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peonycats · 3 years

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Do you have any tips/resources for researching lesser documented cultures? I'm trying to learn more about African nations and tribes but there's not that much information on the internet about them,,, what is your strategy for research?

hmmm okay so I’m approaching this question from my primary experience researching African cultures and ethnic groups, so this might not apply to all situations and stuff yknow (especially with language barriers)

(obligatory disclaimer that these tips do come with the standard “check your sources, see who wrote it and when, and keep in mind the biases and perspectives of the people behind it as well as your own” warning, and that these tips do intersect and overlap)

1. General/Beginning Sources

If possible, I usually like to begin my research by starting at wikipedia and Britannica, or similar sources designed for outsider audiences. They’re pretty good for gaining a basic understanding of a people/nation and its history, and to avoid getting overwhelmed at first. (Though, try Britannica then Wikipedia because some of the pages on Wikipedia can be hella long and detailed) There’s also history videos on youtube, which will vary greatly in scope and perspective, esp when it comes to African history.

(hehe time to plug some fave channels I watch- I would really recommend HiddenHistory for African history and archaeology and New Africa for current events, geopolitics, and history)

2. Media produced by People from that culture

This is probably the most enlightening and most useful, particularly for culture. For African ethnic groups in particular, most in my experience usually have public social media pages where they discuss things and share news (Facebook is a popular one). For certain groups, like kingdoms, they have one social media page where they make announcements or report on cultural or sociopolitical events. Local journalism also does that, and I would really recommend reading both their articles and comments section to see what people think!

There are also social media accounts dedicated to posting and educating about a certain culture- I cannot recommend them enough because one of the biggest issues with online research on culture is verifying sources (especially images oh god), and a high quality, accurate social media account is great for learning about the details!

Canada’s Cultural Information Center is very useful for learning about other countries’ cultures, especially because they have both a local perspective on how local mannerisms and nuances work, and a western perspective as well. That way, you gain an understanding of how both outsiders and insiders understand a culture.

3. Old Academic and Historical Texts

I use these mostly for lesser known historical events, archaeology, and past foreign policy, cuz generally not many people are looking for 1960s foreign policy analyses or the Kanem Bornu Empire’s outreach attempts to the Ottoman Empire in the 1500s, so that kinda stuff is usually locked up behind a pay wall.

There’s also stuff dating from the late 19th century to mid 20th century written during colonialism that offers some valuable (though... with all the prejudices and poorly aged language of the time) information and perspectives. Old newspaper clippings and reports written are pretty helpful in doing history you know

I’m lucky that I have institutional access to JSTOR, but I believe they currently let you view around 100 free articles per month during the quarantine if you have an account? Granted, you are still barred from certain articles, but still, you can access a lot! (Before the world ended it was like 10 or so articles a month I believe but I just took screenshots of the articles and saved them for later reading lmao)

Academia.edu is also a really good one for accessing research! A lot of the articles are free to download and read and you can send a nice message to authors!

Books and other published texts are really great as well, but I know that they’re not always financially available to people (if you’re looking to spend less, check out your barnes and noble sale section as well as used book stores and garage sales) But I know a handy trick called googling “[Book Title] pdf”- it gets you a lot of places lmao

#Anonymous #ask #woof that was long #but yeah hope that helps!!#thoughts tm #long post #tips

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spooky-activity · 3 years

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Just a little update on Cassandratopia 2: Electric Boogaloo (Or as it stands in my Google Docs folder rn, A Helping Hand). I’ll put it under the cut cuz it’s kinda long.

I just wanted to say that I’m still planning on actually doing it, despite all evidence to the contrary lol

I did Cassandratopia in a haze of graduating from college(where I was studying animation) and just having ended my first dnd campaign as a dungeon master (which went 3 years!). I was fishing around for internships, but since the pandemic had just kicked off I wasn’t having much luck. So I had a lot of creative energy that wasn’t getting channeled anywhere, and a lot of free time when I wasn’t applying to places. Which is how I did 4 pages a day several times per week. Which was insane.

As it stands, I’m running 2 dnd campaigns(one meets weekly, the other every other week or so), and just scored a full-time internship at a video game company! The campaigns I’m running are a homebrew open world, which, for those of you who aren’t too familiar with dnd, is a metric fuckton of work to prep for each session because I have no idea what my insane friends and siblings are going to try and do every time we play.

Anyways all this to say that my storytelling itch is kinda. Sufficiently getting scratched atm and I have a lot less free time. I’m still plucking away at the setting/refining the story of A Helping Hand, but it’s largely on the backburner. Cassandratopia was also, uh, like the first story I’ve ever told in any sort of format besides the give-and-take of dnd, so... I’m not used to having so much control over the narrative. Oddly. I’ve never thought of myself as much of a writer of stories; my main focus is character animation, so someone else is usually writing the stories I’m telling anyways, which is super cool with me. Honestly I’m surprising myself with how much I want to tell this story, which is why I’m still sure I’m doing it. Just. Slower. Than Cassandratopia got done.

But I’ll share a bit of the lore I’ve been cooking up! Specifically about Zhan Tiri and The Drops. The story will be told in an extremely dnd type setting, because that’s the kind of narrative I’ve told before and am comfortable telling: hard magic rules, neat fights, scary monsters, a dash of eldritch horror, and huge emphasis being put on magical artifacts(kinda like in the show!). Here’s some stuff that’s basically locked-in.

