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#the narrator having a very Fun day
stuffed-x-arts · 5 months
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SLAY THE PRINCESS Voice + Narrator Designs
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sorry they arent all 'complete' sort of. I was struggling and it was starting to feel like i would never finish at all and that the slay the princess interest may slip from my grasp altogether and i wanted to finish these before doing other slay the princess drawings and !! anyways yeah these are mostly to get an Idea of how the guys look, there may be potential changes in future but for the most part these are the guys !! design notes under the read more teehee.
beaks are so hard to draw but im trying smh
SLAY THE PRINCESS DESIGN NOTES:
ok first of all. maybe sometimes i will feel like drawing wings instead of hands, okay? teehee. all in good fun. these are all how its Supposed to be, generally, but i can bend the rules or edit them as i wish lol !! pupils are also a if-i-feel-like-it thing !!
The Cold
- light blues, icy, cold colours.
- thin, bony, pointy. his 'ears' / tufts stand up straight. sharper beak. etc. mid-length feathers on arms, short on legs.
- thin, long tail with a few feathers at the end
The Contrarian
- warm colours for the most part, potentially some blues or something for contrast. all rather saturated
- puffy feathers.
- simple no-sleeved vest that fits well.
- thin tail with rough, messy feathers that ends with two arrow-shaped ends
The Smitten
- more pinkish, purplish, red sort of colours. potentially rather vibrant and saturated also?
- lots of roundness in his design, including a more curved beak and relatively heart shaped ears. short puffy tail.
- feathers dont reach far on arms or legs
- little dots under eyes
- fluffy chest.
- more solid body
- two toes
The Opportunist
- blues and purples, perhaps a little orange
- looser shirt, long + big sleeves. deck of cards. plays with the cheated. Often cheats.
The Hunted
- greens, perhaps, greens and browns more neutral, natural colours for camouflage
- big ears. to listen
- stronger legs, ready to run and dodge,
The Paranoid
- orange, yellow.
- overpreens and stuff. lots of bent or broken feathers, occasionally some rather patchy spots. feathers dont have a clean end along his limbs. the others have some bent or broken feathers too of course but he's got it the worst
The Cheated
- weird feathers at his neck. fun <3
- deck of cards
- also has a like. mark/scar at the neck
- edit teehee: so neck feathers can be like. jagged. same for the ends of the feathers on his arms. jagged and all kinda like the whole razor princess route, you know?
The Skeptic
- orange, cautious
- long tail with feathers at the end that resemble a question mark
- maybe a choker or something?
The Stubborn
- more desaturated in tone. red.
- shorter tail
- lots of scars
The Hero
- Bandanna sort of thing around the neck
The Broken
- dark blues
- marks beneath the eyes
The Long Quiet / Player / Body
- during the loops its more simple. two sets of wings, one at the shoulder blades, one by the hips. rather small, unable to be used for flying. all the voices take after them in looks.
- is something... more though, in his natural state. similar to how the Shifting Mound is different than the ordinary princess you see. bigger wings, a more monstrous form.
- entirely greyscale
The Narrator
- toothed beak, sharp teeth.
- has a mane. whether thats made of feathers or fur or hair or what? who knows. All that matters is that its soft.
- regular bird tail, regular bird feet.
- paws. sorta similar to a lions?
- might mess with his colours a bit tbh but generally it sticks to dark grey or blueish
also have some drawings of working on the narrators design
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OKAAAAY thats all teehee hope u enjoy !!!!
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tcfactory · 2 months
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What do you think about the whole rapist Bingqiu situation? You made a comment about it under one of your posts.
Okay, this is going to be a bit long. The tl;dr. is: I really don't care either way tbh.
On the comment I kinda jumped the gun a bit, because I recently got my hands on the books (finally, they were supposed to get here in December) and I read the extras first, because I haven't read them before and was too curious about them. And I really quite dislike the Wedding extra, but I dislike it because I don't enjoy how MXTX writes sex scenes in general, not because of anything it's about. Is the scene rape? Eh no, on second read Shen Qingqiu never withdraws his consent, despite having a shit time. Having a bad first time w/ shit communication is not a crime, especially between these two idiots.
Would Binghe have stopped if he did withdraw his consent and outright told him to stop? I don't really think so, no. Like, you can say all you want about Shen Qingqiu never being direct with what he wants and playing hard to get and wanting to be coaxed along with this gay shit, but that's something we, the readers, know. Correct me if I'm wrong, but I don't remember it ever being established as something that Binghe knows for sure - and with how hot and cold Shen Qingqiu was to him all this time, how he still hides behind his masks even at the end, I don't think "I just assumed you were playing hard to get" is good enough. So the possibility of him hurting Shen Qingqiu despite not meaning to is still very much there. Ignoring the withdrawal of consent is still rape regardless of Binghe's intentions - and we all know how deep Shen Qingqiu can get in his own head when he thinks about denying Binghe something he feels that 'the protagonist deserves' now that he regards himself as the harem stand-in, he would not fight him off if Binghe seems adamant to have him even if he says no.
And honestly that's fine. It's one of those things they need to work on post-canon. You could write a pretty neat hurt-comfort fic around it imo, of Binghe getting so jealous one day that he falls in that pitfall, and the reparations and open direct communication they need to do afterwards. Or just ignore it altogether, let Binghe's protagonist halo prevent any serious misunderstanding in the future. These are characters, not real people. Their dynamic is weird enough that you can just as easily write them a happy post-canon relationship or a situation where their respective habits of hiding their true selves from each other and Shen Qingqiu unintentionally encouraging the worst in Binghe culminates in something awful down the line. Nobody actually gets hurt one way or the other.
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rinielelrandir · 3 months
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Very amused that people who don't know me at all read apparently half of what I posted earlier on I/P and decided my take that "I don't support any nation state and think we should do away with all of them but since this is the system we currently have it's decidedly antisemitic to single out Israel as The One To Destroy Above All Others and we should instead support peace and safety for both Israelis and Palestinians" is equivalent to "genocide is good actually." Like I know this is tumblr, aka the "piss on the poor" reading comprehension website but also like, idk, maybe learn to read before yelling at random people online and accusing them of supporting genocide? Also for the record, it's *really fucking weird and antisemitic* to yell at random Jews on the internet and accuse them of supporting genocide because they have Opinions You Personally Disagree With.
You can, in fact, simply block people who's takes you don't like. It's free! And easy! You hit the three dots at the top of the post, it opens a drop down menu and you select "block". Now the person who you think has Bad and Evil Opinions™️ will never show up in tags for you again! Problem solved! They might, unfortunately, show up on your dashboard if someone you follow reblogs something they posted or added to, because tumblr is slightly broken in that regard, but you will be saved from their opinions in tags. And they won't be able to interact with you! And there's even a handy feature you can use to hide *all* content they've ever made/posted, even stuff you're dearly beloved mutual who thinks they're cool reblogs. You just, blacklist the username. Now they will show up as filtered content and you have to manually unhide any post that mentions their username in any way, saving you from the Opinions You Don't Like. And they're free to continue *their* internet experience without you yelling at them for tagging things with something that is a general filter/sort/information tag simply because *you* think their opinions are Bad and Don't Belong There.
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boxwinebaddie · 2 months
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bebe is sooo super graphic ultra modern girl by chappell roan
Anonymous asked: YOU GIVE ME SUPER GRAPHIC ULTRA MODERN GIRL VIBES TOO LOWKEYJFKDKD
me x bebe x being super graphic ultra modern girls!!!!
PLEASE!!!!!!! this is the Highest compliment!!!! i love when people tell me what music they think i sound like/what songs -- i literally died and went to heaven when that one anon told me they think i sound like a mazzy star/cure mashup & i think abt it Every! Damn! Day! <333
and, to be hooonest: i feel like a lot of people want to be like bebe stevens...but i do actually think i'm /extremely/ Bebe Stevens Coded. like she is me, i am her. we swap goss in the juicy tracksuits, drink cute pink whitney lemonades, trash talk our exs and on weird nights, kiss.
but most specifically i think i am a bebe stevens sun bc i present like an extremely extroverted 2cool4u slay olay girl boss whos constantly doing hot girl shit ( i feel like i can also be read as kenny in a main five context tbh bc i'm freak nasty fuccboi gutter trash ) a true blue stan moon bc i'm actually a pathetic sad girl failure w/ bad punk rock self destructive tendencies who uses the bisexual finger guns as a coping mechanism waaay too often and a kyle rising, tbh, bc i am fucking neurotic, introverted, kind of a haunted narrator and what’s more?
A Hater...through and through, darling. <3 :*
-uncle nina, super graphic ultra modern girl ;)
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latinokaeya-moving · 1 year
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here’s the thing right. i obviously know kaeya has a mean/crueller streak and a lot of very sad/‘angsty’ story potential like that’s a very real part of his character that im actually interested in and think abt a Lot more then i let on and i hate to think that i am like. ‘woobifying’ him bc i mostly talk abt him in a very specific cutesy way but tbh if you check the actual fanfic and fanart content out there rn the Overwhelming majority of it is just so persistently grim n focused on tragedy n sadness n pain that i just feel like i Gotta talk abt the sweeter/softer/more introspective aspects of kaeya bc if not it’ll just get buried beneath all that misery 😭😭😭
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justashadetalkative · 9 months
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Details: Phosa & Linast
Mundane video technology hits something not unlike an uncanny valley for Phosa & Linast on two fronts:
1) Their spacial awareness is intense and encompasses the electromagnetic field around them, so trying to process 2D images as representations of 3D objects & space was a learning curve for them. Even after they learned the trick of it, it’s still more like viewing an autostereogram than anything natural or automatic. (They have to trick themselves into perceiving it as looking at something that is very far away and outside of themselves, even as it's (usually) radiating from inside their range of perception.) 2) They don't have a brain that smooths a rapid sequence of images into a perception of smooth motion for them, and while their conscious processing speed isn't precise or rapid enough for them to truly discern the actual movement of light through space (unless working with large enough distances), they can still sense it to some degree. Between those two factors, it's like touching a vibrating surface; they sure as heck couldn't count the individual jerks, but they can feel that something about the motion isn’t smooth.
Some of these factors were mitigated during that human incident, and it went a long way towards helping them figure out how to interpret 2D images the way most sighted humans do.
