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#sucks but anyways it's a process
why-the-heck-not · 17 days
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ugh gonna have to start a new sourdough starter; this one has a bit of mold in the sides of the jar (not on the starter itself) and ik some ppl on the internet say u could just take some of it out to a new jar and keep going, I think the safest bet is to just start over. It's only a month old, and better to go back a month than to always wonder if I'm lowkey poisoning myself every time I make bread (and wouldn't feel comfortable abt sharing that bread/starter with other ppl bc one thing to poison urself, but others?? that's a big no).
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naturecalls111 · 9 months
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like yes yes eddie needs to choose and buck needs to be chosen but also 
Eddie needs to get over the very big trauma of losing his wife. Last time he dated someone he had literal panic attacks at the thought of her being mistaken for Chris’s mother and as much as we saw him work through in therapy we never?? really?? talked?? about?? that?? So, yeah, Eddie needs to realize that he’s at a point where he’s ready to risk his heart and give love a second chance 
(and maybe realize he already did becase there already is a partner in his life who gets consistently confused for Chris’s guardian and it feels natural to him?? but he still needs to realize he’s ready for love)
And Buck needs to be ready to be in a relationship where he’s loved for who he is, where he doesn’t bend and twist to fit someone else’s expectations. And for that Buck needed to die, and needed to come back, and now he needs to process that trauma and steady himself. 
(and Buck loves so quickly, so openly, so loudly, and he gives so much of himself and he wants to be loved that way, and maybe he’ll realize that he already?? is?? loved?? but he needs to let himself accept it)
so basically, it’s not only a matter of choice... eddie needs to be ready to love and buck needs to accept that he is loved if they are ever going to find each other properly together
and that, my funny little friends, is the point of their arcs were we are at right now
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andhumanslovedstories · 4 months
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Hey so your post about pain management as a bedside nurse is so important to my own nursing practice that I've considered printing it out so I can have it to hand all the time. So thanks for that. Also, how do you deal with assignments that are busy enough that pain management is harder than it should be? I'm coming up on two years as a nurse and I feel like I take it personally when I am too busy to adequately manage my patients pain. I'm also coming from a newly unionized hospital where the ratios are still horrendous (I do 1:10 on med surg) and I'm hoping once we can enforce our staffing grids it'll be better but idk I'm burning out and I love my job so much and I really respect your nursing philosophy? I guess. Sorry for the word vomit it's been a crazy shift.
I've been trying to think of how to answer this since I got it. It's just such a horrendous ratio. With ten patients a shift, that's like six minutes an hour for each in a fantasy world where there's no charting and everything is exactly where you need it to be. I feel like I don't have great insight into this because the most med surg patients I've had assigned is five. Ten patients to one nurse is just a raw deal for everyone. Like christ no wonder you feel like you're burning out! I'll give you what thoughts I have and hopefully other people can chime in if they have suggestions. But that's such a hard patient load.
When I've been super swamped, I've found that's when being really explicit about your thinking with the patient helps. Like if I have to dash into a room and then dash back out, I'll make sure the board is updated with the next medication time and that the patient knows when the medication is going to kick in. I'll also provide call light parameters. I have a lot of success telling people, "the med should be doing something by 5:30. If I haven't checked in with you by then, and the pain is unchanged or barely changed, hit your call light and we'll try the next step. Also hit your call light if you feel any sudden change, like now you're nauseated or you have a headache or the type of pain changes or something just feels very wrong. Is there anything you need before I step out of the room?"
I like to be explicit about when to call me because I think there's two directions call light usage can go wrong: someone calls all the time, or someone never calls. With someone who calls all the time, I find that telling them when I'll be back and that I want them to call me if I'm not takes away some of that anxiety that can causes some people to call frequently. Often those patients are afraid that if they aren't on the call light, they're gonna get ignored.
For the other type of patient, the one that doesn't call, I want to make explicit that it's GOOD AND NORMAL TO CALL YOUR NURSE WHEN YOU HAVE SYMPTOMS. We've all had that patient at the end of shift who goes, "btw the gnawing pain in my leg is now a 10/10" and you're like "what gnawing pain sir?? you've literally never mentioned it before now?? I don't have any meds for that lemme page super quick????" These patients can get into pain crises easily because they don't ask for help until something is unbearable. In addition to pain crisis bad, it takes a lot more time to deal with something unbearable than it does to deal with something uncomfortable.