Zhan Tiri

Zhan Tiri is one of the many Demon Lords of the Abyss. She’s kind of a mashup of two of my favorite Demon Lords, Zuggtmoy, the Lady of Rot and Decay, and Pale Night, the Mother of Demons and Queen of the Night(with just a dash of Hannibal Lecter because who doesn’t like helpful, polite, manipulative-ass bitches lksjflkja;fj). Her domain sits almost exactly between the Sundrop and Moonstone, largely being the new growth that comes from death, and the endless cycle of life and death. Places where her influence is strongest includes the cracks in... Well anywhere really, from society to the planet’s shell, where metaphorical or physical rot could grow; musty, mostly ignored places where something could fester. Iconography related to her would include endless mazes, fungi, grasping skeletal hands, and rotting/blooming corpses. Her spores can animate corpses, which she likes to use as mindless minions when she doesn’t feel like sending one of her Acolytes. She shares a scrap of her power with those few mortals she likes. She appreciates ambition and the desire to Grow to be bigger than what you were to start with, as those are qualities she herself possesses.

Incredibly intelligent and merciless to those she deems her enemies, her main thing is pulling the strings from the shadows and seeing just how far she can push people to act with as little prompting from her as possible. She does, however, have the power to kinda bulldoze her way through things if she needs to, but she doesn’t like to because where’s the fun in that?

She first gained interest in the Material Plane when a Wizard with too much hubris from said Material Plane(Named Demanitus) contacted her trying to figure out more information about The Drops and how to control them. After indulging him for a bit, she started preparing to make a summer home on the Material Plane because it’s New and Fun here and Wow These Mortals are Really Fun to Mess With! And some of them she even genuinely liked! Demanitus then realized his mistake and locked her away in Pandemonium for what he hoped was forever, but turned out to be only around 1,000 years, due to the efforts of her followers. Her little stint in Pandemonium magnified the more... Chaotic aspects of her personality, so now she wants to cover the Material Plane in blooming mazes of fungal crops that she can break people with at her leisure.

The Drops

The drops are two semi-sentient pieces of one original artifact, whose original purpose was to be a tool of creation for the gods. Which, through some great calamity(still deciding that one), got sundered and settled into the two basic aspects of creation: the nearly unlimited well of life-energy which organizes stardust into planets, cabbages, and kings, and the “you gotta crack a few eggs to get an omlette” destructive force which breaks down what the sundrop makes so that it can make more.

The main goal of the drops is to reunite. I would want to as well if I was ripped in half! This manifests as a... General tug in the direction of the other drop. A desire in the host to Go That Way. It can be resisted, and even ignored for a bit, but it’s always there. Like being hungry if starving wasn’t a danger. Just a bit uncomfortable if you aren’t going That Way, but ignorable.

Both drops generally try to be as helpful to their wielder as possible, as originally they were a tool of creation to the gods. They are innately obliging. They’re also REALLY UNSAFE FOR MORTALS TO BE MESSING WITH. The Sundrop is a little safer because the most it can do is kinda. Overcharge you into something distinctly not human but still alive, and King Fredrick was lucky he made the Sundrop into soup before giving it to Arianna. But King Edmund got his wholeass arm blasted off for touching the Moonstone.

The Sundrop

Best I could whittle it down, the Sundrop has power over life energy, like the sun’s light. It also has power over the energy derived from geothermal activities, so deep sea creatures Are Not Immune To The Sundrop, which was a funny thought that crossed my mind that they could be, but that will likely never come up anyways salkdjf;ljsf It is, in its basest form, Growth and Progress.

It’s a little sentient, but very much entrenches itself into whoever is holding it at the time. Like another mind looking through your eyes and seeing what you see/feeling what you feel while still retaining a bit of individuality from the host. It’s not... Parasitic because it’s in its nature to give, but it’s generally pretty firmly attached to whoever is holding it until they die( which isn’t usually for a WHILE. It ’infects’ a new host when one dies, usually a plant near their grave...) or until a solar eclipse. It wants what they want, but it’s very fussy so they have to ask it for power exactly correctly(like singing an incantation every time you want to heal someone, or doing a Ritual involving lots of very specific ingredients, Celestial Alignments, and Secret Words) or it won’t listen, like an orchid dying if the ph balance is off in the soil by a little bit. But it’s generally pretty intuitive to use, because it wants what you want and (as long as you ask right) is willing to help.

Anyways basically under the influence of the Sundrop you get a few things:

Basically limitless energy coursing through your body while you’re in a place with sunlight, which equates to rapid healing, mostly, because every cell in your body is being supercharged with free energy. Never getting exhausted in direct sunlight. (If Rapunzel lived in a place that was sunny 24/7 like near one of the poles she wouldn’t have to sleep like. until it started to get dark in the opposite half of the year. Then she’d have to sleep like a regular human being)

You stay at your prime, or if you are past it, revert to your prime. Someone who is holding the Sundrop, or who has regular access to the Sundrop’s magic can’t die of old age or illness. They have to be hurt beyond the Sundrop’s ability to heal or have it taken away from them.

