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punkshort · 3 months

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i’m the anon who asked about the request! if you decide to do it, i’d absolutely wait forever😂 it’s very angsty tho, so the idea was for outbreak joel who doesn’t get the happy ending. reader who was head over heels in love coping with his death, maybe flashbacks to show the moments of reader seeing him die? idkidk the idea is very vague, sorry if it’s too sad!! if so maybe reader seeing him die was just a terrible nightmare & he’s there waking them up & helping them through a meltdown?

i’ve been craving for some emotional torture for wtv reason😭😭 thank you for even considering requests!🫶🏾🫶🏾🫶🏾

Thank you for this request! It's my first one, so I hope you enjoy it. Also, I had to take the out you gave me and make this a nightmare because I am a big ol' softie and I won't apologize for it, but I will apologize for taking so long to write it 😂

I hate when you're right

Pairing: Joel Miller x f!reader

Summary: After a heated argument with Joel, you finally convince him into leaving Jackson so you could explore a store for new clothes, and what happens could change your life forever.

Warnings: major character (Joel) death - but it is just a nightmare - don't read if you think that will still upset you, angst, language, violence, descriptions of blood/gore/death scene

WC: 2.5K

dividers by the one and only @saradika-graphics

You knew it was childish. You knew it wasn't essential. But you also desperately wanted to feel more comfortable, and was that really such a crime? To want to feel like yourself again? To want to wear clothes that you liked? That fit you properly? Jackson was well stocked with essentials, clothes included, but the clothes the men picked up on patrol were... utilitarian, to say the least. They grabbed the biggest and the warmest clothes so that it afforded more people the opportunity to use them, but you were beginning to grow tired of tucking men's oversized shirts into your pants, the material bunching up at your waist and twisting around as you walked, constantly trying and failing to feel comfortable in your own skin.

You thought Joel would be more open to the idea of heading outside the walls on your day off. You even teased him with the promise of picking up some new underwear, but he didn't fall for it. He fought you tooth and nail the whole evening, his voice lifting over yours angrily to explain how there's been an influx of raiders the past few weeks, that everyone agreed to lay low until they passed through, not wanting to draw attention or pick any unwanted fights. But you persisted. You always did, and you eventually wore him down when you threatened to leave without him.

Why was it such a crime to want to feel comfortable? It was just two people, you could lay low and go unseen, no problem. You've done it countless times before.

You had hoped he would have gotten over it by morning, but you were wrong. He hardly made eye contact with you during breakfast, skirting expertly around you in your kitchen, mumbling under his breath as he sipped his coffee and only shooting you angry looks when your back was turned.

The air was crisp and the woods were peaceful. You thought that would surely turn his mood around. He always appreciated being out with nature, living off the land. As much as he loved living in Jackson, he couldn't deny that part of himself that felt useful, that felt a sense of accomplishment by surviving out in the wild.

"C'mon, are you really gonna act like this all day?" you teased as you held up another shirt against your body before determining it was the right size and then tossed it in a pile with the others.

He was standing at the storefront window with his arms crossed and his jaw clenched. "Don't know what you mean."

You rolled your eyes and looked around the store, spotting a table of underwear with a grin. You lightly skipped over and tossed to the side the pairs that looked far too dusty so you could look at the ones underneath. Clearing your throat, you held up a pair of bright red stain underwear. He turned around and you saw it: it was fast, he hid it well, but you still saw it. That all too familiar excited look in his eye.

"Don't you like them?" you asked with a playful pout. He furrowed his brow at you like he was annoyed, and maybe he was, but you still saw the heat beginning to crawl up his neck.

"They ain't practical."

You gave him a defeated sigh and strolled over to your pile of clothes, your fingertips daintily holding the undergarment out to him. "No? Then what are they?"

His eyes shifted from yours to the red material in your hand and you saw his throat work as he swallowed.

"Useless," he croaked, and you narrowed your eyes at him. You got a little closer, letting the soft fabric glide against the back of his hand when you dropped your arm to your side.

"Oh, yeah?" you said breathily, and you watched his eyelids flutter at your tone. "Then I guess it wouldn't matter if I brought them home and let you rip them off me."

He stepped forward, a growl emitting from his chest, low and deep, when at the exact same time, you both heard shouting outside the store. Swiveling both your heads towards the glass storefront, your blood ran cold when you saw six heavily armed men advancing towards you.

"Shit," he muttered, his arm pulling your shoulder down just in time to avoid the cascade of bullets that rained down upon you. You laid face down on the rough carpet, covering the back of your head with your eyes squeezed shut, waiting for the shooting to stop. Joel tugged on your arm and you opened your eyes in a panic.

"Follow me!" he shouted, army crawling towards the registers, and you dutifully followed behind, your heart racing wildly in your chest.

Once you made it, the counter offering some, but not much, safety, the both of you pulled out your guns and double checked your ammo.

"Alright, when they stop to reload-"

"I know," you said, cutting him off. You've both been in this situation before. You knew what to do.

Holding your rifle upright and against your chest, you breathed deep, trying to steady your hands until the bullets slowed and you heard more shouting. Joel nodded to you and you both sprung up from the floor, pulling your rifles against your bodies in sync and lining up your targets.

Patience is a virtue. The amount of ammunition they wasted on the two of you was laughable when you each caught one of them between the eyes, leaving four against two.

You thought you would be able to get another shot off but Joel tugged your arm and you slinked back to the floor as a shower of bullets rained over you once again.

"You good?" he asked, and you nodded, gasping for air. Your hands began to stabilize when the shock wore off. You were in the zone.

Pressing both your backs against the small counter, you remained calm and waited out your attackers. Glass shards tinkled and scattered behind you. Bullets pinged against the metal shelving, ricocheting into the drywall.

"Assault rifles for two people? Really?" you muttered, more so to yourself, but Joel heard you.

"Told you this was a bad fuckin' idea," he said angrily.

When there was another brief pause, he looked to you again and nodded. At the same time, you rose up and took aim, firing on your attackers once again. Joel made his shot, you didn't. Three down, three to go.

"Fuck," you grumbled, reloading your rifle even though you still had rounds left.

"Focus," he scolded.

The men sounded like they were getting closer. Their voices were louder. Clearer. The shots were deafening. You prayed they weren't inside the store, because you hadn't planned an exit strategy. Without warning, Joel stood up and fired a shot. You heard a man scream and then a loud thud. It sounded like the man was just on the other side of the counter.

"That's not the plan," you seethed at him when he dropped back down next to you.

"Didn't have a choice, he was 'bout to jump us," he sneered.

Two against two.

When the shots slowed down, you held your breath, looking at Joel from the corner of your eye. He held his palm up to you silently, signaling for you to stay where you were. You heard boots crunching slowly against glass and your heart leapt into your throat. They were in the store.

You shot Joel a panicked look but he just shook his head, focusing on their footsteps, calculating how far away they were.

"Come out now and no one gets hurt," a man's deep voice called out. He was close.

Joel clenched his jaw and flared his nostrils. You knew that look. It was the look of a man who was about to do something stupid. But before you could stop him, before you could reach out to him and hold him back, he stood up and took aim.

One shot. That was all you heard when Joel slumped to the floor next to you, clutching his stomach as dark red blood poured from the wound. Your eyes went wide and you saw red. Without thinking, you stood up and shot, taking one of the two men down with a yelp. The remaining raider ducked behind a display, and you dropped your rifle in favor of your handgun. Crouching low to the ground, you inched forward, careful of any broken glass that would give your position away. When you were on the other side of the display, you heard the man's labored breaths. He was scared. He was out of his element. And you had him right where you wanted him.

Silently tucking the gun in the back of your pants, you slid your hunting knife out from your ankle holster. You took a deep breath and lunged forward, driving the knife deep into the man's chest.

He dropped his gun and clutched weakly at your hands, but it was no use. His blood poured from the wound when you yanked your knife out with a grunt, and you watched as his hands slowly slid back down to his sides, his eyes still wide open and staring up at the ceiling.

You smirked, feeling victorious for only a moment before you remembered Joel. Dropping your knife, you rushed back to his side, only to find his face pale and his hands stained dark red.

"Joel!" you cried out, pressing your palms against the wound, hoping to slow the bleeding. His eyes drifted towards you, softening when he saw you were alive and unharmed. That you were going to make it.

Panic consumed you. Your heart was slamming against your ribs as you fumbled with your backpack, trying to find your first aid kit through the tears.

"I love you," he whispered, and you shook your head.

"Don't start with that, you're gonna be fine."

"Baby," he said weakly, and you choked back a sob.

"Hold on," you told him, still searching in your pack.

"Look at me," he said, and your hands stilled for a moment before you dragged your eyes back to him, your lower lip trembling as you took in his deteriorating state.

"I need to-" you began, but stopped to take in a shaky breath. "I need to patch you up and get you to the horses."

"No, you don't," he said softly, and more tears spilled from your eyes.

"Yes, I do. I gotta-"

"I ain't gonna make it, sweetheart," he slurred, and you could see by the amount of blood he was losing that he was right. But still, you pressed your palms against the gunshot wound, your fingers slipping through his thick and sticky blood.

"Don't say that. I can't do this without you," you whimpered, and closed your eyes for a brief moment. You felt his fingertips weakly grip your chin and you forced your eyes back open.

"Yes, you can," he said as firmly as he could. He was so pale and weak and it was making your stomach turn.

You shook your head, about to argue with him, but he stopped you.

"You keep goin', you hear me?" he said, and still, you shook your head from side to side, small sobs slipping past your lips. "Don't let this world win. You... go on and keep fightin'. Please. Be happy, baby. For me."

"No!" you cried out, spittle dripping from your lips now, mixing with your tears. "I won't! I-I can't!"

"You can," he repeated, and gave you a weak smile. "I'm ready, baby. It'll be okay."

You squeezed your eyes shut tight, the tears leaking out, hot and angry on your cheeks as you sobbed over him, clutching his hand in yours so tightly, like if you squeezed hard enough, you could give him your lifeforce. Give him your breath. But moments later, his grip weakened and when you opened your eyes, his head slumped to the side and his lifeless eyes stared off into the distance.

"Joel!" you screamed, sitting up in bed, drenched in sweat with tears still streaming down your face. You looked to your side, where he normally slept, but he wasn't there. Panic squeezed your throat, your chest fucking hurt, but you flung the blankets off you and ran towards the door. Still not hearing any sounds, you raced down the stairs, almost tripping in the process but you had a grip on the railing to keep you steady.

When your eyes finally landed on his familiar form stretched out on the couch, his back to you, you allowed yourself to breathe a sigh of relief.

Reality came back to you now. You had your fight about leaving Jackson, but he won and you slept apart. You never left. He never got shot. It was all just a horrible dream.

You stumbled over to the couch, your tears unstoppable, the nightmare too vivid, too real. Your trembling hands clutched his shoulder as you fell to your knees on the floor, shaking him awake.

"What?" he grumbled, clearly still pissed off about your fight.

"I'm sorry!" you sobbed loudly, and when he realized something was wrong, he whipped around to face you.

"What happened?" he asked, his voice still thick with sleep.

"I-I had-" you began, then you hiccupped, cutting yourself off. His face was etched with concern as he forced himself up and cupped your face.

"C'mon, talk to me," he urged, the fear in his eyes reflecting back to you as you looked at him, still not sure what was real and what wasn't.

"I had a nightmare," you finally managed to get out. "About our fight. That we... we went out like I wanted and-and-" you collapsed into another fit of sobs, your shoulders shaking violently.

"Hey, it's alright," he soothed, pulling you up and into his lap and rubbing your back. You pressed your tear stained face into his neck, inhaling deeply, grounding yourself. He was alive. He was here. Everything was fine.

"I'm sorry," you whimpered, your throat still tight but your tears were slowing down. "I'm sorry we fought. I don't wanna go out anymore. I don't need new clothes, it was stupid, I'm sorry."

"Shh, it's okay," he said, pulling you tightly against his chest, "I'm sorry we fought, too. I just wanna keep us safe."

"I know, you're right," you said, pulling back a bit and wiping your nose with the back of your hand. "Will you come back to bed?"

"Yeah," he replied with half a smirk. "'Course I'll come back to bed, baby. Don't cry, it's alright."

You let him lead you up the stairs and to your bedroom, your side of the bed still damp with sweat but it didn't bother you. Joel was safe and sound and in your arms and you didn't care if you had to wear a potato sack for the rest of your life, as long as you had Joel, nothing else mattered.

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cy-cyborg · 6 months

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Disability Tropes: The Miracle Cure

The miracle cure is a trope with a pretty negative reputation in disability circles, especially online. It describes a scenario in which, a disabled character, through either magic, advanced technology, divine intervention or some combination of the three, has their disability cured throughout the course of the story. Sometimes this is literally, as in the disability is completely and entirely cured with no strings attached. Other times, it looks like giving an amputee character a prosthetic so advanced that it's basically the same as "the real thing" and that they never take off or have any issue with, or giving the character with a spinal injury an implant that bypasses the physical spine's break, or connects to an exoskeleton that allows them to walk again. Sometimes, it can even look like giving a character some kind of magic item or power that negates the effects of the disability, like what I talked about in my post about "the super-crip" trope. Either way though, the effect is the same: The disability is functionally cured and is no longer an "issue" the author or character has to worry about.

But why would this be a bad thing? In a world with magic or super-advanced tech, if you can cure a character's disability, why wouldn't you?

[ID: a screenshot of Roy mustang from Full metal alchemist Brotherhood, a white man with short black hair in a hospital gown. In the corner of the screen is the hand of another person holding a small red gemstone. /End ID]

Well there's a few reasons. First, lets talk about the purely writing related ones. If you've been around the writing or even media critique communities for a bit, you've likely heard people voicing their frustrations with tropes like "The fake-out death" where a character is either implied to have died, but comes back later, or is explicitly shown to be dead and then resurrected. Often when this happens in media, it leaves the audience feeling cheated and like a character's actions and choices don't really matter if even the worst mistakes and consequences can be undone. In the case of the latter situation, where they die and are brought back, it can make the stakes of the whole story feel a lot lower, since even something like death is shown to be reversible, so the audience doesn't really have to worry about anything bad happening to their favourite character, and once you've used this trope one time, people will constantly wonder why you wouldn't use it every time it comes up.

