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#theseus talks
theokapuco · 11 months
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Maze Runner Aus that have been locked in my brain for year's and have now finally found a way out
Tmr expect the Ivy Trio [Thomas, Newt, and Minho] are corrupted / the corrupted versions of them
WCKD is still a thing in this World except they never had a Maze plan in place, instead, they took to experimenting on the subjects to get the results they want.
Thomas was a subject that showed great promise, he seemed to have the flare but his blood would constantly be getting rid of it. WCKD decided to test his limits and see if there was a certain amount of the flare his blood can take. This resulting in him becoming half crank with his blood constantly fighting the flare but the flare always grows back.
Newt is a Crank subject, he is given potential cures to the flare very often which made him conscious of his mind compared to the other cranks, but he still acts like a crank just with self-awareness now. When he attacks people he doesn't do it mindlessly he does it with purpose and knows what he's doing.
Minho was another subject who showed promise with his blood being able to cure people for a short amount of time, expect his blood didn't contain the flare like Thomas's did so he went through a different experiment. Basically the same as the movie where they put him through realistic scenarios of his worse nightmares expect he ends up losing his mind and is unable to tell what is real and what is fake.
God Au
This story does not have a plot line yet, just characters
Thomas is the God of Heros and is considered one of the nicest Gods so if you want to communicate with a God, most people recommend going to him
Newt is considered a Pathway, which basically means he's a way to get to the Gods, him and Thomas have been married for thousands of year's, he is moral but keeps his morality with a necklace Thomas gave him that connects him and Thomas together. Basically, Newt relies on Thomas's life source to keep him alive. If the necklace is taken off nothing happens, he just goes back to being moral.
Minho is a moral in this Au, he does not have a role in this Au right now but he is the main focus of this Au, with Newt and Thomas being side characters at the beginning before being main characters later on.
The Graveyard Shift [Newtmas Au]
A simple sweet Au that was inspired by "The Nightmare Before Christmas" & "I have read the complete works of Montague Summers as well as Vampires: Burial, and Death and would just like to say the Penny Dreadful's are horribly inaccurate" by Singtome & "Amalgamation" by Tattered_Dreams
Thomas is a part of the Zombie population and quite literally lives in a graveyard, he is a part-time worker at a gas station that runs 24 hours, with him taking up the Graveyard shifts. Something features about Thomas is that he can not feel pain but that does not mean he isn't hurting, he's hand could be on fire and he wouldn't know until someone pointed it out. He is also able to rip off his hand, but only his left hand specifically since that was cut off before he became a Zombie.
Newt is basically Mothman and likes bothering the shit out of Thomas during his shifts. He has bright red eyes and large moth wings, at the beginning Newt would try to scare Thomas by popping out of nowhere, hanging upside down by the ceiling but Thomas has gotten used to it and doesn't even bat a eye.
There was a time when Thomas did scare the shit out of Newt when he got stabbed by a Robber but didn't notice until Newt pointed it out and all he said was "Oh,,,how did that get there? 🤨☝️"
Basically; Strangers to Friends to Lovers
Extra --> A small concept writing of this story expect Thomas works at a coffee shop instead with Brenda
October weaves through September, summer sun green leaves turning into fall orange and reds. Pumpkin spice hangs in the air, breeze passes through the town, and the sun covers up.  Thomas yells a “see ya” before leaving his home, closing the chain link fence behind him and sprinting through the dead weeds and cracked brick path.  He rounds the corner, using the lamp post as leverage to make a sharp turn. Busting open the doors of a dingy old looking coffee shop made of dark oak wood and filled with books, webs, and mold. 
The Flower Shop Down the Street [Newtmas]
Another short and sweet Au expect with superpowers
Thomas and Newt are around 26-30 years old, they are married and run a flower shop together, their flower shop is considered one of the most popular for the fact that Thomas has water base powers that allow him to water the plants more easily, with him being able to pick up water.
Newt on the other hand is a Planter but more on the weaker side of being a Planeter where he can't fully grow a plant but he can aid them in the growing process.