On that note, are you spending your very limited time efficiently? To me, that actually means spend more time talking with patients, at least up front. Manage expectations, make sure people know what to expect. Having conversations with patients that are like, "You just had surgery, it's not gonna happen that we get you completely painless. We want to get you to a manageable pain level that allows you to do whatever it is you most want to do this shift." (For me on nights, that's usually sleeping at least a little, but sometimes the realistic goal you make together is that you will feel at some point better than you feel right now.) "You have this medication scheduled, and you have this one available every X hours when your pain is severe. Is there anything you know that helps you deal with pain?"
Also establish if patients want to be woken up for certain prn medications or if they're sleeping, to let them sleep. With some patients, I will advise them to get woken up for pain medication because I know that they're going to need consistent control to avoid a crisis. (Crises take so much time!)
When I'm crunched for time, I'm fond of bringing in an ice pack and being like "if it works, great, if it doesn't, just take it off, either way here it is." Sometimes I'll do the same with a warm blanket. If I know my patient needs to take pills, I'll bring a cup of water with me into the room. If there's a basic prn like melatonin or tylenol that I think they might want, I'll pull them in advance. If the patient doesn't want them, I return them next time I'm in the med room. (Obviously, don't do this with controlled substances. It's super easy to forget to return them, and not returning opioids is one of those whoopsies people get fired over.)
Decision making takes time. Walking to go get stuff takes time. I want to save the time it takes to assess if the patient needs those things and then walk off to fetch them by just having the things already. If your tightest resource is time, be liberal with resources you can spare. If you're stuck with a patient, do you have anyone you can delegate a prn med pass to? Do you know how to do the absolute minimum charting you need to? Do you have flushes and alcohol wipes and whatever other most common things you need? And since you can't hoard time, if you've got some to spare, ask yourself if there is anything you can do now that will save you time later. If you have five free minutes now and an incontinent patient, getting them up to the bathroom now can save you from taking the time for incontinence care and a bed change later on when they've also sundowned and decide they hate everything but most of all you.
So much of this answer I realize is investing as much time upfront as you can, which I realize is so hard when you are so busy. It sucks immensely that prepping takes much less time than not being prepared does when you don't always have time to prep. Plus when you invest that time to pain plan with patients and do small preventative interventions, I think it also provides some psychological comfort that helps with pain. You're letting them know you're invested and you care and you have a plan, even if you don't have all the time you'd like. That can mean better pain control, which can mean needing to spend less time in that room overall, meaning you can save six whole minutes at some point and maybe even, if we're feeling crazy, get a chance to indulge in that greatest of indulgences: just a real leisurely on-shift piss.
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iraprince · 2 months
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Hiii, i love your stuff and kinda from a distance really look up at you for, in my perception, being able to express yourself without giving a fuck. Thats sick dude, Im so so afraid, of absolutely everything, its nice to think like i might grow into someone less apologetic of my existence. Nice to see people just being yknow
hey, thank you, this is really really nice. the secret that is probably not a secret is that i am also deeply afraid a lot of the time lmao -- but less than i used to be, and in ways that feel less stifling and self-suffocating, if that makes sense.
like, it used to be "i'm scared that if i express myself the way i want to, everyone will find me obnoxious, so let's just sand those edges down to be safe" -- now my fears are more like "now that i'm expressing myself in a way that feels natural and real, i'm afraid that it's all stupid/vapid/not worthwhile or meaningful" (<- specifically abt my art) or "i'm happy that i talk and act the way i want to now, but what if it makes me impossible to befriend," etc etc etc. which still feels bad and puts me in a funk a lot of the time but at least it's a fear that comes After/in reaction to doing stuff, rather than a fear that STOPS me from doing stuff, you know? like, it's evolved into a kind of fear that's less in my way.
