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#the industry
daisyswift3 · 12 days
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UMM so cruel summer and a lot of other songs are making a lotttt more sense now that I’ve realized the “devil” that Taylor keeps referring to is actually the music industry as a whole thanks to @keepingsecretstokeepyoutk (see this post). “He looks up grinning like a devil” // “I would’ve stayed on my knees and I damn sure never would’ve danced w the devil AT 19” // “Dear reader if you aim at the devil make sure you don’t miss.” Do you remember the Top Global Artist vid that spotify released that had cruel summer as the background song and had a bunch of cruel summer references? Yeah go back and watch that again w this context in mind 😃 Taylor (the angel) has had enough of the games and is gonna end them once and for all which is very Katniss Everdeen of her—hello the archer 🏹 if any of you have read or watched the hunger games you know how the story ends
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And you'll also remember that Katniss escapes the games twice by cheating--the first time w poison berries and the second time by destroying the arena itself (which was a clock) WITH itself using a lightning strike current at midnight that shot thru her arrow -> "And there was one prize I'd cheat to win." Not to mention Katniss was the mockingjay, a symbol of rebellion and resistance. And the fire symbolism in this trilogy was meant to represent how that rebellion can spread from a spark of hope. Snow lands on top but fire melts snow. Taylor is a huge hunger games fan so I wouldn't be surprised at all if these parallels were intentional. Also I'm not the first one to notice the hunger games connections, I saw some other gaylors point this out so I can't take full credit for that
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“You play stupid games you win stupid prizes” // “Devils roll the dice” // "Baby let the games begin" // The scrabble instagram post // The mastermind chess board // "You see all the wisest women had to do it this way, cause we were born to be the pawn in every lover's game" // "No more keeping score now I just keep you warm. No more tug of war now I just know there's more"
I think it's possible Taylor knew that her masters were gonna be sold hence all the game imagery and songs abt heartbreak on lover
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She's literally gonna take down the industry as a whole and expose everything. This is the reason for all the cryptic messages and meticulous planning. AND THIS IS WHAT THE ALBATROSS IS ABT TOO. “She’s the albatross she is here to destroy you.” They tried to keep her locked away in cages and towers and closets and tried taming her and pulling out her teeth but it didn’t work
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“Devils that you know raise worse hell than a stranger” SHE’S the devil now and she’s abt to make their lives a living hell
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“She’s the death you chose” i.e. the music industry chose to kill Taylor (which is why TTPD is a post-mortem album) so now she’s coming back to haunt them hence the ghostly Victorian attire. “We gather here we line up weeping in a sunlit room and if I’m on fire you’ll be made of ashes too.” THIS is the karma she’s talking abt that will happen at midnight!!
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“You’ll see me in hindsight tangled up w you all night burning it down”
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I am the APPARITION. I am the LINE OF POETRY. THAT’S TAYLOR. SHE’S THE GHOST WRITING POST-MORTEM POETRY
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Literally feel like I am abt to explode from all the earth-shattering revelations I’ve just had
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mazes-and-the-madness · 10 months
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IN BETWEEN: A Camren Analysis
I. Introduction
Nearly two years after she released her debut EP PRELUDE in 2021, Lauren Jauregui brings us a second one: In Between. She explores a variety of themes, some of which were also on PRELUDE (i.e. relationships, personal growth, her emotions). Without further ado, here’s my Camren analysis of In Between. As always, there’s the disclaimer that I’m not saying certain songs are definitely 100 percent about Camila: just that if they are, here’s a plausible explanation as to why. Oh, and Lauren, if you happen to come across this, just keep scrolling - absolutely nothing to see here.
II. Track-by-Track Analysis
1. In Between
Much like she did with Colors on PRELUDE, Lauren opens with a piece that’s part song, part spoken word. The title track In Between is about self-reflection, growing as a person, and ascending to one’s higher self. Lauren says, “love me in the in between… for me and the future we,” which could refer to becoming a better person for not only herself, but also a future romantic partner. “A dream that comes to tell me of the path that lies ahead // the things that I must leave behind instead of me for dead” could refer to leaving behind her immature past self, or a toxic partner, for her to reach her full potential. Lauren also mentions being “hung up on all the potential instead of the truth.” Even if the relationship was good at one point, this is no longer the case. It’s too far gone, and I hate to say it, but this could be about Camren. A key message of In Between is that no matter how much healing you’ve done, there’s always more self-discovery to do. When Lauren says, “I wade in the waters of the in between // until I’m born again, anew and renewed,” this is yet another parallel to PRELUDE, specifically the cover art where her face is ever so slightly lifted from the water. You know how the one thing everyone remembers from science class is, “The mitochondria is the powerhouse of the cell?” The English literature (and songwriting) equivalent is “water = rebirth.”
