were both mobius playthings for YEARS#and they've happily killed and tortured during all of it. they're angry they're out for revenge they're completely disconnected from#the normal human experience and they're working with what they have. and then after all of that is over then what is left?#their story focuses on them picking up all the pieces. everything that's still salvageable at least. and try to start over in a way#they cannot be forgiven for what they've done but they can move on from the past and do different in the future#there's still things left undone and left unsaid... in my canon at least. i know there's not gonna be any more games. it's fine#anyway they end up going to therapy and then they get better they're not a doomed couple they just like being dramatic#if you read all of this we can get married tomorrow if you'd like
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thegirlsarethriving · 2 months
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just finished undertale. ok i see the vision. i now understand yall's Sans-to-Benrey obsession pipeline. and the Papyrus-to-Tommy Coolatta pipeline
#undertale#hlvrai#hlvrai2#benrey#tommy coolatta#papyrus#benry#hlvrai benry#sans undertale#sans#undertale sans#undertale spoilers#i loved Papyrus so much and the whole time i was playing i was like hmm he reminds me of someone...? TOMMY. HE REMINDS ME. OF TOMMY.#i played pacifist but i saw how if u kill every1 n spare Papyrus Sans tells him every1 else is on a vacation bc truth would be too hard#file under: lies Gordon would tell Tommy if anything happened to Sunkist or his dad Gman#we wanna protect Tommy but on the other hand. the horrors r everywhere & Tommy go ham with a gun (he's terrified & acting on pure instinct)#(even tho Tommy has definitely faced his share of horrors in contrast to how Papyrus's loved ones try to shelter him from bloodshed)#i wanna write a paper psychoanalyzing Sans and Benrey in comparison to each other SOOOOO badly#it's been a hot minute since i last watched hlvrai (have seen it at least 4 times but not recently. did watch bbvrai live tho!)#im so extremely tired rn so i can't form proper thoughts :( but like:#they both have unfathomable otherworldly power and knowledge of their respective universes#but u wouldn't know it bc they're presented as just some chill guy who likes to make jokes and Vibe man#sike! they're a being of elderitch levels of power#they both act in accordance to game code but Sans can control parts of it (can see the timeline) while Benrey is much more subject to it#in some ways they are the antithesis of each other's motives but also contain the same vibes (all-powerful guy laidback n funny final boss)#Sans is judgment but doesn't interfere with the timeline. Benrey takes action that's “i knew this was gonna happen”#Benrey is fought as the final villain whereas Sans is arguably the final hero fight#anyways THEIR VIBES ARE BOTH SO !!!!!!!!!!!!!#idk if they'd be besties or mortal enemies#they can bond over being “unserious” (but they both take their true jobs very seriously. security guard and judgment bringer respectively)
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ahappydnp · 7 months
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i am so ready for the new house build episode post actually building a real house together
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shigaeru · 2 years
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day 6: home 
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Stupid 4 Stupid x
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monotone-artist · 6 months
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the sillies
[id: two images of digital drawings of some rain world slugcat ocs. the first image features the scrapper and the hideaway. scrapper is a brown slugcat with a dewlap and round ears, and a darker face, tail, and a heart-shaped marking on his chest. he has scarred hands and is wearing green goggles with red lenses atop his head. the hideaway is a dark red slugpup with a lighter torso, face, and tail, and a heart-shaped marking on her chest. she has a large cut in her right ear.
in the first image, there are a few drawings of the hideaway: one of her on all fours, leaning very far backward with a scrunched up face; sitting on her haunches and gazing at nowhere, looking haunted; and standing up with her arms outstretched, her face bright and happy. the last drawing is of the scrapper walking along, glancing back over their shoulder. the hideaway is perched on their back and is also glancing backward.
in the second image are colorless sketches of the scrapper and the hideaway, as well as the current and the monarch. the current is a lanky slugcat with several antenna on his body, and the monarch is a scarred slugcat with a torn ear and frills on her cheeks and underside. there are sketches of: an upper body of the monarch winking and doing a thumbs up with an uncannily realistic human hand; scrapper intensely examining the hideaway's cut ear, gently holding her head in their hands, looking worried; and current laying on the ground, his head in one hand and looking grumpy, while the monarch is flopped over his back and is peering at him innocently. end id]
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oifaaa · 1 year
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Wait if I'm Tim and your Tim then who's driving the batmobile????
