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spiritintheteapot · 1 year

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Rare Femslash Exchange Letter 2022

Dear Rare Femslash Exchange Gift-Giver,

Thank you for offering a fanwork in one of these excellent rare fandoms!

Some things I like (Gen):

Self-sufficiency and logistical planning. A character having a problem and taking initiative to solve it.

Stories that examine small, overlooked aspects of a world or a character. I like reading about strange ideas that don’t necessarily have top-selling tropes.

The mortifying ordeal of having to be in community (work, family, or elsewhere) with someone you just can’t stand. Petty drama and gossip!

Women chafing against the confines of their lives, and discovering healing friendships within and across gender lines, with people who also want women to be free.

Some things I like (shippy):

Established relationships, and the interpersonal dynamics that take time to arise between partners.

Partners supporting each other against outside conflicts.

Sex where partners switch between giving and receiving roles.

Sex with external vibrator use.

Verbal instructions during sex.

Stories that subvert stereotypes of butch women being dominant/aggressive/selfless in bed. (Bonus points when a butch woman puts on feminine clothing or underwear for an erotic context, when she won’t wear it for other occasions)

You’ve talked a lot about “stories”, but we matched on fan ART, not fic:

You can see the kinds of art I like to make on my art blog @spiritintheinkwell

You can see the art I think is the most beautiful/inspiring in this tag

I definitely enjoy nudity and erotic elements in f/f visual art–but please only include nudity in your gift if you have a strong level of experience drawing human anatomy accurately.

Global DNW:

Any maturity level is A-okay for f/f ships.

DNW: content rated above G for other ships (e.g. m/f, m/m, poly ships)

DNW: sex scenes that feature anything phallic (e.g. a dildo), or any anal contact

DNW: non-con

DNW: significant torture, gore, body horror; I prefer you keep the work at a lighter level than the source material

DNW: stories that don’t match a character’s canonical gender. All the characters in the ships I requested use “she” pronouns. I am interested in explorations of non-conforming gender expression (including for characters who are straightforwardly feminine in canon), but I’m not interested in explorations of nonbinary identity in these characters.

On to the requests!

Elemental Logic (tag)

This series is criminally underrated, while being among the best queer fiction in print. I can’t say enough about the delicacy and originality of the magic system. I love the complexity of our heroines, and the practical, steadfast way they work for a long-awaited peace. I love these books so much that I have been hosting a year-long fandom event for them (shaftal.tumblr.com is where to find that)

I’d like a story about Zanja and Karis helping each other with a difficult problem, which could be set any time after the end of Fire Logic. Maybe Zanja must represent the interests of some Border People to Shaftal, but their needs are very different from the Ashawala’i? Maybe Karis must resolve the situation with the Basdown cow dogs? Maybe Ocean’s successor makes herself known?

A League of Their Own (TV 2022) (tag)

Such a thoughtful show about women trying to realize their ambitions in a world full of closed doors. And all these queer heartbreakers, with so much shipping possibility!

Carson/Max: The commonalities of loving baseball and not fitting in, looking for in-between paths in life… and the divides they would have to cross to be together. Also Pitcher/Catcher is of course meant to be.

Max/Esther: Canon makes a good case for these two. Esther’s experience could meet Max’s inexperienced confidence in interesting ways.

Star Trek (tag)

Lower Decks:

Mariner/T’Lyn: Mariner likes bad girls, T’Lyn is (in a Vulcan context) the ultimate bad girl.

Mariner/Sh’reyan: I love the slow burn with these two, and their current maybe-kinda-slightly-committed situation.

Mariner/Petra Aberdeen: Listen, she’s obviously Mariner’s type.

Discovery:

Reno/mirror!Georgiou: What if a supremely good (as distinct from “nice”) lady convinced a supremely evil lady to stop being evil... via kissing? Jett is also my favorite character on the show.

Burnham/Owosekun: They both had cultural origins outside the federation, which would be an interesting commonality to explore.

Detmer/Owosekun: They are so in love and so in sync.

Burnham/Georgiou: Were my first fic on the archive.

Burnham/mirror!Georgiou: I like that Emperor Georgiou would be dragged kicking and screaming into this relationship.

Crossover:

Ortegas/Detmer: A pair of competitive pilots. They could tenderly shave each others’ heads. Also I feel like Jett Reno as a mentor could fit here somehow.

The Good Place (tag)

Suggested prompts: There’s always room for more “a reboot where Eleanor and Tahani are soulmates” stories. These two can plan something, fix something, go from order to chaos and back again. The sillier the work, the better.

Everything Everywhere All At Once (tag)

Evelyn/Dierdre: Oh, what might have been… if things were different ENOUGH. Could their relationship have been even better if they both had regular fingers? What happens in the universe where they divorce at the same time and meet in a support group?

Joy/Becky: How did they get together? Will Joy see Becky differently now that she’s been into the bagel and back?

This is How You Lose the Time War - Amal El-Mohtar & Max Gladstone (tag)

Suggested prompts: post-canon adventures, either together or writing to one another again. Do they have to go undercover in a place they hate? Do they get unexpectedly attached to something in a thread of time that they have to prune? Does anyone cross paths with an earlier version of herself? A fic I loved from this fandom

Wolfwalkers (2020)

Opposites attract and they are sooo cute! My favorite part was the hair-brushing scene. Would prefer this to be rated T or below.

Crossovers:

Y’all nominated some silly things. Compels me, though.

Leia/Eilonwy: Yeah! Adventuresome princesses!

Pearl/Scorpia: The pointiest ship.

—

If you’d like to get a sense of my own writing style, my ao3 is here.

Thanks again for matching with me, I hope you have a great time doing it!

–spirit

#rare femslash exchange #fandom #elemental logic #a league of their own #star trek #the good place #everything everywhere all at once #this is how you lose the time war #wolfwalkers

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bestanimatedmovie · 1 year

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Tumblr’s favorite animated movie, Round 2!

Classification round | Round 1 | Round 3 | Round 4

These are the matches for round 2!