The same is true for "fixing" a character's disability. It sets a precedent that even things as big and life-changing as disability aren't permanent in this setting. We don't have to worry about anything major happening to the characters, there's no risks associated with their actions if it can all be undone, and it will lower the stakes of the story for your audience. Personally, I also feel like it's often used as a cop-out. Like writers wanted to include a major injury the leads to something big like disability for shock value, but weren't sure how to actually deal with it afterwards, so they just made it go away. Even in cases where the character start the story with a disability and are cured, this can still cause issues with your story's stakes, because again, once we've seen you do it once, we know its possible, so we won't feel the need to worry about anything being permanent.

Ok, so that's the purely writing related reasons, but what if that situation doesn't apply to the story you're writing? What if they're "fixed" right at the end, or the way they're cured is really rare, so it can't be used multiple times?

I'm glad you asked, because no, this is far from the only reason to avoid the trope! In my opinion, the more important reason to avoid it is because of how the a lot of the disabled community feels about the miracle cure trope, and the ideas about disability it can perpetuate if you're not very, very careful.

You might have noticed that throughout this post, I've put words like "cured" and "fixed" in quotes, and that's because not every disabled person wants a cure or feels like their ideal to strive for is able-bodied and neurotypical. For many of us, we have come to see our disabilities as part of us, as part of our identities and our sense of self, the same way I, as a queer person might see my queerness as a part of my identity. This is an especially common view among people who were born with their disability or who had them from a young age, since this is all they've ever really known, or who's disability impacts the way they think, perceive and process the world around them, how they communicate with people or in communities who have a long history of forced conformity and erasure such as the autism and deaf communities. Many disabilities have such massive impacts on our lives that we literally wouldn't be who we are today if they were taken away. So often though, when non-disabled people write disabled characters, they assume we'd all take a "cure" in a heart-beat. They assumed we all desire to be just like them again, and this simply isn't the case. Some people absolutely would, and there's nothing wrong with that, but it's not as universal as media representation makes it out to be.

Another reason it's so heavily disliked is because this trope is often used in conjunction with other ableist and harmful tropes or it's used in ways that perpetuate misinformation about living with a disability and it can have ableist implications, even if that's not what the author necessarily intended.

If the miracle cure is used right at the end of the story for example, as a way to give characters a happy ending it can imply that the only way for a disabled character to be happy in the long run, is for them to be "fixed", especially if they were miserable all the way up until that point. If it's used earlier in the story as a way to get said character back into the action, it can also be read as the author thinking that disabled people can't be of use to the plot, and so the only way to keep them around is to "fix" them.

Of course, there's also the fact that some authors and writers will also play up how bad being disabled is in order to show why a cure is justified, playing into the "sad disabled person" trope in the process, which is pretty much what it says on the tin. Don't get me wrong, this isn't to say that being disabled is all easy-breezy, there are never any hard days and you should never show your character struggling, not at all, the "sad disabled person" trope has it's place (even if I personally am not a fan on it), but when both the "sad disabled person" trope and the miracle cure trope are used together, it's not a great look.

This is especially bad when the very thing that cures the disability, or perhaps the quest the heroes need to go on to get it, is shown to be harmful to others or the disabled person themselves. Portraying living with a disability as something so bad that it justifies hurting others, putting others at risk, loosing yourself or killing yourself in order to achieve this cure perpetuates the already harmful idea that disability is a fate worse than death, and anything is justified to avoid it.

I've also noticed the reasons the authors and writers give for wanting to cure their characters are very frequently based on stereotypes, a lack of research in to the actual limits of a person's disability and a lack of understanding. One story I recall reading years ago made sure to tell you how miserable it's main character, a former cyclist, was because he'd been in a car accident where he'd lost his arm, and now couldn't ride bikes anymore, seemingly unaware of the fact arm amputees can, in fact, ride bikes. There are several whole sports centred around it, and even entire companies dedicated to making prosthetic hands specifically for riding bikes. but no, the only way for this to resolve and for him to be happy was to give him his arm back as a magical Christmas miracle! It would be one thing if the story had acknowledged that he'd tried cycling again but just had difficulties with it, or something was stopping him from being able to do it like not being able to wear the required prosthetic or something, but it really did seem as though the author was entirely unaware it was even possible, which is an issue when it's the whole point of your story existing. This happens a lot more often than you'd think, and it's very clear when an author hasn't even bothered to google search if their character would be able to do something before deciding the only solution is to take the disability away.

There's also the frustration that comes from being part of an underrepresented minority, finally seeing a character like you on screen or in a book, only for that representation to be taken away. Disabled people make up roughly 16% of the population (though many estimate these numbers are actually much higher), but only about 2.8% of American TV shows and 4.1% of Australian TV shows feature explicitly disabled characters. In 2019, around 2.3% of films featured disabled characters in a speaking roll, and while it's slowly getting better as time goes on, progress on that front is very slow, which is why its so frustrating when we do see characters like ourselves and so much of their stories focus on wishing to be, trying to become or actually being "cured".

An finally, there's the fact this is just a really common trope. Even if we ignore the issues it can cause with your story's tone and stakes, the harm it can do to the community when not handled with care, the negative perceptions it can perpetuate and everything else. It's just a plain-old overdone trope. It shows up so often that I, and a lot of disabled people, are just getting tired of seeing it. Despite everything I've said, there are valid reasons for people to not want to be disabled, and just like how I made sure to emphasise that not everyone wants a cure, it's important to recognise that not everyone would refuse it either. So long as it's not done in a way that implies it's universal, in theory, depicting someone who would want and accept a cure is totally fine. The issue is though that this trope is so common and so overdone that it's starting to feel like it's all we ever see, especially in genres like sci-fi and fantasy (and also Christmas movies for some reason).

[ID: A Gif of a white man in a top hat nodding his head with the caption "Merry Christmas" down the bottom. /end ID]

Personally, because it's so common, I find even the few examples of the trope used well frustrating, and I honestly feel that it's at the point where it should be avoided entirely where possible.

Ok but Cy, you mentioned there are ways to use this trope well, what are they?

So, like I said, I'm of the opinion that this trope is better off not being in your work at all, but if, for whatever reason, you can't avoid it, or it's use is really that important to the story you want to tell, there are less harmful ways to implement it.

Don't have your only disabled character take the cure

If you really must cure your disabled character's disability, don't make them the only disabled person in the story. Show us another character who, when offered the same cure, chooses not to take it. This at least helps push back a little against the assumption of "of course everyone would want this" that these kinds of stories often imply and doesn't contribute (as much) to disability erasure in the media.

Don't make it a total cure

In real life, there are cures for some disabilities, but they rarely leave no trace. For example, an amputee's limb can sometimes be reattached if it was severed and they received medical treatment fast enough, but it usually results in at least a little nerve damage and difficulties with muscle strength, blood flow or co-ordination in that limb. Often times, these "cures" will fix one issue, but create another. You might not be an amputee anymore, but you're still disabled, just in a different way. You can reflect this in your fictional cures to avoid it feeling like you just wanted to avoid doing the work to write good disabled representation.

Do something interesting with it

I got a comment on my old tumblr or possibly Tik Tok account ages ago talking about their planned use for the miracle cure trope, where their character accepts the cure at the cost of the things that made her life enjoyable post-disability. Prior to accepting the cure, she had found other ways to be independent to some extent and her community and friends helped her bridge the gaps, but they were all taken from her when she was "cured" forcing her into isolation. Kind of like a "be careful what you wish for" sort of thing. The story was meant to be a critique on how society ignores alternative ways of getting the same result and how conforming to other people's ideas of "normal" isn't always what you need to bring you happiness. This was a genuinely interesting way to use the trope I think, and it's a perfect example of taking this trope and twisting it to make an interesting point. If you must use a trope like this, at least use it to say something other than "disability makes me sad so I don't want to think about it too much". Alternatively, on a less serious note, I'm also not entirely opposed to the miracle cure being used for comedy if it fits the tone. The Orville has some issues with it's use of the Miracle Cure trope, but I'd be lying if I said Isaac amputating Gordan's leg as a prank, knowing it could be reversed in a few hours did get a chuckle out of me.

If your villain's motivation is finding a cure for themselves, don't use it as justification for hurting people

Disabled villains need a post all their own honestly, but when a villain's motivation for doing all the terrible things they do is so they don't have to be disabled anymore, it's especially frustrating. Doubly so if the writer's are implying that they're justified in their actions, or at least that their actions are understandable because "who would want to live like that?" Honestly, as a general rule of thumb, avoid making your villains disabled if you aren't disabled yourself (especially if they're your only disabled character), but if they are disabled, don't use the disability as a justification for them hurting people while finding a cure.

So are there any examples currently out there to look at where the trope is used, if not well, at least tolerably?

Yeah, I'd say so, but they're few and far between. Two examples come to mind for me though.

The Dragon Prince:

[ID: A Gif of Ava the Wolf from the Dragon Prince, a light brown, fluffy wolf who is missing her front right leg. /End ID]

The Dragon Prince on Netflix uses the miracle cure twice, but I still really enjoyed the show (at least I did, up until my Netflix subscription ran out, so I've only seen up to season 4). The first time the trope is used in the series, it's actually a fake-out. Two of the main characters, while looking for someone to help them heal the dragon egg they're carrying, encounter a young girl named Ellis and her pet wolf Ava. The two explain their egg is not looking good and they need to find someone to help it, but no one they've found had the knowledge or ability to do anything to help. Ellis says she knows a healer who can help them, and tells them that this healer even restored Ava's amputated leg when she was a pup. When we actually reach this "miracle healer" however, she is revealed to be simply an illusionist. She explains that Ava is still missing her leg, she simply made it look as though she had restored it because Ellis's parents were planning to throw the puppy out, believing it would not survive with its disability and would only be a drain on supplies. This was not actually true and Ava adapted to her amputation very well, she simply needed more time, and hiding her disability and making her appear abled gave her the time she needed to fully recover and adjust. When they return to the healer with the main characters, she removes the illusion and explains why she did it, emphasising that the real problem was never with Ava, but with how people made assumptions about her.

While I do feel it was drawn out a bit too long, I do appreciate the use of the trope as the set up to an overall positive twist. Disability does come with down-sides, it's part of the deal and it would have been nice to see a bit more of that, but for disabilities like amputation in particular, the worst of our problems often come from a lack of adequate support and people's pre-conceived ideas about us, and it was nice to see this reflected, even if it is a little overly simplified.

The second time this trope comes up in the series is when one of the antagonists, Soren, is injured during a fight with a dragon, becoming paralysed from the neck down. His sister, Claudia is absolutely beside herself, believing it was her fault this even happened in the first place, but Soren actually takes his new disability very, very well, explaining that he understands there are things he can't do now, but that there's a lot of things he can still try, that his previous job as a soldier just didn't allow time for. It's possible this reaction was him being in denial but it came across to me as genuine acceptance. He is adamant that he doesn't want a cure right from the beginning because he knows that a cure would come at a cost that he doesn't want his sister to pay, and that he is content and happy with this new direction his life will be going in. Claudia, however, is not content. It had been shown that she was already using dark magic, but this event is what starts her down the path of using it in earnest, disregarding the harm it will cause to those around her. She ignores Soren's wishes, kills several animals in order to fuel the healing spell that will "fix" him, and Soren is pretty clearly shown to be horrified by her actions. What I like about this use of the miracle cure trope is that it touches on something I've seen happen a lot to disabled people in real-life, but that rarely shows up in media - the fact that just because we accept ourselves, our disabilities and our new limits, doesn't mean our friends and family will, unfortunately. In my own life, my mum and dad were always accepting of my disability when I was younger, but as I got older and my support needs changed, my body took longer to heal and I stopped being able to do a lot of things I could when I was little, they had a very hard time coming to terms with it and accepting it. I'm not alone in this either, a lot of disabled people end up cutting contact with friends and family members who refuse to accept the reality of our situations and insist "if we just try harder maybe we won't be so disabled" or "Maybe you will get better if you just do [xyz]". Unfortunately however, some disable people's wishes are ignored completely, like Soren's were. You see this a lot in autistic children who's parents are so desperate to find a cure that they hurt their kids through toxic and dangerous "treatments" or by putting them through abusive therapies that do more harm than good. Claudia has good intentions, but her complete disregard for Soren's decision still harm them both in the long run, leading to the deterioration of their relationship and causing her to spiral down a very dark path.

Full Metal Alchemist: Brotherhood

[ID: A Gif of Ed from full metal alchemist, a white boy with blond hair, staring angrily at a jar of milk on the table. His brother Al, a sentiant suit of armour, is in the background looking directly at the camera. The caption, spoken by Ed, says "So we meet again you little bastard" /end ID.]

The show does begin with Ed and Al looking for a way to cure their disabilities (which they gave themselves when trying to resurrect their mother as children went horribly wrong). However, when the boys discover that the object needed to do that - a philosopher's stone, can only by made through absolutely abhorrent and despicable means, and using one, likewise, comes at the cost of potentially hundreds or thousands of people's souls, they immediately stop, and shift their focus on finding the stones that had already been made so it can't fall into the wrong hands, and preventing the creation of new ones. The core theme of the show is that everything has a cost, and sometimes the cost is simply too great.

