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#the only characters still here from like. as far back as season 1 of the anime covers are denji and katana.
alisaint · 2 days
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guys, i have good news for once. i've found proof of intelligent life out here in these wastelands:
my favorite excerpts:
Will, Jonathan, and Joyce Formed a Special Trio
If Eleven is the main character in Stranger Things, the Byers family is the conduit through which she flickers. Will’s disappearance in the first season spurred the Hawkins community to rush to his aid. The tight-knit camaraderie between Will, Jonathan, and Joyce juxtaposes the stereotypical family composed of kids and teenagers. Parents and children are supposed to fight and bicker in television and other media, often to build the main conflict of the story, but the Byers family already underwent that trauma offscreen.  Lonnie Byers (Ross Partridge) makes a brief cameo in the first season, flexing his standoffish demeanor and abusive nature. It’s clear that the Byers patriarch doesn’t possess much empathy for his ex-wife or his sons. Jonathan valiantly steps into the father, husband, and big brother role, amalgamating into a combination of responsibilities that no other character on the show could dream of emulating. 
Jonathan Binds the Byers Family Together
Jonathan’s multifaceted arc in the first two seasons made him one of the series’ most easily dissectable characters. Stranger Things often differentiates itself from other shows by keeping the antagonists separate from the main characters. There are no Walter White or Tony Soprano-style antiheroes in which fans must compromise one part of their moral compass to appreciate the character. One might think this makes the series boring, but it’s the opposite. Jonathan was proof that a nearly perfect brother and son can still be fascinating to watch. After Will was found in season 1’s climax, he was taken over by the Mind Flayer in season 2. Jonathan again stood by Will’s side as his little brother felt outcasted by friends and society at large. Schnapp and Heaton’s chemistry often leads to tender, humorous exchanges like this one in which the boys remind the audience that being weird can be a human superpower in its own right.  These moments became few and far between in seasons 3 and 4. Will and Jonathan were relegated to minor supporting characters as the aforementioned new additions took center stage. Will at least gets to tag along with Mike, Dustin, Lucas, and the other younger friends. Jonathan often only appears in a few small scenes with his girlfriend Nancy (Natalia Dyer), and the writers even flirted with pushing Nancy back into Steve’s arms in the most recent season. Jonathan spent the majority of season 4 high on marijuana and frolicking around in a faux buddy-comedy routine with the one-off character Argyle (Eduardo Franco).  The decision to waste Heaton’s work from the first two seasons with a 180-degree personality change made no sense. Jonathan suddenly seemed careless, distant, and uninspired, but not in a dense way that could be unlocked by further character development. Little-to-no time was spent on him. While some fans might concur it is a necessary evil to take screen time away from older characters when expanding the world of Hawkins, it certainly transforms Stranger Things from a show about family into a show just about monsters and romances. 
Jonathan’s Enhanced Role in Season 5?
Many theories point to Will being one of the critical pieces to defeating Vecna (Jamie Campbell Bower) in the fifth and final season. His connection to the Upside Down and the evils underneath the surface should open up opportunities for Jonathan to lend his ears and counseling once again. Jonathan grows on an individual level when he aids others. When locked out of his family’s life, it stunts his ability to shine as a listener and an empathizer.  Jonathan’s best scene from season 4 again features a tear-jerking moment with Will. On the cusp of coming out of the closet, Will needs Jonathan more than ever before, and his brother responds supremely to the task at hand. The poignant conversation validates that the Duffers haven’t completely forgotten how to flesh out the Byers family. When the world gets too enormous for the characters and the audience, Jonathan serves as a connector to the most human elements of the series’ thematic thesis. He may not be as funny as Steve or as neurotic as Robin, but Jonathan symbolizes the good in all of us. In a show shrouded in darkness, Jonathan’s presence will be instrumental to forming a satisfying, optimistic conclusion in Hawkins, Indiana.
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kuwupikaa · 1 month
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I find it so so funny katana's one of the very few characters thats been around since the beginning. Mf is alive fueled by pure hate for chainsaw man and yknow what? I respect him for still being around.
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saradika · 28 days
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— invisible string
din djarin x vaguely force sensitive!reader
rated e - 1.7k
tags: divergent timeline, soulmate!au, takes place across season 1 & 2, missed connections, the Razor Crest lives, PiV, marking, creampie, magical elements
a/n: for the TS Challenge by @beskarandblasters! This was so fun, thanks so much for hosting this event! 💖 I was so excited to get this song & character
There's something about him, this man.
Deep down, it feels as if a string is tied around something vital inside you. A piece of you that you cannot live without, twined with its match inside him. Like the path you've taken has always led to this moment, this meeting.
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You feel as if you are always out of step.
Too early. And then somehow - just a little bit too late.
As if you've missed something crucial. A prickle on the back of your neck. Eyes scanning the crowds of people as you weave through cities - looking for someone.
As to whom, though - you're never quite sure.
You think it's always been there. A similar sort of feeling that flickers when you're in danger. That was something you had cultivated. Manipulated into a force you can wield. A push and pull, an aid - when you need it. Something you draw from often, during your days as a smuggler.
But you're not sure what to do with this.
The feeling is pushed down on Nevarro.
Contacted for a job, one that had been easy enough. Your goods exchanged in a dingy cantina - a shipment of stolen fuel cells furtively traded to an irritated man that went by Karga. Your eyebrows raised at the charred hole in the man's fine clothes - a half-hearted wonder at how the man was still standing.
The Imperial credits he offers you do not get you far. He's unable to offer you a puck - his trade was in bounty hunting, not smuggling. You're not sure if you'd take one, and the cells are enough to keep his crew afloat for a while. A dead-end for now, but you think - not always.
After, your ship drifts along an unseen track.
To Tatooine this time. A big job for the Hutts that takes you two weeks. Days in the sun spent waiting for the payments to transfer to your account, and so in the meantime - you tinker.
Trading your way up. A broken blaster fixed, exchanged for ship parts. The parts installed, the labor paid for with two, beat-up old speeders.
Only to sell them both to a cocky hot-shot bounty hunter for double their value - his over-blown self-confidence eclipsing the fact that you were absolutely swindling him.
It’s not your problem.
Though here, you can't help but feel the urge to linger. An itch beneath your skin, as if you've missed something, again.
You ignore it. Trading up one more time - swapping Mos Eisley for the sea. The choppy waters of Trask washing away the grit and sand that clings to your skin.
There's always work to be found here - deals to make with the Quarren and Mon Calamari. Those days spent at the inn, with lunches of warm homemade chowder and wrapped in chunky-knit sweaters.
Eyes snagging on a couple that often sits together at lunch. Their features frog-like, affection clear in their soft chatter, the slow blink of their large, black eyes. You imagine it to be a stolen moment - meeting up in the afternoon, too eager to wait until evening to see each other.
It’s nice.
It follows you, back to your room.
You think about them later - the obvious connection. A bone-deep urge to find another that matches a part of you. Something you've never had.
Somehow you know it’s out there.
But it's not time.
The next day, your ship takes off again.
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There's a feeling deep down that for once, you're right where you need to be.
Your path is not guided by a job. Something spinning inside your chest like the point of a compass, your fingers keying coordinates with a mind of their own.
It's not a sea. Not a desert. Not a growing town, slowly rebuilding.
You're taken to a forest. The trees are unlike those you've seen - stretching tall and thin towards the sky. Their leaves sparse, but still filling the space with the sheer number.
There's a village - but you're drawn away from the tall walls. There's nothing inside that you seek. Drawn back to the trees you had seen from above. There's no tracks for you to follow, it's only your own boots pressed into the earth.
But you still go out, day after day.
It's on the third day, as you sit by the edge of a clear, shallow pool, that you hear the crack of branches under boots.
It should frighten you… but it doesn't.
It feels like an inevitability.
Your head turns, and there's a man there. His limbs encased in armor of shining beskar. A Mandalorian, you realize, when your eyes meet the dark visor that bisects his helmet.
"It's you." The words are a flat buzz, through his helmet. Unsurprised, somehow. Just as you are.
And it's him.
There's something about him, this man.
Deep down, it feels as if a string is tied around something vital inside you. A piece of you that you cannot live without, twined with its match inside him. Like the path you've taken has always led to this moment, this meeting.
You're not sure what that something is...
But think you are finally ready to find out.
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His touch is familiar, though you've never known it. Much like everything else, it feels almost destined.
You know he feels it too. A slow circling dance, the weight of his eyes following you from behind the visor. That string inside no longer feels like a leash, but instead - a lifeline.
Finally being able to acknowledge that he has been what you've been orbiting around this whole time. Easing that ever-present ache of loneliness that had always followed you.
For some time, he had thought you would be the one to train Grogu. That perhaps this had been the reason why the fates had pushed you together.
You had tried, and failed. That part of you still too raw, too unfashioned. It lived inside you, but it was something you had been unable to teach another. How could you, when you did not even know the word for what it was?
And as time passed, you realized deep down that you were truly meant to be here now. Not for the before.
An aid at first, of course. You had gone with him to Tython. Traded in your ship, and traveled on the Slave 1. Had faced death by his side, staring into the black chrome of the Dark Troopers.
Had grieved with him, after.
You think this had been your place all along.
This liminal space, in those months that follow.
Giving him something to grab onto. Fingers sinking into flesh, your back hitting the mattress as he follows.
It’s dark, in the belly of his ship. With anyone else your senses would be screaming, a ringing alarm.
But you’ve come to know each room, fingers tracing the cold metal. From the walls, to the bunk, to him - the tips slipping under to tug at the fastenings of his armor.
He is quiet, like he often is now. But you can feel the heat that rolls off him in waves. The harsh buzz of his breath through the vocoder, before the light cuts out completely.
Before it’s just him and you.
His knees nudge your thighs wider. Pressing into muscle and flesh, forcing them up and apart. Your fingers twist in his curls, angling your mouth up to meet the kiss that is all teeth and tongue.
Fingers dip down, thick and calloused. Parting you, nudging inside to where you’re wet and waiting. Pumping deep with his thumb pressed snug against the button of your clit - leaving you dizzy and clenching and wondering if he just knew, as well.
You think he did. He does.
And when he works himself inside you, you finally feel full. Ripping a sound from each of you - his rough and swallowed, yours a broken murmur of his name.
Something else given in the dark, on another night akin to this. Pieces of himself peeled back and gifted, only to be carefully wrapped up and buried deep.
The pound of his hips itches at something you’ve been missing. Those hands tugging at your hips, pulling you to meet each harsh thrust. Fingers slipping down to swirl against you again - a spark rising each time you fit together, building swiftly to an inferno.
“Din,” You breathe, as something heavy flickers inside you, just out of reach, “Stars, please. Don’t stop-”
“I won’t,” It’s a low oath, as his cock grinds deep, “I’ve waited too long for you, cyare.”
He wrenches it from you, setting you ablaze. Your is cry loud in the tiny room as you come undone. The wild swirl of your senses narrowing down, until it’s just him. Din’s mouth against your neck, warm breath and teeth nipping marks into your skin - the pleasure flowing from you in pulsing waves, sinking into him.
Making him follow, no more than a dozen thrusts later. A gritted, bitten-back moan of your own name, before his hips are stuttering. Giving back what you passed to him, his cock throbbing inside you, buried deep.
Where he stays, until he’s gone soft. A pang of loss shuddering through you when he slips from between your thighs - expecting him to return to his own bunk.
To leave you, again.
But the mattress dips, next to you. The space narrow, a short sigh when you wiggle too much trying to get comfortable. Hands hooking around your wrists, hauling your hips over his. Settling you down on top of him.
And in the dark - he stays.
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“Should have met you on Tatooine,” Din tells you later that night, unbidden. Letting your legs twine with his, thighs parted to make room for you. “I didn’t know it was you. If I had-”
His words end abruptly, hanging. Both of you thinking about all those moments when time hadn’t lined up. The synchronicity of your movements, just barely nudged out of time.
Both there, during that same moment. If you had stayed another day, maybe that would have been your meeting.
But you had left early, and he had came late.
“We’re here now.” You tell him, chin pressing against his chest. Eyes finding his in the dark, though you cannot see. “Isn’t that enough?”
There’s the brush of his hand along your spine - knuckles, and then fingertips as they unfurl.
“Yes.”
It is enough, for now.
You’re not sure if it’s forever. If, for some reason, you’ll be forced to part again. But tonight, you’re not worried.
Because, if you were to reach inside yourself and pluck that golden string right now - letting it thrum…
You think that he would feel it, too.
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thanks so much for reading!! 💖
cyare - beloved
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stromblessed · 5 months
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Mizu was wrong to let Akemi be taken because they both deserve better
First, a confession. When I saw this for the first time:
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I was relieved. I knew that was what Mizu was going to say and I felt like it's what I would have said in that situation too.
When Akemi does this:
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I cringed, because if we know anything about Mizu, it's that she (1) isn't quick to make friends (though to be fair, even though Akemi did try to kill Mizu, so did Taigen - multiple times! - and look how that turned out lol), and (2) doesn't take orders.
So when Akemi and Ringo and later Taigen get angry at Mizu, are they being unfair?