If there is two Tim's in this bat mobile then it deserves to fall off a cliff
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avisisisis · 6 months
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To add a little more to that post about how peaches represent SWK and Mac's relationship:
In the mountain, Macaque is the one to crush the peach in his hand. He offered it to Sun Wukong, and when he didn't accept it and instead yelled at him, he destroyed it and threw it on the ground
In the end, it was Macaque who left first, not the other way around. Now, their broken relationship isn't completely his fault, but he did play a part on it
SWK screamed at him when he tried to mend their friendship, so instead of trying again, he left. That's what broke their relationship for good. Not Sun Wukong yelling, not Liu'er Mihou not looking for him, but Macaque leaving and (as far as we know) not coming back. La gota que colmó el vaso, we could say. Stuff had already been going on between those two. SWK never seemed to genuinely listen to Macaque and his promises of staying forever were empty (he never would've been able to stay in one place for so long) and Macaque never even bothered to communicate his negative feelings over this, so when he warned him he was ignored
Sun Wukong left again and again and again, looking for more power to "be strong enough to protect them", and eventually he lost sight of why he was doing it. But no matter how many times he left, he came back. Macaque didn't
#they both did what they wanted from the other#swk wanted mac to be able to leave when he wanted on the condition that he'd always come back#mac wanted swk to stay w him and be loyal to him the same way he was to swk forever#swk promised they'd stay there forever but even if he had tried he would've eventually broken that promise#the one time macaque left swk on his own he never returned#they both hurt each other so much#it wasn't a one-sided thing like so many ppl believe#“oh but swk left and killed macaque! he's a selfish shit!” “but macaque abandoned swk n hes technically the one at fault for everything!”#shut up#i'm not gonna say neither of them were at fault. cuz they both were#but it wasn't one-sided#now the difference between them is how they act about it. swk is trying to be a better person and to not repeat his past mistakes#macaque gets angry and torments mk (who is a child especially compared to him) for being close to swk#and tries to convince him that swk is a terrible mentor when in reality he's never hurt mk (yet. and even then it wasn't intentional)#most of mk's problems w swk come not only from the fact that swk sucks at communication but also from teh fact that everyone's+#talking shit abt him. they're saying swk sucks n make mk doubt him n himself when swk rlly is just trying his best#anyways i'll get more into that later#lmk#lego monkie kid#sun wukong#the six eared macaque#liu'er mihou#swk#the monkey king#shadowpeach#lmk season 4#peaches#avis talks#avis' post
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Thinking about Izzy with hanahaki, coughing up flowers over Ed for like 25-30 years. Yeah it sucks but its not gonna kill him. Obviously keeps it a secret (From Ed at least, Fang and Ivan caught on but they don’t wanna get involved in All That so they keep it to themselves and help Izzy out when he gets bad spells. None of them mention it but Izzy is grateful, which makes it all the worse when they start palling around with the Revenge crew over Izzy :’Tc).
(Uh, readmore cause I didn’t expect this to get. Like. Huge. lmao)
Then Stede Fucking Bonnet comes along and things get worse as he watches Ed fall for Stede, even if he doesn’t really understand. Still, he manages. Gotta push through, Ed would expect nothing less.
And when Stede leaves and the Kraken happens Izzy goes through a good bit of hell. Ed is barely out the room after the toe incident before Izzy is hacking up so many flowers he thinks he might actually die this time. He doesn’t, though. Cleans himself up, puts his shaky legs to work. (And then Lucius finds out, doesn’t really matter who pulled him back on board, Izzy knows about it because none of them are subtle. He keeps the secret because. He’s really not sure. But Lucius is in the walls and he hears Izzy having a fit and now he knows. He wants to ask. Tries to, even, Izzy shuts him down and he’s not even angry when he does it. Just. Defeated. Lucius silently adds another thing to his ‘Things I’m Gonna Bitch At Blackbeard For Once He’s Not Crazy Anymore’ list.)
When Stede comes back its. Better. For a while. There’s a lot of hurt all around but everyone is alive and they’re (mostly) talking it through as a crew. Ed makes his apologies to the crew, even to Izzy. Stede makes his apologies as well. Izzy accepts that This Is His Life Now. Since Stede seems to actually want to learn now that he can’t just throw money at all his problems Izzy offers to actually teach him (instead of ‘teaching’ him like Ed does). He shows him the ropes (literally), gets him passable with a sword, keeps Ed focused when he’s teaching him navigation (not Izzy’s strong suit, he can manage if he needs to but Ed’s always been better at it). They actually find themselves getting along.
Izzy starts joining the crew during ‘story time’ (sometimes its stories, sometimes its other group activities, easier to just give it the one label). One night, after Stede finishes the story and everyone is heading to bed, he watches Stede and Ed head to their cabin. Sometimes they’ll ask him along for a night cap, not always though, and its. Fine. But. He watches them head off without him. The way they hold each other as they go, smiling, only eyes for each other.