Extra--> I did write a short story about this but will only show some since I do not like the writing of it, I was like 14 when I wrote this LOL
Thomas places the watering can down the floor, next to a row of multicolored roses. And like magic, the water in the can float up, Thomas having his hands out. The water parted into four balls of water, all for different kinds of roses. He puts them into place above the plant stand, spreads his fingers out and let the water drop onto the roses like small rain droplets. Minho claps his hands in slow motion "ah, impressive" Minho says sarcastically. Thomas rolled his eyes " yeah I know, am the best " Thomas replies. He continues watering the plants the same way he did with the roses. Minho watching, the thing is, Minho wasn't born with powers and he always had an interest in them. When he was a kid he would pretend to have super speed and run across the field making 'zooming' sounds. He was kinda jealous of Thomas and Newt but he got over it and accepted the fact he was powerless. 
This is it for now but in the future I probably will draw fan art of some of these Aus or built more onto them
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sophiepowers · 9 months
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hello
(does anyone remember me HAHAHA)
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hey, name’s Tommy, I’m from Tubbo, who you might’ve seen tag his stuff under the name “Capricornus”, and Rangi’s timeline, or at least close enough to be considered theirs. I’ma nature deity, and tend to take the rather painful form of a mooshroom and moobloom 1/4 minotaur version of the Tommy you know. Theseus is the name I’m going by to prevent confusion.
I do also consider myself a collective within the collective- due to the chatter of the mycelium and roots that’s in me. if they like you than they might wish me to chat with you.
My pronouns are He/it/they, respect them please.
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omaano · 1 year
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Big Blue joins The Mandalorian Meets Hades Project!
#I was sitting on that dialogue for a week orz don't judge me here. their love language is insults#in my defence I forgot how to draw in the past weeks and needed to fuss with this a little to reset my brain#paz vizsla#dinpaz#pazdin#the mandalorian#the mandalorian fanart#hades au#din djarin#my art#I'm actively thinking about what trinkets to assign to Paz but if I don't post it now I never will#I figured Paz would be great in the Asterius role in-game even if he has more of a theseus like shit talking kind of vibe lol XD#Like make it a Din and Grogu vs Paz and Ragnar kind of battle#where Grogu can eventually three-shot the other kid but if Din so much as brushes past Ragnar he automatically instant loses#and will have to crawl back to beg for forgiveness#I didn't have it in me to draw out a pocket Paz next to pocket Din in the bg#and I don't trust myself any to make it to the arena in hades rn either XD I haven't booted up the game in months#so I had to rely on background screenshots from when I started this project lol#just enjoy how absolutely bit and massive Paz is okay? I can fret with my perfectionism in peace over here XD#never drawing that minigun again NEVER#next one should be Bo-Katan and co as the furies because I really want to draw up Axe and Koska as well#you know whenever I'll have some free time like in July XD#I'll save my very specific Hungarian issues with the Vizsla name because I'm too tired to type out all that rant here lol#BUT WHY IS IT WRITTEN WITH A “ZS” WHEN ABSOLUTELY NOBODY CAN PRONOUNCE IT RIGHT????#just write it with a Z or an S and let me have my peace please this is driving me up the wall every single time I think about it#why name the House/Clan after a hungarian dog breed when then nobody bothers to pronounce that ZS right??#it's not like anyone would know that you're dropping a letter there whatthehell why#you're robbing me of precious hours of sleep here every second week#*cough* okay maybe you are not spared from my rant oops
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echosong971 · 6 months
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what if a puppet could hear its own Ergo?
