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#stage shows
figtreegif · 3 months
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Turnabout Gold Medal (2019) // Kato Sho as Phoenix Wright and Nakamura Reno as Maya Fey
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A Fairy Tale Rabbit Hole
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Snow White and the Seven Dwarfs is the movie that it started it all for Disney Animation and it's the most influential fairy tale movie ever. Its tropes and its tone still inspires fairy tale media to this day, either as parodies, or homages.
But what less people know is that Walt Disney was inspired to make this movie because of a peculiar silent movie that he watched when he was a teenager.
That movie was Snow White from 1916. Its writer, Winthrop Ames, adapted it from his own Broadway play. An example of American fairy tale theater.
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This kept me thinking.
The Wizard of Oz is one of the most iconic fantasy films of all time, and it was made in direct response to Snow White. What people don't know is that the scene where Glinda saves the gang from the deadly poppies with a snowstorm came straight from a fairy tale musical from 1902. It came from The Wizard of Oz, a fairy tale musical "extravaganza", with direct input from L. Frank Baum, only two years after the original novel.
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Actually, stage musicals seem to take a slight part in the creation of Oz. The Marvellous Land of Oz, the sequel, seems to be inspired by this stage culture. General Jinjur and her army dresses like chorus girls, Ozma/Tip may be inspired by the crossdressing in children roles, and this was the book's dedication:
"To those excellent good fellows and comedians David C. Montgomery and Frank A. Stone whose clever personations of the Tin Woodman and the Scarecrow have delighted thousands of children throughout the land, this book is gratefully dedicated by THE AUTHOR"
These were actors of the 1902 stage show.
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Two years later, on 1904 Peter and Wendy premiered. This play is also one of the most famous children stories ever. Walt Disney himself acted as Peter in a local production of it and Tinkerbell quickly became a mascot for the studio.
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This all led me to think more about fairy tale theater specifically.
Since the ending of the 18th century and through the 19th century, a genre of stage show developed through Europe. It was mostly comedic and light-hearted, mainly inspired by fairy tales, and it was geared towards children and families. It involved lavish fantasy spectacles told through operas, ballets, and what we today would call "musical theater".
It had many different names and variations depending on the country.
On England, it evolved through the pantomimes and it became a Christmas tradition.
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In Russian, it was mainly through ballet, called the ballet-féerie, often considered a lower-class, more commercialized entertainment than traditional ballet. Tchaikovsky's Sleeping Beauty and The Nutcracker are among some of them. Sleeping Beauty would later inspire Disney's telling of the story.
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In France they were called Féerie, and it was a mix of music, dancing, pantomime, acrobatics, and stage effects. It influenced the development of burlesque, musical comedy and film.
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From Wikipedia:
With his 1899 film version of Cinderella, Georges Méliès brought the féerie into the newly developing world of motion pictures. The féerie quickly became one of film's most popular and lavishly mounted genres in the early years of the twentieth century, with such pioneers as Edwin S. Porter, Cecil Hepworth, Ferdinand Zecca, and Albert Capellani contributing fairy-tale adaptations in the féerie style or filming versions of popular stage féeries like Le Pied de mouton, Les Sept Châteaux du diable, and La Biche au bois. The leader in the genre, however, remained Méliès,[37] who designed many of his major films as féeries and whose work as a whole is intensely suffused with the genre's influence.[38]
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Once you realize a huge chunk of fairy tale media has roots in family friendly stage shows from 19th century, a lot of it started making sense.
The focus on romance, the focus on damsels in distress, prevalence of lighter tones, the everlasting connection to music and dance.
They may be the main reason why some fairy tales are more famous than others. Some became source material for a continuous stream of operas, operettas, musical extravaganzas, ballets, plays, and others simply not.
And besides the Victorian Era storybooks that bowdlerized fairy tales for children, I think this whole genre of the theater was responsible to firmly establish fairy tales as a child friendly media, decades before Disney ever released Snow White to cash in that nostalgia.
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If you have something to add or if I just got something wrong, feel free to correct me.
@ariel-seagull-wings @princesssarisa @adarkrainbow @the-blue-fairie @theancientvaleofsoulmaking @natache @tamisdava2 @thealmightyemprex
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showamagicalgirls · 3 days
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I have not yet seen the recording of Cutie Honey Climax, but I do own a souvenir program from the production because I’m obsessed with the wigs and the costumes.
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meganechan05 · 5 months
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The Five Kings will partake in G-Rosso as face actors!
