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#the prophecy has been fullfiled
riveluart · 2 years
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Preparing for nejiten month has made me realize my destiny and I need to stop fighting it
I must become a known team guy fan artist
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starryyourstruly · 3 months
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hey tumblr i got a question: if one of your internet friends who you haven't spoken to in a good while texts you out of the blue to reconnect and happens to be on the exact same day you met 3 years ago is this a coincidence or an omen
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insanityisfine · 9 months
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dduane · 1 year
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An anonymized non-anon query
(A note: my ask box isn’t open to anons at the moment, because I started getting inappropriate messages that I didn’t care to see. Maybe I'll eventually go anon-open again. But the present situation isn’t going to stop me from answering asks where the person’s uneasy about having their username revealed. Like this one:)
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[text:
Can't go on anon so this is a little mortifying to be Seen™ but;
Do you have any words for fandom girls who are no longer in their 20s and starting to construct people in their heads who shame them for "still being into this stuff"?]
First thing; funny how it's always fandom girls who come up against this, isn't it? If it was some 90-year-old fandom boy in question who'd been painting his face red and white and following Manchester United since he was nine, no one would turn a hair. In fact, everybody in that cohort of interest would be praising him for his commitment and loyalty. It's almost as if some people have bought into the idea that the rules are different for girls somehow! Something to do with the idea that where girls belong is home making everybody a sandwich. I wonder where that might have come from...
Anyway. What you're describing here is something a lot of us have run into: the pressure to (allow me briefly to stand the well-known trope on its head) Be Like All The Other Girls... and to be prepared (and indeed resigned) for that inevitably to happen IRL. This stuff starts sneaking into your head in a very innocuous way: by disguising itself as "being prepared" for what you're afraid might happen. And it's very hard to avoid having that concern slowly but surely turn into a dread of what's going to happen. (For there's a horrible seductiveness about self-fullfilling prophecy... even if you know you've built it yourself. Part of your mind, that frightened advanced-fight-or-flight part that's always trying to keep you safe by predicting all the possible futures, starts feeling satisfied with itself when it finally has the evidence to say, "Well, at least we were prepared for that!")
So it's best to be proactive about managing this, I think, before things start to get bothersome. Develop a quick switchblade-style defense that you can pull out of your brain's back pocket at short notice. And then, when you're used to using it on those rogue ideations, disarm the sneaky "attacker" more thoroughly by taking it apart, gradually, at the more straightforwardly analytical end.
Let's start with the switchblade: a good-old fashioned mantra. How about this:
"Nobody gets to gatekeep my joy."
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This can be used as a silent affirmation any time you feel the need. Any time you start feeling that pressure—that annoying whisper from the conjectural voices in your head that want you to think about how maybe you are too old for this kind of thing—pull out the mantra and shiv them in the gut with it, three times. (Threes are always good for this. Think how many spells have to be done, or names spoken, in threes. The rhythm's an archetype all its own.)
What you'll notice, with repetition of this intervention over time, is that the incidence of this kind of thinking gradually gets rarer and rarer. It might take a while to go away completely... but you'll know what to do if it rears its head again.
But also: this response can when necessary be repeated right out loud in front of whatever sorry piece of breathing meat has the unutterable bald-faced gall to actually try to gatekeep you to your (digital or otherwise) face. Pull it out, set your features in an expression of amused calm (because what you do to your face makes differences in your brain), and hit 'em with it. And if they continue to try to argue the point with you, you get to just keep repeating your base-state mantra until they give up and go away.*
...Now, since good mantras normally run deeper than the mere words, it makes sense to inquire into an underlying issue:
Why do people do this to other people? (And I don't mean this as a rhetorical question with optional eyeroll: I mean it as a possible diagnostic.) There has to be a reason people pull this shit... as mandated by the favorite (different) mantra of psychiatric professionals everywhere: "All behavior is motivated."
One aspect of this to consider: the "you're too old to be into this stuff" response is usually a learned behavior. People for whom the perception of "insufficient" age or maturity is an issue have routinely picked it up from others. There are a number of reasons why they parrot it... the likeliest being that simply want to be seen saying the thing that lots of other people they know also say; so that by so doing, they can be seen as Smart. (This is of course just another a manifestation of our old generally-maladaptive friend, the so-called herd instinct.) And nine-tenths of those other people, I can guarantee you, got it in turn from others still. "They're too old for this" is rarely going to be a spontaneous insight. (Except when used pertinent to certain contact sports, and some types of opera.)
Yet why does the trope perpetuate itself so enthusiastically?
Leaving aside personal living-arrangement issues in individual cases, I think it's because in some people, underneath the expressed trope, there's a genuine fear... an insidious variation of the well-known impostor syndrome. And it's this:
They're afraid that whatever it is they've got at the moment, it's may well be the wrong kind of "this stuff"... not a real joy. (Some people will take this to mean, "The kind of stuff, or joy, other people will approve of." Cf. the "seeming Smart" thing.) And, as they get older, they may be becoming afraid they may never have it.
Now, people naturally try to protect themselves from experiencing their own fears whenever possible. This one's no different. So one way such folks find to distract themselves from the fear of having no joy is to devalue such joy in others. That way, whatever they see themselves as having their noses spitefully "rubbed in" can be perceived as no longer a real threat to them. They can start seeing it as a bad joy, a weak or silly or stupid joy. And (in this case specifically) an immature joy.
(With this in mind, the passage in which C.S. Lewis deals with this toxic fetishization of "maturity" is worth quoting in full, since we so frequently see only the last couple/few lines:)
“Critics who treat 'adult' as a term of approval, instead of as a merely descriptive term, cannot be adult themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence. And in childhood and adolescence they are, in moderation, healthy symptoms. Young things ought to want to grow. But to carry on into middle life or even into early manhood this concern about being adult is a mark of really arrested development. When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.”
...And you hear there the voice of a man who'd dealt with a whole lot of critics in his time on this subject—some of them quite famous and elevated types, trying to discredit him for what we'd now think of as "clicks"—and had routinely made them ever so sorry they'd engaged. Also, Lewis was an enthusiastic reader of "the pulps" until his dying day, and you should have seen some of his responses to those who tried to tell him that "at his age, he should be over that science fiction stuff by now." I'd have to go digging for the cites, but... hooboy.
