did you know that with eds your eyes can get refractive errors and they often change? from short-sighted to far-sighted with a sprinkle of astigmatism here and there? lemme tell you it's fucking annoying when my glasses work just from time to time and I will not get 63536262 pairs to switch them out every week or two lmao
but we know I like to give rain ghoul my problems so... he does have a lot of glasses, multiple styles and stuff, organized all nice in a pretty little cabinet by prescription level or whatever it's called. he absolutely rocks them, all and any styles, and being the princess that he is, he knows how to use that fact
there are three special pairs that he doesn't wear daily, just in a specific circumstances. one is to make swiss fold, second one to make dew fold, and the third one to make phantom fold
works like a charm, every damn time
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reblog not for a “bigger sample size” but because polls like this are a fun way to help people reinforce their own self-concept and passing it along so that other people can also have the opportunity to strengthen their sense of self by pressing a button is a cool and nice thing to do
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A lot of the time when I reblog jewellery on here, it’s art nouveau jewellery, because I really like art nouveau. In general, and in jewellery in particular. And most of that is the aesthetic. I like the natural forms, I like the twisty curly bits, I like the use of materials, I like how a lot of art nouveau jewellery is using metals and stones and other materials to create a specific form, an insect or a plant or a goddess or even sometimes nature scenes. I like …
I feel like a lot of the time with jewellery, it feels like ‘I’m going to use this object to show off the size and value of my pretty rock’. And there’s nothing wrong with that. Some of those rocks are indeed gorgeous. But art nouveau feels more ‘I’m going to use these pretty rocks, and several other things, to create the impact of this object’? I just love the use of materials, glass and enamel and colour, as well as precious stones and metals, to create a form or a scene.
Like, you get a diamond ring, it’s a diamond ring. But you get something like a dragonfly brooch (Louis Acoc):
Or a lilypad hair comb (Rene Lalique):
Or a wisteria branch (Georges Fouquet):
And it’s a whole creation. A little wearable piece of art.
And I don’t want to sound too dismissive. I know the craftmanship and skill and artistry that goes into any kind of jewellery making. That diamond ring took skill I will never have. I just.
I like the emphasis on form more than material that you get with art nouveau. Like normally you hear ‘glass jewellery’, ‘enamel jewellery’, and it’s cheap, it’s frowned upon, but in art nouveau it’s what that glass or enamel was used to make that’s the important part:
(Rene Lalique)
(Eugene Feuillatre)
Anyway. In summary, I really, really, really like art nouveau jewellery?
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The Curse Of Hope
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Danny is in another universe. He had a reason, but he doesn’t remember anymore. He can only stare, horrified and disgusted, at the sickest city spirit he’s ever seen. Shivering and swaying with every step, core exposed, and ectoplasm leaking from wounds that are decades old. A ratty blanket was thrown over their shoulders, barely hiding the spirit’s pale grey skin and protruding black bones.
The spirit didn’t even sense him until he reached out to touch its wispy shoulders. The spirit flinched, clutching at the dozens of trinkets hanging from their neck and tucking in on themselves like they were expecting a blow.
“Oh, shit,” He swore, floating back a few feet, hands in the air, to show he meant no harm. “I’m sorry. I promise, I’m not here to steal from you.” The spirit shivered again and rolled a pearl necklace in between their fingers. A nervous habit. “Uh, I like that pocket watch? It’s very nice.”
That got their attention. They peeked at Danny, and he saw that more tattered cloth was covering their eyes, blending in with the stringy hair that reached the ground. Their blanket fluttered weakly, revealing hundreds of thousands of tiny marks etched into their skin. Scars, really. Scars that wrote out curse after curse onto the spirit’s very being. They burned with evil intent, and even reached inside the spirit’s body and wrapped around their core.
Occasionally, blinding specks of color raced across their body, temporarily erasing the writing, but it always returned quickly. He watched, a little detached, as one particular line rewrote itself across their rough forearm, drawing fresh ectoplasm like someone was writing it with a thin knife.
“Are you…alright?” Danny stuttered. A stupid question.
The spirit cocked its head. He couldn’t see their eyes, but he felt their burning gaze as they pondered the question.
“The pain of others becomes mine own.” They rasped. “The lights of the city dim as rotten wealth clogs mine veins. Magicks long forgotten have eaten mine skins, pulled mine cloak, and darkened mine skies. Helios has refused to grace mine doorstep, and the seasons of the Earth have revoked their kindness.”
Danny held his breath. It felt like he was the one with the exposed core, not the spirit.
The spirit shivered once more. “Tell mine soul, little lamb. How could this Forsaken City know peace, when it was long since ripped from mine hands?”
Shit, he needed Frostbite. And maybe Clockwork. Now.
-Or-
Danny meets the spirit of Gotham City. The villains and rogues that have plagued the city for decades are literal curses that are taking quite the toll on Gotham, and honestly, Danny isn’t sure how much longer they can hold out. The heroes seem to be doing some help, and are probably the reason Gotham made it this far, but the poor city needs help from the Realms if they want to get better.
Luckily, Danny can provide that help.
But only if he could get Gotham to leave their city behind. Because recovery is going to take a very long time.
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