The ability to share this rapid healing with others (if you ask right)

The ability to freely draw on the raw, near-limitless energy of the sun to shape into things like cool-looking energy blasts (only if you ask right)

The Moonstone

The moonstone has powers over varying levels of destruction: from destroying things by ripping them apart/ to Not Letting Things Be Destroyed(also known as protecting) by freezing them in indestructible rock. Like the moon, it can ‘reflect’ a bit of the sundrop’s power, so it can kinda provide energy, albeit a lot less than the sundrop can provide. It’s the inevitable march of The End of All Things, fertilizing the fields of time with the ashes of the old so the new can take root.

The Moonstone is a bit more in the dark(pun intended hehe) when it comes to bonding with someone, it can only try to figure out what is going on based off the emotions of its wielder, and through anything directly touching the Black Rocks. Because of this it’s... Kinda dumb? It tries to do things to help(Like shooting red fear-rocks to try and scare away whatever must be scaring its wielder so badly) but often fails spectacularly at helping.

Under the influence of the Moonstone you get:

Mortals get Neat Body Armor that’s actually just you being turned into a rock! They are very fragile! They need to be protected! The best the Moonstone can do to try and preserve you is to Stop All Destruction by.. Pausing all bodily functions indefinitely. Rocks don’t need to eat, sleep, or breathe, and almost nothing can destroy you if you’re solid Black Rock. The weak reflection of the Sundrop’s energy keeps the host animated, but they’re not exactly alive anymore. Like cryostasis. Wounds (if any) acquired in this state won’t be a problem because they’re not messing anything up, because nothing is technically working in the first place, but they will be a problem when you’re not protected in this way anymore. It’s a cosmic ‘I’ll deal with that later’ button, essentially.

Like the moon, the Moonstone can reflect the light of the sun. It uses its rock crystals to do so, which can even split the sun’s power into different shades, like a prism. Essentially, different colored rocks can mean new and exciting power sets.

Blue Lightning! The Moonstone can reflect the Sundrop’s power, so it also has access to pure bursts of energy, even if it is weaker and colder.

The Moonstone is very helpful, but usually has no idea what you want. ‘Asking’ the Moonstone for more control over its power in the same way you would Ask the Sundrop for more power reminds it of the perfect bond it used to share. The Moonstone’s incantation deepens the bond between wielder and Moonstone in such a way that it actually knows what you want from it, giving you near perfect control of its powers.

*This is kind of just a side note of the Drops: While the Moonstone is weaker than the Sundrop in an head-on fight, it could hold its own if it were on the defensive. Redirecting the power instead of trying to overpower and such.

** Cass made of rocks means I get to draw her skeleton :) not in every picture that would be fucking nuts and way too much work alskjdf;lkjs;fv

#helping hand #a helping hand #casstopia #cassandratopia 2 #mine #so yeah next comic is happening still #but I can't promise when #maybe in like 6 months when one of my dnd games wraps up #my siblings are the ones who play weekly #and I said i'd run a shorter campaign for them #like half a year campaign #then I'll only be running one game!#and I'll have time to draw comic stuff and finish finalizing my draft #I'd also like to apologize in advance for my clunky storytelling #I've literally never done this before lakjs;dlkcvj;lksjf

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skaashis · 3 years

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hunger.

➤ you are miya osamu

wc: 2.7k

warnings: food, op is hungry, miya osamu centric, manga & anime spoilers

note: I'm 1-2 days late to the funeral/party but pls accept this really short miya osamu character study (kind of. barely. There was hardly any studying as i’ve allowed the spirit of writing take hold of my hands for a solid two hours.) as my elegy/offering to haikyuu season 4’s finale and the 40 tabs of poetry & fics that crashed on me earlier this evening.

You are Miya Osamu, seven years old, and eating in the new ramen restaurant that just opened up for dinner. The place was apparently highly-anticipated as it’s apparently the first Hyogo Branch for an infamous ramen chain that's apparently rated with two Michelin stars. The interior is traditional and neat. The walls, floor, and furniture are of finished wood in varying shades. The staff look old, the chefs look older. You, Atsumu, Pa, and Ma are seated with menus and gurgling stomachs, and walk out with takeout. Hands chained together, you all walk towards the parking lot and Ma lets out a squeal of satisfaction saying, “that was real good wasn't it, Atsumu, Osamu?”

Atsumu being the dimwit brat he is, nods viciously as if his eyes aren't already drooping as a sign of an incoming food coma. He proceeds to say he’s reaaaaaaaal full! And how he really liked how soft the noodles were and how rich the broth was and how soft the noodles were. Ma hums in a smile then looks down to face you, asking you for your own opinion. You only shrug and say, “I’m full. Just not satisfied”

Ma looks at you, mortified. Pa guffaws his lungs out and manages to wheeze out how you better be thankful that you’re out of the restaurant's vicinity for you might have gotten your first lawsuit at seven! You don't completely understand what he means but knows it's something bad. In the car ride back home, you stare out the window and wonder why.