However, right at the end of the show, several characters are healed in a variety of ways. Ed gives up his ability to do alchemy to get his brother's body back, as well as his arm so he can save his friends in the final battle, but neither of the boys come away from this completely "healed". Al's body has not been used since he was a child, and so it is shown he has experienced severe muscular atrophy that will take a long time and a lot of work to recover from, acknowledging that he has a pretty tough road ahead of him. When we see him in the epilogue, he is still on crutches despite this being several months after getting his body back. Likewise Ed is not fully healed, and is still missing one of his legs even if he got his arm back.

The more... interesting use of the trope, however, is in the form of Colonel Mustang who was blinded in the final season. Mustang is shown to take to his blindness pretty well given the circumstances, finding a variety of ways to continue doing his job and reaching his goals. When other characters offer to let him use the philosopher's stone to heal himself however, he takes it, acknowledging that this is a horrible thing to do and that Ed and Al would be extremely disappointed in him if they ever found out. He uses it both to cure his own disability, and to cure another character who was injured earlier in the show. While I'll admit, I did not like this ending, I can at least appreciate that the show made sure to emphasis that a) Mustang was doing fine without the cure, and b) that this was not morally justified. The show spent a very long time drilling into the viewer how morally reprehensible using the stone was, and it didn't try to make an exception for Mustang - you weren't supposed to like that he did that.

When I talk about these tropes, I do try to give them a fair chance and discuss the ways it can potentially work, but I really do want to reiterate that this particular trope really is best avoided. There are ways to make it work, but they will still leave a bad taste in many of your viewer's or reader's mouths and you have to be exceptionally careful with your wording and framing, not just in the scenes where this trope is used, but in the lead up. If you really must use it, I highly recommend getting a few disability sensitivity readers and/or consultants (yes, even if you are disabled yourself) to help you avoid some of the often overlooked pitfalls.

#writing disability With Cy Cyborg #very long post #I could have sworn I talked about this trope already but I couldn't find the post. Apparently I had a lot more to say anyway lol #long post #disability #Disabled #Disability representation #Physical Disability #disability Tropes #Writing #Writeblr #Authors #Disabled Rep #Writing Advice #writing Tips #Disabled Characters #writing disability

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steddieas-shegoes · 5 months

Text

if i could turn back time

for @steddieholidaydrabbles prompt 'time travel' rated t wc: 997 cw: mention of canonical character death tags: fix-it, light angst, happy ending, first kiss

-------------------------------------

"I'm telling you Robin, this is probably when things went wrong!"

"And I'm telling you, things probably went wrong in the 60s! This isn't gonna change anything!"

Eddie shouldn't have been listening by the door of the RV, especially not when they thought he was hiding in the back, but he couldn't help his curious nature.

Curiosity killed the cat, but it entertained the banished.

"What are you gonna do, huh? Stay with him and Dustin? Sacrifice yourself? I'm not letting you do that!"

Eddie's brows raised.

"No, but with the three of us, we can remember to close everything off this time so none of us have to sacrifice ourselves. It keeps us all safe."

The voice suddenly stopped and Eddie barely managed to get away from the door before it was flying open and Steve was storming inside.

Alone.

Robin must have gone to help the kids and Nancy with their weapons.

Steve sat down on the couch, put his head in his hands, and groaned.

"Alright there, big boy?"

Steve jumped, his face turning to see Eddie awkwardly standing in the doorway to the back.

"Fine, yeah. Just stressed," Steve relaxed a bit, though Eddie could still see his white knuckles against his knees and his jaw clenching.

"You and Robin having a lover's quarrel out there?" Eddie asked, knowing damn well they weren't together.

He didn't have to know to know that Robin wasn't interested in Steve for the same reason Eddie wasn't interested in Robin.

"We just don't see eye to nose on some things," Steve shrugged. "She knows I'm right, she's just stubborn."

Ignoring the eye to nose comment would go down as one of the most impressive feats of Eddie's life, but he decided to focus on finding out what they were actually arguing about.

"She thinks you're gonna get hurt?" Eddie asked, moving over to the couch.

"More like killed."

Eddie couldn't hide the flinch at his harsh words.

"None of us are gonna die, man. We've got a plan."

"Yeah," Steve sighed. "I'd feel better if I was with you and Dustin though."

"I won't let anything happen to him," Eddie said softly.

He knew how much Steve cared for Dustin, felt that same protectiveness for the kid.

"It's not him I'm worried about."

"I'll be fine. I mean, even if not, it's not like we're friends. You'll all be fine," Eddie shrugged.

Maybe a part of him actually believed that, believed that everyone would go about their days if something happened to him. He didn't think anyone but Wayne would actually miss him, and he'd be fine eventually.

Steve was blinking at him.

"No, we won't." Steve's hand grabbed his knee, squeezing. "You think you don't matter to us, but you do. You have no idea how much you mean to everyone. When something happens to you, none of us will ever be the same."

Eddie's mouth felt dry, and then it hit him what Steve said.

"When?"

Steve's eyes widened.

"I meant if!"

"Steve. Does this magic girl you keep talking about know something? Did someone talk to her?" Eddie stood up and started pacing. "I know I said it'd be fine if something happened to me, but I'd rather not know. And now I'm thinkin' you might know something I don't and maybe Robin does too and-"

Steve grabbed his face between his hands, his grip almost hard enough to leave a bruise.

"Eds, I promise you, I am not letting anything happen to you. Not this time."

Eddie had a million questions, but as he looked into Steve's haunted eyes, he decided to wait.

He decided to trust Steve Harrington.

"Okay. Nothing's gonna happen to me."

----------------------------------

When Eddie made it back through the gate in the trailer, a few bruises on his shoulders and arms, but alive, Steve was there.

Looking at him in a way Eddie couldn't quite recognize.

And then touching him in a way Eddie wouldn't have expected.

His hands were everywhere, feeling along his arms and neck and shoulders, taking inventory of his bruises and cuts, the one bite mark he had on his side.

"You're okay?" He asked breathlessly.

"I'm okay." Eddie responded, just as breathless. "Steve. I'm okay."

His tone made Steve stop what he was doing and look in his eyes.

"Fuck, Eddie," Steve fell into him, pushing his face into his neck, breathing Eddie in as Eddie wrapped his arms around him.

"You gonna tell him or should I?" Robin asked from behind them.

Steve just whimpered in response and Eddie felt a wetness against his skin.

"Are you crying?" he asked, trying to push him away to see if he was okay, but Steve just held him harder.

"He's just happy you didn't die this time," Robin said.

"This time?"

"Yeah. You died the first time and it destroyed him. When we woke up back here, he spent so long trying to focus on you living, he forgot we had a real job to do. No offense."

"None taken," Eddie said. "Stevie, you gotta breathe."

Steve had started gasping for air against him, his whole body shaking as he came down from the adrenaline.

It took ten minutes, a cleared out room, and gentle hands massaging his back for Steve to calm down.

But Eddie sat with him and held him, talked him through whatever he was feeling and assuring him that he was okay.

"We all made it, sweetheart," Eddie whispered against the top of his head.

Steve stiffened in his arms, then instantly relaxed.

"Was it..." Eddie let out a long breath. "Before. When I died. Were we something?"

Steve shook his head and Eddie tried not let the disappointment be visible.

"We weren't yet. But I think we would have been. I wanted to be. Didn't get the chance."

"But this time you do."

Steve's lips pressed against his collar, lingering for a minute before he pulled back.

"This time we do."

#steddie #steve harrington #eddie munson #stranger things #steddieholidaydrabbles #time travel

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nolita-fairytale · 10 months

Text

burn your life down | chef luca x fem!reader | chapter eight

summary: you and luca pick up where you left off a week ago.

warnings: fluff, smut (18+ only), literally just p*rn FOR the plot. big note on consent: there is protected (then sort of) unprotected sex in this chapter. the biggest point i'd like to make here is that both characters consent to both kinds and have a very open and honest conversation about it which, if you take away anything from this chapter, it's PLEASE HAVE HONEST CONVERSATIONS WITH THE PEOPLE YOU'RE SLEEPING WITH FOR EVERYONE'S SAFETY. ok rant over.

word count: 4.9k

listen to: the official 'burn your life down' playlist

a/n: another busy week ahead of me so I wanted to get this out here ASAP, but most likely won't be able to get the following chapter out for a bit. obviously, we don't know what happens w/ marcus' mom, but in this world, she doesn't die opening night of The Bear.

on another note: you guys are seriously the best and leave the sweetest and most excited comments/reblogs. i seriously love it when you guys scream at me in gifs/memes/all caps. let me know if you'd like to be added or removed from the taglist.

part seven | masterlist | part nine

“Yeah uh, everything’s been goin’ good. I think Carm’s still trying to deal with everything that happened since opening – I don’t know if you heard but – but… it’s been good,” Marcus says over his FaceTime call with his mentor.

“No, I hadn’t. Eh, haven’t talked to him much since before you visited,” Luca answers, hesitant to ask about what happened during that first night.

“Got locked in the fridge and kinda lost it but… he’s doin’ okay,” Marcus explains, summing up the events of The Bear’s friends and family night.

“How are you doing? How’s your mum?” Luca asks, changing the subject from Carmen to his mentee.

He’s had more contact with Marcus – knows more of what’s going on in Marcus’ life than Carmen’s for a bit now – and Luca wants to make sure he’s being a good friend to him, considering he’d heard about Marcus’ mom’s emergency the night of The Bear’s friends and family night.

“She’s hangin’ on but… it’s not lookin’ great. It’s hard, man. I’m… doin’ the best I can,” Marcus admits, solemnly.

“I can only imagine,” Luca empathizes, because he can’t bear the thought of losing his own mum.

“But uh… anyways, what’s up? What’s new with you?” Marcus asks, his voice much more energetic from the prospect of changing the subject.

“You sure you want to hear about me?” Luca hesitates cautiously.

“Yeah, man,” Marcus agrees. Luca can hear something so sure in his voice, as if Marcus is in dire need of a distraction – to talk about anything but his sick mom. “Shit. I’d love to hear about someone else’s drama for once,”

Luca chuckles softly, his voice light as he replies, “No drama on my end. Though. Ehm… I met a girl. I actually kinda have you to thank for it, mate.”

“What do you mean?” Marcus questions.

“Well. All that talk about inspiration…” Luca says, thinking about how what he’s just makes sense.

“... you know, about being open to things outside the kitchen…. After you left, it made me realize that it’d be a while since I’d taken my own advice. Got stuck on a menu, went out for inspiration, and, well you know what they say: the rest is history.”

He knows it’s not as simple as that, but it seems like Marcus needs a little good news right now.

“Oh shit! How’s that going?” Marcus asks, his tone much lighter now.

“I’m positively chuffed, mate,” Luca chuckles, unable to hide the i’m-very-much-enamored smile that spreads across his face.

“The fuck does that even mean, man?” Marcus teases with a laugh at the oh-so-posh-sounding expression.

Luca laughs again before explaining, “It means I'm pretty damn smitten.”

“Shit,” Marcus sighs.

He can see it all over his face as he continues to see his mentor.

“You’re a goner, man.”

-------------------------------

Luca walks you home this Saturday evening after his regular dinner date at your restaurant. While you had a steady flow of business tonight, Mathilde and the rest of your kitchen staff made it a point to rally so that you could join him for a bit. It’s been a week since your unplanned sleepover with Luca (and your pleasantly surprising sexy morning after), and you haven’t stopped thinking about it.

Haven’t stopped thinking about him:

The way he called you ‘love.’ The way he watched you fall apart with the most pleased look on his face. The way his fingers felt inside of you.

“Luca,” you begin.

The two of you stand across from one another, at a crossroads. The night could end here. You could say your goodbyes, give him a goodnight kiss, and go your separate ways, but that’s far from the option you’d prefer.

“Yes, love?” he asks you, as if he’s waiting for you to ask first.

There it is again.

Love.

Your eyes flicker from the cobblestone streets then back up to him as you the words fall out of your mouth:

“Do you… wanna come up?”

Something flashes across Luca’s face as he opens mouth to say something, pausing for a moment before answering, as if it’s an agreement to what you’re really asking, an ever-so confident,

“Yes.”

You smile, take a breath, then grab his hand as you turn towards the door to your building. As Luca follows you, the only sound between the two of you are your footsteps as you make your way up the stairs. The tension between you is thick, the anticipation of what happens next palpable, that takes shape as a pregnant silence. Luca is more-than-patient as you unlock your door, welcoming him into your home once again, before locking your front door behind you. He’s busy removing his shoes as you giggle, taking yours off as well.

Once both of you are barefoot, you reach for him, pulling him towards you so that he towers over you, your back pressed against the front door once again.

“This feels… eerily familiar,” Luca jokes softly, so close to kissing you that it hurts.

“Yeah,” you agree, under your breath. This is exactly where he had you a week ago, before you both decided not to do the thing you were about to do. “Think you might wanna… pick up where we left off? Now that neither of us are plastered?”

Luca waits a beat, leaning in and ghosting his lips over yours, causing you to gasp in response to his teasing.

“Do you?” he asks, his voice steady.

He wants to know that you’re sure. Wants to know that you want this as much as him. That you haven’t stopped thinking about the other day when he watched you fall apart on his fingers and how it was the most beautiful thing he’d ever seen.

“Yes,” you answer, your voice unwavering.

He swears under his breath before his mouth is on yours, kissing you so deeply that your head spins. You make a mental note to tell him later how absolutely perfect his lips are – how deliciously plump they are, how they feel perfect against yours, how talented they are. You kiss him back, allowing him to steal the air from your lungs as he does it, crowding you up against your front door.

Your arms wrap around his neck, pulling him closer to you. You push your body against his, surprised at how steady his hands are, while yours feel so desperate, so frenzied, when he reaches for you.

His hands are all over you, leaving confident, strong touches all over your body: pulling you in closer to him by your hips, stroking up and down your back, sliding underneath the hem of your shirt like he’s already done this with you a thousand times before. With his hands already underneath your shirt, exploring new territory, and his mouth leaving a trail of wet kisses down your neck, his name leaves your lips like something between a sigh and a moan.

