statement of jonathon sims, regarding a childhood encounter with a book formerly possessed by jurgen leitner

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever

the thing about post-rose ten is he IS casually cruel. he tells donna to her face that she's not clever, not special, not important - and gets slapped for it, which to my mind is kinda the reason the doctor-donna relationship works. he tells martha's coworker not to waste his time, to stay behind, she'll only hold them up. leaves her crying. and like, devoting his energy to the problem at hand (the hospital is on the moon, there's an alien situation going on, everyone here and possibly everyone on earth is at risk) is the practical move at the time. but there's an obvious casual cruelty to it that he wouldn't have stooped to before.

and I'm just reminded of the way donna forgot all her loudness and bluff and immediately snapped to empathy when there were people hurt. you're a doctor, you can help. I remember her watching in horror as the doctor presided over the execution of children and the destruction of a species - and telling him he can stop now. I remember her saying that yeah, her ex-fiance, the man who poisoned her and used her and secretly looked down on her all this time, he didn't deserve to die like he did, which is a pretty big admission given the freshness of that betrayal. she has a good heart. and I can see why she would be good for this new, cruel, forgotten-his-kindness-in-all-his-pain doctor.

and I'm just so, so sorry that martha had to know this version of him in the meantime.

It's just still brainrotting me so badly, LIKE WHAT IS GOING ON HERE!?!?!?!?!

Holy shit you actually made me google and semi-study what magazine pages could look like and what layout is good and what isnt- Im- ehm happy dtiys? anyway!!!! Happy 5k holy shit thats incredible @tangledinink, incredibly incredible even!!!! You deserve it

(also if the quality is shit, i apologize. Not only did my technology put it through the wringer while i was tryna edit some stupid mistakes out, tumblr also decided to make it worse smhhhh)

This might be controversial to some, but you cannot "tough love" your way to preventing suicide. You cannot have the attitude that people who complete suicide are selfish or are ungrateful or immature. If your mindset about suicide isn't coming from compassion rather than judgment, it won't help suicidal people. You will never help us with a slap on the wrist and a lecture about how we're awful for even thinking about completing suicide.

Suicide intervention starts with compassion and care.

hold me together.

kenny ortega, descendants 2 / holly black, red glove / nicole homer, underbelly / ada limon, a new national anthem / k c cramm, christmas eve forever / kenny ortega, descendants 3 / the crane wives, curses / silas denver melvin, let dead dogs lie / natalie wee, least of all

our flag means death S2E3: the innkeeper

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

Saw your fetal Mobei jun post and was wondering how you think SQH would snap if smth happend to Mobei?

As an author, he can be quite creative with his revenge...

I see LBH as a bit of a self insert/power fantasy for SQH. They both share qualities; the biggest difference between them being confidence/power. SQH could be a lot bigger of a player, but he chooses to blend into the background where LBH is front and center. I think though the way they present themselves is wildly different, the way that they love is quite similar. They have almost childish approaches to love and devotion. It’s possessive, so I think if something happened to MBJ, SQH would be just as ruthless and vengeful as LBH, it would just manifest in different ways. 

Everyone talks about Bi-Han being gullible/stupid etc for believing Shang Tsung + being manipulated by him. But Bi-Han sided with Shang Tsung because he wanted to break the Lin Kuei free from Liu Kang's control. He only accepted the alliance when he saw the Dragon Army and thought they actually had a good chance of winning. Meanwhile it's crickets on Hanzo "I killed your brother for no reason" Hasashi who got played by Quan Chi the man who actually killed his family & clan and whom Scorpion still grovels to. Not to mention that Raiden said he would try to get Hanzo's family restored if he didn't kill Bi-Han and this loser did it anyway. And this is only the tip of the iceberg for how much jackassery this fool pulls across every game. Yet Bi-Han is the irredeemable evil asshole because he *checks notes* says some mean things to his brothers >:( and some of this is done as Noob Saibot which btw loops back to Hanzo because Bi-Han wouldn't have ever become Noob if Hanzo hadn't killed him.

I think the most gullible person in MK1 was in fact Shang Tsung himself, who for some reason believed that a powerful mysterious being showing up out of nowhere would willingly share her power with him. Talk about a new level of naivety!