Results overview

Part one:

Alice in Wonderland vs The Adventures of Tintin

Anastasia vs Wreck-it-Ralph

Atlantis: The Lost Empire vs Megamind

Barbie and the Magic of Pegasus vs Rango

Beauty and the Beast vs The Prince of Egypt

Big Hero 6 vs My Neighbor Totoro

Brave vs The Iron Giant

Coco vs Toy Story

Coraline vs The Lion King

Encanto vs Grave of the Fireflies

Fantastic Mr Fox vs Guillermo del Toro's Pinocchio

Finding Nemo vs Kiki's Delivery Service

Hercules vs Perfect Blue

How To Train Your Dragon vs Up

Howl's moving castle vs The Super Mario Bros. Movie

Inside Out vs Wolfwalkers

Kung Fu Panda vs Treasure Planet

Kung Fu Panda 2 vs Who Framed Roger Rabbit vs Barbie as the Princess and the Pauper

Lilo & Stitch vs Ratatouille

Monsters Inc vs Princess Mononoke

Mulan vs Shrek

Ponyo vs Song of the Sea

Puss In Boots: The Last Wish vs Shrek 2

Rise of the Guardians vs The Emperor's New Groove

Rise of the Teenage Mutant Ninja Turtles: The Movie vs The LEGO Movie

Spirit: Stallion of the Cimarron vs The Mitchells vs. the Machines

Spirited Away vs The Princess and the Frog

Tangled vs The Incredibles

The Last Unicorn vs Toy Story 2

The Lorax vs Spider-Man: Into the Spider-Verse

The SpongeBob SquarePants Movie vs Turning Red

WALL-E vs Your Name

Part two:

101 Dalmatians vs Sailor Moon R: The Movie

A Goofy Movie vs Rugrats in Paris: The Movie

A Silent Voice vs Wallace & Gromit: The Curse of the Were-Rabbit

Astro Boy vs The Pagemaster

Barbie Fairy Secret vs Barbie in the 12 Dancing Princesses

Birdboy: The Forgotten Children vs Star☆Twinkle Precure the Movie: Wish Upon a Song of Stars

Brother Bear vs Meet the Robinsons

Captain Underpants: The First Epic Movie vs Isle of Dogs

Chicken Run vs Watership Down

Cinderella III: A Twist in Time vs Klaus

Ernest & Celestine vs Liz and the Blue Bird

Fantastic Planet vs Kirikou and the Sorceress

Hoodwinked! vs The Nightmare Before Christmas

In This Corner of the World vs Ringing Bell

Interstella 5555: The 5tory of the 5ecret 5tar 5ystem vs Persepolis

Kubo and the Two Strings vs Robots

Lu Over the Wall vs The Legend of Hei

Metropolis vs Whisper of the Heart

Nausicaä of the Valley of the Wind vs The Great Mouse Detective

Night Is Short, Walk on Girl vs The Secret World of Arrietty

ParaNorman vs The Tale of the Princess Kaguya

Penguins of Madagascar vs Professor Layton and the Eternal Diva

Phineas and Ferb: The Movie: Across the 2nd Dimension vs Promare

Puella Magi Madoka Magica the Movie Part III: Rebellion vs The Secret of Kells

Stormy Night vs Digimon Adventure: Our War Game

Tehran Taboo vs The Sorcerer's Apprentice

The Book of Life vs The Sea Beast

The Boy and the Beast vs Tokyo Godfathers

The Brave Little Toaster vs Unicorn Wars

The Breadwinner vs Zombillenium

The Little Prince vs The Thief and the Cobbler

Wolf Children vs The Phantom Tollbooth

#best animated movie #round 2 #long post #animated #animation #not a poll #tournament poll #tumblr's favorite

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foundfamilyadoptionagency · 2 months

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Submissions Open

So uhh... we were closer to hitting the "repeat fandoms only" point in the queue than I'd realised! So, submissions are open again for a short while before I head out. If we don't get many this time, I'll open it again soon The usual drill, we only accept submissions via the pinned form and submissions through the ask box will be ignored. If you're unsure if your blorbo has already been polled, check this list here Below is the list of fandoms we presently have a backlog for, so it'll take longer to get to characters from these fandoms. Any series highlighted in bold has a longer then 2 month waitlist:

Danganronpa (+fan games, I'm told) Supernatural Steven Universe Pokemon Dorohedoro El Goonish Shive Record of Ragnarok Jujutsu Kaisen Danny Phantom Gargoyles The Silmarillion Project Sekai Helluva Boss Kirby PHIGHTING! Star Wars Spongebob Squarepants Teen Titans Final Fantasy Sonic the Hedgehog Hades Game Digimon & Juliet Inuyasha My Hero Academia / Boku no Hero Academia Wolfwalkers Transformers Better Call Saul Precure Yo Gabba Gabba Mega Man Bionicle Dracula Fallout: New Vegas

#Talking #i will open it again when i'm a bit more prepared #i've just got stuff on today haha

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demifiendrsa · 1 year

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Star Wars: Visions volume 2 will stream on Disney+ on May 4, 2023.

Volume 2 shorts:

Title: “Sith”

Studio: El Guiri

Writer-director: Rodrigo Blaas

Rodrigo Blaas is an Emmy Award®-winning director who has spent more than 20 years in animation. After co-founding Stromboli Animation in 1997, Blaas joined Blue Sky Studios in 2000, working on the feature film Ice Age, before transitioning to Pixar Animation Studios. There, he worked on such projects as Finding Nemo (2003), The Incredibles (2004), Ratatouille (2007), and Wall-E (2008) and on the Oscar®-nominated short film La Luna (2011). More recently, Blaas partnered with Guillermo del Toro to develop the award-winning series Trollhunters, served as creative director for Mikros Animation Paris and, in 2021, created El Guiri Studios in Madrid with his partner, Cecile Hokes. He also wrote and directed 2009’s award-winning short film Alma.

Title: “Screecher’s Reach”

Studio: Cartoon Saloon

Director: Paul Young

Paul Young is a co-founder of Cartoon Saloon, an IFTA winner and Oscar®, Emmy® and BAFTA nominee. He produced the animated features My Father’s Dragon, WolfWalkers, The Secret of Kells, Song of the Sea, and The Breadwinner as well as award-winning TV series including Puffin Rock, Dorg Van Dango, and Viking Skool.

Title: “In the Stars”

Studio: Punkrobot

Writer-director: Gabriel Osorio

Gabriel Osorio majored in Fine Arts at Universidad de Chile, later specializing in 3D animation. After working in commercials, movies and television series, he founded Punkrobot Studio. Since 2008, he has directed projects for children’s television including Flipos, Muelin y Perlita, Soccer Girls, and television spots. In 2016, his short film Bear Story became the first Latin American project to win an Oscar® in the animated short category.