Anyway, and as a closer:
You're not required to—at someone else's mere behest—even think about changing your way of thinking and living in the (probably hopeless) hopes of pleasing or placating other people you've never met. And most specifically:
You are in no wise required by the Universe to curtail your personal experience of joy in order to try to make scared and small-souled people more comfortable.Your soul gets to be its own size, and have its own joy... in its very own shape, volume, and richness.
So if anyone pulls the "You're too old for [x]" crap on you, I encourage you to just let that attitude sail on by you and fuck straight out into the Oort Cloud and beyond. Let passing alien spacecraft on their way in-system gaze at it in wonder and say, "Wow, look at that go! Didn't think they had warp drive here yet."
...Anyway: let me know how you get on.
HTH!
*This is a basic assertiveness-training technique that I feel is much undervalued in daily usage. Every time someone comes up with a new reason you should stop doing what they don't like, and expects you to respond to that... what makes them think you're required to come up with a new and different reason not to? Who made that concept up? And why waste useful originality on someone arguing with you in the kind of bad faith that refuses to accept your answers? Just keep repeating yourself with the main reason until they give up (probably in great exasperation: too bad...) and bugger off elsewhere. :) ...But see the useful 1970s work When I Say No, I Feel Guilty for effective DIY approaches to this problem.
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dragonfly0808 · 3 months
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The Trix’s Fates
MAJOR SPOILERS FOR THE END OF SEASON 3 AND WHAT HAPPENS TO THE TRIX
Well well well… I’ve got some explaining to do.
I knew from very early on that I wanted the Trix to have a tragic ending, with one of them dying, one of them going crazy and one of them just being utterly defeated at the loss of the other two. After some debating, I pretty quickly knew who would end up with which fate.
So… I’ll go by parts, going from oldest to youngest, starting with:
Icy
Icy is the one who goes crazy, losing her mind.
I chose her for this since she’s the leader and the oldest, and losing one of her sisters leads her to fully going off the deep end, she goes too far, gets in too deep.
At the beginning of her story, Icy is very controlled, very paicient and has a full plan. She’s crafty, resourceful and has a family history with dark magic and the dragon flame.
But what sets her off the road is no longer fully being in control due to being out of balance after losing a sister and no longer caring about what happens to her. She has no real end-plan, she has no real goal other than to get back at the Winx and hurt them as much as she can. She was no longer interested in the Ancestral Witches until her plan of collapsing Andros was thwarted.
Icy has a lot of warnings, the very first being when Darcy decides to leave, refusing to stay and watch Icy get herself killed. Instead of letting go and running away like Darcy begs her to do, Icy chooses revenge.
She goes to her home planet, her uncle tries to dissuade her, to warn her of the dangers of the magic that has taken the lives of too many family members, she kills him in order to access that same magic.
She has chances to stop, but she chooses revenge, she feels like she has no other purpose, no other road to take other than to finish what she started the very first time she attacked Bloom.
Icy goes crazy and loses control because it’s the complete opposite of who she was when the story started, she loses everything, included herself.
She choses revenge, choses to continue her family’s mistakes, choses to take the risk of awakening the Ancestral Witches but in the end, she loses it all to those very choices.
Stormy
I went a bit deeper into Stormy’s fate in another post but I chose Stormy to be the one who dies to show her being a bit of a self-fullfiling prophecy, her rage, the very thing that often gives her an edge in battle and helps her in her power to become stronger, is the very thing that kills her.
I chose Stormy to be the one killed also because I had very specific storylines in mind for Darcy and Icy but as for Stormy I just felt like dying would actually be the most interesting, unexpected thing I could do with her.
I thought it could be a very tragic thing to see Stormy, who we know to be fearless and brash and impulsive… die due to a mistake, die in fear of something that she created.
In case you somehow haven’t noticed, I love angst
Darcy
Darcy is the last one standing… well… ‘standing’. I thought that my version of Darcy would be the most devastated to be left alone.
Darcy in my rewrite, has never really been alone. At first she had her brother, then she had Riven, then she had the Trix.
She’s the youngest, the one that they want to protect the most.
To her, being alone is truly the worst case scenario, which is why I chose her to have that fate cause I am cruel. Darcy herself tells Riven in their final goodbye that she’s not used to being alone and that she isn’t good at it.
She gives up. A big part of her dies with her sisters and she turns her back to the ideas of revenge and dark magic.
She was always the ‘lesser evil’ of the Trix, which I feel makes it even more tragic that she ends up so very alone.
Darcy is betrayed once by her brother, being left alone, then she betrays Riven, leaving him on his own, and in the end, Stormy is killed and, seeing Icy is heading down a road that will end in death or worse, Darcy can’t bring herself to watch, to keep going.
————
The reason why I wanted to overall make the Trix’s fates so drastic and tragic was for 2 main reasons.
First off, as a contrast. We see the Winx keep growing and becoming more powerful, while the Trix, as a commenter once said, peaked in high school and have just been going downhill, not truly developing their power after becoming convinced they were at the top of their game in s1.
The second was to show consequences and how high the stakes were for s3. To go all in with the angst and show how, the very first villains of Veiled Wings are destroyed by s3, while our heroes are very much affected and nearly destroyed by s3, but manage to prevail.
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yellowbluemoonshine · 8 months
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The Mystery of Fontaine and Furina and Others;
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I love the concept of hydro, its about justice, its about drama and most importantly, emotions. (Region is inspired from France). It makes sense because justice is about empathy, about caring about victims, its about emotions but sometimes, its also related to sempaty, the drama, because thats what happens when you are overflowing with emotions. Which perfectly fits Furina, the Hydro Archon. She is very emotional character but she hides that side of her for the sake of her land. She seems full of herself from outside but actually, very insecure and sensitive. Its important to remember that we didnt meet the Furina when she is not on public yet so we will see.