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Sure, Mizu isn't obligated to treat Akemi - or Taigen or Ringo or anybody else - nicely, or to serve them, or to be honorable, or be a hero to them, or whatever. No human being is obligated to any other human being. We all have the choice to do whatever we want to anybody else. But the point of flawed characters in storytelling is the tension between those characters and their potential. Their growth into someone who can choose the higher, harder path, who chooses to be obligated to others, who chooses kindness and compassion.
Because Mizu's problem isn't revenge. Nobody is preaching at Mizu that revenge isn't the answer. Her circumstances do suck, her life has been incredibly unfair, she is marginalized, and as far as we and Mizu know for most of the season, she is a child born of violence and no one is saying that that violence doesn't deserve to be repaid in kind.
Mizu's problem is isolation. And the fact that she thinks she has no responsibility toward her fellow human beings, because her hatred of her own circumstances and her having no life outside of her quest devours everything else. This is a problem because it turns Mizu into the worst version of herself. A version that hurts the people who like Mizu, the people who care about her.
Practically, Mizu has just taken on an entire army almost by herself. She's hurt. She's exhausted. If she were to defend Akemi now, it'd be yet ANOTHER fight, this time against horsed and armored samurai.
But that's not the reason Mizu gives Ringo. Mizu's ability or willingness to fight isn't even on her mind. All she says is, "She's better off."
"She's better off" is Mizu deciding what's best for Akemi. Akemi's entire story is about her being a caged bird longing to fly free.
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One after the other, every man and woman in Akemi's life makes her decisions for her. She has to grovel and smile prettily and lie through her teeth just for the chance to be heard. Mizu judges Akemi for being a rich princess who isn't being more grateful for what she has, all without understanding Akemi's situation, and without any curiosity for why Akemi feels the way she does. From Akemi's perspective, Mizu is just one more person (one more man!) in a long lineup who ignores Akemi's wishes and (casually!) makes a decision for her that impacts Akemi's life greatly.
In the end, even Seki concludes that Akemi should get to decide what's best for Akemi. What others think that Akemi SHOULD want does not matter compared to what Akemi wants for her own life. As Madame Kaji said - Madame Kaji, who despite calling out the weirdness of Akemi's situation as well as the childishness of her decision to run away - is the only person Akemi meets who doesn't try to make decisions for Akemi, but instead only challenges Akemi to work for and be worthy of what she wants - she needs to decide what she wants for her own fucking self, and then take it.
Mizu being born female does not make her automatically wiser for letting Akemi be taken, and it does not preclude her from having a hand in giving Akemi back to her jailers. A patriarchy that Mizu knows full well would stop Mizu from achieving her own goals if she didn't present as male.
Mizu is still understandable here. She just had to kill Kinuyo, a disabled girl sold by her father into prostitution, a girl in a situation so far beyond Akemi's worst imaginings that I can practically feel Mizu's world being rocked just by comparing them in her mind the way she most likely is. That still doesn't make it right for Mizu to let Akemi be carried off to be sold into marriage by her father against her wishes. Those "good options" Mizu thinks Akemi has don't exist, no more than they ever existed for Mizu. Akemi and Mizu both have to get creative, make the best of their circumstances, take dangerous risks, and break rules in order to have any control over their own lives.
Even on my first watch, when at first I thought that Mizu had made the right decision and that Akemi was being unreasonable, Akemi screaming Mizu's name while being dragged, LITERALLY DRAGGED, back to her father was haunting as hell.
Mizu had the power to help Akemi, and simply chose not to.
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Mizu lets Akemi be taken, Akemi who has just begun to trust Mizu. Mizu calls Ringo weak and quickly - seemingly easily - turns her back on him. Mizu values her quest over Taigen's life, after Taigen has endured days of torture to protect her, and she not only risks his life in the process, but doesn't tell him that Akemi is engaged to someone else, or that she came looking for Taigen, or that she is in danger.
Mizu's sword breaks because it is too brittle. Too pure. Too singleminded. Mizu only melts down the meteorite metal when she mixes the metal with objects from parts of her life that have nothing to do with her quest. Objects from the people she cares about, and who care about her.
All I'm saying is - Mizu doesn't have to be a hero. But she is the better version of herself when she reaches out to help and connect with others. When she's just a decent, kinder human being. And I think that's what this story is telling us that we should want for Mizu.
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lolomidi · 3 months
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The Price of Entertainment: An Episode-By-Episode Analysis of Alastor's Facade
I don’t think any character in Hazbin Hotel has been discussed as much as Alastor, and it’s a testament to how much the writers put in his character that the mystery of his intentions, past, and contract have been so debated on.
There are some takes I vehemently disagree with, but something a lot of people seem to have settled on is that Alastor is, behind his massive ego and cool-headed persona, insecure about his place in Hell after his long “sabbatical.” I want to do an episode-by-episode analysis of Alastor’s behavior and how Season 1 shifts our view of him from an unquestionably powerful Overlord to something with more depth, and while I won’t be speculating on who owns his soul and how he’ll break that contract in those post, I will take a guess at the future of his character in a narrative sense. I will also implicitly be addressing my issues with some of the conclusions others have made, or at least playing devil's advocate.
NOTE: I want to clarify that none of this is meant to depict Alastor as some poor woobie. He’s still awful. He’s in Hell for several reasons and being a serial killer is only one of them. Rather, I want to analyze what is shown to us about him, and how those story beats can be used to determine where he’ll end up by the finale of the series.
ALSO NOTE: I haven’t followed all of VivziePop’s comments outside of the show about the characters, and it’s possible that certain details have been changed between the release of the pilot and the show, so take any mentions of what hasn’t been explicitly depicted within the show with a grain of salt.
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Part 1: Recap Analysis
This section will consist of commentary regarding Alastor's appearance and behavior in the given episodes, with retrospection based on new information given in later episodes if needed.
“Overture”: Alastor is pretty one-to-one with his depiction in the pilot in the first episode. He’s snarky, open about his sadism, but helpful if begrudgingly so. Interestingly, he’s able to put together a well-edited, if tonally awful, commercial, and probably could have done better if he weren’t intentionally being an ass about it. From the finale we know that he and Vox likely used to have a more magnanimous relationship, and it’s likely that he picked up some tools of the digital trade in that time despite or before being turned off completely by it.
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“Radio Killed the Video Star”: Vox effectively plays heel for Alastor this episode as we continue that first impression of the Radio Demon. We spend a good time showing off the former’s power and how far his roots have spread throughout Hell’s society, only for Alastor to effortlessly trounce him and steal from his audience, despite being gone for so long and his position in Hell less stable. This indicates that Alastor does still have pull, but at the same time that his position in the hierarchy of Hell is being contested due to the length of his absence. He deals with it easily here, but we’ll see in subsequent episodes that things aren’t as smooth as they first seem.
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“Scrambled Eggs”: In terms of the eggs, there’s not much to talk about. He begrudgingly accepts Vaggie’s request to get rid of them “humanely,” but brings them back to the hotel after they prove to be useful spies.
More importantly, we get our first small hint that Alastor’s ego can be bruised when Carmilla doesn’t humor him during the meeting between Overlords. Now, I actually disagree with a lot of the takes on this episode in that I think it indicates that at least some of Alastor’s views and need to prove himself as a powerful Overlord are the result of self-delusion. Yes, he does need to reestablish himself as a person not to be messed with after being gone for so long, but I think it isn’t as bad as some are making it out to be, which makes his behavior in later episodes more strange and excessive if anything.
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Carmilla, who mind you is a busy and stressed woman trying to hide the fact that she’s successfully murdered an angel, hits his ego by not caring where he’s been (something he wouldn’t have revealed in the first place), but she also welcomes him back, which is more than you could say to Velvette and by extension the Vees. And minutes before that, Zestial, who’s probably the highest on their totem pole, does go out of his way to meet with Alastor and inquire about where he’s been. Alastor himself gets over the slight pretty quickly and has no issue contributing to the meeting. Overall, he isn’t necessarily terrifying other overlords, but he still has an established place with them and they do seem to get along well enough. He’s “part of the group” unlike the Vees, who are treated more like upstart outsiders.
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I also want to point out that despite Zestial likely outranking Alastor in power, they seem to be alright with each other. Alastor is cordial and does not demonstrate a desire to antagonize him like he does Lucifer in the next episode. Speaking of which…
“Dad Beat Dad”: This episode gives us a lot to chew on and is the first major indicator that Alastor’s issues go beyond wanting to be the center of the room. From the very moment Lucifer walks into the hotel*, his eye is twitching and he is visibly pissed. Lucifer undermining him (notably contrasting Zestial, who is polite despite his power) doesn’t help and makes Alastor let loose his first swear in the entire show. Being the petty bitch he is, Alastor, knowing he can’t intimidate Lucifer in any way, immediately goes for his weak point–Charlie–and plays up the role of a caretaker for her and the hotel. It’s a low blow, but it also feels like a defense–he’s signaling to Lucifer that this is his hotel, that things are taken care of already, and that they do not need his assistance, even though they ultimately do in order to get a meeting with Heaven.
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But then things get more complicated with the appearance of Mimzy, who, to the surprise of several characters due to his solitary nature, was friends with Alastor all the way back when they were alive, and she carries a load of implications with her. She’s the only crack so far at what a “human” Alastor is like–apparently he’s a heavyweight drinker, a good dancer, and most notably, in Mimzy’s words, a sweet man who "becomes a kitten" when he's drunk. This is a huge departure from the unflappable, egotistical Radio Demon we’ve known up to now, and I think it’s a purposeful choice that we’re hearing this information but not shown it like his early days in Hell just prior. It’s simultaneously left to the imagination but difficult to do so because it contrasts so heavily with everything that has been shown to us beforehand. Another thing is that Mimzy is sure that Alastor will clean up her mess–and apparently this isn’t the first time he has, if Husk is anything to go by. So many people seem to miss this, but Alastor, who hates being tied down or disrespected, has been allowing Mimzy to leech off of him, presumably due to their past friendship making him turn a blind eye.
Alastor is on edge for this entire episode and is already unusually snappy when Husk addresses Mimzy, and pushing the button that was his contract is what sends him over the edge. His temper exploding is a direct result of his feeling that his control over both the hotel (via Lucifer) and his personal life (via Husk’s “doubt” that he can handle everything and that his reputation is what it used to be, plus the reminder of his deal) is being taken away from him. Alastor’s threat to Husk, which seems to not be his usual behavior if Husk’s willingness to show concern and talk back in the first place is anything to go by, is an attempt to remind both of them that he holds the cards, that he’s a powerful Overlord that is not to be trifled with, and he explicitly says as much when he goes out to deal with what Mimzy’s dragged in.
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It’s only after he lets his anger out on the mobsters and “proves himself” that he visibly calms down and makes the logical decision to tell Mimzy to leave with a serious attitude, and also doesn’t antagonize anyone for the rest of the episode. It seems like despite his fury earlier, he was listening to Husk, who’s rightfully smug about it. He’s even present when Charlie declares her desire to protect her people, and his smile seems just a tad bit more genuine.
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*Note: it’s not impossible that Alastor has some sort of personal grudge against Lucifer which caused his hate-on-first-sight, depending on the circumstances of his disappearance and contract (i.e. if it’s with Lilith).
“Hello Rosie!”: As opposed to Dad Beat Dad, Hello Rosie is arguably where we see Alastor at his most in-his-element. He gives off a lot of conflicting vibes at the beginning, from mocking Charlie’s distress to, in a shockingly honest moment, lecturing her about the importance of a smile to portray strength, a card we’d only been shown due to comments outside of the show. He smugly holds his knowledge over Charlie’s head but is visibly impatient to have her make a blank check of a deal with him, solid enough to benefit him but vague enough so that Charlie won’t feel immediately threatened. He’s clearly been waiting for an opportunity like this since the events of the pilot.
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After that, he puts back on his gentleman’s demeanor and introduces Charlie to Rosie, and from here on he’s arguably at his most comfortable in the entire show. He’s relaxed around Rosie and is actually willing to ask for her help (something I can’t see him doing with any other character), casually complains about Susan, is encouraging to and praises Charlie even behind her back, and most notably, gives her his radio cane unprompted. More on that later. He also mentioned wanting to guide Charlie to Rosie specifically, implying that he was being genuine about wanting to act as a mentor to her, though his intentions are probably self-beneficial.
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“The Show Must Go On”: The finale is arguably the most revealing episode on what Alastor’s inner world is like, as we see him unmasked several times. For one, his private admission to Niffty, the closest thing he has to a friend within the hotel, that he’s enjoyed watching the other residents connect to each other. This is in direct opposition to his initial (stated) reason for helping the hotel in that he wanted to watch them all fail, and yet he seems content with his initial assumptions being proven wrong. There’s no malice or sarcasm in this moment, he’s relaxed and talking to someone he relatively trusts.
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And so he goes into the battle swinging and confident. Then, of course, Adam.
