Level 1: Let's-a-go easy with some illuminated Mario!
What I want to explore at least partly over the course of Nintendo-vember is the fact, that Dobson was biased with a capital b when it came to videogames and Nintendo. To be more specific, Dobson not only hated people who played anything but Nintendo, acting like PS3 users are the scum of the earth (which we can see examples of a lot near the end of the month), but he was also very opinionated what counts as “the true and honest” depictions of his favorite Nintendo characters.
Again, something more explored down the line soon, but to give at least one example for how even the slightest “deviation” from Dobson’s own interpretation can result in him getting pissed, only for things to backfire on him in some sense (partly a cosmic one) let me turn back time a bit to the November of 2017.
Almost 6 years ago, it was announced that Illumination, the studio behind the Despicable Me movies and some really shitty Dr. Seuss based works, would head the animation work on Nintendo’s Super Mario Bros movie. And people were pissed.
Many of them believing that the studio would ruin their favorite videogame character and produce something that was of great disservice to him. And that was something people claimed, before even the voice cast was announced and everyone had a mental breakdown over Chris Pratt voicing Mario.
For your sanity though, don't click on the vidoe of that fat slob from Boston who is more of a disservice to animation than Live Action Disney is currently
Now to be fair, I am myself aware of the quality of Illumination up until the Mario movie came out. The Despicable Me and Minions movies, plus Secret Life of Pets, having been the most successful endeavors of the company, while also creating some rather annoying, though in my opinion funny cartoon slapstick characters. But honestly, I never thought that Illumination doing the Mario movie, could possibly be the worst thing to ever happen. At the very least, even if the company had fucked up royally with Dr. Seuss related content, they actually have some understanding of cartoon slapstick in their work and can in my opinion create some very colorful movies. And let us be real here, Super Mario has never been the most “adult” or deep franchise on the planet. So as long as Nintendo would keep them on the leash (which they did in the end) I doubted the movie would be utter shit. I at least did not expect it to be the Teen Titans Go of Nintendo, dumb like Boss Baby or unfocused and insulting like Wonder Park.
And lo and behold, the movie came out and minor things aside (like using Take on me as a pop song in the background at one moment) it captured the essence of Mario, was very colorful and a smash hit. To the point it was up until Barbie came along still the most successful movie of 2023 and is the third highest crossing animated movie of all time. With the place actually being the second, if the Lion King remake from 2019 wouldn’t be technically considered animated. Heck, you could actually call it the most succesful animated movie of all time currently, if you also decide to look at the list in such a way, that "sequels"/continuations ofalready established IPs don't count.
What I am trying to say is, in hindsight, many people should have just simply tried to be calm and see where things were heading.Give Illumination the benefit of the doubt. Particularly if they decided to first think about what was likely going to happen and analyze the pro and cons of Illumination doing the movie.
But fuck using your brain when your name is Andrew Dobson.
Dobson took genuine offense to the idea of Illumination doing the movie and as such made a “mock art” of what Mario would likely look in their art style.
There was just a tinsy winsy problem with it. The artwork in itself….
Turned out to be better looking, than most things Dobson did at the time.
No, seriously. Considering the lack of a decent art output at the time aside of shitting on nerds via SYAC strips, this, for what is obviously meant to take the piss out on Illumination’s art style reserved for the Minions, actually looks rather decent. Sure, Mario looks like a tic tac, but for a “quick” sketch, it looks nice. Mario looks -unlike Dobbear in 95% of the strips- actually happy by the way he smiles as well as very cartoonish. And considering that the blood and soul of Mario is kinda in the cartoonish nature of the game series -as evident by how ridiculously Mario Wonder is currently- Dobson in my opinion captured here the soul of Mario better than he did in other pics he did way back in the earlier 2000s.
Though to be fair, these pics look decent enough and at least Dobson was experimenting with different styles back then. Perhaps his cartoonish style would have worked best with Nintendo, if he refined it just right.
Which you know, kinda defeats the “purpose” of the picture if you ask me. I mean, it is obvious Dobson just did it to vent and piss on the fact that a company he considered “inferior” to other animation studios, would bring his favorite videogame character on the big screen for the first time since that Bob Hoskins movie. But if he wanted to mock the idea, he failed. Simply because in his sketch he doesn’t really “highlight” why Illumination being behind Mario would be bad. Not helped by the fact Dobson lacked giving more context why in his opinion that was a bad idea. And the few posts he did, painted him just as hating Charles Martinet and believing Charles would be the main voice of the characters in the movie
An as stated earlier, in hindsight, any “criticism” or fear Dobson might have had, proved in my opinion invalid in the end. The movie was not only a success, but it also paid tribute to his “precious” Mario is from Brooklyn background.
Frankly, the only thing I can see in the pic I would criticize is that Dobson a) gave Mario four fingers despite the fact he should know by now he has five (though that may be a cartoony jab at the Minions. Though even that jab is half assed, cause if he wanted to emulate their design, he should have given Mario three instead of four digits) and b) Mario being likely completely bald under that cap. The later just doesn’t fit entirely. Which, considering the Minions are mostly bald, may have been the intention by Dobson, to create an uncanny effect. Unfortunately, the rest of the artwork balances it out mostly, so on average the sketch ends up being visually more pleasing than anything.
Honestly though, the picture’s existence does highlight one thing more than anything: That Dobson would rather create something out of spite and hatred, rather than a genuine sense of enjoyment. That and if Ilumination being announced as a company to animate the movie, I wonder how he reacted in light of the casting or other Mario related news. Like can you imagine how livid he must have been when Mario+Rabbids by Ubisoft was announced and became popular?
