What if I told you that RoobrickMarine went and wrote an entire novella starring my 16th century dog couple? It's very canon-adjacent, well researched and thoughtfully put together, has inspired me a ton during these past months and it's now publicly available at AO3. I highly recommend it.

✦ Separation ✦

No time to play. You are being sent away.

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happy three years, to this found family, and to us 🌵

to those who've been with me, reading, commenting, thank you mwah 💗

special thank u to ai @gunthermunch for making the pose for me, from the art she also did

Need a word for not shipping but like I know a situationship happened like it’s canon to me that these people did something romantic with each other this is a fact to me no matter how positively or negatively I feel about it, it did in fact happen.

Riveder le stelle.

Inspired by Divine Comedy, Inferno, Canto XXXIV, line 139.

more boys bleeding

reference image from: https://caren.co.uk/news/jordan-barrett-shot-by-jack-bridgland/

The fact that all Gwen knows about her variants in other universes is that they're dead is so sad. Like imagine you want to know what happens to you in other dimensions and it turns out that wherever you look you mean nothing, you're so unimportant that there's no bigger role for you other than dying.

And I've seen you guys pointing this out, where she's looking at what looks like her own death and even if it's not this is not just a "love interest" Gwen, this is a superhero who is supposed to mean something, but she doesn't. She's only here to die. And so far this (our) Gwen doesn't have any reason to believe that she won't die very soon just like other Gwens.

I think that one of the main reasons why she's rejecting Miles is not just her trauma and all shit she's been through and the fear of dying like other Gwens when they're involved with Spider-Man, but also because if they start something and she dies this will hurt him too.

It's easy to say "canon events aren't true she shouldn't believe in that" but this isn't just a regular risk, this is her life we're talking about.

Shepard's perfect driving ✨

I had this Mass Effect fanart in my 'WIP folder' since forever!! and of course that Commander Shepard's biggest skills are driving the Mako and dancing *coughs*

hehe

honestly a lot of problems would be solved if people read the batman run morrison wrote

we finally got canon ages for some of the redacted boys!!!

Samuel Collins- 29 *when turned* (technically 44 ig)

Vincent Solaire - 20 *when turned* (technically 43 ig)

Avior- Coalesced 36 years ago

Gavin- Coalesced 33 years ago

Aaron- 33 years old

David Shaw- 30 years old

Asher Talbot- 30 years old

Milo Greer- 30 years old

Lasko Moore- 29 years old

Elliot- 29 years old(???) (timeline just states he was adopted 29 years ago)

Huxley- 26

Caelum- Coalesced 24 years ago (caelum is still very much mentally a child tho. don’t be weird)

Damien- 24 years old

Janeway is already struggling with her mental state in Concerning Flight –

JANEWAY: You're giving up. Again. Your beautiful painting of the Adoration, the great bronze horse in Milan, the Battle of Anghiari. Unfinished, all of them. You were going to publish your notebooks. You never did. You have given up, abandoned your most important works. Why?

She probes Da Vinci intently, trying to figure out why he would abandon all that's important to him and the things he's tried to achieve. Why throw away everything that's gotten him up to this point?

The real question is why would she care so much? She is too invested in his answer, and she's really accusing him of the things she fears she'll do. She fears she'll give up because she's already descending into the depressive episode we see culminate in Night. "You've given up. Abandoned your most important works. Why?" She's not asking him that question; she's asking for herself.

Janeway is struggling to hold on and she's looking for strength anywhere she can find it, even if it is in the comfort of a Renaissance holodeck program. What's especially telling is she only does this when she's alone with Da Vinci because the second Voyager needs attention, she's back to being captain. Given some space, though, she's ruminating in isolation and blame

I am apparently having one of those weeks when I am drawing something, but it turns into something else dfgdf

Any way, Werewolf Peppino, bc I was thinking about him and the other beastpinos earlier - might draw them later hehe

Hiiii, if it's not too much, can you describe the biggest differences between the live action characters and the novel characters in MDZS? They are a lot, so I will love even the difference between few of them! I haven't seen the live action and I don't know if I will ever, but I am curious, considering all the meta. Anyway, thank you in general, even if you don't answer!

Hello anon! This has been in the inbox forever because there are soooo many ways to answer this! However, let me be transparent that I've watched maybe like 1/10 of CQL. Among other obstacles, I simply do not care that much about Lan Wangji and he's always there (even though Wang Yibo is giving it his all... it's not his fault I'm a hater...). Chewing through a book with Ms. Mxtx's commentary was just more enjoyable to me, and even then, to be honest, I still liked SVSSS better. (I just love Shen Yuan/Shen Qingqiu so much. That dude is wild.)

Still, the live action definitely affected how I understood certain characters (...primarily Nie Huaisang) and made me interested in relationships that I didn't pay any attention to in the novel. (I freely admit that the nieyao brainrot is 100% CQL's fault.) Also I found Wang Zhuocheng's Jiang Cheng very cute and loveable. It definitely contributed to my Jiang Cheng Brain Disease.

LISTEN. HE HAS BIG SAD EYES AND THE MEANEST SNEER AND HE MIGHT BURST INTO TEARS AT ANY TIME. HE IS A BABY. A baby who could kill you with his terrifying lightning whip! But a baby nonetheless, to me.