I want to bring up something before we keep going. Yes, fighting Adam without angelic weaponry was a needless risk. Yes, Alastor fell victim to the very sloppiness and arrogance he accused Adam of, and it’s thematically appropriate that he was the only one to lose his battle in that he was fighting for his own ego more than “love.” But also, people seem to forget that Alastor is the only demon in the entire show with a precedent for permakilling without an explicit reliance on angelic weaponry, as the Overlords he toppled in his original rampage seem to have never returned. He’s egotistical, but not stupid. He may have genuinely believed that he had the means to kill Adam himself but didn’t get the chance/couldn’t due to his contract or absence possibly weakening him. But that's speculation for another day.
So, he has to retreat before Adam double-taps his ass and is too injured to return until after the extermination. He makes a grand exit, but not before grabbing the broken pieces of his radio cane. The one he allowed Charlie to use just an episode prior, and presumably is a conduit for his powers, and he grabs it while a murderous angel is inches away from wiping him off the face of Hell.
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His portion of “Finale” is the first time we see him singing alone and not playing off someone in a duet. It’s obvious that he’s trying to keep his composure, still speaking to himself in his artificial transatlantic accent (which we now know for a fact he doesn't need to do, seeing as he finally broke character when Adam wrecked his cane) and reassuring himself that he’ll come out on top next time. But here his front shatters and we openly see what the show has been hinting he is for the first time: a deeply paranoid, desperate, and unstable man.
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Essentially the worst-case scenario has happened: after a season of interfering with every attempt to capture him on camera, Vox has footage of him at his lowest point for all of Hell to see, and he’ll have “died” a martyr, a weakling, and still in the chains of an unwanted contract. For Alastor, who is so deeply afraid of showing any sign of vulnerability, who wants to be seen as a monstrous Overlord, it’s understandable that this humiliation is enough to send him into a mental spiral and recant any fondness for the hotel in favor of accomplishing his own goals. Worse yet, when we next see him he gives zero indication of any of this even when Charlie and company are simply glad that he's alive, which leaves us to wonder: has he been like this behind the smile from the very beginning?
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___
Part 2: Closing Thoughts and Future Speculation
With everything we’ve taken note of above, we can start to piece together a picture of who this guy is, and what the writers are going to do with him.
Alastor is sentimental. It’s not just his attachment to older technology or his love for being the center of everyone's attention. He likes being around people, he has friends, one of which he continuously indulged despite her using him multiple times, and he ultimately was starting to enjoy his time at the hotel before his defeat spooked him. Despite him using her, the fact that he was even willing to let Charlie use his cane (and note that he takes it from her as soon as she’s given a substitute, so that is a significant gesture for him) is an implicit display of trust whose implications don’t become apparent until the finale.
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But this is paired with deep insecurity. Alastor, despite being one of the most powerful people in the Pride Ring, has a crippling fear of being seen as vulnerable or “lesser” by others. There could be multiple overlapping reasons for this: the general climate of Hell, whatever happened to him seven years ago, his experiences as a mixed-race human living in Prohibition-era Louisiana, his original death, a natural predisposition, etc.
Regardless, this anxiety of his is so overwhelming that, when paired with the ever-present stress of not owning his own soul, it’s driving him insane. He made a splash in Hell upon entry and now he’s desperately trying to reinvoke that in order to defend himself both physically and mentally. He’s the gifted kid who’s slowly going nuts trying to keep up an impossible momentum as they grow older. He’s an ex-human denying his humanity because he doesn’t want to feel human. Everyone’s out to get him, and anyone who could be an enemy is an enemy unless he has total control over them via a contract, power, or the reassurance of years of close friendship. It’s why he’s cordial to Zestial but takes Carmilla (who wasn't even trying to spite him) and Lucifer’s comments personally, in the same way someone with low self-esteem might want to lash out against an authority figure who they feel is looking down on them.
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Worse yet, he can’t/won’t let these feelings out and is bottling them up so that no one will know he feels this way (note how quickly he was able to relax in Dad Beat Dad when he was given an outlet for his stress), because that’s a sign of weakness too. It’s honestly kind of frightening that in his final scene he gives zero indication of being injured or of just having had a meltdown. By all outside accounts, he’s his usual chipper self, and no one at the hotel save for maybe Husk, who can’t say anything Alastor doesn’t want him to, would realize anything is amiss. The reason his part of “Finale” is chilling isn’t just because of the implications that he will become an antagonist in the future–it’s that his mental state is so poor that he is no longer acting rationally, which makes him unpredictable in the worst possible way.
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I think Alastor’s character arc isn’t going to be redemption by way of going to Heaven, I don't think that place is his style anyway, but rather redemption of his own self-image. I don’t think the writers would make what is arguably the most popular and well-developed character in the show just to say that he’s hopelessly evil and simply end it at that. We’ve been exposed to multiple facets of his character, and while his deeds and probably his intentions are sinister, his underlying motivation for it all seems to be “freedom,” which decidedly isn’t (unless your name is Eren Jaeger).
I do believe that he’ll have his villain moment where he indulges in his worst impulses, but that ultimately it won’t do anything to fulfill him, because as we see in the official comics before the release of the show (which may no longer be canon but still give a viable “baseline” for the characters), when his desire to be feared and respected is granted, it only isolates him. Like the others, he’ll have to hit rock bottom before he can climb back up.
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Pentious, who was successfully redeemed, needed to understand that people weren’t out to get him, which allowed him to make the decision to put his friends before himself and trigger his selfless sacrifice. Angel, who’s well on his way to redemption, needed to realize he wasn’t alone and could rely on others, and his confidence and self-love has grown enormously since then. I think these are both lessons Alastor will need to learn eventually as well. He’s the manager of the hotel, but also undoubtedly a patient. He’s hungry for freedom, but only when he learns these lessons will he be truly free.
Or maybe I’m thinking too much into it idk lmaooooo
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hattersarts · 9 months
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gomens s2 thoughts, all spoilers!
I spent 10 hours talking to my housemate about the season after we binged the whole thing in the morning but here are the highlights and the biggest takeaways from the season.
okay i did love the ending, i love that we get the conformation of love AND going into the divorce arc next season (if they're not properly together by the end of season 3 however, i am rioting) they're slow burn and a whole season of them getting to the final 10mins was tasty.
HOWEVER. it was an extremely clunky season when it comes to writing, lots of either set ups missed OR set ups repeated 4 times that they're drilled into out heads. there was also lots of dialogue that really needed to be tightened up. the lesbians were so poorly written i thought they might have needed to be cut BUT they just needed to have more bearing on the rest of the plot AND say things like real people would say things and LITERALLY SHOW ONE SINGLE REASON WHY THEY WOULD LIKE EACH OTHER WITHIN THE FIRST EPISODE.
gabe/bulz romance was the one that should have been cut, have them do more of a oh-my-god-my-boss-sucks kind of thing, lean into them complaining about having to avert a civil war after armageddon stopped and touch on the "structural problems" the angels mention later. Have gabe/bulz be super punished for working together which puts huge fear into az and crowley about what happens if you try to team up as an angel/demon pair (but an extra reason why az takes the job at the end so he and crowley can be the same)
imo it works more if the only mirror of their romance is the HUMANS which should lean into themes to season 3 of how they need to team up with humans (re:"us vs them" line at the end of season 1) to actually achieve their happy ending.
Nina and maggies best scene was their last one telling crowley he needed to talk to az but i think that was one that needed to be cut, it would have been far more satisfying to have crowely work out it out himself that he loves az and wants to tell him (still via maggie and nina but more subtle rather than them telling him to his face AND via spending more time with az in the season)
flashbacks were all pretty good, loved the jobe one and that final "lonely" scene. the nazi one needed some trimming the most (why did all three come back to earth, it made scenes too crowed, have them fight to be a zombie)
shax was disappointing, she was kind of just incompetent the whole way through which didnt make the stakes very exciting, (that whole scene of her talking to the legion was unfunny and pointless) i wanted crowley to mentor her more like when he gave her advice in the first few meetings we saw (kind of in a very non-demonic way, not expecting anything in return) and her to then meet him on equal footing in the finale. would have been a little accidental taste for Crowley to have his good deeds come back to haunt him while showing he's different to demons.
speaking of the finale fight, that halo had NO set up, it was sick as hell but ??? the fuck did that come from. the fight should have been won by az and crowley performing another HUGE miracle together, discorporating the demons (which then would alert heaven and hell something was up in the bookshop and the final scene can happen)
az taking the job from metatron was very good, its consistent with his character where he still hasn't let go of his faith in good/god, he's only been upset by the angels running heaven and still has faith in the system while crowley has realised none of it works and it's only them together that matters. it was nice to show he still hasn't truly accepted crowley for who he is now (tho imo he knows he loves him, he just hasn't quite unrepressed himself) and him not turning down the job after crowley confesses to him shows he still thinks he can fix it. Crowley on the other hand thinks he's now lost him, az has broken he the trust he had in him, he's going to be in big depression mode
few thoughts of good directions for S3:
finally delivering on what crowley said at the end of S1 I think is the most satisfying. the final showdown should be humans Vs heaven/hell with Crowley and az on the human side, helping them win the conflict. there would be suggestions that this is actually god's ineffable plan, this is a conflict she wants to happen and the things that Crowley and az went through are what make them perfect ambassadors to help the humans.
the set up for az in S3 to finally work out he and Crowley can't work out within the unfair rules of the system and for him to abandon heaven (tho not I think, becoming a demon) is good. a sucky ending imo for season 3 is if az somehow "fixes" heaven and via bureaucracy and not via blowing it all up.
growth moments for Crowley in S3 might be having more contact with humans since he's already abandoned hell and it would put az & crowley on similar footing (as az very much loves humans already) when they decided to side with humans for a humans Vs heaven/hell conflict.
anyway, gay people
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frostbytemyrik · 4 months
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Danny Phantom Required* Watching
*It isn't actually required. I know there are a ton of phans who have never even seen a single episode of the show, but it's a fun watch and I would recommend at least catching some.
Sorting the episodes into colors (with the first letter in parenthesis by the title for those who might be too colorblind to tell). Note that this is all just my objective opinion, and everyone is free to leave their own thoughts on this!
Green (G) - Introduction of an important character or major plot development, such as a new power for Danny or another major shift in the status quo. If you can only watch a few of the episodes, watch these.
Pink (P) - Introduction of a side character or minor plot development.
Red (R) - Introduction of a new character worth mentioning or other general status quo change, but the episode is generally considered to be...not great by most people. (But hey, nothing wrong with liking these episodes!) They'll be summarized at the bottom of each episode description for those who can't be bothered to watch them.
Blue (B) - Nothing important happens to the overall plot, but it's a fun episode that fleshes out the characters.
Season 1
Episode 1: Mystery Meat (R) - Establishes the show and its main characters: Danny, Sam, and Tucker, as well as a lot of other important characters such as the Fenton parents and Jazz, and minor recurring characters like Dash and the Lunch Lady. The writers are still getting their footing so the main trio is unfortunately among the flattest they get here.
Episode 2: Parental Bonding (P) - Introduction of Paulina and Dora, first look at Valerie, and most importantly, Danny's power to overshadow people. Fun episode in general, Tucker makes a weird comment at the start but this is one of Sam's absolute best episodes as a character. (Tucker and Sam actually getting to be fun characters instead of just "butt-monkey comic relief" and "selfish asshole" is rarer than I'd like, so I always like pointing out the episodes where they get some love.)
Episode 3: One of a Kind (G) - Introduction of Skulker, a recurring major antagonist, and his motivations.
Episode 4: Attack of the Killer Garage Sale (P) - Introduction of Technus, Ghost Master of Technology and Destroyer of Worlds, Manipulator of Machines, Lord of all Gadgetry, Wizard of Integrated Circuitry, Master of All Things Electronic and Beeping.
Episode 6: What You Want (P) - First appearance of Danny's Ghost Ray and introduction to Desiree and the Ghost Catcher (a Fenton device with an unfortunately rather...culturally insensitive name and design), explores Tucker and his relationship to Danny. I went back and forth between making this green and pink because I'm biased in my love for this episode, but it isn't necessary to comprehend later episodes. (If you can watch it, though, it's a lot of fun as we get to see how close Danny and Tucker are and how Tucker feels about Danny's powers.)
Episode 7: Bitter Reunions (G) - Formal introduction to main series antagonist, Vlad Masters, and his relationship with the Fentons and the ghosts of the Ghost Zone. (Antisemitism tw: Vlad has hired ghost hitmen that are vultures with Yiddish accents, hooked beaks, and fezzes. They thankfully don't show up anywhere else, as far as I can remember.)
Episode 8: Prisoners of Love (P) - Introduction to the Ghost Zone itself and Walker, a side antagonist. Shows Alicia, Danny and Jazz's maternal aunt who never appears again after this episode.
Episode 9: My Brother's Keeper (G) - Gives Jazz a focus and formally makes her a major player in the plot through a certain discovery she makes. Also introduces side antagonist Dr. Penelope Spectra.
Episode 10: Shades of Gray (G) - Valerie Gray, a background character from Episode 2, gets new motivations and becomes an important part of the series going forward.