#details#Phosa#Linast#details: Linast#details: Phosa#(brought to you by this topic managing to come up in two separate threads this past week sdlfkshgsdf)#(...some day I'm gonna try to properly explain Phosa and Linast's spacial perception / presence)#(because like. Their 'bodies' [aside from the core] are just manifestations. Those manifestations do allow touch/hearing etc.)#(and can serve as a focus and limiting agent to TRICK their perspective into more closely mimicking that of corporeal beings)#([eg if they pour most of their focus & attention into just their 'eyes' then that does vaguely mimic having one-point perspective/vision])#(but... their primary and instinctive perception of the world is much more spread out and spacial and field-like)#(the literal electromagnetic field within their entire sphere of influence feels like proprioception to them)#(so! these kids are two marginally-corporeal entities playing puppets for the sake of socialization & to carry around/protect their anchor)#(and I probably don't emphasize that as much as I could ^_^;)#(...then again I do *try* to focus most of RP on actual like. roleplaying. rather than narrating out thoroughly alien perceptions.)#(fun as this sort of thing is for me to try to conceptualize & visualize y'all are not here to read pages of experimental prose xD)#(the kids pick up X information and behave in Y fashion in response and those are the important bits!)#(…Also.also. fucking hell let me tell you: reading about special and general relativity last month has Complicated things)#(I mean I can handwave absolute instantaneous perception across a distance as ‘eh. Magic.’)#(BUT. If I do that. Would that mean that Phosa and Linast technically experience spacetime in a very warped or extradimensional way?)#(defining time VIA light is a tantalizingly neat concept and also the Actual Science [to my knowledge] but I am still Processing it fffff)#queue
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dashiellqvverty · 1 year
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anyway i have always been genuinely so fond of the way throam approaches ryan’s sexuality over the three volumes, like what he is comfortable with and how he defines/views himself
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alexis-royce · 2 years
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konckalicious · 6 months
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me when the feel sad and scared about everything disease is making me feel sad and scared again
cw for sombre thoughts in tags i might delete later tho xwx
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katakaluptastrophy · 4 months
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The thing about having read our way through two previous books full of necromancers and weird eldritch shenanigans is that the absolute horror of what happens to John as a person doesn't quite register.
John's own glib, matter of fact narration tells the story as an apotheosis. He was doing great. He'd have fixed everything if only people had listened.
But reading between the lines in the John chapters, you glimpse something rather different.
John basically spends the first half of the Jod chapters sitting in the dark with his creepy yellow eyes, not eating or sleeping, literally stroking his favourite corpses and coming out with chill and fun statements about how he can feel their skin when he's away from them and he's 'waking up'. Cool, cool.
Passing swiftly over the cow dome, Presidential Puppet Pals, and the suitcase nuke, day to day life in the cow dome must have been fun... You're all on the Interpol watchlist, the Vatican is asking a lot of questions, the police are outside and John - who hasn't slept in a week and doesn't eat anymore and is probably wearing some kind of weird novelty tshirt - comes wandering past while you're eating breakfast, followed by a dozen silent, dead-eyed corpses like some kind of mother hen. He makes a cow joke, and then zones out because he got distracted by listening to the bacteria in your gut.
And then some guys die accidentally and it turns out he can eat death energy. So now he's got creepy Twilight eyes, an entourage of corpses, a cape, some very dodgy eyeliner, and he's barely breaking a sweat as he instantly kills over 100 people, says it was an accident, and then, dead serious, tells his followers to drag dead UN peacekeepers inside to add to his 'skeleton army'.
By the end, he's not slept or eaten in weeks, is tweaking his own bodily processes on the fly, is puppeting the dead US president and possibly an army of over a hundred corpses, monitoring G- in Melbourne, carrying on at least two conference calls, and helping to build barricades out of chairs.
And I just keep thinking how weird it must have been for his friends. How sometimes he would have seemed like the man they'd known and loved for so long, and sometimes he would seem different. Did they ever find themselves mourning the man he was? Did they ever stand there as he tuned into something they couldn't fathom, staring at them with those yellow eyes, and feel some awful, uncanny valley terror? Did he ever feel like he was losing himself? At what point did the cow jokes stop feeling like oh, classic John and start to be a reminder that his desire for vengeance and the scope of his powers were outstripping his remaining...perspective?...restraint?...humanity?
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Before my beloved and I moved in together they were living with roommates in a place that didn't have a bathtub. Now, a reasonable person might conclude from this that baths would be out of the equation in a home with only one standing shower and no tub.
But these people weren't quitters. Naturopathic doctors and acupuncturists they were dedicated to treating their bodies well and one of the ways they liked to do that was hydrotherapy. Most people are familiar with this through things like polar bear plunges. You sit in a hot tub then jump in freezing water.
It's supposedly good for you and they were way into it. But again, no tub. They'd do hydro showers but it just wasn't the same. These people were not quitters, though. (One of them is the boob soap person, so it really isn't a surprise that she goes hard on everything). So they got what looked like two big metal old timey tubs but which were actually animal food troughs and set them up in the garage. They set up a water heater and god knows how they emptied the tub after, I think there was hoses involved? A pump maybe? I honestly can't remember. Anyway! Voila, hydrotherapy on demand.
I was not aware of this. So when I came over after a long day and my beloved said we should take a bath I was extremely puzzled. I only knew about the one shower. They showed me the garage tubs. I did want a bath and I wasn't really sure about the setup, but honestly I'll try anything once if only for the story, so I agreed.
Fun fact about me though. I haaaate being cold. I've been 0% body fat most of my life with skin barely keeping my bones enclosed. I'm always cold. My favorite activity at the time was sitting directly in front of space heaters. My shower temperatures turn me lobster red and make my beloved cringe. Willingly dunking myself into cold water is the antipathy of my entire deal.
On the night in question I happily submerged into the warm tank, pleasantly surprised by the big silly improvised tub. Which again was meant for livestock. My knees bumped companionably against my beloved as we soaked in the hot water. After a while they rose to go into the cold water. "You don't have to," they told me.
But I was haunted. I wouldn't be doing hydro if I just stayed in the warm tub. Maybe hydro was amazing. It has all these health benefits. I desperately didn't want to but I stood up with them. We were having this nice intimate evening in the garage, just us, I felt safe. I was gonna do it.
They stepped easily into the cold tub, dunking matter of factly into the frigid water. I went to step. I did. I really really tried. My foot went in and I started shrieking, my progress arrested by the total state of shock I entered when my warm toasty foot hit that smug arctic water tension. My beloved started laughing as my pitch ascended the deeper my foot went into the cold water.
I started loudly narrating my discomfort as my foot touched the bottom and I willed my other foot up to join it. "THIS IS VERY COLD," I yelled, "IT'S SO COLD I THINK I MIGHT DIE HOW ARE YOU JUST CASUALLY SITTING IN THIS FREEZING COLD WATER?! I'M DYING- I THINK I'M DYING! I'M DYING BUT WE'RE HERE, TOGETHER! I CAN DO THIS! I CAN DO THESE EVEN THOUGH IT'S SO COLD ALL MY MOLECULES HAVE COMPRESSED INTO A SOLID STATE!"
I ended up with both feet planted in the cold tub, water up to my shins, bellowing and panting while my beloved laughed so hard they couldn't breathe. I hunkered over the cold water, squatting like a frozen gargoyle.
My beloved was trying to psyche me up while I willed my body to obey me. In a sudden jerky drop like a puppet whose strings have been cut I plummeted my body into the cold and let out a shriek that I’m sure could have shattered glass and then leapt up out of the water at a speed relative to a rocket achieving space flight. I didn’t like it.
When we got back inside my beloved's roommates were collapsed on the ground with tears in the their eyes from how hard they'd been laughing. They and probably every neighbor down the block had heard my pterodactyl screeching and narration because the garage was not remotely soundproof.
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gentrychild · 5 months
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BNHA 407 : AFO is a lying liar who lies
Today is a very sad day because I am about to do something I genuinely dislike: I am about to defend All for One. In order to cope, I shall make fun of him the whole time.
AFO and Yoichi's backstory is finally out, with AFO narrating it, and there are two possibilities: he is either completely lying about it (boring) or he is lying a little about it (very in-character for him) because he is also lying to himself.
Lie number 1: AFO was born evil.
The narrator (AFO, seriously, it's AFO) says things such as "The baby drained the lifeforce of both his mom and his brother.", "It was born an arrogant baby." and such but it really reads at AFO villifying himself to add to his own legend.
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That's what babies do. Children, before they're born, kinda have to take their strength from their mother. That's why pregnant people aren't supposed to do anything taxing.
AFO and Yoichi's mother didn't die because baby AFO drained her like a vampire. She died because she was a homeless woman who had access to nothing and had to go in labor alone.
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Same thing here: during twin birth, a twin is often bigger than the other (well, probably not to extent of Yoichi and AFO, but you get my point).
Lie number 2: AFO, as a demon baby, is shown killing for no reason, just because he can.
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(First slaughter by Baby AFO shown in that chapter.)
There are two things that are strange in this scene (apart from... you know.... a baby murdering people...)
AFO had no reason to go after them because they don't have any quirks to steal.
It makes no sense for someone to attack a group of people with nothing to gain. I doubt that's the kind of behavior you have when you're in survival mode as you're barely surviving in the street.
However, a previous panel points at some context we might be missing.
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The same panel that indicates that those guys don't have a quirk to steal also shows that they are wiling to do some "preventive attack" on a bunch of quirked people who might or might not be those who assaulted a protest group (reminder that in this context, that protest group are protesting the rights for quirked people to exist).
I could be wrong but odds are that they did something to be qualified as a threat to All for One and we are missing the additional context.
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(Second slaughter by Baby AFO shown in that chapter.)
Now, the poor souls who just got absolutely wrecked by a toddler wearing what I suspect to be a garbage bag have quirks, which makes more sense than the previous scene.
However (and thank you for @aimportantdragoncollector for pointing that out to me), we also have this panel.)
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Yoichi is shown with bruises on his face and might be broken teeth.
Probably because those same people AFO is shown killing attacked him.
Lie number 3: AFO never loved Yoichi because he can't love, he just considered that he was his. That's all. Nothing more.
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(Just... Just ignore the rats.)
AFO didn't care about Yoichi so much that the very conscious first act of his life might have been to swim a river upstream while dragging his brother above the surface with what must have been the deathgrip of all deathgrip.
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AFO didn't care about his brother so much that Yoichi was fed and clothed by an AFO who was malnourished enough for his ribs to show and who wore what's basically an improvised toga.
But he just keeps sacrificing what little he has for someone he doesn't care about one bit, that's just his first possession. Nothing more.
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Okay, I am going to be clear: anyone who sees that panel and thinks that it's the proof AFO didn't like his brother... You just outed yourself as an only child.
Siblings punt each other for no reason. (There is a reason why the first recorded murderer was an older sibling.) In this case, the reason was Yoichi throwing a can at him.
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AFO: "You're not inviting me to a fun activity? You're leaving me out, in the cold, unable to partake in brother bonding activity? Oh, vault for Little Brother! Vault for Little Brother for one thousand years!"
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AFO: "Nevermind, we're reading together. All is well, I guess."
Lie number 3: AFO killed the glowing baby for power, because he could, or because the Glowing Baby didn't deserve it
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Still laughing about AFO's flawless reasoning... "Comic books heroes' life suck. Better to be a villain. I already did the whole struggle thing, I want an easy life."
AFO killed the glowing baby because he was jealous. It's as simple as that. The glowing baby was considered the first official quirked individual (even though it's not true), was protected by his family (if I remember correctly, the mother of quirks was his mom) while AFO and Yoichi had no one but each other (EDIT: I was wrong, the Mother of Quirks was Destro's mother. thanks to the people in the tags), and had a ton of people following him (while, for some strange reason, people start running away screaming when AFO shows his quirk... What a mystery...).
