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#tags that will make no sense if you don't read the post
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I know everyone's already sick of the Reading Comprehension Website -discourse, but sometimes I wonder whether some folks here have basic deduction skills or comprehension about how anything works. Like any rudimentary ability to see something that doesn't seem to make sense and think "well that can't be right - what alternative interpretation could there be that would be more compatible with my understanding of the world?"
And I don't even mean the ones who are clearly going out of their way to misinterpret other people in order to call them idiots and to pick a pointless fight. I can understand the logic of that. I mean the ones who are peaceful, who clearly aren't doing this as a deliberate thing. Like when you see a post on Tumblr going "the average bus around here has about 40 feet in frame" and there's someone in the tags quietly commenting like
#wow that's really interesting actually :0 #where I'm from buses don't have feet at all #they all have wheels!
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lcdrarry · 2 days
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LCDrarry 2024 Round-Up Post | Week 3
On Sundays during our posting period, we won't post a new work, instead you have time to catch up with the works that posted during the week and hopefully leave lovely comments for our creators.
Happy reading, commenting and sharing! ;)
~Your LCDrarry Mods
PS: Please have a look at the author notes and tags on AO3 for additional information. Thank you!
PPS: Please share far and wide! Thank you!!
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Podfic
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"The Pirc Defence" by sleepstxtic
Prompt: "The Queen’s Gambit", 2019, Scott Frank Written by: @sleepstxtic Narrated by: Anonymous Podfic Length: 01:05:00 Rating: Explicit Warnings: None
Summary: They were rivals, and they were lovers, and they were the greatest chess players of their generation. Exactly in that order.
Listen to it now on AO3.
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Art
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Draco's Moving Castle
Prompt: "Howl's Moving Castle", 2004, Hayao Miyazaki Prompted by: @Somethingveryodd (newskyillusion on ao3) Author: Anonymous Art Medium: Digital Rating: General Audiences Warnings: None
Summary: Art for LCDrarry2024 fest. Prompt was Howl's Moving Castle.
Read it now on AO3.
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Fic
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we were born to be national treasures
Prompt: "Legally Blonde", 2001, Robert Luketic Prompted by: MoonyEmilie3017 (ao3) Author: Anonymous Word Count: 4,979 words Rating: General Audiences Warnings: There is nothing triggering in the work, although it does heavily rely on the subject of needing academic validation as a woman in a patriarchal society.
Summary: Danica Malfoy is determined to study law and move forward in life. But is anything really ever that simple?
Read it now on AO3.
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End of Beginnings
Prompt: "All of Us Strangers", 2023, Andrew Haigh Prompted by: Anonymous Author: Anonymous Word Count: 5,324 words Rating: Explicit Warnings: Canonical Character Death
Summary: As Harry and Draco start developing a relationship, Harry finds himself drawn back to the Potter house in Godric's Hollow, where his parents appear to be living just as they were on the day they died.
Based on the movie All of Us Strangers (2023) though you don't have to have seen it to understand the fic.
Read it now on AO3.
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The Potters : Possessed case
Prompt: "The Conjuring", 2013, James Wan Prompted by: Anonymous Author: Anonymous Word Count: 12,039 words Rating: Mature Warnings: Horror, blood, vomiting, mention of suicide, possession, exorcism
Summary: After a lecture, Harry and Draco meet a frightened woman, telling them that her entire family is scared to death of their new house.
But Harry and Draco wanted to take a break after a traumatising case. Maybe it's just natural causes and the house isn't haunted, right?
Read it now on AO3.
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By the Book
Prompt: "The Proposal", 2009, Anne Fletcher Prompted by: Anonymous Author: Anonymous Word Count: 14,586 words Rating: Teen and up Warnings: None
Summary: It’s hard being Draco Malfoy: workaholic publishing professional extraordinaire. Between revolutionizing the Wizarding World and fighting with Harry Potter, his chief of staff, it makes sense Draco forgot to check his mother filed some paperwork. Oops. Easy enough to avoid deportation by saying he’s engaged to said manager.
Too bad that plan involves visiting Ottery St Catchpole, a gaggle of redheads, and defrauding the government.
Read it now on AO3.
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this strange effect
Prompt: "Killing Eve" (2018 - 2022) Prompted by: Soulmates Drarry Author: Anonymous Word Count: 30,670 words Rating: Mature Warnings: Graphic Violence, Blood and Injury, Assassinations, Killing Eve AU, Murder, Light Poisoning, Obsessive Behavior, Reference to past addiction issues, Presents
Summary: Harry hated his job, his cousin, and his inability to figure out how to fit into the boring, depressing world around him. He kept his peace until Draco Malfoy turned out to not be dead like Harry thought he was. Deadly, though? Harry was going to figure that out.
