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marymary-diva17 · 2 months

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A marriage for peace and political

zuko x water tibe reader x male mai

This is story had been published on my wattpad, and I decide to bring it over here.

The war of the nations had been going on for 100 years and the fire nation kept on gaining ground and power, all over all the other nations. There had been a time of peace that came in the war and that peace was made through a political marriage or arrange marriage. That marriage was your marriage the second daughter of Hakoda of the southern watertribe you had been given away in marriage. As you were not just marrying the fire lord son, but also another Nobel man that is an ambassador. All the other nations and everyone thought this will be for the best as no wanted anymore war to happen.

Y/n " dad"

Hakoda " listen I know you must hate this idea but it need to be done"

Y/n "......"

Hakoda " I can't send your brother or sister they are to much of value and importance to all of us ... they are part of avater team we can't lose them"

Y/n " i know that dad but have you heard about the stories of the fire lord he cruel and scary man ..."

Hakoda " yes I have heard them y/n but sacrifices have to be made and this is one of them you are one of them"

Y/n " please father o will do anything for my people but I'm scared"

Hakoda " think about your people think about all the all other nations and all innocent lives that will be lost of you don't do this .... You can't be selfish"

Y/n " father ..."

Hakoda " leave now I need to speak with my council and elders Wes most think for battle with three other nations, a war will come and war " you wish to say something else but your father had you escorted away from his office once words got to your siblings and their friends it didn't get better.

Katara " please y/n we need this war to end we can't have aang go he not ready he hasn't master fire yet"

Y/n " I'm just overwhelmed and scared that all this major decisions"

Sokka " don't you think we all feel that you haven't been doing anything but stay here and healing, while the rest of us have been risking it all"

Toph " I can sense many emotions right now"

Sokka " if we don't have an answer by the end of week the war the fire lord wish for answers"

Y/n " I ...."

Aang " y/n I make a promises as an avatar and air bender if anything happen I will come help you, as you have my oath as avatar and all those that came before me"

Y/n " I just need some time alone"

Katara " fine go while we stay here and think about a back up plan" you could feel you were not welcome so you had soon taken your leave right away. As you were walking you had been getting cold shoulder from many people as they were all in fear.

Gran gran " my dear"

Y/n " hey gran gran"

Gran " I came to see you I have heard the news"

Y/n " I want to say yes for my people and everyone else but I'm scared"

gran gran " it okay to be scared my dear whatever decision you make it will always love you and be with you in personal and spirt" you had hugged your grandmother as your cried, you had made your decision that night.

Y/n " father I have made my decision"

Hakoda " what have you decided my father"

Y/n " I will take the marriage for safety for my family and everyone" everyone was happy about the news a hawk had been sent, and I'm days a fire nation ship had come with your future husbands.

Iroh " lady y/n I will love to present my nephew prince Zuko and mister mao"

Y/n " hello it good to meet you both and I hope our lives together will be good"

Mao " hello it good to meet you"

Zuko " yes what you have done is honor and we hope to show you were are not that bad" this marriage will not be bad after all as you had thought, as the others around were either good and bad. Maybe you should give your future husband a chance and see their true selves. Celebrations had been held in your tribe you had tried to speak with your sibling and friends but they were with everyone else. You had been given the opportunity to get to know some of future family better. That next day you had left your home.

Y/n " take care everyone I hope to see you soon"

Katara " we will meet again"

Y/n " yes and now we have peace life will need to be rebuild"

Fire nation solider " lady y/n we are rests to leave"

Y/n " coming goodbye everyone and please take care all of you" you soon got onto the fire nation ship, looking down to everyone and waving goodbye. You soon saw your home getting smaller and smaller as you head toward your new home.

Iroh " I know you have heard bad stories about the fire nation and my family, and I don't blame you for being scared but we are all not that bad ... my nephew and mao might seem a bit scary but he a good young men and I have raised taught and many other well to be good and not to, follow their parents path"'

Y/n " thank you iroh I'm happy to know I will have friends there for me I, hope I can be a good addition to the royal household and ambassador household as well"

Iroh " you will be amazing"

Zuko " uncle may I and Mao have some words with our wife"

Iroh " yes" Iroh soon left the young couple to talk together, knowing it was going to be a long trip home.

Mao " we know you fear what life will be like in the fire nation but we will not be living there"

Y/n " huh why you are royalty and noble born"

Zuko " yes but I made a deal with my dad will be living on ember land it will be good for us all, and we get to know each other and live the lives we want if that fine with you"

Y/n " I'm fine with that if can keep bending and healing, and keep some cultures I have"

Mao " yes it will be good as we all should keep what we love most close to our hearts" this marriage was not going to be bad after all, you had been able to get to know your husbands better and their created famiky good as well. Life is going to be hard away from the water tribe but you know you will adapt to your new life and home.