The last panel was basically AFO saying "I want to be loved' but not having the frame of reference to even know what love is.
In conclusion...
While AFO is definitely a bad guy and a monster, he didn't begin his existence as one. He just wants people to believe that. Because his pride and his ego can't allow him to admit that he lived a childhood full of horrible trauma where he was a victim abandoned by society (to an even greater extent than the LOV) or he would probably combust out of rage and mortification.
Ergo facto, AFO is a lying liar who lies, especially to himself.
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dyaz-stories · 13 days
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you know my tongue is a weapon || gojo satoru x reader
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synopsis: Shoko suggests a study night, but Gojo's bored and he doesn't want to study. So, instead, he offers to play a game, when all the others have left to get some food: every time he gets an answer right, he gets a kiss.
As you soon find out, Gojo can be very good at studying, as long as he gets something out of it.
word count: 3.8k
genre: college!AU, mostly fluff i think
cw: kissing, making out, semi-public kissing, unresolved sexual tension, reader is insecure and is therefore an unreliable narrator, dry humping ig, fem reader (the word girl is used once)
a/n: first time writing for jujutsu and for gojo! any feedback is appreciated, and i hope you enjoy yourselves :)
soundtrack
prequel
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Exam season is never a fun time to be on campus. Stress fills the air, the hallways, the always full libraries, even the coffee shops where people usually meet to relax between two classes. It’s the only conversation subject between sleep-deprived students, looming over their head threateningly at any time of the day and night. It’s stifling, a weight on their chest that never quite wears off.
As for you, well, you’re doing alright.
Oh, for sure, it’s a lot of work, and you’re not thrilled about it by any stretch of the imagination, but academia is your thing, so you don’t find it nearly as crushing as others do. You’re more terrified of the time period that comes afterwards, while you’re waiting for the results like Judgement day.
In the meantime, you’ve given up on trying to find a spot to study in the library, and you’ve been doing most of it in your small student room. You haven’t stepped outside in days when Shoko texts you to suggest a study night. You suspect that she hasn’t started working and intends to cram, but you take her up on the offer nonetheless.
You show up at her place right on time — you always are — with your notes and some snacks. You wait quietly after knocking, trying to make sense of the chatter you hear on the other side of the door. She had mentioned she would ask a few other people if they wanted to join, which you had assumed would be fine, but faced with the reality of it now you can feel a lump growing in your throat. Academia might be easy for you, but people… aren’t.
When the door opens to reveal Gojo Satoru, piercing blue eyes meeting yours through white locks of hair that he pushes out of his face a second later, you fully consider turning around and leaving.
“You made it,” he says, shooting you a wide grin.
“Hi,” you squeak in reply.
Gojo is a… friend. Ish. Kinda. You think. Well, he’s a friend of Shoko’s, anyway, so the two of you have hung out, socially, before. Up until last summer, you assumed he didn’t even know your name.
“Thank God you’re here,” Shoko says, appearing from behind him to grab your hand. “No one here wants to work. We need to whip these imbeciles into shape or something.”
“I’m working,” Nanami sighs from the table in the living room, where he’s sitting alone.
“I was just waiting for everyone to be here, Shoko,” Geto says, his voice soft and even, as he approaches the table.
You set your bag down, giving Nanami an sympathetic smile, and he pushes his glasses higher on his nose. When he nods at you, you’re pretty sure it’s a silent way of saying ‘thank you for not leaving me alone with them’.
“What are you guys starting with?” you ask, pulling some books out of your bag.
Everyone here has different majors, but with some classes in common. You’re not sure how efficient this enterprise is going to be, if you’re completely honest, but as Gojo lets himself fall on a chair with a dramatic sigh, you suppose it can’t be worse than if he was left to his own devices.
“I’m doing literature, algebra and physics tonight!” Haibara announces, perhaps a tad too enthusiastic. You don’t want to crush his hopes and dreams, but—
“You’re never going to get through all that in one night,” Nanami says with a frown.
“Don’t listen to him”, Gojo intervenes, “you can do anything you set your mind to.”
There are stars in Haibara’s eyes when he looks at him, but you notice the glances Gojo is stealing at Nanami, and the way his smile widens when Nanami grits his teeth in annoyance. You bite your lip so you don’t let out a chuckle.
“Do you want to start with literature with me?” you offer. “Nanami, you’ll have to handle algebra because I’m not taking any algebra classes this semester.”
The corner of Nanami’s lips curves to form a smile.
“It’s good that someone here is taking this seriously.”
“Ugh,” Gojo mutters. “Fine. Hey, Suguru, do you know what tests I have next week?”
Nanami buries his head in his hands with a pained groan, and you laugh again, lump gone from your throat now, as you move your chair to come sit next to Haibara. Gojo’s eyes follow your movement silently. When you lean over the same textbook as Haibara, shoulders brushing against his as you push a lock of hair behind your ear, his expression turns thoughtful. It’s only when Geto drops a book in front of him that he snaps out of it.
“Are you sure you don’t want to do shots instead?” he asks, tone sour.
“Man, don’t tempt me,” Shoko whines as she sits down as well. “The shots will have to wait.”
Truly, Gojo thinks, sadder words have never been spoken.
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Nanami calls it quits right before 10 pm. He’s tried to leave a few times by then, usually because of one of Gojo’s quips, but Shoko’s managed to keep him around until then. It doesn’t help how delighted Gojo gets by his reactions, and you can’t blame him for abandoning you. You don’t doubt for a second that he would have been much more productive without everyone else around.
“If they pass their exams, we should give ourselves all the credit for that,” he comments at your intention, right before walking out the door. “Good luck with them.”
Then he’s gone, before Gojo can start to protest about why he is not getting any encouragements, even though he’s suffering so much, and everyone is mean, and nothing about this is fun, and—
Haibara, despite his best intentions, falls asleep on the couch less than thirty minutes later. It was just supposed to be quick nap, but by midnight he’s still down, and you can’t bring yourself to wake him up. Plus it’s not like you were making a lot of progress with him anyway, so he just might be better off sleeping.
It’s not long after that that Shoko starts to get real antsy. So far, she has kept on track despite Gojo’s attempts at distracting her, but you can tell she is starting to get incredibly bored. Somehow, that doesn’t seem to be Gojo’s case, even if the way his leg bounces underneath his chair tells you he’s itching to do anything other than sit here doing nothing.
“Fuck it,” Shoko says, finally giving up. “I’m going to get something to eat.”
Geto frowns.
“Now? Alone?”
“As if anything would happen to her,” Gojo says, spinning a pen between his fingers. “She’ll be the scariest person out there.”
Geto rolls his eyes.
“I’ll come with you,” he tells Shoko, and she shrugs. “Do you want to come too, Satoru?”
Gojo lets himself fall down on his chair, looking at Geto with his head hanging behind the back of the chair.
“Nah,” he says after a few seconds of intense deliberation. “Can’t abandon the teacher here.”
You feel your face heating up.
“Oh, I mean, I’m sure I’ll be fine. If you want to go, you should—”
“It’s fine,” he handwaves your protests away. “I’ll finally get some work done without Shoko here to constantly distract me with—”
He bursts out laughing when Shoko throws her pen at him.
“We’ll be right back,” she announces, standing up. “You,” she points at Gojo, “play nice. And you,” she gives you a severe look, “don’t hesitate to hit him. I’m not joking.”
She leaves the room, escorted by Geto. Haibara doesn’t even stir when the door slams.
“Alright,” Gojo says, not wasting a second to reach for your chair so he can pull you closer to him, “it’s my turn to get my own personal tutor.” His fingers brush against your leg as he pulls you in, and you know, from how his eyes seem to drink in everything about you, that he doesn’t miss your quiet gasp nor the way your breath quickens. You’ve noticed this before, too. If he likes annoying Nanami, he seems to delight in your reactions at least as much — though he tries to make you laugh or to fluster you rather than piss you off.
“Um,” you say, with the eloquence that characterizes you around him, “what do you need help with?”
He tilts his head to the side as he studies you. You find him breathtaking, you always do, but you think you’ve gotten better at hiding it, so even if it feels like he’s looking right into your soul, you give him an easy smile.
Somehow, he is the one who ends up averting his eyes.
“How about philosophy?”
Right, the two of you share that one class on the history of ideas.
“Sure,” you say, already grabbing a book and thumbing through it. “I’ve taken quite a few notes for that class, actually, I can give them to you if you—”
“That’s boring,” he interrupts you. “We should do something else.”
You put down your book, intrigued, and something twists in your stomach when you see the look he’s giving you. He’s like a cat with a mouse, with exactly the same hunger in his eyes.
“What—” you clear your throat when your voice cracks. “What are you suggesting?”
“Well,” he leans forward, resting his elbow on the table and putting his chin in his palm, “I need an incentive to work, you know?”
You swallow. Sure.
“So how ‘bout I get a kiss for every right answer I give you?”
And you almost choke on air.
“What?” you manage to croak. Blood is rushing to your face, and it feels like your brain is short-circuiting. Your heart’s beating faster, hammering in your chest, and you feel your palms grow sweaty.
“C’mon,” he teases, reaching out to pull on a lock of your hair and twirl it around his finger, and you know, you know, he knows he’s got you right where he wants to, “help me study.”
“Gojo—”
“Satoru,” he all but purrs.
“Satoru,” you say, “what are you doing?”
“What do you mean?” he blinks innocently. “Just trying to find a fun way to study.”
You examine him carefully, try to figure out what, exactly, is going on behind these beautiful eyes of his. You’ve had— moments, with him. He fell asleep on your shoulder in the car once. He held your hand through a busy festival, teasing you about not wanting you to get lost, and later helped you get on his shoulders so you’d get a better view of the stage. The one time you agreed to accompany Shoko to the club, you remember his hands on your hips, his breath against your ear, the ghost of his lips to your neck. But nothing actually happened between the two of you. You’d told yourself that it was all a distraction for him, that he didn’t want more.
This isn’t exactly confirmation. You don’t doubt that it’s all in good fun still, and knowing you, and how hard you tend to fall, you should walk away while you have the chance.
But you really, really want to kiss him. Want to know what it would feel like to taste his lips, to have his body pressed against yours, to feel his hands all over you.
You always take the smart decision. This is not the smart decision. But…
“What if you get it wrong?” you ask.
Satoru blinks.
“You can, uh, spray me with a water bottle?”
You let out a brief laugh.
“Isn’t that a dog thing? That feels unethical, Satoru.”
He preens at your use of his name.
“You should take your chance,” he drawls. “Shoko says it’s really cathartic.”
You’re not sure you need catharsis, but you feel a little lighter now. It’s all a joke to him, clearly, and from what you’ve seen in the past couple of hours, he hasn’t seriously studied once. He’s not going to get the answers right. You don’t think he’s even trying to.