I have a theory of mine, that Titan Shang Tsung gave enough information about (previous timeline) Sub-Zero to his younger version, because breaking Lin Kuei from Liu Kang’s control was a personal matter to him. Like yes, it would weaken his enemy and bring the planned  chaos and “evilness” into the timeline he despited, but looking at the fact how Lin Kuei in majority of source material was an assassin clan with a strong, old-centuries ties to Shang Tsung, it feels to me likely that "reclaiming" the Lin Kuei was a matter of honor to him. Double so, as some sources went so far and presented elder Sub-Zero if not outright the favorite then one of favorite assassins working for the sorcerer. Frankly, as the story mode shows alone, “Damashi” talked and warned both Shang Tsung and Quan Chi about Lin Kuei before Sub-Zero even met any of them, so there was some behind-the-scenes preparation done and for all we know Bi-Han was targeted by the evil Titan before the main events even unfolded. 

As for Bi-Han, right now he has this misfortune to be blamed and hated for everything, whether he actually did it or not, so no matter what is the topic, he is in a losing position by definition. However, like you said, Sub-Zero did not agree on the spot to join Shang Tsung and actually had a chance to see what the supposed allies could offer him so it is not like he fell for empty promises alone. What is important to remember, Lin Kuei were one of major defenders of Earthrealm, so Bi-Han’s choice to switch sides actually would weakened Fire Lord’s forces, leaving him with Shaolin Monks and - depending how in Liu Kang’s timeline military technology evolved - the armed forces of nations that had no idea about Outworld’s threat. But the first part of Shang Tsung and General Shao’s plan was about depriving Sindel and her daughters of the throne, so there is possibility that before Earthrealm would be put in direct danger, Sub-Zero could alter his plans depending how well the teamwork would go with the sorcerers and General Shao.

If Kuai Liang and Tomas were either captured or eliminated from the picture, Liu Kang would not even know that Bi-Han switched sides until the attack - or, if the alliance played smart, Lin Kuei could backstab Fire Lord’s forces from the inside. And in the scenario in which Bi-Han was not captured by his brothers, he still could have an option (backup plan) to play Shang Tsung’s failure to his own gain if he was cunning enough. For example, he could betray the sorcerer to earn Earthrealm’s victory in the important moment and then lie to Liu Kang’s face that was his true plan from the start - the mission has failed, Lin Kuei brothers were outnumbered; he and Scorpion were trapped inside the fortress with Smoke, who if lucky, managed to hide himself (not something Sub-Zero could even knew). With no way to warn the Fire Lord and not seeing a better solution at that moment, under the pretense he is ready to betray Earthrealm, he learned what Liu Kang’s enemy were doing. Then trusting in brother’s skills, on purpose lied to Kuai Liang to piss him off enough so he could get out and reunite with Smoke. And when Bi-Han faced his angry brothers he fought only to let them run away, so they could carry on the important news to Liu Kang, while scarring Scorpion’s face as proof he was on board with Shang Tsung, so no one could doubt him. Because duty comes above family and isn’t that what was expected from Grandmaster and Lin Kuei?  Isn’t that what their father wanted? For them all to serve Fire Lord and Earthrealm at any cost?

And mind you, at this point in the story Sub-Zero had no idea that Liu Kang was in fact once Keeper of Time and had an access to Geras/Hourglass to rewind time and check what actually happened. For all Bi-Han knew then, the lie would be unprovable and, at worst, he would have to earn Fire Lord and his brothers’ trust again but then, it would be much more easy to play on their guilt, how easily they doubted when he was willing to go extra miles for the sacred duty they all talk and talk and talk about. At the same time, the experiences would teach Bi-Han he can’t trust his brothers and in future he needs to be more cunning about breaking out from Liu Kang’s control and probably relying more on Sektor & Cyrax. 

(And even if Kuai Liang would be upset, he couldn’t complain, because he is the one that wanted to uphold tradition. Bi-Han could then easily come back to the lie he tried to save father’s life and all the cruel things he said back then were an unpleasant necessity and how could you, my dearest brother, doubt me so easily…?)