He barely makes it to his room before he’s coughing up the most flowers he’s done since Ed fed him his toe. He, frustratedly, sets to work cleaning them up but. He actually stops to look at them. He stares. And stares and stares.
Two distinct types of flowers littler his floor. He tries to deny it but he understands immediately the implications. Fuck.
Still, Izzy is nothing if not the worlds most repressed trooper. He sticks it out. Or. Tries to. Its hard because Stede and Ed keep asking after him and seeking him out and talking and touching him and. Its just camaraderie he knows but. It makes him want. And he knows he can’t have that. He wouldn’t have a damn botanical garden in his chest if he could. Its starting to take its toll on him though. He can tell its getting bad because Stede and Ed are starting to worry about him. They don’t say it in so many words but he can see it in their eyes. Ed is more hesitant to go on raids, makes up some excuse about his knee playing up more than usual, but Izzy knows it because he can see how his hands shake even when at rest and he’s thinking about him slipping up in a fight. Stede’s plying him with herbal teas and feeding him several small meals throughout the day, he’s noticed Izzy can’t stomach much anymore, how he’s getting weaker by the day because of it.
He leaves after Lucius catches him having another fit. A bad one. He says he’s going to get the captains but Izzy begs him not to. ‘Not yet,’ he lies, ‘I’ll tell them myself but. Just. Give me some time.’ Lucius begrudgingly agrees, gives him two days. ‘And if you haven’t told them by then I’m going to do it myself and you can thank me later.’ Izzy leaves that night.
He shouldn’t be surprised, when he finds Calico Jack in some seedy bar at the nearest port he can reach, though he is. ‘Thought you were dead.’ He finds himself relieved he’s not, its nice to have a familiar face around if he’s gonna die here. (He knows he’s dying. Not immediately, he’s got more fight in him than that, but. Its coming on the horizon and he knows it. Like he knows a storm eventually follows a red dawn.)
Jack eyes him, calculating, never as drunk as he pretends to be. Izzy doesn’t know what he sees but he breaks into his usual grin and says, ‘Nah, still got - what is it - four? Four lives left. Take more than some crazy bird’s cursed cannon ball to take down Calico Jack, babydoll.’ If it were anybody else, Izzy would be bristling at the nickname, but he’s long since resigned himself to being called things like that from Jack. Jack loses his easy grin though and adds ‘You look a bit like death fuckin warmed over though, fuck happened to you?’ There’s genuine care in his tone and it reminds Izzy so much of Ed and Stede and, thank fuck Jack seems to notice because Izzy’s slapping a hand over his mouth and Jack is taking his arm and they barely make it to the shitty little room Jack’s occupying before the petals start spilling out. Jack holds him through the fit, its nice. Izzy almost regrets when its over because Jack sets him down on the bed and steps back, fixes him with a look he’s too exhausted to decipher. ‘Fuck.’ He says, eventually. ‘Think we’re gonna need a drink for this.’ The alcohol burns his tender throat but he knows Jack is gonna get him to talk anyway and its easier with the rum so he drinks. And he talks.
Jack doesn’t call him an idiot but its strongly implied. Izzy doesn’t know what he expects him to do, its not as if he chose this. He doesn’t call him an idiot though, instead he. Takes care of him? Its odd, he knows Jack isn’t as callous and heartless as he pretends to be, knows he’s actually got pretty good bedside manners in fact (There’d been a time before all the legend and everything after when they were all sailing together, they’d lost their medic during a raid and Jack stepped up. He was no doctor but he knew enough to keep everyone from dying til they go someone new. He also had a child and Izzy knew, for all that he was regularly absent from their life, he wasn’t an absent father. He knew how to care for people.), but it surprises him nonetheless to have it turned towards him. Like it matters to him that Izzy is as comfortable as he can be, given the circumstances.
Izzy manages to be up and around most days but they’re growing fewer. Lacking much better to do (he’s never been good at sitting idle) he follows Jack around when he can manage to get out of bed. On days where he can’t Jack still goes out, Izzy wonders why, he mostly just drinks and fucks around, its hardly as if he can’t do that here with Izzy. He supposes he must not make for very good company, sorry state he’s in. Still.
He’s more than a bit annoyed that it takes him hacking up even more flowers after Jack leaves one morning, with a ‘Be back sometime this evening Babydoll, I got something for you,’ to realize. ‘Fuck’s sake,’ he rasps, staring down at the mound of three distinct types of petals. He’s so tired. He’ll clean it up later, promises himself he’ll be up before Jack gets back to clean them up.
He dreams of warm hands, fond smiles, soft touches, and tender voices and wakes coughing up more and more flowers. He can’t breathe. Tears sting his eyes, from the pain in his throat and his lungs, at the thought of being alone at the end like this. He spares a brief thought towards how Jack will react, coming back this evening to find him gone. Wonders how Stede would react. Edward. Still more flowers.