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fearandhatred · 17 days
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the devil entered me at 3am last night and i came up with this so here have a post-s2 crowley pov poem. pls be nice to me i don't even write poetry i have no idea what's going on
anyway i imagine this being read like an analog horror video
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flockofdoves · 1 year
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ive always just thought that black sails was kind of a nothing title for a show that has so much to it (and also didnt really make sense to me bc their sails literally arent black, thats their flags??)
but yesterday i happened across a summary of some of the founding myths of athens, and in that, crete had been taking 14 young people from athens every year to get sacrificed to the minotaur. theseus and his crew set out on a journey to stop this, and his father king aegeus knew that with how strong theseus was that this was what needed to be done to put an end to this.
but still he was scared of the idea of his son dying in the process, so he asked theseus to put black sails on his ship, and change them to white sails on his way back if he was still alive so he could know before the ship reached shore.
theseus did survive, but forgot to change his sails to white. in seeing the black sails as theseus’s ship came back to shore, aegeus didn’t wait to see, and jumped off a cliff into the sea to kill himself in his grief. the aegean sea was named after him.
so like well. thinking about this in more abstract terms in the context of black sails’s themes of the power of hegemony vs the need for revolutionary optimism. the questions of how much of one's own domesticity they're willing to sacrifice in the face of the fight for a better world and the leaps of faith and hope required to still work towards that better world in the face of that and. Um.
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inthecarpets · 11 months
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Zagreus and Theseus are like t4t violence to me
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championofelysium · 12 days
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I like saying that Theseus fell in love with Asterius during their battle in the labyrinth, but it's a bit more complicated than that... it wasn't love right away as much as it was a sorta weird obsession. Theseus printed Athenian coinage with the image of the Minotaur on it, and wore Asterius' symbol on his chest whenever he went out. He would dream about him too... mostly of their battle, but sometimes his dreams would take them outside of the labyrinth, too. Theseus couldn't identify his own feelings about all this, but couldn't really talk about it either... no one else understood </3 no one else Could understand, because everything in that moment was just Him and Asterius... (though it got to a point where some of his wives felt as if they were in competition with a bull-man who'd died long ago at that point in time).
When Theseus rescues Asterius from Erebus it's partly out of curiosity, obligation, desire...a wish to understand himself better thru Asterius. But also it doesn't take long at all for those feelings to become entirely romantic, either- he gets crushes very, very fast.
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lildoodlenoodle · 9 months
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First things first(spoilers for spiderverse/spidergeddon and comic noir storyline) this is a long post but you’ll have fun I promise. As always feel free to engage with the post, I’d love to hear different theories/opinions/conclusions on this in the tags or comments. Sorry it took so long!
Now I’m gonna say something morbid:
Spider Noir’s death in the comics was hilarious
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Jarring, but hilarious. Like why’d he grab him like that. I physically had to shut off my iPad and go for a walk after this scene when I first read it.
But to my point, you know how some people say your birth mark is how you died in your last life?
Well post resurrection we might have A, B, and C:
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(Now before anyone gets on me for, why would you do that/even think of this? In my defense, I couldn’t remember where he was grabbed, it’s been a while since I’ve read these. I thought it was gonna be on his back or shoulder and I’d give him a burned on handprint going all ‘gripped you tight and raised from perdition’ which is cool, fun, sexy, and conveniently hidden. Then I reread it and it’s basically a permanent face palm. Also pretend his face looks the same in every one. Couldn’t decide on hair either lol.)
Either way post resurrection Peter should have physical after effects of his resurrection. Either lines all over his body from having the life force sucked out of him or birth/burn marks on his face. I think this would be hilarious, angsty, and interesting. I also hate when people are just resurrected willynilly. LET THE TRAUMA OF DYING AND COMING BACK TAKE ITS TOLE. Especially if it’s multiple times.
In MK: Midnight Mission they, pretty recently, came up against this problem with the MK system being resurrected over and over again and facing really no visible consequences. But then we find out, there isn’t really a limit(ignoring the whole Khonshu imprisonment), but eventually mentally, there will be nothing left to resurrect. And the mindless mummy warrior creatures we meet from Khonshu’s ‘world’ were old avatars that wasted away from resurrections. It explains the alterations and perversions of the MK system’s mental conditions, because they are actively being altered and changed, to be brought back, by a multidimensional creature that doesn’t care about their mental health/state(that Khonshu takes advantage of, knowing what he’s doing). Sound familiar?
