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#that isnt even enjoyable
sexc-snail · 10 months
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One "tip" (I guess?) that has been revolutionary to me is that you do not have to do things the way they're shown.
I could never get consistent workout routines bc I didn't want to change into workout clothes and then sweat in them and wear sweaty workout clothes but I didn't want to change twice to go from PJs -> clothes -> workout clothes -> PJs (or workout clothes -> clothes) or even; clothes -> workout clothes -> clothes again
Until I realised I can do yoga in my PJs (which are very breathable and won't make me sweat as much) if I have a fan/AC on.
Also, I live out of town so I will straight up go on a 3.5km walk before running into anyone so I can just wear PJs and walk (especially if they look like regular clothes just in case)
Another point being you don't have to follow a single route for a walk - you can set destinations, make it fun (I will walk until I see something yellow then from there until I see something blue, etc.), Or just walk back and forth in the area you're comfortable walking in.
Kill the cop in your head, there is no such thing as cringe.
(I literally use Pokemon go to track how far I go bc I like walking the Pokemon and it keeps a routine that reminds me to walk)
This works for other things to - it doesn't matter how crazy or weird you look so long as you are enjoying it;
I've seen people make a list of chores (sorted by room categories) and give them points based on how difficult they find it and roll a dice to decide which chore to do and then take that many points off a monster with a certain amount of HP. Is that intended for kids? Probably. But it looks like it works and it seems fun
Hell, cosplay as a housewife and put on some dramatic scornful music (I recommend anything written by country women about murdering their husbands or any musical theatre esque songs) to pretend you're cleaning up the scene of your husband's murder.
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kaladinkholins · 2 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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switchbladefightz · 2 months
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lisa frankenstein is the most "target audience" movie ever. it's me i'm the target audience
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cemeterything · 4 months
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while i'm thinking about terror character characterisation i think it's so vitally important to let crozier keep his rage after he recovers from alcoholism. he may temper it better now that he has full control of his faculties and direct it more rationally both out of a sense of responsibility of care for his men and guilt for the harm he caused while in the grip of the drink, but make no mistake that it's still there. good people don't have to stop being angry to be good, and recognising your capacity for violence doesn't stop you from being capable of it.
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notzawzark · 1 month
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drew a little excerpt from what i imagine one of my tavs sketch book looks like
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it was fun to not have to worry sm about how good or bad the art was (cause i dont imagine my tav is as much of a try hard as me when it comes to art) , and just being able to mess around and doodle what ever is actually very nice
this post was brought to you by (insert my user name im to lazy)
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moonpaw · 9 months
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Fighting DEMONS rn trying not to get invested in one piece to figure out wtf you're posting about!!!!
come here cyber.... we have this thang
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#mp answers#i've been trying so hard not to be annoying to my bnha friends but if you will allow me to push this for this ask let me say 🙏#if you're afraid of the episode count for one piece the manga is a lot quicker read while being just as enjoyable because the art style is#an actual delight. its great its fantastic im absolutely in love with it#the series is soooo good and i know luffy can seem unappealing to people before they start but he's just SUCH a great character & continues#to be even now. the story is SO GOOD the characters are SO GOOD... theres so much lore and world building that its insane#if you read the manga we get 'cover stories' on what's going on with previous characters to see what theyre up to even though we moved on#from where we left them. a lot of these cover stories blend into the main story so well its just seamless#there's one where we get introduced to a character we dont see hundreds of episodes into the anime and they show up like; during the second#saga. the series is about traveling to other islands and every single arc has been tied to another in some way or form that shows up later#even if its sagas and sagas later- it still becomes relevant again!! it's a huge ongoing story and there isnt a single arc that feels like#it has no purpose (sans filler in the anime-but even then!! some filler arcs are really entertaining!)#it's emotional! its sad! its downright stupid and silly but GOD... you can feel the love that oda put into this series and his characters#and the emotions in the expressions and the messages the story gives off it just makes me UEUHGHHAHGHH!!!#it's all about the adventure and the romance of it all! its about the freedom it brings and bringing freedom to others!#its a series where treasure should be a focus given its pirates and the its a giant treasure hunt for the one piece and yet! and yet so man#of the characters treasures are things that are not coins and gems but people and promises and family and and#im going to EXPLODE i love one piece
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skitskatdacat63 · 3 months
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"Non paeniteo potitus."
+ details & process
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And, process !!