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This sitution is most likely, its related to prophecy. I wonder, the reason is trials? The way trials work? The sin might people seeing other people's misery as entertainment or maybe the mysterious Oratrice, that somehow knows who is guilty, who is innocent. Maybe Furina was very afraid of not finding true justice, very scared of sending innocent people to prison, that she started to rely on this machine but it end up resulting water's overflowing? Furina seems to know why or at least has an idea whats going and she seems to handling things on her own way but it seems to fail miserably. Or maybe this land suffers from self-fullfilling prophecy. They or Furina believe and pay attention to prophecy too much that they unconciously turn it into reality. Maybe its related to 'overflowing emotions, the tears'. Furina's design is, her necklace, especially her eyes are include tear design too so yeah.
Freminet talks about Furina in his voicelines;
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'Uhhh...I am in no position to give a well-rounded opinion on the Hydro Archon..so......I'll pass..I mean..I've only seen her a few times..So I am sure I have a..somewhat skewed view of her.' 'Okay…Fine…I've seen what the Hydro Archon's like when she's sitting in the audience…In my view..she's a very charismatic speaker..But its her silence that intrigue me more…Her eyes..They are like the darkness at the bottom of ocean..Hiding a-deep secret..afraid of anyone ever getting close to her…Uhh. Sorry..I…I let my imagination get better of me...' (Source)
First of all, kudos to Freminet for being the only person who actually understand Furina, somehow.
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All this talk about Furina by Freminet and the trailer picture might be important clue in the future. Maybe Freminet will be one of the first ones who will find out Furina's secret.
Lyney mentions that his 'naive' brother Freminet believes in fairy tales' in his voiceline but i wonder what is this fairy tale he is talking about, maybe it is really true and its related to Furina's secret, as reference to Furina being fairy since her design also resemble it.
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This hydro archon quest is really dark, both with people turning into water as experiment and Lyney and Lyneytte's backstory. While they might be good people (which we can see with their relationship/gratitude with Cesal) and they still have their own agenda as fatui members.
We dont know what Arlecchino is planning but Wanderer and Childe said she is wolf in sheep clothes in his voice lines so most likely, she uses twins and other orphans for her plans but we will see. Its also interesting that every fatui member is doing something? with their own homeland. Signora with Venti in Mondstad, (Not sure about Liyue part), Scara with Ei in Inazuma, Dottore with Nahida in Sumeru and now, Arclecchino with Furina in her own homeland Fontaine? I wonder this is all planned by Tsaritsa or she just lets them take revenge on their homeland as they please. Well, we will see.
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Neuvillette is really look and act like Hydro Zhongli. I thought he might be Edgeworth like Ace Attorney Game since game is turning into one (more realistic version, thankfully but he seems softer than he looks, maybe more mature version of him). He seems a lot more human/passive than it seems but also powerfull secretly. Its also been theorized that he might be hydro dragon, elemental creature and if thats the case, he seems to hiding this for some reason, (wonder if he hides this from Furina too), and he secretly cries/being sad and thats why rain starts.And i think its worth to remember that for some reason we never see 'guilty/not guilty' results, he is the only one who looks at results or maybe there are no results at all and he makes it up? If he is elemental creature, he might also be related to Primordial sea or at least, he might know something about it. We will see.
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And Childe backstory, him somehow awaken something and it seems to be relating people's disapperance with water. And his dream in deep sea. Very interesting. I love how he randomly shows up and meets with traveler and he sure is close to being one of the main characters in the story. And the fact that he will stay in prison until 4.1-4.2 is very funny, lol. You wait for us, Childe.
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And my general opinion about the characters; I really love Furina, just like Ei, she is very interesting deep character. She is also very entertaining and i love her design. She is my favorite archon. Cant wait to get more of her. I like Lyney, Lynette and Freminet but for now, i love Lyney the most, compared to them, he is such a cute, gentleman. Childe is of course, one of my faves and he definitely should interact with Furina and others more, lol. I am notr with Neuvillette and Clorinde and cant wait to find out about them and his dynamic with Furina. Navia is design is very good and character too but i wish she get less screentimes in archon quest since this is not Navia quest, lol. Generally, i love the animation, characters, music, concept, and story. And hydro is my favorite element, i love everythig about it. Anyway, we will see with other characters/things later so for now, thats it.
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bu-blegh-ost · 10 months
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Hey, hi.
Sooo, I've been rewatching Riptide as you do right? And so I finally got to the episode in which Chip makes his deal with Niklaus and after refreshing my memory on that I do believe that we are entering the point in which Chip has to fullfill his end of the bargain and I'm so fucking worried actually. So first things first let's look at what Mr. Hendrix actually requested from Chip.
So in exchange for returning lost years back to Ollie Chip Has to:
-First: Make the right decision in the hole in the sea.
Arlin is supposedly still trapped below and in great pain. Niklaus for some reason NEEDS Arlin to be kept alive and he wants Chip to keep him alive no matter the consequences which worries me so fucking much. Cause first I was just worried that they are gonna go to the Black sea and find out that there is no way to save Arlin, that he'll die and this will break Chip beyond repair, but now what I'm dreading is that Arlin can't be saved in a way that matters. That Chip will have to make a decision between killing Arlin to let him rest or keep him alive and let him suffer, or even doom the whole world for the sake of preserving his painful existance and that...shit guys, just saying, we're in Black Sea now so brace your fucking selves, we're gonna C R Y. AND THE THING IS if Arlin dies SO DOES CHIP, so he really fucking Has to survive. Cause Chip promised Nik that Arlin survives so even mercy killing Arlin will be breaking a deal and Chip will turn into goop and that's just so damn bad jejdjdjsi
- Second: Supposedly there is an Orb at the hole and he can't touch it. I don't like the way he said it. Nik said sth like "not YOU at least". So what worries me is that he wants someone else to touch it and sth nad will happen because of it, but who then? Gill? Jay? I mean if they find a room with a suspicious object we can kinda count on Gill to touch it immediately, so I'm hoping that Chip doesn't get the chance to interact with it, even if he doesn't remember that he wasn't supposed to. Or maybe sth would happen if Chip touched it? Sth that Nik doesn't want to happen? Either way Chip can't do that now cause if he does he breaks the deal and fucking dies probably, so well shit.