He hums in response, pulling back for a moment. Your heart skips as a beath, as blue eyes lock with yours in a heated, lust-filled standoff.

“Come with me,” you whisper, causing Luca to move aside, letting you lead him towards your bedroom.

On the way there, you flip a hallway light on so that you can at least see where you’re going. You feel his fingers tangle with yours as he grabs your hand, his heart pounding in his chest. As soon as you reach your bedroom, you sit him down on your neatly-made bed, before turning on a small, soft, golden lamp that feels like candlelight.

It’s just enough – more of a nightlight than a lamp, really.

You approach him without a word, and Luca marvels at you. You’re a sight for sore eyes: your hair messy from the heated makeout against your front door, your lips kiss-swollen from the fact that he can barely keep his hands, let alone his mouth off of you, your pupils blow wide with desire for him and only him. You pull your shirt over your head as you climb on to his lap, wrapping your arms around his neck as you press a searing kiss to his lips.

“My god,” he murmurs, his hands coming up to meet the newly exposed skin. You settle into his lap, pressing your hips against his, arching your back into him in response to each touch. “You are so incredibly beautiful.”

You giggle before thanking him.

“Yeah, and I know that you know you’re hot,” you tease him in between kisses, because the man must know what he looks like, right? Luca mutters something about how he wasn’t trying to solicit a compliment from you as he lays back on your bed, taking you with him.

His hands hungrily grab at exposed flesh: the sides of your back, your breasts, the straps of your bra, just to pull them down enough to think he’s going to take it off. Impatiently, you grind your hips against where a tent in his pants has begun to form, earning a moan from his lips as he bucks his hips up to meet your clothed core.

“We should um-,” you start, already so turned on by the way Luca’s body moves against yours that you think you should bring this up sooner rather than later. “Things we should talk about….”

“Yes, my love?” Luca asks, grinding against you again.

You moan in response, throwing your head back as you giggle, knowing that he’s teasing you – testing your patience.

You settle down, just for a moment, both hands going to his well-toned chest. Luca’s hands still around your hips as you say:

“I have condoms. In my nightstand. And I’m also on the pill. I… just got back on it.”

Just got back on it when you started seeing him – you know, just in case this became a thing.

“I haven’t been tested since my yearly physical which was… almost a year ago… but I also haven’t exactly been having sex so,” you add, your eyes flickering away for just a moment before returning to Luca’s very blue ones.

“That’s very sexy,” he smiles up at you, his hands softly stroking your hips.

“What?” you ask with a giggle, your teeth sinking into your bottom lip as you shoot him a quizzical look.

“This… very direct communication,” he replies with a smirk, grinding his hips back up into yours again.

“Luca!” you squeal in response, catching yourself against him so that you don’t lose your balance.

He grins before answering, “My last test was three months ago at my yearly physical. Clean bill of health.” He pauses before saying the next thing.

“And I’m not seeing anyone else.”

You nod, leaning down to kiss him in understanding, “Okay.”

“Okay,” he replies, bringing you down once more for another passionate makeout.

Luca is right. It’s an even bigger turn on, the open communication, and now that you’ve gotten that conversation out of the way, you’re ready to dive in head first to exactly where you hope this is going. Getting undressed is a sexy, dreamy blur. You’re practically tearing Luca’s shirt over his head, unable to hide the fact that your jaw is near-on the floor as you take it in the hard planes of his abdomen. He expertly removes your bra, and before you know it, he’s gotten you onto your back, and you’re kicking your pants off to the bottom of the bed.

Luca pins both of your hands to the bed overhead with one of his hands – his fingers laced with some of yours as he holds them in place – while his other hand once again makes its way between your legs. You gasp in anticipation, unable to stop the confession that comes out of your mouth.

“I haven’t stopped thinking about that. About you. All week,” you whisper, eager to have him touch you again.

“That so?” Luca asks cockily, in between kisses.

“Yes,” you gasp, squirming underneath your touch as two his fingers dance over your clothed core.

From the wetness pooling between your legs up to your clit, the way he touches you sets off sparks all over your body. You pant, unable to think straight as Luca pulls your pantied aside, his fingertips meeting your wetness immediately. He moans in response to this discovery, his forehead pressed against yours, and you cry out when he finally gives you what you’ve been begging for, as he slips a finger into you.

“Luca,” you sigh, like you’ve gotten the only thing that could remedy your restlessness as of late.

Luca kisses you again, his tongue slipping into your mouth for a millionth time tonight as he begins sliding his finger in and out of you.

“You’re so wet, love,” he coos, teasingly, into your mouth. “It’s too easy. The way my fingers slide in and out of you.” He pushes another finger into you, beginning to stretch you again at a deliciously slow pace. “You want me this much?”

And all you can do is moan, arch your back in response to the pleasure he brings you, his hand keeping both of yours above your head while he has you at his mercy.

“So good,” you cry, as you breathe heavily. “So good. It feels-. Fuck.”

He chuckles cruelly, breaking the kiss between you as he pulls his fingers from you. You whimper in response, impatiently, greedily. The man has you under a sexual spell and you could care less about anything else right now.

“I already know how you feel about my fingers. Think I should give you my mouth too, hm?” he rasps, his question anything but rhetorical.

Luca releases your hands that he’s pinned to the mattress, beginning to kiss down your jaw, your neck, your bare torso, pausing to take each of your nipples into his mouth, his tongue flickering across them like it’s a goddamn preview.

“I need to hear you say it,” he commands, his voice quiet yet dominant. Luca pauses, his journey south, leaving hot, open mouthed kisses across your belly as he looks up at you with piercing blue eyes.

“D’you want my mouth? Will you let me taste you?”

“Please,” you’re too quick, too eager to respond when you’re looking down at him, looking down at the sight before you.

Without hesitation, Luca tears your panties down your legs, impatiently tossing them behind him. He begins kissing the inside of your right thigh, alternating between soft kisses, and gentle love bites that have you squealing in delight. You let out soft moans in anticipation, sure that whatever happens next will bring you to an early grave.

A hiss in pleasure escapes your lips as you feel the heat of his breath fan over you, but before your brain can even catch up, Luca’s licking a broad stripe up your core, parting you open for him and only him.

You cry out, your head thrown back as he buries his face between your legs, tracing fierce abstract shapes over your clit. He moans against you, the vibrations too much as you surrender to him. He alternated between sucking and licking, and it’s not till he’s pushing two fingers back into you that your hands are grasping at the sheets, grabbing at the back of his head as your body writhes in pleasure.

You can feel it, that spark so deep in your belly, the coil that winds itself so tightly that the only thing it can do to relieve any tension is to snap.

“Luca. I’m gonna cum,” you beg him, a desperate whine in your voice. “Please don’t stop.”

He doesn’t. It’s as if he couldn’t bear the thought of it – like he could never be cruel enough to deny you what you’re asking for when your voice sounds so sweet, so desperate, so on fire for him.

Using his fingers and his mouth in tandem, he’s relentless in bringing you to your climax, so determined to keep his name on your lips with every gasp, moan, and exhale.

And god, does he love the way it sounds: when you’re moaning it, when you’re begging him not to stop, when you make it sound like a symphony – like he’s just created a goddamn masterpiece.

He’s left you breathless, and all you can do is breathe, allowing your brain to catch up with the pleasure your body has just experienced. Luca makes his way back up to you before pressing a searing kiss to your lips. You can taste yourself on his lips, and you have no intention of stopping now.

You can feel the weight of him as he folds his body over yours. Curious hands begin to move as you become more and more interested in exploring Luca’s body. His muscles flex underneath your fingertips as a reminder of the sheer strength of the man above you. Luca groans as you cup him over his pants, before you begin to undo his pants.

“Do you… want to grab a condom?” he asks softly.

You pause, your hands to meet his gaze with your own.

“Uh.. yeah,” you reply. You had every intention of returning the favor, but perhaps that’s something you’ll save for tomorrow. “Let me just um….”

You sit up, and Luca pulls back, kneeling on the bed as he finishes the job, undoing the button on his pants as you open your nightstand to grab a condom. You place the condom down on the bed next to you, before laying down, your legs spread enough so that Luca can settle between them as you watch him slide his pants and briefs down over his erection.

Holy. Shit.

The man’s an adonis.

And…

Well, you know you shouldn’t be surprised.

He’s 6’ 3” for godssake.

But as you see his cock standing tall, hard, precum leaking from the tip, you’re glad you’ve had quite the night of foreplay so far, especially since it’s been a while since you’ve taken a lover. Instead of hesitating, you sit up just for a moment so that you can pull him over you, pulling Luca down to you for a kiss. He’s quick to respond, using one tatted hand to cradle the back of your head, deepening the kiss as he lays over you once again.

Your right hand makes it way between you, beginning to stroke him, earning a hiss of pleasure from Luca as you wrap your hand around his thick length. He bucks into your hand and you stroke up and down his erection a few times before guiding him towards you, allowing him to use your slick as lubricant as the two of you grind against each.

You know you should do the responsible thing, but you can’t help wondering what it would feel like too. But there’s time for that. Another time for that…

As if he’s read your mind, Luca grabs the condom next to you, before sitting up. He carefully rips open the foil packet before tossing it somewhere on the floor, giving both hands the freedom to slide the latex over his hard on. And then he’s back on you, folding his body over yours as you make room for him between your legs, pressing the gentlest kiss to your lips.

“You sure you want to do this?” he asks, and you think you’ll melt with how damn considerate he is.

“Yes, baby,” you whisper back, it being the first time you’ve called him that. “Yes.”

With your ‘yes’ Luca reaches down, pressing his thick tip against your opening, then begins to push in. You both gasp at the contact as he holds your gaze, and you feel the slightest pinch as he stretches you open. Luca caresses the side of your face, watching you for any sign, any kind of reaction that you’d want to stop. He keeps his eyes on you, pushing deeper, and then deeper, till he bottoms out.

Leaning his forehead against yours as he pauses, he’s got to focus on not cumming right then and there.

“Fuck. You feel so fucking good,” he exhales, letting the way you feel take over him. You’re all warm, wet, pulsing heat and it feels too fucking good.

You give yourself a moment to adjust to his size, before beginning to give him a few experimental movements, grinding your hips where the two of you are connected. Without having to say a word, Luca understands, dragging his hard length out of you at an unbearably slow pace, before pushing back into you, eliciting moans from the both of you this time.

“Do that again,” you murmur, your eyes fluttering close and you focus on the delicious drag of his cock.

He does it again, this time thrusting a little bit harder into you, causing you to moan a little louder this time. His mouth is back on yours as he begins to set a rhythm, thrusting in and out of you while you meet his hips with yours, rocking against him at a pace that matches. It’s as if Luca’s begun to map out your body, wanting to memorize every little thing that makes you tick, that makes you scream, causes you to grasp at any grabbable surface – the sheets, his hair, his back.

His mouth is back on yours, swallowing your moans as he continues to fuck you. You’ve settled into a rhythm that feels just right – something that you can get completely lost in. It could be minutes, hours, days that you’ve been here, chasing mutual pleasure, wrapped up in each other’s arms like you need it to breathe. The way he moves against you is strong, yet gentle as Luca makes love to you, whispering the filthiest things into your mouth, into your ears, the soft canvas of your skin, as if he’s engraving them in stone.

You take me so well. So fucking pretty like this. My beautiful girl.

“Luca,” you gasp, as he gives you a particularly euphoric thrust.

“Hm?” he hums in response.

“Let me ride you,” you request, your eyelids heavy as he stays close to you.

“Yeah?” he asks you, one expressive eyebrow raising up.

“Yeah,” you nod.

Luca kisses you deeply before pausing, pulling out of you and rolling over onto his back. He thinks he’s died and gone to heaven as he watches you climb on top of him, your disheveled sex hair and desire to fuck him seem to awaken something primal in him. As you hover over him, your knees framing his hips, you line yourself up with him before taking him once again.

Luca groans, letting his hands trace gentle patterns up and down your body – his hands smooth over your ass and caress your breasts, as calloused fingertips drag across your stomach, your shoulders, your ribcage – as if he's writing a love letter against your skin.

“You’re so fucking beautiful,” he says, his voice low and gravelly.

He moans, closing his eyes as you begin moving your hips over him, forward and back, beginning to ride him like you’d asked to earlier. Large hands make their way to your hips, as you continue your movements, this time leaning down to kiss him. Luca moans into your mouth as your tongues tangle together, your hips never ceasing their grind against him.

It feels too good.

You feel too good.

You break the kiss this time, placing your hands on Luca’s chest for leverage as you begin to speed up your pace, letting out a moan as you fuck yourself on your lover. Back arched, hair messy, and your head thrown back, you’re completely lost in the way that he feels inside of you.

“Look at you,” Luca marvels, hands everywhere as you bring yourself closer to your second orgasm of the night. “My god, love.”

And before you know it, Luca’s sitting up, sitting tall, wrapping one of his long arms around your torso while the other braces against the bed behind him. He’s thrusting his hips up into you, his hand moving to the small of your back to keep you in perfect harmony with him. The way he hits the back of you with each thrust, how deep he is, how good it feels has you so, so close for the second time tonight. You cry out in response to a particularly hard thrust as your body slumps, resting your forehead against Luca’s shoulder.

You are no longer in control. It’s funny really – and sweet – that he let you think even for a second that you could be. But when he’s bouncing you up and down like this over his hard length, thrusts becoming more erratic, more chaotic, sloppier, you have no choice but to surrender to him. You hold onto his back and his shoulders for dear life as he fucks up into you and you can tell he’s close too.

“God, you’re so good. You’re so fucking good at this,” you whine, all nerves, and explosive pleasure behind your admission.

“I’m close. Baby, are you-?” Luca struggles to get out, the tension in his brow telling you everything you need to know.

“Yes. Harder. Fuck. I’m gonna cum,” you sob, sure that your neighbors will send you the dirtiest or looks when you run into them in the hallway tomorrow.

