John Irving, A Prayer for Owen Meany (1989)
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the thing about Harry’s wound placement is that it required removing
his pants
his underwear
to clean and remove the bullet. it was his upper thigh. it was his upper thigh. that drives me insane from so many angles, two touch starved men, experiencing closeness in the most horrific way possible. like!
Kim, who has dedicated his life to a career that has separated him from the gay community and hasn’t gotten laid since when. Kim who wants to heal the city, who worked with corpses in processing AND Harry, a repressed bi who has a history of experiencing sexual abuse who can't get through sex without being intoxicated. deathly ill and mostly unconscious.
it’s so intimate and so deeply twisted with how it mirrors their respective traumas and lonelinesses. am i making sense because i feel insane
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In RWBY weapons are a part of a person, an extension of yourself, as Ruby puts it in V1. So, a weapon can say a lot about a person in how it appears and what it's used for.
Looking at Crescent Rose compared to our other main characters' weapons and it's immediately one that stands out from the size alone, it immediately draws our attention, it usually takes up the screen.
Like Ruby, it's striking, awe inspiring and larger than life. It's beautiful, resilient and strong, but evolves to be more adaptable during the Atlas Arc, when Ruby herself has to be more flexible and think outside the box, and her worldview is consistently challenged. It's also very easily the most intricate and complicated design, by her own admission:
"I guess I did go a little overboard in designing it..."
Which, while on the surface means it looks cool and flashy, it's also incredibly complex, just like Ruby.
And as we know from V9, a weapon like that would also be a heavy one to carry at all times too, and it weighs on her. Just like being "Ruby Rose" means to shoulder all the responsibilities and entanglements that come with being who she is, a huntress, a leader, a hero, a spark of hope and light who inspires others. In the end her resolve as a huntress and in who she is, and her purpose, is renewed and stronger than ever before, and wields her weapon once more with confidence.
That doesn't mean her burdens have gotten any lighter though, in fact upon returning to Vacuo, because of her message, all of humanity is now looking to her. No matter how strong, confident and resolved she is, that's a heavy weight for one person to carry alone.
Which brings me to Oscar's weapon, the Long Memory. Which is a cane, smaller, simple and straightforward, but has it's own hidden light stored inside. A cane is meant to take someone's weight by design, that's it's purpose. To be something that's leant on as a crutch when you're hurting to alleviate the pain by taking the pressure off yourself, so moving forward is made easier. Because everyone needs that support sometimes and it's okay to be weak, it doesn't make you lesser, it just makes you human. And it is incredibly human for us to care for and lean on one another for support. That vulnerability leads to our greatest strength as humans.
The one who carries the heaviest weapon vs The one who has a weapon that can be leant on to take pressure off yourself. Ruby who carries a heavy burden and Oscar being someone that can be leant on for support. ooooooohhhh the cymbal ism of it all.
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Mahmoud Darwish, from The Butterfly's Burden; "This Is Forgetfulness" (tr. from the Arabic by Fady Joudah)
[Text ID: This is forgetfulness: that you remember the past / and not remember tomorrow in the story]
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the past i can’t help but forget, the history you can’t help but bear
i’ve been wanting to write something about these two for a while but haven’t quite thought out how i want a story between them to work out yet but. they’ve been on the brain
the fascinating thing about whisperain is that with her being a serial amnesiac and also a travelling doctor… you could really just justify her having a past with basically any character? that she just cannot remember? (free headcanon real estate)
the way she’s clearly haunted by knowledge that she doesn’t even know what she’s lost (see her module text!!) is sooooo ripe for exploration. iirc the game lists whisperain’s birthplace as iberia but tbh how would she know? she could just have put that down to fill out her hr file
also, the travelling doctor thing. on one hand, she’s afraid of forming onesided attachments (again that module text!!!!) and so imho she’s picking an occupation that’ll let her isolate herself from society. but at the same time. considering her frail physiology, it’s possibly also a self destructive act. god she’s so fascinating
meanwhile, dusk, arknights #1 loner. similarly avoids attachment, but where whisperain throws herself into moving, moving, never allowing herself to stay still, dusk sits herself by the stream of history and watches everyone leave her instead. but she clearly still has a strong sentimentality in her (see: dawn + the painting that who is real is set in) that she hasn't let go of...
anyway, i’m just saying, i think they might have a fun time bonding over films. and if they met before… and got to know each other… and one of them is cursed to remember, and the other is cursed to forget… weeell
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You know, I feel like Kratos forgetting Calliope’s song was a wee bit harsh on the part of the writers.
I think his explanation of how he would’ve given up everything for a few moments more with his daughter, but when he met Faye, found the world worth living in again, would’ve been enough. Imo that illustrates his journey well in of itself.
To add onto that that when he found his new family, he could no longer recall Calliope’s song (played on the flute he made for her)…I dunno, it doesn’t make me think, ‘oh look at Kratos’s growth and development’ as I’m sure the writers intended. I understand the symbolism they were aiming for, but honestly it just made me sad
It’d be different if he was struggling to remember just due to the passing of time, but the fact he says he forgets it specifically after meeting Faye changes the meaning imo.
Kratos could remember his daughter’s song - presumably her favourite, that she played often, if it stuck in his memory - just because he loves her. To remember doesn’t intrinsically mean he’s haunted by it. memories of, and a love for, his Grecian family isn’t inherently negative, or something that has to be ‘let go of’ for him to progress as a character.
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Angela Carter and Folk Music: 'Invisible Music', Prose and the Art of Canorography, by Polly Paulusma (2022)
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He was still too young to know that the heart’s memory eliminates the bad and magnifies the good, and that thanks to this artifice we manage to endure the burden of the past.
-- Gabriel García Márquez
(Regensburg, Germany)
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all my ocs have to be beasts or creatures of some kind, I can’t control this rule. yes even the human ones. they require teeth and claws and tails and the lively soul of a wild animal
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