- Third: When the time comes and Nik requests his favor from Gillion, Chip can't interfere. Whatever Nik will have Gill do, Chip can't stop it. He cannot and that of all things I fear will be the hardest thing to do. See, Nik never expected Chip to even come to him. But he was clearly glad that he can use him to shift things in his favor. I feel like whatever dark force turned Sakura into the Black Sea is connected to Alrin's life force and Nik wants the Black Sea to stay. It is messing with the world and unleashing twisted magic into it and I feel like he needs it to stay that way until Gill's time to fulfill his prophecy comes. And whatever Nik wants Gill to do Has a potential to be catastrophic.
Black Sea is definitely not the last chapter, but it's gonna be full of anguish and sorrow. Buckle the fuck up lads, we're in for a ride
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hello-nichya-here · 10 months
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In your opinion, do some of the more dubious moments in ASOIAF (Rhaegar and Lyanna, Dany and Drogo, Dany and Jorah, Tyrion and Tysha, Cersei and Taena, Theon and Jeyne, Lysa and Petyr) count as rape/assault/grooming?
Let's go through this answer case by case.
Rhaegar and Lyanna
Ah, probably the most controversial "Did she consent to it or not?" in the whole story - and for good reason since we only ever hear about it from other people. However, even taking that into account, there are enough hints in the books to shed some light into that mistery - and honestly, I think it points to BOTH "Lyanna ran off with Rhaegar willingly" and "Rhaegar was asshole who took advantage and ruined her life" being true.
Lyanna didn't want to marry Robert. She objected to it repeatedly, and we hear all the time about how she has the "wolf's blood" - and Ned, the person who was likely the least in the dark about all of this, said that this "wolf's blood" led both his brother and his sister to an early grave, implying that she did go with Rhaegar willingly.
Rhaegar was also seen as handsome, charming, clever, and just basically every woman's dream husband. It is not impossible that Lyanna took a liking to him. Rhaegar would also not be the first Targaryen prince/king to elope with the woman he loved, and Aegon the conqueror became king of Westeros with his TWO wives. He could have easily used those tales about his family to assure Lyanna that things would be fine, that her running away with him wasn't that crazy of an idea and that there wouldn't be tragic consequences.
We also have Jon Snow, who we are 99% sure is her son in the books like he was in the show, constantly discussing "bride stealing/kidnaping" with Ygritte, which is treated not as real kidnaping but essentially as courting, with the woman choosing to elope with him or not. We we even hear the story of Beal the Bard, the king-beyond-the-wall who pretended to be a singer, was allowed to take a flower from Lord Stark's garden - and in the morning, Lord Stark's daughter is gone, but there is a blue winter rose in her place, a flower that is CONSTANTLY associated with Lyanna in the books. Once again, the story is told as love story.
But, while all of that gives us a pretty romantic, happy start to their story, we cannot forget how it ended: Lyanna all alone in a tower, dying while giving birth, seemingly completely in the dark about the fact that Rhaegar's family has been killing hers as no one bothered to explain to the Starks that no, she wasn't kidnapped, she went with him willingly.
And Rhaegar did not elope with her just out of love. He was trying to fullfil a prophecy. He needed a woman to give him another son - the right son - and clearly priotized making sure that child would not be taken by the Starks or anyone else over, ya know, not raging war against Lyanna's family.
The power imbalance between them is also quite great. Rhaegar is an adult, Lyanna is not. Rhaegar is a married man taking a mistress, Lyanna is dishonoring herself by sleeping with him. Rhaegar is the future king, free to go wherever he wants, Lyanna is a noble girl that is far away from her family and locked up in a tower. The further they get from Winterfell, the more Lyanna has to rely solely on Rhaegar - and look where it got her.
So yeah, in all likelyhood it started out as a love story, but ended with Lyanna losing all agency, her family, and even her life - things Rhaegar could have at least tried to prevent, yet we get no indication that he did.
Dany and Drogo
Just their first time is already one hell of a controversial topic. Daenerys is 13, she's terrified, she just wants to go home and be a kid. She is also being courted by Drogo and they do share some nice moments during their wedding. Then it's time for the wedding night, and Daenerys is once again cowering in fear and in fact tries to cover her body up, but Drogo won't let her. However he also tries to be reassuring, gentle AND asks her permission to go all the way, and she accepts. Dany goes to non-consenting to as consenting as someone in her position can be, and then back, A LOT. It's mixed-bag.
But let's not forget what Drogo does when Dany is clearly NOT consenting, and is in fact hurt, crying, terrified, and freaking suicidal. He takes what he wants anyway. She's his wife, so he is usually kinder to her than he would ever even consider being to any of the random women he raped, but he does still view her as property. If she's being all sweet and willing, great! If she's not, then she's gonna have to endure because the decision of when they do and do not have sex is his to make. In his mind, he probably thinks "I was nice to her the first time and she agreeded to it - that means she's ALWAYS up for it" because if the idea of marital rape is already something the people in that universe can't grasp, the idea that a wife consenting to sex with her husband once doesn't mean she has consented for EVERYTIME might as well be just a bunch of nonsensical words to them.
Now, Dany does take some more control later on. She becomes as equal to Drogo in the relationship as she could possibly ever be (again, considering her age and Drogo's mentality), and the two of them end up genuinely falling in love, and sex with him becomes something Dany quite likes instead of just more suffering. But retroactive consent doesn't exist.
Lets say that Dany was an adult who married Drogo willingly, they got along right away, and for months all the sex between them was consensual. Then one night she turns him down and he doesn't take no for an answer. The one non-consensual time doesn't magically make all the previous times they had sex sudddenly become rape, nor does the fact that it all started out consensual change the fact that he did rape her that one night.
Drogo raped Daenerys. The feelings they would develop for each other later on and all the times she did consent don't change that fact.
Dany and Jorah
A way more mild exemple compared to the previous one, but still worth discussing.
