1972 poster announcing upcoming theatrical releases (and re-releases) leading up to the company's 50th anniversary in 1973.

Since it's the Year of the Rabbit I thought it would be cute to draw some Disney bunnies together.

Random Disney Backdrops

Mickey when Br’er Rabbit asks why he wasn’t informed about the group photo:

Animation by Ollie Johnston (first) and Milt Kahl (second) for Br’er Rabbit, Song of the South (1946) [x][x]

for anonymous

Fuck him up

Song of the South

One question. What do you think Disney from America controls European Disney and must be their canon, what's the matter? Is there something they don't like?

Hi and sorry for not answering this question earlier. You have asked a good question, but I am not sure how to answer it through a long essay or through short explanations, although I will answer it this way.

After all, Disney was created in America by Walt Disney and originally they created all the important characters we know, European writers and artists used them in their comics only later, after the Second World War. Back then, there wasn't so much censorship and writers were free to do whatever they wanted without ruining the originality. And so for several decades until the last decade. Romano Scarpa and Guido Martina created separate comics in their own ways, different from Carl Barks and Al Taliaferro and you have an Italian vision through Topolino comics. You also have Dutch, Danish, Norwegian and Swedish writers and artists who, relying on Carl Barks and the American Disney, made comics in their own way and thus created a separate kind of Donald Duck comics. Yes, you also have Brazilian comics who have written a lot of comics especially about Jose Carioca ever since the movie Saludos Amigos from 1942 was shown. And they created those comics in their own way, which is quite different from American comics. Unlike Latin American and European comics, American comics after the 1940s era clearly separated Mickey and Donald so that they neither see each other nor know each other except at times, since they live in different cities, such as Mousetown and Duckburg. American comics, not counting Archie comics, Peanuts, Garfield, and superhero comics, declined after the 1980s because television took precedence, so many watched television, either series, movies, or cartoons instead of reading comics. So Disney comics also experienced a market decline during that period and then you have the making of the OG Ducktales in 1987 which was made mostly by Disney's animation studio in Tokyo, Japan. And since then, the American Disney has not relied on comics, although since the time of Walt Disney, the differences between the canon in cartoons and in comics have been clearly made.

From what I've talked to others, Walt Disney was also unhappy with the popularity of Scrooge McDuck that Carl Barks created, because a different Christmas comic should have been created. However, the American Disney has clearly indicated that the canon in cartoons is the only official canon, while the comic book is not, except in some exceptions, but that's why they force their other productions where they have ownership to obey and respect the given canon that Disney requires. I think since the golden age of cartoons, the story started about how the official Disney can't really stand their comics, even though the comics took Mickey, Donald and other characters to a high level. Many of the characters we know came from comic books rather than cartoons. I'm not saying this for nothing, since your question just stated that since everything is under the Disney name, although they deviated from the path set by Walt Disney, they still determine the main editorial policy for many comics published in Europe and Latin America. Yes, before, as I mentioned, the authors made independently in their own way, but so that Disney didn't even know, but with the arrival of the Internet, that changed and a kind of censorship had to be done. Sometimes due to public pressure, sometimes due to wrong decisions, although I don't like to talk about politics here, but I think that lately politics has had a lot of influence on it, although I will tell you that politics had a lot of influence during the Second World War as well. Propaganda cartoons are very much the case. But in order not to deviate from the topic, I will tell you a couple of examples where American Disney had a lot of influence on European comics and how the writers still had to respect Disney's canon.

Donald Duck had several girlfriends in addition to Daisy and that the earlier Donald Duck fandom preferred Donald with other people rather than Daisy because Daisy was a bitch who treated Donald horribly, although that's not Daisy's fault as much as the writers who over Daisy mocked feminism. Yes, I love when Donald and Daisy fight over stupid things, but not that Donald constantly suffers from Daisy's impossible wishes that never come true and then kicks Donald like that for her displeasure. Disappointed, Donald finds other people who will suit him better. One of the most common examples with whom Donald is on excellent terms is Reginella, the queen of the planet Pacificus, and she appeared for the first time in the comic "Paperino e l'avventura sottomarina" or Donald and the underwater adventures from 1972 by the writer Rodolfo Cimino and the artist Giorgio Cavazzano when Donald first meets Reginella. Reginella became Donald's new hope and their couple was really great in my opinion and so in several comics. Yes, I love the Donald and Daisy romance, but Reginella with Donald is very special to me and I understand why others prefer it over Donald and Daisy.

However, since Disney found out what other comics were doing unofficially, Disney imposed an unwritten rule that their canon must be respected, so Donald must be with Daisy and no one else. So the last comic with Reginella from August 2021 called "L'ultima avventura di Reginella" or The Last Adventure with Reginella by authors Alex Bertani and Vito Stabile and artist Stefano Zanchi is about the breakup between Donald and Reginella because supposedly Scrooge can't more to finance Donald's trip to another planet, and Donald also admitted to Reginella that Daisy is his first and only love. Yes, Daisy has improved a lot in the last comics and treats Donald differently, but again it was really pathetic that something like that had to be done instead of making some kind of deal to make a clone of Donald and stay with Reginella or something like that. It just tells you that official Disney made the decision that way. However, Reginella appears in two more comics after that and has one comic with Daisy, but I haven't read that comic so I can't tell you exactly. Those who are and who know it, would tell you. Although I would like to see Daisy and Reginella together.