Of course, in the end Sub-Zero was captured by his brothers and the possibilities thwarted but my point is, just because Bi-Han joined Shang Tsung, it does not mean he had no longer any autonomy over the course of action or that he wouldn’t make a backup plans for various outcomes. Lin Kuei were trained from childhood to do their duty and as far as we could see, they play the role of black ops for Liu Kang - what most likely also includes espionage. And in the espionage art one must be ready to act at any given moment and plan ahead. Bi-Han said himself, he has no loyalty to Earthrealm nor to Outworld and I do not doubt he would play the game with his survival and Lin Kuei’s best interest in mind. Who he would need to betray in the process would depend on who was winning and who was the most beneficial ally.

I think we all can agree that Lin Kuei mission and Bi-Han’s betrayal was a rushed subplot and both the brothers and emotional impact of the story would benefit more if Sub-Zero wasn’t cut off from the events right away after fulfilling his main purpose - giving a ground for new Lin Kuei vs Shirai Ryu conflict that won’t have any importance until the next games will use it. It is not even a matter if Bi-Han acted logically or not, but more the feeling of incompetence of everyone involved. Nitara and Ermac didn’t raise the alarm the moment when intruders were spotted (and Nitara literally screeched / screamed when she attacked Smoke). Bi-Han didn’t behead Shang Tsung when he had an occasion; instead he idly waited for enemy soldiers to run up to Lin Kuei - and really, if he knew the mission was endangered, he should have used the precious seconds to eliminate the target. Even if he was killed, there would be one enemy less for Liu Kang to deal with. Kuai Liang alone beat all the main fighters, burning the stone soldiers like they were nothing while Smoke, well he had one moment of serious panic and after that was just there, pushed to the background. Bi-Han’s choice and development of his subplot could be taken in interesting, even twisted directions in the hands of capable writers. And by that I don’t mean the intelligence of writers but capability to care for Bi-Han’s plot beyond the need to break Lin Kuei from Liu Kang. Because him acting either on impulse or seizing an opportunity he awaited for years does not mean he needs to stick to Shang Tsung & General Shao to the bitter end. I, for one, would like to see how cunning Sub-Zero could be in such a situation but for that NRS would need to let him be in the story as a full-fledged character that develops alongside the events and not be just there to push events and other characters' storylines forward.

As for original Scorpion, I feel there is in general a great change in perception of his and Sub-Zero’s storylines, as Scorpion in the earliest source materials, including the oldest comics, usually played the role of antagonist, while Sub-Zero even as an assassin could be pretty heroic on his own. Now the roles seems to turn around, however I suspect the main reason why fans give Hanzo benefit of doubt and forgive him any foolish decisions but won’t give Bi-Han the same treatment comes down to this: Hanzo is acting on strong emotions, something we can see by visually aspect of the games and heard him personally speaking about them while Sub-Zero does not externalize his emotions, because such openness is not in his nature (the old comics are better in that aspect but how many people even remember them these days?). It is much easier for fans to forgive character’s “stupidity”, the all wrongly made choices when character will openly admit to be upset, angry, devastated or traumatized than to forgive the one that won't spill out their guts, won’t cry or feel sorry for themselves and will just adapt and go on with their life. People forgive acting on overwhelming emotions when those are all over the place because emotions are something easy to relate - and who of us did not lose control over them at least one? Hanzo is powerful male character in terms of firepower and skills alone but he is also deeply messed up, traumatized man whose life was fucked up and now he is trying hardly to piece it together and to rebuild his sense of humanity and honor. Bi-Han as Noob Saibot just… adapted and moved on with his life and the amount of people he would admit any feeling of regret or injustice done to him I can count on one hand and still have a finger of two free. Meanwhile everyone who cares to learn, knows Hanzo is grieving after his clan and family or is upset or angry and so on. Which is also why I think so many characters (and fans) think Bi-Han as a Noob Saibot is so vile and evil - because in contrast to other Wraiths and/or Revenants, he does not show any sign of trauma, be it leashing out in anger or outrightly speaking how deeply wounded he is, even if he died in no less brutal way than rest of fallen heroes - and isn't it ironic that Kuai Liang was accused about that too? Of not looking traumatized enough because he does not show openly his pain . And accused by Sonya of all possible people?