From January 6-28, the Five Kings will be participating as face actors in the 3rd Installment of the King-Ohger Stage Show at G-Rosso every Saturday and Sunday!
All Ticket Information below!
Premium Ticket Lottery - Dec 2-10
General Ticket with attraction Ticket Lottery- Dec 13-17
General tickets (first come first serve) - Begins Dec 23rd
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ahb-writes · 10 months
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As a writer, what is thy desire?
(art from Yoshi no Zuikara #1)
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mysticdragon3md3 · 7 months
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brightindiankitchen · 2 months
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Create a space that captures the essence of your theme with Bright Kitchen’s mastery in setting the tone and improving the visual interest. Collaborate with us to ensure your guests have an immersive experience.
For more info: http://brightkitchenindia.com/decoration +91 9952117009 [email protected]
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bottombaron · 8 months
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The scarest thing about Nandor being actually smart in all things Guillermo is that this is the reason why he'll never make the move to be with him:
Nandor already knows how he feels about Guillermo.
He's not even repressing it. He's just made peace with it. Because Guillermo was never an option.
Guillermo is human. He'll choose to stay human. He's fleeting. He'll always leave in some form or fashion. Nandor doesn’t choose to act on his feelings for Guillermo for the same reason why he never turned him. It would just be a curse.
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crismakesstuff · 5 months
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mark seeing his dad’s bug baby mama
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egophiliac · 6 months
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so excited for Kalim to save the day by swiper-no-swiping this dip. you can do it! I believe in you!
god I hope this reads properly
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figtreegif · 6 months
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Kusunoki Seren as Franziska von Karma (Karuma Mei) in the Farewell, My Turnabout (Gyakuten Saiban 2 Saraba Gyakuten) stage show
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hairmetal666 · 3 months
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They start kissing on stage as a joke.
The night before the first time, they're at an afterparty, pounding shots, and Eddie is reading aloud a piece that just came out in Rolling Stone. "'One of the most noteworthy parts of Munson and Harrington's unlikely pairing is their chemistry on stage. It's like these two men--one on his way to being the latest metal god, the other an indie rock wunderkind--are two parts of one musical whole. Their singing, their playing, even their bodies twine and flow with assuredness; where one goes, the other follows without question. They share a single brain-cell and that cell is music'."
Steve giggles, pours some more Grey Goose into the glass. "If they say that now, could you imagine what would happen if we, like, kissed on stage or something."
"What the fuck, Harrington?" Eddie splutters, having just thrown a drink back.
"I don't know, other bands do it!"
Eddie snorts. "I'm cutting you off." He reaches for the bottle and the suggestion is forgotten for wrestling over the liquor.
Steve barely remembers it in the morning. Doesn't think about it at all as he gets ready to go out on stage.
They're playing one of the instrumental breakdowns when it happens. They're leaning into each other, Eddie smiling over his shoulder at him, their eyes locked, bodies moving together. "You wanna?" Eddie mouths at him.
Steve nods before the question actually registers and by then Eddie's warm, soft mouth is against his and he just-- completely forgets what he's doing. His hands still on the guitar strings, and he melts a little, going completely boneless when Eddie grips the back of his head, pulls him deeper into the kiss. t's over almost as quickly as it started, Eddie pulling away and swirling to the mic to start the next verse.
The kiss sinks into Steve's bones, and that's before it becomes a regular feature of their performances. After that night, they're never at the same time during the show, all initiated by Eddie, all over before he can catch his breath; each one chaste and surrounded by people but somehow more intimate than any make out.
He and Eddie, they're friends, bandmates, collaborators. They've known each other since they first started out, forging an immediate connection with they stumbled upon each other hiding out in the garden at some industry bigwig's party. And as much as he loved his friend, never once in that time had Steve considered wanting Eddie.
But now, now he falls asleep with the ghost of Eddie on his lips, goes into each show with a thrum of anticipation, catches himself thinking how beautiful his friend is when he's all rumpled and disheveled from a night in the tour bus bunks.
They've always been easy with physical affection, but once the kissing starts they're constantly in each other's space, idly playing with hair, laying across laps, heads on shoulders, twisting together on the tour bus couch. Steve is ruined with every touch, every moment; he can't get enough.
The first time Eddie uses tongue destroys every last piece of Steve's composure. They've added a new song to the setlist, a remixed version of Eddie's hit "Prince Charming". It's hard, heavy, sexy, one of Steve's favorites. And in the middle of it, right in the middle, Eddie shoves him against a low platform, kisses him like he's trying to own him, tongues twining eager and wet and full of sinful promise. It's like that every show after, Eddie kissing him deep and thorough, like he's trying to lick up every drop of Steve.