In the third book, Jorah kisses Dany, and that kiss is the thing that sort of re-awakens her sexuality, which had been dormant since her husband died AND since she was in a lot of pain due to the truly agonizing birth of her child, that had already been dead, but also wasn't, but kind of was. Anyways, Dany kind of liked the kiss - even though it's very clear she wishes it had not been with Jorah, but rather with someone younger (her lovers are all men, as in fully grown adults, but they're not thrice her age like him).
However, let's look a the actual scene.
Dany is changing her clothes in a hurry, not thinking much about the fact that Jorah is there (she did walk around with one breast out nearly all the time after all, and he did not do anything other than look). This time though, he surprises her and pulls her for a kiss, and while Dany doesn't really struggle, she does think to herself "I'm his queen, not his woman."
She tells him he shouldn't have done it, he replies that he shouldn't have waited that long. He keeps on staring at her naked chest, and she covers up. She says it wasn't right and that she is his queen - a very clear "Don't do anything I didn't give you permission to do" - he calls her the most brave and beautiful woman he has ever seen and calls her by her name, leading to her very sternly reminding him to call her "Your grace." Jorah agrees... and then goes on to talk about how no man would ever be as faithful to her as him, and it's very clear he isn't saying that just because he is her loyal knight, but rather to once again declare his romantic attraction to her.
Daenerys is being VERY clear and rejecting him. But every word she says goes in one ear and out the other because Jorah doesn't want to listen to what she has to say. He did not kiss her again (as full on forcing himself on her out be VERY out of character for him), but his complete disregard for her repeated verbal objections to his attempt of making her think of him as a potential lover are not great.
And it makes perfect sence considering WHY he is so "in love." While he genuinely connects with Dany, the attraction comes from the fact that she looks just like his second wife, the one who loved and who abandoned him to be part of a rich man's harem.
Whenever Jorah acts on his feelings for "Dany", Daenerys is, ironically, the last thing on his mind. He is thinking of his desires, his pain, his feelings. The girl in front of him be damned - she's just an object of lust/affection, despite her clear discomfort.
Tyrion and Tysha
This one is rather easy. It 100% is rape - however, Tysha AND Tyrion are being victimized, because the real abuser, the one holding all the power, is Tywin.
The whole "give her to the guards" thing was HIS idea, and Tyrion, who was just 13-years-old, says he was FORCED to watch, and then to rape her as well, and it's clear the event messed with his head. WE feel sorry for Tysha and think of how horrible that must have been for her, but Tywin's intention was to hurt TYRION, and she was just a way to do it, not a person.
Tysha went through hell on that moment, but so did Tyrion - and that was by design.
Cersei and Taena
The argument for this one is even simpler: Cersei's intention was to assault Taena, therefore this one should be treated, at the very least, as attempted rape, if not full on rape.
She had been thinking of all the times Robert raped her before she decided to assault Taena, deliberately hurt her and blamed it on the wine before saying she'd have what she'd want anyways because she's the queen - almost word for word what Robert used to say to her. And during the act, Cersei is fantasizing about torturing Taena to death.
"Oh, but she was aroused, seemed to enjoy it, and even offered to fuck Cersei too!"
1 - Cersei explicitly mentioned said to her "I'm the queen, you don't get to say no to me." The message was very clear that even if Taena didn't want it, she'd have no choice but to play along.
2 - Taena ALWAYS knows what to say to make Cersei happy anyways. She made up the whole bullshit story of "Loras is totally in love with his sister and joined the king's guard to be near her" because she knew it was Cersei's love story with Jaime and thus she'd be super biased to believe it. OF COURSE she'd play along to anything Cersei did.
3 - Arousal and orgasm are involuntary. It's just the body reacting to what is being done to it. It is NOT the same as consent.
4 - Even if we assume Taena was attracted to Cersei, wanted to have sex with her, and truly enjoyed herself that night, once again, Cersei's INTENTION was rape. Imagine that Cersei serves her food that was supposed to be poisoned, but for whatever reason it ended up not killing her, and intead Taena only had a lovely dinner - it's still attempted murder, even if Taena never realized it.
Cersei wanted to make Taena her victim. End of story.
Theon and Jeyne
Once again, this one is very simple. When Theon "warms up" Ramsay's wife for him, he is doing it under the direct of threat of "If you don't do as I say, I'll torture you until you beg for death, then torture you some more." It's like when Jeyne says she'll do anything Ramsay wants her to, with anyone he desires, including the dogs, and adds a "He doesn't have to cut my foot" at the end.
Both of them are Ramsay's victims. Theon was terrified as Jeyne. It absolutely was rape, but the rapist was Ramsay.
Lysa and Petyr
When Lysa went to Petyr's bed to sleep with him, he had been so drunk, that he mistook her for Catelyn. The second time they sleep together, hehad just gotten beaten so badly by Brandon (Cat's would-be-husband) that Catelyn had to BEG for his life. Naturally, with someone in that poor condition, he was given plenty of things to help with the pain - and as the books have stablished all the time, these lead to very weird dreams and leave the person way out of it.
This throws any consent Petyr could have given in both nights out the window, because even if Lysa asked his permission before doing anything, he was barely even understanding what was going on around him. If consent was impossible, it was rape by default.
Now, we know that Petyr will not only brag about these two night, but also go on to sleep with Lysa many more times and even become her husband eventually. But let's not forget the context here.
1 - Like I explained in the Daenerys and Drogo bit, retroactive consent doesn't exist. It doesn't matter how many times he had consensual sex with Lysa, it does not magically erase the fact that that first two times were rape.
2 - The idea of a man being raped by a woman is just not something the society of Westeros thinks is possible, so naturally Petyr would NEVER understand that what Lysa did to him was assault. At most he'd be bitter that "slept with the wrong sister"
3 - Petyr is very clearly lying to himself about A LOT of things. He convinced himself Catelyn loved him, that he slept with both Tully sisters, that Sansa is BOTH the daughter he and Catelyn never had AND Catelyn 2.0.. Him being in denial about potentially feeling abused, or at the very least angry that he was "tricked", because the story of "Everyone tried to humiliate me but I just ended up fucking my crush AND her sister" makes him feel better about a event that was deeply traumatic to him in a ton of different ways.
