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EXCUSE ME fuck all of the others, the biggest plot discrepancy in all of BBC Merlin is the fact that the Knights of the Round Table, the Bestest Bros, literally the Merlin protection squad, just locked him up without a trial or question at all for arthurs poisoning in s5e7. ARTHUR. everyone knows they're in love.

idgaf abt anything else, this is without a doubt the biggest plot hole I've seen anywhere at any point in time.

See I already knew this, but when you look at pics it’s a whole different story

THE PIPELINE CELLS ARE FUCKING S M A L L

okay but do you understand? tula is dead. she’s been dead since the minute her husband died. like the bear, she’s a walking corpse, held together by strings and forces beyond her control. she is alive for her children. she has to be. she has no choice. she would not choose differently. but a scaffold is also a prison, if you look out instead of in.

Everyone is so "shocked" that Halsin will hit on you even though you've hardly spoken to the guy in your free time but...

You literally are his comfort character.

THINK ABOUT IT, OKAY?!

Hoffstrahm date night except whoever drinks the cup full of rat poison first has to pay the bill

Today is February 8th, the day many years ago I joined the PokeAsk Community and then never left! It comes back like a disease

I met lotta people I even met my partner through here lotta good lotta bad yet I still exist Wrow !! Amaze !! What a day

I fucking told you there was going to be some cross-campaign simultaneous table shenanigans happening this campaign—

what a transition though. my god. so fucking excited for this, crown keepers my absolute beloved

btw when i talk abt it being unfair that lark was forgiven for what he did and sparrow wasnt (by henry) i say that in perspective of how sparrow probably feels, yk?

like obviously there are a lot of contradictory factors in play when it comes to both of their situations (lark & the rogue card and also the fact hes around 12-13 when it happens, and sparrow being an adult,) but like- personally i think if you/i were sparrow, that watching your father continuously forgive someone for something detrimental that they did even though they don't want that forgiveness for fucking years and then watching the same man go and immediately after you fuck up on that same level he tells you he will never forgive you? like that fucks you up

i dont think sparrow resents henry or lark for any of this but i definitely think he thinks about it like A LOT, because i definitely would-

as someone who has a fked up relationship with my father and is really close with my brother (who also has a pretty f-ed up relationship with him) i still love them both dearly, but that doesn't mean that my father's contradictory attitude towards both of us doesn't bother the fuck out of me, and i still think of it as unfair

Girl help I'm getting music video ideas outside of my creative abilities

How evil is arlecchino and what is she cooking

As of 4.2, I’m really curious what they’re planning with Arlecchino as a character, especially as a villain/antagonist/morally dubious character, and how far/which direction they may go with that

Intuitively my impression is we’ll see her do something way more “villainous” than she presents herself as being for majority of Fontaine’s AQ in front of us right—(which isn’t a surprise given that, you know, Arlecchino nor the House of Hearth have never been presented as 110% ethical LOL) but I find myself not being in complete agreement with most analysis or speculation threads I see about Arlecchino’s morality and the like, level of sinister people seem to ascribe to her.

Idk how to put it, especially in regards to her children I do agree they are not a wholesome found family, that Arlecchino is not above pulling strings or using them for her own ulterior motives, but I kind of hesitate on the idea she only cares about the Hearth children as a means to the end/things she can control and there’s nothing else going on with her characterization wise there. I’m not saying that impression seems remotely unreasonable or unfounded, but just that it feels there’s something intentionally missing in how we are supposed to conceptualize her as a person

My main reasoning for this hunch is the fact they have not elaborated on Arlecchino and the previous Knave—who Arlecchino is stated to have taken over the position from by force. The extra tidbits I think about are that 1) Arlecchino was previously an orphan in the Hearth 2) the previous Knave is described as way, way crueler to the children of than Heart than Arlecchino was from when she took control of the House

Often, people’s major indicators that the House of the Hearth is kind of super fucked up are the NPCs we meet in world quests who are part of it and clearly suffering. But one thing I haven’t ever seen people mention w this that i think is a very interesting detail is, in The Very Special Fortune Slip Inazuma worldquest, where we stop this House of Hearth guy (Efim Snezhevich) from manufacturing tension between Watasumi/the Shogunate to restart the war with his other Hearth subordinates, at the end of the quest we get this dialogue that reveals he had been acting under the previous Knave’s directives:

It’s also mentioned he’s employing this plan in an attempt to “rebuild the prestige of the Knave” following Signora’s death, iirc? Now, see, the dialogue itself says that this is “assuming our captive is telling the truth” so who knows what’s really going on, but I find this a really odd/interesting thing to highlight. I’m a bit fuzzy on other world quests with Hearth members, and am not saying none of them were acting and subsequently being treated poorly by our Arlecchino, but like, this gives me a lot of questions especially when paired with implications this previous Knave seemed to be way worse

Like, what drove Arlecchino to take over? How unexpected and controversial was this within the House? Assuming the above information is all true it definitely says something this guy went rogue and acted on what the previous Knave would want and didn’t think our Arlecchino would greenlight it, which does feel consistent with the previous Knave being described as basically worse & crueler than our Arlecchino. It also makes me question how much house of hearth things we’ve seen outside the main story are the work of our Arlecchino or if there’s a bigger divide of loyalty. Heck, I could be wrong but it doesn’t even seem like we know if the previous Knave is dead or not

This isn’t me saying Arlecchino couldn’t possibly be treating hearth children worse than she wants us to know, especially ones who aren’t her “favorites” the way the fontaine trio seem to be, but I really don’t feel sure about making a solid conclusion of her exact level of malice the way ppl r generally understanding it rn when it feels there’s going to be more about her. Just the idea of she, as a Hearth child, clashed with the previous leader who was known for being cruel, overtook their position and took on less harsh methods of leading that made at least some members with more power/possible closer proximity to the previous Knave go rogue and try to commit atrocities in the previous Knave’s name…I feel this leaves a lot of room to suggest there’s more going on with how Arlecchino is as a person