Title: “I Am Your Mother”

Studio: Aardman

Director: Magdalena Osinska

Magdalena Osinska is an award-winning director who has been with Aardman for eight years. She has directed stop-motion, CGI, 2D and live-action commercials including Wallace & Gromit’s “The Great Sofa Caper” and “Share the Orange.” Osinska directed development of the children’s series Joyets and has also directed films including Spirits of the Piano and Zbigniev’s Cupboard. A graduate of the National Film and Television School in Beaconsfield, UK, as well as the Polish Film School in Lodz and Art College in Warsaw, Osinska is currently developing the feature film Jasia, based on her grandmother’s memories of WWII Poland.

Title: “Journey to the Dark Head”

Studio: Studio Mir

Director: Hyeong Geun Park

Rising star Hyeong Geun Park had already made a name for himself when he entered the Korean animation industry in 2017, thanks to his strong drawing and animation sensibilities. He has directed animation for dozens of cinematic game trailers and has since expanded into animated series, working on projects including Dota: Dragon’s Blood: Book 3 (2022) and Lookism (2022). Journey to the Dark Head is the first title he has executive produced from start to finish.

Title: “The Spy Dancer”

Studio: Studio La Cachette

Writer-director: Julien Chheng

Julien Chheng is CEO of Studio La Cachette, an Emmy Award®-winning French animation studio he co-founded in 2014 with fellow Gobelins school’s alumni Oussama Bouacheria and Ulysse Malassagne. Chheng was trained in visual development at Disney and has worked as a character animator on acclaimed 2D animated features The Rabbi’s Cat, Mune, and the Academy Award®-nominated Ernest and Celestine. In 2021, he won an Emmy Award® as animation executive producer of Genndy Tartakovsky’s Primal, for which he also served as animation supervisor. In 2022, Chheng directed with Jean-Christophe Roger the Cesar-nominated feature Ernest and Celestine: A Trip to Gibberitia.

Title: “The Bandits of Golak”

Studio: 88 Pictures

Director: Ishan Shukla

Ishan Shukla started his career as a CG artist in Singapore. For more than a decade, he spearheaded projects ranging from TV commercials to series and music videos. His 2016 animated short, "Schirkoa," was long listed for the Academy Awards® after receiving dozens of awards and playing at 120 international festivals, including SIGGRAPH Asia where it was named Best in Show. He then set up his own animation studio to work on adult-oriented animated feature films including a feature-length version of Schirkoa, set to hit festivals in summer 2023.

Title: “The Pit”

Studios: D’art Shtajio and Lucasfilm Ltd.

Writer-director-executive producer: LeAndre Thomas

Co-director: Justin Ridge

LeAndre Thomas is an award-winning writer and director from Oakland, Calif., whose most recent film won Best Director at the Pasadena International Film Festival. In addition to his independent films, Thomas is a part of the franchise studio team at Lucasfilm Ltd. where he has worked for more than 11 years being credited on recent titles such as Light & Magic, The Mandalorian, Obi-Wan Kenobi, Star Wars: Tales of the Jedi, and many more.

Justin Ridge executive produced the Emmy®-nominated series Star Wars Resistance. His credits also include Star Wars Rebels, Storks, The Cleveland Show, Star Wars: The Clone Wars, and Avatar: The Last Airbender.

Title: “Aau’s Song”

Studio: Triggerfish

Writer-directors: Nadia Darries and Daniel Clarke

Nadia Darries is a director, animator and co-founder of Goon Valley Animation, with an avocation for songwriting. Born in the Cape Flats in South Africa, Darries has worked on high-end animated film and motion design as an animator, project manager, creative director and director since 2015. Her experience includes animating at Triggerfish Animation Studios on the award-winning BBC films Stick Man, Revolting Rhymes, and Highway Rat.

Daniel Clarke is a Cape Town-based director and artist working in animation, film and illustration. He started his career in animation in 2008 at Triggerfish Animation Studios, where he has served as production designer, art director and director on projects such as the feature film Khumba, BBC’s Stick Man, and The Snail and the Whale. In 2018, along with James Clarke and Daniel Snaddon, he completed the graphic novel Kariba.

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demigoddessqueens · 2 years

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Main Masterlist II

Critical Role - multi party changeling // multi party birthday headcanons // multi party flower headcanons // vampire leader // morning after headcanons // multi party love languages // multi party fluff alphabet // defending reader from family

I need a fourth image for the Vax, Alucard, Trevor graph because it’s a spectrum

Vox machina - surprise dad Percy // reunion with Percy // Percy confession // asleep with Percy // see the good in people // smut with Vax (the first time) // like I love you (smut with Vax) // protective Percy // tiefling with Pikelan // Vax and Percy raising teen daughter // briarwood parents // big family headcanons // poly Vax and Percy // warlock with Vax // sick headcanons // afraid of doctors // Percy wedding // mad witch // Percy rescue // poly for all VM // Percy with inured reader // suspicious noise // blind sibling/kid // pining Percy // scanlan as dad // Cassandra de rolo // Cassandra angst fic // Cassandra with vampire // Cass with vamp fic // Cassandra with briarwood reader // Vex’ahlia romance // comfort during storm // reviving reader // child of Everlight // uncle Vax drabble // dragging you away // Scarlet Witch reader // lost daughter Mother’s Day // VM baby first steps // Renfri reader // Vax and terrible two // Vax and Percy + RQ dream // saving Scanlan // perchalia kid bonding // checking on kid // terrible twos and diaper duty // scanlan daughter meeting // youngest de rolo sibling // post siren proposal // post battle love confession // haunted boots 👢// protective vax’ildan // Dalen’s Closet with Raven Queen // encouraging Percy // Percy and Vax with sneaky babe // hurt and comfort injuries with Vax

The Mighty Nein - fjord ft grog // Cadeuces dialogue prompt // nicknames // having to drag you away // poly with Caleb and Essek and Molly

Crown Keepers/Bells Hells - proposal with Percy & Vax // wolfwalker poly + VM // polycule + OT3 // perchalia daughter + Scanlan // perchalia kid renaming // Ashton with song hc’s // separate dorian and dariax and Ashton

EXU Calamity - angsty Loquatious

Nezha Reborn - singer headcanons

Dragon Age - solas

Star Wars - anakin

Genshin Impact - things to say in labor

Blood of Zeus - water nymph // Hermes drabble // trap kiss // heron headcanons // Apollo and hyacinthus + reader

Castlevania - kiss on cheek // cuddling in cold // types of dads // linked pinkies // flirty kisses with VM and forge masters

Alucard - the boobs post // prompt 50 kiss // yandere headcanons // dragon riding // prompt 26 dialogue // pickachu personality

Isaac - with Unicorn demon

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thisbelongsto-nohbodys · 1 year

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Just finished S2 of Star Wars Visions and it was very good.