Of course the love relationship between Donald and Reginella is not the only one, but I put it as the most common example that Donald is not only with Daisy as the only "canon" girlfriend. You also have romantic relationships Donald with Lyla Lay (Paperinik New Adventures), Xadhoom (Paperinik New Adventures), Kay K (Double Duck), and others. However, in the comic Double Duck "Agent Zero" Kay K admits to Daisy that Donald's greatest love is Daisy and that they are still friends and Daisy was ashamed of that because before she was very jealous that Donald was with someone else and not Daisy. And there you can see that even though Donald is with someone else, he still stays with Daisy, but it is by no means a breakup under Disney's directive as it was done with Reginella.

2. Canceled characters due to certain things

Dutch comics mostly until 2019 and 2020 drew characters from Song of the South such as Brer Rabbit, Brer Fox and Brer Bear and they even had separate comics and were often represented together with Mickey, Donald and friends because they were anthropomorphic characters that also represented classic Disney. Of course, because of the problems in America related to the African-American population, Disney had to stop it and exclude the given characters because they represented caricatures of the African-American population from the South of the 19th century. The South, I mean the South of the USA, where there used to be a Confederacy that seceded and where the Civil War was fought from 1861 to 1865. Of course, they could have just stated that it was a product of its time and that the value system back then was not the same as today's, but no, Disney banned Song of The South and cut those characters out, and those characters never appeared again, in those Dutch comics. Yes, I certainly condemn racism, but one must know that it should be censored in a different way, that is, to send a warning. Warner Bros. did a good job with Looney Tunes where they just said it was a product of its time and we don't make it anymore. In this way, you respect the old materials, and you also respect other people of other races. That is, everyone is satisfied. However, in the Dutch comics, Brer Rabbit is presented differently, after all, Disney takes the lead and they are not interested in excuses.

Not to mention the censoring of two Don Rosa comics because of Bombie the Zombie. Instead of giving a warning that it was the product of a man who created under the influence of Barks and that Disney had nothing to do with it, they simply banned it as if they were ashamed of the past. And you know who is ashamed of the past and simply forgets it, is condemned to repeat it, but worse. But I would not talk about that, because it is too difficult a topic.

3. There are no dark scenes in Disney comics like before

There are no more dark scenes like gun chases, dark and dangerous scenes as well as related to the depiction of women and ladies in a realistic view, because it is certainly not for children according to Disney, even though those comics are also read by adults, nor should there be anything dark related to Mickey and friends, and you have the Mickey Mystery comics where exactly such scenes appear. Mostly done for security reasons. However, due to Disney's recent policy and knowing what the authors of European comics are doing, they had to take a different approach. It is no longer the 1990s where you could have scary scenes like in PKNA and where you would feel sorry for Donald as if you were watching some dark blockbuster movie, yet the American Disney which supposedly has its main rules and its main say to decide what can be done in comics and what not not. And they deny comic book material, which is really ironic. Although I'm more frustrated about these things that Disney is doing lately, I still partially understand the need for censorship, but not to ban certain characters (especially Hiawatha), but you can't show racist caricatures like before, but it certainly doesn't mean that you should ban them to give the content to be displayed and read, because this negates the past, which is a great danger for future generations. Of course, European comic artists and writers approach these problems differently and write differently, but they certainly have the free right to draw and work, but they must adhere to the main canons that Disney sets. One of the reasons why you don't even get to see Donald's parents alive or the father of Donald's nephews appear and if he even exists.

There is a lot to say, but I think this is enough. I also apologize if I offended anyone with some of my comments, as it is not necessarily aimed at anyone except for certain stupid Disney decisions. I may have been vague, so I ask especially those who know Disney comics to correct me if I made any mistakes and feel free to add what you want to say. I hope these answers will help you enough to know why there are no more dangerous scenes in Disney comics like before. And thank you for asking me and if he has anything to ask me, feel free to ask me.

Lunar New Year 2023

Happy Lunar New Year to all who celebrate! Lunar New Year is celebrated in countries all over the world, though it is largely celebrated in Asia and is sometimes called Chinese New Year or Korean New Year or Vietnamese New Year, etc. depending on which country’s celebrations one is referring to. In Chinese, it is most often called the Spring Festival. 

This lunar year is the year of the Rabbit (although in Vietnam is it the year of the Cat!), so we are sharing these stories of Brer Rabbit’s adventures as told by Ennis Rees and illustrated by Edward Gorey. More of Brer Rabbit’s Tricks was published in 1968 by Young Scott Books. 

Brer Rabbit stories originate in the African diaspora and were told widely among enslaved people in the American South. The stories were then co-opted by white American authors, for example in the “Uncle Remus” tales written by Joel Chandler Harris and Disney’s film Song of the South. The stories in More of Brer Rabbits Tricks were developed based on Harris’s tellings of the stories. 

-- Alice, Special Collections Department Manager

Walt Disney Little Golden Books.

🎢🫡

Preliminary Mural Art (1950s)

Some new art I've done

Redraw :) Original image credit: uochandayo

Check out there Pixiv:https://www.pixiv.net/en/users/15439842

It'd be nice seeing these three get on sometimes, but its just as funny seeing them get into hijinks X3