anyway. i believe you'll experience something like this, because wanting to grow is the first step of growing. the fact that u hope or wish for something different means you're already on your way. to fewer fucks!! or at least distributing the fucks u give in a way that serves u better
#stuff like accepting that i'm reserved and i'm not very accessible via messages.#or that my online tone isn't very bubbly and it's weird and uncomfortable to force it.#i stop letting fears about that shape my behavior ('i'll look mean or snotty so let's force markers of Friendliness to avoid that!!') -#- and instead act the way i want to and then trade it in for new fears that come After the action.#also a good reminder to give urself is that if ur fear is abt how other ppl perceive u (as 90% of mine is personally)#u really... can't actually control that. and being very very anxious abt it all the time is usually ur brain throwing a tantrum abt not--#--having that control. bc it is understandably very scary that u don't have that control#as much as it sucks + is terrifying the truth is the only thing u can do is ask urself 'am i behaving in a way that i'm proud of'#'am i behaving in a way that's in alignment w my values + what i think is important'#bc if the answer to that is yes and somebody hates u or is deeply offended by ur existence anyway. well. literally not ur problem#but obv being at peace w that is way way easier said than done + requires tons of practice and will take. probably. years. which is fine#i am stuck with myself. i can either contort myself forever trying to be someone everyone will like and find totally nonthreatening and-#inoffensive and in the process exhaust myself totally and never feel safe or natural myself. OR#i can say okay. so i am a kind of prickly guy with stern and drab speech patterns and close to no social energy. and i think i can still be#-sexy and fun this way. and it is up to other ppl to figure out if they can agree w me on that#ANYWAY enough rambling for now. just another one of those things i think abt a lot so i have a lot of ready-made sentences abt it in mind
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northern-passage · 11 months
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i've been thinking a lot about the word "representation" and what it means and how it's changed over the last few years, particularly when it comes to the writing/publishing landscape but also in movies and tv shows… and i really don't like it anymore. to be clear, of course i think it's important to have diversity in your work, i'm not saying i hate the concept of representation. but i do really dislike the way it's used now, and i really just hate the word itself
in a broader sense it's just become a marketing tool. i'm not impressed by any publisher or author who just describes their book by listing all of the minorities/identities the characters represent as if that should be enough. it feels very gross, very exploitative and disingenuous. it also really bothers me because it's always marginalized identities- which i understand Why, but it feels very othering to me (and again. Very exploitative as an advertisement). you would never list out "cishet able-bodied white man" as a character description to pat yourself on the back over. so why do it to everyone else? why insinuate that one is the "default" and the other one is "special"? (and when i say this i'm mainly talking about advertisements/marketing. i understand why people would specify about characters in descriptions with the plot, but i don't like to see an ad that's just "this book has gay people!" with nothing else)
which then leads me to my other point, which is that a lot of people treat "representation" as if it's "too hard." like "oh i don't know enough to write about that, i don't have that experience, etc" which is a fair way to feel! however… it's weird that people only say this about writing trans characters or characters of color. i'm writing a story right now with a character who is really into motorcycles. i personally do not know that much about motorcycles, so i researched what parts are what & what different kinds of models there are & what basic bike care looks like. i guarantee Most people will have to google something at some point in their writing process. so what's the problem? it also, again, feels very othering when authors treat certain groups of people as "impossible" to write, "too hard" to understand. they are just.. people. you write them as a person. and then you figure out the rest later.
and i think part of the refusal or fear to write something outside of your experience is because of the way representation is treated as So Special. these characters are So Special that they aren't allowed to be anything other than "representation." they're Not allowed to be characters with complex emotions and interesting motivations, they have to just be Trans or Gay or Disabled or whatever. they're not allowed to be people. which means, at the end of the day, we loop right back around to where we were at the start….
there is bad representation. there are depictions of certain marginalized people that are harmful and that are damaging, i'm not trying to minimize that or argue against it at all, in fact we should all be mindful of that while writing and reading. but i also think it's possible to swing too far in the opposite direction as well and put certain groups of people on a pedestal and not allow them to do anything at all but be Perfect Representation, if that makes sense.
