hey i know your post about your mom was mostly just a personal vent, but i have to say, do you realize that also happens with trans girls and their fathers? literally happened to one of my friends. i’m not trying to downplay your experience or something but i found it strange that you seem to think this is something that only affects transmascs
i have one question for you: so fucking what?
i don’t doubt that trans girls have experienced similar things and yeah, that’s bad too, but what the fuck does that have to do with me and the specific things i’m facing as a result of being a trans man? i never said “look at this thing that happens to ONLY trans men and NO ONE ELSE,” i just said “hey, isn’t this thing that happens to a lot of trans men, including myself, fucked up?”
i would also like to point out that what you’re talking about is in fact a different (albeit similar) thing. the way cis people treat trans people can differ dramatically based on the cis person’s gender because their commitment to gender roles is, like, a major part of problem. the specific way a cis mother reacts to her trans son’s transition is often going to be very distinct, while a cis father will likely respond to his trans daughter in a different but equally distinct way.
what i’m talking about is a very specific kind of ownership and control and self-victimization and total lack of boundaries masquerading as love and care and maternal concern that cis women (i would argue white cis women in particular) project onto their transmasc kids when we do literally anything to our bodies. i’m talking about a phenomenon which is closely related to the way moms often pass eating disorders onto their daughters (or children they view as daughters) because they see a body that looks something like theirs and project all of their insecurities and ideals onto it. i’m talking about a form of parental transphobia and projection that’s specific to the dynamic of a cis mother and her child who was “supposed to” be her daughter.
if you’ve never felt that, you’re not even remotely qualified to tell me shit about how i should be talking about that experience, and if you couldn’t recognize that experience when you read my post, i’m guessing you probably haven’t experienced it because the replies to that post made it very clear to me that anyone who has experienced it firsthand immediately knew exactly what i meant.
like, yeah, cis dads also project onto their trans daughters, but are they likely to have a reaction like running away with actual tears streaming down their face? do you expect them to passive aggressively make comments about how sad their kid’s transition makes them, how it’s such a difficult emotional time, how it’s so tragic because their kid’s body was so beautiful before? do you think their go-to transphobic reaction will be weaponizing their emotions? i’m sure there are some dads out there who are like that, but i think we can agree they’re in the minority because that’s not how cis men are taught to react and parents like this tend to be pretty damn committed to following the gender roles they were taught.
and even if i’m wrong and our experiences are exactly the same, let me reiterate that i never said this was an experience exclusive to trans men. all i said is that it happens to us. that’s just a statement of objective fact.
this started in my life when i got my hair cut short for the first time almost a decade ago and it has not stopped since. i’ve watched my mom cry over me changing my name and respond to being asked if my happiness matters more to her than my name by saying “i care about both”, i’ve watched her melt down in a mall over me getting a suit for prom and give me the silent treatment for days after, i’ve heard her plead with me to stop t because it “looks unnatural” and she’s just so “concerned for my health”, i’ve watched her stare at me post-op and say “my poor baby” over and over like she’s looking at my corpse in a casket. i’ve watched her turn herself into the victim of every single aspect of my transition. i’ve had to live with this for 9 years and spent the early years of the pandemic literally locked in a house with it. this has been my entire adolescent and adult life, and the question of if i’ll have to cut her off someday (and maybe never see my cat or my little cousins who i love more than anything in the world ever again as a result) haunts me every single day.
who the fuck are you to tell me how to talk about that?
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Cold Days, Warm Hearts
It’s cold, they’re cute, there’s soup. What’s more to say?
"He obviously already knew that he was in love with George. There’s just so many times you can like fanart of yourself kissing your best friend before you have to take a long second and think about why you like those artworks the best. And still, there was something about having George so close, being able to reach out whenever he wanted, talking to him without the need for technical devices and internet (which would have been a real issue here and at home) that made him feel even more in love than usually. Just a little bit more."
stream now on ao3
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Margaret of Anjou’s visit to Coventry [in 1456], which was part of her dower and that of her son, Edward of Lancaster, was much more elaborate. It essentially reasserted Lancastrian power. The presence of Henry and the infant Edward was recognised in the pageantry. The ceremonial route between the Bablake gate and the commercial centre was short, skirting the area controlled by the cathedral priory, but it made up for its brevity with no fewer than fourteen pageants. Since Coventry had an established cycle of mystery plays, there were presumably enough local resources and experience to mount an impressive display; but one John Wetherby was summoned from Leicester to compose verses and stage the scenes. As at Margaret’s coronation the iconography was elaborate, though it built upon earlier developments.
Starting at Bablake gate, next to the Trinity Guild church of St. Michael, Bablake, the party was welcomed with a Tree of Jesse, set up on the gate itself, with the prophets Isaiah and Jeremiah explaining the symbolism. Outside St. Michael’s church the party was greeted by Edward the Confessor and St. John the Evangelist; and proceeding to Smithford Street, they found on the conduit the four Cardinal Virtues—Righteousness (Justice?), Prudence, Temperance, and Fortitude. In Cross Cheaping wine flowed freely, as in London, and angels stood on the cross, censing Margaret as she passed. Beyond the cross was pitched a series of pageants, each displaying one of the Nine Worthies, who offered to serve Margaret. Finally, the queen was shown a pageant of her patron saint, Margaret, slaying the dragon [which 'turned out to be strictly an intercessor on the queen's behalf', as Helen Maurer points out].