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biconickyoshi · 4 months

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Zuko and Aang as they appear in Book 2: Water of my slowburn Zukaang AU, The Avatar and the Fire Prince!

Overall Synopsis (for new readers):

In the year 96 AG, a freshly burned and banished 13-year-old Prince Zuko discovers a strange boy frozen in an iceberg. When Zhao interferes with Zuko's plans to deliver the Avatar to his father, Aang helps Zuko and Iroh escape. They take refuge in the abandoned Air Temples, Aang searching for any remnants of his people that he can find. Along the way, he teaches an indoctrinated Zuko about the true nature of the Air Nomads. Zuko must come to terms with the fact that everything he has been taught was a lie, while Iroh must acknowledge and face the sins of his past. Eventually, Aang and Zuko become close friends, and Zuko begins to feel things he has never felt for anyone before. However, Zhao will not give up easily, and will do whatever it takes to capture the Avatar and his traitor accomplices.

Book 2 Synopsis:

Zuko and Iroh have now officially denounced the Fire Nation and the Royal Family and are dedicating themselves to helping Aang fight against the forces of their homeland. After narrowly escaping Admiral Zhao at Crescent Island during the winter solstice of 96 AG, Aang, Zuko, and Iroh travel south in search of the Southern Water Tribe village Aang has been dreaming about. The village is in danger: the Southern Raiders are coming, and it will be up to our trio - with the help of a couple of Water Tribe siblings - to unite the remaining villages of the Southern Water Tribe so that they will stand a fighting chance.

I got an iPad for Xmas and I’ve spent the past couple days working on this! :) I’m super happy with how it turned out!

Zuko’s about 14 here - his hair length is how it looks about halfway through this Book. I’ll probably do another piece to show what he looks like at the end of the Book since his hair is a lot longer now with it being almost a year since he cut it in the AU’s timeline (we’re now approaching the Northern Water Tribe storyline). I’ve also never drawn weapons before… so I hope his broadswords don’t look too wonky 😅

Aang is about 13 here. He’s wearing a new outfit as well, which I thought made sense since this AU takes place over 3-4 years instead of less than one year like in the OG series. Aang’s gonna grow a lot over the course of this AU, so he can’t just keep wearing his Air Nomad trainee clothes indefinitely lol.

I plan to do a lot more pieces in the future as I get the hang of digital art, so I would like to draw more characters (like Iroh, Sokka, and Katara) and more looks for Aang and Zuko. I’m also really excited for Book 3, which will be Earth in my fic (Earth is my absolute favorite season of the OG show). Zuko’s hair will probably be long enough to pull back into a ponytail again at some point during that book… Though this time it will be a different style :) gotta do some brainstorming for that one!

I’m close to wrapping up the next chapter, in which our characters make a return to the Northern Air Temple! I haven’t had as much time to work on it recently just due to all the holiday stuff that’s been going on. It’s probably gonna be a shorter chapter as well (which I don’t mind, I hope y’all don’t either). But after that, we’ll finally be in the Northern Water Tribe! :)

#the avatar and the fire prince #taatfp #my art #atla #atla au #zuko #aang #atla fan art #avatar the last airbender au #zukaang #zukaang au #zukaang fanfic #atla fanfic #zuko x aang #aang x zuko #ao3

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original-sheepsandwich90 · 1 year

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Happy new year! 🥳🥳

#Sokka #Katara #Sifus #Book 3 #The End #Southern Water tribe siblings #Non-benders #Benders #Water and Bloodbender

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zutarasbuff · 2 months

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Found this somewhere on Tumblr, it infuriated me to a great extent and forced me to crush the “coloniser-colonial romance” accusation against the Zutara nation. For this, you need to read everything quite carefully that will be presented to you.

So people who accuse Zutara use this narrative that Zuko had a princely life as a colonizer, unlike Katara. Now look at the ground reality:

Katara’s mother Kya lied to Yon Rha that she was the last waterbender of the Southern Water Tribe to save her daughter. A similar act was done by Ursa (Zuko’s mother) who killed Firelord Azulon with her potion as part of her deal with Ozai to save the life of her son Zuko and got banished eventually. That makes us come to one certain conclusion:

Both Zuko and Katara spent greater part of their life without their mothers and this impacted their childhood badly as we find them dealing with the trauma of loss even after they hit puberty.

As if the absence of a mother was not enough, when Hakoda (Katara’s father) leaves with the fleet for the war, it’s almost the same time when we find Ozai getting immersed in attacking other nations, so much so that he’s never there for both of his children. Technically speaking, even if Ozai was there physically, he was never emotionally available for his children being a narcissistic father.