I highly recommend “Screecher’s Reach” if you only watch one. It’s done by Cartoon Salon (studio behind “Secret of Kells”, “Song of the Sea”, “Wolfwalkers” etc etc) and it’s so good that I don’t want to say anything else or I’d spoil it with all the gushing.

#ask #Star Wars #Star Wars visions

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loth-creatures · 1 year

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Ephraim and Mira Bridger <3

Lothwolfwalkers AU Masterpost

#sww #star wars wolfwalkers #lothwolfwalkers #star wars rebels #star wars rebels au #rebels au #swr #swr fanart #swr au #wolfwalkers au #ezra bridger #mira bridger #ephraim bridger #lothal #loth wolves

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dweemeister · 8 months

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Ernest & Celestine: A Trip to Gibberitia (2022, France)

Before the late 2000s and early 2010s in the United States, the possibility of finding mostly hand-drawn animated features from outside the major American studios and select anime works was a remote one if you did not live near a major city. Chipping away at that reality is New York City-based GKIDS, a distributor dedicating itself to introducing independent animation, “for both adult and family audiences.” Without GKIDS, Ireland’s Cartoon Saloon (2009’s The Secret of Kells, 2020’s Wolfwalkers) does not have the international reputation that it now has. GKIDS’ dedication to playing both dubbed and subbed versions of movies (before handing over theatrical distribution rights of Studio Ghibli movies to GKIDS, Walt Disney Studios only offered English dubs for theatrical releases) has shown its respect for its audiences.

When I saw Ernest and Celestine (2012, France/Belgium) in a theater in March 2014, it was the first GKIDS release I saw that was staunchly a children’s movie. What I saw that day was eye-opening. Here, like the animated movies that colored my younger days, was a work that could easily appeal to kids. But had similar, if not equal, appeal to adults. Call me a provincial and ethnocentric American all you will, but I realized then that non-English and non-Japanese-language animation is not always “more sophisticated” than what my friends and I mostly watched. It remains, to me, one of the best animated features of this young century. My thanks to GKIDS for all that they provide to American audiences willing to branch out beyond what is most readily available.

A decade and a CGI animated television series later, a new film based on the duo created by the late author-illustrator Gabrielle Vincent arrives. Based on an original story, Ernest & Celestine: A Trip to Gibberitia (in French: Ernest et Célestine: Le Voyage en Charabïe) retains the spirit of the loving friendship between bear and mouse – both perpetual outsiders. This hand-drawn sequel’s directors are Julien Chheng (animator on the original movie, producer of Primal, and director of “The Spy Dancer” from Star Wars: Visions) and Jean-Christophe Roger (a director on the TV series). There was no involvement from the original movie’s directors – I’m unsure what Stéphane Aubier and Vincent Patar (2009’s A Town Called Panic) are up to; Benjamin Renner is now working at Illumination. With some modifications that resemble more of the television series than the original film, Ernest & Celestine: A Trip to Gibberitia is another comedic delight, with pointed statements to make about the absurdity of government censorship. It does not exactly recapture the aesthetic pleasures nor the succinct writing of the first movie, but it still compares favorably than almost anything released in English-language animation this year.

Ernest and Celestine (Lambert Wilson and Pauline Brunner, both returning to the roles), defying societal expectations and a biased legal system in the first film, are still living together. Celestine draws and paints. Ernest, who has just awoken from hibernation, busks on his Stradibearius violin and bandoneon (it’s not an accordion). One day, Celestine accidentally breaks the neck of Ernest’s violin – Celestine is repentant, Ernest distraught but not angry. The only one who can fix the violin is the original craftsman, Octavius (Jean-Marc Pannetier). He lives in Ernest’s all-bear homeland of Gibberitia (Charabïe*), and Celestine believes that they should travel there immediately. A resistant Ernest opposes the plan, but has no choice to follow Celestine when she takes the violin and sets off to Gibberitia on her own. In the first film, Ernest mentions his estranged relationship with his family was due to the fact that he became a musician rather than go into law. In this sequel, Celestine learns the exact details of that conflict, and Ernest witnesses the changes in his family (his parents and especially his younger sister) and Gibberitian society that have transpired due to his decision.

Without spoiling too much, Gibberitia has outlawed all musical notes except for one (a C, or referring to solfège, “Do”). How are the average Gibberitian bears coping? All you have to do is look at the national slogan: “That’s just how it is.”‡ Meanwhile, a mysterious saxophonist vigilante named EFG (“Mifasol”, again referring to solfège) playing multiple-note music is giving the Gibberitian police a headache.

Screenwriters Guillaume Mautalent and Sébastien Oursel (the French-Irish animated TV series Glactick Football) present an endearing screenplay that captures the platonic love between bear and mouse. This happens in spite of a messy final act, headlined by a head-scratching decision from Ernest to acquiesce to his father’s demands just before the climax (the result of what the directors Chheng and Roger admit were significant changes to the story in order to accommodate a film where music helps to drive the narrative). The friendship that Ernest and Celestine built in the first film has grown in the time between the two films, and it is reassuring to see that they remain so close. One sees it in their reactions when Celestine breaks his violin, Ernest’s attempts to make sure Celestine is safe, her disgust when she hears about his parents’ expectations, and quieter moments where little else is happening. Simple as their friendship may seem, their relationship has deepened over time, through their distinct but complementary personalities and mutually weathered conflicts. Certainly, Ernest can be a bit of a grump and Celestine has an impulsive streak. But the two accept each other for who they are in that moment, and cannot stand the sight of others treating their friend without compassion. There is much for children to learn here and in the previous film, as well as adults.

That ability to tell a story appealing (in different ways) to both younger and older audiences is even apparent in the drama that exists alongside Ernest and Celestine’s relationship. Gibberitia’s decision to outlaw all but one musical note provides the bulk of this sequel’s comedy and dramatic intrigue. Children will get a kick out of the situation's silliness, as even Gibberitia’s songbirds find themselves on the receiving end of the police’s high-pressure hoses. How much laughter can one elicit from playing a piece, with a straight face, that has only one note? More than you think. Adults will quickly notice the surprisingly sharp critique towards government officials looking to censor works of art. Artists are incarcerated without trial for playing anything other than a C. That the reasons behind the decision are hilariously shallow (rather than, to take a real-life scenario, an intent to further marginalize marginalized groups) makes the movie’s messaging that much more effective for all audiences.