The meanings here are complex and have been variously interpreted. An initial reading of the programme found a message of messianic kingship: the Jesse tree equating royal genealogy with that of Christ had been used at the welcome for Henry VI on his return from Paris in 1432. A more recent, feminist view is that the symbolism is essentially Marian, and to be associated with Margaret both as queen and mother of the heir rather than Henry himself. The theme is shared sovereignty, with Margaret equal to her husband and son. Ideal kingship was symbolised by the presence of Edward the Confessor, but Margaret was the person to whom the speeches were specifically addressed and she, not Henry, was seen as the saviour of the house of Lancaster. This reading tips the balance too far the other way: the tableau of Edward the Confessor and St. John was a direct reference to the legend of the Ring and the Pilgrim, one of Henry III’s favourite stories, which was illustrated in Westminster Abbey, several of his houses, and in manuscript. It symbolised royal largesse, and its message at Coventry would certainly have encompassed the reigning king. Again, the presence of allegorical figures, first used for Henry, seems to acknowledge his presence. Yet, while the message of the Coventry pageants was directed at contemporary events it emphasised Margaret’s motherhood and duties as queen; and it was expressed as a traditional spiritual journey from the Old Testament, via the incarnation represented by the cross, to the final triumph over evil, with the help of the Virgin, allegory, and the Worthies. The only true thematic innovation was the commentary by the prophets.
[...] The messages of the pageants firmly reminded the royal women of their place as mothers and mediators, honoured but subordinate. Yet, if passive, these young women were not without significance. It is clear from the pageantry of 1392 and 1426 in London and 1456 in Coventry that when a crisis needed to be resolved, the queen (or regent’s wife) was accorded extra recognition. Her duty as mediator—or the good aspect of a misdirected man—suddenly became more than a pious wish. At Coventry, Margaret of Anjou was even presented as the rock upon which the monarchy rested. [However,] a crisis had to be sensed in order to provoke such emphasis [...]."
-Nicola Coldstream, "Roles of Women in Late Medieval Civic Pageantry," "Reassessing the Roles of Women as 'Makers' of Medieval Art and Culture"
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if anyone has any good reward systems (preferably ones that don't include buying things, because, sole breadwinner), i am forcing myself to finish a project that while i did not technically have a deadline on, was expected six months ago, and could use something to help motivate me. at this point i'm subsisting on guilt, spite, and this very misplaced belief that at some point working really hard is rewarded and acknowledged (lol! so naive) which is obviously not true and mostly i just really need to finish this so i can be done and it isn't hanging over my head any longer.
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my silly book rec for today is Zoo by Otsuichi. its a collection of sci-fi/horror short stories and is one of the best short story collections ive ever read. it does deal with the themes of death pretty heavily as a heads up but its definitely worth reading (pdf link)
tws: suicide mentioned but not committed(in the stories "in a falling airplane" and "words of god"), self harm (in the story "words of god"), child abuse (in the story "kazari and yoko", it is the plot of the entire story), rape mentioned (not graphically but still) (in the story "in a falling airplane"), death (including animals, in pretty much all stories as the collection is by and large centered around death)
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god idk how I acquired these powers, but I woke up today feeling rested, decided it felt like a Project Day, and then I just. did projects. I finally started my spoon carving kit (only got through carving the bowl before deciding my hand would be too mad at me if I did more), then finally re-died my faded black jeans back to black again, then finally took a stab at making a hand-me-down from my mom into a shirt I might ever want to wear. Now I'm gonna have a snack and lay out my presents for my DND party for them to find when they show up, and hopefully be all asleep before 3:30 AM because I am unstoppable today
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My printer hates me :) (with many thanks and credit to @niennanir as before)
Gosh aren’t they gorgeous tho ♥ Especially the latest and largest, though I have to give all the credit to the paper on that one haha, it’s stunning IRL, I could almost stare at the gold lattice forever rather than read, but I’m so happy with how it turned out between the pages as well!
Quick showcase of the new additions! :D
My Drinking Game as another test run, I got the spacing how I wanted it! Yay! It’s so much handsomer and less cramped! Also I gotta say, if it wasn’t such a large usage of paper, this would be my ideal way of checking for typos - I found a couple after setting it down to ink lol, they’ve been fixed now at least ♪
Paired here with the emerge, transformed three-parter, one of my all-time-favourites <3 I reread it the night I finished it and cried again, a little bit of tender mercy always wrecks me hhhh ♥ There are so many beautiful evocative lines! I’m so happy to hold it ♪ And as you can see above, that was the one that got the cute little ghost dust jacket :D
Another test run of what I’m calling volume 1 of my Vargas Drabbles lol, so not including Have you lost your mind? since that one’s currently unfinished. I do fully intend to print it once it’s done tho :3c Hopefully that one will cause me fewer problems! I hate measuring, so I may have flubbed two covers before finally getting this one into good enough shape XP And my red yarn is still in storage so >.> Did I go purchase another ball of red yarn? I’ll never tell. You can’t tell me it doesn’t look great as a bookmark tho <3
And my current happiest! Ah!! It turned out fantastic on all counts! The cover paper obviously, as I couldn’t Not lead with that, but also the size of the spine and the way the pages settled against each other while glueing - I used a different type of paper for this one and I think I’m completely converted over, it feels amazing to work with. Whatever I was using before had to have been like 15lbs lol, I’m literally just using normal 20lb printer paper but it feels and looks and behaves so much nicer <3
The size of Helix also allowed for a slightly larger bookmark, which was perfect because we had this soft gold ribbon that was all of a couple millimeters wider than the other ribbons/yarn I’d been using, and it looks so so so pretty with the gold detailing!! I’ve put it between Ch. 1 and 2 and getting to see the actual physical size differences of the chapters is so fun ♥
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