You are Miya Osamu and think that Aran Ojiro is hella cool. He’s got a hella cool name, hella cool physique, and hella cool lunch he brings to school one day. They’re pancakes. Not really the ideal lunch meal, but hella cool either way because they’re nop ordinary pancakes. They’re corn pancakes, except, as Tsumu (his new name that you both proclaimed post-meeting Aran-kun) says after taking a bite, there’s no corn in it. It just tastes like corn. You pull out your own plastic chopsticks from your bento to take a taste as Aran explains. He says there’s something his mom puts that called ‘cornmeal’. Before you could take a piece, Aran halts you and shuffles for something in his lunchbag, only to pull out a mini tupperware of freshly chopped green onions. With glimmering eyes, he recommends that you try it out with the green onions garnished above before you take a bite. You nod, take his advice, and your mouth explodes with colors. It’s beyond sweet or savory or spicy or umami. Pancakes have always been either flat or fluffy alone, never so interesting and flavorful until now.

Ma picks you and Tsumu up later that day and you ask her to buy some cornmeal and extra green onions the next time she goes to the market to buy groceries.

You are Miya Osamu and it's New Year’s. You’re also yelling at Tsumu too keep it up, who in return, is also yelling at you to keep it up. Ojiisan is chortling in endearment, Obaasan is cackling her lungs out. When the Mochi is finally done, you and Tsumu exchange glares with your arms folded in a huff. Tsumu mutters how you, Samu, is so stupid and dumb and slow, when you know for a fact that HE’s the one who’s stupid and dumb and slow. Obaasan, being the ever observant granny she is, hitches a brow teasingly and asks if her precious grandsons have changed their precious names into something else. You and (a)Tsumu splutter up a string of apologies and excuses, only for her to cackle once again, this time simultaneously hitting you both on the back as she does so. Ojiisan is the one to tell your Obaasan to calm down now as he distributes the mochi.

Obaasan smiles with the softening of her eyes after taking a bite of the mochi and says it's good. Both your and (a)Tsumu’s hearts swell in pride. She then smiles with her dentures flashed in a wide, cheshire grin, adding how it could’ve used a little more oomph! She says it’s good because food is always good when you’re happy. And you’re happy when you make decisions for yourselves. And when you’re making decisions for yourself, you’re supposed to make a decision that you think will make you happy. You and Tsumu nod while reaching out for your own mochi and she’s right, it’s too soft.

But you think, huh. It does taste a lot better.

You are Miya Osamu and firmly believe your brother is a curse. Or perhaps it’s the other way around. You’re the curse. Ma never told you who’s older or younger, and probably (likely.) (definitely.) for the best. Though, you’re also one half of the newly infamous Miya Twins™ (synonymous with: chaos incarnate) who have recently shaken the ground of the volleyball world. The other half of the Miya Twins™ is Atsumu, who puked in the bus before the first game in your first nationals that no one, everyone, would have expected you’d win. Of course, you only reach the semi-finals, but that alone is a feat in itself. Still, on the bus ride back to Hyogo, while your eyes aren’t swelling with tears anymore, they’re mapped with veins and your heart’s the one doing the swelling, but with distraught and a promise to give it your all until the very end as one half of the Miya Twins™.

You are Miya Osamu and the team that stands before you across the net is Karasuno. Whom no one, everyone, would have expected would come this far. They’re an amalgamation of rookies, geniuses, and straight up monsters. They’re an odd bunch but so is your team. You’re both standing in the court, in Tokyo, match being ingrained into the minds of every person watching whether live or through National Television that'll either last forever for them to talk to their grandkids about or just fleet away the next day. Either way, the memory of such alone is proof that they’ve come this far. So are the jerseys being drenched in sweat, bruises blooming on their forearms, and the muscles being more and more conditioned as each three centimeters of a second passes by.

“Hey ‘samu? I’m startin’ to feel hungry.”

“Me too, ‘tsumu.”

You are Miya Osamu, scarfing down on the third best gyudon you’ve had in your life. It’s served in the Tokyo branch of a well known gyudon chain and only the third best ‘cuz Ma’s is and will always be the best, and yours will be the second best because you’re seventeen and self-proclaimed one hell of a home cook. It’s third best probably because of the garnish or the beef’s quality or how well-cooked the rice is. Or the fact that you’re eating it right after a loss. Food is always better when it's used as comfort or a coping mechanism. If it’s decent and you’re feeling like shit, your brain always registers it as the best thing in the world for at least the next few days. But you’re smarter than Gin who’s ordering his third bowl because it's the best gyudon he’s ever had in his life. But also, food is always better when you’re happy, when you make a decision for yourself that you deem would make you happy. You’re not happy, but you’ve decided that you’re gonna be the junior Kita-san’s forever gonna brag about.

You are Miya Osamu and practice the next day is grueling. Even fiercer and vicious than the already fierce and vicious practices your body had been accustomed to pre-nationals. Not completely by coach’s order, rather by the hunger born as an aftermath from yesterday's events. It’s also a water break. The mere three minutes your body is given to repair its own muscles before another set of serves. Riseki mentions how yesterday, Kita went on another one of his strange speeches in the midst of the match. He reiterates how Kita believed everyone on court were monsters and all, that's really the bare minimum Riseki’s pea brain, in comparison to Kita-san’s argentinosaurus of a brain, was able to absorb. You nod and hum in acknowledgement, after all, you thought the same too at one point of the match. But now-

Your gaze shifts over to ‘tsumu who’s across the gym and trying to create a heimlich by punching his chest. God knows what he’s choked himself up on again this time.