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abirddogmoment · 3 months
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i hope i never stop being amazed at the power of latent learning, like wow how cool is it to practice something a little bit, take a long break so it can sink in, and then return and do it beautifully??? amazing phenomenal and so so cool
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skyloftian-nutcase · 9 months
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Hey guess what it's more Good Ganondorf content!
@silvercaptain24 <3
The party had long since finished. Link had been escorted back to his room and left in peace. With food in his stomach and some water, he felt his strength returning. His body trembled as he stood tentatively, alone in his room, but he managed to stay on his feet nonetheless.
Stepping quietly to the door, Link put an ear to it. There had to be guards outside, but he hadn't seen any when Nabooru had brought him back here.
This entire situation was making less sense, but he wasn't going to stick around long enough to parse it all out. Nabooru had claimed Ganondorf was holding him hostage to keep him safe. Ganondorf himself had tried to make himself look like he wasn't the villain, like the entirety of Hyrule hadn't been ripped apart at the seams because of his corruption and desire for power, like he hadn't torn the Triforce from Link and Zelda in battle while his army slaughtered their men.
It didn't make sense. What game was the monster playing? Link would have to figure it out when he made it back to his own people. Zelda and his army were waiting for him. The queen was no doubt trying to get a rescue operation together, and Link didn't want to risk anyone's lives over himself, not when he could find his own way out. He wasn't some helpless fool, he could handle this, and he would get the Triforce pieces back that the queen so desperately guarded.
He'd seen the crazed look in Zelda's eyes when they'd lost the Triforce the first time. He didn't want to see that again.
There was no other way out of this room than to use the door. It felt stupidly simple and reckless. He had to open it quickly, to catch the guards by surprise, wherever they were stationed. He needed some kind of weapon. He'd managed to sneak a knife in from dinner, slipping it into his boot, but he wasn't sure how useful it would be. He gripped it firmly in his hand and took a steadying breath.
It was now or never.
Link threw the door open, quickly taking in his surroundings, and saw... nothing.
No one... was there.
Well, he couldn't stop to think about it. The noise he'd just made would attract attention.
Trying to remember the path Nabooru had led him through to get outside, Link ran quickly, ignoring the chill that sank into his bones as he moved. When had it gotten so cold? His fingers felt like they were getting numb already as they gripped the knife.
The hallway opened up to a larger room. He remembered that. This was where--
A hand grabbed him by the back of his tunic and yanked harshly, sending him to the floor with a yell. Link kicked blindly, eyes focusing on his target.
It was Ghirahim.
Snarling, Link rolled to get away and swiped with the knife to create distance. Ghirahim caught his arm by the wrist, watching him with a sadistic smile.
"I figured you wouldn't sit still for long, sky child," he purred.
Something in Link roared in response, and he let out a battle cry as gripped the demon's arm with his free hand, bringing all his weight down to drag Ghirahim to the ground. The demon gasped a little at the increased weight he was holding, but he caught the hero by the shirt instead of letting them both fall.
Link spat in his face next, and that worked brilliantly, making the demon hiss and pull away immediately. Free from his grasp, Link began to run, knowing this was not a fight he was going to win with a knife. He heard a snap and Ghirahim appeared in front of him.
"Now, now," Ghirahim said, brushing some white hair out of his face. "I have strict orders to keep you here."
"Over my dead body," Link snarled.
"Oh, I wish," Ghirahim replied. "You see, that has been a point of contention lately. My master wishes you alive and it is so dreadfully taxing on me. But I trust his judgment. He has a way to address the true matter. And then your little vassal can be safe and sound while I deal with you."
"What the hell are you talking about?" Link snapped, eyes searching for another escape route as he spoke. The demon lord certainly loved to talk, so if Link could use that to his advantage, he would.
"It's amazing how dense you can be," Ghirahim grumbled. "Honestly, an entire war fought for you and you don't even understand it. Cia may have fallen in love with you, but she desires your vassal. Nevertheless, this has always been about eliminating you. My master understands that. It will be my highest honor to serve in that capacity for him, to be the one to deliver the killing blow. I cannot wait for that momentous occasion."