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Now, time to get philosophical. Ship of Theseus.
What is it? Ship of Theseus is an ideological/philosophy problem about a king, Theseus, who saved the children of Athens from king Minos and the Minotaur and then sailed his ship to Delos. Then each year Athenians would sail that same ship from Athens to Delos in celebration of the myth. Over time they kept replacing parts of the ship for maintenance purposes, till every plank had been replaced, so they could still make the voyage. Now the question is, is it still the same ship? At what point did it stop becoming that original ship? And does it matter?
Applying this philosophical exercise to resurrection, with what we know above, we can get an interesting dialogue going. But, with that said, it’s important to keep in mind that the resurrection process in this context with these multidimensional gods isn’t explained with enough detail to really take it apart. Like what happens to the soul? Is the brain damage we know Marc has from repeatedly dying and his brain repeatedly going without oxygen or is it from just interacting with a multidimensional god? Is the spider god comparable to Khonshu? Is the spider god even real, if not what or how was Peter actually resurrected? And if it is real, what is its main goal? At least with Khonshu we know he has an agenda. What does it want, what’s its end game?
But let’s get into it anyways.
Now, you may be wondering, why do I keep saying multiple resurrections in regards to Spider noir? I am so glad you asked! I believe Peter's initial spider bite killed him. He had to go to the afterlife to actually see the spider god. That’s why we really only see them three times, at the initial power conception, Peter’s resurrection, and when Peter goes to the ‘underworld’ in the 2020 run. We see something similar with Khonshu in Midnight mission, while he’s in space jail, Marc can only see him during resurrections or while he’s dead. And while we’re comparing the MK system to spider noir, when Marc got his powers, he basically had to die first. That was implied to be his first resurrection. So this wouldn’t be a one off situation. We have some rules.
What we don’t see with Moonknight and Khonshu is visual physical change. Outside of the ghost bird skull armor the boys aren’t visually changing. Meanwhile, Peter has physically turned into a monster before and turned completely back. In #4/5 of the 2020 noir run the cicada stone/pink meteor turns people into monsters, but not everyone. Huma turns, Shocker turns, Peter turns, and all the resurrected villains(one guy just explodes). But Hu-Ri and Checkpoint Red don’t, until Hu-Ri touches the stone. Huma and Peter are both in close proximity to eldritch beings, them turning into inspired versions of those beings make sense. The Shocker turns because he spent so much time holding onto the stone, whereas Red hasn't. But notice Shocker and Hu-Ri don’t turn into an animal inspired version of themselves like Huma and Peter do, he becomes more of a hulk like creature, because he isn’t attached to an other-worldly being. And when Peter turned back he essentially said “that hurt like a bitch” and kept moving.
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If we want to keep with the canon noir timeline and going with the idea that the Spider god is either continuously changing Peter, or just changing him during resurrections this would explain the webbing and mood/personality change from the 2009 comics to the 2020 comics. But that’s boring and too simple and I hate the time jump so fuck that shit.(again another post).
So let’s focus back on ‘Ship of Theseus’ in the context of resurrection. We have too many questions about the process of resurrection for spider noir to properly have this conversation, but I’m going to try anyways. Let’s hit what we know again: resurrection changes your brain chemistry/structure, the spider god is changing Peter throughout the series, Peter has possibly had three resurrections, the spider god resurrected Peter from a different dimension, which confirms this is a multidimensional being(if she exists but shhhh). So now that we’ve established that there are changes happening to Peter(one way or another) we know that the spider god is ‘repairing’ Peter throughout the series or ‘replacing his boards’ so to speak.
At what point is this no longer Peter? Is it when he is no longer recognizable as a human? Or is it when there is nothing left in his mind to resurrect? Or has this never been Peter, or rather not since his first resurrection when he got his powers? Is this change sudden or slow? Is it the resurrection that turns him into something else, is it slow build up like an Iodine Clock titration and one day he just wakes up no longer human, or is it a slow process of subtle changes? But if the latter, what’s the change that does it? What defines Peter’s humanity? Does it matter if he’s human or not? Does it change anything for him if he’s no longer human in body and mind?