You cry out as his fingers return to your clit, rubbing hasty circles against you in an effort to take you there with him. All you can do is moan as you busy your mouth with leaving kisses and love bites against his shoulders and chest.

It’s somehow too much and not enough all at once as your orgasm rips through you, your entire body contracting against his. You bite down on Luca’s shoulder, and you think the pain and pleasure combined is what gets him across the finish line as he fucks you through your climax. Before you can properly come down, it’s one, two, and then a third hard thrust up into you before he lets out a primal grunt, pressing your hips down hard against his.

Luca stills inside of you, panting as the ripples of pleasure course through his body, his ears ringing from how hard he came. His eyes meet yours, and he chuckles, moving a piece of hair from your face before tucking it behind your ear.

“Hi,” he smiles, watching you carefully.

“How ya doin?” you ask him, teasingly.

He shakes his head with a laugh before pulling you towards him so that he can kiss you once again.

“I’m great,” he answers, in between kisses.

“Me too,” you agree as your lips curl into a smile against his. You press one more kiss to his lips before pulling back. As you climb off of his lap, allowing him to slip out of you, the two of you hit the mattress like you’ve just run a marathon.

“Come here, love,” he says, encouraging you closer to him.

More than happy to oblige, you curl up to his side, one of your legs wrapping around his as you lay on your side. You giggle, settling into the softness of moment, pressed up against the guy that just fucked your brains out.

“What?” he asks, in regards to your laugh.

“I just-,” you start, before giggling again. “That was really hot.”

Luca gives you a comforting squeeze, hugging you closer to him as you relax even further into his body.

“Yeah it was,” he agrees, a grin spreading across his lips.

He looks over at you to see that you’re on your way to being fast asleep. You’ve closed your eyes, so perfectly tucked underneath his arm as you rest against his body. Luca places a gentle kiss on top of your head as he grins to himself again. He’s not sure what to call it – this thing he’s feeling – because it’s too soon to call it anything, but whatever it is, he knows that his friend was right:

He’s a goner.

-------------------------------

Luca doesn’t know what he did in a past life to deserve this, but as he watches you take him into your mouth, he knows he must’ve done something right. Your name escapes his lips like a prayer as you spend your morning going down on him, completely incapable of ignoring the hard-on you woke up to minutes ago.

You’d promptly pushed him onto his back before asking if you could.

And who was he to say no?

“Shit,” he hisses, as your tongue runs over the head of his hard, leaking cock.

“Wait, just-. I don’t want to cum yet. I-,” Luca stammers out, using all of his self control not to cum in your mouth right then and there. “I want to fuck you again.”

His words shoot straight to your core as you release him, climbing back over his body and letting him roll you onto your back.

“Do you want me to grab a condom?” he asks you, nipping at your jaw as his fingers discover that you’re already ready for him.

His words from last night echo in your head:

And I’m not seeing anyone else.

“No,” you say, immediately searching his face for some kind of negative reaction. “Is that okay?”

He nods, one side of his mouth turns up into that crooked smile that makes your heart race.

“Fuck,” he rasps, his head spinning as he lines himself up with your entrance, beginning to push in.

“Of course it is, love.”

#chef luca #will poulter #luca the bear #the bear season 2 #the bear headcanon #luca x reader #the bear hulu #the bear fx #the bear fanfiction #chef luca x reader #pastry chef luca #burn your life down #luca smut #chef luca smut #the bear smut #luca x reader smut

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crownmemes · 2 months

Text

Concerned Sentences, Vol. 6

(Concerned sentences from various sources. Adjust phrasing where needed)

"You’re miserable, and you’re afraid to face yourself!"

"I had to do what I thought was right."

"I think you should confess. I think you should come clean."

"Like it or not, you are a person."

"We know too much about each other."

"I've seen this before, and it only ends one way."

"Whatever this is, it won't end how you think."

"You live under the delusion that you can fix everything that isn’t perfect."

"What makes you think I’m so much better than you?"

"You hide behind your intelligence."

"You can't keep letting other people define you!"

"Why are you so worked up over this?"

"What exactly are you looking for?"

"I don't mean to pry, but is something troubling you?"

"You're going to die pretty soon if you don't stop picking fights."

"Listen to me, you can't keep going like this. Something has to change."

"Are you thinking of doing something that has an outcome you can't live with?"

"Why do you want so badly not to be human?"

"You've got a big 'keep out' sign stapled on your forehead."

"Doesn't this seem a little bit obsessive?"

"I know you don't like questions, but why are you doing this?"

"If you would consider going to a shrink, I would pay for it myself."

"You always find some tiny, little flaw to push people away."

"I've known you long enough to know you're not devoid of emotion."

"Guilt does a lot of damage."

"What happened to your face?"

"Don't do anything rash."

"I have to tell you some news that's pretty bad..."

"Can I ask what he's done to deserve your loyalty?"

"You're better than this."

"You're not responsible for your brother."

"You don't want to rush into things. You can't undo them later."

"You're destroying your entire life! You can't go back from this!"

"You choose yourself over everybody else over and over again, because that's just who you are."

"Why are you doing this?"

"You don't think that's a little paranoid?"

"Why don't you sleep on it and make the decision in the morning?"

"Can you please be a human being for one minute and talk to me?"

"I know you have trouble losing people."

"You're not ready for this."

"You make jokes because you’re afraid to take anything seriously - because if you take things seriously, they matter."

"You've done this before, right?"

"You're good, I know you are, but you're not strong enough."

#rp meme #rp memes #roleplay meme #roleplay memes #rp prompts #roleplay prompts #sentence starters #assorted;#concerned;

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balkanradfem · 5 months

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It was a while ago I read this tumblr post, which still comes to my mind every time I think about the future. It was explaining in an insightful way, how it's not a violent revolution that will bring forward the better future, it's slow and consistent change of our everyday life, of our habits, the resources we use and the way we go about achieving things. If we're hoping for a future where we're not dependent on capitalism, not destroying the environment, not robbed of our labour for a fraction of the money we need to survive, we'll have to slowly die capitalism out, by changing our own living habits.

If a sudden shift happened, and capitalism stopped functioning overnight, for most of the people that would be unsurvivable, all of the resources, food, jobs and life-sustaining services would stop. And we can't afford that. But, if instead we slowly backed away from it, generated alternatives, created communities and systems that can sustain us without capitalism, then it would only be a matter of time before capitalism is fully dead, with everyone alive, everyone safe. And this slow shift would be able to happen through decades and generations, and it would still be a great positive shift, with a future in sight. Capitalism offers no survivable future, seemingly ready to last as long as it can by destroying whatever is left from the environment and people alike, for the benefit of the few.

So let's see how we got here, or how I feel, looking back, we got here.

People used to be less dependent on a global system of distribution of resources, even just a 100 years ago; survival and trade skills were passed down in families and communities, and people would be able to make inside of their home and communities, a big percentage of things that we today would buy at the store. In those times there was no other way to gain those resources but by relying on people's knowledge, skill and labour. The future, however, promised a more convenient and easy way to gain all those resources, because they would be made by machines, and thus cheaper. And things kept coming in cheaper, for no visible labour required; you just needed to have money to buy them, which not everyone had.

But this too, would change as cheaper and cheaper things arrived, and it became less convenient to make those things yourself or within your community, and more convenient to just trade some money, and have it all be done for you. For people then, it could mean less energy spent on survival, more leisure time, more health and longer lifespan – except, it didn't, because the jobs that they needed to earn that money, tended to take all of that away. So still, there was a lot produced at home or within the communities, independent workshops and artist shops, so people within in the community would benefit from each other, instead of benefiting some faceless global corporation.

And now we know where this went; conveniences started lining up to the point where not having a certain convenience meant that you were below the norm. They sometimes got mixed up with inconveniences, but those inconveniences were 'necessary'. For instance, pollution became necessary, highways, huge trucks delivering goods, the oil industry, destruction of forests and habitats, exploitation of the poor, extinction of certain animals, and by the end of it, the climate change.

When I was born, my mother and grandmother still attempted to pass some skills that their mothers taught them; I remember being taught how to knit at the age of 5, the activity which at that age, seemed awfully tedious and was soon abandoned, and my grandmother showed me how to crochet, which I also soon forgot. After the age of small child, they both looked at the world, shrugged and decided 'she won't need it', and they have stopped trying to teach me any skills of the sort.

Buying things, rather than making them, already seemed the norm. People were readily telling you that you are stupid for trying to make something, when you could get it in the store, for very little money. Having animals at home, or growing food, was slowly getting replaced by buying it cheap, or buying tons of snacks, and biscuits and cakes, which now you could get pre-packaged, readily available to consume at your leisure. If it brought lots of waste from packaging, plastic and other non-degradable materials, nobody cared, it was new, convenient, and available, and we would have it, and live luxuriously.

Soon nobody seemed to talk anymore, about what we used to do before we were able to buy anything we could possibly need at the store; nobody would tell me what were the names of the native plants, and which ones I could make into teas, I was instead told to change my priorities because this kind of behaviour will never get me any money. All of my efforts to do arts and crafts, to forage, to make things from scratch, to paint and invent stories, were called frivolous, because they would not generate the one thing that was now the only thing worth generating: money.

It simplifies things a lot, instead of making various, interesting, self-made and beloved items that would all require different knowledge and skills, a human is now required to put all of their talents into 1 thing that would generate revenue, and then do that one thing, for entire life, and this would present a normal life on earth now. This was how it was presented to me, and it was before I found out that keeping one job for the whole life, was no longer an option, that changing jobs was the norm and was not often volountary. I did not, however, understand how doing that one job would not make someone go insane, and nobody was explaining that to me, it was just, the life.

So while the world was shifting into this new concept of 'make nothing but money', the first millionaires started to appear, the billionaire was not even conceptual, having 1 million was equal to being the richest person on the planet. That is pretty laughable to us now. Back then, it felt like heading into a new exciting world, but we know better now. We understand that lives consisting of a job and thousands of conveniences, easily sends a human being into a depression. We understand that relying on a job to keep us alive, and having constantly to compete with everyone else unemployed, to get one, has brought us to a place where others are a competition, not a resource, not a community. We understand that living in a world where we have to market ourselves as a resource, causes a lot of us to lose self confidence and the feeling of value, while it sends others into obsession with becoming popular, gaining perceived value, gathering a public image, that would later prove to be profitable.

By this time, unknown to us all, this life of convenience and consumerism had caused immense damage to the environment, and we were mostly kept in the dark about it, so we wouldn't complain. We learned about the holes in the ozone layer, but were told it was merely the fault of certain aerosols, and the rest of the stuff was fine. We would in the future get to watch oil spills and devastation of animal habitats, never fully connecting it to corporations who were responsible. Acid rains were mentioned, but we were told they caused by the new pesticides, but it was the fault of the farmers, they said, who simply used too much of it. Now we know it was the exhaust fumes from cars, factories and coal power plants. Climate change was barely mentioned, and even less believed in. And now, we can no longer ignore it.

So, what do we do in order to progress? We obviously can't go back to where we came from, but we are now made aware that the amount of energy and resources we're consuming, and the amount of toxic waste we're creating, will devastate the planet to the point where a big chunk of it will become inhabitable, millions of both people and animals, will end up dead if we keep going. But wait! How can I blame the people for any of this, when it's obviously the corporations that are doing the most damage, lobbying and hiding what is in actuality going on? And you're completely correct, I would have to say, it is corporations, and for the most time, we really didn't know the extent of damage they were doing. So why are the corporations exactly doing all of this? For profit. And who's giving them all that profit? Well, the consumers, by consuming all of the oil, energy, goods, resources and products they make. So how do we take down the corporations? By not giving them any of the profits. But, we can't do that in the current state of the world, we need cars, and food, and that food to be shipped and delivered from the distant lands, and we are all depressed and if we can't at least have our favourite snack, food we're used to, little treats and pieces of clothing that make us happy, we no longer feel like we can live!

And that's where the slow and meaningful habit shift comes into place. The thing is, we're not the same people we were 50 or 100 years ago, we don't have the skills of our ancestors, we're not used to producing our own resources, we are out of touch with nature, and we struggle to find our communities and feel valued. But we also have, so much more information and education at our fingertips. We have more scientific data, we have more access to information, we have more people creating public resources, we have the experiences and wisdom of generations back, only waiting for us to reach out, to tap into what the humanity knew centuries ago.

We're made to do various activities! We thrive on changing our habits by season, even by weeks. We thrive in communities, with no competition for resources. We love creating art, music, crafts and beauty just for fun, and the communal value of it cannot be compared to money. We don't like being reduced into human resources or labour force, we don't like repetitive activities that don't produce results or seem nonsensical, we don't like to be stuck within one room for most of the day, we don't like being replaced when we stand up for our rights.

I can already see a lot of people valuing all of the things on this planet that cannot be exchanged for money, but have intricate value in our lives and experiences; wild animals, plants, forests, environments and ecosystems filled with life, little stories and jokes we tell to each other, making crafts just for the sake of making things, creating their own clothes or fabrics, learning how it was done in the past; growing food, foraging, herbalism, basketry, making of soap and fixing things on our own, visible mending, connections and building communities, we are remembering it's what we want and need, and we're not going to build it the way it was in the past; we're going to do it our own way, with the knowledge and experience we have, the way we think is the best. All we need to do is start small. Do one little shift that takes you one tiny step away from consumerism. Add one little enrichment in your life that doesn't have anything to do with money or purchasing. Find little ways to save on energy that doesn't make any dips in your happiness or comfort levels, that only requires a little bit of your attention or focus to do.

Big shifts are not sustainable, and are not survivable, but we didn't get here by a big shift; we got here by a series of small, almost invisible shifts that we barely felt were happening, until it was our new normal. We can do small, painless shifts too, but this time, they're going to be conscious, purposeful, with thoughts of the future behind it, and they're going to come from us. Not the corporations, not the money holders, but us, pushing the future to the direction that we want.

