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#the armed man
culturevulturette · 4 months
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jotun-philosopher · 6 months
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Good Omens S3 speculation playlist
These pieces have sort of drifted into becoming the soundtrack for all my wild speculations about what Season 3 might bring, acting as placeholder music until David Arnold works his Euterpean magic -- see what you think! :D
Dies Irae (Karl Jenkins Requiem (link goes to youtube playlist of the full album, 'cos it's awesome and seriously worth listening to)) -- this is far and away my favourite version of the Dies Irae; it feels particularly appropriate for GO because it's borderline bebop and sounds like something Crowley'd have playing loudly in the Bentley while driving like fury to save the world (or possibly invading Heaven to rescue his True Love) if he felt Queen wouldn't quite cut it. Plus, per this post, the four-note Dies Irae motif appears a few times in the score to S1 (appropriately enough!) -- why not try listening to the OST again and finding them all? ;D
Dancing Mad (Nobuo Uematsu FF6) -- bit of an oddball association, I know; I happened to be reading a post making jokes about Kakfa (as in Franz Kakfa) shortly after the release of S2, only I mis-parsed 'Kafka' as 'Kefka' (as in Kefka Palazzo) and was promptly deluged with mental images of the Ineffables being badass adorable together to the tune of Dancing Mad! XD Plus, I like the image of Heaven suddenly hearing the organ notes at 11:32 crescendoing in the background, and the elevator doors slamming open right when the vocal-ish bit kicks in at 11:51 to reveal a certain VERY cheesed-off serpent who's in a rescuing mood :D (He does love to be dramatic, after all ^^)
Adiemus (Karl Jenkins Symphonic Adiemus) -- I just really like this track, and it feels kind of appropriate for a moment of renewed hope and building optimism after a moment of what Tolkien called 'eucatastrophe' and TVTropes calls 'Near Villain Victory' -- something we're almost certain to get in S3
In Caelum Fero (Karl Jenkins Symphonic Adiemus) -- from the same album as Adiemus above (In Caelum Fero is the first track, actually, so I've make the link one that takes you to the start of the playlist). It sounds threatening and dramatic and hopeful by turns -- appropriate for the Apocalyptic situation that's brewing for S3 -- and the title translates from the Latin as 'I will bear you to Heaven', which matches up to The Final Fifteen in two or three different ways! ;_; (#FuckTheMetatronWithACactus)
Sanctus (Karl Jenkins The Armed Man: A Mass For Peace) -- ever since I first heard this track waay back in 2001, I've associated it with the image of hordes of angels marching to war; it certainly sounds ominous enough!
I'll Be Your Mirror (Velvet Underground) -- I got into Velvet Underground entirely because of Good Omens! I love this track in particular because it sounds so utterly perfect for one of the Ineffables trying to bolster the other's confidence (in my imagination, it's usually Crowley trying to boost Aziraphale, 'cos that poor angel's self-esteem is atrocious :( *hugs*)
Pale Blue Eyes (Velvet Underground) -- Crowley's fave VU song, I gather :D Plus, despite the title, this particular love song was apparently written for someone with hazel eyes (just like our angel!) :D
I Found A Reason (Velvet Underground) -- I can't offhand remember seeing this song mentioned in fandom discussions of VU, which seems a bit of a shame; it feels just so darn PERFECT as a summary of how the Ineffables feel about each other! <3
Edit/addition 18/02/2024:
The Dark Morris Song (Steeleye Span, Wintersmith album) -- this one's an absolute bop, is connected to Discworld (so Aziraphale would probably approve!) and is very thematically appropriate for the Ineffable Husbands; Pterry thought up the Dark Morris (danced in secrecy and silence, in black costumes, deep in the forest, to welcome the winter -- first mentioned in Reaper Man, becomes a plot point in Wintersmith) as a counterpart and counterbalance to the traditional Morris dance to welcome the summer. The whole 'balance of light and dark' thing is a big part of the Ineffables' story <3
The Good Witch (Steeleye Span, Wintersmith album) -- also a very good match for the Ineffable Husbands' vibe; the first half of the song is about a witch being good and loving and caring even if she is 'ugly' or gets tagged as 'wicked' for whatever reason (A. J. Crowley, anyone???), and the second half is the actual Terry Pratchett doing a spoken-word reading of his passage about what 'cackling' means for Discworld witches -- which matches up uncomfortably well with what the impossibly high standards Heaven imposes on Aziraphale have already done to his psyche in terms of c-PTSD and compassion fatigue, and what they might still do in the worst-case scenario...
Stranger In Paradise (Alexander Armstrong version) -- I just feel like this coincidentally matches the Vibes (tm) of bits and pieces of the Ineffable Husbands' story! "Won't you answer the fervent prayer/Of this stranger in Paradise/Don't send me in dark despair/From all that I hunger for!" -- The Final Fifteen/Ineffable Breakup, anyone? "If I stand starry-eyed/That's a danger in Paradise" -- danger of angel/demon relationships being discovered. "I saw your face/And I ascended" [...] "Somewhere in space/I am suspended/Until I know/ There's a chance that you care" -- bits of 'Before the Beginning' and The Final Fifteen! Plus, the title alone feels perfect for Azzy's feelings/situation at the end of S2... Brb, crying!
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richwall101 · 1 year
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Peace is what is needed across todays world - This wonderful Oratorio by Karl Jenkins "The Armed Man" is perhaps one of the most beautiful and uplifting works ever composed.....
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ashrayus · 3 months
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rough night
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chimaerakitten · 2 years
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if fantasy genre reincarnation were real (ie, the kind where everyone always reincarnates as human and can recover most if not all previous-life memories) humans would use it for such DUMB SHIT you guys. like every other week you’d get headlines like “20 year old cave diver vanishes down This One Fucking Cave for the 5th life in a row.” and the body of the article would be like “His last words were ‘This time I'm going to find out what’s at the bottom of that crevasse!’ We’ll see you when you get your memories back in 16 years Dylan, the scientific community can’t wait to find out what was at the bottom of that crevasse.”
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rthko · 1 year
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cutemothman · 10 months
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he SAID no pickles
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odeu-m · 4 months
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quick sketch of these 2 from @celestialalpacaron's delightful overlord au
wip but i dont trust myself to finish stuff and i like the sketch well enough so <3
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zaisamoo · 10 days
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more soukoku. ok i swear my next post will be an actual and colored drawing that isnt soukoku
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meidui · 3 months
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welcome to the gun show
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ykrons · 11 months
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private85 · 2 months
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starqueensthings · 4 months
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o k capt Jack Sparrow, did Omega take your athleticism with her
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comradekatara · 2 months
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most important friendship of all time ever
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maryonnaise · 1 year
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House Rules
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gloriousfckingpurpose · 4 months
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i know they underutilized the frankenstein aspect in the movie but it really does feel like the creature was perfectly created for lisa regardless. from what we saw, he spent his whole life lonely; dead parents, isolating social life, failed romantic prospects, the whole shebang, but he never gets to do anything about it because he dies, suddenly and unstoppably. until he’s suddenly alive again and the whole world is different but there’s this girl who tended to his grave when nobody else would have given him that respect, who’s experiencing the same things he did who actually has the chance to get back at the people who didn’t care for her, one tiny bit of familiarity to him… of course he’s going to kill for her just to see her happy.
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