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The jump btwn the second to last and last always surprise me whenever I make one of these because I always forget to take snapshots after I start painting. It's always like: oh yeah heres the lineart with some colors- BOOM fully finished✨️
What he's holding are the Austrian imperial scepter and orb, seen below:
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I was going to draw the crown too but decided I don't hate myself that much(maybe some other day), and gave him a golden laurel crown, bcs I'm obsessed with that as a motif, and also its very remincient of the boy king statue that started this whole thing!
There's some symbolism of this, both intentionally but also just historically. I love that the orb represents that the monarch is holding the world in their hand, basically every old monarchy has one of those, and I think it's very cool for symbolism. But also bcs of that, I was forced to basically draw catholic fanart so, you win some you lose some. The star halo above him head is both to reference those religious statues with star crowns(I saw them a lot in Europe and they imprinted onto my brain), as well as: his four championships of course!
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lovesickeros · 5 months
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in the meantime come to horrifying realization there's like zero yan clorinde content so everyone sit down and listen to my ted talk (this is a requirement I have locked the doors and blocked the fire exits)
personally don't think Clorinde leans towards threats to be honest. she'd feel horrible and guilty if she did and I don't think she could handle you hating her or being afraid of her (maybe if you pushed her far enough then maybe she could justify it because she's trying to protect you but you'd really have to push it).
imo? leans more towards following you around with a hint of subtle manipulation behinf the scenes0. even if it's within the confines of the Court of Fontaine and the place is swarming with Gardemeks you can never be too sure. absolutely fumbles the excuse if you catch her though (if)
the epitome of gentleman, too. she "bumps" into you a lot and always offers to help– even if it's just a few small bags she takes them from you to help ease your burden, basically following you around like a lost puppy. it's a lot easier to trust the nice, polite woman who helped you then the stilted, awkward woman desperate for your attention.
her reluctance to threaten you or force you to do anything doesn't extend to people you know, though. she can cook up any manner of crime that'd get them stuck fighting a duel with her or dealing with a trial that'd get them sent straight to the fortress.
of course, the first thing she'd do is make sure you're okay. she still cares about you (and she really doesn't mean to manipulate you, but really, don't you find it odd that everyone around you is so sketchy? you should be more careful about who you trust. you trust her though, dont you?).
clorinde is very much in for the long game, in the end. she'd only kidnap you as a last resort. she'd much prefer slowly getting closer to you and having you come with her of your own free will (even if it's because she's been planting ideas in your head that you really aren't safe all alone like this. all your friends turned out to be criminals, after all, and what if they start to blame you and try to hurt you? it's best that you stay with her for a while)
if you had a lover, though? oh, she's livid. she makes sure to pin an absolutely heinous crime on them– one that would involve you. after all, she could swoop in and play savior after killing that wretched pest. she did save you from their alleged plan, after all.
a bit awkward with physical affection to be honest, but she tries in her own way. she does what she can to make your life easier– protects you, makes sure you have a roof over your head and nice clothes, a bed and warm baths, expensive foods..anything you want, she would get you without even asking.
why would you ever want to leave? don't you know how dangerous it is outside? who would take care of you if not her? she provides you with all you need, and with only the best (please don't leave)
basically your personal guard dog. she won't bite if you just listen to her and stay put.
and she's just absolutely smitten. careful if you actually use her gifts, because she'll think you're reciprocating her affection whether you are or not. you'll be drowning in new clothes, always trying need food..and she'll always be hovering over your shoulder, watching.
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haecien · 4 months
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Something about just genuinly being excited to chat someone feels so good. Why im I so excited to text? I don't even know the answer to that, I guess you could say I just like typing. I love spamming someone or sending long messages sometimes, my typing style has changed so much but now I think its just me trying to act like how my tone would be like in real life as if we were chatting right beside each other.
If I look a bit too excited that's probably because I am, I love typing with caps, I love using emojis, I love extending simple hi's into hiiiiiiiiiiiii, I love spamming my keyboard, I love randomly misspelling things on purpose, I love chatting with my friends, I love chatting and having long conversations of just telling random stories of what happend in our lives, I love everything about texting other people.
