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#shes brilliant!
nat-20s · 3 months
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I fucking LOVE that Donna is not immune to being a little starry-eyed over The Doctor in the way that many of us get a little starry-eyed over our best friends but she IS immune to being that way in front of them lmao. Double love that this appears to also be Catherine Tate and David Tennant's dynamic
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wrongspacetime · 6 months
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The Fall of the House of Usher 1.08 | The Raven (2023)
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noxcheshire · 2 months
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I just think
It’d be really neat if Danny looked more like Martha Wayne than Thomas Wayne.
LIKE
I love the Danny Fenton looks like Thomas Wayne or Danny Fenton is Thomas Wayne reincarnated — but the BEAUTY of Martha??
Of Alfred interacting for under five minutes with Danny, dabbing his eyes and going, “That is indeed Martha,” I WANT IT. I want Martha who was spunky and sassy and wanted to do good for her town the same way Danny wants to do good for Amity Park.
I want Martha who loved to take Bruce and the family out to star gaze because her baby had never seen the stars before, and the way his eyes light up like a mini galaxy takes her breathe away the same way that Danny feels when he turns his head up to the sky yearning for something he knew loved but doesn’t know what.
I want Martha who would literally find trouble in a paper bag because she can’t help her curiosity the same way Danny can’t help tripping over his own ghostly tail and making a mess of things before he figures things out.
I want Martha who would fight men who thought they held power, going absolutely feral from stress the same way Danny does when he’s tired of not being able to do his homework or pick up a vacuum against the wall to clean because ghosts.
I want Martha who loved the pearl necklace that Bruce had picked out for her birthday, and Danny reaches towards his neck and startles when his fingers only touch skin when he is certain there was something supposed to be there. I want Danny whose eyes linger on whites and pearls when he passes by open window stores in the mall, fingers itching to flick a nail against the smooth surfaces.
I want Martha who died bleeding underneath the hand of a gun, hoping to everything above that her boy would be safe, and Danny whose body burns at merely looking at the makeshift guns his parents create in the lab, his heart pounding desperately with a yearning to save there was someone she wanted to save the ghosts.
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wherewolf · 11 months
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the responses i’ve seen to shiv’s ending seem very quick to write her off as just another sad victim of the cycle, which isn’t without truth BUT!!! that is not even remotely the summation of shiv’s story.
i don’t think she votes yes to “save kendall” or to try to finally set her brothers free. and i don’t think her main concern was that ken was becoming their dad. she absolutely noticed and didn’t love it, but that was not her motivation in betraying him. she was thinking about herself.
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it’s tempting to make a martyr out of her as she is the only female child and we see her suffer the onslaught of misogyny that comes with that. but to make her into a saintlike figure who got beat takes away the power and intelligence behind her decision.
at this point she’s stuck between two non ideal choices, but she recognizes that they have accidentally made her the single most important player in the game. because while she can’t have the outcome she’d prefer, she has the power to decide the fates of everyone else. the written off lone woman now holds in her hands the fate of every man in her life.
so she thinks about the long term benefits of both options and realizes that one side leaves her completely without any leverage.
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her brothers have proven to her multiple times in the last few days alone that they will cut her out and walk all over her the first chance they get. siding with them leaves her nothing to bargain with. she would just have to hope that ken would actually take care of her. and that level of vulnerability is not only unacceptable to her, it’s stupid. and shiv fuckin roy is not stupid.
so she thinks about the other side and about what she actually wants for her life. and against her better judgment, it’s becomes unfortunately clear that she wants tom. the way she wants him is not altogether loving or even good but it is necessary to her. she sees relationships as having winners and losers and she chose this man specifically so that she could be confident in her ability to win. except now he’s grown some balls and made himself unavailable to her.
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she may not like the way her husband is evolving but she already placed her bets on him, so she’s sure as hell not losing to him now. there’s also a part of her that feels intrigued by this new man she’s married to. it’s interesting to have a sparring partner in him instead of having to looking for excitement outside of their marriage.
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so for maybe the first time ever, she processes what tom has said to her and thinks about what he actually wants.