Ernest and Celestine’s conversations with the local constabulary are alarmingly fruitless, usually ending with the authority saying something alone the lines of: “because I said so” or the oft-quoted “that’s just how it is.” If Gibberitia’s kritarchy is outlawing all but one note, what else are they up to? Co-directors Chheng and Roger and co-writers Mautalent and Oursel, to ensure the film’s appeal to children, will not say and steadfastly stick to the ban on all but one musical note. In a show of respect to viewers of all ages, they color the film’s protagonists and their allies with both irreverence and a bold refusal to honor the status quo. It befits Ernest and Celestine (the pair and the prior film): two social outcasts who found friendship through art, who stuck together in the face of mutual xenophobia by their fellow bears and mice (a similar allegory that 2016’s Zootopia bungled). When individuals are allowed to be what they want, when musicians can play whichever notes they wish, does that not make our world – humans and sassy talking animals alike – richer and more beautiful?

Where the preceding television series Ernest and Celestine, the Collection was animated with computers, Chheng and Roger decided to return to hand-drawn animation for Ernest & Celestine: A Trip to Gibberitia. Says Roger in his non-native English:

There is a kind of emotion very, very specific to the drawing. It doesn't really work when it's CG. So we wanted to keep that kind of emotion, or very artistic part, as a part of the film itself. So that's why we came back to the animation, and we work in a specific way to give freedom to animators to express the feeling of the character just by their drawing and animation.

What I think Roger is attempting to say here is that, with a hand-drawn film, character expressions lead into the audiences’ emotional intuition better than computer-generated animation. There exists an expectation, implicit or not, that CGI animation should be “more realistic” than anything hand-drawn. This expectation does not exist with hand-drawn animation, and the rawness and immediacy of the craft lends to greater emotional engagement and work from the viewer. Chheng also added in that same interview that he did not want a “heavily rendered” work, and thought it appropriate to give their animators as much artistic freedom as possible while being respectful to the original illustrations by Gabrielle Vincent. The visible brushstrokes and various pencil scribbles call attention to the animators’ handiwork, and are a homage to those original Gabrielle Vincent illustrations.

Chheng and Roger make some changes in style from the first film. The watercolor style remains, but the white voids and intentionally incomplete exterior backgrounds are gone, with more detail packed into the frame for this sequel. Foregrounds, too are more detailed than before. These changes are probably due to the new setting of Gibberitia: a mishmash of Russian, Ukrainian, Moldovan, and Central Asian influences (Roger was particularly influenced by a trip he made through northern Pakistan into China). Gibberitia is eye-popping, a visual delight, and a more captivating animated production design than in the preceding movie.

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Moreso than the preceding movie, the score drives much of the narrative. Vincent Courtois returns to compose another Ernest & Celestine film, and this is a more memorable outing than the first go. Courtois builds his score around two major themes – one that represents Gibberitia and another signifying the Musical Resistance (and a theme that often is heard from EFG’s saxophone). The best integration of both themes comes in “Appel à la resistance” – a zany combination of swinging saxophone and bandoneon. The Gibberitia theme, often heard with bandoneon and winds (and what may be ethnically appropriate strings), reflects the vaguely Eastern European or Central Asian setting of Ernest’s homeland. The chord progressions of the idea resemble Eastern European folk music (“Korobeiniki”, better known as the Tetris theme, perhaps the most popular). The eleven-note Musical Resistance motif (begins at 0:09 in previous link), is integrated throughout the score, slowly revealing itself and becoming more apparent as Ernest and Celestine learn more about the musical freedom fighters banding together to oppose Gibberitia’s nonsensical musical policy.

Courtois composed the score before any writing was complete. This is contrast to what usually happens in any and all filmmaking, where the score is usually one of the last things to complete. From there, Chheng and Roger crafted their film and set the action sequences to the rhythm and contours of Courtois’ music. Music drives the way in more ways than one in Ernest and Celestine: A Trip to Gibberitia, making the film not just a fun watch, but a wonderful listen (and that includes the end credits song “Qu-est-ce qu’on fait de l’amour?”, composed by Courtois and performed by Pomme).

Ernest and Celestine: A Trip to Gibberitia may not as accomplished as the first film, but this is a charming continuation of what came before. A decade separates the two Ernest and Celestine films. One hopes a third will not be so far away, but Chheng and Roger sound content to wait for the right reasons and story to come their way. Now undoubtedly each other’s best friend, Ernest and Celestine stake their claim as the premier odd couple of modern animated cinema. Celestine’s optimistic determination and Ernest’s streetwise know-how, together, help themselves and others. Free of cynicism, they continue to grow with each other, spreading the hallmarks of their unlikely friendship along the way.

My rating: 8/10

^ Based on my personal imdb rating. My interpretation of that ratings system can be found in the “Ratings system” page on my blog. Half-points are always rounded down.

* This review is based on the original French audio with English subtitles. "Charabïe" definitely does not sound like "Gibberitia", but the word is derived from "charabia", which is French for "gibberish". Ultimately, the decision for English title lies with the original studio(s), not non-domestic distributors like GKIDS.

‡ More accurately, the slogan is, "C'est comme ça et pas autrement." More literally, this means: "It's this way and only this way."

Also in this series: Ernest and Celestine (2012, France/Belgium)

#Ernest and Celestine #Ernest and Celestine: A Trip to Gibberitia #Ernest et Célestine: Le Voyage en Charabie #Julien Chheng #Jean-Christophe Roger #Gabrielle Vincent #Guillaume Mautalent #Sébastien Oursel #Lambert Wilson #Pauline Brunner #Vincent Courtois #Pomme #GKIDS #My Movie Odyssey #Youtube

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fluffypandabun · 1 year

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Please Read!!

Disclairmer before you continue: This is a totally nsfw free, kink free, all of that free blog. No offense to anyone who sees tickling that way, but for me ticking is totally just an innocent and cute thing that makes people laugh and bond together that I happen to enjoy as someone who is touch starved. If you cant respect that, u may leave uwu

Requests:OPEN!!!

Hello!! My names Pandabun!! Welcome to my silly little indulgent sideblog!! Feel free to come and stay awhile, I enjoy writing so feel free to send in a request! Below are a list of all of my fandoms I write for plus what I wont write uwu

What ill write for: (Bolded means current mian interest)

Gravity Falls

Star Wars(Specifically Han and Chewbaca)

LOTR

DHMIS

ROTTMNT

The Owl House

Sea beast

Strange world

Undertale

Wolfwalkers

Lego Monkie kid

DBH

Trollhunters (Only the first tv show)

TF2

Welcome Home

Treasure planet

The mandalorin

mcsm

Mistborn (Era 1 and 2 but i prefer 2)

Mystery skulls

OCS (This is only for my mutals, tho occsionally i might do fics of my own ocs uwu)

Theres probably more that im forgetting but always feel free to ask for a specific fandom!