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turtletoria · 22 days
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i feel like an incredible hater for this but i feel as i get older the more my tolerance for shipping decreases. like i went from an avid enjoyer to just tolerating ship art to now getting outright upset and fighting the urge to curse every time i see shipping content (this doesnt apply to my mutuals and friends who ship things because they can do no wrong ever)
#idk why it boils my blood like that. like genuinely it makes my online enjoyment really take a steep nosedive since 99.9% of any fandom-#content is shipping#maybe its the hater in me. maybe its the aroace tendencies in me. maybe im just antisocial and disagreeable. idk!#like shipping isnt morally bad or anything it just makes me so sad. idk#like ppl always prioritize romance over friendship and make fun of friendships as if they arent gay enough or smth and it rlly hurts me. id#like idk how to say it. everyone can have fun and stuff but it rlly makes me feel like im having fun wrong bc shipping looks fun but i cant#stomach it. like i miss having fun like that but i cant stand it anymore#like friendships r so devalued and even in frienship is magic type media friendships STILL take a backseat like whats up with that#like i hope this isnt coming across like a “i hate romance! i hate love!” kind of post but more so a why dont ppl focus on characters if -#they cant be romantically involved?#like i will alwaayyss be bitter abt willow from toh getting sidelined until she could be shipped with hunter like that pissed me off so bad#but like ur fave characters cant stand alone they neeeed to be romantically involved with someone for their love or dedication to be real#like love and dedication cant be genuine unless theyre romantically or sexually attracted? idk man#talking abt this is tricky bc u can fall into anti-sex/conservative rhetoric with this but i hope u can understand what im saying#like sex is great and romantic love is great but i wish the greater public would just have some freedom to explore concepts of dedication-#and trust that go beyond that framework. like there was a comment on reddit that framed aroace as the nonbinary of relationships and I-#thought that was really neat. yeah
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sunnyside-sunset · 2 months
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is this a safe space? can i speak my truth? will i be thrown to the wolves if i say i hated bubbleduo?
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pybun · 10 months
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sometimes i wonder if the "general audience" would like tatters more if he wasnt fat
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sudaca-swag · 6 days
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although i agree that most popular books do tend to be horrible or very surface level, its important to note that a lot of people who just recently got into reading or have picked it up after years of not reading a lot of time arent aware of their own tastes not only regarding plots, but also in writing styles, pacing, the way characters are written, etc and thats why you find most book recomendations horrible, what you have to do is to 1st cultivate a small sphere of creators that align with most of your likes, and 2nd start trusting yourself to know what you actually like and dive into a bookshop on your own, maybe you could draw parallels with tv shows you enjoy to find what tickles youe brain, but also understand that at the end of the day reading is a completely different skill than seeing or hearing, and some things will be comunicated differently in writing because its a different form of media
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mleemwyvern · 9 months
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this is now an anti-moon blog
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spotsupstuff · 11 months
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"scrambling for her puppet" (in the ask about Moon learning Pebbles is in the works now) YOU GET IT YOU GET IT the puppet may be a personification but it's not the iterator's main body ! (Unless the whole structure is caput like Moon after the collapse)
I love it when the puppet is more akin to a body part the iterator must not forget to use when conversing with smaller organisms !
oh you are going to LOVE Notos and some of Haboob's lore when the big oc post comes out. and also Zephyr (who gets her puppet mangled into almost unregonizable mess of machinery and organic mush during her collapse but still lives n can Somewhat very minimally move the pieces of the gore). and Fish with his torn off head and half a torso in Saint's time..... i LOVE fuckin around with the puppets
BUT YES YES!!!! the puppet is just. another fucking organ, yea. which is so weird to say... i think of the puppets as fetuses from time to time because of the whole "umbilical" arm and "umbilical" cable business
perhaps the puppet bodies could be directly almost completely organic but hollowed out of mind and individuality in a manner to allow the iterator to plug into it and project their consciousness through it. it wouldn't be too outlandish for the Ancients to create a being for the sole purpose of causing it brain death upon its birth and then shoving the body into a box for a hivemind to claim. for fuck's sake afterall, those things that make up Metropolis might be very much alive too but not quite sentient enough to do much about their existence
(side note: i REALLY fuckin love the idea that Ancients are here like "oooOooOo iteratoooOoOOors you need to find an universal solution to mass ascension of the entire world, we cannot let anything suffer the curse of LiiIIiiiIIife boohooo waaaaah wah" while creating Living things that PHYSICALLY don't have the slightest chance to enjoy their life but only basically existing as bricks with karma. if we assume everything living possesses karma. this is also fun to think about when you know a bit about the buddhistic reincarnation system)
the fetus analogy is also kind of fun besides disturbing though, i'll say, what with fetuses not really being able to live outside of womb and also with the way the iterators look canonically... and that they are so small as well (das why i REALLY like the short iterators thing for canon). squishy ass fetuses, p sure if that shit got severed it would just kind of spasm, shrivel up, die and rot
i've had an idea cycling around my brain for so long of Nish giving a spook to one of the Ancients' children about how an Iterator is a hivemind given singular name and goal to be a singular being instead of millions. he says it in a joking way to wig out the kid a little but it's absolutely 100% true for once
i like to think that Sometimes the main body of the iterators (the superstructure) gets minimized into just "the can" by itself because the iterator gets a bit Too into seeing the puppet as their personification/self, to the point that they start to view That only as them despite their superstructure being alright. this results in one of the many kinds of madness an iterator can fall into - basically the cabin fever amped up, with their literal body causing them this mental decline
i've a post in my drafts for like over a month now that's just me playin with the iterator designs a bit more n the main thought is basically
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umbilical ARM taken literally
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halfusek · 1 year
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Irt you post about the archives- Have you read any of the novels? I feel like some of them, like Joey's autobiography, help give a bit more insight to these characters, at least a little.