#anti-capitalism #essay #long post #capitalism #environmentalism #climate change #future #environment #saving energy #leaning away from capitalism

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dairy-farmer · 29 days

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You know that annoying "redeemed by a Good Woman/redeemed by puss" troupe?

I just remembered Match :Dc

Kon's evil Clone twin. The one where they actually SUCCEEDED and he's totally down to kill Superman and is also super unstable physically etc.

But consider!

Secret Relationship! Bats are paranoid after all. Can't let our enemies or Dads know we're dating! Or fuuuuuckin.

So when the switch happens? And "Superboy" gets a nasty blow to the head that gives him spotty memory? Of COURSE his... "Best Friend"(tm) wink wink nudge nudge, is gonna take care of him. The whole team obviously knows. But no one else does.

So Match has no idea what's happening.

Has he been Made? THAT FAST? Shit, Bats really ARE something else. Better kill hi-... why is he hugging me? This... IS a hug, right? He's never had one before. It's not awful.

And so Match keeps pretending to be Kon. Slowly gets "better". Forgot a lot about Robin and their Relationship, of course, so they have to start basicly over. But isn't Rob the BEST? So patient! Hand holding. Cuddles. Tender kisses.

Hand jobs.

It blows Match's MIND. This? This is fantastic. No one tells him what to do, treats him like an animal, calls him an "it", and?? He gets all these soft touches and kisses? Robin's even talking about maybe having sex "again"!

Fuck. He is TOTALLY stealing the other clone's Life. RIP to that guy. His now.

Except? No The Fuck You Don't, Bitch(tm). Kon is actively waging a one man war against his captors. Fuck these guys. Luthor in particular. He has a boyfriend to get back too and a Usurper to curbstomp. Or fuck. Depends on how hot he is and if he's a dick. Kon DOES have a well known incest kink.

Might keep him.

But back with Match? B-be gentle with him Robin~ *bats eyelashs* *shoulder smack* they're doing the whole shebang. Cabin by a lake. Pizza and dancing. Sparkling grape juice since booze won't effect "kon" anyway.

Just? Everything Tim can think off to make it fun and memorable. He even remembered lube this time, because NOW he knows Kon is too big to take without a little help. It's like a do-over, almost.

It's ALSO the moment Match's loyalties completely fuckin switch. Ride or Die with THIS guy, specifically. [Robin has given Match: The Sex. Match will now willingly die for Robin.]

It's a literally life-changing First Time for Match and a Really Good for Tim. Laughing and tired from dancing, hands roaming each other's bodies, lazily finding what feels good. Tim sighing in pleasure, a pretty little roll of his body arching his back, as he let's his legs fall wide. Smiles at Match.

His hands still loosing hugging Match close, his kissable lips, soft in a lazy grin. The body under Match relaxed and full of trust. Touching him back. Just to feel his skin, too make him feel good too. Looking at him like he's wonderful. Like he's worth loving.

IS Loved.

Match wants to worship this. Steal it away. To hell with the world and "saving" it. He uses a brain meant for grand battle strategies, to memories every twitch and squeeze around his rocking fingers. What makes Rob feel good. What makes him feel BETTER.

Kisses his way down.

Gentle. Careful, so careful. He has so much strength.

He wishes he could suck, but doesn't trust himself. Luckily his tounge draws delight anyway. He let Rob roll them. Feels cradled, between those thighs, as Rob desperately rides his face.

Takes so much control for Rob to stop. He's shaking with it. He wants to continue so BAD. But wants Match's cock more. So Match gets passed the lube. Blindly fumbles to get ready.

He hears something, flying. Probably a plane. Not important. Robin's important. Lifts him so EASY. Feels him shudder, turned on by how easy Match moves him. They line up, and Match slides in like he's always been there. He has to let go or his grip will get too tight. Amazing. Wet, hot, soft... w-words... he can't...

And THAT'S when he gets a sharp stab to the arm with an injecter and a Smiling But PISSED, grabbed-by-the-throat-hard-enough-to-break-the-bed-frame Slam from ACTUAL Kon. Who has escaped.

And found Match in bed with his boyfriend.

The injector has the stabilizing agent they were withholding. The choke hold however? That's for him. Sup, buuuuuddy. Enjoying my boyfriend? Yeah, he DOES feel good. I would know!

Give me a reason not to kill you where you lay :)

Tim is confused as hell. Still horny. But very alarmed. Two Kons? One is clearly NOT Kon. Please tell him it's not the one he's in bed with. He does NOT want to be a cheater! Kon he would NEVER cheat! (Kon knows.)

Match... offers to switch sides? He would kill for Tim. Die for him. Is in love. Wants to be a person. Is mildly to moderately insane but can TOTALLY promise to keep a lid on his Crazy.

.....also this is kinda hot. Wanna make out? Do you think Tim would enjoy that?

Kon? Is basicly? Yyyyyep. That's a 'Me but fucked up' alright! Unfortunate. Hot though. Let's keep him. He's like one of those really, really ugly dogs you kinda can't help but falling in love with.

Tim? Still impaled on SOMEBODY'S dick and just wants to know what's going the fuck on. Face in his hands. Why is he dating this asshole? Why!? *gets smoochs* oh, right. Tim loves him.

Damn it.

Fine! Fuck it! Both of you, I GUESS, get over here. Time to live out some of those fantasies Tim's had but couldn't do with only one boyfriend. Kon! Naked! You! Name? Match. Okay, Match? Move your hips! *vigorous sex noises!!!*

And so they threesome it out! Until Tim can no longer keep up. Then Match n Kon pull on pants and blow up some bases, get pizzas, and come back for "round two". It's a great week!

Tim ends up on bedrest. Looks vaguely mauled. But with a delightfully dewy well-fucked shine~ to complexion.

-🐼🐼🐼

sex with tim getting ppl to stop being evil😍😍😍!

#answered asks #asks #anonymous

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rayzay · 7 months

Text

A lot of spelling mistakes, the plot is all over the place ngl.

Keep in mind English is not my first language!

Danny was immortal, he couldn't die. Well, he couldn't die by old age. His human form won't die naturally and it won't age either.

So, when all of his family, friends and just quite everyone he knew died, he was left alone. But his family and his two best friends still haven't moved on, Danny was their unfinished business. So, like a good normal family, they decided to haunt Danny! Which is cute, but also can be seen as something horrifying if you don't know the context.

So, 85 years later, Danny still changes last name everytime he needs to (so about every 4 years), jumping from foster family to foster family. He moved to state to state, never staying in the same state for too long.

And in 85 years, a lot has happened.

Here's what changed with the world :

Superheroes and metahumans/non-humans are way way more accepted in society.

A lot of big city appeared such as, Gotham and Blüdhaven in Jersey, Central City in Missouri, Metropolis in Illinois, Amnesty Bay in Maine, Blue Valley in Nevada, Coast City in California, Dakota City in well...Dakota. Fawcett City, Star City..etc..etc..

All of these have also something particular, they're home to a hero and said hero works for the JL, known as the Justice League.

Danny wasn't really interested in hero-ing anymore, after all, there was people literally paid by the government to do that, so why would he do charity work? Of course he'll help if there's a catastrophe, but he'll just help the civilians get to safety, that's all.

Life kind of sucked for Danny. He couldn't get attached by people too much because he'll know he's going to outlive all of them, so why even bother trying?

Danny needed to find a new place to stay, preferably a big city, and in a state he didn't appear this year.

Danny decides to pick Metropolis, it's one of the safest option after all, Superman does his work pretty well, and casualties and crimes rate are really really low there..plus, Sam kept pestering him asking him to meet Lois Lane. (Danny needed to do an essay about journalism for some reason, and he stumbled across Lois Lane Wikipedia page, she was quite the character.)

Sam instantly took a liking to her, she's everything she aspires to be.

Tucker, him, seemed interested in Lex corp, not in a “Oh, I'm so so fan of him!” kind of way, but more in a “His technology is one of the best in the world, he could easily rival against WE.” kind of way.

His parents and Jazz were guiding him, telling him what to not do, and what to do, sometimes they argue, sometimes they stay quiet, sometimes Danny tune them out, can't blame him honestly, if a psychologist was always nagging me, telling me what to say, and doing some unnecessary rant about whoever's is talking to Danny body language I would want to tune them out too.

But they're mostly trying their best..and Danny can't blame them for that.

His parents always did a “ability checkup test ” and it's basically Danny just flying around, shooting his blasts, doing a ectoplasm shield, duplicating...just testing all of his powers to see if they're all okay.

Which, they always are but his parents keep pushing him to do it, and he always agree just to make them shut up.

Danny found a new ability, something he deemed impossible to do, he can fly, he has his strength, his speed, his stamina and his reflexes but, with his human form.

But everything else that works with ectoplasm or his ghost core he didn't have.

So he was basically a less powerful version of him, which, sucks, but it's kinda cool.

His family were ecstatic and so was he! Plain old Danny could be more..but no, he has to stay low. Otherwise he's going to get found by Vlad, or worse.

Danny does something, extremely stupid, but fun for him.

He decides to fly in Metropolis, but just high enough so no one could see him! Even though Danny has the same powers when he's Danny Phantom, it's different, it's weird, he has his core to help him concentrate, hearing the frost in there soothe his nerves, and help him get focused.

But, it's different, he has his slow beating of his heart, which is quiet, really really quiet, it's drowning against the noises of the city

He can't focus he can't focus he can't-

Danny starts falling, which is okay because he can just turn into Danny Phantom and easily get out of this shitty situation, but noo, Danny had, and still has the shittiest luck ever.

Superman catch him, of fucking course.

#dp x dc #dpxdc #dp x dc crossover #dp x dc au #dp x dc fanfic

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pumpkinbxtch · 29 days

Note

Thanks for doing that Lester x Non Binary Dionysus reader! I really loved it and I'm sorry for being so vague about it I wasn't sure what exactly I wanted. But it made me think, what would happen if Dionysus found out that Apollo and his child were dating? I think it would be fun. Take your time, I love your oneshots <333

oops, father found out ˚ ༘ ⋆

— apollo x child of dionysus!reader

previous part (no need to read it)

Warnings: none!

a/n: hi again! I'm glad you liked the last part and don't worry sometimes it's hard for us to know what we want. Here you go, I hope you like it ❤️ And thank you for your support 🥹🫶🏻 I hope i did well on this one too.

— What? Did you lose your mind, kid?! — You chuckled at the obvious reference to your father's powers. Usually, you'd be scared out of your wits, but with Apollo by your side, things just seemed easier. If that wasn't love, then what was it? — Don't make me punish you!

Apollo sighed. — Brother...

— Exactly, you're my brother! It's your—

— Stop! — You pleaded as you brought your hands to your head. You looked at Dionysus, his nose getting redder when he got angry. — You don't have DNA, father.

He snorted.

— I don't care, this can't happen.

— But it's already happening — your boyfriend defended. To your surprise, Apollo stood up straighter, more convinced, determined not to let you be separated, not after all the eons he spent searching for the love of his life. — And I love them. Be sure of that, brother. My intentions are not to hurt them.

Dionysus gritted his teeth and looked at Pollux, who had his gaze fixed on some point, thinking gods only know what. You, who knew him better than anyone, thought he looked surprised but not angry, because he had already lost a brother. Clearly, he didn't want to lose another sibling... but things were different, different situations, that's what he thought.

The room remained tense for different reasons; you couldn't believe the stupid reason you had been caught. Maybe it would have been better if your father had caught you kissing behind the cabin or holding hands, but you never imagined it would be because of the trace of your perfume on Apollo's clothes.

"I gave it to you!" your father said when he shook your boyfriend's shirt in your face, and you let out nervous giggles.

The question that haunted you was whether your father would take all this seriously and not let them be together because sometimes he could be strict and stubborn.

— You know what it is...

Apollo's voice filled the room of The Big House, and you could see Chiron discreetly pacing to catch up on the gossip. Dionysus raised an eyebrow and leaned over his brother, who, holding his brother's fleeting gaze, never faltered.

— What are you saying, Apollo?

— Falling in love — he replied, and you stopped feeling the situation funny; instead, a warmth spread across your cheeks. Pollux glanced at you sideways, and a small smile formed on his face. Things were getting better and better.

— Don't talk nonsense, Apollo.

— I'm not, brother. You and Ariadne—

— No! — the other exclaimed with a growl, his eyes bubbling with fury.

Apollo sighed again and approached his brother even closer, almost touching noses.

— Don't forget how you felt every time father scolded you.

— It's not the same!

— No, but you know what it's like to love someone so much that you lose the reason for your being, brother. — Apollo stepped back, his eyes shining with confidence. — I won't make them feel less than a deity or part of royalty I'll adore them with my soul until the ether dissipates. You know I've changed, brother, and for them, Me, a god, would die.

Dionysus wanted to intervene; however, Apollo kept speaking, pouring his heart out with every word.

— I would vanish and all humanity with the absence of my light before I even think of disappointing your child.

Pollux slid until his shoulders bumped, and you looked at him amazed. He smiled and hooked his pinky with yours. "I like him, I accept it," he wanted to say.

The place filled with silence, and your father looked away from Apollo for the first time to fix his gaze on you.

— Leave, I need to talk to my brother alone.

And although you would have liked to contradict him, you obeyed because you finally noticed the emotion he was hiding behind the anger in his eyes; there was nothing but fear, and you would have to endure until he let you know because despite how tough he could seem, he was your father. The same one who raised you with love and affection.

Before walking further from the porch, you could see through those curtains a hug, and you sighed. Everything would be fine.