Read it now on AO3.
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The Heart of the Heart
Prompt: "Howl's Moving Castle", 2004, Hayao Miyazaki Prompted by: @Somethingveryodd (newskyillusion on ao3) Author: Anonymous Word Count: 52,775 words Rating: Teen and up Warnings: None
Summary: Harry Potter’s boring routine comes crumbling down when he takes the wrong shortcut at the wrong time; he almost ends up in a brawl, gets rescued by a handsome stranger, successfully escapes sentient tar, learns to walk on air and then becomes victim to a spiteful, petty and undeserved ageing curse - and all that within a single afternoon! Now transformed into an old man, Harry decides to run away in search of a way to reverse the spell, but the path is precarious and the journey long. As he's trying to make his way through magic and treachery, danger and deceit, it's becoming abundantly clear that something more is hidden behind petty magic - something deeper and more valuable and connected all too thoroughly to what may only be classified as love.
Read it now on AO3.
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Please help promote the fest by sharing your favourite submissions, so more people can enjoy all the amazing new Drarry works of LCDrarry. Thank you!
Creator reveals are on 15 June.
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utilitycaster · 2 years
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So you've decided to play low combat or low magic D&D:
You probably should not.
If this were a video then I'd do a fake-out fade before coming back but unfortunately my medium of choice is "long tumblr text post no one asked for", so we must soldier on.
Here's the thing: if you are a person on the internet in TTRPG spaces, and particularly if you are a D&D player, you will, at some point, hear from someone with all the misguided zeal and smug dipshittery of a missionary, though to be fair usually significantly less of the violent racism, preaching the Good Word of Indie TTRPGs that you, stupid D&D player, simply must not have heard of.
Usually, I tell these people to fuck off, because they do not have any understanding of what game I'm trying to play, ie, D&D. However, if you want a game that's not full of combat and magic, I strongly advise you actually do check those indie TTRPGs out. PbtA isn't my jam but it is almost entirely RP and simple checks, ie, the sad husk of D&D when stripped of two of its three best qualities. Not that I'm biased. Savage Worlds, also not bad. Basically, if you want to play a game that doesn't do the core things D&D does...play a game that isn't D&D.
Ok but we want to play D&D though
If you absolutely must: pick one of low combat or low magic. You can't have both. It can, technically, be done, but only by Brennan Lee Mulligan and even then it was one of the weaker Dimension 20 seasons and also 4 of the 6 players had to be rogues. Also make sure your players are fully onboard, and both you and your players should have some experience with more standard D&D. Because here's the thing: the balance of D&D - what different classes can and can't do - tends to assume a decent amount of magic and combat. A ranger might be much more useful out of combat, but a barbarian's skill set is really skewed towards the battlefield. When you mess with the balance of gameplay, you also unbalance the classes.
(continued below the jump)
You also absolutely need to have your players on board, and this might mean "we play for 3 weeks and if it sucks, we stop, reroll, and play D&D normally," because I think a lot of people are into the concept of adding these challenges without realizing that they are actually harder and often less fun to do.
If you're new to D&D, again, I need to ask: why aren't you playing a different game that is more suited to your needs.
Ok! I've picked low combat.
Ohhhhh my god u picked low combat? should we tell everyone? Should we throw a party? should we invite the dalai lama
Now that I've gotten that out of my system: You can do this. Here's what I'd advise.
make a plot heavily dependent on intrigue, mystery, or discovery. You still need stakes and a goal, and turning this into something political, investigative, or centered around creative problem-solving.
Steer players towards what are typically known as the high-utility classes, depending on what kind of plot you've picked. If it's intrigue and politics, classes that favor charisma and stealth would be wise. If it's mystery, it's time for intelligence and high perception. If it's discovery, ranger skills are helpful. I would advise people lean towards the full casters, hybrid classes, and rogues, and even then, talk through the subclasses; war clerics are going to have a rough time of it.
It's low combat, not no-combat, and if the players snap and decide to murder hobo 1. all bets are off and 2. they're valid, and dare I say correct. Let the game evolve, and don't be too closely wed to your choice of low combat if the situation no longer makes sense for it.
I've picked low magic.
I don't have any jokes for you, just a withering glance.
