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#the anyone is dancer
i-is-v-tired · 2 years
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mazeyphaedra · 29 days
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was rewatching fabian’s baron moment on account of it being the most delicious piece of pvp in my recent memory and ally beardsley’s growth as a player just shone through so brightly and with such clarity. after dusting off their shock they immediately asked about the nemesis ward, had enough knowledge about fellow pcs stocked to remember adaine’s ac with such like frustrated confidence and certainty, suggested to siobhan to dimension door out of adaine’s room, like. they came into this making a character with 4 dex. and now the dice deity offered to roll a check to sense if adaine was in danger. making decisions, asking questions, getting invested in the story, trying so hard with the tools they have to save characters from danger; ally beardsley is an incredible d&d player.
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bumblesteak · 1 year
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What do necromancers do for fun anyway?
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ghouljams · 2 months
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Ballet König tiiiiime... I have many thoughts because I saw a ballerina with big tits and I am... no better than a man...
Tw for minor reader descriptions (big boobs...)
Being fitted for costumes is always annoying, the costumers always complain about having to fit your chest, and have to let out the corseted tutu to compensate. You always end up with your tits either smashed against your chest or lifted to an almost pornographic degree. This costume seems to be the latter. König stares down at you, you raise a brow at him and he gives you a one word growl.
"Change."
You have to anyway, so you follow the costumers directions and change back into your usual leotard and tights. König is holding your sweatshirt when you make your way out of the changing room, he holds it out to you and you give him a confused look. You take it but don't bother putting it on, you still have practice, it's not like you're about to dance in your sweats.
He follows you through rehearsals, he's supposed to anyway but he's really, really, close. It isn't until the last dancer has filed out of the room for lunch that you finally get an explanation for his behavior. He grabs your tits, or tries to, two big handfuls that make you press your chest into his grip with a quiet noise of surprise. He squeezes you through your leotard and grumbles something. His hands smooth over your chest, down and back up, before he's digging his hands under the neckline and into the garment.
"There they are," he coos bending close, "You've been hiding such pretty things from me Schatzi."
Hiding is a strong word, wearing the dance equivalent of a binder is more accurate. As such, the material wants to stay close to itself, forcing you into Königs hands as he fondles you. He pinches your nipples hard and you whine, your blood rushing to heat your skin as he rolls his thumbs over them soothingly.
"Quite the ballerina," König drags his lips against the shell of your ear, "having such-" he struggles for the right word, toying with you all the while, when it does finally come to him it's with his cock pressing against your ass, "indecent sounds right-" he kisses your neck, "-indecent-" you know the feeling of his teeth anywhere, "-obscene-" they tease your skin, "-naughty-" his tongue replaces their points, dragging over your pulse as König groans, "tits."
"They make costuming, nng, difficult," you bite your lip against making another sound. It's better if you don't talk, you don't want to alert anyone outside the studio that the two leads are misusing the space.
"They fill my hands, Engel," König hums, giving your breasts a firm squeeze as if driving home his point, "how did I not notice them?"
You don't have to think hard to answer that, but you do have to press your hand over your mouth to avoid whining at the way he toys with you. He's never fucked you without a leotard on, that's how, despite all his protests against it, the man has a firm kink. He pinches your nipples hard and you moan, König shushes you, grinds his hard cock against you. Heat pools between your legs, making your leotard and tights sticky with slick. He's teasing you, and you both know it. He was never going to fuck you, there isn't time for it.
"Such a dirty girl," he tells you, "I should have taken you home, and fucked you properly."
You press back against him, prepared for the consequences of asking him to do it now, fuck you on the floor, fuck you against the Barre with your face pressed to the mirror, like he's so fond of, but the door opens. His hands slide off your breasts to rest on your shoulders in a flash. Another dancer wanders in to grab her water bottle, squirting some into her mouth as she turns to walk back out. She waves, you give a small wave back. König doesn't move until the door closes again.
Then his hand is pressing between your legs, bending you forward to truly grind against you. You know he can feel the way you're starting to drool, you can almost hear him smiling. "Needy thing," as if it isn't his fault, "why don't we find somewhere I can enjoy you properly."