"You're out of your mind," Link replied. Another hallway was just to the left, and if he ran fast enough... "I am the Hero. I don't know what you're talking about with vassals. I serve the queen as a--"
"THIS ISN'T ABOUT THE QUEEN!" Ghirahim screamed, face contorted in rage. "This is about you, sky child, about revenge, about eliminating the one threat in my master's way! Her Grace isn't here, and her descendant doesn't have a fraction of that power, the Triforce is all my master needs now, and I will finally be able to kill you!"
The conversation was about to end and Link knew it. He tore off in the direction of the other hallway, managing to round the corner when he heard a snap again. He was prepared this time, grabbing the nearest pot and throwing it just as diamonds materialized in front of him. Ghirahim grunted as it made impact as soon as he appeared, shattering into countless pieces while Link quickly backtracked and went a different way.
By the grace of the goddesses, that had given the captain enough time to at least outmaneuver the demon lord, who wasn't sure which part of the compound Link had ended up by now. He was grateful for it, his heart racing and pounding in his ears as he rushed to find an exit. Fighting Ghirahim in the heat of battle felt far more... controlled than this. Here he felt like prey, and Ghirahim's rage and power over him was...
He wasn't going to say he was scared. He wouldn't.
Link felt a breeze and it gave him hope. That had to mean he was close to the outdoors. But where were all the Gerudo?
A door was up ahead, sand trickling in from beneath it, a promise of freedom and safety. Link threw it open with relief.
And ran right into Ganondorf.
Gasping, Link scrambled backwards, losing his footing and his balance as he fell unceremoniously to the ground. He continued to scoot away, trying to find a way around the towering figure. The man was enormous - it could give Link the advantage of scurrying around him if he was fast enough, but the world was spinning and--
"I figured you might try this," Ganondorf sighed.
Okay. Okay, fine. So they were talking. That would give him time to catch his breath. All these fools and their monologues - and people said Link was arrogant. At least he didn't usually give his enemies time to formulate a plan while they were actively standing in front of him.
"Your strength is returning," Ganondorf noted, walking towards him. "But that doesn't mean you're ready for a fight."
Well, Link might as well try to get some answers while he was here. "Where's the Triforce, you monster?"
"Where it needs to be," Ganondorf answered simply, closing the door behind him, much to Link's dismay. He stared at Link for an uncomfortably long time, making the captain squirm.
"Nabooru said you want me alive. Tell me why," he demanded, trying to make the man talk again.
Ganondorf was silent for a moment longer and then shook his head. "You're not in a state to accept my words."
"Try me," Link goaded. He had to admit, at this point he was curious. And it bought him more time to figure out what the heck his next step would be.
"I know your type, Hero," Ganondorf said, tacking on the title as if it were a curse. "You follow the queen like a puppy that doesn't know any better. Your heart is filled with a sense of duty, a desire to help and do good, and it is fixed on that woman. You'll do whatever Zelda tells you."
Link bristled but bit his tongue. Whatever slander Ganondorf was about to say didn't interest him, but the man hadn't made a point yet.
"You don't see the mess you're in," Ganondorf continued, shaking his head. "You don't understand. I'm trying to protect you, Link."
Link blinked. Then he blinked again. Nabooru had said as much, but hearing it from him... well. She had said keep him safe. He'd interpreted it as keep him alive. "Protect me from what?"
"Everything," Ganondorf muttered in a low time, voice rumbling in his chest. He bent forward, as if to grab Link, and the captain took that as his cue.
Link bolted, rushing to the left to get out of the reach of the man as he tried to run around him, using his small size to his advantage. He reached the door and immediately realized his mistake.
It was locked.
The ground vanished beneath him, and Link felt his stomach lurch as he was held in the air by one of his arms. The strain of having his entire body weight pulled into his shoulder joint made him grit his teeth. Then his world twirled as he was tossed against the man, his back to Ganondorf's chest, held in place by an arm wrapped around his torso.
"Let me go!" he yelled, kicking his legs as much as possible.
"I told you that you were not ready for this conversation," Ganondorf said, almost chidingly. "I'm taking you back to your room so you can rest."
"You think I'll be ready for a conversation that isn't true?" Link snapped. "You're holding me hostage for a reason, stop lying to me!"