He is, unquestionably, fucked. Unquestionably falling. Can't properly fathom how he'd gotten himself here, desperate for Eddie's kiss, as performative as it may be.
They're packing up equipment after a show. Eddie's hair is piled in a messy bun and Steve is trying not to blatantly stare at the curve of his neck, the stray curls against his pale skin. Eddie's gesturing at something, says, "Can you grab those cords, swee--Steve?" He hands them over without thought, notices that Eddie's face is shining red. He's called away to deal with packing the guitars, forgets all about it, but at their next show, Eddie doesn't kiss him.
They don't talk about it.
Eddie doesn't try to kiss him again.
A week after Eddie stops the kiss, they have a night off between shows. He needs to get out of his head, goes out with Robin. He gets back fairly early, but all the lights are off in the bus. It makes him panic in a way it shouldn't; they've always done their own things. Still, he rushes on board, flips on the lights, his absurd heart beating too hard.
Eddie is curled up on the couch, face pressed to the pillows and covered with his hands. The panic kicks up a notch.
"Eddie?" He steps closer, slowly reaching out to grip Eddie's shoulder.
He jerks upright, earbuds slipping free, phone sliding down his hip. "Steve?"
His face is wet, tears actively slipping free from his eyes as Steve watches.
"What happened? Are you hurt?" His hands flutter around Eddie's arms and face, searching for bruises or wounds.
"I'm fine, Harrington," he chokes out. "Though you were out with Robin?"
"Yeah, I was, but Chrissy called. You know how useless she gets. But that doesn't--you--you're crying. What's wrong?"
Eddie's smile is a wobbly little thing, refusing to stick on his face. "Oh, you know, the usual. Fell for the wrong guy."
Steve forces down the gut churning hurt at hearing that Eddie's in love with someone, intent on comforting his friend. He tries to slip his arm around Eddie's shoulders, but Eddie shrugs him off. It jostles Eddie's phone again, slipping it toward Steve and activating the screen. He has a split second where he's looking at the cover of his own first album, before Eddie's snatching it out of reach, scrambling up from the couch.
"I'm fine." He swipes his sleeve over his face. "It's nothing."
And Steve is putting it all together, the being in love and listening to Steve's music, the kissing and how it ended.--
"Eddie." He sounds all wrong, choked and garbled.
Eddie doesn't turn around, is stuffing his feet into his boots. "I'm--I gotta go clear my head."
He walks towards the door and Steve just--"I've been obsessed with you since the first kiss," he says. Eddie stops, hand curled against the door. "We've been friends all this time and I didn't--I never realized. And then we kissed and--it's all I've been able to think about."
Eddie turns then, facing him, expression unreadable."Steve, what are you--"
"I love you. I'm in love with you." It comes out fast, all jumbled, but he can't stand Eddie leaving, not now.
"You--?" Eddie blinks, bites his lip. "That's not possible."
Steve smiles, can't help it. "It is, though. Turns out, I can't get enough."
Their eyes lock; neither speaks. Steve's heart pounds so hard it might spring free of his chest. Eddie moves first, crosses the small distance between them to pull Steve into his arms.
It's not a kiss, but Steve buries his face against Eddie's neck, breathing him in, feeling the echo to the pound of his own heart. "How long?" Steve asks.
Eddie's soft laugh vibrates through him. "Since I saw you walking in that garden and thought, 'jesus christ, Prince Charming is real'."
Steve pulls away to stare at Eddie in disbelief. "But that's--your--the song?"
"They're kinda all about you, Stevie. But that one most of all." Eddie whispers. His eyes glisten.
"Fuck, Eddie." He doesn't mean to whine, but he's not in control of his voice anymore. "I'm sorry I didn't--" He shakes his head. "I'm all yours, Ed. Whatever you want."
Eddie's thumb catches against Steve's bottom lips, eyes transfixed on his mouth. "Everything, sweetheart. I want it all."
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totheecore · 23 days
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911 7x04 | Buck, Bothered and Bewildered
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waywardted · 11 months
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And, most importantly, to Richmond.
TED LASSO (2020 - 2023)
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nonagalleryart · 3 months
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As it is almost the Lunar New Year, and 2024 is the Year of the Dragon, I thought I would try and draw some famous dragons. Also right now I'm obsessing over Studio Ghibli so I had to draw Haku.
Are there any famous dragons you'd like to see me draw?
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