-your face twists into nonchalance. Even from the other side of the gym, you feel tsumu giving you the stink eye as Aran’s obligatorily assisting him. It's probably the twin senses. The guy’s no monster. Even if he was, monsters are supposed to be terrifying. Like the ones scaring you from under your bed. Or crawling up from a well and out of the TV screen. Or dipping fingers along with a french fry into a ramekin of ketchup in a team outing, like what Tsumu doe— Ah.

(Later that night, he does it again. He’s no monster, just a stupid fuckin idiot.)

(A disgrace to humanity.)

You are Miya Osamu, it’s the week after the last Spring High National Tournament, 1AM, and you should be asleep. Instead, you’re googling: what the fuck do retired athletes do when they’re retired. Your back isn’t aching and you dont smell funny yet, but you’re a teenager and tired and your brain whirrs in the strangest of times. The search results are blurry as like does a black hole, sleep succumbs and swallows you into itself.

You are Miya Osamu, holding your brother in a headlock. The catalyst to the impromptu wrestling match in the gym was you admitting to Atsumu that you’re no longer playing volleyball after highschool. Some delusional part of yourself hoped for some kind of peaceful talk. Y’know, with puffy gowns and smiles and chamomile tea. But Tsumu’s childish and you’re apparently a FUCKIN’ [REDACTED] [REDACTED] HORSE-CRAP-LOOKIN’ [REDACTED] BITCHASS [REDACTED] [REDACTED] SHITTY SCRUB. As per usual, you throw each other, yells (Communication between the Miya Twins™ was either inarticulate yelling or twin telepathy alone and nothing in between.), and punches around. There’s no real winner or loser in your quarrels as either Ma’, the coach, or Kita-san is always quick to end it. This time, when Tsumu yells at you that when you’re in your deathbeds, he’s gonna say that lived a happier life, you grin fierce, proud, in pain, and attempt to keep tears from streaming down your eyes. There’s no winner or loser to this fight as it doesn’t, and will never end until you’re on your deathbeds trying to deem who lived a happier life.

You are Miya Osamu, sweating profoundly, and the touch of the ball your brother set to you barely quarter a second ago is faint. The Twin Quick Attack, Minus Tempo. He gives you a look that says “are ya still thinkin’ about quittin’?” You slam the ball down along with returning a look that says “fuck yeah.” The ball creates a deafening echo as it ricochets off the ground. 2014 Spring High National Tournament: Inarizaki High School vs Karasuno High School (2:1)

You are Miya Osamu, swearing you’re about to go blind because of the continuous flashes of cameras being sent your way in your graduation. Ma’ and Pa’ are in tears, so are a few of your classmates and teammates and juniors. Some people say that they wished highschool would never end but that’s a load of bullshit. Highschool sucked. Calculus sucked. Everyone many Some people sucked. ‘Tsumu definitely sucked. Playing volleyball— didn’t suck. It never sucked.

You are Miya Osamu and adult-ing sucks. Taxes, landlords, income— Never have been fond of economics and likely never will. They said that when you become an adult, you’re finally gonna be thrusted into the world of freedom and happiness. Freedom is for everyone, children and adults alike. Happiness on the other hand, is temporary and reserved for times like a good lunch, and only permanent for people swimming in bills and coins and gucci. You? You’re just some guy making equilateral riceballs for a living. The food industry is always a gamble. To make a name for yourself, you’ve gotta keep thriving. To keep thriving you require consistency in improvement. That means more branches, more flavors, and more investment while making sure the quality never drops. It's difficult and mentally taxing. It also makes the whirring of the ceiling fan seem louder than it should be, making you feel smaller, more alone, than you should feel. You take another piece of manchego and narrow your eyes into the list of potential new flavors you could sell. A high-pitched DING! from your phone causes you to lose the staring contest you’ve had with the sheet of paper in front of you.

From: Kita-san

I’ve prepared the rice for pickup. See you tomorrow, Osamu.

You grin at the notification and text him a quick thanks. You stand up and flip the paper around in order to get read for bed. Something tells you you’ll figure it out somehow and soon.

(you do. Spicy pickled cucumber onigiri is fresh and a well selling item in Onigiri Miya the moment its introduced.)

You are Miya Osamu and firmly believe your brother is a menace, but also a nuisance. Yet here he is, likely (definitely) unaware of the splatter of soy sauce his cheek is smushed upon that you weren’t able to clean up from the former customer as he’s too immersed in his own personal venting. He’s whining on and on about how he can’t seem to perfect this new special serve he’s been working on for a while now. You’re familiar with this co called “special” serve he’s trying to pull off as it’s been the only thing he’s been texting you daily about. Because you’ve heard of it a hundred-or-so times and you were also supposed to close up ages ago, until he came waltzing in with that stupid pout and blonde hair of his. He’s a menace and nuisance but also your brother, so you offer him your own two cents and fresh onigiri. The night goes on with you both talking about Kita-san and life and the time Bokkun got his hand stuck in the pipe system back over in the MSBY dormitories. As you close up the shop and part ways, Tsumu yells at you saying he hasn’t figured out the serve yet, you yell back at him that he’ll figure it out somehow.

(he does. he debuts the new menacing northpaw serve, entitled the “hybrid serve” the next match the MSBY have.)