I would say that Zuko had the worst childhood experience as compared to Katara because Katara had a brother who always supported his sister in dealing with the trauma, but we don’t see that in the case of Zuko whose own sister used to bully him right from the childhood for being too weak and the mom’s pet.

Now let’s analyze the colonizer part. Unfortunately, Zuko was born to a father who was not just the worst ruler but an equally worse son, brother, husband, and father. One can say that Zuko’s only fault was to hail from a wrong family but other than that, he was never a colonizer. You may ask why. I will give you a reason.

It’s not just Katara who has to bear the ill effects of the war that was imposed on her, but in many ways Zuko was a direct victim of what we call “Emotional Imperialism”. In psychology, it’s a condition where the colonizers not just physically take control of their colonies, but they start infusing their ideals deep into the mentality of their subjects as well.

Coming back to the case of Zuko, we find that he never gets to formulate the normal father-son relationship with Ozai, rather Ozai treats both his children as his humble subjects who need to obey him unquestionably and need to be perfect as his subjects. He’s in every sense not just a narcissistic parent but a controlling one as well who emotionally traps both his children and wants to rule over them at every cost. The apparent manifestation of this emotional imperialism is evident through:

Zuko’s quest to be the best firebender

When the colonizers start ruling over a certain colony, it’s the colonials who feel the need to be validated by their masters. It’s their first survival strategy that they embrace the change as they know resistance is going to be of no use. They simply adapt themselves to the new ideals that are set forth by their ruling masters. Similarly, Ozai always wanted his children to be the absolute embodiment of Azulon’s great bloodline and both his children obliged to his desires because they feared the firelord. Therefore, his stiff standards force both his children to compete against each other from a very young age. This is the worst form of emotional imperialism where the subjects simply want some validation in return and therefore they are ready to even forget their kinship. That’s what we find as Zuko repeatedly wants to “get his honor back and win the trust of his father”. What do you think this honor is? It’s not the quest for being the next heir to the throne, rather it’s being the absolute best in the eyes of the master who controls both the siblings. We know Ozai has a manipulative nature and this relates exactly to the manipulative attitude of a colonizer who puts the colonials against each other.

Zuko’s almost absent friend circle

Have you ever seen the modus operandi of the colonizers? They alienate their subjects so that the subjects find no way of self-expression and eventually give up to the demands of their masters. That’s exactly the scenario that propagates in Zuko’s life. Other than Mai and Ty Lee we don’t even find his friends throughout the series. Isn’t it a bit strange that despite being a prince, he has no guy friend of his age? He has no friends at all. It’s because the master (Ozai) wanted so. The siblings never get much exposure to the outside world. When we draw a comparison of Zuko’s situation, then Katara seems to be at an advantage in that she found a peer group that allowed her to grow further and overcome her insecurities. Zuko, however never got a chance to blend into an actual peer group and that kept him secluded throughout and gave him his introverted persona. Don’t you find it strange that as a friend Zuko got no one but his uncle who had a lot of age differences and the opinions differed too? This created a rift further maybe because Zuko felt that somehow his feelings were not interpreted well by Uncle Iroh. Compared to his “angry guy” persona, he grows a lot more friendly when he finds the gang or should we say people of his age. This allows him to understand his persona in a constructive way and he strives to alter the course of his life afterwards.

Identity crisis

Out of all the characters on ATLA, people often say that Zuko is the one with the most complex attributes because he is not even sure of his “destiny”. Sounds familiar? Eh? Well, this is the typical case of an identity crisis existing in the subjects of a colony. Zuko goes through this phase where he is always striving hard to explore his identity, and his destiny thus fueling his internal rage as well. A kaleidoscopic journey is what he follows. Sometimes it’s rage, sometimes regret and sometimes he even questions the actions of his father. By the end, his driving force to change his alliances is nothing but this very identity crisis. This makes me remember a very interesting observation that whenever he’s near the gang, he’s a bit cranky and at the same time uneasy because he looks at the gang as the polar opposite of himself. To a caged bird who has accepted his fate, even the slightest call of resistance feels like Hades’ call and that’s why he repeatedly aims to avoid Aang’s calls for forming a friendship because he is afraid of peeking into his resisting side. That’s the typical thing you find in Haru who despite being a fine earthbender resists waging a war against the firebenders who roam freely in his village at first. So would you blame Zuko for never resisting the colonization when as a subject it was inherent to his mentality for a long time?

A harsh realisation

People who degrade Zutara with this stupid claim that Katara was the only one who “lost everything” need to get their brains checked thoroughly because when we compare her loss to the magnitude of the loss faced by Zuko at the end of the war, the comparing scale diverts wildly in Zuko’s favor. Though many of you know this; I will recall it for you again. Katara lost her mother to the war but in the end, she got lifelong friends to cherish with her brother as well father. On the contrary, even during the war, we find that Zuko loses not only his mother, his father, and his sister in the worst possible way. It means all his family members are lost to him in every sense when the war ends. Now some of you will come to me with the argument that the gang eventually finds Ursa back but how? With her memories all erased. It means that the war has not just left him with permanent emotional wounds but it has further taken the very idea of a family from his life.