Part of the answer may lie in the villains we see through the 2009 and 2020 runs. In the first run the main villains were the Goblin and the Vulture. Both who were implied to not be human or having physical inhuman qualities(but I’m partially ignoring the whole carney thing cause honestly it’s ableist and boring). In Eyes Without A Face, the second run, the main villains are the Crime Master and Dr. Octavious, both humans with no inhuman or supernatural qualities. For simplicity sake, let’s focus on Octavious and Goblin. In comparing the two I think most people would agree Octavious is the more heinous of the two. Goblin takes on the role of a mob boss. He runs a crime empire, exploiting the defenseless in New york. It’s nothing new and he’s even somewhat sympathetic ‘I’m finished with freakshows’, you can understand how he got where he is. This is not to say he isn’t a villain but he very much fits the ‘villain with a tragic backstory’. People look at him like he is a monster, we, the reader, start out the story knowing what he is.
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Whereas Octavious is not even remotely sympathetic because there is no empathizing with how he ended up there and why he does what he does. He is not only othered by his actions but also by the narrative for his disability(it’s important to acknowledge the ableism in his story but that is another post). Ultimately his delusions and the acts he commits make him a much more sinister monster than Norman, despite Norman actually having stereotypical qualities of a monster.
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Then we have Huma and Shocker from the 2020 run. Huma is the closest person we see who is in a similar situation to Peter in terms of the spider god. While we don’t know all the details, whether she is the same as Peter, bearing a curse of power, or the actual god. Either way she presents as human and is not treated differently than any other human woman. At the end of the series we realize how corrupt she is and that she’s been working with Nazi’s, not necessarily for the ideology but to achieve what she wants. Her transformation is the nail in her coffin of her monsterous perception. The question is did we need her to look like a monster to see her as one?
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In general we are left with more questions and theories than answers.
But onto my subjective answers to the questions. My answers might change over time so don’t hold me to them.
Of course it matters if Peter has humanity. Peter Parker across the board is one of the characters who HAS to hold himself to a moral code or he falls apart and becomes the villain(well maybe not the villain but you know what I mean) of the story. He holds back during fights and has a no kill policy for a reason.(Good men don’t need rules, today is not the day to find out why I have so many.-dr.who) But noir Peter isn’t your typical Peter. He kills, he maims, he doesn’t hold back. With that said, he still is held together by his morality. It’s just different than what we are used to seeing from Peter, but don’t mistake that as a lack of morality. However, do I think it’s a very real possibility that this morality could be eroded over time especially considering his home world and the above circumstances? Absolutely. Peter is someone who historically needs someone to ground him and ‘make’ him human. This is normally May Parker, Mary Jane, Gwen Stacy, occasionally Harry Osborn, Daredevil, Johnny Storm, and Flash Thompson, and the ghost of Ben Parker. Dude lives by a passing saying of a dead relative, he clearly doesn’t have a super solid moral compass. I think this is part of the reason the noir comics kept his relationship with May and Mary Jane(I disagree but whatever whatever), because he needs support to stay grounded.
Now, under what circumstances is Peter no longer Peter? I’m going with the Iodine Clock titration theory. Just drop after drop of ‘changes’ and morally questionable decisions that don’t seem to hold much weight, until he does something truly off the reservation. Like seeing himself do something truly horrific that a couple years ago he would have never done and shocking himself out of it. Or looks in the mirror and doesn’t see a person staring back. For either circumstance, because he’s appalled with himself or struck by the fact he doesn’t really care. This is not to say I don’t think he could come back from this but holy shit will it be a process.