You can do this, and honestly a lot of high fantasy is low magic; it's just, again, D&D has wizards in it. This situation is somewhat rife for the one character playing a full caster, if you permit that, to end up with disproportionate attention, because the other thing about high fantasy is that it has chosen one narratives, which are bad in D&D. Anyway, here's my advice.
Continuing with the high fantasy aspect: you know what high fantasy has, when it doesn't suck, is really good worldbuilding. Can you do this? No? Maybe don't play low magic. I'm not only being mean here: you better have a very good reason why there's not much magic but there is some. If magic is frowned upon, why? How is this enforced? Why didn't they stomp it out entirely? If your player is a full caster, how did they become one? Even if you burned all the arcane textbooks, if you still have things like gods and the echoes of creation and draconic bloodlines, you're gonna get some sorcerers and and bards and clerics. Why haven't they killed the people controlling magic? Is that the campaign? That would rule actually, and if you're not doing this you should....but even if you're not you really do need to do a ton of extra work on your world. You did this to yourself.
Also TBH "magic is illegal" is tough to do well and "not many people have magic, they just don't" is much easier, so like, do that. If you want truly no magic, then don't allow magic. Also play Blades in the Dark or something.
You do at least have more flexibility with general plots, so that's nice.
Do NOT skimp on combat if you've gone low-magic, because most of your PCs, unless you're doing the "we are special magic users" route (in which case, technically, the world is low magic but the game isn't), will be uh, low-magic, which means their abilities are all about fighting.
To that end: steer your characters towards martial classes unless the plot is Bringing Magic Back. Hybrid classes are good options if you'd like some magic but not too much.
FOR REAL THOUGH while a low-combat game can be framed as "these characters aren't in a place with tons of violence", a low-magic world needs the worldbuilding to support it. Are you up for the task?
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tunaf1sk · 1 year
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In my restless dreams, I see that town. Flordaddle.
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holocene-sims · 5 months
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just a guy and his snowpal ⛄❄️
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demigod-of-the-agni · 2 months
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Spider-Man India, but... where from India?
A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.
I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.
If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.
So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.
The outcome was not what I expected. As you can see, out of 83 votes:
THE RESULTS
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South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?
Then I thought about the layout of the poll: Title, Options, Context.
Title: "Tell us who you want to see…"
Options: North, Northeast, Central, East, West, South
Context: I want to make art of the boy again
At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.
Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.
But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:
Where did Spider-Man India come from?
FROM A CULTURALLY DIVERSE INDIA
As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.
But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.
We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!
I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.
So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.
BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?
Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.
It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.
Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.
This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.
So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.
BUT THAT'S THE THING — HE'S FICTIONAL
I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.
I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.
I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 
You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.
It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.
AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA
He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!
“But his surname originates from ______” okay but does that matter?
“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?
“But his skin colour is darker so he must be ______” okay but does that matter?
“But he lives in Mumbai so he must be ______” okay but does that matter?
I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.
Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:
Are you trying to convince me on who Pavitr Prabhakar should be?
... but why shouldn't i?
I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.
It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.
SPIDER-MAN (INDIA) IS JUST A MASK
“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”
Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?
Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.
But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.
There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).
And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.
Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.
What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.
Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:
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It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first three are written in Hindi. The fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Tamil there, much less any other South Indian language. Seeing this for the first time, you know what went through my head?
Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!
I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.
It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.
It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!
Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!
And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 
So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.
We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.
THE POLL: REINTERPRETED
This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.
Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 
So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”
(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)
#long post + more tags that kinda spiral away BUT expand on the points above AND kinda puts everything together concisely#BROS THIS IS AN HONEST TO GOD ESSAY#THAT HAS BEEN COOKING IN MY HEART FOR A WHILE NOW. SIMMERING FOR MONTHS BEFORE FINALLY BOILING OVER IN THE LAST WEEK#genuinely hope you read MOST of it because yes it has Quite A Lot Of Exposition but it all matters nonetheless#put in a lot of thought into this so i expect you to do your part and challenge your thoughts as well#you see how i'm not asking for you to listen to me. but to actually Think. i want you to cook your thoughts and add some spice and flavour#and give it a good mix so you can come out of this a little more wiser than before#because!!! yeah!!!! spider man india is just that!! he's indian!!!!! we don't need to collectively agree on where he comes from#bc it gets rid of that relatability factor of spider man. at the most basic level#think of it as a schrodinger's. he is every single culture and none of them at the same time. therefore none of us are wrong!! sick!!!!#pavitr's first priority is making sure HIS PEOPLE are safe. that's probably as far as we can go that relates him back to peter parker spide#he loves his people and working in the name of justice to FIGHT for HIS PEOPLE is just the duty/responsibility he takes up#it makes sense that he loves everyone and every culture he engages with bc that's the nature of spider man i suppose#if peter parker spidey acts as the guardian for the regular folk.. then in my mind pavitr spidey stands as the bridge uniting the people#because society as its core is very fragmented. and having pavitr act as a connection to other folks.... mmmmm beautiful#that's what i'm talking abouttttt !!!#anyways guys this is literally 3001 words on my document EXCLUDING THE TITLE. THAT'S 7 PAGES AT 11pt FONT. i'm literally cryingggg wtf#pavitr prabhakar#spider man#spider man india#desi#desiblr#atsv#across the spiderverse#atsv pavitr#indian culture#india#desi tumblr#what the fuck do i tag this as#agnirambles
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helielune · 7 months
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lost and found
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corfisers · 1 month
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two weird things that happen to me more often than i'd like and feel like they are on the opposite ends of the same spectrum: forgetting that i do actually speak two languages and forgetting that some people who post here in english speak only english
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the-valiant-valkyrie · 3 months
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aromantic spectrum awareness week? well, that makes perfect sense. i think agent phoenix (aromantic, romance repulsed) should absolutely be aware of solaris (demiromantic, romance neutral) rapidly approaching their location. to kill them. violently.
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front-facing-pokemon · 10 months
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I think my new favorite hack to find a watsonian solution (explainable within the canon of the media) to a doylist urge (this happens because I, the author, want/need this to happen) is to just. assign your doylist desires to another character.
You need your characters to be sitting next to each other in the backseat, despite the fact that it's social norm to leave the middle seat empty? Oh, the driver of the car says, the seatbelt on that side's not working, you'll have to sit in the middle seat. Why's that seatbelt just happen to be broken? Oh, it's not. The driver just wants to see these characters together as much as you do.
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ooc hand jumper fp spoilers but this what it feels like rn.
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paperlovesadness · 6 months
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No, because I'm not over processing "Now & Then" and freaking out about what a perfect epilogue it is for the Beatles, but also what a perfect homage it is to John & Paul's friendship. And how much it feels like destiny.
The words "Now & Then" have so many strange ties to these boys. Because:
-> John's last words to Paul (during a meeting that no one could expect was their last) were: "think about me every now & then old friend".
-> John was murdered in December 1980. In February of 1981 a friend of Paul's - fellow musician Carl Perkins spent a week with him, participating in a recording of a song for his album. To thank him and Linda for their hospitality during the time, the night before he was meant to leave, Carl sat down and spontaneously wrote them a song titled "My Old Friend". He played it to them the next morning and Paul started crying and had to leave to gather himself. Linda McCartney then assured Carl it was okay and thanked him for helping Paul, because he had problems facing his emotions about the attack before that. And then she stopped and asked him "but how did you know?" and Carl had no idea what she meant. She explained that the only people who knew what John's last words to Paul were was her and Paul himself. And then she revealed what those words were. Carl had no idea, but he ended up accidentally including them in that song.
The chorus of that song went as follows:
My old friend, Thanks for inviting me in My old friend, May this goodbye never mean the end And if we never meet again this side of life In a little while, over yonder, Where it’s peace and quiet My old friend, Won’t you think about me every now and then
Paul then insisted on recording that song with Carl Perkins, which they did - and recalling that story later Carl said that Paul felt like that song was sent to him by John through Carl.
-> By now we all know the story of how this "new" Beatles song came to be - After John's death, Yoko found a demo tape of songs he never completed, that she then handed over to Paul so that him, George & Ringo could record the last new Beatles songs in 1995 as part of an anthology that was being released. (they wanted to record new material, but had promised never to do so without all the members included. So using these demos was the only way).
There's lots of places that claim the tape with the demos had "For Paul" written on it by John - but admittedly, I haven't actually seen a source quoted. Still - the fact that one of the songs on that last demo of new material they ever got from John was titled with some of the last words he ever said to his best friend? The lyrics of that song being what they are? Come on.
(It very much also just felt like a song for Paul to me. With how complex that relationship was - how intense all the emotions were - through love and diss tracks to still calling each other best friends while they weren't on good terms. Missing each other).
Then - destiny working the way it did, not allowing them to record that one track in 1995 because of the awful quality. Making it so that it was their actual last song in 2023. Because only now did the technology allow for seperating those vocals and fixing them up so that they can actually be used.