We zutarians never ship Zutara together because we “just find them good together” but it’s deeper than that. It’s because Zuko was the one who understood Katara’s quest for Yon Rha in order to find answers behind her mother’s death in addition to revenge. This is because deep down he was always looking for the answers of his mother’s (who was the only real person known to him) banishment. That’s exactly what we find after Zuko becomes the firelord. The first thing he does is asking Ozai questions and being certain that he’s finally gonna tell everything. We ship them together because Katara was the only person who understood the value of Zuko jumping in front of Azula’s lightning to save her. We ship them together because we believe if it had become a potential canon, maybe both of them could have helped each other in healing with their individual traumas and creating a real family together.

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comradekatara · 2 months

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okay, so I did just spend the entire day watching NATLA. I had no choice but to watch this all in one sitting with my friends because I knew that if I attempted to watch it alone, or in increments, I would simply never get past episode 1. and I was right. it, of course, sucked so bad. I intend to write an actual, articulate review of the show as a whole when I have time, but for now, here is a list of the notes I jotted down on my phone (including some quotes from my friends as we watched), cinema sins style (pluses indicate details I actually liked, however minuses are far more frequent; points I considered especially significant are bolded).

– NO COLON to signify the central tension of the entire show!!!

Episode 1:

+ Love Aang’s eyebrows, just a very cute kid in general

+ opening fight scene kind of serves

– Sozin does NOT

– This clunky exposition is so strange considering they clearly already assume we are familiar with the entire show

– What’s going on with Kyoshi (ie, where is Roku)

– Where is Katara narrating????

– Hideous fonts

+ AANG SO CUTE <3 (he’s giving Dewey!)

– He can just fucking fly without his glider I guess?

– Airbenders saying wow at airbending (ding!)

– Aang’s uggs

– Sky bison…… L (update: I lowkey came around on Appa, but only bc Momo was so fucking busted he looked incredible by contrast)

– Gyatso’s mustache L (update: many such cases going forward)

– What’s going on with the accents???

– Aang cannot fucking act for shit I’m so sorry to this adorable baby boy

– Depicting a literal genocide as an action scene. Fucking awful

– Aang actually trying to head back during the storm defeats the whole point of the whole inciting incident of his entire arc????

+ Waterbending Avatar State sequence in the storm actually looks cool

– I hate White Sokka

– I hate shein Katara

– They do NOT act like siblings

– I hate White Sokka

– Where is Katara I miss you baby girl

– ZUKO’S SCAR IS AWFUL

– Katara has no agency or passion or rage or emotion whatsoever?!!?!?

– Acting is SO BAD

+ Clunky exposition works for Zuko because he does have a propensity for monologuing all his intentions

– Sokka, however, does NOT

– How can Sokka be “the last man” of the Southern Water Tribe if there are like. Dozens of other guys only ever so slightly younger than him just standing around.

– Kanna just saying Katara’s monologue because Katara is a nothing

– WHY DO FIREBENDERS KEEP ATTACKING AT NIGHT

– Clunky ass exposition “he had to grow up fast” give me a fucking break

– Who the fuck is this white guy

– Katara has no motivations at all?? She’s just chopped liver I guess

– The cadence of every actor is so bad

– They can’t decide whether they want to be the cartoon or their own thing and instead they’re just nothing

Episode 2:

– KANNA JUST GIVES HER THE SCROLL?!?!? KATARA DOESNT GET TO SHOPLIFT. OR DO ANYTHING

– MILF ALERT!!!!

– I hate you straight nepobaby suki

– She’s so fucking weird

– White Sokka has a bad face and a good body. He should have a strikingly beautiful face and a scrawny, malnourished body. L

– Aang being afraid to airbend makes no sense

– Where is Sokka’s fucking Kyoshi Warrior feminization!!!!

– Sexist ass show

– STOP IT KYOSHI STOOOOPPPPP #NotMyKyoshi

Episode 3:

– This one rebel leader guy is giving Katara more than Katara

– Why are the colors so bland

– Sokka being scientifically minded makes no sense bc that trait (which, um, is actually quite crucial to his character) hasn’t actually been established at all up until this point (or retained beyond this one episode)

– This guy is giving jock who happens to be good at engineering, when Sokka should be a NERD who HAPPENS to be good at FIGHTING

– Azula and Mai are NOT GIVING

– Azula should present as sure of herself and incredibly poised. It’s actual crucial to reflecting how she has been shaped by abuse

– And Mai should be razor sharp (both physically and figuratively) and not give a fuck about any of this!!!