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page 1 | page 2 | page 3 | page 4 | page 5 | page 6 | page 7 (you are here) | page 8 | page 9 | page 10 | page 11 | page 12
image desc under the readmore
ID:
In the blue flashback, Tenzō stands with his back to a glass tank. He is narrating:
"While I didn't like the lab, I wasn't scared inside it. My emotion's felt quiet."
"Distant."
"It was like they weren't there at all."
A small red panel shows Kakashi looking down at Tenzō quietly. "...I see," he says.
Beneath that, a small red panel of Tenzō where his body is now, he keeps his head turned down and away, as if ashamed.
"It was only after returning to Konoha...that my body began to quake and shudder," he explains.
The fourth panel shows Rabbit-Taichō telling Tenzō "You look like you're gonna be sick, Cat. Go to the hospital. Make sure that wound isn't infected."
And Tenzō responds "Yessir."
A Narration-box from Tenzō rests above the fifth and sixth panels.
"But I couldn't stomach the thought of the hospital..." it says.
The fifth panel shows Tenzō with his feet braced on the apex of a roof, as though he's inching forward, but his legs are wracked by tremors.
In the sixth panel, his feet are closer together, no longer inching forward on the roof, still shaking.
"I intended to stay in the barracks..." Tenzō says.
In the seventh panel, Tenzō has dropped down to a crouch, reaching out as if going to brace himself with his injured arm.
"Fuck," he says.
He thinks to himself, body swarmed with thin white lines to indicate shuddering, "I'll just kill myself if I try to shunshin while shaking this bad."
/end ID
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hi!!! i just wanted to ask about the brushes you use & if you could provide them? if not that's completely fine ^^ i love ur art sm
hiiii tysm!! <333
i use a copy of sai 1 secondhand from my friend so i've got their custom brushes on there but the one i'm currently using is a reproduction of xamag's crayon brush. the settings look like this:
i also used to use a version of the pencil tool that i fiddled with to get a chisel-tip pen:
i switched over at the start of last year after a holiday exchange gift for a friend reminded me how much i love grit and texture and it has subsequently led to me getting looser and less finnicky abt my lines. i do miss the square edges tho so maybe more experimentation is in order
if you plan to use the crayon brush i absolutely recommend selecting large areas and going over them with as continuous of a stroke as you can get with the brush at a larger size for you to really get the texture/specks of negative space that makes it so visually delicious. unfortunately the smaller you go the more that same texture will work against you so be forewarned
otherwise thatse it and thank you once again for the compliment! it makes me so happy to get messages like this abt my art 💖💞💗mwah mwah
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A hat full of shit
Just a very short post compared to others this time. Lets start by playing a game, shall we? Can you identify the difference between these two pics of Dobson?
And no, just because they show the same douchebag, they are not the same. Cause in one pic, something important is missing!
Yeah, that's right, the hat. To be more precise, the fedora Dobson would like to draw himself with, based on the fact that at least ever since college Dobson had been a fedora wearer in real life. Likely to hide his eggshaped, bald calvaria.
Now frankly, I don't think the fedora as a hat in itself is something terrible. In fact, it is actually something of a feministic icon, originating from a headpiece a female character named "Princess Fedora Romanova" wore in a theater play called "Fedora" by the french writer Sadoun from 1882. The character even played by a highly respected actress at the time called Sarah Bernhardt. And after it got popularity via the play, it was worn mostly by women in the late half of the 19th century -particularly members of the first feministic movements- it became popular with men in the 1920s all over the world, especially in America where it was famous during the prohibition, the 40s-60s, in Hollywood movies (particularly the detetive noir ones of the time) and so on.
Nowadays however... well, we all know the memes, how the fedora is something of the first indicative piece of clothing a fake feminist or unhinged social justice warrior likes to wear.
And even Dobson, though a bit late to the party, eventually became aware of the negative association the fedora developed online, which is actually the reason why he stopped wearing the hat altogether.
As he made known in a "humourous" fashion through this dumb SYAC strip...
And would also confirm quite a few years later on twitter, when he ranted randomly about how internet creeps ruined the hat for him.
And as to be expected of Dobson, utter lack of self awareness. At all.
Cause honestly, if he thinks only male douchebags wear a fedora now... well, then he should have kept it on. After all, it fit him.
There is really not much here I can say than the following: If Dobson wanted NOT to be associated with (male) douchebaggery at all, then getting rid of his hat was not the right course of action. Cause being Dobson, it did not matter if he wore a fedora, 80s leggings, nothing, a plain white shirt or started vapping: A douchebag, is a douchebag independent of his choice of clothing.
Dobson wasn't seen as a douche because of his hat or rather a lack thereof.
He was a douche because he was condescending, creepy, acted like he was a semi authority at what "decent" and "progressive" entertainment is like/should be, despite a severe lack of actually creating stories of his own and many other reasons.
Heck, Dobson couldn't even be halfway "consistent" with the fact he abandoned his hat. After all, even in the years following that comic, he would occassionally still draw himself with the hat.
No, seriously. The comic condamning fedoras, according to the base timeline I can construct on the release date of the comics, indicate it to have come out sometime before 2014.
And then when he made his patreon campaign video in 2015... well, I unfortunately only have a modified version of that video found online, but guess what sort of headwear shows up in the "unedit" parts.
I hope that whatever happened with his hat, it found a better use than resting on his skull. Who knows, perhaps it was donated to the homeless and is now catching more money on average, than Dobson earned via patreon
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