Episode 11: Fanning the Flames (P) - Ember is introduced, and she hypnotizes the entire town to fall for her with her music. To keep Danny out of her hair, she makes him fall for Sam. Whether this episode is a Pink or a Red depends on whether or not that bothers you. (Racism tw: there's a sequence towards the end of the episode that shows people around the world watching Ember, and they're all very stereotyped appearances of Japanese, Eastern European, Arabian, and Indigenous Australian people. Thanks, Hartman.)
Episode 12: Teacher of the Year (B) - A fun episode with Technus. It does have some of that early 2000s "don't underestimate me because I'm a girl" stuff, but it's still a good episode with a lot of heart.
Episode 13: Fright Night (P) - Introduces Fright Knight. A Halloween special that has its ups and downs (eating underwear?) It's just really funny that an actual ghost, who has been to the maddeningly twisted and alien world of the afterlife, still can't scare anyone to save his life.
Episode 14: 13 (P) - It's a shame this isn't actually the 13th episode. Anyway, it introduces Johnny 13 and Kitty, while Tucker and Sam get to hang out without Danny while trying to solve Tucker's new run of bad luck and the fallout for his reputation.
Episode 15: Public Enemies (G) - Walker's back and he's making a major shift in the status quo: ghosts are confirmed to exist as he stages a major invasion of the town. Things don't go well for Danny, and the repercussions will be felt for well into the series. Also introduces Wulf, a ghost who looks like a werewolf, exclusively speaks Esperanto, and has the ability to tear the fabric of reality to create portals between Earth and the Ghost Zone. He's putting this power to use for Walker, but it's clearly not by choice...
Episode 17: Maternal Instinct (B) - Maddie notices her son is growing distant from her and tries to take him to a science symposium to bond with him, but disaster strikes and leaves them in the woods, with the only shelter available being...a cabin owned and occupied by none other than Vlad. Meanwhile, Jack tries to understand Jazz, who doesn't seem to want anything to do with him or ghost hunting. Lots of great character moments for the Fentons.
Episode 18: Life Lessons (B) - Danny and Valerie, arriving late to class because they both were out ghost hunting, get paired up in home economics class to raise a flour sack baby together. We get more insight into what Valerie's life is like after Shades of Gray, and she learns to get along with both Fenton and, temporarily, Phantom, after an excursion through Skulker's part of the Ghost Zone. As a B-plot, Tucker makes money babysitting other students' flour sacks while ignoring the one he has with Sam, and Sam tries not to get attached to the sack. It's not important to the plot AT ALL but I'd put this as a must-watch if I could. Alas, I made the rules and must follow them.
Episode 19: The Million Dollar Ghost (B) - A million dollars is placed on the head of the ghost boy, Public Ghost Enemy #1: Inviso-Bill, known to us in the audience as Danny Phantom.
Episode 20: Control Freaks (G) - The circus is in town! New villain Freakshow gets introduced, and he becomes important later. Kinda. Depending on how much you like a certain blue episode that comes on down the line. The trio go to this cool new goth circus, but there's a string of ghostly robberies in town and Danny has been acting strangely lately...
Season 2
Episode 1/21: Memory Blank (R) - Danny and Sam have a fight, Sam wishes she'd never met him, Desiree makes the wish come true and now Danny has no powers and neither he nor Tucker remember her at all. Sam gets him fried by the portal again to get his powers back, but this time with a new logo she designed slapped onto his chest. Really all that happens is Danny gets his logo. This can be skipped...if you wish. ;)
Episode 2/22: Doctor's Disorders (B) - There's a bug going around - literally - getting the kids at Casper High sick. Symptoms include sneezing, chills, coughing, congestion, and various ghost powers depending on the student. The only ones immune seem to be Danny (thanks to his ghost powers) and Tucker (wearing his new homemade cologne that smells awful in a different way to everyone). A new hospital opens up to treat them, but something fishy is definitely going on. ...But Tucker is afraid of hospitals. Great Tucker episode.
Episode 3/23: Pirate Radio (P) - Introduction to Youngblood, an occasional antagonist. A new radio program pops up, and every adult in town (and Jazz, who's 16 but sees herself as an adult) is enraptured by it and the one song that it plays on loop. Then one day, every single adult in town leaves behind a note that they're going on a cruise, and it's up to Danny to rally the teens of Amity Park to discover what's so fishy about the cruise and get their parents back.
Episode 4/24-5/25: Reign Storm (G) - The creepy castle in the Ghost Zone Danny accidentally freed Fright Knight from in Fright Night holds yet another secret: the coffin of the Ghost King, known as Pariah Dark, whose goal is to rule over the Ghost Zone and the human world with an iron fist. Vlad frees him hoping to snatch the powerful artifacts on him, but it backfires and now the King is free and follows the fleeing ghosts to Amity Park, which he promptly invades. Danny, Valerie, and various enemies including Vlad need to team up to seal King Pariah back within his sarcophagus and save both Amity Park and the Ghost Zone as a whole. Major status quo shifts happen here.
Episode 6/26: Identity Crisis (B) - Not my favorite episode, but I'm including it here because it was popular with the Phandom a decade ago. Danny gets tired of trying to balance his human and ghost lives, so splits himself in two using the Ghost Catcher that was introduced in Season 1 episode 6: What You Want. That also, unfortunately, divides his personality to two extremes; the human half ("Fun Danny") is lazy while the ghost half ("Super Danny") is an absolute ham of a superhero stereotype, and Tucker and Sam struggle to put their friend back together so he can stop Technus in a way only he can (and also because both halves are honestly really annoying them).
Episode 8/28-9/29: The Ultimate Enemy (G) - This is THE episode of all time. Maybe not the best episode, but it's great in its own right and, more importantly for this list, introduces another major status quo shift. It's also basically required viewing for the comic that came out last year (at time of writing), as that comic is a direct follow-up to this episode. Clockwork, a ghost that is essentially a deity of time, has a mission to eliminate the greatest threat to Earth and the Ghost Zone that has ever been before he comes into that role: a ghost named Danny Phantom. Danny comes face-to-face with a version of himself that caused a doomed future, and needs to fight to ensure that future never comes to pass.
Episode 10/30: The Fright Before Christmas (B) - The boy Danny Fenton, a Grinch to his core, finds the holiday season to be quite a chore. Into the Ghost Zone to blow off some steam, he accidentally causes a scene: the Ghost Writer's finished manuscript in ashes, and with Danny's indifference he clashes. He traps him in a book that warps space and time, and forces all events in his life to rhyme. You're in for a treat if you like all these rhymes, but if they annoy you, then don't waste your time. (This factoid may not matter to you, but this is where we learn of the Christmas Truce!)
Episode 11/31: Secret Weapons (R) - Jazz is overbearing, Danny doesn't like it, so Jazz decides to go to Vlad. The episode's latter half isn't bad, but it's R because Jazz's constant invasions of Danny's privacy and the repetitive thermos jokes grate on me. If you plan to skip, the thing that makes it a red episode is this: Vlad learns that Jazz is in-the-know.
Episode 12/32: Flirting With Disaster (G) - A lot of the more plot-relevant episodes in season 2 (and one in season 1) have been building romantic tension between Danny and Valerie, and here's where it comes to a head: they actually start dating! However, after some jealous stalking thorough investigating, Sam finds that there's someone pulling the strings, and manipulating their real feelings for each other to pull them together and get them out of the way... Valerie especially undergoes a lot of major character moments, and we learn a lot more about her as a person. One of my personal favorite episodes (and I don't just say that because I'm a Danny/Valerie truther) (the "engraved" ring and Sam being a stalker about it aren't great, but honestly I just try to ignore those parts. Yes, I know I'm biased).
Episode 17/37: Kindred Spirits (G) - While Danny's busy being an asshole to his friends leaving Sam and Tucker to take the blame for property damages during his fights, he finds a strange girl named Danielle (or "Dani") who claims to be his cousin and shares an eerie resemblance with him. The similarities go more than skin deep, as she quickly reveals that she's ALSO half ghost. Tucker and Sam warn Danny that there's something suspicious about the whole ordeal (in between being left behind to be blamed for collateral damage more times than I'm bothered to count right now), but when Danny winds up in trouble anyway, they still skip detention (that he got them in) to save him before it's too late. Danny's a dick, but despite that, it's still a good episode and we get introduced to Dani before her next appearance.
Episode 19/39-20/40: Reality Trip (B) - Freakshow gets the Reality Gauntlet: an off-brand Infinity Gauntlet that can warp reality to anything he desires. He gets Danny's secret revealed to the world, causing the government agency the Guys In White (from Million Dollar Ghost in season 1) to relentlessly pursue him. Luckily, thanks to knowledge Sam gained from a book on the gauntlet, the main trio manages to warp the gems to different parts of the United States, severely limiting Freakshow's power. Unluckily, Freakshow retaliates by kidnapping their parents and Jazz, forcing the three to go on a cross-country road trip to get the gems back to Freakshow and save their families while evading the law. No permanent shifts of the status quo, but one of my personal favorite episodes. It's a fun ride!
Season 3
Episode 1/41: Eye for an Eye (R) - A prank war between Danny and Vlad ends in Vlad becoming mayor and passing a lot of horrible laws specifically to spite Danny. The laws are undone by the end of the episode, but Vlad stays mayor.
Episode 2/42: Infinite Realms (R) - In trying to map out the Ghost Zone, the main trio end up meeting Frostbite: leader of a realm in the Zone known as the Far Frozen, filled with spirits that take the form of peaceful, yeti-like monster folk who revere Danny as the chosen one who defeated Pariah Dark. Frostbite is also keeper of the Infi-Map: a map that can take the user anywhere in the Ghost Zone. Now for the bad news: Vlad is here, he wants world domination now for some reason, and he wants the map to help him do it. Vlad steals the map, the trio needs to get it back. It's not the worst episode, but Vlad's villain decay is...tragic. Tl;dr: Frostbite is the leader of a tribe of friendly yeti spirits and keeps the Infi-Map, which can take the user to any point in the ghost zone.
Episode 5/45: Forever Phantom (B) - One of the only actually fun filler episodes in season 3. Introduces us to Amorpho: a ghost with the power to shapeshift into anything and anyone, who uses their power to cause mayhem for attention. They bite off more than they can chew when they impersonate Danny Phantom, however, and a Fenton device gone awry locks both Amorpho and Danny into the form of Danny Phantom. Wacky hijinks abound.
Episode 6/46: Urban Jungle (G) - Haha green. Like plants. Anyway, Danny has been cold lately. No matter what he does or where he is, he's consistently freezing. It gets worse: while Danny's in this weakened state, a giant plant ghost named Undergrowth takes over Amity Park and possesses Sam. Unable to fight the constantly-regenerating Undergrowth or to keep himself from freezing, he flees into the Ghost Zone to seek Frostbite's aid.
Episode 9/49: Frightmare (B) - Danny wakes up one night to learn, to his horror, that Nocturne, the ghost of dreams, has put all of Amity Park into a deep sleep to feed on their energy. He enters the dreams of his friends to wake them and get their help taking Nocturne down. A good episode for people who ship Danny/Sam, and a GREAT episode for people like me who like to pretend that all the episodes I left off the season 3 list were just bad dreams.
Episode 10/50: Claw of the Wild (B) - The students of Casper High are ending summer with a camping trip in a foggy forest. All seems normal until, one by one, campers go missing. Danny, Tucker, and Sam go investigating and find their ally Wulf, who seems to know something about the disappearances...
Episode 11/51: D-Stabilized (G) - Regarded by most as the final good episode of Danny Phantom. Dani had been on her own in the world since we last left her, but over time, her form has been getting unstable, causing her to be slowly melting into a puddle of ectoplasm. She tries returning to Amity Park to get help, but is now being hunted down by Valerie, who Vlad commissioned so he could melt Dani down and study her remains to make a superior clone. (Valerie thinks he's just going to keep her contained for the safety of Amity Park; she isn't informed of the cloning.) Valerie turns Dani in to Vlad, but Danny manages to form a shaky alliance with Valerie to get Dani back, since Valerie knows that Dani is half human.
Episode 12/52-13:53: Phantom Planet (R) - The only reason this is here is because the comic continues from where this episode left off. If it didn't, I'd suggest ignoring it entirely. Rapid-fire summary: an asteroid is about to hit Earth, Vlad reveals himself to the world and demands unquestioning rule over Earth (and one trillion dollars or something) in exchange for turning the asteroid intangible. Vlad can't turn it intangible since it's made of Ectoranium, an anti-ghost substance we never hear of until now. Jack leaves Vlad in outer space. Danny gets every ghost he knows to help him turn Earth intangible, it works somehow, and Danny reveals his secret identity to the world. Statues of Danny are built all over the world, Sam and Danny start dating, and Tucker becomes mayor of Amity Park. A bunch of other stuff happens too but it's all stupid. Valerie gets thrown into a dumpster on live TV and that's her only appearance besides clapping for Danny at the end. I'm still mad. Don't watch Phantom Planet.