I don’t mind if she’s just very evil and deceptive bc if she totally had me fall for thinking she was less evil than she actually was that’s fun tbh. But I feel people suggest that’s all her character could be with no degree of like, “sympatheticness” or deep grey morality and that if her character did go there it would be automatically poor writing and genshin walking back on making a truly evil woman when IDK. I feel you can claim at this point they have left it open ended and it’s never been completely confirmed she’s pure evil. Also sometimes I just get a hunch and feel cautiously confident in Genshin executing certain characters well. Not all characters, just certain ones. Especially given Fontaine’s character writing being very good and a character like Lyney feeling very solid to me when any development with Arlecchino would likely involve him and his siblings as well, I honestly feel open to the idea of Arlecchino being satisfyingly written to be both villainous/morally dubious but “sympathetic/likable as a person” in ways outside of just her ruthlessness if that makes sense

If I’m wrong/they drop the ball with it more than I anticipate I’ll eat my hat but I am pretty excited about her character and which way they decide to go with it. I will say the only potential impression I have of where they’ll go with her has been wondering if it will go in a “cycles of abuse” direction—I’d be surprised if they ever elaborated on Arlecchino’s character especially in how she feels about things and her also growing up as an exploited child of the hearth wasn’t relevant

I love it when the cast/characters makes controversial narrative choices like Taliesin did tonight and suddenly you have all the snide "well I've never liked -insert player/character here- and this just proves it" think pieces until the next episode or until the cast gushes about how much they loved playing out that choice.

Finales for Michael + Claire

Yo - someone has already broken down that the last/second-last images in each season finale were basically the same, right?

At any rate, I'm going do it again, because my tiny brain only mashed these two things together today. Apologies for the lack of stills.

We have flashback Mikey looking at Carmen reverently in sunlight-sepia hues at the close of season 1, then a big smile, hot on the heels of Carmy genuinely connecting with everyone at family meal - it lets Mikey's belief in his brother linger over the finale, a sense of continuation and partial closure.

The quixotic part of Radiohead's Letdown blasts us off to the credits. IMO, it was one of the most hopeful and tenderhearted moments in TV history.

In the season 2 finale we have flashback Claire, sepia-hued with her coy smile immediately cutting to a dejected Carmy in the walk-in as the welder creates "fireworks" akin to what we see behind them in Pop. There's a sense of continuation, but no closure - it just tells the audience to settle in for more regression in S3, just as we thought we were out of the woods with that experiment.

Michael Stipe walks us out with "Go it alone and haul it along" before it cuts to Syd, proud and abandoned, the song progressing into the credits.

I always felt like that last, longing look from Claire was the biggest crotch-kick from the Storer universe - it felt like an erasure of all the progress and connecting-of-dots that Carmy was working out throughout the latter half of the season, and I guess that's the material point of it all.

Maybe we have to watch this man chase familial myths and phantoms for another season, to the detriment of The Bear, his happiness, his earnest relationship with Syd, and everyone else around him. I'm not sure if he'll actually try to repair things with Claire in a fit of desperation/self-doubt, but it seems like she'll haunt him through his inevitable breakdown at a minimum.

I'm curious about how the writers engineer this without the audience feeling perpetually flogged. I also wonder how they will manage to empower Syd until Carmy starts putting shit together again.

I wish I had more endearing sydcarmy parallels to offer here tonight, but this was eating at me and now someone in the fandom needs to talk me off a ledge.

No but imagine how absolutely FUCKING FUNNY it'll be if mafia!dazai and chuuya had an undercover mission in a school right? And their education level isnt up to date yes? So like they're okay in practical subjects but absolutely clueless in any type of science where theory is required and both of them thought they'd be kinda okay at math since dazai is SMART smart and chuuya is somewhere there beside him at the intelligence level

But then suddenly they have mathematics more than your usual add, minus, multiply, divide and both of them are like ??????

Because why the FUCK do u need to learn some weird trigonometric table??? And proving a triangle is a triangle???? And ratios ???

Both of them are the last students in class but they're like mehh because they dont give a shit like that but their math teacher is absolutely LOSING IT because 2 boys who should have ample knowledge about these topics at this class dont have a SINGLE clue and he wants to fix this since SOMEONE has to and its unideal for them to lag behind like that

Chuuya and dazai absolutely fuck up the guy's schedules for everything because hey they might as well have some entertainment while they're at it right? And the teacher does the most awsome tricks whenever he's mad (counting to ten and holding in his anger while chuuya is reciting his MULTIPLICATION TABLES WRONG) (staring at dazai with a look of absolute HORROR when dazai just recites suicide drugs from the top of his head after not being able to understand angles)

Bonus: at the end of the mission both of them kind of disappear and the teacher gets super fucking concerned because their contacts, guardians, everything is just missing and he thinks oh god maybe the taller kid killed himself or maybe the shorter one got himself wind up somewhere he shouldnt be because he talks too much

And to figure where the students are because NO ONE is doing anything, he ends up at the ADA

Laying aside the question of folks with full-blown genderfeels just for a moment, a thing I’ve always found lowkey interesting is how much more common it seems to be for cishet dudes to choose to play women in RPGs than it is for women to choose to play dudes.

(The flip explanation is ofc that if you’re a straight man who is going to be staring at a character for many hours it might as well be a hot lady, but ime the pattern holds true in tabletop as well as CRPGs, so.)

whoa, perry, OWCA lets you have TWO host families?