You are Miya Osamu and formally meet Akaashi Keiji for the first time. You recall him as one of the setters for Fukurodani, the highschool that often appeared in lists of participatory schools in the nationals as well as the former abode of your brother’s teammate, Bokuto “Bokkun” Koutaro. The dude’s nice. Probably needs more sleep, but generally nice. Seeing him and so many other people from highschool all gather up in Sendai for the match fortifies its already well-established significance. The crowd quivers and roars in awe as the MSBY win, some of shock, others of pride, many over at the Adlers side in goodbye to the sum of money they’ve pooled into bets. You quiver and roar in a grin, proud of your brother and the incoming flock of hungry customers coming over to your stand.

You are Miya Atsumu and your brother is Miya Osamu. No surprise he’s 60+ and still making those stupid equilateral riceballs of his. Probably because he’s got his life up together. Definately because he’s a FUCKIN’ [REDACTED] [REDACTED] HORSE-CRAP-LOOKIN’ [REDACTED] BITCHASS [REDACTED] [REDACTED] SHITTY SCRUB. You enter the shop and the doorway is no longer one you’d have to duck for in order to enter. The place is really neat. Sumiko-chan (16, working part time) welcomes you back and says Osamu-jiisan’s break is still in an hour or so. You wave her off saying you’re just gonna get a minced tuna and spring onion onigiris to go. She nods and tells you to wait for five minutes. You do so and in those five minutes, you watch ‘Samu smile as he’s heartily making those stupid equilateral riceballs of his out of rice and love and whatever the fuck each flavor requires.

He’s probably happy. You're probably happier. But he’s definitely happy.

#miya osamu #haikyuu!!

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joyful-soul-collector · 4 years

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About Me

I was tagged by @theswordofpens! I started a new post for this cuz the other one was getting hella long with reblogs lol. Anyway, let’s get on to the questions!

How tall are you?

5′7 or 170.18cm

What color and style is your hair?

That is a debated topic actually. My hair is dyed bright blue, but the natural parts of it people can never decide if it’s black or dark brown. In the summer sun, it’s dark brown, but it’s not always summer and I’m inside 90% of the time, so it looks black very often. So really depends on the lighting of the situation. Though people tend to focus more on the fact that my hair is blue rather than what color the natural parts are lol. My hair is a pretty basic short haircut, short on the sides, little longer on top, a bit of bangs that get in my eyes sometimes.

What color are your eyes?

Again, debated topic, and for the same reason as my hair. Sometimes dark brown, sometimes black, depends on the light.

Do you wear glasses?

Yep! They’re red on the inside and black on the outside.

Do you wear braces?

Yeah, my family was finally able to get me braces a while ago! I guess most kids get them when they’re younger, before their teeth have the chance to get worse, and they only have to have them on for a year or so? But we were only able to get them when I entered sophomore year of high school, so I have to have them for three years since my teeth had gotten so bad. They’re a lot better now, and hopefully I’ll be able to get them off before I go to community college 😅

What’s your fashion sense?

Does fandom nerd count as a category of fashion? I wear a lot of shirts with references to tv shows. All of my shirts have some sort of graphic on it, and I also have a couple zip-up hoodies that are tv show references. I also wear bright red sneakers every day, big bright red headphones that I wear every day, and a wallet chain that I wear every day. So all of that, combined with bright blue hair, seems to make for a... noticeable person haha.

What is your full name?

Marko Polo

(Nice try, I’m not saying personal stuff on here haha)

Where were you born?

Not gonna say exactly where, but in the more southern part of California.

Where are you from and where do you live now?

Alright, so technically I’m from a few different places. I was born in southern CA and lived there til I was 8, then we moved to super north-western WA where I lived until I was almost 13, and then we moved to central PA, where we celebrated my 13th birthday like a week after arriving. I’ve lived here in PA ever since, so that’s five years here in a couple months.

What school do you go to?

A High School

What kind of student are you?

I’m an alright student? I struggle with school, especially with all the moving I’ve had to do. Different schools have different expectations and vary in a lot of ways. I also have ADHD (more inattentive, less hyperactive) and Anxiety, which has not exactly been a help haha. I’ve always needed tutors and extensions and my 504 Plan, but if I have those I can often get good grades!

Do you like school?

School is meh. It’s stressful and exhausting, which is frustrating because I have other stuff I want do outside school, but I can’t do half of it because I have hw and chores and any other random things that need to get done. But my school is very high quality compared to most public schools! We have so many resources and amazing classes, and I love attending there, but unfortunately the people are not my favorite. Most of them are rich kids who have never attended anything other than really fancy schools, so they often take what they have for granted. I’ve heard kids say “our school is trash” while sitting in our Forensic Science class, in front of a school issued computer that we get to take home every day. It bothers me to NO END how some of these people act, but oh well.

Favorite subject?

English! English has always been my favorite subject, I love stories.

Favorite TV shows?

Ohhhhhhh man here we go (in no particular order): Firefly, Dollhouse, Buffy: The Vampire Slayer, Avatar: The Last Airbender, Demon Slayer, Legend of Korra, My Hero Academia, Sense8, Sherlock, Death Note, Lovesick, One Punch Man, Series of Unfortunate Events, The Good Place, Galavant, Parks and Rec, The Office, iZombie, Kill la Kill, Community, Fullmetal Alchemist: Brotherhood, The Umbrella Academy, Brooklyn Nine-Nine, Naruto, Batman The Animated Series, Travelers, Sex Education, Cells at Work, Death Parade, The Promised Neverland, RWBY

Tbh there might be more but those are the ones I could find haha. If you haven’t seen these, watch em, pretend this is a rec list, and then come and yell at me about how good they are.