+ Katara hitting herself in the face was funny

– Redemption for beautiful Jet (my friend: “I love seeing a beautiful man die”)

– Freedom Fighters are GIVINGGG

– How can Kya “watch the sun rise every day” if they literally live in the South Pole

– They don’t understand Sokka’s daddy issues AT ALL. The simple fact that he’s actually communicating them is egregious

– The first time Katara actually gets angry is for Jet. But not even for the right reasons.

– The first exchange that Katara and Sokka have that makes any sense is in ep THREE (of 8)

– “Sokka was right. You are the bad guy.” WHO WROTE THIS 😭😭

– Jet is only going after the corrupt and collaborators…. So, um… he’s literally right???

+ The fight between Aang and Zuko is actually SO GOOD and understands their dynamic (sidenote: they’re the only kids who are actually giving their original characters at all)

+ Aang reading Zuko’s diary is so fucking funny

+ I love you Danny Pudi <3

Episode 4:

+ I love the interior of Bumi’s palace. Statues of Flopsy

– Omashu is in India now I guess and also everyone in the world lives here

– Bumi’s hat!?!?

+ The nomads sound like Fleet Foxes

– Katara and Sokka are literally switching roles in this tunnel

+ This one Earth Kingdom soldier is really serving.

– The fact that he’s ostensibly framed as in the wrong here though is INSANE

– Zuko is supposed to be ten here 😭 that’s a grown ass man with a BA in Econ

– Sokka’s necklace is plastic

– Katara and Sokka being like “we never used to fight at home” ……. WTF!?!?

– KATARA WOULD NEVER SAY THAT TO SOKKA SHE WOULD BEAT HIS ASS INTO THE GROUND EVEN IF HE WAS RIGHT

– Adults keep being so mean to Aang :((

+ Zuko’s hair is great

+ I like that Bumi gave Aang his bison whistle(?)

– Bumi’s anger is….interesting

Episode 5:

– Canonically 13 year old Zuko is also a grown ass man

– “How was I supposed to know she was a Fire Nation soldier” ummmmmm maybe due to your INSTINCTS and CONSTANT PARANOIA

– They keep alluding to escapades offscreen without actually depicting any of their grounded bonding moments so we have no reason to care about any of these characters whatsoever or their relationships with one another

– Sokka good with kids and names??? Preposterous

– Zuko kinda gay asf

– Zuko calling someone an idiot and Sokka never once does . Sounds fake

– Oppressed peoples are just a mouthpiece for oppression instead of real human beings

– Instragram ass makeup

– Aang isn’t having any fun

– Aang feels like he has no agency whatsoever because he only ever does what the adults around him tell him to do and never does anything of his own accord. Let him have a sillygoofy time!!!

– Constant clunky exposition and no understanding of its own narrative… it’s truly like if ATLA … was LOK.

+ JUUUUNE

– Hitting on Iroh for #feminism

– “I always thought I was spiritually attuned. I don’t know how he got in here though” is actually so Katara. Finally an actual Katara moment

– Wan Shi Tong goofy asf Guardians of Ga’Hoole ass CGI monstrosity

– What is with Sokka’s fucking white people references (all you need is love, bye bye birdie, etc). White devil I need him dead

– Sexy Kitsune for the furries

– Fox accuses him of making jokes to deflect “What? I don’t do that” WELL. HE DOESNT IN THIS VERSION!!! (Alluding to a character trait that they don’t actually depict is crazy. He literally says everything he’s feeling at all times in this and barely ever says anything witty. It’s like they’re TAUNTING us.)

– Kya sounds like she’s from the Upper East Side

– Why won’t they let Katara DO anything!!!

– Too economical with their storytelling leads to no real depth whatsoever

– Putting Katara’s flashback in Book 1 undermines the whole point of TSR

– I HATE YOU WHITE HAKODA

– If Sokka is so bad at ice dodging in this then why did they give him the mark of the wise ??????? None of this scene makes sense

– Why is Sokka CRYING (he doesn’t DO that)

– Koh looks so bad

– Aang doesn’t actually know how to fight Koh he’s just such a wooden actor that he happens to get away with it

– First Roku mention????? Lmfao

– Gyatso talking to Aang is so wack but at least he’s being nice to him

Episode 6 (aka the best episode by far):

+ Zuko just drawing an eye on the page is so real actually

– Azula’s flames aren’t even blue

– And she’s not mysterious or imposing at all!

– I HATE the makeup in the show

– The pacing is AWFUL and STUPID, no consideration as to WHY information is revealed when it is narratively/thematically

+ Okay he’s really giving Zuko lmfao

+ Ken Leung has made Zhao feel like a real person (but no one else is doing that ???)