Like are you kidding me??? It was that one. The one that felt most special.
-> Bonus fact. The back of the record sleeve has a photo of a special art piece on it - from George Harrison's collection. One that provides another serendipitous moment in connection to these words:
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Image source: [x]
And I'm just supposed to be alright with all of this?????????
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angorwhosebabyisthis · 3 months
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[cws: drugging, SA and SA apologia, fantasy racism/ableism, forced institutionalization.]
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i know i never shut up about it but god i am still just. So Salty about how the show handles the dynamic between mayor jones and pericles for many reasons, and one of the biggest is that there are really strong overtones here of sexual assault.
a character who already brings to mind the Slimy, Shady Cis White Guy with Buried Allegations archetype:
takes advantage of the trust of someone who's doing something with him in secret--
(which will get that person in a disproportionate amount of trouble compared to him, if they're discovered)
--to catch him off guard so he can grab him, drug him, and do violent things to his body while he's unconscious; scars him for life in a way that is disabling and should cause a lot of ongoing suffering, which, like many other things that should have a strong negative impact on him physically or psychologically, the writers ignore; and dumps him there alone to discover what's been done to him when he wakes up.
specifically, he does this to someone from a marginalized group that's highly unlikely to be believed if they tell anyone what he did--and going by the fact that mayor jones never got in any trouble until present day, he wasn't.
goes out of the way to ruin the life of the victim and discredit him as thoroughly as possible, because he's a loose end and he needs to shut him up.
flees the scene and gets away scot free with this for twenty years, has a successful privileged career and is considered a pillar of the community in the meantime.
when his dirty secret, which he's been paranoid about finally facing consequences for after the victim has recently become a risk again, is discovered, it's a huge career-ending scandal.
is redeemed by the end, while his victim goes on to be the Monstrous Irredeemable Pure Evil Main Villain and also sexually abuse someone himself, which is played as horrific and traumatizing (as it should be).
more specifically, is portrayed as showing redeeming, heroic anti-villain qualities by backhanding the victim into a wall as hard as he can in present day.
me: hm. yeah fuck this
#sdmi#scooby doo: mystery incorporated#professor pericles#fred jones sr.#SDMItag#SDMIcrit tag#the crit files#cws in post#like. jesus christ dude.#i'm guessing there's probably been You Can't Like Mayor Jones He's Abusive discourse before; i don't want to contribute to it or anything#no shade to mayor jones enjoyers y'all have fun#but holy shit i do not like this man lmfao#this isn't even getting into the fact that it is extremely easy to read pericles as a victim of *other* SA both metaphorical and literal#(metaphorical: the entity groomed him his entire life)#(literal: the creators intentionally made reference with him; onscreen; to Inappropriate Handling that happens to parrots in real life)#(he comes from a world where people assume there is zero difference between him and an animal; and would probably touch him the same way)#(no one would have *recognized* it was inappropriate and there is not a chance in hell he would have been allowed to say stop)#(many many MANY things about his character immediately make sense with that reading whether the writers thought it through that far or not)#(which i have a Whole Post planned to go into; but this bit was enough of a detour that i felt like it should just be its own post lmao)#also re: scarred for life and ongoing suffering + disability as a result: on a literal level a scar like that would hurt like a *bitch*#especially with the complete lack of medical care it seems to have gotten; going by how it looks. it would be a huge source of chronic pain#on a not-literal level: boy howdy what a metaphor!#anyway yeah i would say this is roughly equivalent to if they'd had ricky finally get free from the snakes after twenty years#had him go into a Scary Evil Villain Spiral after while completely ignoring how horrifying it was or the trauma it'd have caused him#had pericles gloat about having pulled off injecting the snakes; and say he should have lived 'the rest of his miserable life' that way#and not only had no one go 'wtf' at any of that but given him a Redeeming Moment where he incapacitates ricky with venom again#and also tried to frame ricky as deserving the snakes/having done it to himself because he Did Bad Things while looking for the treasure#and also had him abuse someone partly in reaction to them mocking him over the snakes; and saying that being tortured and abused with them#for twenty years makes him unfit to be anything but subordinate. on a watsonian level ricky's standing up for himself against abuse but jfc#don't get me wrong there are definitely still differences in their dynamics but yeah i am not happy about it lmfao
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x-adoringvoid-x · 1 day
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Apparently that's called the 'irresistible force paradox'