“Fine,” you say with a playful roll of your eyes, reaching out for a water bottle and positioning your chair so you’re facing him. “Who came up with the notion of civil disobed—"
“Thoreau, 1848, but the essay was republished with that name in 1866.”
You stare. Gojo gives you a lazy smile.
“Now where’s my kiss?”
“Um,” you say. You feel incredibly awkward now. He’s leaning back against his chair, with eyes that have not left you once since he’s suggested that idea. You— have to move, now, don’t you?
Very slowly, very hesitantly, you push yourself to your feet. Satoru doesn’t move at all, and you don’t know if it relieves you or stresses you out even more. The position is quite uncomfortable, too, with you standing and him sitting down. You don’t know that you’ve ever towered over him like that. Gingerly, you put a hand on his shoulder, and then you’re leaning over him, and then you’re kissing him, and then you’re moving away as fast as you can. This was just a peck, really, a press of your lips to his that lasted a second, tops, and that you’re already trying to forget about.
You’re not a teenager anymore, and you know this shouldn’t be getting to you that much, but it’s— it’s Satoru Gojo. You’ve worked very, very hard not to think of him like that, because you didn’t want to let yourself get hurt. And now, you’ve let yourself be dragged into this so easily? Ugh. You wish you could slap yourself.
“Okay,” you say, voice more high-pitched than you’d like, but still understandable, which you’re grateful for. “Next, um, can you explain what philosopher kings are?”
Surely—
“Of course,” Satoru pretty much sing-songs. “Plato thought that cities should be ruled by trained philosophers, because only a philosopher would know and act for the good of a city.” There’s a brief pause, before he adds, “Aristotle thought that was bullshit, though. For the record.”
And then he waits. You narrow your eyes at him.
“When did you study for that?”
“I never study,” he answers lightly.
Instead of standing up this time, you scoot your chair closer to him, and you lean forward. Satoru chuckles, but humors you — even if the temptation of leaning further back to make you come to him, because you’re just adorable when you’re flustered, is great. This time, when you kiss him, though, he presses forward before you can move away, his nose brushing against your cheek as he chases after you. And oh, what a sight you are after that, wide eyed, lips parted, hands tightening on your notes.
“Next?” he asks.
“Right,” you say. You’re— not sure what’s happening here, to be quite honest. Should you stop this? You— don’t think you want to, but you’re also not sure what this charade is all about. “Um. Spinoza thought that free will—”
“—could only be reached through knowledge, and that most people never obtained it.”
Okay.
“Aren’t you supposed to be a physics major?”
He raises an eyebrow, looking genuinely amused.
“Determinism’s a pretty big deal in science, actually, but let’s not change the subject here.”
You bite your lower lip, and his eyes track the movement like he’s starving for you.
You’re feeling hot all over, anticipation burning inside of you, and this time, you can’t pretend that he hasn’t done this on purpose. That he wanted to kiss you. You can’t quite reconcile the way you see yourself with that thought — how could Gojo Satoru want you, of all people? — but you find that it doesn’t matter.
You lean towards him once more, and this time, you let yourself kiss him. Really kiss him. You press your lips to his, soft at first, but when you don’t move away immediately, you feel him pressing against you, one hand coming to cup your cheek. His teeth pull at your bottom lip, and you let out a involuntary gasp. He doesn’t waste the opportunity to slide his tongue inside your mouth, and you keep inching closer to him, hands coming to his shoulders for support. You can feel yourself melt into him, and you curse your common sense when it leads you to break away from the kiss.
It doesn’t deter Satoru, though, because as you do, his hand slides under your knee, and next thing you know, he’s pulled you into his lap. His face is deliciously flushed, pink hue under the pale skin. He looks up at you, long fingers tightening around your thighs.
“We should waste less time like that,” he says.
Shoko likes to say he’s insufferable, and you can see why. Everything all seems to come so easy to him, and you’re defenseless against the way your heart races. When his eyes are on you, it feels like you’re the only person in the world. You’re not usually the type to indulge in that idea, but, ah, what’s the harm, as long as you know how to come back to earth later on?
You shake your head as you take him in.
“How are you even doing that?” you ask, mildly peeved.
“Haven’t you heard?” he grins widely. “I’m a genius.”
You roll your eyes at him. You’ve heard about that, of course, about how he maintains stellar grades without breaking a sweat. You just hadn’t seen that in application until now. In class, he’s usually asleep, or taking great joy in bothering the teacher. You’ve never seen him try to get something.
“Well, where’s my question?”
You sigh, putting your arms around his neck. You left your notes on the table, meaning that you might be less prepared than he is, actually.
“Descartes famously said—”
“Cogito ergo sum. C’mon, rational doubt is at the heart of science. I’m starting to think you’re just trying to kiss me.”
You do want to kiss him, but you have the self-control to shrug.
“Well, if you don’t want to—”
His mouth is on yours before you can think of how to end that sentence. He kisses you hungrily, hands gripping your hips as he tries to pulls you closer to him. Your chest presses into his, and you tighten your hold around him, fingers running through his hair. He grunts when you pull on it slightly, tilts his head back a little more to give you better access to his mouth, and when his tongue brushes against yours once more, you can’t help but to rock your hips against his. The friction makes you gasp into his mouth, and one of your hands falls down to his shoulder, fisting his shirt as you try to find better support.
“Fuck,“ you hear him mumble underneath you, right as you feel him grow hard. He pushes up against you. His fingers dig into your skin, one hand slipping under your shirt to run over your skin, leaving a trail of fire behind. It moves higher, brushing against your bra.
Against your better judgement, your hands travel down his body, tracing over his muscles. You feel him twitch under you, and when you roll your hips once more, with much more intent than the first time, he groans.
“Satoru,” you whisper, though even you don’t know if it’s a plea for him to stop or to keep going.
His eyes widen, and you feel him lift you up easily, pushing you onto the table. You lean back slightly, resting your weight on one hand. He’s red all over now, from his ears to his neck. His pupils are wide, his lips swollen, his hair messy. He looks like sin.
You don’t want to think about what you look like.
“C’mon,” he says. “Last question.”
“Haibara’s in the living room,” you point out. Even you know where this is leading.
“He’s dead asleep,” he merely shrugs. He’s mesmerizing, but you note that the glimmer of amusement that always dances in his eyes. This feels— serious.
“Um,” you say, licking your lips and watching how he bites his as his grip on your waist tightens once more — like he’s holding himself back. “Confucius—”
And then, the front door opens.
Gojo clicks his tongue and reluctantly steps back as you jump down from the table, beelining for the bathroom — you know that kiss is written all over your face.
You glare at yourself in the mirror. Your body’s still tingling, and you’re aching with want, now that release has been denied to you, but you know better. You’re supposed to know better. You take a few seconds to comb through your hair with your hands, and when it no longer looks like someone’s, well, kissed you senseless, you cautiously step back outside.
“We got you some fuel,” Shoko announces loudly, before getting shushes by Geto. He points in Haibara’s direction, who’s started snoring slightly.
“Thank you so much,” you say sweetly. “I’ll— Why are you wet?”
Gojo deadpans as he looks at you but, well, there’s water dripping from his hair, down his chin, and onto the shirt your hands were fisted in just a few minutes earlier, so, you think the question is valid.
“He was splashing water on his face when we got here,” Geto supplies helpfully. “Gojo runs hot.”
“And now it’s all over my floor,” Shoko mutters. “Next time, just wait ‘til the bathroom’s free, huh?”
Gojo looks like he has something to say just on the tip of his tongue, but he glances at you and seems to swallow it back.
“If anything, I made it cleaner,” he proclaims, leaning back on his chair. “Shoko, how long has it been since you cleaned in here? We really need to find you a partner who’s willing to do that stuff, otherwise you’ll keep living in fil—”
Shoko’s pencil case lands right in the middle of his face.
“You absolute brat,” she spits out, “I can’t believe you’d have the nerve to tell me something like that when you rely exclusively on Geto to—”
The bickering continues, but you tune it out. Under the table, Satoru’s knee brushes against yours. It’s almost hesitant at first, before he leans his leg against yours, when he realizes you’re not moving away. This isn’t the smart choice, either, but, ah, you’re always, always the smart girl. Is it so bad to have a night of fun? Is it so bad that you want to know what it would feel like to have him, even if it’s just once?
He’ll break your heart, the voice of reason says in the back of your mind, but then Satoru looks back at you, checking to see if you’re laughing at how he’s making fun of Shoko and, well.
You think you’ll let him.
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prequel
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Lance never shuts the fuck up.
Keith can’t get enough of it.
It’s been like that for as long as Keith can remember. Lance was the motormouth in, like, 6 of his classes; always had his hand up with a question or answer, and comments in between. Keith had been annoyed with it, that first year.
But then he’d shared classes with Lance again.
And again.
And again.
By then, they’d had their fair share of group projects together. Keith came to know that for all he was a rambling mess, Lance was really fucking smart, and funny besides. He was also endlessly kind and supportive, at least when he wasn’t egging on their rivalry that he’d invented (and that Keith hadn’t known they’d had — not that he wasn’t an active participant, once he knew. Riling Lance up was the most fun he’d had in ages).
Keith doesn’t remember exactly when he’d started smiling whenever Lance looked at him, feeling proud whenever Lance got a question right in class. Doesn’t remember when the mild annoyance turned to genuine appreciation. He does remember looking down at his notes one day, in Algebra II, only to discover a blank page, and realising that he’d spent the whole class just watching Lance talk. (He also remembers feeling pleased instead of the disappointment he should have felt, because he figured he’d have an excuse to hear Lance talk more if he asked him to help Keith catch up. He knew he was in quite the mess, then.)
Keith knew he had a crush on Lance, after that. And Keith was never one to sit idly — he’d asked Lance on a date right then and there. Lance had, for the first time in Keith’s working memory, gone speechless. (And quite the pretty shade of red.)
The speechlessness didn’t last long, that’s for damn certain. Keith took Lance to the Applebee’s at the plaza near his house that very night, because Shiro worked there and would give him a discount. Also, Lance had once mentioned he liked the lemonade there.
Keith met Lance there because neither of them had their full license yet. He doesn’t remember what exact table they sat at, only that they must have been near a window, because Keith remembers swooning over the sunlight warming Lance’s beautiful brown eyes no less than six times. They’d ordered, Keith some sort of fried dish and Lance — Lance had ordered a four-cheese fettuccine with a garden salad and, of course, a lemonade. Keith remembers so specifically because Lance spent the next thirty minutes excitedly telling him every piece of history surrounding the dish, down to the prehistoric origins of wheat-made pasta and the disturbing account of the first pink lemonade. He’d looked sheepish after looking at his watch and realising how long he’d been talking, and Keith hadn’t known how to assure him that Lance could narrate every detail of paint drying in a wall and Keith would swallow up every word.
(Later that night, Shiro sent him a picture he took while the both of them were distracted — Lance, animatedly waving a fork in the air as he lectured, and Keith, chin in his hands, meal forgotten, looking at Lance with a face more besotted than he knew he was even capable of making.