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urostakako · 2 months
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Utahime dancing Dabke !! id in alt - as always, from the river to the sea, palestine will be free
Embedded within the heart and soul of the Palestinian people, the dabke – an ancient folkloric dance native to the Levant – transcends mere artistic expression, serving as a resolute act of defiance against the Zionist state's occupation. With each rhythmic stomp and synchronised movement, Palestinians reclaim their cultural identity, defiantly asserting their existence and resilience in the face of systemic oppression, while igniting a flame of resistance that resonates with generations past and present, affirming their connection with the land. - Fadila Khalid, Dance & Defiance: Dabke as an Emblem of Resilience in Palestine
below are resources for information on palestine and donations !! and reference photo is below that
donation masterpost by @/nabulsi:
info:
An Indicative Archive: Salvaging Nakba Documents | Institute for Palestine Studies (palestine-studies.org)
A Threshold Crossed: Israeli Authorities and the Crimes of Apartheid and Persecution | HRW
Institute for Palestine Studies | (palestine-studies.org)
Free Ebooks for a Free Palestine! | HaymarketBooks.org
Palestinian Culture - Anera
reference:
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meirimerens · 7 months
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the pathologic Kin is largely fictionalized with a created language that takes from multiple sources to be its own, a cosmogony & spirituality that does not correlate to the faiths (mostly Tengrist & Buddhist) practiced by the peoples it takes inspirations from, has customs, mores and roles invented for the purposes of the game, and even just a style of dress that does not resemble any of these peoples', but it is fascinating looking into specifically to me the sigils and see where they come from... watch this:
P2 Layers glyphs take from the mongolian script:
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while the in-game words for Blood, Bones and Nerves are mongolian directly, it is interesting to note that their glyphs do not have a phonetic affiliation to the words (ex. the "Yas" layer of Bones having for glyph the equivalent of the letter F, the "Medrel" layer of Nerves having a glyph the equivalent of the letter È,...)
the leatherworks on the Kayura models', with their uses of angles and extending lines, remind me of the Phags Pa Script (used for Tibetan, Mongolian, Chineses, Uyghur language, and others)
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some of the sigils also look either in part or fully inspired by Phags Pa script letters...
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some look closer to the mongolian or vagindra (buryat) script
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looking at the Herb Brides & their concept art, we can see bodypainting that looks like vertical buryat or mongolian script (oh hi (crossed out: Mark) Phags Pa script):
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shaped and reshaped...
#not sure how much. what's the word. bond? involvement? not experience. closeness? anyone in the team has with any of these cultures#but i recall learning lead writer is indigenous in some way & heavily self-inserts as artemy [like. That's His Face used for#the p1 burakh portrait] so i imagine There Is some knowledge; if not first-hand at least in some other way#& i'm not in the team so i don't know how much Whatever is put into Anything#[ + i've ranted about the treatment of the brides Enough. enough i have]#so i don't have any ground to stand on wrt how i would feel about how these cultures are handled to make the Kin somewhat-hodgepodge.#there is recognizing it is Obviously inspired by real-life cultures [with the words;the alphabet;i look at Kayura i know what i see]#& recognizing it Also is. obviously and greatly imagined. not that weird for you know. a story.#like there is No Turkic/Altaic/Mongolic culture that has a caste of all-women spiritual dancers who place a great importance on nudity#as a reflection of the perfect world and do nothing but dance to bring about the harvest. ykwim...#like neither the Mongols nor the Buryats nor the Tibetans dress the way the Kin does. that's cos the Kin is invented. but they're invented.#.. on wide fundations. ykwim......#Tengrism has a Sky Deity (Tengri) with an earth-goddess *daughter* whereas the kin worship an Earth-Goddess mother of everything#+ a huge bull. Buddhism has its own complete cosmogony & beliefs which from the little I know Vastly Differ from anything the Kin believes#like. yeah. story. but also. [holds myself back from renting about the Brides again] shhh...#neigh (blabbers)#pathologic#pathologic 2
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satari-raine · 4 months
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I'm still not used to fully talking on here but I just have to talk for a minute about Sleep Token and Wembley.
They did fantastic. After touring so much this year, doing back-to-back shows, dealing with a band member having to take a leave of absence for most of their final tour, incorporating new changes to their routine and style, and with Vessel having hurt his voice during such a huge show, they did fantastic.
I watched along with Discord. Mostly lurked. And everything I saw from the effects on stage, the fun antics, the performances, the playing - guitars, bass, drums, the dancers, the choir - they did fantastic. And Vessel. I said it in chat that he doesn't need to hurt himself or his voice to earn the love of those who listen to his music, but he kept going. He sang, and pushed through when he had every right in the world to put a stop to the show and focus on his health. He kept on going while also giving to the crowd the chance to carry him through, and seeing everyone - from those on stage with him to the crowd to people in chat and what I saw on here - still loving him, loving them?
They did fucking fantastic, and I dare anyone tell me otherwise. As a community, we should be celebrating them despite any differences of opinion - being kinder and supportive of one another is literally everything they've shown with III's situation and in general. It's what so many of us showed back to them with the hand salutes for III and the marked ? on our hands during specific songs. Their new outfits have fan-made decals to them, for fuck's sake. They are absolutely, without a doubt, genuine about making everyone feel loved.