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But it brings us back to ‘If there is too much power then it is the responsibility of the people to take it away.’ Peter losing his humanity puts him in the Goblin’s place as the one with great power that cannot be trusted from the first comic. Whether it’s the resurrections, the spider god ‘replacing’ parts of him, or him just being pushed to the brink mentally that does it. Whether the change is physical, neurological, spiritual, or mental. This ‘Peter’ is not the Peter we first meet in 1932.
This is a different ship, and you can sail and stay on the same course in memory of, or under the false pretense of being, the original as many times as you want, but you cannot bring back the parts you replaced and undo the ‘improvements’ you made. But that doesn’t need to make Peter a monster.
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theokapuco · 9 months
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Sorry for the lack of art guys, school has started for me and I have been busy with applying to college. Also sad news, my Ipad and Apple pencil has stopped working, which isnt really a suprise to me since i have been using that ipad for 5 years now but i will be doing mostly traditional art now and hopefully I'll earn enough money to buy a new Ipad and pencil. I might even consider opening art commissions. Anyways! Sorry guys and Hopefully I'll be posting more Maze runner art soon.
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sophiepowers · 7 months
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every so often i come here and shitpost and say hello
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ninadove · 10 months
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Hades for the ask game>=)
OH GODS THAT IS AN EXCELLENT ASK
Blorbo (favorite character, character I think about the most)
Zagreus. Oh my god, Zagreus. My favourite video game protagonist hands down.
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Many of my Felix mutuals like to joke that he would never play video games because of the whole “controlling a character” bit, but I’m here to tell you: he would play Hades, in fact he did play Hades while watching his father slowly die in the hospital, delivering the final blow without breaking eye contact Every. Single. Time.
And of course, he developed the biggest crush on Zagreus.
Zagreus spent his entire life (potentially centuries?) enduring the most horrifying abuse and then just. Woke up one day and decided he had had enough. He dies again and again and and again, always respawning in the very same prison he grew up in no matter what, but he does not let it get to him; instead, he picks himself up and tries again, just for a chance to catch a glimpse of the sun. Not taking any bullshit from anyone, but remaining kind and soft through his entire ordeal.
A model and an inspiration to us all. ❤️🩸
Scrunkly (my “baby”, character that gives me cuteness aggression, character that is So Shaped)
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The ace lesbian ever. 💚🏹
(Baby girl please give me your Call boon in every run I’m begging —)
Scrimblo bimblo (underrated/underappreciated fave)
This one is hard because every single Hades character has a significant fanbase, even fucking Bouldy (as he should, I myself love him very much, but he’s literally a rock).
So I’m putting Meli here instead, because I want her in this post and she has nowhere else to go.
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When I saw her eyes, I cried. Because one of the first things Zag asked Hades upon learning the truth about his parentage was wether or not he had any siblings. If there was someone like him, out there, going through similar hardships.
I was so happy for him I did not immediately realise that meant we would get a hella sapphic game. 🧡🌙
Glup shitto (obscure fave, character that can appear in the background for 0.2 seconds and I won’t shut up about it for a week)
The one and only Froggo. 💚
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(Seriously though, I want to highlight how incredible the release trailer is from a Marketing perspective. The team came up with a checklist of everything we wanted to see, from the long-awaited Apollo to the new love interests, and managed to cram everything in there in just over two minutes. And Froggo made the cut because they knew how much we loved petting Cerberus. It’s just *Chef’s kiss*.)
Poor little meow meow (“problematic”/unpopular/controversial/otherwise pathetic fave)
Nor really “problematic”, definitely not unpopular and certainly not pathetic, but I’ll put Nyx here because she’s a liiittle bit classist and was straight up mean to Dusa:
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Let’s be clear, she’s still Best Mum (I do not care for this version of Persephone).
Horse plinko (character I would torment for fun, for whatever reason)
There’s only one (1) valid answer to this one:
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But I also think Eurydice could do wayyy better than Orpheus. I haven’t forgiven him for not being a lesbian like I thought he would be when I first saw his design.
Eeby deeby (character I would send to superhell)
And I’d kill you; in a hundred runs, with a hundred different weapons, in any version of this game, I’d find you and I’d kill you.