– Low-budget fantasy C-dramas have costumes one million times better than this.

– What is with Iroh’s obsession with boats

– Quirked up old man Roku

– Zuko flashbacks don’t read as significant because his scar is nothing and he’s the same age

+ Aang and Zhao scene is great

+ I’d follow Zhao into battle

– Other friend: “This is the best episode so far and it’s because Katara and Sokka aren’t in it”

+ Blue Spirit mask actually looks like a theater mask

+ Using the original Blue Spirit theme!!

+ This episode actually slays

– Their commentary on narrativization is solely relegated to Zhao and no one else gets to participate in this thematic conversation, not even KATARA

+ I love the sassy gay scribe

+ LADDERS SCENEEEEE

+ Zuko canonically having good handwriting is so real

+ Aang and Zuko conversation is great

– Why does Aang keep assuming Zuko is compassionate and wounded when he hasn’t displayed any compassion, remorse, or pain

– Iroh stepping into the Agni Kai goes against his whole character

+ Ozai kind of rules tho

– WHY IS ZUKO ACTIVELY FIGHTING OZAI!!!!!!!!

– Zuko’s backstory makes no sense

+ Zuko’s thotty little collarbone

– Ozai’s scene here undermines the whole point of Zuko’s banishment

– Such bad dialogue it’s crazy

– How do the 41st division not know why they’ve been on this boat for the past 3 years when every piece of dialogue in this show is otherwise expository as fuck

– What’s the point of Gyatso leaving. They don’t explain it at all

Episode 7:

– The NWT is so grey and underwhelming. My favorite location in the whole show. Can’t have shit in Netflixworld.

– BECAUSE AANG JUST HAS VISIONS OF THE FUTURE NOW I GUESS

– PAKKU AND YUE LOOK SOOOOO BAD

– Yue looks like a Euphoria character in a party city wig

– This isn’t how Azula fights!!!

– I hate what they’re doing with Azula so bad

– Mai sucks too

– Their journey doesn’t feel earned at all because they didn’t hang out or learn anything or do shit

– Why is Yue in the kitchens if she’s a princess

– And why is she WATERBENDING

– Why isn’t she repressed!!!!! She shouldn’t BE “ordinary”

– Why is Sokka explaining his duties!!!! He doesn’t SAY SHIT!

– Why isn’t the guy playing Hahn playing Sokka and vice versa (I’m so fucking serious)

– YUE’S A FOX????? WHAT

– All the offscreen battles where we’re supposed to assume character development actually happened. Sure.

– Hahn being nice and respectful to Sokka makes no sense

– MILF Yugoda! (How would she know Kanna. Update: I guess that doesn’t even matter here )

– THEY DONT UNDERSTAND YUE OR HAHN OR WHAT PATRIARCHY IS. AT ALL

– Kuruk is too serious and Roku is too playful. It should be the reverse. Playing into racist tropes :/

– His eyes are way too blue I’m sorry to this man

– They all look like they know what iPhones are.

– Yue is so annoying . L

– This whole Yue Sokka scene is the most annoying thing I’ve ever fucking seen in my life. And entirely antithetical to their whole deal

– “My friends” this “my friends” that, except they never actually hang out. They just keep calling each other friends but they never actually show it in a believable way.

– They want to be edgy but they actually never fucking shut up about the power of friendship like we are all five years old. I think when they said they were “appealing to a Game of Thrones audience” what they really meant was just that they are also bad, incredibly misogynistic writers who depict sensitive topics without any care or nuance.

– I actually like the Fire Nation boats

– Zhao is working with Azula??? She wouldn’t KILL THE MOON

– Azula would never ask Ozai to do things she would wait for his command at all times!!!

– Since when is Sokka wise and emotionally mature enough to hold this conversation with Katara, and why isn’t Katara being impulsive. This fight is so planned out; all the excitement is lost.

– Her completely blank expression as Pakku humiliates her. I hate you SHEIN KATARA!!!!!!

– This fight is so dull and lame whereas in the original that fight scene literally changed my life as a kid????? #NotMyKatara

– “The Legend of Aang” EW

– Why isn’t Aang waterbending at all. Book 1: “talking about water in completely abstract, hypothetical terms”

Episode 8:

– Iroh telling Zuko how to break into the North Pole is undermining the one moment where he actually demonstrates his intelligence as an independent person

– Stupid ass liberal feminism I hate you

– So they are sexist but also not. Makes sense

– What the fuck is with this moon backstory shit. Who needed that

– Zhao going to the Fire Temple instead of Wan Shi Tong’s Library for info on the moon completely undermines the point about the role of knowledge in imperialist conquest

– Kuruk looks like a Star Wars force ghost

+ THEY KILLED MOMO (kind of made me laugh a lot, so… points for that I guess)

– But they could only feature him for all of five seconds bc they don’t have the budget to constantly animate his mangy rat ass

– Why is Yue helping MOMO instead of ACTUAL HUMAN BEINGS

– They want me to believe that White Sokka has compassion for that little rat when I simply do not believe that this man cares for anyone or anything or even has a soul.