Things I wont write for

NSFW

Ships (some ships are okay, im just not really a romance person so just keep that in mind)

X reader

IRL people

#Pandabun #fandoms #requests #tickle requests

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365days365movies · 5 months

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Fantasy March: Omnibus

As I prepare for the future of this blog (and there is a future, if anybody's wondering), I find myself looking back at the good times, when I had the time to watch a movie a day and write a blog about it, which...yeah, wasn't even sustainable for me in 2021, so make of that what you will. ANYWAY, I decided that I would bring all of these posts together in an omnibus of sorts, so anybody that wanted to read these posts could find them all easily in one place. This, alongside other archives, are going to be pinned to the top of my page, and will serve as a long index of the films in the appropriate genres. The goal? To extend these archives as I go along, and have this running index for my blog. And again...there will be additions...

SO! With that, feel free to check out these films in the fantasy genre, which is another one of those overlap-prone genres, but with a very distinct vibe to them. The definition of the fantasy genre, for the sake of this blog, is any film where the plot is forwarded or the universe is built upon supernatural phenomena that cannot be explained by scientific means. That includes science fiction means, so no Star Wars, and no superhero films, but possibly some science fantasy. Any films you'd like to see in this list? Comment, reblog, message me, whatever! I'm always open to suggestions to add to my ever-building master list of fantasy films. And check out the other indices to come!

Wings of Desire (1987; dir. Wim Wenders) (Part One | Part Two) Death Becomes Her (1992; dir. Robert Zemeckis) (Part One | Part Two) Orlando (1992; dir. Sally Potter) (Recap) The Secret Garden (1993; dir. Agnieszka Holland) (Recap)

Omnibus: Film Reviews

#user365 #365 movies 365 days #365 movies a year #365 movie challenge #365 days 365 movies #fantasy #fantasy march #fantasy genre #fantasy movies #fantasy film #movies #movie review #movie recap #movie rec list #movie recommendation #film tag #filmblr #film tumblr

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vendettavalor · 4 months

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@prodijedi said: inspo + Aurelia

⚔️ Muse Inspo Collage // ACCEPTING ⚔️

SISUDATU - RAYA AND THE LAST DRAGON

Sisu's was a primary inspiration for Aurelia's dragon from design. The long body with shorter limbs, fur, and horns was something I wanted to incorporate into her design. I wanted her to look fierce and graceful but also have some level of charming adorableness that embodied the fact she's a lot more friendly and approachable than she looked. And while she was never naive like Sisu was, the idea of being the main star in some powerful prophecy that will bring about grand change but having no idea how to fulfill it and create a positive outcome was something I drew upon for her backstory. The idea of being someone with big shoes to fill but not knowing how was a major detail I wanted her to have, especially given that she's a Star Wars OC. And Star Wars is all about prophecies when you really peel back a few layers.

MOLL MACTIRE - WOLFWALKERS

One of the things I wanted to convey with Aurelia is a connection to nature and magic. For that, I drew from Moll. Moll is a very mysterious character who we don't really get to learn much about except from what we hear Mebh say of her. We know she's a wolfwalker. She leads her pack, she uses magic to help hide them and keep them safe, to heal wounds, and to keep the forest alive and thriving. She's a protector of nature despite increasing pressure and dire circumstances. And the one thing Moll is most protective of is her daughter, Mebh. So much so that she is willing to sacrifice herself and remain trapped in order to give Mebh the opportunity to escape. But when all is said and done, she's also willing to turn very quickly on anyone who tries to hurt Mebh and break her own rules to defend her (i.e. no biting). That sort of characterization was another being inspiration for Aurelia. She's meant to be this grand protector of life. A healer by trade and someone who does not want to fight but will defend those closest to her. She's willing to go against her own code to do so, and is more than willing to sacrifice herself in order to give her loved ones a chance when the odds are at their worst.

TORIEL - UNDERTALE

Toriel was a major inspiration for Aurelia. Both design-wise and personality wise. I wanted her humanoid form to be very soft and gentle in appearance. Someone who exudes comfort and calm during the worst moments. Also, Toriel inspired the idea of Aurelia being very maternal. The idea of loving children, wanting to guide them and protect them and nurture them - that came from Toriel. Though unlike her inspiration, Aurelia is less overprotective and knows when to let go and let children explore for themselves. And unlike Toriel, Aurelia does not know the devastation of losing a child. She only knows the frustration of not being able to have them due to restrictions set by her religion.

GRANMAMARE - PONYO ON THE CLIFF BY THE SEA

Granmamare, at least from what we hear from the sailors in Ponyo, is known as a sea goddess and a goddess of mercy. She's adoring of all living things, of nature, and regarded as being a loving mother who understands change and the importance of letting go. Her love for Fujimoto is pure, showing grace even when he blames himself for losing Ponyo. She's the only one who can calm him down when he begins to stress out about it and show a deep sense of love and understanding for Ponyo. Even when Fujimoto points out that Ponyo could turn to seafoam if Sasuke's love is not pure, she accepts that keeping her trapped where she is not happy would be far more painful. This sense of understanding, connection with others, and empathy was something I wanted to carry over into Aurelia well. Aside from the fact that she is a goddess in her own right, I wanted her to be able to display this same sort of grace and understanding that things change. This sort of acceptance and adaptability is something she prides herself on having. In public anyway.

PRINCESS CELESTIA - MY LITTLE PONY: FRIENDSHIP IS MAGIC

Similar to Granmamare, although perhaps more so, Princess Celestia display a lot of grace and wisdom. She's a teacher who enjoys engaging with her students, who leads by example, and who is incredibly powerful - something that can sometimes be forgotten just looking at her. She also brings to the table the idea of opposing forces in balance. She cares very deeply for all the people she's tasked with protecting, but in particular, her sister Luna. The idea of being viewed as "the good sibling" and the one who protects against evil versus her sister, who has a dark prophecy about her and was banished to the moon for becoming a monster, are part of what inspired Aurelia's backstory. The idea of being a twin that holds great power in a balance with her sibling, and is largely viewed as the "good" one despite the prophecy saying that both are needed was partly inspired by Celestia and her story.