Keith sent the photo to Lance, asking him if he’d like to go out again, confessing that he enjoyed every second of Lance’s rambling.
Lance said yes. Very quickly.)
The rest, to a degree, had been history. They’d dated for the rest of high school, staying together even as they attended university and trade school on either side of the country. It was easy, really. Lance made sure they always had something to talk about. (Lance loved university. He was enamoured with every second of it, every niche interest of his getting its fill. He switched his major fourteen separate times, chasing every one of his ambitions, and Keith loved every story he heard. He also liked becoming an expert by proxy, because that was inevitable — you could only hear about the important of spiders in the ecosystem so many dozen times before the information was reflective whenever someone brought up the subject.)
As soon as Keith got his mechanic’s certificate — and he passed his exam in the highest percentile, meaning he could practice anywhere in the country, much to his pleasure and Lance’s overwhelming pride — he took off to California, his one and only thought being that he had to get to Lance. (Not that it had been impulsive — this was planned, something they’d been waiting for. Did Keith run over as soon as he could? Yeah, kinda. So maybe it was a little impulsive. But mostly it was planned.)
Not to sound like a Disney princess, but Keith really felt like their life began once they moved in together. Keith was able to find a job at a pretty decent garage, bring in money for them immediately. Lance had his library job until he graduated, and of course then he was snatched up by the nearest ecological restoration effort — he got to spend his days crawling through the forest, fawning over every tiny bug and critter. He is so fucking cute. Keith loves him more than anything in the world.
Lance’s constant lectures never stopped, either — any interest he picked up, he told Keith about it. From his knitting club to the new beetle species he’d found at work, Keith got the pleasure of hearing about it. And it truly was a pleasure. Keith had his fair share of time being a motormouth, too — he’d bought a project bike as soon as they’d saved enough, and spent a fair chunk of free time building it back up. (Lance helped, or at least as much as he could. Mostly he sat in their garage, handing Keith tools, and talking about anything he could think of. If Keith could go back and tell his ten year old self what his future would look like… God. Sometimes he can’t even believe how lucky he got.)
Keith has it made. He comes home from work every day to Lance’s beaming smile and gentle teasing about the grease on his clothes. He’s got everything he’s ever wanted. He’s happy. So fucking happy.
Except that things have been a little different, recently. For the past few weeks, he’s been coming home to his usual smile and kiss, but the idle chattering or excited rambles — Keith feels as if they’ve become a rarity. Their home used to be filled with the sound of Lance’s voice, silent only when he’s reading or focused intently on something, eyes narrowed and tongue peeking out of his mouth.
Lance still looks happy. He still curls up with Keith on the couch after dinner, socked feet in Keith’s lap and three million blankets over his shoulders. He still sends Keith a myriad of heart emojis on his lunch break. Their sex life has not suffered.
But the lectures. The constant infodumps of whatever passing thing has grabbed Lance’s attention. They’re gone. And Keith’s devastated about it.
He misses Lance’s voice.
———
Shiro is not getting it.
“It doesn’t sound like a big deal,” he says, voice staticky because signal at the shop is ass. “I mean, maybe you two are just growing up and settling down. How long have you guys been together, now? Seven years? Eight?”
“Almost ten,” Keith says quietly.
Ten years of the same thing. This change is new. It’s strange, and Shiro isn’t getting it at all.
“Exactly! Ten years! You guys were so young when you started dating, kiddo. Hell, Lance was still wearing braces, wasn’t he? I’m not shocked that he’s mellowed out a little.” He chuckles to himself. “Hell, maybe he’s finally just learnt every bit of knowledge he finally can.”
Keith frowns. “I dunno, Shiro. Sometimes I feel like he wants to say something, but he’s holding himself back. Why would he ever hold himself back from me? I don’t — I don’t want him to hold back from me. I like it when he talks.”
“Tell him that, then. The only way you’re going to get answers is if you ask him, you dork.”
“Some brother you are,” Keith mutters, pouting. “You’re supposed to solve things for me.”
“Hm. Pretty sure you’re a grown-ass man who’s capable of solving his own problems, bud.”
“Ugh. You’re horrible. I’m changing the Netflix password to kick you off.”
Shiro laughs. “Sure! No more Costco membership for you. Password sharing goes both ways, you little snot. Now hang up and call your man. I have to leave for work soon.”
Despite his ongoing frustration, Keith can’t help a smile at the familiar banter. “Yeah, yeah. Enjoy your upcoming fourteen hour shift of hell.”
“Go fuck yourself! Love you!”
“Love you too. Bye.”
It shouldn’t really surprise him that Shiro’s no help. As much as he pesters his brother as often as possible and generally finds joy in making himself into a nuisance, they haven’t seen each other face-to-face since Christmas. They’ve lived in different states for years.
But, still. There’s some part of Keith that will always think of his big brother first when he has a problem. And that part of him had the right ideas, because Shiro is unfortunately right — he really does just need to talk to Lance. There’s not much else he can do.
He spends the rest of his shift wondering how he’s going to bring it up. He has his own motormouth moments, sure, but realistically? Keith doesn’t talk all the much. He’s more of an action person. How the hell is he supposed to breach the subject? ‘Hey, Lance. I’ve noticed that you are talking less. This change has consumed my every thought. I miss the sound of your voice. How come you don’t talk to me about your life anymore?’
Yeah, no. It sounds ridiculous even in his own head. He’ll have to — plan it out, maybe. He’s not sure. He’s never had to worry about making Lance talk more before.
He’s so distracted that he nearly burns off his eyeballs, forgetting to put on his welding mask before trying to make a part he couldn’t source for an older car. His boss sends him home early, worried he might accidentally leave a blowtorch by an air compressor or something and send the whole place up in smoke. Keith tries to take it as a blessing — maybe he’ll ride around on his bike for a while and clear his head. A way to bring it up might come to him naturally.
It doesn’t. He spends the whole ride just stressing himself out. He does drive by a flower stand, and turns around to pick up some poppies and peonies — Lance’s favourite. It won’t breach the subject, or anything, but it’ll make Lance smile. Hell, maybe he’ll start talking to Keith about all the different pollinators that made this bouquet possible. That would be a dream come true.
He hasn’t come up with any new ideas by the time he makes his way home, but he’s less stressed. He sets the flowers on the counter and takes a quick shower. Maybe he’ll start some dinner? Surprise Lance, for a change. Yeah. That won’t solve the problem, but it’ll be nice anyway.
He starts making four-cheese fettuccine and pink lemonade, because he is a sappy loser.
By the time he hears Lance’s key in the lock, he’s got the table set and the food is done. He keeps it heated on the stove, ducking into the bathroom to check his reflection as Lance steps into the apartment.
No grease smudges on his face. His hair is braided, the way that always makes Lance all blushy. He’s wearing the v-neck, too-tight black sweater that Lance likes, too. He’s got this. He doesn’t have a solid plan, or anything, but he thinks maybe if he turns up the romance then Lance will just spill whatever’s wrong. That works in the movies.
“Keith, baby? You home?”
“You have leaves in your hair,” Keith says, stepping out to meet Lance by the door. Lance smiles immediately, laughing to himself as he cards his fingers through his hair in an attempt to find them. Keith takes pity on him after a few seconds of fruitless searching, reaching forward and running gentle hands through the curly mess of his boyfriend’s hair, half to get out the leaves and half just to touch.
“Yeah — climbed a tree to check out a new weaver ant colony. Watched ‘em for hours — pretty boring, I’m sure you don’t want to hear it.”
I want to hear about it, Keith thinks mournfully. Please, please tell me about it.
“I made pasta,” Keith says quietly, when it’s clear that no more details are forthcoming. “And, uh, got you some flowers.” He tugs Lance gently towards the kitchen, placing the flowers in his hands.
“Oh, Keith, they’re gorgeous! Man, I love peonies. They looks like pink cabbages, it’s the best. And poppies —”
Yes, Keith thinks. Tell me about how California poppies were traditionally used as stress-relief medicine, but not like opioid red poppies. Tell me —
“I should put these in a vase,” Lance says instead of any of that. Keith feels like he could cry, honestly. Lance leans up and presses a kiss to his cheek, patting him on the chest. “You want to set the table while I do that? Or do you want to eat on the couch and watch a movie?”
“Table sounds good,” Keith says, because if they watch a movie then there’s no chance of Keith finding out what’s wrong.
“Okay! I’m going to get changed, too, I’ll meet you in ten.” Lance kisses him again and then rushes off. Keith waits until he’s disappeared into their bedroom to cover his face in his hands and scream silently.
Fuck! He just wants his Lance back. So badly. He wants to be woken up at strange hours of the night to hear about how trees communicate. He wants to get spam-texted as he’s trying to work, phone practically buzzing out of his pocket. He wants to hear about marketing strategies when they’re grocery shopping. He wants Lance to get distracted mid-sex by reading the back of the condom box, and then remarking with vague interest that they use the same dye in some cereals.
At the very least, he wants to know why Lance is acting so strange.
“So,” Lance says, once they’ve both settled down at the table and started to eat. “How come you’re home early?”
“Boss sent me home, I was distracted. I’m not mad, honestly. It’s been a while since I’ve done something special for you, which is a travesty.”
Lance smiles. “Dork. I appreciate it, though. Very sweet of you.” He shifts in his seat, tucking his legs up under him and leaning his head on his chin to look at Keith properly. “How come you were distracted?” He wiggles his eyebrows. “Thinkin’ about this hot bod all day?”
Keith huffs a laugh. “Somethin’ like that.”
“Tell me! I’m curious now. I have to know or I’ll die.”
“You’re so dramatic.”
“Mhm. That’s not even the half of it, and you know it. If you don’t tell me right now I’ll just start listing the names of royals throughout European history and how freaky it is that most of them are directly related.”
Lance is teasing. His tone is light and playful; he’s obviously trying to goad Keith into playing along and groaning theatrically. A few weeks ago, Keith might have given in easily, and started ribbing him about why on Earth he has the names memorized in the first place.
But all Keith can think about is just how badly he would love to hear that.
“Promise?”
Keith’s voice comes out embarrassingly sincere. Soft and hopeful and dead-serious.
Lance’s hand stills, mid pasta-swirl.
“You…want me to? List names of inbred royals?”
Keith swallows. It’s as good of a segue as any, he supposes.
“Yeah.”
“…Why?”
“Because I — I miss your voice, I guess.”
“Keith, I talk all the time,” Lance says, eyebrows furrowed in confusion. He snorts to himself. “One might even say it’s my defining quality.”
“You haven’t been. Not recently. You used to talk all the time, but now — I dunno. The house is quiet. I miss you talking about random things. I miss hearing about your day and the million creatures you met and the people you saw on the bus home and the weirdly-shaped stone you tripped over on the sidewalk. I miss you bazillion lunch-break texts. I miss your running commentary when we watch a movie, even though you miss important dialogue and have to rewind to hear it again. I dunno. I just miss you.”