#maría's shared dreams☆｡ﾟ✧#trials of apollo #apollo x you #apollo x reader #apollo pjo #apollo pjo x reader #apollo x y/n #lester papadopoulos x you #lester papadopoulos x reader #lester papadopoulos #pjo hoo toa #pjo #trials of apollo x reader

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greenconverses · 4 months

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Richard saying, "we're going to end up in the same place, it doesn't matter how we get there" pissed me off so much ISN'T "HOW WE GET THERE" THE ENTIRE POINT OF STORIES?! ISN'T THAT WHY THE ENTIRE DAMN BOOK EXISTS?!

So, shocker, I have Thoughts about this post of his. My knee jerk reaction when I saw it last night was an eye roll and an urge to rant, which I kept contained because I'd already ranted and we gotta space that stuff out from time-to-time.

And now that I have had a full night's sleep and I am slightly less cranky, I'm gonna have to go on record and... DEFEND part of his logic, gasp.

For those not in the know, RR wrotes this reply to question on Threads (lol) a few days ago about changes to the plot in the sixth episode that apparently bugged a lot of people:

And like, I'm deeply annoyed about the "it won't change anything" bit because OH MY GOD STORYTELLING which is a whole other thing but I do have something to say about the man's logic and the difference in the show premise vs the books that I think is flying over a lot of people's heads.

The plot of the show is Percy saving Sally and doing a quest along the way. Sally and Percy's relationship is the A plot, the mythology and conflict among the gods is the B plot. Percy knows from 1x02 that his mom is alive and that changes his priorities immediately; we see him start to care about the overall quest and his place in the world in 1x05, but he's still pushing forward because of his mom. You have to add another pearl to pay off that A storyline, to promise audience members that Percy is going to succeed until he doesn't.

Percy in the books has a feeling his mom is alive or that he can get her back from the Underworld, but doesn't know for sure. The quest and the setting up the overall Big Three backstory is the main plot of the books and what we the readers are focused on. I wouldn't even put saving Sally as a B or C plot in the original TLT. Percy doesn't get confirmation that she's alive until they're down in the Underworld and Hades reveals he took her for leverage, so then only having three pearls becomes a brief but important conflict.

This is where we're seeing a lot of the issues with the show's plot come to a head. It's fine to change the priority of the story from returning the bolt to saving Sally, because it delivers the same result in the end anyway, like Rick says. But you have to bulk up other parts of the script in a way to make up for it and the show has not delivered on that part. (See exhibit A: my rant about any lack of mystery with the monsters.)

I think the most egregious change that he says doesn't matter is the trio missing the deadline. In the books, we're told that natural disasters and weird things have been happening since the bolt disappeared as Zeus and Poseidon fought, and stuff was getting worse the closer the deadline came. We are briefly shown this in 1x05 with Ares and in 1x06 with Luke saying things are "bad" at camp, but imo, it doesn't feel super heavy. The consequences of missing the deadline is that gods go to war and bad shit happens! Lots of mortals are gonna die! Doesn't that matter?

The show could've stepped outside of the Percy and Sally storyline for little bit to give more of a perspective about what was happening at camp or the outside world to bring that weight - you're not limited to just Percy's POV storyline in the medium of a TV show! (Of course, we can step outside of it to give a LMM cameo/stinger because priorities but I digress.)

They didn't and I'm not sure how they're going to "solve" Zeus's response to Percy missing the deadline 'cause like... this is the unreasonable king of the gods that Rick has started yet another series based on the premise of him being a petty bitch who wants to ruin Percy's life. Is the guy gonna walk back starting a war? Is he waiting to start because Poseidon asked nicely? What's the consequence to the world going to be? Clearly nothing, since Rick said the story is going to end how it was always going to end, which is just poor storytelling.

#anon #ask box #pjo tv show #pjo tv #pjo tv crit #me then: i'm totally going to be normal about this show i won't get involved in any of the wank because i have done my time in this fandom #me now: AND YOU KNOW WHAT HERE'S ANOTHER THING I HAVE A PROBLEM WITH #anyway i should actually like... do my job now lmao

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slytherinobsessed · 2 months

Text

it's all lies, darling: mattheo riddle

| pairing: mattheo riddle x reader

| genre: established relationship

| warning: angst, torture, sadness, pain, minors dni

| word count: 1.8k

| stefy's note: i got this idea by thinking mattheo riddle and when i think of him, i think of death eaters and even Voldemort, so enjoy :)

[ BACK TO MASTERLIST ]

Love makes you weak. That's what his father used to tell him whenever he would ask about love. You should never fall in love. That's until he met you. That's the day he swore to protect you, but could he do it?

To say that you changed his life and made him a better man, was the least he could say. He really wanted to be a better man when he was with you. Being the Dark Lords son is quite the privilidge and also a curse, but with you, he wasn't his son, he was the man you once loved.

You and Mattheo have been dating for the past 2 years. Mattheo is Voldemort's son and that could be explained of one reason as to why you two decided to keep the relationship a secret. Soon, in about one month the two of you will graduate from Hogwarts.

Mattheo is being forced into the world of death eaters. You have tried to convince him to met you go with him, but he refuses, he would rather die than let you get into that world.

"Times running out, baby." He whispers before you fall asleep. He's terrified of loving you and becoming a death eater, but he hasn't told you.

You sight looking at him, taking his face into your hands kissing him softly. "Baby, it's gonna be okay, hopefully your father won't try to kill us all." You giggle a bit trying to lighten up the mood.

Mattheo chuckles, but it's not a real laugh, it's more like he's on the verge of crying. "We'll see about that." He says, trying to joke but knowing it's not going to be okay. Death eater or not, he still wants you not to be around him. The pain would be too much. He kisses your forehead. "I just don't want to lose you."

"You won't lose me." You say leaning your head on his chest, wrapping your hands around his neck and then looking at him. "We will go through this together."

"Are you sure?" He asks. He doesn't mind that you are using him as a pillow right now but he's starting to doubt that you'd want to be with him if he joined his dads side. He doesn't know why but he can't stop thinking about all the awful things a death eater is capable of, and that being a death eater himself would be a turn off for you.

"I'm more than sure, even if you becoem a death eater. Good or bad, death eater or not, I'm gonna be there for you." You confess to him your feelings, reassuring him about how you see the situation.

Mattheos eyes widen. He was prepared for anything but a confession. He hesitates before speaking again. This was the first time you'd confessed your feelings to him, so his thoughts are racing. "You-you'll still feel the same even if i become a death eater?" He asks hesitantly.

"Even if you become a death eater, because i know that deep down that you'd protect me from your father and other death eaters." You say playing with his hair. "Even if we both know that your father was never a big fan of me.

Mattheos breathing quickens, he can't believe what he's hearing right now. You'd still love him no matter what he became? He could feel it, but he wasn't going to get his hopes up. He smiles softly at you. He takes a long strand of your hair and wraps it around his finger. He wants to pull you into a kiss right now, but he doesn't know how far your feelings for him go.

"Matty, whatever happens between us, even if you become a death eater and suddenly something happens and your father forces you to do something, i know that we are in this together." You say caressing his cheek, looking into his eyes.

Mattheo is stunned. He's never in a million years imagined hearing those words come out of your mouth. He stares at you for a few seconds before his thoughts start rushing again. Did he hear right? "You...you'd stay with me, even if i had to do my father's bidding..." He mumbles, trying to process what has just happened. It almost felt like he was dreaming, there's no way you'd really love him despite everything...

"Yes because i know you'd do everything in you to protect me and fight that desire to be bad." You say still caressing his cheek, coming with your body closer to his.

Mattheo takes the opportunity to grab you in his arms, trying to calm his racing heart. He closes his eyes in pure ecstasy when you mention how he's trying to fight his dark side. He kises your forehead and holds you close to him. "You're gonna give me a heart attack with all of this affection..." He whispers in the most teasing voice he can muster with his current state.

You giggle a bit, looking at him still playing with his hair. "Let's not worry about your father and the desth eaters, we have one month to spend together before anything." You kiss his forehead, leaning my head against his.

Mattheo sighs, but this time it's a sigh of relief. To hear those words is such a blessing. You won't even worry about the future. You just want to focus on here and now. He squeezes you against him, not wanting to let go of you know as his fears are subsided. "One month...just one month..." He whispers softly, running his fingers through your hair.

Ever since that day, he swore to protect you. There hasn't been a day when he hasn't been there for you. But one day, he was with his friends, Draco and Theo. And forgot that you'd be going to the Diagon Alley, to get yourself a new wand, as the last one broke, because Draco stepped on it.

After a few moments you, you found yourself tied to a chair, with the Dark Lord himself in front of you, and behind him were the death eaters. With Mattheo, who now has a dark mark on his forearm.

"Crucio!" Voldemort moves his wand to you, hitting you with the curse. Lucious holds Mattheo down so he can't look away. He is forced to watch you get tortured.

The moment when the curse hit you, you could feel it all over your body, into your bones. The pain. It was killing you but you tried to stay strong by groaning in pain. The only hope you had was Mattheo. After Voldemort took a moment to talk with the death eaters. That's when you looked around the room trying to find your wand.

Mattheo watched in despair, he wanted to free you, to get rid of the pain, he didn't want to watch the love of his life get hurt and tortured like this. It broke his heart. He could hear your groans, his face contorted with grief and pity. He hated his father as much as he hated himself for not being able to stop all of this.

"Please..." You mumbled, looking at Mattheo. That's when you heard that Voldemort stopped talking to the other death eaters and was now focusing on Mattheo, wanting to teach him a lesson.

"I told you not to fall in love son, falling in love is for the weak. I told you not to love anyone, because it makes you weak." He says in a slow voice, that sends shivers down your spine. That's when he turns to you, glaring at you with his hollow eyes.

A few moments later, he hits you with Crucio again, you cried out in agony. Lucius held Mattheo even tighter, which caused him to struggle and make his dad angrier. Your face was in a lot of pain, and Mattheo could see that, his heart was breaking, but he knew if he tried anything, he would face the same crucio that you were facing right now.

"Please..." You pleaded, looking at Voldemort seeing that he was still looking at Mattheo with glaring eyes. He was angry and the both of you knew that. "It hurts...please stop!" You say almost defeated by hsi actions feeling a tear drop from your eyes.

Your pleady seemed to piss Voldemort more. "Shut up!" He says as he hits you the third time with the same curse as before. Mattheos heart was still breaking, his dad is not only torturing his love, but forcing him to watch it all unfold, which put him in a lot of emtional and psychological pain. His mind was telling him to save you, to stop the pain, but his dad and Lucius were stopping him. Your cries were making his heart break into a million pieces.

You look at Mattheo and whisper softly, hoping that only he can hear. "Please." You continue to look at him, closing your eyes for a moment trying to bare the pain and focus on him. Knowing he will do something.

Mattheo finally had enough, he was able to wiggle out of Lucius grip, as he looked at you for a moment and then at his dad. "Stop it!"

Voldemort whipped his head around to his son for a split second, the look on his face was absolutely terrifying. "Wha-" He said shuttering, a bit out of shock. How dare his son defy him. In front of his army.

You gulp looking at what is happening right in front of your eyes, hissing a bit in pain, still feeling the curse run thorough your bones. You continued to look at Mattheo hoping he can negotiate with his father to stop torturing you or let you go.

"Dad" Mattheo said looking directly at his father with anger and sadness in his eyes, he couldn't bear to see the love of his life getting tortured like this. "If you don't stop now, i will!" He says with a voice that was shaky, bur brave, but Voldemort only smiled.

"You would dare talk to me like that?" Voldemort said in a chilling tone, staring at his son.

You look at them, feeling yourself breathing heavily, feeling that you could pass out any minute. Hoping that he could talk with his father and make him stop. The pain was unbearable.

Voldemort walked up to his son, Mattheos dad towered over him, he was clearly mad. "Do you have a death wish my son?"

"If i means i get to save her." Mattheo says gesturing to you. Voldemort takes a quick glance at you then back to his son.

#Spotify #slytherin #slytherin boys #mattheo riddle #mattheo riddle x reader #mattheo riddle x you #mattheo x you #mattheoxreader #mattheo x y/n #established relationship #mattheo riddle imagine #mattheo riddle fanfiction #slytherin x reader #slytherin imagine

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rederiswrites · 2 months

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I don't see how trump turning America into a christofacsist state is any different than the norm? like it's been like that for native and black people since it's creation like we inspired the nazis in the first place so like what the point? oh trumps gonna kill everyone who isn't a white cis male! and? that's what america's best quality since day one

Okay I'm actually going to respond to this Edgelord Supreme bullshit, because as absurd as it looks written out like this, I actually do think a lot of people are feeling some half-articulated version of this despair and cynicism. Let's kick that in the ass.

First, let's get one thing straight. History has been terrible awful bad always and forever. There have been a thousand genocides and a million wars and a billion brutal, inhuman war crimes. Back in the days of the earliest civilizations, wiping out entire cities when you defeated them was basically just how things were done for many societies. The fact that we have international laws and international bodies of justice, however obviously toothless they remain, is the result of thousands of years of extremely mixed progress.

So at this point, you pretty much have to say either that a) humans are an incurable blight and don't deserve to live, or b) that we've done amazing, beautiful things and experienced billions of moments of happiness and created art and fallen in love despite all this, so we're still worth working on. Personally, I am very strongly in camp b. I see things worth living for a hundred times a day. There's really no comparison.

Second, the USA is not uniquely bad. It is terribly damaging to people both within its borders and all over the world. It is build on genocide and slavery. Many of its foundational institutions are deeply corrupted by these things. And guess what, that's uh....pretty common. No, really. The US is currently a big fucking problem. It's our turn with the big stick, for sure. But even then, we're not alone.

So how the fuck is this encouraging? It isn't. I'm not encouraging you, I'm telling you to fucking GET GOOD, because when you say shit like the above, what I hear is "Oh I SEE, I'm a TERRIBLE PERSON I guess I should just kill myself to make your life easier." I hear someone who would rather give up and call their country morally bankrupt and irredeemable than to PUT IN SOME FUCKING WORK.