+ Zuko and Aang’s situationship/chemistry is crazy. They’re both kind of slaying actually

– That said, the kid who plays Aang is not a very good actor, he’s just adorable and has big ears and a Dewey voice. And the kid who plays Zuko has the easiest acting job in the show because Zuko is actually so over the top and dramatic that overacting feels authentic to this one character in particular (and no one else).

– Bending fights look stupid and feel thematically insignificant

– This red filter looks so bad

– Why do they keep dragging out fast paced scenes to explain everything so that they’re now boring af

– Hahn is just……. Okay go off woke feminist king. Sure. Why not

– All the exposition is so clunky and slow and undermining the actual point of the scene

– Not only is this not visually interesting, it also doesn’t translate tonally, and the primary actors can’t pull it off

– So NOW Iroh kills Zhao. Okay

– Zhao wouldn’t respect a teenage girl this much, even if she is the princess

– Koizilla looks bad :(

– RIP Ken Leung the Cunt Slayer. 5ever in our hearts </3

+ It’s actually so funny that Ken Leung apparently didn’t even know what he was auditioning for because he was by far the best actor in this show and nearly singlehandedly redeemed it. I love this guy so much.

– Me: “This isn’t a show. This is a farcical simulacrum of real art.” Friend, far more concisely: “This is a fucking joke.”

– Katara and Sokka barely even seem like they care about each other. Look at how they massacred by boy (and girl)

– Yue and Sokka alluding to fucking offscreen WOULD be a slay if they weren’t both annoying as fuck…

– Oh so NOW Katara talks Aang down from the Avatar State. Yeah. I buy that.

– “You’re not just the Avatar you’re my family” really? Because you’ve barely even talked

– The sequencing and pacing of the Siege of the Noth was nonsensical.

– “My daughter always made her own choices” NO SHE FUCKING DIDNT!!!!! THE WHOLE POINT OF HER CHARACTER. WAS THAT SHE COULDN’T!!! Shallow fucking libfem bullshit they MASSACRED my girl!!!!!!

– Why is Arnook comforting Sokka when Sokka should be comforting HIM

– Also Sokka would never express his insecurities to Arnook in the first place. NOT MY REPRESSED KING????

– Why is Sokka giving emotional support and Katara giving tactical support -_-

– They really think that “Gotta let go of the past to have a future” is such a fucking smart line they used it twice

– Conquering Omashu wasn’t a STRATEGY it just happened CONCURRENTLY because their imperialist regime is incredibly powerful … This show doesn’t understand its own politics at all.

– Azula has no poise or swag smh

– Aang doesn’t even know about Sozin’s comet because Roku didn’t tell him…

– It’s crazy that a show written in the 2020s is actually SO MUCH more sexist than a show written in the 2000s.

– TDLR; I hate you capitalism, I hate you Netflix, I hate you White Sokka, I hate you SHEIN Katara, I hate you heterosexual nepobaby Suki, I hate you girlboss Yue, I hate you visibly insecure Azula, I hate you whatever is going on with Mai, I hate you CGI Momo, I hate you wack ass pacing, I hate you clunky, idiotic dialogue, I hate you complete and utter lack of consideration into what made this show great in the first place, I love you Danny Pudi, I love you Ken Leung.

Which, in fairness, is all pretty much exactly what I expected this show would be. But at least actually watching it did indeed verify all my assumptions (although what they did to Katara specifically was even worse than what I had assumed, dear god), so I will be writing up a more in-depth review soon so that I can actually try to unpack why this show is such a dumpster fire, and how that reflects larger trends in media. But for now, all I can say is, I can’t believe I sat through 8 hours of this fucking garbage knowing it would be bad and it was. I’ve been saying this show would suck ass since the second it was announced, and yet it somehow managed to still prove worse than even my incredibly pessimistic expectations. A soulless, shallow, offensive work of profit that cannot even attempt to justify its own existence. I need to kill White Sokka with hammers.