Other Thoughts:
Can we take a second to appreciate how “a dream that comes to tell me of the path that lies ahead // the things that I must leave behind instead of me for dead” is written in perfect iambic heptameter? If you have no idea what that means, don’t worry about it - just my inner English professor nerding out about Shakespearean poetic structures.
I know we’re all mad at Taylor Swift right now (and if you’re not, you should be), but “meet me in the in between” is giving “meet me at midnight.”
2. Em(oceans)
This song summarized in one sentence: Lauren feels too much, and wishes that she didn’t because her heightened sense of empathy enables people to take advantage of her. Her plea of “do you even notice? (are you even noticing all this emotion?)” could be directed at a partner, specifically Camila. The lyric “I never know what to say // so I try to push it away” is interesting because it alludes to communication issues from Lauren’s side. Communication has historically been a major obstacle for Camren, but the problems usually seem to stem from Camila’s side, as we know from Lauren songs like Expectations, Let Me Know, NADA, and the unreleased XO (I Don’t Miss You). Em(oceans) directly parallels other songs on the EP, specifically In Between and Trust Issues which also allude to other people using Lauren for their own ulterior motives.
3. All in My Feelings
This song reads very much like it takes place after Camila left Fifth Harmony (and by extension, Lauren). Camila now has more self-respect, and will no longer drop everything just because Lauren wants her to. Lauren expresses frustration that Camila is ignoring her, saying, “I just wanted to have sex // I’m too used to getting my way now.” By doing so, Lauren confirms what Camila writes about her in My Oh My (“they say he likes a good time,” “insatiable habits,” “he’s only here for one thing”). While Camila was previously quick to give in to Lauren’s demands, now she’s moved on and this is no longer the case. 
One interesting lyric is “this might be some past life shit, thе way you got me waitin' 'round for ya // to answer me whenever you do you ya, the upper hand was always mine.” The term “past life” has a clever double meaning: Lauren could be saying that she and Camila’s connection means they were together in a past life, OR that she’s now paying for how poorly she treated Camila all those years ago. Plus, we know from both of their songs that Lauren had the upper hand over Camila (She Loves Control, This Love, Señorita, Back to Me, Sorry). Lauren knows her past behavior is no longer going to fly, as she worries, “I'm afraid (oh, I'm afraid) of what it could mean when I've lost the control and I don't want it to mean anythin.' ” This is a good time to remember that Camila literally has a song called She Loves Control about how much of a control freak Lauren is. 
Lauren also says, “I like my wall up to keep from fallin', keep from fallin' // keep my walls up to keep from fallin', can't be fallin.' ” As I’ve stated in previous analyses, Lauren has written multiple songs about her struggles to open up to others (On Guard, Trust Issues), and Camila has written about desperately wanting her partner to do exactly that (Inside Out, In the Dark, Shameless, Boys Don't Cry). Lauren ends All in My Feelings with, “now he answers my texts as I'm writing a song about him // man, fuck that dude.” I don’t know about you all, but I laughed out loud when I first heard this. While she seems to be talking about a man, I wouldn’t be surprised if this song is actually about Camila, who has used he/him pronouns to describe Lauren in multiple songs (most notably, Havana and My Oh My.)
Other Thoughts: 
This song also parallels Em(oceans), specifically the idea of feeling too much and wanting to push these thoughts aside. This is most apparent with the lyrics “uh, trust me, I'd like to turn off my feelings // why the fuck am I feelin' any type of feeling?” and “anyway, anyway // usually I run away, run away.”
4. The One
Along with All in My Feelings and Always Love, The One is one of the most Camila-coded songs on the EP. The first verse is about an on-off relationship, apparent by the lyric “been here a few times, don't know what I'm fightin' for anymore.” Camren is THE on-off relationship, as we know from songs like This Love, Señorita, Back to Me, Sorry, and the unreleased Don’t Need This (I’ll stop there before listing out their entire discographies). In The One, Lauren questions her partner’s commitment to her, doubting that their actions match their words. She says, “you say that I’m the one, yeah yeah // so show me that you love me, yeah yeah.” Camila has written multiple songs about how Lauren is the only one for her (Anyone, Taxi, Easy, and arguably, First Man). Lauren is unimpressed by her partner’s wealth, saying, “don’t need your money, nah nah // that ain’t the way you keep me, my love.” No shade, just facts: as the most commercially successful member of Fifth Harmony, Camila is wealthier than Lauren, boasting a net worth of nearly $20 million vs. $4 million. Plus, Camila totally seems like the type to spoil her girlfriends with all her money. Lauren also questions, “why you gotta be insecure? ... I can’t really do this no more if every time I speak, you take it that I’m starting war.” Camila has bared her insecurities in several songs, including Easy, psychofreak, No Doubt, and Hasta Los Dientes. Until Camila can prove her commitment to Lauren, Lauren scoffs, “you can keep your money, yeah yeah // I’m doin’ just fine on my own.”