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he needs her to prove that she cares. he needs to know that she is capable of sacrifice. if she can’t find it within herself to do this for him, then she will lose him, and by extension, she will lose.
siding with tom gives her the opportunity to once and for all make a grand-stand gesture of love, but more importantly, it creates leverage for her. never again will he be able to hold the moral high ground over her head. never again can he say she doesn’t love him. never again can he call her selfish or uncaring. above all, he can never betray her again, because she just removed all of his moral justification for turning on her. he doesn’t realize it yet, but she’s just taken back all the power in their relationship. just in a more subtle way than she’s used to operating.
and just like that, she has the ceo of a multi billion dollar company in her pocket, while situating herself as the only descendant of logan roy to still be playing the game, having removed her brothers from the equation permanently. she may still be far from the top but she’s creating a path for herself to climb.
so yes, she’ll let tom play king for a day, and she’ll have his baby and say “congratulations,” and play the gracious wife, but tomorrow is a new day with lots of room to maneuver. and when her husband puts out his hand, she’ll place her own on top. but she won’t grasp it because she doesn’t need to.
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aquitainequeen · 13 days
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People are bemused that other people are finding the Ghoul from Fallout 2024 sexy. 'But why??? He looks like a corpse! He has no nose!!!!!'
My friends. My friends. Clearly you have not encountered the fandom for The Phantom of the Opera.
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mizandria · 1 month
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nobody even bats an eye at all the misogyny and all the hatred towards women in classic literature and nobody mentions it when you discuss it in class and you slowly start to become familiar with it and it becomes something so casual and so regular to you that you don't even bat an eye when it happens again and again and again and the cycle goes on
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donutdisturblivball · 10 months
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after rewatching nimona four times since its release (because yes, this movie is just that good), i caught a few little details that just make the whole experience so much better. so, incoming SPOILER ALERT, don’t read this if you haven’t watched the movie yet. speaking of, why the fuck haven’t you?? go watch the movie (and read the comic while you’re at it, some sites offer it for free), then come back and enjoy.
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1. When the Squire gives Ballister his sword, he clearly realizes something’s wrong with it. He’s trained with it for so long that he knew that something was off just by holding it. This detail is something you wouldn’t pay much attention to when you first watch the film, but it’s there to make you realize something is a little off, especially when the Squire attempts to show him the video, but it also has plausible deniability so you could chalk it up to being something else (ie. the Squire wanting a picture with Ballister).
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2. This sneaky line from this sneaky bitch.
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3. Nimona tells us exactly how the movie ends. (Sorta. In a sense. The phoenix rises from the ashes and overthrows the government.)
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4. You can see Nimona sneaking into the jail where Ballister is being kept.
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5. Mini Ballister and Ambrosius! I think a few others have pointed this out before, but I only noticed it upon my second rewatch. (A little surprised younger Ambrosius didn’t have the Asian bob. That’s like a right of passage.)
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6. Nimona’s train backstory versus her flashback.
7. During Nimona’s nightmare on the couch, she turns into a wolf, and then a cat. In her flashback, as the villagers attack her, she turns into a cat and then a wolf. It could be because having her turn into anything else would be too big for the couch, but if this is intentional, then it means Nimona was having a nightmare of that day.
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8. This. Visually, the sparks are sorta similar, and in both instances, Ballister has lost something irreplaceable. I think this one might be a reach and may not be intentional, but my mind connected the two scenes and wouldn’t let go, so.
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Honorable mention: the gay and trans flags above Ballister and Nimona respectively in that one scene. iykyk. I didn’t add it because 1. I think many other people have brought it up and 2. the mobile app is limiting me to 10 images. Anyway, I love this movie and its comic SO much and I’m so glad that it made it to our screens from the box of scrapped movies that could have been great if people (namely, executives) gave them a chance. There is so much love, care, and passion put into this movie, and you can really sense that this was made for its audience and its author, for its story and not only for the money it could make. This movie is metal as fuck, so GO STREAM IT!!
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springmagpies · 5 months
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Yes I think that Katniss reminded Snow of Lucy Gray, but more than that I think Katniss represented to him exactly what he feared most about Lucy Gray: the power of love, hope, and resiliency. Katniss isn’t the ghost of Lucy Gray, she is the descendant raised on the mockingjay song. She is the child of the woods of District 12, the daughter of a miner with a voice like honey, the daughter of a healer. If Snow is a jabberjay then Lucy Gray is a mockingbird. One a product of the Capitol, the other born of the wood, whose legacies shape the rebellion to come, whose actions however indirectly or accidentally have a hand in shaping part of who Katniss is and what she is forced to face. Something the Capitol can’t control. A mockingjay.
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daisyswift3 · 9 days
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So I think I may have cracked the code. Listening to Clara Bow w this context in mind from the 4th, 9th, and 10th 🎃 messages makes the lyrics cut even deeper and explains the purpose of the anthology.