Keith keeps his eyes downcast on his plate as he speaks, and keeps it there after he finishes. He’s finished his food, already, but he can’t bring himself to look at Lance’s face.
“Keith?”
There’s a strange quality to Lance’s voice, a sort of — bewildered breathlessness. Keith risks a glance, finding his boyfriend staring at him with a dropped jaw and wide brown eyes.
“You really — you miss my motormouth?”
Keith shrugs. “I fell in love with your motormouth. Of course I miss it.”
That makes Lance’s cheeks heat, and he glances down at his plate like they’re teenagers again and Keith told him he was cute for the first time.
“Oh.”
“Yeah.”
Keith’s not sure what else to say. He doesn’t know how to express that there’s nothing that Lance does that he dislikes, not truly. Sure, it’s annoying when Lance leaves a million half-full cups of water around the apartment, and Keith is regularly tripping over the shoes that he never puts away for some reason, but there’s nothing — every part of him is precious to Keith. Everything he does and everything he is, Keith knows he can’t live without.
“I know you love me,” Lance whispers. He looks pointedly away from Keith, pushing a couple wayward noodles around on his plate. “I’ve never — I’ve never needed to doubt that.”
Keith swallows. “Good.”
“I — yeah. You show me all the time. And, I mean, look at today! You brought me flowers home just because. You do things like that for me regularly; I never forget that you care about me. But —”
One word. Three measly letters. But it’s enough to feel like a stone is dropping on Keith’s chest.
“— sometimes I feel like I’m too much? Like, I’m kind of intense. I know that. And I can’t always tell when I’m being weird or annoying. And you’d never — you’d never string me along, I know that. If you stopped loving me you’d tell me.”
“I would never stop loving you.” Keith can’t say the words fast enough. He wants to print them out and — tattoo them on his forehead. Melt them into gold and press them into Lance’s hands. Smash them to dust and sprinkle them in the air. Whatever — whatever it takes to prove to Lance that they’re true.
Lance bites his lip. His eyes are wet. “I — I don’t want us to —”
Keith doesn’t wait for the tears to fall. He stands and hurries the two feet over to Lance’s chair, carefully pulling him up and wrapping tight arms around his waist. Lance falls into him willingly, resting his forehead on Keith’s shoulder and leaning into him.
“Three of my coworkers think I’m annoying,” he whispers, long after the food’s gone cold and the light from the window has begun to dim. After Keith’s arms have gone a little numb and a wet spot has grown where Lance’s face is pressed into his shirt. “I just thought — I thought we were friends, but I heard them talking about how exhausting I am to be around. I don’t want — I don’t want you to get tired of me, too.”
Keith closes his eyes as he exhales in a shudder, firmly reminding himself that unfortunately, being a two-faced asshole is not illegal, and Keith has no defense for hunting those shitheads down and murdering them a little.
“They are not worth the ground you walk on,” Keith whispers, pressing a firm kiss to Lance’s hair. “You have more value in your toenail clippings than they do in their entire bodies.”
Lance giggles wetly. “Gross.”
”I mean it,” Keith says, smiling. “I love you, Lance. All of you. I never get tired of listening to you talk. Okay?”
“Okay.”
“Good.”
“I love you.”
“I love you, too.”
———
It takes a while. Those asshole coworkers did a number on Lance’s self-esteem, because they’re horrible, and they deserve every horrible thing that happens to them. Honestly, Keith kind of hopes their cars break down and they have to spend ridiculous amounts of money getting them fixed by idiots, because Keith has quietly blacklisted them to every good mechanic in town. (Not that Lance knows. Lance is too nice to ask for something like that. Keith, however, is a bitch, and has no problem doing shady things to appease his own sense of justice.)
Eventually, though, the apartment stops being so silent. It starts with a shark documentary that takes them three hours to watch because Lance keeps pausing it to point out specific behaviours to Keith. And then they get kicked out of a casino they go to for shits and giggles, because Lance can’t contain himself and points out how the house is strategically winning all the card games they’re calling ‘luck-based’. And then grocery store trips start taking too long again, and Lance gets distracted mid-shower comparing the ingredients of shampoo and conditioner, and then they start a small fire in the apartment because he was explaining how broccoli evolved from mustard seed and burnt a whole pan of stir-fry to a crisp.
One day, seemingly out of the blue, Shiro sends him a picture of him and Lance, fifteen years old, at the shitty town Applebee’s.
I was looking at old pictures, the text reads. And you were right. It is strange that Lance was so quiet. I can’t imagine how that would feel. I’m glad you two worked things out.
Keith looks over at Lance, who’s singing a the periodic table song to himself as he washes the dishes for Keith to dry, and smiles.
He’s glad they worked it out, too.
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qqueenofhades · 9 months
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Good Omens Season 2: Some Thoughts (and also Screaming)
First, /screams
Second, obligatory disclaimer that this meta contains MAJOR SPOILERS for all six episodes. If you somehow have managed to remain virginally unspoiled, look away now, scroll past, or add "good omens s2" and "good omens spoilers" to your block list, as those are the tags I have been using for all posts and reblogs.
Third, /screams more
Okay okay okay. Deep breaths.
Anyway, so, uh, how about all that, huh? First, the good thing about the tone of the season overall was that it felt considerably darker and more adult, in a good way. We didn't have the precocious kiddies, the kitsch and literally-comphet Anathema and Newt, the so-clever narration, etc. All that was gone, which makes sense when you consider that a) the end of last season saw them reboot into an entirely new universe, and b) the fact that God has gone silent is, in fact, a major plot point for the season. We don't have Her slyly telling us the story, or indeed anything, and everyone is left to make their own judgments and take their own actions. Which, obviously, gets them into a lot of trouble, especially when Metatron (the Voice of God, aka someone acting in the belief that they're speaking for God and therefore doing terrible harm) swoops in with the ultimate buzzkill at the end of episode 6. But we'll get to that.
The downside was that the main, present-day plot (hiding Gabriel in the bookshop and trying to get Nina and Maggie to fall in love) was fairly thin, felt stretched out and at times weirdly paced, and otherwise existed mostly to get us to That Ending and the setup for season 3. But the ending was so damn good (if obviously, very painful) that I can't be TOO mad, not least because we spent six episodes with them just making absolutely no pretense about the whole thing being as incredibly homosexual as possible. I'll be honest: I did not think they were going to actually, explicitly go there. Neil Gaiman has been so consistent about "your interpretations are valid and you're welcome to read it however you want, but the only canon is what's on screen," which I think is frankly a good thing (not least since the Neil GAYman Cinematic Universe is consistently very, very good to us queers), that I just... didn't quite think they'd pull the trigger. Sir Terry is dead and can't have active input, this is based on a book published 30 years ago, maybe they didn't want to make it LIKE THAT... etc. I certainly hoped, but I didn't really think they would.
Uh. Well.
As I said in my various semi-coherent liveblog posts, I honestly don't think there was a single straight person in the entire season, among both major and background characters. Aziraphale/Crowley and Maggie/Nina are the obvious paralleling couples, but Beelzebub (using "they" pronouns and addressed as "Lord" despite presenting as femme/femme-adjacent) is clearly nonbinary and therefore also queer, and the countless gay/queer side characters were just /chefs kiss. From Job's son making a sassy pass at Aziraphale, to the random Scottish goon with Grindr on his phone (which he then gives to Aziraphale, because what is subtlety), to the interracial couple with the trans spouse at the Pride and Prejudice ball, there was just a lot of casual, unremarked, non-story-critical queer representation visible at every turn. It's like the NGCU saw the bigots wailing about Sandman season 1 being extremely gay and went CHALLENGE ACCEPTED, LET'S MAKE GOOD OMENS 2 EVEN MORE GAY.
God bless.
Obviously, Jon Hamm as Amnesia!Gabriel stole the show (he was SO fucking funny) and it was also incredibly fun to watch Miranda Richardson repurposed as a scheming demon. Nina Sosanya also reappeared as Nina the coffee shop owner, which leads us into the Maggie-and-Nina subplot. They're obviously, wildly, incredibly clearly an analogue for Aziraphale and Crowley themselves, but they're also each, crucially, a mix of both. On the surface, Maggie is Aziraphale: the plump, blonde, earnest, sweet-natured one owning a slightly dated book music shop and somewhat clueless about emotional nuances, while Nina is (also on the surface) Crowley, the hard-edged dark loner who doesn't want to open herself up to people or be spotted caring. But emotionally, Maggie is Crowley: the one openly pining, clearly besotted, only wanting to hang around their crush and do whatever they can to make themselves useful, while Nina is Aziraphale. Interested but reticent, attracted but conflicted, trapped in an abusive relationship with a demanding offscreen "lover" (Lindsay/Heaven) who tries to constantly control and shame them without ever offering much, if anything in return. By the end, they bring themselves around to what Maggie/Crowley are offering, but by then, well. We've got a lot more problems on our hands.
As I also said in my earlier posts, this entire thing has always been a metaphor for religion, queerness, and what religion -- especially abusive, fundamentalist, organized religion -- does to queer people, but they really cranked the FUCK out of that metaphor this season. Aziraphale is guilt-tripped, controlled, and shamed for his attraction to Crowley at every turn. He is torn between his imagined duty to Heaven, in all its ignorant, uncaring, bureaucratic, gratuitously cruel system that he still insists on seeing the best in because he can't bear the alternative, and the chaotic and sometimes grey but genuinely more good morality that Crowley offers him. (Can I just say, we were explicitly shown that the two of them together doing "just a little miracle" are more powerful than Heaven AND Hell combined.) And at the end, he's told that the only way he can be with Crowley -- what Metatron explicitly blackmails him with -- is if they both go back to heaven, submit themselves to the cruel system again and give up everything that has made them who they are: their home in London, their human friends, their reliance on each other, their independence, their own ways of doing things. You can be queer in this (religious) framework, but only the limited, watered-down, controlled, controllable, constantly-under-supervision kind of queer, which relies on both you and your lover "converting" back to the true faith. And if you don't cooperate, they will literally kidnap you, lie to you, manipulate you, take you from your soulmate, and force you right back into doing the one thing (destroying the world) that you never, ever wanted to do in the first place, because in their minds, that is still better than this. It's for your own good.
Ouch.
And the thing is: that's why the ending a) hits so hard and b) is so fucking painful, because of course Aziraphale agrees. He has no conception of being able to defy Heaven on his own; he has always, always needed Crowley for that. In the flashbacks, when Aziraphale is faced with an order from Heaven that he desperately does not want to carry out (such as letting all Job's children get killed), he still relies completely on Crowley to "outsmart the rules" and find a better way. Crowley is A Crafty Demon; that's what he does, and so Aziraphale rationalizes it to himself that therefore that must be fine. Even in season 1, when he really didn't want the Apocalypse to happen but initially thought it was his duty as a good Heaven footsoldier, he relied on Crowley to talk him out of it and allow him to do what he really wants instead. That's their whole dynamic in a nutshell, as exemplified in that scene in episode 2, where Crowley tempts Aziraphale with the "pleasures of the flesh" while sprawled on his back in Ravish Me mode like the giant walking gay disaster that he is. (Sorry, buddy. That beard. Can't do it.) Everything that Aziraphale's existence is, that makes him who he is, that he loves and cherishes the most (in this case, food and wine) comes from Crowley. Everything else is just background noise.