5. Trust Issues
At the request of @/missmebaby2017, I first analyzed this song when Lauren officially released it in March of this year. As I said back then, Trust Issues fits right in with other songs we've gotten from both girls about Lauren’s struggle to open up and the volatile, on-off nature of their relationship. As a result, it makes sense that Lauren would have “trust issues” before trying again with Camila, or starting a new relationship with anyone else. Now that we have the context of the full EP, we also see that Trust Issues fits thematically with songs like In Between, Em(oceans), and All in My Feelings.
6. Always Love
Lauren first performed this song in July 2019, shortly after Camila tweeted “for me, it was always going to be about love.” Always Love is about a relationship that’s long gone, but you still have love for the other person. Like All in My Feelings, this song could take place after Camila first left Fifth Harmony to pursue a solo career. The lyric “nobody talks about walking away when there’s still love // feeling so far after being so close is a mindfuck” would fit with this theory, since the Havana music video hints that this breakup was amicable. The on-off themes surface once again as Lauren reflects, “even though we didn’t work, it’s always love, always love // and even though we hurt each other more than once, it was love, always love.” As for “for all those times that we locked eyes // when I was yours and you were mine,” there are tons of compilations of “Camren staring at each other” on YouTube and TikTok. If “intense eye contact” was an Olympic sport, they’d take home more gold medals than Michael Phelps. But my favorite lyric in the whole song is, “you helped me grow into me, so I couldn’t help but change.” Camila was there for Lauren during a highly formative period in her life, her mid-to-late adolescent years in the band. Because of Camila, Lauren could no longer deny her sexuality and finally accepted who she really was, giving so many of her fans the courage to do the same (myself included). Overall, Always Love is very much giving “sapphic first love” vibes, and I will never not cry when listening to this song.
7. Wolves (ft. Ty Dolla $ign and RUSS)
This song details all three artists’ struggles in the music industry. Because there’s so much to unpack here, I’ll do more of a close reading, line-by-line analysis with this one.
“I've been runnin' with the wolves and I made it alright
Searchin' for my purpose and I'm learnin'
That we don't really get a lot of time
So I've got to go and get mine while I'm alive
Yeah, I'll be runnin' with the wolves all through the night”
Lauren started in the music industry at age 16. She’s now stayed in it for over ten years and done a lot of learning, growing up, and self-discovery in the process. The word choice of “wolves” is rather pointed; I mean, she doesn’t say “runnin’ with the butterflies.” The wolves are the cutthroat music industry executives who don’t care about the artists and will exploit, abuse, and overwork them to rake in as much money as possible. Remember Lauren’s advice for young people aspiring to a music career? “Read your contracts.” All artists have an expiration date, especially women and those from manufactured bands. As a member of both groups, Lauren has to work extra hard to make the most of her time in the spotlight for as long as the wolves allow her to do so.
Now we get to Ty Dolla $ign’s part:
“I lost so many to the system // only two ways out, dead or in prison” … “I know there’s gotta be a better way // out here runnin’ with the wolves tryna get away”
The music industry often exploits newly signed artists, especially those from working-class backgrounds. As I said in my analysis of Familia, this was the case for nearly all the Fifth Harmony girls. Simon Cowell was able to get them to sign those unjust, restrictive, inhumane recording contracts because he knew it was practically their only chance at a better life.
“clock tickin', plot and stop bitchin' (uh, oh yeah) // lot of fake stars, but I ain't 'bout to stop wishin' … every time my gut talks, I try to just listen ”
This lyric goes back to artists having a shelf life, and also includes some clever wordplay. We all know the idea of wishing on a star to make your dreams come true, but here Ty means that a lot of artists aren’t “real” with their fans because they’re heavily manufactured by the industry for (what else?) financial gain. Still, he refuses to let this stop him from making the most of this opportunity and striving to be an artist on his own terms.