Ganondorf said nothing, walking down the hallway with Link his helpless prisoner dangling in his grip. His waist and stomach ached from the hold, though at least pressed against someone else warmed him enough that he wasn't shivering and numb. His body was screaming at him at this point, wounds he hadn't even realized existed suddenly flaring up. He supposed the battle that had gotten him captured had left more marks than he'd realized.
That didn't matter. Escaping mattered.
Link felt so utterly helpless and he hated it. He'd never felt so out of control in his life. When he was plopped back on the bed and left alone to his own musings, he curled into a ball, suddenly shivering again.
He felt so, so alone. And suddenly, with the thought of Ghirahim's twisted, demented, enraged face, with the thought of how easily Ganondorf just manhandled him, he felt...
He wasn't going to say it. He wasn't going to say it.
Damn it all, he was scared. And he hated it.
He was the bearer of the Triforce of Courage and he was scared.
Burying his face into his knees, Link hugged himself and cursed himself at the same time. The tears fell silently at first before little hiccups started to accompany them. He was too tired for this. The only mercy the goddesses provided was that he was alone. He didn't want anyone to see him like this.
His body felt impossibly heavy. The room felt like it was closing in. He was exhausted. His head hurt. His stomach ached from how he'd been held. Something on his back seared like fire. His knees were bothering him. He was freezing. He felt so unbelievably overwhelmed. He felt so unbelievably unsafe.
He'd always been the one to save the day. He'd been invincible with the Master Sword, though he'd learned that having others to help him was equally as important. But he had no Master Sword here. No friends. No hope of anything.
In the darkness and cold of the night, his fears consumed him, and he gave into despair. Link cried, so desperately alone. He just wanted to feel safe.
Warmth enveloped him, and he sank into it willingly, his hiccups turning into sobs. Something ran soothingly along his back, soft cloth was pressed against his face, and he found himself clinging to it desperately like a lifeline.
He needed to get himself together. He didn't care. No one was here anyway.
Then what's... why am I...?
He was too tired to process it anymore. All he knew was he felt safe.
"You'll be okay, child."
The voice was deep and gentle, whispered into his hair. Gentle pressure pressed him against whatever softness was in front of him. He heard a heartbeat.
A heartbeat. Pressure. Words. This was... he wasn't alone.
Hiccupping, Link opened his eyes, hands still clinging for dear life to patterned cloth in front of him, red hair spilling into his face as it slid over the person's shoulders.
A deep voice. A man's voice. A man wearing Gerudo--
What the hell.
Alarms rang in Link's mind as he put the pieces together. This couldn't be right this couldn't be right--
"You're safe," the voice said gently, continuing to run a hand along his back.
Link was so lost and confused and hurt and why the hell didn't anything make sense what was happening--
"I'll fix this," Ganondorf promised, and Link gave up entirely, falling apart.
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crimeronan · 4 months
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side effect of having my hydroxychloroquine work really well is that i'm forgetting what it felt like to be Really Horrifically Sick. both because of the emotional distance and because of my general memory issues. the memory issues are a LOT worse concerning Times When I Was Horrifically Sick.
so i'm actually pretty grateful to my past self for the amount of time i spent oversharing here. if i scroll back like seven months in my autoimmune tag i can find posts of me essentially going "eh, i'm sleeping for 22 hours a day but i don't really care anymore bc i've accepted i'm gonna die" and "life sux. can't breathe or think or feel my chest but that's constant so i don't wanna go to the ER about it AGAIN" and "docs took 14 vials of blood 4 x-rays several lung images several lung tests and an EKG before i even left the hospital today. even tho they havent gotten my test results back yet" and i'm like god Damn.
I REALLY LIVED LIKE THIS????????
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lokh · 2 months
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bro i fucking hate drawing
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chipper-smol · 6 months
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8 for the ask game?
8. What's an old project idea that you've lost interest in
;w;
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utilitycaster · 1 year
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TBH a lot of the fanwank about new art is like...it's always valid to not like something, but as someone who's been pretty harshly critical of some choices within the plot and as someone who feels as though fan art is often treated as bizarrely sacrosanct within fandom it just seems hating on new official art is just...weirdly accepted in a way that other criticism, especially criticism of visual artistic choices, isn't.