Favorite movies?

Again, here we go (in no particular order): The Iron Giant, 10 Cloverfield Lane, Cabin in the Woods, any and all MCU movies (but especially Spider-Man), Into The Spider-Verse, Scott Pilgrim vs The World, anything Bo Burnham, anything John Mulaney, James Acaster: Repertoire, The Prestige, The Usual Suspects, Planet of the Apes, Lars and the Real Girl, Her, Newsies, Baby Driver, Serenity, Liar Liar, Crazy Stupid Love, Bandersnatch, ARQ, Cloverfield, A Silent Voice, Klaus, How To Train Your Dragon, Dr. Horrible’s Sing-Along Blog

There are definitely more, I just couldn’t think of them haha. Again, watch these, and then come and freak out with me about how they’re amazing.

Favorite books?

Let’s do this one last time (in no particular order, of course): Ready Player One, Charlie and the Chocolate Factory, Harry Potter, the Gone series, Saga, Sweet Tooth, Chew, Nimona, The Tea Dragon Society, Avatar: The Last Airbender, Lumberjanes, Invincible, Runaways, Calvin and Hobbes, Prince and the Dressmaker, Here, Plutona, Sculptor, Invincible, The Sword, Ultimate Spider-Man, Holes, Saving CeeCee Honeycutt, The Giver

There are definitely, 100% more books that I haven’t listed, again, I can’t think of them rn. Also, if you don’t recognize half of these titles, you probably don’t read comics/graphic novels. You should be reading those. Read them and then come and rant about how good they are so I get to tell you I told you so.

Favorite past time?

Writing! Watching tv! Reading! Spacing out so much people have to say my name ten times before I come hurtling back to earth! Talking to friends!

Do you have any regrets?

Yeah, I wish I’d stood up for myself when I was younger. I was bullied for a really long time, and even though it’s been a couple years since the last I was bullied, it’s still really hard for me to tell people what I want and and don’t want. I think I’m a little better than I used to be though, which is good!

What’s your dream job?

Author definitely, but I doubt I’ll be able to do that for a real job. Tbh I just want a job that I can do in my sleep. Repetitive, pays well, not too exhausting, that way I have energy and time to do my writing and all the things I want to do at home.

Would you like to be married?

I think so. I want to have a person I can live my life with, who I want to care for and who wants to care for me. If I’m not married I’d like an S.O. or even just a really good friend to live with. I think I’d get sad living by myself haha.

Do you want kids?

I want to be a foster parent! I’ve loved helping people my whole life, and I think this is one of the best ways that I can help someone going through a rough time. I don’t want biological kids though tbh, not really for any one reason, just for a bunch of little ones.

How many?

Dunno man. I wanna help as many kids as I can.

Do you like shopping?

I do! However I don’t do it often because I have no money. I do like walking around stores and looking a cool stuff though, especially nerdy stores like Hot Topic or Boxed Lunch or any book/comic shop.

What countries have you visited?

Canada, usually to visit family, once to see Niagara Falls! Never been anywhere else though, but I have a whole list of places I wanna see

Scariest nightmare you’ve ever had?

TW: SELF HARM/DEATH

Oof, see my dreams are always nightmares, and my nightmares are always hella terrifying. Often they’re of my worst fears: family telling me they hate me, finding the body of someone in my family, old bullies coming back, but in my worst one I found my little sister cutting herself in an old warehouse. I don’t actually remember much of what happened after I woke up, it was so bad I disassociated for the whole day. But luckily, I don’t dream often.

Do you have any enemies?

No? Maybe? I have people I hate, my old bullies mainly, but I’m not around them anymore so it’s not like I spend time hating them.

Do you have any self doubts?

Yeah I have this hilariously fun thing where I think everyone is just pretending to like me because they can’t pick up the courage to stop hanging out with me. Or that if I talk about what’s making me sad/stressed out then I’m being a burden on other people or being dramatic. Slowly working over that but it’s still hard.

Do you have any significant others?

Nope

Do you believe in miracles?

Depends. I don’t believe in fate or the idea that something higher up is pulling strings. But I think crazy cool stuff can happen. But that’s just luck and coincidence. For me, miracles are the positive ends of luck and coincidence.

How are you?

Meeeeehhhhh. School sucks, my sisters stress me out, and my parents are breathing down my neck about fifty different things. But I have a couple good friends and my writing and good stories to read and watch, so it’s not all bad :]

Tag ten tumblrs (tag last ten people in my notifications): @tracle0 @humblesavant @holystudenthologramy @federluftmask @phahbiyah @topazastral @dragon-s-bane @cassius-mortemer @saiko-tsuki @writing-another-star

#tag game #about me

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dumbledoom · 5 years

Text

Love, Death + Robots Opinion

So this show popped up on Netflix not too long ago and I was enticed by the trailers and the fact that they were all animated shorts. I truly love animation and I think it is such an incredible platform for creativity and art and it truly is limitless. I often wish animation was more appreciated and taken more seriously, as I feel like a fair amount of people usually think of children's movies when they hear the word animation. Now, there is nothing wrong with that association, but the platform is not limited to children's movies or shows and I wish more people understood that. It can be utilized for very serious and complex stories, yet people often overlook it because, "oh its animation, must be for kids", like no...fuck off with that attitude. Animation is for everyone and can be used for anything and it's beautiful and painstaking work and it should be appreciated as such. This collection is the perfect example of that! I decided to give it a go and watch the anthology (which is just a fancy word for a collection of short stories).