“a millionaire on hamster wheels, I'm hopin' that this can't be real”
Even for those lucky artists that become super wealthy doing what they love, they may be trapped because of these brutal contracts. The word choice of “hamster wheels” is especially telling: artists are hustling all the time, but ultimately remain stuck in the same place.
That brings us to RUSS’ part:
“I'm scraped up, got some scratches, got some war wounds
I'm tryna reach the people as if I ain't 'bout to tour soon
I might need a therapist, maybe a support group
Yeah, I went from dorm rooms to courtrooms to board rooms, ah”
The industry hurts artists both mentally and physically. “Reach the people” could mean multiple things, such as artists helping others through their music or making them aware of the harsh behind-the-scenes reality. The mention of touring could refer to artists’ grueling schedules often determined by industry executives. Members of Fifth Harmony and One Direction have spoken about how the nonstop album-tour-album-tour cycles were harmful to their physical and mental health. For example, Niall Horan wasn’t even allowed to get much-needed knee surgery while he was on tour, and Ally Brooke writes in her 2020 memoir Finding Your Harmony that she only took one or two sick days during her entire time in the band (2012-2016). Today, artists are more comfortable speaking about mental health issues, like Demi Lovato and Miley Cyrus declaring that they’re no longer going to be touring as part of their careers. Finally, why is Lauren also singing the “dorm room” part when she’s never even been to college? I’m sure it’s not that deep; I just find it funny.
Now we’re back to Lauren with the outro.
“runnin', runnin', we keep runnin', runnin', runnin' ”
Although this line of work is by no means easy, all three artists stick with it and continue breaking their backs to keep the wolves happy. That is, until the wolves discard the artists for fresh meat, thus perpetuating the cycle of abuse and exploitation in the music industry.
III. Conclusion
Lauren, you’ve done it again. In Between is thoughtful, reflective, and self-aware, and you’ve proven your growth as an artist from not only your Fifth Harmony days, but also throughout your solo career. Though I loved both of your EPs, I have to ask: when are we getting your debut album? I know there’s probably all sorts of behind-the-scenes stuff we’ll never know; it just feels like we’ve been waiting forever. Either way, as long as I keep vibing with your music, I will continue to support you as an artist whatever you decide.
If anyone has questions or comments on anything I’ve said, my asks are always open (I trust you all to keep things civil). And if you haven’t already read my analyses for PRELUDE and Familia, what are you doing? No seriously, I’d encourage you to do that as well. I’ll be back for the next major music release from either Lauren or Camila, but until then, stream In Between.
Final Rating: 7/10
Final Ranking:
7. Trust Issues
6. Em(oceans)
5. In Between
4. Wolves
3. The One
2. Always Love
1. All in My Feelings
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face-claims-central · 28 days
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Ainhoa Larretxi - Basque Spanish, 2001
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ebonyseuphoriatarot · 6 months
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mychampagne-mybubbles · 6 months
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“A LEGACY OF KINDNESS”
For those jumping into my anons with that bravery approach (notice my irony), keep reading or, if you wish, keep interpreting:
There’s nothing such as drama…
Everyone is wondering where the f*cking drama is.
This is embarrassing… the next step would be an article about how Anne cant take it anymore and she stepped up for his kid.
Such as when she went to watch DWD & tagged O… It is so poorly done
And the article came:
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On one side I feel “sad” to be able to depict everything they do ahead of time but on the other I am glad, bcs its about time that we cut the cr*p when its needed.
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anti-ao3 · 3 months
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also "fit" food makes me roll my eyes. yes, it's important to have more inclusive food for ppl who have restrictions like lactose intolerance or diabetes. but i hate how they put the "fit" label to promote weight loss, so they don't attract the right audience.
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the music industry evolve you need to evolve as an artist too.
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writing-with-chaos · 9 months
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I read this TIME article yesterday about advanced AI and writing and it makes me literally so depressed
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2. and now TODAY it's been revealed that an author named Benji Smith stole 15K BOOKS to train his AI.
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And 3. Apparently, people are publishing AI-generated novels on Amazon using established author's names, and nothing is being done about it. Goodreads is attaching the garbage books to their official author page, alongside their real books.