Throughout the season, what we see is Aziraphale increasingly coming around to the fantasy of being with Crowley. He's coy and flirty; he talks about "our car" and expects Crowley will let him (which he does); he wants to have a Jane Austen ball and for them to dance together (oh my heart); he even thinks, at the crucial moment, that the best way for them to be together is to go back to heaven just like they were in the beginning, once more perfect angels, as if those entire six thousand years of struggle and grief and pining and separation and falling didn't happen. And Crowley -- poor, poor, brave, devoted, heartbroken Crowley -- has just heard for the first time in said six thousand years that actually telling the person you love how you feel is an option. Maggie and Nina tell them point-blank that their whole stupid plan failed because people aren't chess pieces who can be moved and automatically achieve the desired result. And of course this gobsmacks the dearest and dumbest Ineffable Husbands, because they can't conceive of anything else. People are chess pieces in the Great War of Heaven and Hell; Aziraphale and Crowley themselves are chess pieces who have been desperately trying to get out of being moved by external forces, but that doesn't change the fact that that's what they are. They don't have volition or agency aside from that which they can sneak for themselves in brief and stolen moments. That's it.
Until, well. It's not it. They discover that this whole would-be war is actually an elaborate ruse to cover up another angel-demon romance, that of Gabriel and Beelzebub. (I'll be honest, I'm 99% sure they did this storyline because they saw the fans crackshipping them, but I appreciate a fictional narrative that values and incorporates its fans' input, rather than trying to constantly "trick" or "outsmart" them or "do what they don't expect.") And Gabriel and Beelzebub get to be together, but only by leaving their world forever. They have to desert their homes, their structures, even their own identities, and never return. And Crowley and Aziraphale are so rooted in their "precious, perfect, fragile" life in their little corner of Soho, with their bookshop and their Bentley and their dining at the Ritz (which they didn't get to do in the end because METATRON /shakes fist), that that just doesn't work. Neither of them can conceive of doing that. So Aziraphale thinks "go back to heaven and try to make the terrible system do some good and take what we can in terms of being together" and Crowley just... pours out his heart. He's ready to fucking propose. He barely stops himself from saying something to the effect of "I want to spend eternity with you." He begs, he pleads with Aziraphale to go away not in the literal sense, but the emotional/metaphysical: to finally break this toxic dependence on Heaven and tell them once and for all where to stick it. And because he is desperate to make Aziraphale understand, he finally throws all caution to the winds and recklessly, desperately, adoringly kisses him, the one thing he's wanted to do for ages and...
Gets. Shot. Down.
Ugghhhhh. I'm suffering all over again. Aziraphale wants him, hungers for it, for them, and yet he's been so abused and so conditioned by Heaven (he's still blithely repeating to Crowley's face that "Hell are the bad guys!") that he just cannot accept that kind of desperate, blind, limitless, lawless affection. He even forgives Crowley for this "transgression," just to really twist the knife, and Crowley just can't take it, can't face up to how terribly this has all gone up in flames, after he went to heaven trying to find the answer for Gabriel's situation. Gabriel, who he fucking hates. Gabriel, who tried to kill the angelic being he loves (and for which Crowley has transparently never forgiven him). And yet at one pouty puppy-eyed look from Aziraphale and a warning that whoever is harboring Gabriel might be in danger, Crowley leaps headlong into the Bentley again and rushes to the rescue while "Good Old Fashioned Lover Boy" is blaring. He stoutly protects Gabriel; he does a miracle to disguise him; he lets him have hot chocolate and stay in the bookshop; he guards him from the literal demonic horde outside. All because of Aziraphale. That's it. And then, it still doesn't work. Not only that, Gabriel's absence and decision to forego Armageddon gives Heaven the one tool they finally need to take Aziraphale away from him.
I repeat: Ugghhhhhhhh.
(In a good way. Ngl, I love this angst. This is the kind of angst my brain Thrives on, the Thematic Parallel Romantic Character Arc kind. Nom nom nom. But also: AGONY.)
I also need to talk about Aziraphale driving the Bentley, aside from the obvious metaphor of him being in Crowley's home while Crowley is in his. Last season, we had the "you go too fast for me, Crowley" scene with them sitting in said Bentley, which was Aziraphale saying he's not ready for a relationship. In this season, as noted above, we see Aziraphale increasingly embracing the potential fantasy of being with Crowley. But here's the catch: when he's in the Bentley this time, driving it, setting the pace, acclimating to the idea, he's driving his own idea of what the Bentley/his relationship with Crowley is. It's not the real thing. He plays classical music; he supplies himself sweets; he turns it yellow; he drives too slow. Crowley calls him in another old-married-couple snitfit to complain that Aziraphale's messed it up, but what Aziraphale has actually messed up (or will, by the end of the season) is far more consequential than just a car. He's changed the entire shape of their relationship to the one he thinks can make it work, and it just doesn't. It has to be them -- "we could have been... Us" -- or it's not even close to the truth. It's not worth their time.
I repeat: Ouch.
Speaking of the writers validating fan theories, I know we all picked up and screamed about on Crowley's idea of Peak Romance Guaranteed To Fall In Love being sheltering from rain and gazing into each other's eyes, which confirms that that poor bastard was indeed ass-over-teakettle gone as soon as he met Aziraphale (again) in Eden. I also need to talk about the 1941 redux, because wow. This time, the danger comes from Hell, which we see being its usual self: gleefully, pointlessly cruel, pettily backbiting, dirty, sniping, tedious, endless, determined to mindlessly destroy because They're The Bad Guys and they like it. So they blackmail, spy on, miracle-block, illicitly photograph, and try to prove that Aziraphale and Crowley are secretly a couple, right after Aziraphale himself has just had the Light From Heaven realization that he's in love (which we all also picked up on in s1). They're forcibly outing them (to speak of more Religious Queer Trauma) in order to break them up/get them into trouble with their authorities/families. Aziraphale and Crowley manage to escape it mostly by dumb luck, but Crowley having an altogether freakout, hands shaking, barely able to actually point the gun at Aziraphale even in the knowledge that it's supposed to be fake, is just... wow. He can't even fathom the idea of ever trying to destroy him in earnest, especially when he knows on some level that Aziraphale also finally just realized his own feelings. So I just need to --
/screams
Anyway, Aziraphale's entire arc this season is doing what he thinks is the right thing and then inadvertently causing harm and damage as a result. In the Edinburgh flashbacks (live slug reaction of me: SEAN BIGGERSTAFF???!!) he tries to stop Elspeth from stealing bodies and gets Morag killed and Crowley drinking the laudanum to save him (though that part with David Tennant just riffing left and right, using his natural Scottish accent, and being Tiny Crowley/Huge Crowley was hilarious). He invites his neighbors to a Pride and Prejudice ball and makes them all the target for demonic attack. And of course the Job episode: Aziraphale, horrified at Heaven's callous cruelty, desperate not to get Job's children killed, willing to go along with Crowley's tricks to save them somehow, tempted by Crowley to do the fucknasty with their angel bits eat some food and decide that he likes it. As mentioned, the whole thing about God being silent this season is a major thematic choice. The only time we see/hear God is Her communing with Job from afar. Aziraphale enviously imagines the answers he must be getting (he's not, he's baffled and perplexed), while Crowley longs beyond words to even have the opportunity to ask the question: why? Why do this? Why is this your plan?
And of course, this absence culminates in the Metatron, the Voice of God, the person arrogantly claiming that they're speaking for God and know exactly what Heaven wants, being able to seize Aziraphale by the short hairs and absolutely fuck him over. Gabriel is gone/decommissioned/eloping with Beelzebub, so Heaven needs a Supreme Leader (God apparently is no longer a factor in the equation). And what this Supreme Leader needs to do is finally unleash the Apocalypse that Gabriel decided to pass on (the Second Coming). Aziraphale needs to be punished, taken away from Crowley's influence/love, and put back under Heaven's explicit control, so Metatron spots a great opportunity to do all three at once. It's not an accident that the exact tool he uses to get Aziraphale to agree is "now you can actually be with Crowley!" Aziraphale and Crowley have been trying so hard to hide out from their respective Head Offices, but now all at once, there's this seemingly miraculous opportunity for them not to have to do that anymore! They can be together! They can be sanctioned by Heaven! They can give up all this hiding and sneaking around and lying! Isn't that better?
... As long as, of course, they give up absolutely everything that makes them who they are. No big deal. Minor catch. Probably nothing.
Metatron doesn't let Aziraphale have time to escape, or think it over, or reflect, or anything. He pressures Aziraphale to come with him immediately, or be once more subject to Heaven's implicit wrath/destruction/judgment. Believe me, Aziraphale already KNOWS he's made a huge mistake, as soon as he hears what Metatron really wants: bringing him back to unleash the Apocalypse that Aziraphale and Crowley have given up literally everything to prevent. He doesn't need time to reflect. By the time my man is in that elevator, he's well aware of what a catastrophic misjudgment he's made, and yet --
Aziraphale needs this. He has, as noted, literally always relied on Crowley outsmarting Heaven's cruel orders in order to prevent himself from having to do them. He's relied on Crowley rescuing him ("rescuing me makes him so happy," WELL BUB, IT'S BECAUSE YOU ALWAYS NEED IT). He admits to Crowley's face that "I need you!" He hates Heaven's sadistic meanness, but he has absolutely no framework, in and of himself, to defy it. When the rubber hits the road, he will crumple and try to go along with it, and now he's been put in a position where he's going to have to stand up, defy Heaven, and make the break once and for all BY HIMSELF. He doesn't have Crowley around to do it for him, he has no support, he is going to arrive in Heaven and be shuttled straight off to the Apocalypse 2.0 War Room. The only way he gets out of this is if he actively stands up, if he chooses himself and Crowley and their life, and he has to.
The thing is:
Aziraphale has lived his entire eternal existence Looking Up. Up is the direction of Goodness and Heaven. Up is where Angels go. Up is where Aziraphale comes from and where Demons and Hell are not. But now he's going Up, in a position to take over the whole shebang, and it's the last thing he wants.
So he's going to have to come back Down.
He's going to have to Fall. He's going to have to get back Below at all costs. He's going to have to finally, once and for all, understand what led Crowley to make the choice to leave Heaven and never come back. It's only then that they can possibly be together on any kind of conscious, equal, deliberate footing, claim their own agency, reject Heaven AND Hell, and try to really earn that South Downs cottage and that happy-ever-after, and it's gonna hurt so good.