Look, I'm just a stranger on the internet at the end of the day but this band has come to mean so much to me since I found them, to the point where they've honestly kept me going some days - them and the wonderful people I've met through them - and I just need them to know that they did fantastic, their music still brings people together despite hiccups along the way, and regardless of any of those hiccups, they are so loved. Loved beyond belief.
The night didn't just belong to all of us at Wembley, but to them, too.
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May I be permitted to talk about something I'm really proud of???
Ok so, I joined a local dance group last year. It's a vintage chorus girl group that does 20s-70s dance styles (think Charleston, 60s go-go, etc).
We're the resident showgirls at a monthly burlesque show, and for a local lounge/jazz/big band group here in socal. I have preformed more in this last year than I have in years. Honestly maybe ever??? We have easily 2+ gigs a month.
I'm coming up on my one year anniversary of joining this group and I am just so freaking proud of myself! Getting gigs as a plus size dancer is freaking HARD. Especially in the vintage crowd. But I've worked my ass off and I kinda just want to give myself a pat on the back lol (and the group I'm part of, cause not every group would pick a plus size dancer...)
Like wtf?? Who is she?? This woman has birthed two children?
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I'm so embarrassed and I feel like this is so cringe but also I'm proud of myself so whatever: I have an Instagram for my stage persona and if anyone was interested in following.... you could... if you wanted.
Here it is
Mostly I just post random stuff there from performances. but if you happen to be local to socal you can also find out where we are performing.
Ok... anyway... as you were. *hides*
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ediyo-15 · 9 months
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pas de deux
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daily-hanamura · 8 months
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I was wondering if you had any analyses on yosuke's dances in P4D, especially his partner dances wrt his character/personality... or even just generally what you thought of his moves. I think atlus/p-studio enjoy putting more than meets the eye into the choreography for the dances, but i wondered what the account that does really good yosuke analyses thinks. >:) Cheers
Oh wow you're very kind!! but this is also a very high level ask as I am not at all a dance expert and I'm still working my way through all of the dances, but I will do my best! o7
Long post incoming!
I remember reading an interview which said that Yosuke's dance style is very much inspired by male idols with a hip-hop flair, and I can definitely see it in his dance? iirc there was a pretty strong influence of hip-hop in jpop of that era - I'm thinking about Johnny's entertainment boybands which I think pretty much dominated the jpop male idol scene around 2010 - just look at Arashi's Monster dance routine, which imo is a super quintessential dance of that time. Like Jun's breakdance around 0:45, but also more generally, the sort of precise, rapid-pace footwork and moves that is also very evident in both Backside of the TV and Your Affection. I think it really suits him for a few reasons
Yosuke generally has the highest agility stat and tends to be the fastest char (for me at least? but i've also seen enough fics that reference how quick he moves), so it makes sense that this sort of high-pace dance suits him. Obviously Yosuke has a very good sense of beat listening to music all the time in combat and moving with it, so despite his real world clumsiness, he's well equipped to take on the kind of rigorous idol dance style that's typically very demanding to learn and perfect.
At the same time, it also matches his narrative - Yosuke in canon is very familiar with idol culture, both with Risette and Kanamin Kitchen, so it's not too surprising? But what I thought was kind of interesting was that there aren't really any references to male idol groups in world, and even his bedroom in p4au only shows female idol posters and some mainstream American albums. However, in the interview scene at the end of p4d, he mentions to Yukiko that he's tried to copy moves from stuff he's seen. But his dance style is more similar to boy idol bands - with the hip hop influence especially - as opposed to being similar to female idol bands - which tend to be preppier in dance style (see AKB48 for example). (Or just compare Rise's dance with Yosuke's.) So idk if this is a random oversight on Atlus/P-Studio's part, or if Yosuke is a closet male idol enjoyer (which would be very funny but also on brand for him, especially if he's still in the closet).