As for Nathan, I think it's supposed to represent that, unlike Joey, he really was a self made man with good intentions, and that highlights that Wilson was trying to live up to the shadow of his father and instead of being the kind of man his father would have raised, Wilson chose to be as vile as he is.
Memory Joey on the other hand, really is just a representation of this flawed idea people had of the man, only the good parts of Joey that he chose to show. The idealized version of himself that he saw, rather than who he really is. It makes sense to have that contrast there, but he really is just a plot device rather than his own character and it's a shame.
I can't say much for the others, because they feel very lacking. They have a lot of good moments, like the "I'm beautiful." "Always were." scene for example, but outside these moments they feel somewhat empty.
It's unfortunate, because if they had the time, team, and resources, they could have had an incredible story to tell, but limitations with money and staff because of the irl studios layoffs and TheMeatly & Mike Mood making really, really bad choices with their business caused the game to fall short of what it could have been.
we must have read different books because it felt to me like batdr completely ignores book lore
honestly i just feel like the books have been made irrelevant and theyre just kind of telling us stories about these random characters? like adrienne is doing her best to describe these characters but im not gonna lie, as there was some potential to them batdr has been a huge turn off for me for reading anymore (plus that upcoming book is gonna have a yet another completely new character as the main protagonist and im just... bruh how about yall expand upon the characters you already have because this universe is just becoming very messy and full of shallow characters instead of having fewer but interesting ones?? im not against new characters being introduced but they just keep on adding then and then it feels like what we're reading doesn't even matter in the grand scheme of things, that sucks)
sure we get an insight to joey... the only character that actually HAS a lot of complexity and screentime in the games so like yea i like joey and i enjoyed his book but again it felt more like an extra rather than anything that helped expanding the story or the world, i dont really understand their strategy for these...
nathan's and wilson's relation is just uninteresting and shallows wilson's character in my opinion, like what he says to you in game makes out nathan to have been some sort of a horrible father and that'd be kinda interesting and would make wilson a morally grey character
but no he's just a spoiled brat or whatever his archetype is supposed to be and we can throw away the entire symbolism about nathan and bockswell lotsabucks (that cartoon cat from the comics) and the fact that there is supposed to be nathan arch junior and senior making it clear that they changed their minds about the plot just to surprise people (even worse, they ADMIT to doing that in the interview that recently came out... as if it was a good thing ToT) but by doing so they just contradicted clues that existed there before that we could have gotten away from the damn books! like this just makes me not wanna buy any other books anymore because its a clear message that it doesnt fucking matter if we read them, theyre just there to tell us stories about random characters that also wont even appear in the games anyways but we will get 200 more audiologs from other randos we wont care for
again i gotta be sorry for being so negative but im just SO disappointed with batdr and with what the archives had to say
like whatever they are telling their story, its not a sin to be bad and scummy at writing (scummy as in not understanding that youre baiting people into buying extra things for understanding the lore and then making sure you surprise people anyway)
so basically
there is no use for theorising because the message is that they just want to surprise us so if we guess where theyre going they will just change the story no matter how much its gonna suck and contradict what happened before
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i cannot comprehend how meatly sees that as a good thing but i guess thats how he wants to tell his stories and whatever makes them happy man
but i find it incredibly shady when you advertise your game as a mystery to be solved and personally this kills my enjoyment of the franchise
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