TE FITI - MOANA

Te Fiti was a really big inspiration for the whole Life Goddess part of Aurelia's character. Being able to spread foliage and life with just a touch and having a heart that can create life from seemingly nothing gave me the idea for Aurelia's prophecy. A being that broke away from the wrath of a god of death and destruction and chose instead to be a maker of things and bringer of life to a suffering people. The idea of being able to just walk around and have plants bloom under and around your feet is a concept I love, ngl. So of course, I had to incorporate that into my thoughts about Aurelia's Goddess abilities.

PTAH - EGYPTIAN MYTHOLOGY

The biggest inspiration by far. So much so that I actually pay homage to them in her name. In Egyptian mythology, Ptah is known as creator-god and maker of things. He's a patron of craftsmen, especially sculptors, said to have formed all, from the cosmos to the other Gods of the Egyptian pantheon. This inspiration really ties back into the concept of Aurelia as the avatar of a creation goddess that was known for bring balance to a race of beings who had only known wildness, and chaos, and destruction by giving them the power to create and channel themselves into productive acts like art, music, and dance. One who created life from seemingly nothing and challenged the pre-existing god who thrived in death and destruction. Hands down if I had to pick just one out of this ensemble to say as my main inspiration for Aurelia, it would be Ptah.

ELINOR - DISNEY’S BRAVE

Elinor from Disney's Brave was a relatively minor inspiration but an inspiration nonetheless. Specifically though, her change at the end of the movie is what I took to create Aurelia. Throughout the film, Elinor prides herself and projects unto her daughter this image of perfection, of grace, and of power. The idea that fate is out of our hands and that things should be done for the greater good even if it comes at our expense. That's not Aurelia. Aurelia is very much the kind that measures pros and cons and weighs options, and while she believes in self-sacrifice to a degree that border on martyrdom for herself, she doesn't allow others to make those sacrifices themselves. Rather, it's the Elinor at the end of the film that inspires my portrayal of Aurelia. How quickly she forsakes all of her grace and queenliness the second she sees her daughter in danger. She calls on strength she never knew she had and fights like a wild beast, throwing all of her carefully crafted manners out the window in a display of sheer ferocity to protect the one she loves. That's Aurelia. So willing to mold herself to the expectations of the Jedi Council, willing to sacrifice that which she wants and her own comforts to serve a greater good- until there is an extreme point at which she cannot stand aside anymore. And that point is when it comes to her loved ones. How quickly she will revert to wild instincts, getting on all fours, biting, clawing, wrestling - unleashing the dragon in a display of intense, powerful emotion and raw ferocity, all to protect the ones she loves most.

#// god this was so much fun!!!#ask : is this what you wanted #prodijedi #mutual : all of my best friends #about : you’re just a lost cause #( ocm : aurelia pta'hoa the motherly jedi master )

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bestanimatedmovie · 1 year

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List of accepted movies!

Let me know if you find any mistakes

101 Dalmatians

5 centimetres per second

9 (2009)

A Goofy Movie

A Monster in Paris

A Silent Voice

Adolescence of Utena

Alice in Wonderland (1951)

Anastasia

Anomalisa

Asterix the Mansion of the Gods

Astro Boy (2009)

Atlantis: The Lost Empire

Azur & Asmar: The Princes' Quest

Bambi

Barbie & the Diamond Castle

Barbie and the Magic of Pegasus

Barbie in the 12 Dancing Princesses

Barbie Princess Charm School

Baron Omatsuri and the Secret Island

Batman and Mr. Freeze: Sub-Zero

Batman Beyond: Return of the Joker

Batman Ninja

Batman: Gotham by Gaslight

Batman: Under the Red Hood

Beauty and the Beast

Bee movie

Belle

Big Hero 6

Birdboy: The Forgotten Children

Brave

Brother Bear

Captain Underpants

Chicken Run

Cinderella III: A Twist in Time

Cloudy with a Chance of Meatballs

Coco

Coraline

Despicable me

Digimon Adventure: Our War Game!

Emesis Blue

Encanto

Ernest & Celestine

Fantastic Mr Fox

Fantastic Planet

Felidae

Ferdinand

Finding nemo

Gnomeo and Juliet

Grave of the Fireflies

Green Snake (or White Snake 2: The Tribulation of the Green Snake)

Guillermo del Toro's Pinocchio

Hercules

Home on the Range

Hoodwinked!

How To Train Your Dragon

Howl's moving castle

Ice Age

In this corner of the world

Inside Out

Interstella 5555

Invader Zim: Enter the Florpus

Isle of Dogs

James and the Giant Peach

Jin roh: The wolf brigade

Kiki's Delivery Service

Kirikou and the Sorceress

Klaus

Krabat – The Sorcerer's Apprentice

Kubo and the Two Strings

Kung Fu Panda

Kung Fu Panda 2

Lilo & Stitch

Liz and the Blue Bird

Loving Vincent

Lu Over The Wall

Lupin III: Castle of Cagliostro

Madagascar

Mary and Max

Meet the Robinsons

Megamind

Metropolis (2001)

Millennium Actress

Monsters inc

Monsters vs Aliens

Mulan

My Little Pony: Equestria Girls

My Little Pony: Equestria Girls – Rainbow Rocks

My neighbor Totoro

Nausicaa of the Valley of the Wind

Night Is Short, Walk On Girl

Night on the Galactic Railroad

One Stormy Night

Paprika

ParaNorman

Perfect Blue

Persepolis

Phineas and Ferb: Across the 2nd Dimension

Planet Hulk

Pocahontas

Pokémon Heroes: Latios and Latias

Ponyo

Porco Rosso

Princess Mononoke

Professor Layton and the Eternal Diva

Promare

Puella Magi Madoka Magica the Movie Part III: Rebellion

Puss In Boots: The Last Wish

Quest for Camelot

Rango

Ratatouille

Ringing Bell

Rise of the Guardians

Rise of the Teenage Mutant Ninja Turtles: The Movie

Rugrats in Paris: The Movie

Sailor Moon R: The Movie: The Promise of the Rose

Shaun the Sheep Movie

Shrek

Shrek 2

Sinbad: Legend of the Seven Seas

Song of the Sea

Spider-Man: Into the Spider-Verse

Spirit: Stallion of the Cimarron

Spirited Away

Spookly the square pumpkin

Star Twinkle Pretty Cure the Movie: These Feeling within The Song of Stars

Summer Wars

Suzume

Tales of the Night

Tangled

Tehran Taboo

Tekkonkinkreet

The Adventures of Tintin (2011)