The other thing about idol music and group idol dance styles more generally is how much emphasis there is on harmony. If you look at the Arashi video again, there's kind of the expectation that all members are dancing in sync with each other. The thing about that sort of group dance is that you don't really have "leads" and "backup" dances, because no one member is really supposed to stand out or take centre stage since they're all equals. And I think that's a fun thing to think about because, you know, Yosuke Rank 10. But it's also in his partner dances with the others - I feel like Yosuke tends to harmonise with the others and their dance styles the most, maybe he's second to Yu? But Yosuke tends to match his dancing to the style of the other person when he joins them in Fever, like in Naoto's or Chie's (caveat, maybe I'm just Yosuke-biased LMAO). I think there's a lot to say about it because on the one hand, his captain ressentiment attitude means he sees his friends as better but he also wants to catch up to them and be their equals! but also, on the other hand, Yosuke doesn't want to stand out? And him keeping his head down is very much in character for him throughout most of the game, so :')
(but also souyo lens time his partner dances with yu is SO GOOD they mirror one another so well and it makes me so weak)
I think my final point is on how idol dancing is kind of on brand for him as well? Yosuke is kind of a vain person - he likes fashionable clothes! He likes to look cool! (and we love him for it!!) - and I think one thing that kind of marks idol dancing compared to, idk, interpretive dancing as an extreme example, is how idol dances tend to emphasize... looking good? The whole point of idols is to sell them on their aesthetics, after all, and good looks are kind of a minimum criteria to being in an idol group. The dances are choreographed to maximise the dancer's appeal, so it's all smooth moves that present them in the best light.
Those are my extremely long thoughts!! but yeah tldr I think his dance style really suits him on every level I can't imagine anything better for him ngl. Anyone with more expert knowledge feel free to pitch in though
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mariocki · 2 months
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Roger Delgado makes a brief appearance as an unnamed but helpful Argentine diplomat, in Overseas Press Club - Exclusive!: Two Against the Kremlin (1.13, ABPC, 1957)
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libra-cant-just-dance · 3 months
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I am cringe but I am self-aware
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good-beanswrites · 24 days
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My last post made me want to spin the ballet au to suit the general cast, keeping Es as the protagonist 🩰
I don't have art for this one but I still got a bit carried away with the details LOL This definitely leans more into a sweet fix-it :3
The story would open with Es waking up in the medical room of Milgram Dance Academy, a very small and isolated school. Es is told they suffered a bad head injury during a performance, resulting in amnesia. Their instructor (Jackalope. Make this work however you wish.) tells them not to worry about it, and to focus on their dancing for now. Es feels a pressing responsibility to stay and rehearse, so they agree.
Jackalope tells them they must understudy several roles while recovering, not ready to jump into things right away. They're grateful, since they're struggling with their identity and expression without their memories.
The first student they are directed to is a shy and lanky dancer by the name of Haruka. They study under him as the role of a graceful, melancholic swan. They watch the choreography in general, and it looks nice enough. Es proceeds to spend several rehearsals with him, talking and bonding and learning he has a bit more going on than meets the eye. They try to offer help as he admits to familial issues, self esteem questions, and comments about sibling jealousy. In turn, he teaches Es to mimic some of his powerful emotions. At the end of their time together, they both perform for their class in full costume and staging. Now, Es understands each move with a deeper understanding than their initial look at the steps.
Next, they’re sent to meet the bubbly girl playing Juliet and begin the process anew. This continues to make a total of ten roles. Some of the dancers take the sessions kindly, while others are brash, secretive, or just confusing.
After rehearsing with Kotoko and learning to understand her determination and confidence, Es is sent back to Haruka, who has moved onto a new show and new role. They’re shocked to discover that their words to each dancer – always well-intentioned – had caused some issues backstage. Now, there are rivalries and changes in stage presence. While experiencing stress (that Es has inadvertently caused,) some were distracted in rehearsal and got injured. Es must take on the interpersonal issues as well as the choreography challenges.
I don’t have all the roles down and was trying to stick to well-known shows anyway, but I think I’d want Muu to be the Sugar Plum Fairy, Kazui to be Albrecht from Giselle, and Amane to be Clara. I wanted to keep them traditionally gendered to prove there are plenty of roles for men, but I can’t help but have Odette/Odile thoughts for T1 Mikoto ;-;
Like the other post, I'm equally tempted to have the dancers performing ballet adaptations of the mvs 👀 I want to see. Bee tutu. Doctor coat costume. Marching band tutu. AKAA mismatched look. The backgrounds. The music. The choreo. So many cool possibilities...
As a sweet au, it all ends with everyone better for having met one another. Es is cast in a solo performance, combining everything they've learned both emotionally and technically from the others. They feel satisfied with their sense of identity, and shine onstage ✨️✨️✨️
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starrysnowdrop · 8 months
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So I had to speedrun Hali through Hildibrand to start farming tomes for her Manderville weapon, and I came across this particular temple knight. You better believe that Hali is giving him a death glare throughout the entire conversation. Also he’d better pray that his boss didn’t hear him either. Just saying.
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phantomknights · 11 months
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@arcvmonth day 2 - kahyoreigetsu
this took. way too long. ermm anyway shoutout to @yogoodfella for unintentionally giving me this really cute idea :)
its THEIR DAY be nice to them
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hyunpic · 10 months
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HYUNJIN: practice room & performance comparison, based on this practice room compilation. fancam links: scars, domino, levanter
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