It’s easier to relate and understand characters wearing emotions on their sleeve because all the reasoning and effects of their actions are either easy to trace and connect or explicitly stated by characters themselves. Hanzo is such a character. He is sad and angry so he acts in a way a sad and angry man would. Bi-Han though? If people except Bi-Han - a characters specifically connected to ice - to spill out his guts how he feels, to cry how unfair his life was and how everyone is mean to him or to vomit the over-sweetened praises for anyone he likes or jump at any occasion to cuddle anyone at arm length to know he feels anything at all, then… Well, that is definitely not the right character for them. Bi-Han just doesn’t work like that and sure, his anger may flare here and there, but as I was pointing out in different metas and analyzes in the past, that man is not overly emotional to begin with, even when talking with people he likes and cares for. I won’t lie, sometimes to understand Sub-Zero’s reasoning one needs to use all imagination and do some mentally gymnastics as the character won’t tell us what is happening inside his head the way Hanzo would. But that can be fun on its own, to examine and analyze and build theories. However, let’s be real here, it is not for everyone and each for their own.

Starting your weekend with a new mini fidget

You’re welcome 😇

Wait hold on, in his anniversary video Barbatos mentions the mc being the brother's attendant?

But in the other videos, it's implied that they don't remember the mc leaving (which is actually something im very disappointed about and really hope isnt the case in the actual story)

In these two specifically, it seems like they aren't aware of the mc's presence in the past/alternate timeline/whatever it is. The only other person who seems like they know is Lucifer

Which also lines up with the end of lesson 40, where he's the only one who says welcome back? So like?? Do only him and Barbatos know? Did they not tell anyone?? Diavolo would probably know as well but I haven't seen anything to show that yet. Anyways I don't really like where this is going, I would really prefer they not make everyone forget the mc disappeared

you seem like the. kind of person who I'd run into during a rock concert while I'm trying to find bathroom and notably you are dressed kind of oddly for the concert (see: divorced dad outfit. hawaiian shirt. jorts. chunky sandles. giant sun hat.) and so I ask you "hello, do you know where I can find the bathroom?" and you go "yeah sure!!" and you point me the complete opposite direction from the bathroom. not on purpose, but because you also have no idea where the bathroom is. I thank you and go on my way, both of us oblivious to the fact we are currently very much not at a rock concert. it's an idie band that just screams really loud. sorry if that's specific you just give me giant 'perpetual tourist that isn't really a tourist and has never left their home city but just seems like a tourist anyways' energy

naw thats a pretty reasonable impression id say

ok listen. you're badboyhalo and having the worst week of your life. you're willing and wanting to give anything, anything, to get your kids back. forever, your crush/enemy/friend/date partner?/ president sits you down and asks you to marry him. he's on a drug that makes him manically happy and has an extreme level of brainwashing for federation purposes.

you consider for the briefest moment saying yes, because you're drowning in your grief and hard in bargaining, but it won't do anything to help bring the eggs back, forever doesn't know anything. forever wants the eggs back as much as you do, the real one at least, you know this.

you're surrounded by roses. you ask him what you can do to help him, what he needs, asking the forever that you know is in there somewhere. any other personal feelings aside, he's your friend and he clearly needs help. he asks you to marry him again. he tells you to stop making some noise that he's clearly hearing through auditory hallucination. you just want your kids back, you keep telling him this, until he snaps and starts shooting mines under both of you.

forever is still out of his mind. your kids are still missing. the roses are burning.

bad said no to the proposal, of course he did. that's not forever, the kids are gone, this is no time or place for such a thing even if forever was himself. but I don't think forever asked because he feels "opposite than what he usually feels" under the pills. he's manic and under the influence and half brainwashed - he wants every day to be the best day.

and how heartbreaking is that? that bad is only being proposed to while forever is out of his mind. that forever wants bad to say yes because that would make the day the best day ever for him. that under any other circumstances, on that bench with the roses all around them, it might have been something good?

#me