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some more band au content. specifically this miserable, miserable man.

Dancing with the devil...

@estelletheskeleton forgot to add this here but here you go >:Dc

Why I Am Not Coming In To Work Today [abridged], Jess Zimmerman

part one | part two

You're precious to me, Henry

shoutout to my old 4th grade teacher for being more supportive of me one time 6 months ago than my own mother's ever been< 3333

girl help

watching astarion's horde of undead summons follow us around is the funniest thing to me. just another day in baldur's gate, citizens, nothing to worry about here! carry on and don't mind the smell of rotting flesh!

….

Billy and Eddie are now dead together, mungrove wins!

So can the petals falling off the flower bouquet at the end of the episode be a symbol for Stolas falling out of love/fully giving up hope or am I just a pessimist

So I’ve been reading by @meesterblu called “The Boy with the Moon on His Chest, and Other Tales.” It and it’s inspired me to draw a few scenes. Not finished with the other two yet but wanted to share some of it now.

This was a small scene but I still enjoyed it. It made me smile at the adorable sibling dynamic between Usopp and Reiju. She may think that she is still learning to be human but she has protective older sibling role down pat.

[He threw him against a wall. I didn't know how to draw that sorry-]

[himeros by @nova2cosmos]

[ @masterofaus Idk if i have to Tag you]

thinking abt ur jamiazu fic where they go on a field trip and azul carried jamil <3 loved them sm .... azul talking to the lil octopus was so cute too

wahhh THANK YOU i really liked writing that one!!! i love making characters be SILLY DORKY LITTLE FOOLS

hes being SO VERY SERIOUS RIGHT NOW!!!!!!!!!!!

i'd like to think jamil was Haunted by that new lore of Azul Being Strong Enough To Carry Him With Ease LOL

so um. i seem to be on a little roll this week with just drawing all my favourite flatlanders who belong to others. this time it’s one of my absolute favourites in design, Hauntlight by @rjalker

[Plain text ID: A digital drawing of Hauntlight, a humanoid-style original Flatland character done in a lineless style. Hauntlight is portrayed as having dark grey skin, a crack in one foot, an oval- shaped head with one eye in the centre that contains an orange iris and brown pupil - its head also has a large vaguely diamond-shaped point on top. It is wearing an eye piece with a yellow frame and orange straps. It is also wearing a dark brown and burnt orange dress. The dress has brown puffy arms separated by orange divisions, an orange torso with brown frills and buttons lining the front, an orange waistband and a brown maxi skirt with double orange tiers. It has one arm laying against is body while the other is leaning on its orange and yellow cane while looking to the top left with a neutral expression. The background is beige. End ID.]

wait. wait. wait. ive been staring at ur latest comic for awhile now and i think i've noticed something about the colors? which are amazing, first of all- just gotta get that out there cuz i adore that soft pink and deep green combo

but i just realized that throughout most of the comic u use both in equal parts it seems. to separate bg + fg and such, to highlight characters/objects, etc.

but then when vash gets back to their room, all the walls are that dark green. and, bit by bit, the pink totally falls off. by the end, it's nothing but constant dark green as vash starts to cry

but then wolfwood slams in and he's backed by that soft pink. and suddenly the comic is nothing BUT pink. soft lines and whites and gentle pink tones EVERYWHERE to just. SO tastefully highlight the little details.

LIKE. WAS THIS INTENTIONAL?! i almost wanna guess that it wasn't since all those green panels w vash crying are all closeups focused on his expression so it makes sense to just put the simple green behind it and all attention on him so the pink just isn't Needed

BUT AT THE SAME TIME THE EFFECT IS SO MASTERFUL THAT I WANNA BELIEVE IT WAS ABSOLUTELY INTENTIONAL

HEHE..... first of all, thank you for looking at my comic so closely, THAT'S LIKE... REALLY SWEET and a huge compliment to hear, thank u thank u

and yes, it was intentional, especially more towards the end!!! in general, the colors are meant to serve as a mood indicator, so a balance of them in a scene would just mean a neutral "okay-ness" and have a functional serve to separate background / foreground / subject matter... deep green signifies introspection or incoming sadness (especially on pg5 when vash cries), and pink signifies wolfwood, which, not an emotion but he is happiness, someone that helps vash lose his doubts in a matter of seconds -- which is why those last few pages are just pink white and lines, and the panels are gone for the majority of it. i wanted to show their unity and togetherness!

while vash still has his issues of just Not saying anything about his loneliness, his feelings are alleviated temporarily with wolfwood's presence and he's just grateful that his paranoia didn't become true, and that wolfwood is genuine, true to his word, when he means he'll be following vash/staying with him. even though it's mission-bound, vash would probably still feel guiltily comforted by that fact.

I'M GLAD IT WAS PARTICULARLY EFFECTIVE IN THIS COMIC because i definitely could've pushed it more... i figured it was a minor thing that not a lot of ppl would care for, but more ppl enjoyed it and noticed the colors than i thought, so i'm glad it worked out!!!

Did you know you can take the Blood Starved Beast in the Hunter's Nightmare (DLC) for a walk? It'll even attack the enemies with you! Thanks to the wiki for this information.

cow boy tier list very important