So if you want someone with a real and knowledgeable opinion on the live action, I'm probably not the right person for that! However, here's one difference that changed a bunch of stuff about the characters that I found compelling in the novel: the second flautist.

CQL adds Su She as a second flautist doing unorthodox cultivation in a couple of different places, including at Qiongqi Path, where he seizes control of Wen Ning and is therefore responsible for Jin Zixuan's death. Removing the responsibility for Jin Zixuan's death from Wei Wuxian creates a bunch of cascading character and relationship implications that I don't love.

Firstly, all of the people who cautioned Wei Wuxian against his unorthodox cultivation are now... wrong. If he never lost control, then actually his assessment that he could maintain control wasn't overconfidence, it was just true, and he was persecuted because the Jin needed a scapegoat and wanted the Yin Tiger Tally, not because his cultivation path actually involved significant risks and drawbacks. (To be fair, the Jins actively exploited those drawbacks, the public perception of his cultivation, and Wei Wuxian's failure to manage his reputation. But it matters whether the risks exist or are just made up.)

Secondly, removing his responsibility for Jin Zixuan's death transforms both Wei Wuxian's character and how we understand his relationships with Jiang Yanli, Jiang Cheng, and Jin Ling. Because, in the novel, he kills Jin Zixuan under duress but also after a lifetime of conflict with him. Like, he hates the dude, he doesn't think he's worthy of Jiang Yanli, and he's not willing to examine his hatred and resentment even though Jiang Yanli loves Jin Zixuan and wants to marry him, even after she marries him and has a child with him. (I would argue that a lot of the resentment is because of the eventual marriage; by marrying Jiang Yanli, Jin Zixuan becomes legally recognized family to the Jiang siblings, while Wei Wuxian's relationship with them has no social recognition; I think Wei Wuxian is deeply threatened by that but can't articulate it.) It's a huge failure! Like, dude, you loved someone and you killed that person's beloved spouse. That points to a certain degree of repressed jealousy, possessiveness, longing, arrogance, the list goes on... I am so compelled by that conflict, and the adaptation just erases it.

This also affects how we read Jin Ling's relationship with Wei Wuxian. In one scenario, a teenage Jin Ling is (eventually, minus one little stab) ending the cycle of violence by not seeking vengeance for his father's murder. In the other, it was actually someone associated with Jin Ling's paternal family that killed his father, and he's maybe just... coming to terms with that? One of these scenarios is so much richer and more interesting.

How it affects the relationship between Jiang Cheng and Wei Wuxian is a little more subtle. It locates the responsibility for a lot of the harm done to the Jiang siblings with the Jin sect, not with Wei Wuxian, removing some of Wei Wuxian's culpability in the devolution of his relationship with Jiang Cheng. If Wei Wuxian isn't guilty of wronging the Jiang family (and instead is also a victim of the Jin sect), then all of Jiang Cheng's rage and betrayal was misdirected. They were both tricked. In some ways, maybe that's easier to patch up after canon? (I wonder if this is why many CQL yunmeng shuangjie reconciliation fics have Jiang Cheng apologize to Wei Wuxian, but not the other way around?) But it's so much less interesting to me!

Finally, it removes Wei Wuxian's tragic flaw! Dude is legitimately a genius but he's got hubris coming out of his ears and it fucks him up big time! This is classic stuff. Please stop flattening my boy!!

never before seen middle part comic noir… I’m obsessed u draw him so nicely 😭😭 so blessed

NOT THE LAST MIDDLE PART COMIC NOIR I INTEND TO DRAW!!!! age discourse/noir timeline discussions i see on the dash have started to make me think about the overlapping year (1933....) and how that could be tied to the 'canon event'. and specifically the potential of comic!noir having a crazy angsty bittersweet time about itsv noir having longer with robbie because he happens to be born earlier in his universe. but also comic!pete having to grapple with knowing what happened to robbie in his universe and how he can't stand by and watch a version of himself lose robbie when he could change things. which is why i have this draft of a page :)

AND GOD DUDE THE WAY U DRAW COMICS NOIR (baby... baby boy) ABSOLUTELY HAS PLAYED A PART IN HOW I DRAW HIM !!! he is so devastatingly young in your depiction of him and i felt like the way i drew the comic version of him had to change and adjust towards that!!!! i love the comic art but that is not a 16-17 year old kid and i swear if the comic reflected how young he was i would have had the world's worst category 10 woman moment

more atsv things that haunt me: pav doesn't originally have a watch.

I think the portrayal of Spider-Man 2099 in Across the Spider-Verse is in-character in that aside from like Shattered Dimensions he's always been portrayed as a bit of an asshole who slips into anti-hero territory at times and generally has a "needs of the many over the needs of the few" mindset and given his specific circumstances in the movie it's not unreasonable to think he could take the actions he does. However it does kinda suck that since like 99% of moviegoers had no idea who he was before the movie came out their first impression of him is when he's in an antagonistic role and people think "antagonist" and "villain" are synonyms so now I'm gonna have to listen to people who've never read a comic saying he's a villain or isn't a real Spider-Man for the rest of time or at least until he inevitably changes his mind in the third one.