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craqueluring · 1 year
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lets talk about will's journey through hannibals mind palace in s3a, the myth of theseus, the minotaur, ariadne’s thread, labyrinths, and mazes (there is a tldr at the end of this! and this gets better & more cohesive towards the end i promise lol esp after the uffizi gallery screenshot)
background on theseus: theseus sailed to crete intending to defeat the minotaur, a beast housed by the labyrinth constructed by daedalus. it was constructed so well, daedalus himself could not navigate it. ariadne was the daughter of king minos, who ordered the entrapment of the minotaur. she fell in love with theseus, and,betraying her father and her country, she gave theseus a thread to tie one end at the entrance of the labyrinth, and carry the rest with him, so he could find his way back out. theseus succeeded in killing the minotaur and returned safely.
will graham sails to italy as theseus sailed to crete, and enters the labyrinth of hannibal lecter's mind palace at the norman chapel in palermo, italy. the imagery of the many consecutive doorways and disorienting paths in the catacombs under the chapel is notably labyrinthine, and is actually what made me think of this connection in the first place.
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*note the consecutive doorways/arches. this parallels the shot of will and hannibal in front of la primavera. in that shot, there are also many doorways behind them.
hannibal is simultaneously
daedalus, the maker of the labyrinth,
the minotaur, the beast at the center, and,
partly, ariadne, the one who betrays her father and her country, falls in love with theseus and allows him to navigate the labyrinth (i.e. the heart in the norman chapel is what confirms to will that he is going in the right direction). just as ariadne's love of theseus was a betrayal of her country and her father, hannibal's love of will is a betrayal of himself.
perhaps hannibal as daedalus-minotaur-ariadne represents the many contradictory parts of hannibal: the person suit containing the monster (daedalus), the monster (minotaur), and lover (ariadne).
but ariadne, the symbol of love, could also be more accurately represented by both will and hannibal: their connection, and its portrayal through will's hallucinations:
the ravenstag which leads will on the train tracks after chiyoh pushes him off
the blood puddle under the doors to the norman chapel catacombs
the fireflies that lead him to mischa's grave
& more
this thread of connection that leads will through the labyrinth of hannibal's mind is universally present throughout season 3a. it is not the physical actions of a lover that lead will through the labyrinth like ariadne did for theseus, but instead the undertanding derived from love of the labyrinth-maker himself which allows will to navigate the labyrinth. 
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if the entrance ("foyer") to hannibal's labyrinthine mind palace is the norman chapel, the center is his home in lithuania, as will's imagined hannibal says while he is in the lithuanian forest in secondo 3x03:
"is this where construction began?" "on my memory palace? its door at the center of my mind. and here you are, feeling for the latch."
perhaps the center of hannibal's memory palace is actually hannibal's home and what happened there. "mazes intended to be more or less impenetrable have a center containing something so valuable or so shameful as to warrant protection" (x pg. 91) — hannibal's labyrinthine mind palace was constructed outward to protect something at his origin, at the center of his mind: mischa.
will's last stop in hannibal's labyrinth, and perhaps the exit, is where he finds hannibal in front of la primavera, once again in italy. the long hall of consecutive doorways in the center of the screen, which mirrors the doorways in the catacombs during will's 'entrance' into hannibal's mind palace, gives a sense of some long journey coming to an end. he tells hannibal "i wanted to understand you before i laid eyes on you again. i needed it to be clear what i was seeing," plainly stating his reason for his journey through the labyrinth — understanding. 
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*note the consecutive doorways in the center, which parallel the arches in the aforementioned shot of will entering the catacombs in secondo
as explained by penelope reed doob, the purpose of a labyrinth can be to…
"…to entrap or enlighten errant mazewalkers, denying or controlling access to a center that may contain good or evil, and leaving the maze-walker with higher knowledge or in chaotic limbo" (x pg. 64)
certainly, will's journey through hannibal's labyrinth was, as doob calls it, "the labyrinth as a sign of difficult progress." as a plot device, will's journey through europe, hannibal's labyrinth, the mind palace, was a path designed to lead to will gaining higher knowledge, and the "transcendence of labyrinthine confusion" (x pg. 91) 
right?
but, even after will's journey, we as the audience, will as a character, and even hannibal himself, remain confused, turned around, and unable to see any end in sight, especially after both of their failed attempts at separation.
we are still in the labyrinth. 