#natla #‘’spoilers’’ under the cut #lmfao #in the immortal words of bloodbenderz: ‘it was bad’

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theotterpenguin · 1 month

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there’s a post floating around here claiming that sokka is the only person keeping the atla kids alive and it very much reminded me of how the labor that women perform is often undervalued and overlooked. (and this post is not meant to be targeted towards op at all, but rather is speaking towards a general trend that i’ve noticed in the atla fandom)

i recently rewatched atla and it’s surprised me that the fandom interpretation is that only sokka is worried about the group’s lack of food/money, particularly in book 1, because katara worries over the exact same things and is usually the one backing up sokka. in “the warriors of kyoshi,” sokka reminds aang that they need to make it to the northern water tribe soon and stop making pitstops, and katara agrees with him. when they stop at kyoshi island, katara reminds aang multiple times that it’s risky to stay in one place for too long. in “the waterbending scroll,” sokka worries over how little money they have left after aang wastes money on a bison whistle, so katara takes charge of keeping track of the money instead, and she also reminds aang that they need to practice waterbending, not focus on having fun. in “the storm,” katara realizes they’re out of food and says they need to go to the market, then sokka gets a job so they’ll have more money for food. in “the king of omashu” and “the deserter,” sokka worries that aang will be discovered, and katara agrees so she suggests that they wear disguises. in “the cave of two lovers,” sokka says they need to focus on getting to omashu without getting sidetracked, and katara agrees. in “avatar day,” sokka and katara buy food/supplies together while aang waits for them.

despite sokka being seen as the pragmatic sibling, both katara and sokka are pretty united in their practicality and trying to keep their mission on track. katara only makes exceptions on a couple occasions when she values standing up against injustice even more than sticking to the plan, such as freeing the imprisoned earthbenders or helping the fire nation village as the painted lady. and the way that i've seen people use katara’s passion for social justice as a way to argue that she’s “irresponsible” seems a bit disingenuous considering that she sees it as a moral duty to help people in need (and let alone everything else she does on the day-to-day to help the group).

(“the library” is in fact the only episode in the entire show that i can remember where katara disagrees with sokka and says there’s no harm in having some fun in their downtime. and as soon as sokka finds out about the existence of the library he’s also fine with taking a break from their mission lol. despite what the fandom thinks, it’s not the norm).

and while there’s a lot of focus on sokka’s mapping/planning skills, there’s also so much that katara does so much behind the scenes that isn’t as explicitly acknowledged. “the chase” tells us that katara, aang, and sokka all contribute pretty equally to setting up their camp while traveling. in “jet” they all help pack up camp, in “the great divide” sokka sets up their tent, katara collects firewood, and aang gathers food. and yet even though they all seem to contribute pretty equally to setting up camp, we are shown so many scenes of katara doing extra chores while the others are preoccupied with something else. in “the southern air temple,” katara packs up their supplies while sokka is sleeping, then again packs up everything while sokka’s eating the food momo gave him. “the warriors of kyoshi” episode implies katara is the only one mending everyone’s clothes, and while sokka is getting his ass kicked training with the kyoshi warriors and aang is entertaining his fan girls, katara is shopping for food and supplies.

in “the painted lady,” the group all goes shopping for food together, but it’s katara who cooks dinner for everyone (shown twice in this episode). in “the runaway,” katara’s at camp cooking for everyone while they’re off tricking a gambler to make more money. sokka, aang, and toph buy food/supplies, then leave them with katara to sort out while they go have fun in the village (and sokka gets to buy his messenger hawk). and katara’s the one seen as a “buzzkill” for worrying about their safety. this pattern continues in “the western air temple” and “the firebending masters” where we see katara cooking and serving food to the group, but there aren’t scenes of them doing other chores.

and of course, “the desert” is an entire episode dedicated to katara keeping the group alive. and that’s not even to mention the countless amount of emotional support that she gives to her friends, often putting other people’s needs above her own. sure, katara might not be the person with the map or the master plan, but that doesn’t mean her contributions are any less important.

sokka’s character arc involves growing into a strong leader and strategist, so it makes sense that the fandom often likes to focus on the moments that go into building this arc, the moments where he does take the lead and is responsible. but for katara? it’s just something required of her and of most female characters. taking on extra responsibilities is something to be admired in men, but just expected of women.

and to be clear, i’m not saying that sokka is not responsible, he definitely is. i just find it interesting that some parts of this fandom have a skewed perception of katara’s role in the group, often claiming her to be the “irresponsible” or “immature” sibling while poor, exhausted Dad!Sokka™ is the only one keeping these silly kids alive. sokka and katara both had to grow up too fast, they’re both kids who are very mature for their age and took on adult responsibilities far too young (though in different ways). acknowledging the sacrifices katara made and the labor she took on to take care of others isn’t diminishing sokka’s character arc, it’s something he even admits in the show himself. and i love their relationship because even with such a complicated family dynamic, it’s so clear how much they love and support each other.

#sokka #katara #katara analysis #atla #atla fandom critical #“katara is the silly irrational girl while sokka is the mature dad who stepped up” do y'all even hear yourselves #i have a lot of thoughts about how the way that the fandom misinterprets sokka & katara's relationship #as like a reactionary mechanism against the potentially sexist writing of the source material #but that'll have to wait until another post #my post #my meta

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