#oc f/o#f/o art#fictional other#self shipping#self insert#oc#original character#they're patient with me#also I finally draw Hadri with a different form!#I want to do more with their shape shifting but I haven't made much that turns out well#small vent in tags upcoming if you don't want to read#Feeling bad about posting but I shouldn't just give up#In some way social media isn't for me because I take things too personally#but if I'm going to meet people I have some common ground with I don't know where else I'd look#common ground with something that means something to me#I want to meet people that don't suck to talk to#And actively have things they want to talk to me about that we're both interested in#Tired of being just ears.#I'm talking about my family here not anyone on the site btw#I just wish there were people who wanted to talk in the same way I want to talk#same level of energy I guess#Sorry to vent in silly drawings but it is what it is#Fun fact if you read this far...Hadri would like Evangelion#I don't know why that came to mind today but it makes total sense#They're a deity-like person so religion is interesting and they'd be drawn in by the drama#I honestly don't know how they'd examine media since their setting is basically medieval so Hadri's never really watched anything#Maybe a play?#I'd be nice to know what Hadri would think of things I like#But my tastes are very colorful... watched Ind/go Park for example and have it stuck in my head now#Popp/ playtime and Ind/go Park seem to both be going for fnaf Portal and I am feeling something
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yutaleks · 3 months
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Hi aleks, sometimes I feel like, no one wants to connect on this social media site? Idk. The like to rb ratio is depressing. I mean, I’m grateful that people are liking my posts. But like. I wanna hear what they think too, ya know?
not sure if you are a writer im guessing from the wording of this ask that you are. but I think it's a bit hard these days to get the level of interaction that you may be asking for
depending on what fandom youre in or what character youre posting about or what trope youre writing etc etc the size of the audience will change. like I already know in my mind if im writing something that is more geared towards stereotypical heteronormative relationships that will get much more interaction than something that is subversive. or if im writing a fic for a popular character that will get much more interactions than a not so popular one.
But at the same time, coming from someone who used to write for a very popular character, I have to say that the grass is not always greener? As in, I think there is a difference between quantity and quality of interactions. If im writing something that I know a core base of people who follow me will like, I know I will most likely get at least some sort of interaction from people who typically enjoy that content. I find that interaction to be more meaningful, especially if it's something I enjoy talking about. vs, if I write something with a bigger 'audience', perhaps there will be more reblogs but the back and forth interaction does not happen. that person will read the fic, reblog or leave a comment, and then be on their way. It does not create this relationship where you end up having a back and forth conversation or becoming mutuals or anything like that (at least, in my experience).
Like if I post a fic that EYE enjoy, and I get ten comments from lovely people, that means more to me than a hundred interactions on a fic I didn't put my whole dick into. ya know?
idk where im going with this. I guess I wanna say if you are passionate about something, and you receive even a few bits of feedback, that will feel so much more rewarding than trying to 'chase' the feedback by writing things you think others will enjoy. and I think too that people will be able to tell when you are writing something that you feel passionate about.
im of the opinion that you can't force people to reblog and interact with your work. ive seen every excuse under the sun for why people wont reblog. but I think if someone feels as passionate about something as you do, they will overcome whatever shyness they feel to come tell you that they appreciate what you are doing
#idk if what I said makes any sense but#I think coming into Tumblr as a writer its okay to want a better rb to like ratio but don't feel discouraged#there is a lot stacked against you right now#no one that I know uses the tags anymore cause they are full of spam#so sometimes the fics that appear on the dashboard are just mutuals reblogging each other. and as a newbie those circles are hard to get in#so someone with no writer mutuals and no following... their posts wont be seen by anyone with significant pull/reach#I would say that I think 'bigger' writers on here should at least try every once and a while to peek into the tags and boost writers#that are new / starting out and making genuine efforts to write#I wont explain but I think when you've been on here long enough you can tell who is posting in the tags for 'Tumblr clout' and who I postin#fic bc they genuinely are passionate about it#but I know most writers on here only read whatever they see on their dash#if people actually stopped spamming the tags with nonsense and the tags were more useable I think we would all use them more... ironic#anyway. I personally always try to reblog fics with comments and check the tags every once and a while for fics to read#I think that is best practice for writers but I know not everyone does that...#in the same vein#i think if you put effort into being a good reader consistently. writers with larger followings will notice / want to be mutuals and help#boost your writing to the dashboard#writing fic is a community that takes genuine effort to grow#TLDR: be a good reader and reblog fics and interact with writers. write things that come from your heart. interactions will follow with tim#*time#long post#ϟ asking aleksandria
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