The door bursts open and Izzy doesn’t have the air or the energy to startle. Jack. Jack is there and he looks panicked. And there’s Stede behind him. And Edward. Somehow Izzy finds the air to let out a hysterical little laugh, it comes out more of a gasp. Must have died already, he thinks, how else could they all be here, as though his thoughts summoned them.
‘Izzy!’ He’s not sure which of them is calling him, his vision is starting to go spotty and his ears are ringing. Maybe none of them, maybe its a trick of his desperate, dying mind. There’s hands on him, warm and soft and. Instinct tells him to fight, he can’t see who’s touching him, he knows he needs to fight but. He’s so tired. He can’t see but he feels his eyes slip shut.
‘Izzy, I love you.’
Nothing.
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marypsue · 10 months
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I'd love to hear your thoughts on S1 of ST being a tragedy! No main character dies, so I never thought of it that way before
I mean, nobody has to die for a story to be a tragedy (at least, in the modern definition. I'm pretty sure '(almost) everybody dies' is a requirement of Greek tragedies and Renaissance revenge tragedies). But also, no main character dies in season one...if you take season one as part of a series. Which it wasn't originally conceived as.
I am not going looking for copies of the original pitch bible, because I am lazy, and also I only saw them floating around this webbed site. But the show changed a lot from the initial pitch (Joyce had a Long Island accent! Lucas' parents were divorcing! Murray was there and named Terry Ives! Most of what ended up in Hopper's character originally belonged to Mr. Clarke! The original pitch bible is fascinating). And part of the original pitch was a proposal for possible sequels.
The Duffers' proposal for a possible sequel was "It's ten years later, and Eleven is dead".
So that's the setup. Everything that came after season one was made up wholecloth after season one was a hit and people wanted more, but also people loved the adorable little psychic murder child (cue the Duffers shockedpikachu.jpg) and Netflix obviously recognised it would be a bad call to make a new season without her in it. So it makes sense to take season one as a unit, as a self-contained story on its own. You can also take it as part of a whole, but it makes sense to read it first as a complete story. Especially given the thematic drift of later seasons and the way they are...I'm just going to say it, each new season is very much added-on to what came before rather than being built on foundation that the earlier season(s) laid. It is very clear there was never a planned five-season story arc from the beginning. (This isn't necessarily always a bad thing, when it comes to sequels, but it does mean it makes sense to 'read' each season as its own thing.)
Okay, now that we've established all of that. Season one has one very clear goal, one very clear stake for the characters: save Will Byers from the Upside Down. (I like this. It makes the stakes both extremely high and extremely personal, it makes it very easy to understand each character's motivation, it also keeps the stakes grounded in reality. I like this a lot.) And by the end of the season, that goal is accomplished. So at first blush, you're right, season one doesn't look like a tragedy.
But when you start to unpack it a little, you start to see just how many important things were lost along the way. It's most glaringly obvious with Mike and El, with Nancy and Barb. The whole Wheeler family is fractured down the middle, with Mike and Nancy on one side and Ted, Karen, and Holly on the other, and Karen, who's been trying so hard the whole time to be part of her children's lives and understand what's going on with them, is aware of the ever-expanding gulf between them but will never be able to cross it, and will never fully know why. Hopper's finally managed to snatch a kid out of the jaws of death, save a woman he obviously cares about from the pain of losing a child, and Joyce has finally had someone believe her, support her, trust her. But it became blindingly obvious to me on my fourth rewatch that Hopper's plan, from the moment he went to leave the middle school gym, was always to trade El for Will. And that decision (and the fact that Joyce obviously understands that he did something to get the lab to let them go after Will, but she obviously doesn't dare press him on what) has broken her trust in him, and left him with what looks like an equally heavy burden of guilt as what he was carrying before. The lab stays open. The government gets away with everything. No one will ever know the true extent of the hurt they've caused.
And in the end, none of it even saved Will. He's back. He's alive. But he's spitting slugs in the sink. He's permanently marked by the Upside Down, and by trying to hide it from his family, he's putting a crack down the centre of them, as well. They're losing Will, just as surely as they had when they thought he was dead, just without him going anywhere.
And there's still a hole in the world.
The fragile bonds of community, the things that people share in common, the way catastrophe can bring people together and bring out the very best in them, are the major thematic threads woven through season one. Human connection is the only thing that can change what seems inevitable, the only thing that can bring back what's seemingly lost forever.
And it's still not enough to protect anyone from the random tragedy of the world.
The love was there. The love mattered. The love bent the entire course of the world around itself.
And it still wasn't quite enough.
If that's not a tragedy, then I don't know what is.
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