"labyrinths, like life, involve chaos and order, destiny and free choice, terror and triumph — all held in balance, all perspective-dependent" (x pg. 252)
church labyrinths as a metaphor for life in particular emphasize a unicursal design, or there being only one true path — that of christ, who can act as a guide for humanity "to discover that the mythically multicursal and unstable labyrinth — of life, of the world, of hell — is in fact unicursal, stable, and extricable" (x pg. 133)
instead of this, nbc's hannibal purposefully emphasizes the multicursal and inextricable nature of life and the world through the use of a seemingly chaotic, and sometimes absurd, plot. there are so, so, so many paths will can (and does) follow in the labyrinth/maze of his life. but none are emphasized as the correct one. because that does not exist. everything becomes a matter of perspective, and even looking at the maze from the outside, one becomes disoriented.
thus, this gives even the viewer a sense that they are wandering through the labyrinth with will.
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"The only pattern we are shown is the pattern of the labyrinth...all progress is illusory: we may think we are getting somewhere new, but really we are retreading old patterns, circling and turning and retracing our steps until suddenly we exit right where we entered, with an echoing line or repeated pattern, and not once only but time and again" (x pg. 336)
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just as doob says of chaucer's the house of fame, nbc's hannibal as a whole "reconstructs, rather than transcends, the complexity of the many labyrinths in which we live and write — labyrinths we cannot, and perhaps do not even wish to, escape" (x pg 339)
the plot of hannibal has been criticized for being too absurd or chaotic, but the absurdity is the show's essence. it is a tool of emphasis to remind us of the fact that hannibal, will, bedelia, jack, abigail, alana, margot, are — everyone is — making their way through the inferno, wandering through the labyrinth, unable to see the forest for the trees, just as we are. 
"there is no overview of the labyrinth, at least not in this life, and nothing is clear but the uncertainties of the ambiguous maze above whose constraints we cannot rise. believing all this, some men might despair, but…if these be labyrinths, they are enchanting ones, as full of delight as of frustration…nightmarish as it may be, is colorful, energetic, chock-full of magnificent diversity, far more beguiling than cosmic spheres. it cries out for the shaping mind and voice of the poet to give order and perspective where none exists. if that shaping is no more reliable than its material, so be it: perhaps a well-wrought poem in such a world is all the more admirable, and much more fun. the confusions and errors of the maze may be as attractive as the transcendent view. and if truth is always deferred, redefined by another twist, a fresh perspective, a different viewer, so what?" (x pg. 337)
tldr: will's journey through europe, exploring hannibal's memory palace is comparable to theseus' exploration of the labyrinth in search of the minotaur. hannibal is simultaneously daedalus (the labyrinth's creator), his person suit, the minotaur, his monster, and ariadne, a lover who allows theseus to not get lost in the labyrinth. the ravenstag and hannibal and will's psychological connection and deep understanding of e/o could also be compared to ariadne's thread. the center of a labyrinth is commonly something that is protected; hannibal says his home is at the center of his mind — hannibal's mind palace protects mischa at the center. even when will leaves the labyrinth and finds hannibal, there is not much higher knowledge gained from the journey, as would be expected. that is because we are still in the labyrinth, such is life. the absurdity and chaos of the hannibal plot, the repeating themes, plotlines, and endless parallels exacerbate this point, and emphasizes the inextricability of life, and the fact that there is no one correct path in the winding maze of life.
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leafeonb · 2 months
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sometimes i think about the armor they're a little sad
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freedomforthewin · 11 months
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"Theseus is humble?"
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😆😆😆
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