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Thank you very much for translating this manga. This is so funny 😂
We even know starscream has always been a silly creature 🤣
He became a Christmas Tree star, and was screaming to the very end... Prophecy fullfilment!
Thank you for your message! Happy Holidays! 🤗
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rowanyx · 1 year
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Saw a comment the other day that said something along the lines of Carmelinda being right, and if Jet and Ruby had grown up and listened, Jet would be alive. The ironic thing is, they did.
When they reunite, Jet and Ruby have gone through one betrayal after the other. Their father barely escaping being murdered by so many different people they'd made nice with in Comida. By knives they had no idea existed.
They finally come home, to a castle that is no longer theirs, and find a suspicious note to their mother.
Their mother, who they are consistently at odds with. Their mother, who constantly emphasized their duty as royals, rather than her love as family. Their mother, who was not meant to marry their father, but one of their dead aunts instead. And indeed, apparently did not marry their father, resulting in them being bastards and their mother losing the throne she's been dedicated to for their whole lives.
And what does that note say? What do Ruby and Jet learn?
They have been spied on, and they have no idea how long for. Waiting in town is a mysterious object.
A very dark implication here that is not stated is this: When you can be betrayed by your allies, what is the position closest to you? Who can hurt you most? The woman in your family, raised as a political tool, and already running the country on her own.
So they see yet another spy. Another possible attempt coming for their land or their lives. They see someone who never seemed happy in the life she was living, and the change on the horizon that, one way or another, is going to change hers.
So they go to investigate. Because if their mother has chosen to attack, then perhaps they can prevent the worst. And if their mother has chosen to help, then they will be assured of her loyalty.
They have lost one life, and they will not lose another, they think. And in doing so, a self-fullfilling prophecy is realized.
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thekatebridgerton · 8 months
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Reincarnation AU:
Ok but, Lil Eloise befriended Lil Penelope, who has no recollection of her past life, all over again and Colin instantly remembers his Pen. He spends as often he can as a young boy with her and his sister, often stealing her away though whenever their families visit. He wound making a game where he would tickle surprise lil Pen by leaping around the corner, making her squeal in laughter. Pen always visits the Bridgertons as much as she could growing up, seeing Colin and Eloise as her best friends. The little game Colin played with her never fade off as that’s how usually their greetings.
Like I said before, I wouldn't do this reincarnation prompt like that, for reasons that make me question how well I write some characters. Believe it or not, I find it hard to get inside Colin's mind in aus like this. Mostly because I don't know how to write the Bridgertons in their before Edmund died Eras. (but that's something for me to unpack another day)
Penelope however, I find it easy to get into in aus like this. This is why I gave this prompt a spin. Where it's Penelope who remembers her past life, and is under the impression that Colin's life would have been so much better if he never married her. Because he had to suffer so much backlash after the whole LW thing was revealed and since she still doesn't want to give up her career and live a mediocre life. She figures the least she could do is make sure her husband doesn't fall inlove with her and lives a happy Penelope-free life.
Baby reincarnated Penelope does this, by doing the baby thing of at first staying away from Colin. But when that doesn't work out, she acts like an excessively clingy and needy little bug, hoping he gets tired of her and starts thinking she's annoying. Except that what reincarnated Penelope thinks is clingy behavior, teenage Colin thinks is cute and entertaining games. And that's how the whole thing started.
So yeah, even after she grows up the greeting eachother in very..close ways continues. And it takes a while for Pen to realize she's caught herself in her own self fullfilling prophecy. Falling inlove twice with the same guy after trying to drive him away.
and that's the tea.
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docholligay · 3 months
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Episode 2.1: Shauna
Hello! This is about up to Season 2, Episode 1 of Yellowjackets, and ONLY that of Yellowjackets. I have not seen beyond this spot, at all, and know NOTHING about this show. Please do not spoil it for me.  Things that are spoilery in nature, for me, include: saying things like  “Just wait!!” confirming or denying anything I put forward, outside information about the cast interviews or creator statements, leading questions like “Do you think “blank moment” means anything?” etc. Remember  that Y’ALL HAVE SEEN THE SHOW AND I HAVE NOT. This informs the way you  talk about things relating to the show. Just be really careful is all  I’m asking. Also: If there is LITERALLY any stance I  could take on this show or character that would make you upset, please  just fucking block the tag
If you WOULD like to discuss the show and my takes on it, the Discord is right here! I don’t go there, so it’s a great place to get every emotion out.
Please thank @sailorsunspot and @moonlight-frittata for backing this odd way of doing a liveblog, and remember my tip jar is always open
First off, this is a crackerjack episode in so many ways, but ESPECIALLY for Shauna. 
For once, i am dumbstruck. Shauna is such a delightfully fucked up little creature, both in the past and current day. 
So Jackie is haunting Shauna, but of course that’s ot true at all, Shauna is haunting Shauna. The Jackie in Shauna’s, we’ll call them hallucinations for lack of a really appropriate word in the English language, isn’t the real Jackie, the Jackie who lived and who we saw in the show. I think I pointed this out in the jackie’s birthday episode, when she appears to Shauna in her old bedroom. This is Shauna’s idea of what Jackie would say to her if she could. This Jackie in Shauna’s mind, if we look at the real Jackie we meet, is so much meaner, but particularly in a ore clever, more cutting, plain SMARTER way, because she’s actually Shauna. She’s an externalized view of Shauna’s guilt. 
Even the game, ‘Oh great, I’m my mother” but without a million dollars. She did become her mother, but without a million dollars! Shauna is nothing but self-fullfilling prophecy, she’s defeatist and resigned and this, I think is a problem that can’t be blamed on the crash. I think she might have ended up going to Jackie’s college and living in her pink and green dorm room and telling herself it just happened to her, it wasn’t really her fault. Maybe not. But Shauna was already inclined that way long before their plane fucking dropped out of the sky. But here, she has Jackie telling her, in a playful game way sure, but telling her, that all she can be is the sad mother she subtly resents. And Shauna will bind herself to that! She has to be what Jackie said she would be, she has to be what Jackie might have been, except of course…Jackie might have been happy having a husband and daughter and staying at home. She has to have jackie tell her what she thinks, in a way, she might deserve. 