The Comics
Book 1: A Glitch in Time (G) - Danny's life is perfect: his secret identity is out, and the world accepts him not just as a part of it, but as its savior. His parents and former bullies fight on his side now, he's in a committed relationship with Sam, and Amity Park seems to be at peace. There's just one problem: his powers are getting weaker by the day. Unbeknownst to him, there's another problem in progress: Dan Phantom, the evil future Danny from The Ultimate Enemy, is released and fuses with Clockwork, causing present Danny and those near him to experience unstable glitches in time. Vlad returns to warn Danny of the threat of Dan, and they all team up to venture into the depths of the Ghost Zone to find a way to stop Dan and get Danny back to full strength. Meanwhile, Jazz and Valerie hold down the fort at Amity Park, holding Dan off for as long as they can while the trio and Vlad search for answers.
Book 2: To be continued in 2025!
Danny Phantom can be watched on Paramount Plus, but if you don't have a subscription, there may be DVDs at your local library! Other people may also have resources on how to watch the show, so feel free to ask around!
Danny Phantom: A Glitch in Time can be found anywhere books are sold! Abrams Books Amazon Barnes and Noble Google Play Waterstones
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aida-sparks · 4 months
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Eddie liked Buck from the start, but where are we now?
I've convinced myself that Eddie liked Buck from the very beginning - but only subconsciously. I mean, look at how he's watching Buck in 2x01, even as Buck is being bratty as they work out.
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Even though Buck has been anything but kind to him up to this point, Eddie's more miffed than angered by it. Maybe a little disappointed too.
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We all know by the end of 2x01, Eddie wins Buck over, and they both quasi promise to have each other's back. And then the rest of their story so far has many important and telling moments, but what if we fast forward to season 6 episode 15 and that loaded graveyard scene? Is this scene the moment where Eddie Diaz finally *consciously* realizes that his feelings for Buck are not only platonic? It was such a layered scene. Of course, there is Eddie's shellshocked reaction to Buck's proclamation that Natalia, the death doula who he just met, really sees him (bites lip in agitation), but beyond that...
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It's clear that Eddie goes on to have a profound revelation after Buck says that. But what does it mean?!
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He tells Buck, "You haven't been the same since it happened. But how could you be?" as he turns away and processes something internally. Perhaps something about himself as well. Eddie actually looks a little startled. A few seconds later, he reassures Buck that he doesn't have to be anyone for anybody and that experiences like this change them. He goes on to ask Buck what changed in him. I think the moment Eddie admits Buck hasn't been the same, he realizes that he has changed too. Exactly how is not made clear. Even Buck's own response to Eddie's question is vague (he says he feels like he cheated death). How did Eddie change? How did Buck change? The writers don't commit Buck and Eddie's feelings clearly in dialogue, so fans are forced to speculate, and it's why the general audience members, who don't rewatch scenes and lean in hard to the characters, think us buddie shippers are clowning half the time. *deep sigh*
But being left to my own speculation, I do think Eddie's revelation here is at least partly related to Buck. He looked disappointed when he learned Buck was starting something with Natalia. He looked hurt when Buck said she "sees him" -- and maybe those reactions surprised something in Eddie. I don't think the man he was raised to be would have recognized those feelings; he wouldn't have admitted to feeling them on a conscious level. But of course, that's why "change" is a theme in this scene and Eddie has looks like he's putting 2 and 2 together. Part of me feels Eddie was in touch with his feelings for Buck well before this episode, but then I don't know how else to interpret what the graveyard scene was meant to be if not Eddie coming to terms with the fact that he may be in love with his best friend, even as said best friend proclaims he has a new love interest in the picture. This take could set up Eddie secretly pining over Buck in season 7 quite well, though. Oh, my angst-ridden heart. I'd love to read others' thoughts on this! I'm glad I joined tumblr to read all the buddie and 9-1-1 meta out there. Forgive me if it looks like I don't know what I'm doing. I don't. I'm still new around here.
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heyclickadee · 1 month
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Guys, I’m gonna need the fandom to stop being weird about Phee.
Okay, so, first off, I’m not back. I’m still on break; I just logged in to check on the DMs? Made the mistake of checking the tags, and happened to see some real hot takes about Phee’s line about Tech and wrote this out before my better judgment kicked in. Two things:
1. From a narrative perspective, a NARRATIVE perspective, not a character perspective, a narrative perspective, Phee’s line has the exact same function as every other mention of Tech by the characters and visual reference to him through the season so far. We haven’t seen any single character process Tech’s “death.” And by processing Tech’s death, I mean that we haven’t seen a single character come to terms with it the way we, for example, saw Omega and Tech come to terms with Echo’s departure, or the entire ghost crew come to terms with Kanan’s death in Rebels.
In refusing to show us this, the show refuses to allow the audience to internalize Tech’s death as an actual event that has consequences and is expected to stick. In addition to this, the show pokes at us at least once an episode, whether by a single line or by visual cues, to remind us of Tech’s absence. In so doing, the show refuses to allow the audience to fully let Tech go; this only makes sense from a writing perspective if the absence is temporary and the much needed catharsis after an event like the first five minutes of “Plan 99” is going to come from something other than processing the character’s death—something like letting him come back. Phee’s line is just another one of those jabs reminding us that Tech is absent.
(Before anyone comes in here saying that they’re probably mourning Tech off-screen: They probably are. That’s not the point. The point is that there is purpose in what writers choose to emphasize. They have had plenty of opportunity to show us Omega or someone coming to terms with what happened, and plenty of time to do even more than that, because not only are they willing to stop for emotional moments—half the season so far has been Crosshair’s extended emotional moment and catharsis from two seasons of buildup. I’m actually not willing to argue about this at this point.)
2. The way Phee talks here is the way that every character has been talking about Tech the whole season. She’s not unique. The Tech mentions have largely been informative and impersonal—just enough to hurt, not enough to derail a conversation. The emphasis has not been on the loss of him as a person, but instead on his absence and how that makes life difficult. Once again, from a narrative perspective, this is because getting personal with the Tech mentions leads directly into the characters actually processing their loss; and since the show is not allowing that processing to happen since it’s almost definitely bringing him back, the little, slightly impersonal mention once an episode is as far as it can go in bringing Tech up. And since it doesn’t want us to forget about him either, that’s what we end up with. It’s not bad just because Phee did it too now.
3. From a character perspective generally speaking (of the whole cast), the way the mentions work reads to me as ambiguous grief. Remember that Hunter and co. never recovered a body, never really saw any evidence, and don’t really know what happened to Tech in the end. And, speaking from personal experience, not knowing can be emotionally paralyzing and can leave you incapable of processing your loss, because you don’t know if it’s a loss or not. They come across to me as stuck and unable to to anything that we see besides noting that he’s not there. He’s gone, they don’t know where he is; he might be dead, and he might not.
4. And, speaking of Phee specifically: Phee’s mention of Tech wasn’t overtly sad, but neither was Omega’s mention of Tech back in “Shadow’s of Tantiss.” Not everyone cries every time they bring up someone they lost. I don’t. Don’t expect everyone to outwardly react the way you want them too, please.
And, frankly (this IS a hill I will die on) Phee brought Tech up out of nowhere. They weren’t talking about him. She brought him up completely unprompted in an unrelated conversation, meaning he’s on her mind, meaning that, no, she’s not over it.
PS: Do not come into my notes and bring up Fives and the lack of Fives discussion in TBB. I love Fives, I love the domino twins, but Fives was a secondary character on a completely different show with a completely different kind of narrative structure. Not bringing him up in this show is not the same as not allowing the characters or audience to process the happened to Tech.
PPS: I’m sorry if I sound salty in this. I am. This isn’t really directed at anyone I follow or interact with on her, or really anyone who follows me; this is directed at certain parts of the larger fandom that are kind of exhausting.
PPPS: If anyone comes into this post to call me delusional for still thinking Tech is coming back because that’s literally what they’ve set up on screen, they’re getting instablocked.
PPPPS: Don’t @ the cast and crew on Twitter, guys. Just don’t. Think about what they’re doing and what you’re doing, and don’t.
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kaythefloppa · 2 months
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Wild Kratts: Our Blue and Green World Trailer.
Underneath the cut for those who consider it to be spoilery, but we have a trailer for the one-hour special, Our Blue and Green World, airing April 1st, 2024.
The Kratt brothers disagree on what's better; blue oceans or green forests. Aviva takes on the role of referee to demonstrate how oceans and forests work together to make our living planet, just like Martin and Chris need to keep working together. It's up to the gang to get Martin and Chris back in sync in time to save planet Earth from Zach and Paisley's villainous plans.
This special was first mentioned back in May of 2023 during an interview with Martin Kratt heralding the show's premiere of its 7th season. The original title was Blue and Green: The Living Earth before it was chaned to our Blue and Green World. The episode will feature climates and habitats corresponding with the Kratt's "blue and green." With it, will come the introduction of new Creature Power Suits: The ones we have seen thus far in the trailer are Indri Power, Green Anaconda Power, and Blue Whale Power.
My thoughts:
HOLY SHIT THE BLUE WHALE SUIT
HOLY SHIT THE BLUE WHALE SUIT
HOLY SHIT THE BLUE WHALE SUIT
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*calms down.*
Ok but I'm starting to see a weird pattern in the PowerSuits in this season. For some strange reason, they have to retrofit the wearer's mouths to match the ACTUAL anatomy of the animal the suit is based off of. They did it with the Wild Pony and the Mountain Goat Power Suit and both of them were.... ugh. Now they did it with the Blue Whale Suit and to be fair, while I hate that particular feature, it's not enough to make me hate the suit. In fact, I kinda like it more because of how silly it looks (Martin is the perfect person to wear this suit tbh). Still though, I wish they designed it like the Crocodile, Hippo, or Puffin Suit where the giant mouth is simply an attachment that doesn't move while the wearer speaks.
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For those who don't know, Indris are the largest species of lemur in the world (alongside Diademed Sifakas). They are the only animals besides humans that can find and use rhythm using "wailing songs" to communicate. They're also critically endangered due to slash and burn of their habitats and poaching for their flesh as delicacies (yeah, very odd that Gourmand isn't here, but I digress). There's an estimate to be less than 10,000 left in the wild and are expected to have a population net decrease by 80% within the next 30 years... yeah, considering that they're endemic to Madagascar, not a very good sign. I didn't even know what an Indri was until reading the article, and if I'm not the only one who had no clue about these guys, it's probably definitely a good sign that they're getting some spotlight in this show.
The Indri Power Suit looks so goofy, but again, something about how silly it looks just makes me appreciate it all the more. I... weirdly expected it to be way bigger like the Puffin Suit, but again that's just me.
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I am a huge fan of how they designed the snake-inspired Creature Power Suits in the show. But the Anaconda Creature Power Suit... holy shit.
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LOOK AT IT /POS
Look at the markings! Look at the green! Look at the patterns, and the color schemes! Chris FINALLY got a green Creature Power Suit to activate! Our boi won! It's also a pretty clever callback to the Amazon special where Chris met the Anaconda (I really hope the Power Disc for this suit is green because god that would be so aesthetically pleasing).
Ngl, if the old flash games were still on the website, and this was one of the Power Suits I could earn for my character, I'd play it in a heart-beat.
I'm really interested to see the Zach/Paisley team up. This season already started to utilize her better by giving her another solo appearance, and now we're seeing a 1 on 1 team up with her and another villain. I was always gunning for a Paisley/Donita teamup but this works too. They're both very similar characters that can bounce off each other in similar, yet different ways (I actually headcanon that they're related - second cousins to be exact - because of those similarities). The final battle is gonna be kickass.
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If you were to tell me without any context at all that this was a screencap from the upcoming WK feature film (that this episode is often mistaken for), I would believe you. Because HOLY SHIT! The linework, the lighting, the hues, AND the shading! I am becoming more and more grateful for the 2-year long hiatus - the animators needed time to cook and they fucking COOKED. For an extended TV episode, this is pretty damn impressive.
People don't talk enough about this, but fun-fact: A lot of the animators of this show had experience working for Disney. Erika Worthylake was one of the artists on this show, doing several beta designs for animals such as wild ponies and salmon sharks. In 2019, she was the lead designer for Anga, one of the new characters in Disney's The Lion Guard (which, much like Wild Kratts, was animated in Toon Boom). Ben Balistreri had collaberated with the Kratt Brothers and Luc Chamberland in 2007 to work on the show's pilot episode, creating several different designs for the animated characters. Ten years later, he became the executive co-producer of Tangled: The Series. Kendal Brouet, who animated A Creature Christmas, worked on The Proud Family: Louder and Prouder in 2022. Just to name a few. It's just a fun little thing that comes up in the back of my mind whenever the topic of WK animation comes up, and this instance of animation is so fucking good that I HAVE to talk about it, because I have MAJOR respect for these guys, and if there were ever moments in the show that remind me "Oh, this slaps," I just remember what these talented artists worked on through the years and it clicks together nicely in my brain.
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According to Whrokids, this episode is gonna have a runtime of 58 minutes. I found this screenshot of someone who did far more searching and sleuthing for new episode content (they were the ones who found this trailer actually). I'm not sure how valid this particular screenshot is, but if this is the case, then this will be the longest episode of Wild Kratts in history, and will be the closest thing we get to a Wild Kratts movie (until the actual WK movie is released in theaters).
Fucking. Hyped.