Now if you will excuse me, /screams
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ashboy-3 · 11 months
Text
Smash or Pass
Fandom: Danny Phantom and Batfam Prompt: https://www.tumblr.com/help-i-need-a-cool-username/719653067055906816/ashboy-3-please-tag-me-whenever-you-post-it?source=share Characters: Danny, Sam, Tucker, Jason, Batfam Words: 1908 Summary: Danny refuses to sleep and gets stopped by a reporter. Not fully knowng what she aks when questioning him about Red Hood Danny answers with a simple Smash. Now if only his crush Jason Todd would pick up on the social cues.
“So what’s the game tonight?” Danny asked, looking at the screen of the video camera to see Tucker and Sam staring back at him.
“Are you sure Danny. Isn’t it like ten over there?” Sam asked, worry clearly on her face.
“It’s not a good night for sleep Sam. Please. You two both have the day off, right?” Danny asked.
“Yeah we do dude. So I was thinking Smash or pass?” Tucker threw the idea out there.
“Oh that’s a good one. What should we do it on?” Danny asked.
“Super smash bros? It has Smash in the name?” Tucker suggested.
“Then we should totally do Pokémon!” Sam had an evil smirk.
“Oh you are both so on!” Danny quickly agreed as Tucker quickly found a full list online of the Super Smash bro fighters, sharing his screen and making sure to record, if anything for future black mail reasons.
“Alright first up Mario,” Tucker announced, both his friends knowing that he would rather be the impartial party and narrator while they have their fun.
“Pass.” Danny and Sam voiced.
“Donkey Kong.”
“Pass,” Danny quickly said.
“Smash!” Sam was quick to say as the two looked at each other.
“You want to smash a giant monkey?” Danny questioned.
“First off he’s a gorilla, second you can’t tell me that he doesn’t fuck,” she quirked her eyebrow at him.
“Fair enough,” Danny yielded holding up his drink to take a sip in her honor.
“Dude that’s water,” Tucker rolled his eyes.
“Don’t’ remind me. Who’s next!”
“Link.”
“Smash” Tucker rolled his eyes at his two friends.
“Sometimes you two are so predictable. Samus.”
“Pass,” Sam waved her off.
“Smash. Let her fuck me up, in or out of that suit!”
“Dark Samus?”
“Same,” they both agreed, to keep their answers from last time.
“Yoshi.”
“Smash!” Sam yelled out, Danny thinking about it before he to agreed.
“Why am I friends with you two? Kirby?”
“Pass,” Sam said as Danny thought abot it. “Yeah pass. I feel like Kirby is to innocent. And dude who else would you be friends with. Hit me with the next one!”
“Fox and Falco.”
“Pass on Fox smash on Falco,” Sam decided. “Pass on both,” Danny shook his head.
“How could you smash one but not the other? Their the same thing?” Danny asked.
“First off their not. I feel like Falco is more bad ass. Second, I don’t want to hear that argument when we get to pokemon.”
“Fair enough.” Danny agreed.
“Speaking of Pokemon I’m skipping them in this list since that’s our next list,” Tucker skipped the image of pikachu. They both passed on Luigi, Ness, Captain Falcon, and jigglypuff.
“I would so smash princess peach, daisy, and Rosalina. Line them up!” Danny cheered.
“Really Peach? I would only smash Rosalina. She at least had a story line,” Sam rolled her eyes.
“Bowser?”
“Smash the fucking hell out of me!” Danny cheered.
“Okay I know I’m a monster fucker, but are you sure you’re not one?” Sam asked him.
“I have never actually thought about it,” Danny shrugged. “But you still didn’t answer the question?”
“Of course, I’d smash Bowser. Pass on Wario, Waluigi, and Dr. Mario,” Sam rolled her eyes, a smile on her lips.
“Yeah, I can agree with that statement,” Danny shook his head in understanding. “We are passing on the ice climbers?” Danny asked.
“Of course!” Danny agreed. “and you know I’m smashing Sheik and Zelda!”
“Smash Sheik pass on Zelda.”
“You are aware that their the same person right?” Tucker asked her.
“I’m very aware. Sheik could kill me and Zelda is a broing princess. I know what I want in a partner.”
“point taken,” Tucker stopped his fight as he ended up pushing next multip times. Danny and Sam both agreed to pass on the fire emblem charctrers along with young link while Smashing Ganon.
“Mr. Game and Watch.”
“Pass,” Sam said quickly.
“I’d smash. I feel like he could give me a fun time. You saw how he handles that hammer. If I’m lucky he’d use it to pound me,” Danny smiled, making both of his friends laugh.
“You know Danny I agree with that statement and that’s why I’d smash meta knight.”
“To much armor for me,” Danny said, making Tucker snort.
They passed on the Pit’s, kept their same opinion on Samus and landed on Snake.
“Extra Smash!” Danny and Sam agreed.
They kept playing, ending pretty quickly with mostly passes. Danny wanting to smash Bayonets,, Ridley, and King Roll. Sam was agreeing with that list adding Isabella, claiming that she must have some evil dark side to her. This led the group to the pokemon list.
“Do we want to start with Gen 1? Or just go into chaos?” Tucker asked, knowing his friends answers as he got up the list for Gen 9.
“I’m being honest if it’s got three evolutions, I’m most likely not going to smash the first evolution. The second and third are still up for grabs,” Danny set down his rules.
“I can agree with that. So we passing on Sprigatto, Quaxly, and Fuecoco,” Tucker mumbled to himself, making sure to skip thoses options.
“I’m Smashing Floragato, Meowscarda and crocalor from the starters,” Danny stated.
“Chicken,” Sam snorted. “I’ll take your grass started and your fire second evolution and raise you a Quaxwell.”
“I feel like it’s only going to drown into madness from here,” Tucker groaned, knowing it’s not even midnight where Danny is yet and there are nine generations of pokemon.
“How can you not Smash Spidops!” Danny asked frantically.
“Are you kidding? All it does is shot webs. If I wanted to fuck something that shots webs I would fuck spiderman,” Sam rolled her eyes.
“You. . .bring out an excellent point, but I’m not changing my answer!”
“Smashing Arbolliva!” Sam slammed her hand on the desk.
‘Damn girl! I am right here! If you don’t want me then just say it,” Tucker teased her as Danny laughed.
“Smash. Samsh. Smash Ceruledge,” Danny was cheering, Sam cheering with him.
“You know it makes sense that the two of you dated in. highschool, but I can clearly tell why you two were never going to work,” Tucker observed.
“And why is that?” Danny asked, quirking his eyebrow.
“You have to similar of taste.”
“No way in hell you’re actually fucking Grafaiai. Sam do you just have a thing for monkeys or something? “Danny asked.
“I’m not the one who’s ready to throw a party for Toedscruel. I thought we agreed no judging?” She glared.
“Oh know we are judging. I think I’m the one who’s judging the worst,” Tucker laughed.
“That doesn’t count. You only have eyes for Sam. I can’t even recombed a person looks hot and fuckable to you without you saying Sam’s better,” Danny groaned.
“Yep and it’s nice to see that my girlfriend does not have the same standards for me,” Tucker was looking towards her, a playful smile on his lips. He knows she loves him and that he’s not being serious.
“Ah shit guys! I gotta go and get ready for class!” Danny said after hours of playing the smash or pass game. They did eventually make it through all of the Pokémon, but now it was 7 am and Danny had to run to get to campus and stop at his favorite coffee shop.
“Make sure you stay awake dude. If you need to skip class I can write you a doctor’s note,” Tucker said.
“I’ll be fine. I just really don’t want to sleep right now. I should be better by tonight,” Danny said bye to his friends, changing into a different shirt, making sure to grab his jacket, wallet, and keys before leaving his small apartment.
Danny loved living in Gotham, but sometimes the hustle and bustle of the city can be chaotic and stressful, especially on the days when Danny could possibly be late for class, sleep deprived, yet to have his coffee and some report is stopping him to ask him question.
“Opinion of Red Hood?” was the only thing Danny heard the reported ask.
“Smash,” was all Danny could think of as he quickly walked into the coffee shop to get his black coffee with 12 extra expresso shots. Did is taste good? No. Did it wake him up? Absolutely.
Danny didn’t realize the absolute chaos he had caused till he was back home from his classes, Sam and Tucker spamming him with memes of what he did.
Seeing no other option but to go along with it. He found the original clip that tucker sent him a link to, tunrs out the news station put it up on twitter, and re retweeted it with just two words. “I’m right.”
Meanwhile on the other side of Gotham Dick is dying of laughter as he discovered the most hilarious news clip on the planet and proceeded to send it to every single person in his contacts and to every group chat that he’s in, just in case he didn’t have someone’s contact number saved.
He even found the clip being retweeted by the same guy who claims that he’s still right with someone else tagging it #plsdon’tkillhimmr.redhoodsir.
He was making fun of Jason for it especially because turns out his brother knows the guy in real life.
“Grayson what does he even mean when he says smash?” Damain asked as Tim and Dick were making fun of Jason at the cave.
“I have to agree with Damain. The video makes know sense,” Bruce agreed.
“I’m not explaning this,” Tim quickly grabbed his coffee and walked out of the batcave.
“No it!” Jason declared running upstairs, face fully red, Dick not far behind him.
“Why is it always me,” Duke groaned as Bruce wayne lifted a questioning eye brow up at him.
“Please don’t make me explain it,” Duke begged, but sadly when Bruce Wayne wants to know something he will know something.
“Keep making fun of me for this and I will no longer show up to family dinner,” Jason glared at his older brother.
“Aww. You know you can’t avoid Alfred forever,” Dick teased.
“Shit you’re right,” Jason groaned, knowing he was going to have to put up with his brother’s teasing no matter what.
Before anyone knew it Wednesday was upon them, which meant that Danny and Jason finished their only shared class and walked out together to get lunch.
“So did you see your famous news clip?” Jason asked, not able to look Danny in the eye.
“Yeah. I swear this I say the craziest shit when I’m sleep deprived. I stand by what I said though,” Danny got up from the table to grab his order.
“You’re not worried about Red Hood finding out or anything?” Jason asked, seeing a chaotic look within Danny’s eyes.
“Jason, I want nothing more than for Red Hood to come and find me. Hopefully then I’ll get my wish,” Danny smirked up at him, hoping his friend would catch on to the signs.
“Well one can always hope,” Jason gave an awkward laugh as Danny sighed.
Jason may be a bat, but Danny has a feeling that he’s as hopeless as he is when it comes to picking up on romantic cues. At this rate, it’s going to take a miracle to get Jason to realize that yes Danny has feelings for him.
@help-i-need-a-cool-username @spookytragedyshark @weirdfishy @meira-3919 @akikkobara @yjfk@shorterthanadverage@mistyaltair @seraphinedemort@princessdaisysolosyourfaves@idontgetpaidenoughforthisshit@thatonegaybitch68@fuck-you-too-world@stargirl1331@blackrabbitt3t@staresatyoufromaccrosstheroom@f-theworld
I think that was everyone that wanted to be tagged. I personally feel like this could you a second chapter. If I ever do decide to do that then I would definitely add more Jason moments than just having him in here at the last moment.
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