Does Shauna know she’s doing this? I don’t think so. I think for all of her writing about herself, for all the ways that she documents, she’s not very fucking introspective. Even if she does have an inkling, she could never allow herself to admit it. Why did I run around with a younger man? Why did I stab him? Why did I sleep with Jeff in the first place? Why do I try to force the hand of everyone I love into hating me? Why did I EAT MY BEST FRIEND’S EAR? 
I think you could ask her all these questions, and she would just do that Shauna shaking her head throwing her hands up, “It just--just happened!” thing because I think she has no clue why she’s like this, and I think that bothers her, and I think her need to both write her life, and to keep it as a catalog, is an attempt to try and explain herself. But it doesn’t work. For all her efforts to remember and understand what happens to her in her life, she is so disconnected from her own mind, that she sees everything as happening to her rather than anything that she had even the smallest hand in. I hate it, it’s perfect, I want to beat the shit out of Shauna all the time. 
“But Doc, Doc what about Shauna’s homoerotic fixation with Jackie? What about her literally consuming her in order to ensure Jackie remains a part of her?” This is going to sound strange but it’s the sort of thing that’s so obvious to me that it barely feels worth mentioning, it feels worth mentioning in the same way that a human being would mention that A Christmas Carol has English people in it. Thank you for your incredibly obvious contribution. 
But I think my favorite thing about her eating the ear is that while it is, of course grotesque, and takes you aback, it doesn’t feel SHOCKING. Like, while I was looking at Shauna with my eyes wide, the words, ‘I can’t believe she fucking did that” never crossed my lips, because of COURSE she would do that. It makes complete sense. What the fuck else was she ever going to do? It was a scream of realization, not surprise. 
What did surprise me, in a positive way, is that we’ve focused a lot, or at least that’s been a lot of my focus, on cannibalism as predation, and as becoming the hunter. BUt here we have this really interesting space for this idea of cannibalism as devotion, and as desire, and I’m not sure if they are intending to go anywhere with that, but in the framing of this action, it is so obvious that Shauna is not acting out of hunger, but out of emotion. And I’m not sure I expected that. Really like it. 
But it’s so much the same with Adam as it is with Jackie, as it is with everything. She can’t let go of him, she is holding on to these things that are not only unhelpful to her, but actively harmful. She is hurting herself by the way she chains herself to her past, to remind herself of not only that it was real, but in the sort of way where she needs to see a listing of her sins. To remind herself of why she’s being punished, and every bad thing that has ever happened to her. 
Speaking of externalizations of Shauna’s judgment, Callie sure is a piece of work, huh? She’ll never ever be satisfied with anything her mother does. Not that I think she should back the play of her mother killing her lover, but it wouldn’t have mattered if she told Jeff about the affair or not, it would have been wrong in any case. Callie is the second coming of jackie, but with all of Shauna’s cruelty. 
Neither Callie nor Shauna actually deserve Jeff, just as an aside. The whole scene with Jeff fucking Shauna on the drawings Adam did of her, of him staring at that art while he’s having sex with this woman he loves. And she tells him she always thought the idea of him with someone else was a little hot, but he, I don’t think, thinks that. He doesn’t think the idea of Shauna with someone else is hot. His fantasy was of someone returning and armoire and finding that fucking hot. He is so vanilla and straight-up, and Shauna is not. And, by the way, Shauna’s fucking lying here, she was never turned on by this idea. She’s playacting out as per her therapist, because she has to rescue this moment, she has to keep jeff near her. This is why while it’s happening she is staring at a picture of herself with her face half eaten away. When she brushes away the painting Adam made with turpentine, she’s scrubbing away the first time she felt seen as herself, seen as a woman, not seen as Shauna the victim, Shauna the wife, Shauna the mother.
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harpersheroes · 7 months
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"WHEN I WAS A YOUNG WOMAN, I WAS TOLD AN OUTSIDER WILL COME TO BRING THE SUN AGAIN TO US."
1 corinthians 13:4-8 [NIV] | "lighthousekeeping", jeanette winterson | @/heavensghost | 1 corinthians 13:13 [NIV] | "the painted drum", louise erdich | "hope and love", jane hirshfield | maya angelou | rider waite tarot, "xii the hanged man" [wisdom, prophecy, sacrifice, ultimate surrender] | rider waite tarot, "xiii death" [symbolizing ending, what has been finished, but also the end as a new beginning] | rider waite tarot, "xix the sun" [dawn after the darkness, brightness, warmth, fullfilment, courage] | john 15:12-13 [NIV] | | "voice", franz wright | @/petrichara | john 15:28-30 [NKJV]
in honor of valar's death, at the hands of lady wachter & her "book club", a sacrifice to bring light to the village of valaki. thank you to @slowtimerolls for the wonderful DM-ing. @nevermoretoleave
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dowagersqueen · 1 year
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I headcanon that Viserys stopped being nice and affective to Aegon (and the rest of his Children with Alicent) somewhere between his speech with Rhaenyra about her being the heir and the birth of her first son. Probably Helaena didn’t receive that affection, Aemond and Daeron even less of that. Maybe he would not want to hurt his daughter‘s feelings
Aegon was two years old and still Viserys seems very happy. It seems he was the loved the most at one one point.
viserys’ affection for aegon was brief and mostly rooted in his obsession with his dream of the male babe wearing the conquerer’s crown. he seems to know he’s not really a dragonrider the way other dragonriders are and he looks like he wishes he was a dreamer. many in my family have been dragonriders, few have been dreamers. 
i think for a while he doubted keeping rhaenyra as heir because of the dream he had, but he never once shares this with rhaenyra until after he’s fully decided that she’s his heir. so he never directly makes her doubt his decision. he never says “i might change my mind”. yes, he gives aegon some attention, as is normal, and yes, people have a reaction to aegon, because that’s what they’re used to / tradition, but viserys himself doesn’t turn cold towards rhaenyra, he is just frustrated she’s not being dutiful, like he says. 
in episode 3 rhaenyra is upset about aegon’s birthday, but even before viserys tells alicent of his dream of the male babe, viserys threatens house lannister for even daring to believe that rhaenyra would be replaced by aegon and says he did not “name her on a whim”. he almost accusses house lannister of treason. 