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happypotato48 · 1 month
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List of Thai BL dramas i've watched with short opinions about them i guess :P
Thai BLs that i finished:
A Boss and a Babe. It's cute for what it is, i loved the gaming friendships and i'm a sucker for forcebook. 7/10 need more unhinged energy from book.
A Tale of Thousand Stars/Our Skyy 2 : Bad Buddy x A Tale Of Thousand stars. this show reminds me a lot of early to mid 2000s lakorns. it's a beautiful by the book love story, i appreciated that a bl got to take a spin on this kind of quiet thai story. 8/10 loved it but still too vanilla for my taste.
Bake Me Please. Guide Kantapon is the cutest man alive and CAKES! that it, that all i have for this show. 6/10 it's a show that exist.
Be My Favorite. damn fluke gawin is so pretty what was this show about again? :P i'm kidding, i actually really liked this show. i watched it when i had zero knowledge about bl industry, i was oblivious about krist's controversy and i find krist acting to be charming and think kawee is very relatable as a cringe fail human myself. 8.5/10 this show made me want to collected weird thingies.
Cherry Magic (Thailand). oh boy this show. it's was everything to me also the only show so far that i've written extensively on this site. here is my personal feeling about this show. 9.5/10 would kill for taynew.
Cooking Crush. what! the fuc$! look look, i just learned that both offgun are older than me. when i first saw the show i thought they were some rookie actors with how young they looks. watching cute bl is gonna be the death of me. anywho this show is supercute don't have a lot of thought about it though. 7.5/10 cutting half a point cause of no samsee x metha.
Cutie Pie/Naughty Babe. what a fuckin legend of a series. all the characters have zero braincells and somehow all the rich pretty boys are engaged to each other and by arranged marriages nonetheless. wtf is this fanfic version of thailand and where can i get hit by a truck and get isekai to it. 7.5/10 still haven't watch Cutie Pie 2 U, i hope it get dumber.
Enchanté. this show is so dummmb it should've go full camp reverse harem yaoi nonsense but it didn't and ended up being kinda boring. 6.5/10. meh, i'm still a sucker for forcebook.
Last Twilight. UGHHH!! i'm still so mad. this show was going to be THE SHOW for me then ep 11-12 happened i legit mentally check out halfway through ep 12 and i basically blocked the ending from my mind. this show came out at the right place and the right time for me, the first 9 episodes helped me through a very tough time in my life. the story of two people helping each other finding their way out of the dark was very compelling to me. ughh. 5.5/10 (9/10 for ep 1-9) P'Aof why are you like this!!
Laws Of Attraction. yassssssss this show slay(literally :P) the show is a breath of fresh air for me despite how very lakorn of it is. i'm glad that there is a bl that feel this soapy and campy cause like i do love my angsty and innocent school bls but the industry really need show like laws of attraction. jamfilm also were very great in their roles espically film, charn is the most babygirl corrupted cute evil lawyer of all time. 9/10 no note headempty only charn's evil smirks in my mind
La Pluie. now, this is a romance. this show is one of the most romanctic media that i personally have experience. i loved that the show took the cheesy premise of soulmates and work it so well to do both deconstruction and exploration of the trope. i think using rain, thing that isolated people as a narrative tool for love connection is absolutely brilliant. last but not least pat is just the perfect bl love interest, he's an very idealized character but he do feels like an actual person. i want to give a shout out to Pee Peerawich the way he said "มันหนาวอ่ะ" in ep 8 sent me, the raspy voice, the eye twich and combo those with a back cuddle, sir! you just commited a mass murders with that move. 9/10 plz i need season two with my baby boy tien.
Love in Translation. the unhingendness of that first meeting is probably my favorite bl meet cute. look if you don't get into a fistfight with the guy you destined to be with then what is the point of life. this show fake date is very well done it's doesn't feel forced like in a lot of other bls and it make the growing attraction feels very genuine and it pay off in one of the best sex scenes in all of bl, yang is such a freak and i loved him for it. 8/10 the last two episodes did got slightly off the rail for me but i still enjoyed the show.
Moonlight Chicken. one of the most beautiful shows i ever watched. when watching this show i can feels, smells and tastes everything it depicted. from the comfort khao man gai to jim's loneliness, from alan's heartbreak to liming and heart's midnight motorcycle ride. this show gave me all the feels and i still can't completely shake it off. 9.9/10 this show is a healing.
My School President. These boys!!!! i can't, i loved these boys so much, all the boys, YES ALL OF THEM! this show is on the opposite spectrum of Moonlight Chicken for me. while MC give me the good heartaches this show give me unbridled joy it's like heartstopper on cracks. i absolutely adored tinn and gun and the show relentless optimism about thier first love. love is awesome no matter the romantic, familial or platonic kind and i think this show hit the marks with all three. 10/10(i'm super bias but fuck it idc i even liked the singing) this show made me started watching thai bl and it always will have a place in my heart.
My Ride. this show is lacking in intimacy but making up by being all heart. could this show be better if they fleshed out and explore more of tawan and his cheating bf's relationship, maybe but i'm happy for what we got. 8/10 mork and tawan were very cutie patootie, i don't remember much about the het and the side couple were just st ok.
Step by Step. man trisanu is exactly the same height at me and i want everyone to know that is the only reason i started this show🤣 . i feels like this show have a lot to say about stuff but i kinda got lost staring at man trisanu while watching. one thing i really loved is the very fem *ตุ๊ด coworker who got to be a real character not just a jokey sidekick and having a loving relationship with a hottie. 7.5/10 can i get more man trisanu in bl plz.
Triage. asshole doctor stuck in a timeloop for him to find the meaning of life, yes plz give it to me. i loved stories about assholes who need to better themself for love and other junk. tinn and tol are both grumpy bitches and i just loved that the show use the timeloop to soften these nerds. at the end i just want to wrap them in blanket and let's them cuddle each other forever. 8.5/10 the last ep is bit convoluted but i forgave the show for that cute clocktower kiss.
You're My Sky. i started this show for my boy suar and he did not disappointed. the pining and the longing for an older boy who been there for you most you life, chef kiss. this show also very beautiful to look at. 8/10 i'm kinda meh about the side couples, i do think they all got the "good ending" for their stories.
Thai BLs that i didn't finish or gave up and skipped to the ending:
Bad Buddy. Oh boy, am i gonna get murder for this??? sorry but idk why i didn't wholeheartedly love and give this show my undivided attention. i watched this show very weird and out of order, i started with the last ep than just watch other episodes in bit and peice. i think i've seen 70% of this show. plz forgive me this is the first thai bl i tried to get into but can't. maybe i need to give this show another chance and watch it properly. or idk maybe cause the way i watched it, it's ruined for me forever. 6.5/10 i loved the rooftop kiss plz don't kill me.
Dangerous Romance. this show is trash and not the good kind, how this show depicted relationship between a rich asshole and a poor boy feels very gross to me. i fast forward a bunch and gave up after the not just dumb but very cruel breakup. 4/10 it's watchable if you ignore the plot and the chatacters.
Hidden Agenda. wow this is the most nothing show that ever nothing for me. it's a perfected white noise while playing chill video games. i stopped watching after ep 8 cause look like there going to be a dumb break up, i have no desire to revisit this show. 5/10 joongdunk were kinda cutes.
The Miracle of Teddy Bear. this show is too god damn long with too many side plots the one and a half hour per episode killed the momentum for me. i liked the show and do think i want to revisit and finish it one day. 6/10 for now.
Vice Versa. why are they giving jimmysea this show. this show is so boring for me, i gave up in episode 6. 4/10 gmmtv give my babies better shows!!
Thai BLs that i've watched all the sex scenes and have no intention of watching the actual show:
Kinnporsche: heheehehhehehe everyone were so hot, too bad i don't like rich mafia story. mile being a nepobaby also significantly killed the mood for me. 55555/dead bodyguards (idk how many there are but i don't care) the ost are bangers though.
Venus in the Sky and Love in the Air. cringe gay sex for the wins. 69/420.
ok, whoo that was a lot. gonna pin this cause i don't think anyone want to read all that in one sitting. i think i'm gonna make another post for non thai BLs in the near future. thanks for reading my unhinged opinions hope i'm not gonna get moider for it 55555555.
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shinjisdone · 6 months
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To Soften a Warrior’s Heart (Vinland Saga; Thorfinn; Part 7)
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In which you have joined Askeladd’s band…and grow closer to the Son of Thors. Though it is more difficult than anyone can could ever imagine…
[Headcanons of how it would be like to meet and crawl your way into Thorfinn’s heart (based on season 1; both platonic and romantic)]
Part 1 is here - meeting Thorfinn at the age of 14 and how he is at that age
Part 2 is here - meeting Thorfinn at the age of 16/17 + headcanons of growing closer (slightly following s1 story)
Part 3 is here - blooming friendship with Thorfinn (slightly following s1 story)
Part 4 is here - Thorfinn unwittingly opening his heart as he realizes he does not want you to die
Part 5.1 is here - sweet things Thorfinn would do for you (headcanons)
Part 5.2 is here - other seet things Thorfinn would do for you (headcanons)
Part 6 is here - meeting Canute and becoming his guard - Thorfinn accepts your relationship and bond
Part 8 is here - Thorfinn wins against Thorkell; Questioning your bond with Thorfinn
Part 9 is here - Meeting Leif and Thorfinn dueling Askeladd; Losing while Askeladd told him the truth of his constant losses
Part 10 is here - Thorfinn and you bound by heart; Promises of Vinland broken and abandoned
Tag list:
@luopenis , @jinsecho , @mitsureigen
[Mentions of murder, death, war, slave trade, harrasment against women and whatever awful things happened in the viking era. Only mentioned and used as examples. Mostly gender-neutral examples but female-leaning ones are there, too.]
[This part will specifically mention: Death of character, Canute being slapped, pillaging, mention of Canute not taking care of himself to the point where he could die, slight gore, Thorfinn leaving you alone, uh oh its Thorkell time]
So It Goes On And On Not Knowing When It Went Wrong...
So. While things have changed a bit, all around everything still seemed the same.
Marching on and travelling by wagon is not bad at all, you noted, and so far nothing has really threatened the prince, that was constantly attempting to glance at your direction.
Ragnar is quiet all around except for the prince and Askeladd hasn't shared one of his 'great plans' in a while, too.
Thorfinn was as grumpy as ever, always by your side.
Yet the snow has gotten heavier.
It was worrying at best...the road to the king was long.
And the food was running low.
So I Just Feel and Feed The Blood That's Inside Me...
It was only a matter of time.
Of course. Askeladd being Askeladd, being the cunning and clever fellow he was, the leader of hungry, savage vikings would take all a single village had to feed his.
You heard the priest, who traveled silently along you with his alcohol in hand, shriek and call out. Björn quickly beat him into submission.
Ragnar argued to leave these good, religious people alone while speaking as little English as possible.
You were just glad Askeladd did not order you to 'help'. You'd stay far back, as far as you could, watching over the prince. You wondered if he could hear the same things as you.
The young man was hunched and not peeking at you for once. Even while no one was there, Thorfinn still insisted to sit close by you, squeezing you into the wall of the wagon and keeping Cantue a good distance away. He said nothing.
Just as the food arrived, he handed you meat. Telling you to eat while you could and that food was food. Canute got his portion from Ragnar.
You cared for your friend. Yet at times you observed his apathy that was as equal to enemies as it was to innocent people.
Still, such things are quickly forgotten. It isn't the first time, after all.
You got food, you got water, and supplies. You'll survive and so will the prince.
All was the same...including when Ragnar invited you once again to eat. Food was food and especially delectable when it was cooked safely.
You convinced Thorfinn to go. Whether or not out of trust and companionship for Canute and Ragnar or for the fact that was it was free and cooked food. Safely cooked food - miles better than charred fish.
Thorfinn pouts. He doesn't particularly care for 'lunch' but if one; you were to go and two; there was food, he'd have no choice but to oblige.
It was eerily similiar to the first dinner - Canute cooked while Ragnar helped set the table. Only would he glance at you from time to time, the smile on his face fading.
Whether or not you note that the man is not fond of his son - well, his prince, fancying you, is up to you. But know that he won't openly do something against his affections as long as they don't cross a limit.
He cannot have his highness believe he can just have you stay at his castle and marry you...
Thorfinn noticed too, and while he understands where the man is coming from, that does not sour his mood any less whenever Ragnar has to...scowl at you like that.
Canute is as shy as a maiden. He cooks and it is like he had forgotten about the pillage as he asked you bashfully how the dish was.
Soon the shanty is filled with conversation of the past until Ragnar was called out by the rest of the band. Eyeing the trio requesting for his presence, he promised Canute he'd return soon and for you and Thorfinn to continue protecting him.
With an narrowed gaze you watched them leave. The door was closed to keep the snow out. Their footsteps slowly grew quieter and finding the table to be cleaned already, Canute shyly attempted smalltalk with you.
You admitted to yourself that you were barely listening. When you looked into the faces of the men, the bandmates that you knew, you could only see Askeladd.
The table shook and rumbled as the men put Ragnar's cold body on it, more carelessly than planned. Askeladd glanced at them before gazing back to Canute with the same narrowed and focused eyes. The latter was trembling at the sight.