This collection is so...unique...its not really like anything I've ever watched before. Each story is different, none of them are connected (which is the point of an anthology), they all have different kinds of animation, and they all vary in length.

Let me just start off with the simple statement that this show has several sexual/nude scenes (yes animated nudity and sex, almost to the point of softcore porn maybe? depending on your perception of it), so it is definitely NSFW, depending on the episode. Also shoutout to the creators for including both full-frontal male and female nudity and not keeping it onesided, respect dude, cuz a lot of the time it's just women you see fully nude and its refreshing to see men included now. Also the show has quite a bit (and by this, I mean a lot) of graphic gore and (as the title would suggest) very graphic scenes of death. If you don't respond well to that kind of stuff, maybe this isn't your cup of tea (cuz seriously some of it is brutal, even for me and I'm pretty desensitized to it for the most part).

The animation styles are beautiful. They had quite a few episodes that were motion-capture animation over actors and it was super cool to see the style and creativity. (Episodes: Sonnie's Edge, The Witness, Beyond the Aquila Rift, Shape-Shifters, Helping Hand, Lucky 13, and The Secret War) These were by far my favorite episodes out of the collection just because of how well done they were with the animation. Sonnie's Edge is the first episode and you dive right in to the blood and gore and graphicness of it, and it also introduces you to the nudity you'll see throughout the different episodes. Beyond the Aquila Rift is probably one of my favorite episodes because of how intense the motion-capture animation is. It's really good, the story is good too, kinda like a Passengers-vibe to it, but different. Also probably one of the more softcore porn episodes, but it's nothing crazy. I thought it was tasteful for the maturity of it, no full-frontal male nudity like in other episodes, but it does have a sex scene. Shape-Shifters was really good too. I liked it a lot, it is quite graphic with blood and gore, but it works really well. I liked the story idea behind it too, so go check it out. Either way these episodes were truly just incredible, almost like the animation for the cutscenes of new videogames these days, but even better. It was also super hard to tell if it was live action or not and honestly I love that kind of animation because it just invites future creativity.

(I'm getting sidetracked, but like think about it as a filmmaker, if you wanted to create some crazy sci-fi or bring a fantasy book to the screen, you could do this kind of animation and not be limited to the limitations live-action films face and still be taken seriously and not as kids movie just cuz its animated).

The motion-capture animation is beautiful, I love it. They had a few episodes that were like a mix of motion-cap and 3-D computer animation. (Episodes: Three Robots, The Dump, Blindspot, Fish Night) These episodes were fun and reminded me a lot of the new Disney and Pixar animation styles, but some were even more elevated in quality. Each story was super different, but they were kind of like wandering soul-type themes. They had some really good humor, especially Three Robots, those guys were really funny and the end of it has a fun twist.

Then they have some episodes that are kind of like a comic-book style animation and it's really fun to watch. (Episodes: Suits and Zima Blue) Suits reminds me a lot of Into the Spiderverse for its animation, but its story reminds me of A Quiet Place. Zima Blue is kind of 2-D-ish and its retro which is a lot of fun, the color and story of it is really deep.

You have a few episodes that seem kind of like anime, but they're not. (Episodes: Sucker of Souls and Good Hunting) These episodes were really unique because they did have a very strong anime-feel to them, but they were still different. They weren't the over-the-top dramatic fashion that like normal Japanese anime has, but almost kinda like Avatar: The Last Airbender anime, if you know what I'm talking about. I really enjoyed them, they were really artistic. Sucker of Souls was a bit graphic and dark, while Good Hunting was graphic in it's own sense with nudity both male and female. It was definitely steampunk inspired to my eye, which I liked.

Then there is one or two episodes that are straight-up 2-D animation, which was fun for the episode it covered. (Episodes: Alternate Histories and When The Yogurt Took Over) These episodes were really funny and reminded me a lot of like the quickdraw animated style you see in YouTube videos or on Snapchat. They were pretty funny and light-hearted for the most part, but definitely strange and weird in a fun way. Super quirky.

Then they had a single episode that had live action in it. Topher Grace and a fellow actress were responding to an ever changing civilization stuck in this old antique freezer that came with the house they were moving into. I really enjoyed this episode cuz it was just funny and set apart from the others (plus I love Topher Grace cuz of That's 70's Show).

So overall the collection was just really quirky. I wasn't really sure how to feel about it all once I finished it. It was kinda like, "what the hell did I just watch" but at the same time, "they were all really good and I kinda wanna watch it all again." If you're into weird and quirky shows that are different, go for it. Its definitely strange and not something I personally was used to, but I enjoyed it either way. I really appreciate the animation styles the most out of it all and the fact that Netflix was ballsy enough to put something so unique, graphic, and sexual on their platform. Way to go, Netflix.

Soooo...yeah...that's all I got to say about that.

#love death and robots #quirky and weird #but still pretty good #adult animation #animation appreciation #check it out maybe?

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