then he has the conversation with alicent about his dream and he isn’t sure if he made the right choice, but shortly after he has the conversation with rhaenyra where he tells her he doesn’t mean to replace her and that he “wavered at one time” but he swears to her he will support her no matter what 
so while aegon may have been shown some affection up to his 2nd birthday, that affection was at least partially out of some sort of narcissism and the idea that aegon may be the fullfillment of a prophecy. 
and then i guess viserys both lost interest in aegon and probably didn’t want rhaenyra to see aegon get attention. 
alicent slowly became in his eyes less of a companion and more “otto’s daughter” and i think viserys had some sort of hidden contempt for her because of that
still, he kept impregnating her after that and having children that he ignored, without a) calling a ground council when he named rhaenyra b) convincing (not ordering) the houses of rhaenyra’s bright political future and assuring their long term support c) being ignorant of how some of the realm and the houses would react to not just rhaenyra being named first woman heir, but her having 3 brothers, all who, before the naming of rhaenyra, would be considered in line for the throne, and that’s without heirs of their own. i get it, people see viserys as some sort of feminist dad, but it’s more complex than that and it’s ignorant 
being pregnant with helaena and then taking care of helaena was probably hard on alicent because we see her struggle a lot. she was also probably less likely to entertain viserys just for his sake and the relationship started to grow colder and colder from there. 
and i also honestly think that the moment otto told on rhaenyra and then was fired, viserys started to make a distinct difference between aemma and rhaenyra (who he seemingly loved) and alicent and her children (he supposedly didn’t want to remarry, children seen as tools of otto, etc.)
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dragonfly0808 · 3 months
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Why Stormy?
SPOILERS FOR A MAJOR PLOT POINT IN SEASON 3
The first of a few posts explaining some of my fave/most iconic moments in the series so far, some of you may wonder, why was it Stormy that died? Especially since some may believe Darcy might’ve been the ‘better’ option.
First off I will admit, I did pull a red herring with Darcy with a few conversations she has in s3 about maybe leaving and in general her always having been the ‘lesser evil’ of the Trix.
This wasn’t a straight up red herring but I did want to set up Darcy as the most regretful of the three, the one who’s willing to keep going as long as the witches stay together. Once Stormy dies, the three are no longer together and Darcy finally refuses to keep going, seeing that the path Icy is on will only end in Darcy being on her own.
Now, as for why it was Stormy, I knew the ends of each Trix when I was like, a fourth into season 2. I knew one would die, one would be driven mad and the last one would return to Light Rock, utterly defeated and alone.
I debated with myself on whether it should be Stormy or Darcy to die, but in the end, I chose Stormy due to the thought of escalation and liking the idea of Stormy’s rage being her undoing.
Stormy is the one without a proper ‘origin story’, she was loved, she grew up privileged and had the opportunity to chose whatever she wanted to do with her life. However, from a young age, Stormy has an inexplicable rage in her very soul.
I love my morally gray villains/antiheroes, but I also love when villains are just… evil, no real explanation. That’s Stormy, she just craved power and chaos, her mom saw that and, from very early on, tried to help Stormy, get her into therapy, keep her away from anything that might trigger that deep-rooted rage that she didn’t know how to keep at bay.
Stormy’s doom is that rage and impulsivity, she goes too far, starts a curse that she can’t truly control and the curse starts turning against her, which leads to Musa having to bring the building down, killing them both in the process, but only one of them comes back.
I thought of this as, almost a bit of a self-fullfiling prophecy, even if the term doesn’t fully apply here technically speaking. Because Stormy has every chance to not be this, to turn back, to stop. She has resources and help from a young age, she shows that she’s willing to let Darcy go, but she herself cannot let go of that hunger, even knowing that it’s not very reasonable.
In the end, there as no real reason for Stormy to die, she knew how dangerous the curse she attempted was, she wasn’t supposed to even be there. And, even being there, she wasn’t supposed to initiate a curse, only take it. But no, she makes bad choice after bad choice and it leads to her death.
It felt appropriate for her. And, I won’t lie, I did consider having Stormy’s rage wind up causing Darcy’s death but the story would have been VERY different that way and it just didn’t fit for the story narrative (it would’ve been a beautiful, tragic narrative for the Trix, but they’re not the main characters so they weren’t the ones I wanted to explore in such a deeply traumatic way)
So, I chose Stormy to be the one to kick the bucket as a way of showing a self-fullfiling prophecy ala Haunting of Hill House, all along, she would be the cause of her own death and she had no idea.
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torgawl · 6 months
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- the oratrice has to play a role in furina's plan to save fontaine. the original sin committed by egeria is probably what furina, as the hydro archon, is being sentenced to. could there be a way for furina to "separate" herself, sentencing part of herself to death and entrusting the future of fontaine's justice to another? (i'm still stuck in the three thrones so fragmentation of the self is something i think has been hinted at) could this mean the end of the oratrice itself?
- neuvillette looked like he was hovering above the entire city while using his powers. we know he doesn't have his full sovereign powers so if he is the one stopping the flooding, what power is he using? could he be making use of the hydro gnosis?
- the oratrice has been accumulating energy and power as a means to an end, it converts fontaine's people's belief in justice into indemnitium. could this be the power that will save the nation?
- remember nicole's quote after scaramouche deleted himself from the irminsul? "unfortunately, the fate of teyvat cannot easily be changed. perhaps a god may have a slim chance, but for anyone else... who can say. [...] history does not change easily, but human hearts can. believe your own eyes. only that which you see is true. what is unseen is but an illusion." this ties with the themes of fontaine a bit to well for it not feel like some sort of foreshadowing. nicole also appears in the trailer saying" the prophecy... yes, what has been prophesized will be fullfiled." coincidence? i don't think so. arlecchino and furina constantly talk as if everything is teatrichal and the name of this quest masquerade of the guilty also implies a false show. do i know what this means exactly? no. but you can't tell me this isn't big and related to the way atonement will be reached regarding the sin tainting fontaine and it's people.
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