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(link to article)
I pray to every God that will listen that the WGA wins their strike because I REALLY fear for not only the industry's future, but writing communities in general if they don't
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The Railroad man (Ogoa) is an agent of the Industry (hfth)
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justascrollingghost · 11 months
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from now on my job will be to stand in-between vulnerable children and adults in the entertainment industry hissing like a feral cat
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mosssik · 2 years
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Ame Amrit for The Industry Modeling Agency “Polaroids/Digitals. The Industry 2022 Polaroids”
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FAMILIA: Bonus Analysis
Hey everyone, happy 7/27! For #10YearsOfFifthHarmony, I thought I’d drop some bonus lyrical analysis from my Familia review that didn’t quite make the cut the first time around because it wasn’t as Camren-centric. Hope you enjoy :)
1. Celia
Honestly, I’m not quite sure how to explain this song. Celia describes someone who wants to move to Miami, is unfamiliar with the Spanish language and Latin culture, and has never heard of Cuban icon Celia Cruz. As a result, I feel like this is a weird one for Camila to write about Lauren, who is also Cuban, fluent in Spanish, and lives in Miami. So, I propose two alternative explanations. One, it’s a stunt song that Camila wrote not out of her real-life experiences, but specifically for people to attribute to Shawn. Two, it’s inspired by real-life experiences, but the muse is another person altogether. I have no idea who that could be, but for personal reasons I’m just going to pretend that it’s Hailee Steinfeld.
2. Bam Bam
Sometimes when I’m listening to a song, I wish I didn’t know anything about the artist’s personal life. For example, I can’t think about anything other than Jake Gyllenhaal when listening to All Too Well because Taylor marketed the song so massively around him regardless of who the actual muse is. It just ruins the song for me, and I’d say that even if she publicly marketed the song around a woman. Similarly, Bam Bam falls quite low on my ranking of Familia because the song is just so obviously contrived. 
The opening lyrics are “you said you hated the ocean, but you’re surfing now // I said I’d love you for life, but I just sold our house.” Shortly after the split in November 2021, Shawn posted pictures of himself at the beach, and shortly before, Camila sold her LA house. Remember, Camila bought that house in April 2019, a couple months before breaking up with Matthew Hussey. Given the suspicious timing of these transactions, it wouldn’t surprise me if her label only intended to use the house for her PR with Shawn. Either way, this is annoying because the relationship was fake, but now it’s forever immortalized in Camila’s art. If I had to guess, I’d say she was contractually bound to do so, but at least it’s only a couple lines. Also, here’s a thought about “I said I’d love you for life.” What if she was saying that she’d initially agreed to a lavender marriage with Shawn, but didn’t end up going through with it? I hope that isn’t the case, but I’m glad they never even got “engaged,” let alone “married.”
But as we’ve learned over the past 10 years, one should never underestimate Camila. If we read between the lines here, she might actually be throwing shade at the PR. In the chorus, she says, “yeah, love came around and it knocked me down, but I’m back on my feet” and “I was barely standin’, but now I’m dancin.’ ” What if she’s saying that the mental toll of the PR stunt knocked her down and left her unable to stand, but now that she’s free of Shawn, she’s back to being happy again? Being the fame whore that he is, Shawn’s songs are all about wanting her back even though he was the one that “initiated the split.” But Camila’s out here living her best life, and she could not care less.
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judgmentalfishnun · 1 year
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I’m extremely pro-union and fully support the writers’ strike, but just want to post a reminder that “the studios” are not just a handful of multi-millionaire execs…humans work there too and many are not fortunate enough to be part of a union. The strike will affect jobs on both sides.
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mychampagne-mybubbles · 6 months
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Well, look, Anne, I'll explain it to you…
17.11.2023
…H does it to attract attention (that’s the only reason why we have seen it, there’s an intention), it's no news that he has sold his soul to the industry, a choice that he is totally able & free to do, of course; but it's clearly a desperate move to attract the attention his last stunt is not causing; so there’s no need to victimize him on it, as we can all agree on “its just a hair cut” on every perspective.
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He wasn’t fancing it for long or it’s not the point, he is not on vacation as he’s made it clear since September with countless papwalks. The haircut doesn't concern anyone, the wear and tear and the absurd and unnecessary manipulation of victimhood AGAIN is beginning to leave its mark and the fans are exhausted.
Oh yeah, and everything happened when new Pleassing “capsule” is dropped & “pinballed” the Sphere, his future show in vegas, U2 and ofc TR.
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xo-indulgence · 2 years
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I have no idea if anyone watches The Industry on HBOmax but, Harper created her own downfall and doesn’t take accountability for her actions based off of how big her ego is. Karma came back for her in the end. 😅
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yusuke-of-valla · 8 months
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GAMES MADE BY PEOPLE WHO ARE PAID MORE TO WORK LESS
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