"It was an ambush." Askeladd began, continuing with an empty explanation and the request to keep moving forward. Whoever killed Ragnar must be on their heels - and with Thorkell in tow, they'd best hurry.
They leave shortly after with only you, Thorfinn and Canute staying. Your blonde friend said nothing as he prepared his things. Canute could only stare wordlessly at the corpse in the room.
There it was again. Maybe the sliver of compassion left in your heart or the knowledge that it is difficult to move on from death but it is a must anyway - no matter what the reason may be, you once again decided to appraoch the prince.
With a hand on his shoulder, you turned him to you. His dilating eyes couldn't meet yours. "Prince...what Askeladd said is unfortunately true. If we stay, we will all die here. It hurts, but we have to keep going."
It worked in a way as well...as if in a trance, Canute let you lead him out of the shanty by the hand and into the cold snow. His gaze, as wide as a deer's, was glued on Ragnar until he was inevitably out of sight.
The trance was quickly broken though.
The moment Canute was forcefully thrown into the wagon, he found his voice in an agonizing scream again. His big eyes shut close for the first time only to spill out tears as he yelled out profanity after profanity, order after order to have Ragnar not be left behind in some nowhere shanty but properly buried in honor.
The leader of the band made it quickly clear that they do not have time for funerals and honor - a mountain of a man with a bloodlust no warrior deities could match was after them - after him - so he could cease his bawling.
"Ragnar!" His name left his mouth again, his throat beginnning to hurt. If he himself could not stop his grief, then it was Askeladd leaving his face bruised in a hard slap.
"Ragnar is dead. No matter how many times you call out for him, the dead will not hear you. Not come for you nor help you."
Canute brought a hand to his throbbing, red cheek. The tears stopped for a moment as he stared at Askeladd in disbelief, voice shaking.
"...It was you..."
It was clear to everyone witnessing that there were more words to be exchanged, yet the man was faster. Without any hesitation he ordered for everyone to keep on marching no matter what. With a flick of his finger, he pointed back to Thorfinn and you, telling you to keep on having an eye on the prince.
You didn't know what to think. But as Thorfinn helped you up on the wagon and Canute silently hunched in his seat, you only knew you felt anger.
Keep Your Precious Justice To Yourself, Bud...
Only a few days have passed but each was as dull as the next.
Thorfinn and you still had the priviledge on sitting on the wagon next to Canute, who stayed hunched in his lone seat. He hadn't spoken a word ever since Askeladd's lesson of death.
The band's mood darkened like the grey and cloudy sky. Snow kept on piling and piling up and you often had the displeasure of getting off the wagon and pushing it through the thick white while Canute stayed put, not lifting a finger nor his head.
Thorkell was close - everyone knew. Besides the whsipers, only Björn spoke to the band's leader.
Thorfinn ate, slept and sat as if nothing was wrong. SInce the days have been quiet, he barely paid any attention to the prince, and would only acknowledge you. Though due to the gloomy atmosphere among the men, you barely were in any mood to talk and the blonde knew it.
At times he'd nudge you, asking how you feel. He shares his food, dividing it in two, or lets you drink fom his water sash. His blanket and cloak are, of course, also yours to share.
Yet he doesn't even lift a finger for Canute. The young man is grieving in solitude even while surrounded by men there to protect him. He does not reply nor answer anyone's call.
You take a part of the loaf of bread Thorfinn shared with you and offer it to him.
Thorfinn glares at the exchange disapprovingly. Still, he lets you do whatever you think needs to be done.
Even if he doesn't really get it or see it as neccesary.
It takes time, but Canute lifts his head ever so slightly before taking the bread. He chewed on it slowly.
The prince may not speak and seemed even quieter than he was at your first meeting, but he at least acknowledged you and your actions. Whenever the men realized that they would also have to look out for the young man - after all, he cannot starve or die of thirst or cold - they would turn to you for the task. Canute only seemed to accept your deeds and your words.
Ragnar wasn't here to baby him anymore, after all.
As heartless as it may sound, Thorfinn also saw Ragnar's actions as babying Cantue. And now, you are doing the exact same.
After some time Thorfinn would definitely whisper to you, whisper how you are smothering and mothering him. Look at the princess. He barely cannot eat or drink by himself. Another round of your kind and honeyed words will have him demand that you start feeding him as well.
Whether or not you shush or agree with him is up to you. But it cannot be denied that Canute cannot be left alone or else he would easily allow himself to die.
Some men gossip among themselves how you have taken Ragnar's position. None found any glee or schadenfreude in that fact, however, and were more focused on the inevitable meeting with Thorkell the Tall.
Higher Than The Sky And Deeper Than The Sea...
And so it came.
You remember it well. How Thorfinn, sitting next to you, grabbed your arm and shifted you closer to him. His cold glare was aimed at the road covered in snow in the distance and his voice was in a low whisper.
"We have to start looking out for the others as well." He began curtly and dry. Brief with his assumption that something was wrong here in the band, that none of the men liked where any of this was going.
They did not like the plan. The marching. The secrets Askeladd kept to himself and the feral giant hunting them down. It would only be a matter of time before a fight would ensue.
"Look out for yourself. Stay alert." He told you and with that, let go, as if nothing had been exchanged between you at all.
And just like that, it was like a prophecy.
The bridge the men were ordered to destroy was nothing but a pebble on the road for Thorkell. He and his men were visible over the hill and with just one swing of his arm, a spear impaled three men.
As swift as the wind, Thorfinn flung out his daggers and stood in front of you. Canute did not move a muscle at the men falling, nor did he look up to know who was here to 'save' him next.
People dying and fighting over being the 'escorts' and 'heroes' who have safely returned the prince to his king.
A quick arguement began before it became a full-out betrayal.
Not like Askeladd had not seen it coming.
Quickly he ordered Björn to ride off and bring the prince to safety - with you and Thorfinn on the wagon and tow as well.
The tables have turned and a manpower of over thirty are now after Askeladd's head and the prince's saftey. Feet stomped over the broken wreckage and soon, Thorkell stood before them all.
The bandmates hoped to switch sides and offer Askeladd's life as a token of loyalty. But your heart only gave out at the sight of the giant of a man.
No matter how you felt about Askeladd, the conversations you had with him...you could not forget his attempt at your life and all the things he had done to Thorfinn...you could not charge back down there and help him.
But Thorfinn could and would.
As he let out a scream, you held him back by his shoulders. The wagon was rushing away from the turmoil together with the prince and the priest...and more of the traitors came hunting you down on their horses.
"It's foolish to go back there! There's Thorkell, Thorkell! Don't you remember what he did to us last time?!"
Though, Thorfinn does not listen. He aimed at the oncoming men and their horses, shooting them down before they could reach you. Sparing one of the animals, he saddled on before yelling back at you. His face contorted in an rage you have never seen before.
"He is MY prey!!!" He shouted back, "You stay here! Kill anyone who tries to come near you!"
It is the first time where the young viking does not prioritize your safety.
As he charged back to the hill below, he shot down the rest coming for the prince - yet in his mind they are coming for you.
Even as they fell, he left you alone with Björn who is easily tempted by madness.
If he hesitates now, his revenge will be lost.
[idk whats up with me today, my english is just....bleh. I really mix up past tense and present dont ask me why.
More of a 'from plot A -> plot B' kind of thing. Not a lot happens unitl then...]
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atopcat · 4 months
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I really liked your post about Rhaenicent. What do you think of Olivia’s recent interviews in regards to Alicent’s character, she seems to be really pushing for Rhaenicent despite everything.
Just to start I want to make it clear that this isn’t an attack against Olivia Cooke, she’s a brilliant actress who is entitled to her opinions. As a fan however I don’t like her interpretation of Alicent simply because she’s made it abundantly clear she’s more invested in Rhaenicent than Alicent herself.
Olivia could’ve done a Lena Headey and unapologetically supported her character despite not being popular with the general audience, who cares if people think she’s a bitch, she’s your bitch and that’s all that matters. Instead she sought out the one part of the fanbase who supposedly like Alicent but also has a large universal following: Rhaenicent.
Here’s where it gets tricky, when it comes to ships such as Rhaewin, Jacegan, Laenyra, Daemyra, Jace/Baela, Alicole, Aemond/Alys, Helaemond etc. it’s pretty straightforward: you’re a fan of both characters, maybe one more than the other but you do genuinely like both. Rhaenicent doesn’t have this, it’s a lot more complicated mainly because it’s the only one that doesn’t exist in book canon.
The Rhaenicent fan base is split into three unequally distributed categories:
>1% who are genuine fans of both Rhaenyra and Alicent, emphasis on the genuine because although some claim to be they end up in either of the latter two. The problem with these fans is that they’ve succumbed to the trap of “benevolent misogyny”, reducing both women to being nothing more than 24/7 victims of evil men. They rob Alicent of her ambition, Rhaenyra of her agency, they think these women will abandon everything and run off on dragon back because they’re still silly teenage girls who only care about cake and clothes.
14% are Alicent stans, the majority of them don’t actually like Rhaenyra she’s simply a self insert because there is no one else you can ship her with other than Criston but Alicole is nowhere near as popular because it doesn’t include a fan favourite. In Rhaenicent’s case the fan favourite is Rhaenyra not Alicent.
85% are all Team Rhaenyra, the only version of Alicent they’re interested in is one who is nothing more than a personal cheerleader for the Black Queen. They don’t want to hear about how Rhaenyra’s actions negatively affected Alicent, only how Alicent still cares about her and will do anything for her despite everything.
Both Olivia and Emily Carey faced a lot of harassment on social media, someone even came up to Olivia in real life and called Alicent a c*nt to her face. I know when you’re in a fandom bubble it’s easy to think Alicent and Team Green are just as popular as Rhaenyra and Team Black but that’s far from the truth. So although the vast majority of Rhaenicents are first and foremost Rhaenyra stans, they’re also the ones most welcoming to the actresses who are having a hard time because of stupid trolls who can’t differentiate between a character and the actor playing them.
Then it makes sense why Olivia will jump on board the Rhaenicent train, but it comes at the expense of her character. I’ve read some of her recent interviews, she’s throwing not just Alicent under the bus but also the entirety of Team Green just to maintain the illusion that Alicent’s no.1 priority will always be Rhaenyra Targaryen.
“Alicent is scared of Criston”, he’s her right hand man, the only one who has her back, he’s loyal to a fault and President of the Alicent Fan Club. But he’s also disliked by Team Black for this very reason, he’s openly antagonistic to Rhaenyra calling her a “spoiled c*nt” so Olivia wants to distance herself from Alicent’s most ardent supporter.
“she’s watching him [Aemond] grow up into an absolute killer, which is terrifying for her”, if Criston is President of the Team Alicent club then Aemond is Vice President. You see throughout Season 1 how close she is to her second son, how she relies on him for support, how he truly loves and respects her. He said he wants Luke’s eye as a gift for his mother, from Alicent’s four children she is definitely closest to Aemond but he’s also the one who killed Nyra’s precious baby so fans don’t like him. Again, Olivia is detaching Alicent from her own children so she can appeal to Rhaenicents who mourned their sweet boy Luke.
“That’s what the whole series has been about: trying to get back to each other” this coupled with her saying she pushed for a Rhaenicent reunion at the end of S2 really emphasises just how willing she is to destroy everything about Alicent’s character in order to warp her into the sanitised version of a Rhaenicent wet dream.
Alicent doesn’t care her grandson was slaughtered right in front of her.
Alicent doesn’t care her 6 year old granddaughter was threatened with r*pe.
Alicent doesn’t care her daughter went insane.
Alicent doesn’t care Team Black almost killed her sons in battle.
Olivia’s version of Alicent doesn’t care about anything that doesn’t revolve around worshiping the ground Rhaenyra walks on. So as far as she’s concerned there is “still hope” because her ideal ending is one where Alicent abandons her family, agency and ambition just so she can be Rhaenyra’s personal cheerleader for the rest of her life. The Alicent she’s envisioning is one who will set her own children on fire just to keep Nyra warm.
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casmick-consequences · 5 months
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Black Pete, my beloved
This is just gonna be a post where I talk about Black Pete from 'Our Flag Means Death' and his arc on the show (so far!!!!), as well as what he means to me. (And by post, I mean essay, lol. I'm passionate.)
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So right from the get-go, you immediately see the kind of character Pete is set up to be. Stereotypical rugged pirate, very much "I live to loot and plunder and I eat danger and bloodshed for breakfast". He's immediately set up to be someone who is very unlikeable, and someone who you would get annoyed with fast. An overly confident macho character that thinks he's better than everyone else, yet has nothing to prove it. Think characters like Nelson Muntz from 'The Simpsons' or Eric Cartman from 'South Park'.
In episode 1, you see him being the character to effectively try to start a mutiny because he thinks the captain, Stede Bonnet, is incompetent and unfit to be a captain, even confidently stating that he'd take over in his stead because 'he's the most experienced'.