And it's especially irritating because usually the official art criticisms either devolve into like, early 20th century phrenology levels of facial feature analysis/very poor understanding of how strength correlates to physical build, which is never good; or boils down to "they changed it and I liked the old art more" which again, valid to feel, but lacking in any meaningful analysis on those changes and why they were made.
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crabs-brencil · 1 month
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yk i probably should have gotten my stomach pumped a few(?) hours ago but i passed out instead and now im making myself chicken nuggets and if that's not a sign that god is playing me like a kazoo then idk what is
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God it’s just like what would you trade the pain for? I’m not sure but heartbreak feels good and I thought it would get better, I figured somehow by now I would’ve got it together but if you make no plans, none can be broken, and half my life I’ve been hooked on death but oh I’m feeling so good right now til we crash and burn somehow it’s inevitable I know this can’t last… and maybe it’s all a random lottery of meaningless tragedy… listen I’m trying to keep it together but it gets a little harder when it never gets better but I’m TRYIng… confront my pain like gifts under the tree… maybe if I’m grateful for my suffering it’ll be okay… self-sabotage at best… I miss the way I felt nothing… everything is lit! except my serotonin!
My pain isn’t cool enough I’m not suffering enough to get attention for because I should’ve had it all together now I should still think it will get better, but I don’t, we thought we had it all and I can ache it til I make it but… I don’t have the guts to keep it together. so much for stardust.
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atthebell · 4 months
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bell I do have a crochet question for you. how do you get better at freehanding things? is it just experience? bc I've been crocheting for a few years now but I still sweat if I can't find a pattern for what I want to make 😭
so my initial answer is just fuck around and find out-- as in just start making stuff, sometimes don't even try for a specific shape, just do stuff and see what shapes you make and get a feel for how increasing and decreasing impact a work, how to incorporate larger stitches (i.e. switch from sc to dc to make one side of the round taller), all that kind of stuff. and maybe try and make something purely based off an image-- as in, no pattern, no fucking clue how to go about it, just go at it and see what you get. it won't always be pretty, but it'll teach you! and practice helps immensely, so you can even just work on things you do have patterns for/know how to make and that will teach you how shapes come together and how to sculpt something (bc that's what amigurumi is, really, just figuring out how to sculpt something with loop & hook-- imo, it's what makes crochet pretty different to other fiber arts, although you can do 3-D stuff with them as well) into what you want.
my other answer is i've been crocheting for thirteen years and i consider myself pretty damn good at it and i still whine and cry when i can't find a pattern for what i want 😭 i think getting really good at tracking stuff down and also sometimes just resigning yourself to having to buy a pattern is really the answer. also, tbh, you can look at how someone else made it and try and replicate that without a pattern-- if you sell stuff, i recommend you still credit the original designer, since you are basing it off their work, but looking at how someone else made something and trying to do the same thing is how a lot of artists build technique. again, don't rip them off entirely, but going "how tf did they make this?" and trying to do something similar can help you learn more about how pieces are put together.
also ravelry, pinterest (if you know how to use it properly and are willing to deal with the spam/clickbait fake pins... bane of my existence), various pattern databases, and, tbh, just rando people's blogs are your best friend. i have a few amigurumi artists where when i'm just absolutely lost, i go on their sites and search up what i'm trying to make to see if they've done it before, and sometimes they have! elisa's crochet has really cute stuff, as does ami amour, and you can find way more people through instagram (the one and only time i will recommend going on that site)
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houseofache · 7 months
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i cannot stress this enough: as a creative, let yourself be mediocre. oh, but it’s not as good as this thing that was worked on for literal years by this world-renowned author— do you hear yourself? you’re allowed to be mediocre. hell, you’re allowed to straight up be “bad” (whatever the hell that means). do you not think god fucked up too? he fucks up every day. i think you’re allowed to write your silly little poems, your fun little stories, paint your funky paintings, draw your favourite blorbo, whatever, without passing judgement that god himself wouldn’t withstand. let yourself be mediocre.
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