Cynicism is so comfortable. It doesn't ask anything of you. "It's always been like this," it says. "Nothing's going to change."

Except things do change, and things have changed, and your entire premise is in fact absolute dogshit. The two presidential candidates are not remotely the same, and we are not, yet, a Christofascist nation. I could, as many before me already have, enumerate the million concrete ways in which your premise is just not true, but honestly I won't bother, because it's not a premise in good faith. What I mean by that is that even a cursory examination of the actual facts would totally trash your expressed beliefs, so you're not really interested in the facts.

Change for the better can happen. Change for the better has happened. It's just not as EASY as you want it to be. There are more steps. For example, you can't have viable independent candidates until you have campaign finance and voting reform. So you have to push for those things. For years, probably decades. Many people have died without seeing the realization of things they fought for, and yet those things have come to pass. You may die fighting the good fight and not see the victory. I may too. Meanwhile, you make the choices that will hopefully get the fewest people killed.

So stop acting like we're all just too shitty to bother about, and put in some fucking work.

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the-flowerwolf · 1 year

Text

Hogwarts legacy headcanons

While normal people go and socialize I wake up and think about ✨them✨

So there's some headcanons about my favourite Legacy Team (as I call them) for ya folks while I'm writing a really big fic about them. Careful, some of them are sad. And don't mind my poor grammar thanks.

Btw, collages are mine, feel free to use them💙

🐍Sebastian Sallow🐍

First off all, if you turn him in, I don't trust you

Literally a typical Slytherin

A nerd. Just a nerd.

Quidditch? Babe, the only sport for him is dueling

Felt absolutely helpless when his parents died. And that's why he's so protective. He just can't let anyone else die on his watch

Really is a small version of his father and proud of it

Believes that the end justifies the means

Hopeless flirt BUT a gentleman. Wouldn't do anything you don't like

And also most probably believes in true love

A proud bisexual

Everyone think that "he fucks everything that moves" but he's a virgin who "saves himself for the one and only"

As some fan said, he was probably born on 18th September. And it's a canon now.

A great friend but a terrible secret keeper, so for Merlin's sake, don't tell him ANYTHING

Knows how to braid hair into the most complex ways

Pro feminist! Treats women right and knows all important stuff thanks to his sis

🔥Natty Onai🔥

I'm sorry but she's so underrated and for what??

I believe she really respect traditions she were tought as a child

Her favourite holiday must be her birthday. All because it was the only day of the year when her parents forgot about all the dangers and sorrows and they just got together, spending the best time

Most probably will return to the homeland after Hogwarts

Is the only member of the team who play quidditch

(as a keeper ofc)

She's a lesbian idk dudes

A very honest girl who were raised to be a good person

So she just expects the same from others

A very competitive. But not like Imelda. Natty respects fair competition and knows how to honorably recognize a match

Although this does not mean that she will not destroy you to win

Is always cold poor thing

Religious bc I feel like it

Has mommy issues and don't tell me I'm wrong

Will definitely become the best auror one day

🌼Poppy Sweeting🌼

Her favourite holiday is Christmas lemme tell you that

Trust issues

She's trying her best to be gentle with every living being because she saw too much violence already

And that's why she thinks animals are better than people (agree)

She's definitely an INFP and I won't change my mind

Looks like a cinnamon roll but will kill you

A cliché but I feel like she's an excellent cook

Although she would LOVE to find someone to understand her (like us) she's totally okay with being on her own

Is into mind games like chess

But will go to see a quidditch game just to support Natty (and mc if they play)

Is always up to an adventure

Bullies? Girl grew up among killers, you really think she would care about some bullies?

I feel like she has the strongest personality in here. Doesn't matter what happens she will always stand straight while helping others

Is a cat person

Can't cry bc she was not allowed as a child

💚Ominis Gaunt💚

Just an innocent little boy let's be honest

He may look like he can kill you but he's just a cinnamon roll

Jokes about his blindness as a defence mechanism

Had a crush on both Sallow siblings at some point and I can't blame him

Saw a theory on tiktok that his patronus would be albino snake. CANON

Just wants to have a simple quiet life without any drama

Protective of his friends BUT is more protective of his boundaries

Don't mind his blindness he knows EXACTLY how to be a fashion icon

Another cliché: Omi can play piano

And it's the only thing his parents tought him that he loves. Playing helps him to calm down

Is very private, but as soon as he starts to trust you, he will immediately blurt out his life story, dreams, fears etc

Though he can't see an actual game, Omi likes to go on a quidditch game, because of the happy energy around him

Is sick most of the time for some reason. Cold, stomach ache or anything really

Also a nerd. But unlike Sebastian he's a fiction lover. Helps him to escape reality, especially in his family's house

Clingy with everyone he loves bc they make him feel safe

#hogwarts legacy #ominis gaunt #sebastian sallow #poppy sweeting #natty onai #headcanon

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am-i-the-asshole-official · 6 months

Note

WIBTA if I told someone to get off the eating disorder side of the internet?

I (M, 20) had to break up with my long distance ex for various reasons (21, NB) but one of them was this excessive need to be in spaces that constantly hurt them. If I tried to reassure or help at all, it would work only a few times.

But it always devolved into me being wrong and a liar and someone who they can't trust. It would start out like:

Them: I feel ugly :( it makes me wanna go purge

Me: You're not ugly, but even if you were somehow, you deserve to have a good meal. Being able to eat and wether or not you deserve it isn't based on your beauty.

And then it would get brought up again and my response would be the same, because my stance isn't going to change just because it got brought up again. So, when I didn't give a different answer it would devolve into:

Them: You don't understand :( I don't want to be ugly. I want to be beautiful :(

Me: You are beautiful, and your worth shouldn't be so based on your appearance regardless.

Them: You'll never understand. I need to change to be pretty. You can't understand because you're beautiful and you'll never struggle like me,

(End mock conversation)

It's comments like that last one that pissed me off. I would have to side with them that I was trying to understand and that it wasn't fair to me to say "You never struggled". In elementary my stomach got so big I couldn't see my toes. I was called fat and ugly all of my life and I stopped eating as much due to a mix of texture issues and hating my body. For the longest time I never thought anyone could find me even slightly attractive, and they knew that! But, it's like they didn't care or believe me.

They were constantly telling me about ED blogs, and for some reason this also heavily tied in with any "aesthetic" blogs they followed. I told them "Hey, maybe obsessing over these is not healthy for you and you should block those blogs. You come to me wanting to die because of opinions they post,"

And of course they would dance around the situation. One night they brought up the topic of body odor and sweat and that they feel disgusting for sweating at all. And it devolved back to "You don't understand you're beautiful" yet again and I did the motions of trying to redirect and they went to sleep. But then I talked to my sibling (19, NB).

I told them how this kept happening, how it was never ending and the same topic would be discussed and end the same way (us both mad, tired, needing desperately to talk about something else). They would even ignore when I said "Hey, I don't feel comfortable talking about that". My sibling was startled that it had been going on for so long and gave me advice and how to break up with them.

The next morning they woke up and went to college, and I told them we needed to talk, but we could wait until they're not in college. They said they didn't want to wait so I broke it off by saying we need to work on ourselves and trying not to repeat patterns. They were super bitter with texting me but they said "If you ever need someone to talk to I'm here" so I said the same back. They told me "I won't,". I didn't text them again after that and blocked them on everything.

AITA?

What are these acronyms?

#aita #am i the asshole #eating disorder cw

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gabessquishytum · 7 months

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This has been haunting my head forever, but as we all know Robert Smith was the leading inspiration for Dream in the comics with more than a bit of Neil sprinkled in there (and a few other goth rock bands like Bauhaus' Peter Murphy) and I just can't get over the image of a goth rockstar Dream.

It's the late 70s, and our boy Dream is riding a creative high of LSD and pedal effects to the top of the pops. They're calling the band he fronts, name and members are up to you or whoever takes this idea on, Goth bc they're too dark for New Wave but are just upbeat enough to steer clear of Televison's particular brand of Post-Punk. It's a newer label but a fitting one considering how dour and moody the genre has gotten since Ian Curtis's death. One he despises as he claims he's very happy with his current success and how his life is going.

But he's not happy. He hates playing to the newly forming stereotype of his fans, but he isn't. Celebrity Marriages hardly ever last and his relationship with his novelist wife is crumbling around him. He loves his son but the touring schedule is killing all of his free time. He's also pretty deep into substance abuse but he wouldn't admit it to his big sister let alone the random journo who has a camera in his face while he's trying to catch a 5:30 am flight to start his newest tour. He's just burnt out and creatively stuck as the label tries to pigeonhole him into this new subgenre, which he doesn't want anymore. Life, his life, can't be doom and gloom forever even though that's where it looks like it's heading. Forever being hailed as the Nightmare King.

Meanwhile, three radio stations over, Hob Gadling is desperately trying to hang onto life. He's a bit older now than when he first broke out onto the music scene as a rambunctious coat rider of the Sex Pistols, but he's still going strong. Punk has always been his outlet. Life sucks and you keep on living despite it. It tried to kill him not long after he debuted with substance use, but he powered through it and got clean. His wife died in childbirth, but he stuck around to raise his son. He even took a three-year hiatus and completely missed how much the sound had changed from his younger years. Even as post-punk has risen in popularity and the friends he knew have either died or changed their sound completely, he won't give up hope! Punk's not dead and neither is he. No matter how long his hair gets or if he grows out of his leather jacket.

The two meet rather coincidentally. Hob just happens to be opening for Dream on the Europe leg of his tour. Unsurprisingly the tension around Dream's band has become a powder keg and when he finally snaps and fires his guitarist, his bassist also leaves. With half the band gone, Dream considers calling it quits right then and there. Fuck the new album, fuck the last fifteen or so dates. He wants to go home. But Hob sees how close they are to finishing the tour and puts his foot down. They will finish the tour! So he offers up his services to Dream. He's not bad with a guitar and if Dream can cover the bass, then he'll play all night if he has to. Because out there on stage? That's life and he wants to keep making people happy and give them something that might transcend time and space. To never die bc his name is there among the annuls of rock history.

And in time, Dream will come around to his new friend. He will learn to appreciate the zest for performing and living his new friend has. He will also think he has the greatest body known to man and will forever laugh at the terribly done anarchy A Hob has tattooed on his ass, but that's neither for here or there. For now, Dream pulls himself together and gets his bass out from the dark pits of hell the roadies call gear storage. For the show must go on.

Oh god I want an entire novel length story around this. It’s fantastic! I have so many thoughts about these two!!

Hob is falling in love with all the new sounds that he’s hearing. He spent his time on his hiatus being a suburban dad, and now he’s back on the scene is just feels amazing. He can’t get enough of Roxy Music and David Bowie and Elvis Costello. And he’s determined to drag himself back up among those names! He’s got so many ideas of where punk can go! And he’s fascinated by Dream and his band. The lyrics are a little dark and wallowy, but Hob understands that actually people need to hear that. Life in the UK isn’t easy, particularly for young people. They need something loud and desperate and real. Little does he know, Dream feels like what he’s doing is so far away from being real. He feels likes such a fraud. He can’t get off the hamster wheel except by shooting up and passing out.

Hob recognises all of this in approximately 0.5 seconds after meeting Dream. It makes him pretty sad, but he’s determined that he’ll lift Dream out of his funk. If nothing else, he’ll make him love music again.

So when Hob said he was OK with a guitar, he was lying - he's actually a bit of a genius, and it's fair to say that Dream falls a little bit in love with him about half way through the sound check. Instead of hiding in the dressing room and licking his wounds over the band breaking up, he actually watches as Hob opens for him. Hob is very classic punk, it's all very "fuck the government, fuck me up the arse" kind of stuff, but Dream doesn't get bored for a single second. Hob is just that entertaining, and his riffs are insane. Dream itches to write a song for him. And when Hob ends the set with a jokey little song that his five year old son allegedy wrote the lyrics for (lil Robyn is very punk, just like his daddy) Dream’s eyes actually get a bit misty. It's probably all the smoke.

And there's really no time to get emotional! Dream’s drummer, Constantine, thankfully didn't walk out with the rest of them. So somehow, with Hob’s virtuosic guitar skills and sheer determination, plus Dream’s refusal to fail yet again, they actually make a really decent show. Dream feels a tingle of the old spark that he used to get when he first started out - it probably has something to do with the way Hob upends a bottle of water all over his head half way through the show and grins like a maniac.

After the show they crash in a local hotel. Hob calls his kid from the payphone and Dream wishes that he had the courage to do the same. Instead he takes some pills so he doesn't have to feel the high from the show gradually wearing off into nothingness. He doesn't know why Hob comes and sits next to him in the dark, pressing against him from thigh to shoulder. He stays for the whole of Dream’s trip, in fact, humming something quiet and classic. Dream feels quite ashamed of himself, and for the first time he thinks that maybe he'd feel better without the drugs. Maybe.

As the tour gets off to a slow start, Dream starts to notice that Hob is having some kind of positive effect on him. Just little thing. They get breakfast together, so Dream actually eats something, which is unusual. Their little arguments don't get out of hand, because Hob never lets them escalate. When Dream is angry and spitting at the world, Hob is sure to point of something positive. Not that Hob doesn't get sad, too - he just deals with it differently. He goes for long walks, and turns off the news when it gets bad. He gets himself a snack when he's irritable, and laughs about it afterwards.

Dream writes him a near impossible guitar solo and it feels like a "thank you".

They have a sweet, unexpected first kiss. It's 2am and they're standing at the edge of the road, waiting for a mechanic to come out to their broken down tour bus. There's no one around to see, so Dream rests his head on Hob’s shoulder. He's sore, and weary. Hob turns his head slightly and tucks an arm around him, and it just happens. They kiss. It is, of course, the first of many.

And you can bet that Dream kisses that anarchy tattoo a million time, too.

#the sandman #dreamling #nsft #cw drugs #cw substance use

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