If there was one character trait to shadow all of this, though, it is undoubtedly his idolization and admiration for the dreaded and feared pirate; Captain Blackbeard. He makes up stories of him having been on his crew, and this being the reason as to why he is so skilled and great. Whether these stories are true is never mentioned, but nonetheless not a single person (except the quite gullible captain Stede) believes a word he says.
What is SO interesting about his character, however, is that all of this is just a first look into his character. It's a first impression. Yes, throughout the show he shall always have his little moments of "being a dick", but the further you get into the show, the more you see the layers of him.
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We've established he's kind of a dick, he's self-centered, delusional... but under all this there's actually the sweetest core you could imagine. Whenever he does something wrong, or he offends someone, he's the first to apologize as soon as he can.
Accidentally stab Frenchie's flag during an ambitious attempt to start a mutiny? Show remorse and say I'm sorry immediately. Your captain makes someone cry? Tell him that that wasn't okay and console the crying person as soon as possible. Your captain wants to put a cursed suit onto other innocent people, just to lift the curse from themselves? Question it because it makes you feel like a horrible person.
And even to Stede himself. In Season 1, it was pretty clear that Pete did not think anything of Stede. He thought he was dumb, incompetent etc etc and loved NOTHING more than the idea to get rid of him. But then in Season 2, where a very offensive comment is made towards Stede by the newly-back-from-the-sorta-dead scribe, Lucius Spriggs, who now holds a vendetta against Stede because he's indirectly the reason Lucius had to come sorta back from the dead in the first place, you see him like this:
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He is visibly uncomfortable here, while in season 1, he would've jumped on the Anti-Stede train in a SECOND. But here, he just sits and tries to kind of get rid of the thick tension of that moment, and get the negative attention away from Stede. GROWTH.
Not only that, but (and this is gonna be an insanely weird opinion of mine but hear me out): out of all the crewmembers on Stede's ship, I might say that none of them are as much like Stede than Pete is. Stede is quite dumb, quite gullible, obsessed with Blackbeard, very much wants to be a "big, strong pirate" and despite all of this still manages to be kind to the people around him and makes sure to take care of others just like he takes care of himself. To me, that sounds just like Pete.
And, maybe one of his most redeeming qualities:
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He is the sweetest, most loving and most caring partner on the ship.
Lucius is pretty much what you think of when you hear the words "sassy gay sidekick". He's sassy, he's queer, he's confident, he's very flirtatious and basically the LAST person you'd think to pair with Pete. He's also immediately portrayed as likeable, and is understandably one of the absolute favorites in the entire fandom.
They sound like the crackiest pair of them all. And yet somehow, they work perfectly together. They balance eachother out like two sides of the same coin. What Pete lacks in self-awareness, Lucius got enough for the both of them. What Lucius lacks in pirate skills, Pete has heaps to keep them both safe. And so on and so forth.
Throughout the show, Pete has learned to put someone else before him for once. It used to always be him as number one, but it becomes very clear that he now has a new number one. His number one.
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There are lots of reasons why this relationship in particular means a lot to me. The main one being the way that they are perceived in the show.
Pete has a cleft lip, a bit of a lisp, a bald head, and overall just isn't what you'd normally expect from a TV show that depicts gay characters. He's average-looking. He's just some guy. And despite all of this, he gets to be in a sweet and loving relationship with his cute boyfriend who loves him, adores him, and looks at Pete like he's the most beautiful thing in the world.
Lucius himself isn't really that conventionally attractive either, but this fandom definitely perceives him better than they do Pete. Which is apparent in the way they pair him up with other, more conventionally attractive people, which is upsetting but hey. That's how the world works, I guess.
But it's the way these two are not perfect in any way, they're just two dudes on a ship who happen to be in the most beautiful relationship imaginable. Their relationship isn't perfect either, but it's perfect enough. They're just like a regular couple you'd see anywhere in real life. Nothing too fabricated, and it all just feels so real. Which is also why they remind me so much of my personal relationship with my beautiful, amazing partner whom I love more than anything in the world. The Lucius to my Pete.
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Pete means a lot to me because, aside from having the best oneliners in the show and making me want to study him in a lab, in a way I see a lot of myself in him. I like to think I'm not nearly as delusional or self-centered as him, but the way he engages with the world around him feels just so familiar to me.
He's a bit dumb most of the time, and he's prone to make mistakes, but he always means well. He keeps up a hard, rough exterior to be able to protect his loved ones and look tough to others, yet in his core he is so incredibly sensitive and caring He found love in a place and time where it pretty much could've been impossible, and he spreads that love as far as his bare, sleeveless arms can reach.
He's a dick, but he's my dick. He whittled his boyfriend a damn finger, he deserves to be a little obnoxious every now and again as a treat.
So yeah. Black Pete does not NEARLY get the appreciation and recognition he deserves. And neither does his relationship with Lucius. And I wanna thank Matthew Maher for his incredible performance of this incredible character. Thank you!
(Also he's trans because I'm trans and I said so <3 ok bye)
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megabuild · 1 year
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i've seen some people (mainly techno/quackity fans from the alliances) interested in getting into etho content after the polls, but it can be a little daunting when the guy's been making videos semi-consistently for over a decade, so here's your ✨ not definitive ✨ guide to Watching Ethoslab!
for starters: etho's videos can get a bit technical! he's a redstoner and is known for making lots of crazy stuff, like the original hopper clock design, a working tamagotchi, and a massive storage system that uses hexadecimal to sort and pull items.
if you're familiar with the life series, that's arguably where you'll get the most "character"/"lore" content from etho! he's been in all three seasons, starting with 3rd life. this is also where he shows off his pvp, and though it isn't as obvious in his own pov, you get to see everyone else being really intimidated and hyping up his mysterious guy persona... while he's busy crying over his stuff getting burnt.
however, if you want to start with some regular single player content, his lp series has been going for over a decade! if you're a big fan of older, nostalgic vids and can deal with him being a bit awkward, his season 1 is just over 100 episodes and imo is still very fun to watch today. if you're less into that, it can be intimidating to try and pick up a series with nearly 600 episodes, so you might want to start with his most recent world tour! it's a long one, but it summarises all the work he's done so far, and there's only 25 episodes after that which is a lot more manageable! (and then you can go back and watch the rest ^_^)
his current hermitcraft series is only 9 episodes long so it's pretty accessible, though he does start halfway through the season (and purposefully exiles himself across the world with no tools or help until he can beat a raid single-handed. because. jeez.) if you're looking for a more rounded experience though, his season 7 is where i personally started with etho content and is still one of his best series yet! he gets plenty involved with the overarching "story" of S7 too, so it's a great jump-off point if you're just interested in HC in general.
other iconic etho videos and series include
- king of the ladder, a fan favourite from his time on mindcrack (the series which, dare i say, made him the og mcytblr sexyman- seriously, look into nebtho and you'll see what i mean)
- team canada escape the nether, for a quick look into his dynamic with pause and beef, two other mindcrackers he collabs with a lot
- (and if you like that and want more, team canada's sky factory)
- lp episode 404. please watch lp episode 404.
overall, etho is a very chill guy to watch.. most of the time.. and i would highly recommend him to basically anyone who likes mcyt. he's your fave's fave, a pillar of the community, but also a guy just Doing His Thing, and even after a decade he's still finding new ways to improve and change his content... so even if i haven't convinced you to give him a try, hopefully i'll still have convinced you to give him a vote since he's about ~30 votes behind at the time of posting this ;)
thanks for reading, and happy watching! and of course, any other ethogirls are welcome to add their own recommendations in the notes!
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YOI-meta: Viktor's apparent insensitive reaction to Yuuri's love confession & what it might mean
There are several ways to read Viktor's comment on Yuuri's love confession depending on the level of his knowledge of the Japanese language and culture at this point in the series. While his words seem insensitive and blunt at first glance, plausible explanations for the choice the creators made here align rather with Viktor's character and the concept of the show than Viktor only caring about Yuuri's appearance in one of the most significant moments of their relationship.
So let's break this down!
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1. Language barriers
The press conference of the Japanese Skating Federation, where the skaters participating in the Grand Prix Series present their season theme, is broadcasted on Japanese TV for a Japanese audience. Hence, Yuuri speaks Japanese in this scene. By now, Viktor has been living in Japan for about 5-6 months, and while he possibly knows enough Japanese to get along on his own and communicate with Yuuri's family about basics like food or the weather, complex speeches are probably still beyond his abilities.
Besides Russian, Viktor speaks English and French, so we can assume he has a knack for languages. But whereas Cyrillic and Latin characters have some resemblances, Japanese has three different types of characters (hiragana, katakana, and kanji), and these differ vastly from Western scripts. Beginners spend a hell lot of time learning these in addition to vocabulary and grammar. It's not a stretch to assume that Viktor understood parts of Yuuri's speech but not enough to connect the dots. Like "here, Yuuri presents his season theme which is about love... Oh, I heard my name! He's talking about me now! ... Was that something about a gold medal and Grand Prix Final? That's my Yuuri! He's so fierce! I love this! But ugh, he really needs a new tie! That hideous thing doesn't fit his new image at all!"
2. Utter shock
That face...
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Looking at this scene, Viktor is either completely shocked because he didn't see this coming or trying hard to understand Yuuri's speech. While in my personal headcanon, language barriers keep him from understanding the speech, a person who is described as a genius and already speaks three languages might be able to follow the speech after living in the country for several months (I'm not sure about this though, but some people learn at lightspeed once they start obsessing over a subject). In this case, his reaction is a coping mechanism due to overwhelm. So far, Yuuri has said a few sweet things that showed Viktor how much he matters to Yuuri, but this is a whole new dimension of expressing affection, especially coming from someone so reluctant to voice their feelings. And while Viktor undeniably has been hoping for Yuuri to love him back, seeing his love confessing his feelings live on national TV is quite something to process.
Which leads me to...
3. Viktor doesn't take Yuuri's love confession seriously
This interpretation falls into the category of "Did we watch the same anime?" and I will briefly explain why using some past instances of Viktor's reaction to Yuuri using love language:
Episode 2 "I want to eat katsudon with you!":
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Episode 3 "I'm going to become a super tasty katsudon. Please watch me!":
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Episode 4 "I want you to stay who you are":
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We see the occasional confusion, which is attributed to the fact that Viktoir is still familiarising himself with Yuuri's unique way of expressing his feelings and desires. However, in all these scenes, Viktor is genuinely happy that he means so much to Yuuri. Although Viktor can be insensitive at times, he never mocks Yuuri, which speaks volumes about his character. Not even when Yuuri says things like "Katsudon is my eros!" It's not in his personality. So far, throughout the series, Viktor has helped Yuuri become more confident and express his feelings. As soon as he understands Yuuri's speech and has processed the meaning, he would burst with happiness because Yuuri loves him back and pride because of how confident Yuuri became. But mocking Yuuri for his necktie when he just expressed the full dimension of his feelings? Just nope. He's not JJ.
Bonus: Viktor's reactions after episode 5 (the pattern continues)
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4. The necktie is a metaphor
This interpretation came up in a Twitter discussion with @maetae2288 (kudos to her for bringing this up!) and it can coexist with interpretations 1 and 2. If you tell a story that needed to be condensed to 12 short episodes, you don't waste precious air time on throwaway lines.
For this interpretation, I would like to refer to Tumbleweed's translation errors master post. It's a super long post, so I quote the relevant part:
「 初めて自分から繋ぎとめたいと思った人、それがヴィクトルです 」 [...]'For the first time in my life, there’s a person I want to hold on to. That person is Victor.’ Also, while I think this word choice is the best choice, 'hold on to’ doesn’t quite get all the connotations of 繋ぎとめたい across. Tsunagi tomeru is composed of two words, tsunagi = bind and tomeru = stop. It means tying the subject to something and stopping it from going away. Since he added 自分から, 'from/by himself’ in front of it, it infers Victor being the first person Yuuri wants to reach out to and bond with, and with those bonds, bind them together so that they would never part.
I highly recommend reading the full post if you're interested in the linguistic nuances of translations from Japanese to English regarding Yuri!!!.
In his speech, Yuuri voices his desire to form an inseparable bond with Viktor (it's quite a lot like "stay by my side and never leave" if you think about it, although he uses a different vocabulary). Bonds are often symbolised by a knot. In this sense, the necktie comment would refer to the new bond Yuuri and Viktor will form henceforth.
It's unclear when Viktor learns Japanese love language and dating culture (you can read my post on Japanese dating culture in YOI here). In episode 9, Viktor correctly identifies Yuuri's (accidental) marriage proposal, but when did he brief himself on these things? In fact, he uses love language as early as episode 3 ("I love katsudon"), but was he aware of this? Whether or not he is, it's beyond doubt that the creators knew what they were doing when they gave him this line. In this light, his necktie comment suggests that he understood Yuuri's kokuhaku very well and gave a unique response that refers to their future bond and is true to his character. This is top-notch storytelling.
To sum this up, whether Viktor understood Yuuri at once and responded accordingly, or this line foreshadows that he will understand somewhere between episodes 5 and 6, his comment implies that they will start dating soon after. And we see the result in episode 6.
If you enjoy my meta posts, please consider giving my blog a follow or checking out my works on AO3(link in bio). You will find the results of my meta musings in there!
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