The Aristocats

The Book of Life

The Boy and the Beast

The Brave Little Toaster

The Congress

The Emperor's New Groove

The Garden of Words

The Great Mouse Detective

The Incredibles

The Iron Giant

The Jungle Book

The Last Unicorn

The Legend of Hei

The LEGO Batman Movie

The LEGO Movie

The Lego Ninjago Movie

The Lion King

The Lion King 2

The Little Prince

The lorax

The Mitchells vs. the Machines

The Pagemaster (1994)

The Penguins of Madagascar

The Phantom Tollbooth

The Prince of Egypt

The Princess and the Frog

The Princess and the Goblin

The Sea Beast

The Secret of Kells

The Secret World of Arrietty

The SpongeBob SquarePants Movie

The Super Mario Bros. Movie

The Sword in the Stone

The Tale of John and Mary

The Tale of the Princess Kaguya

The Thief and the Cobbler

The Wind Rises

Tokyo Godfathers

Toy story

Toy Story 2

Treasure Planet

Troll In Central Park

Trolls World Tour

Turning Red

Unicorn Wars

WALL-E

Wallace and Gromit: The Curse of the Were Rabbit

Waltz with Bashir

Watership Down

We're Back: A Dinosaur's Story

Weathering With You

Whisper of the Heart

Who Framed Roger Rabbit

Wolf Children

Wolfwalkers

Wreck-it-Ralph

Your Name

Zombillenium

#best animated movie #not a poll

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genderstarbucks · 5 months

Note

It's totally okay if you don't want to or if you just do screenshots! I just didn't want to spam you on accident!

Inbox Check:

- Explanation of bifluid and biflux

- An orientation like abrosexual that isn't abrosexual

- Flag for people on T, will also be making an E one

- An orientation for someone who's bi and their preference changes

- Redesign a trannyfagdyke flag

- Leldian/Vince (like gai vincian)

- TransneumanVS, will also be making a transneuwomanVS one

- BigenderbinarylessVS

- IntersexgenderfluidVS and afabtransboyVS, will also be doing afabtransgirlVS, amabtransboyVS and amabtransgirlVS

- Hyperdemigenders

- Panromantic and polyromantic lesbian flag

- Orientation for someone who's attracted to men and women differently

- Difference between neptunicflexible, trixenflexible and triniy

- Bi but sometimes is able to be attracted to one gender

- Attracted to the concept of a gender but not the actual gender

- Neptunic and uranic man flags, will also be doing woman ones

- Shortened version of nonbine

- Transangiquasineu, transmascquasineu and transfemquasineu

- Demitransneumascfem

- Azurbxy, azurenboy/azurxoy and demiazurboy, will also be doing rosgirl versions

- They/them man and crosspronominal man flag, also doing woman versions

- Azurgender

- Finding the names of some flags

- Someone having some confusion if they're genderfluid or not

- Girln't, boyn't, afab girln't and aman boyn't

- Not caring about your orientation

- Being both lesbian and a gay man

- Fluid between xenogenders

- Butch girlboy lesbian, femme girlboy lesbian, butch demiboy lesbian and femme catgender lesbian

- A term for being genderfluid, pangender and polygender

- Neumode/angimode/enbymode

- Transmascqueer version of transmascish

- Subsets of orchidromantic/sexual

- Aroace and demiboy labels

- Pangender + abrolesbian flag and a foggirl + paraboy + lesboy flag

- Ninmasexual, also gonna make ninwomasexual

- A term for being alloplatoniromantic and platoniromantic

- Demiboy boyflux, demigirl boyflux, demiboy girlflux and demigirl girlflux

- Candy personalius

- Omni pseudosexual and omni-lesbian pseudosexual flags

- Agender pan oriented aroace flag

- Genderfactory flag

- A gender related to exclamation points

- Someone being confused about their orientation

- Gay + transgender + cupioromantic + aromantic + adhd flag

- Mspec lesbian + grayace, also going to do a greyaro version along with mspec gay and mspec gay man versions

- Being a guy or dude but not a boy

- She/her nblm flag

- Being aroace and attracted to genders but not romantically or sexually

- Ethiopian wolf-dog werewolf therian/otherkin/alterhuman flag and a gender that is a man but through the lense of being a nonhuman ethopian wolf-dog werewolf beast

- Demipseudoboy and demifakeboy, will also do girl versions

- Genderfaerthing, will also do genderfaunetthing, genderfaething and genderfaunthing

- A term for a character you have a connection to due to being close with them in your timeline, but not sourcemate/canonmate/mediamate

- Using "contradictory" labels due to being a system

- Romantic and platonic feelings for fictional men and masc looking people and romantic, sexual and platonic feelings for irl and fictional woman, nonbinary, xenogender and fem presenting people

- Mlm dyke, will also make wlw dyke, mlm fag and wlw fag

- A gender related to lothwolfs from star wars and a spereta gender related to lothcats

- A gender related to the movie wolfwalkers

- Kingenders for G-man and Dr. Wallace Breen from Half Life

- Genders related to detectives, mysteries and things along those lines

- Repost the harpgender flags

- Cryptidvesil

- A bunch of assorted star wars genders

- A gender related to LPS

- A gender that's sweet instead of cute

- Some genderfuckery

- A gender related to shieldy from brawl of the objects

- Demiboy girl and demigirl boy

- Offneoboy and offnymboy, will also do offneogirl and offnymgirl

- Multiromantic flag that doesn't use heart symbols

- Fictolesbianromantic flag, will also do a fictosexual version and gay man versions

- Kenogirlcreature and kenogirlthing, will also do boy versions

- Outhergirlcreature and outhergirlthing, will also do boy versions

- Pangender4Pangender and Genderfluid4Genderfluid

- Flag for when you're only attracted to your partner, whether they're pre-transition or post-transition

- A term for when you have multiple orientations and feel conflicted because of it

- A gender where you're both a girlbeast and wtfgirlic, will do a boy version too

- He/they + spinpronouns flag, will also do a she/they version

- Extrine flag

- Nociswoma + gay man, also going to do a nocisma + lesbian one

- Parouranic, also gonna do paroneptunic

- Ecogender

- A gender related to spikes

- A term that is recipromantic and cupioromantic, also a sexual version

- A term for when you're mesrien (mspec straight)/jaustenian and mesque (mspec gaybian)

Okay I don't have the spoons to finish the rest of this but these are my asks from the past few months so if Tumblr didn't eat your ask it should be here

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