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What Taylor is essentially saying is that above all else she is proud of her humanity. “Human. Human. Human.” “Flesh and blood.” Unlike some ppl in Hollywood like greedy big suits (cough SB^2 cough Big Machine cough) she’s managed to keep her humanity intact and didn’t let these negative experiences corrupt her or turn her bitter. She was able to find peace and courage in spite of it. And she’s saying I am abt to come out of the closet and while I am hopeful I’m also a little fearful. But isn’t that an amazing thing? Because being fearful, sad, furious, insecure, hopeful—these experiences are unique to humans! “Your heart beats red and hot and furious in your chest.”
“And most importantly, they will know about the human heart.” THIS is the purpose of the anthology. This is why she released 31 (13 backwards) songs for her fans to dissect and decode. Bc she wants them to understand that she’s not a god. She’s a flawed human just like the rest of us.
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I think there’s a very good chance that THIS is what her movie is going to be about. Her journey out of the closet and all the hardship that came along w it and helping other ppl to understand the human heart. And I wouldn’t be surprised if there was a memoir that was released w it—“the professor said to write what you know.” And it makes sense too why the manuscript lyrics match perfectly w the all too well short film. Bc they’re talking abt the exact same thing!! She has a relationship w a much older man, experiences heartbreak, heals, and then writes abt it in a book—the story of us AKA the manuscript.
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And this is why 🎃 kept referencing the story of us. I couldn't make sense of it a few months ago but now in hindsight it all makes perfect sense. Message in a bottle was probably a red tv vault track for this reason too. Bc the message in a bottle is the manuscript. The puzzle pieces really do all fall right into place.
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jamiecalledraws · 1 year
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THEY FIXATED ON HER FOR 2 ADVENTURING PARTY EPISODES!
INSANE.
ICONIC. I'M DEAD. MURDER ME AND BURY ME IN AN ORANGE TOP HAT PLS.
The Incredibly Iconic and Hot. Nara the Orange Fairy from Dimension 20's Neverafter as the Queen of Cups.
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grendelsmilf · 1 year
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i still find it so interesting how jackie is (was?) largely defined by her niceness, her friendliness. she's not the strongest, or the smartest, but she can bring people together. so when she is mean to the other girls, you notice it. she's mean to taissa when she feels like her position as leader is undermined; she knows that taissa is just as much of their leader as she is and it scares her. she's mean to shauna when she finds out about jeff; understandable considering what a huge betrayal it is (at least on the surface). but the girl she is by far the meanest to is nat.
and there is no good reason why anyone should be mean to nat. she is kind of treated as a punching bag, and taissa especially resents her because she doesn't like the idea of nat threatening the team's performance with her day-drinking or whatever. but nat is by far the kindest, sweetest, most compassionate, genuine member of the team. even as an adult you can see that she might be jaded and grieving and ruthless, but she's still at her core a good person. young natalie especially though is someone with a very strong moral center and uses those guiding principles of kindness to define who she is.
she's more mature, capable, and sure of herself than the rest of the group, because before ever landing in that forest, she's had a much harder life than the rest of them. we see that van probably doesn't have the best home life, but the rest of them are living comfortably. even if they don't have great relationships with their parents, they still live in middle to upper class households. nat grew up in a trailer park with a father who horribly abused her and her mother (until the day she witnessed him accidentally shoot his own face off). these circumstances made nat more resilient, braver, and more empathetic than the other girls.
and i think jackie recognizes that, whether or not it's a conscious recognition. she knows that nat is everything she herself is not. nat is confident in herself whereas jackie is terribly insecure and relies on external validation to uphold her own identity. where nat comes from poverty, jackie grew up in a huge house. where nat is comfortable having sex with boys, jackie is too repressed to have sex with her longterm boyfriend because she's terrified of having to confront the fact that she won't actually like it. natalie expresses herself through alt/grunge fashion, music, and culture, whereas jackie is as preppy as it is physically possible to be. natalie is jackie's perfect opposite: a poor outcast who is nevertheless comfortable enough in her own (hetero)sexuality to present in a (gender) non-conforming way and not care what others think of her to jackie's rich popular prom queen soccer captain who is debilitatingly insecure and sexually repressed, conforming perfectly to society's expectations of her to the point that she'd rather die than explore the possibility that she might like girls.
jackie has negative interest in travis, but she breaks him and nat up and steals him from her anyway. and the thing is, nat doesn't even care. she forgives jackie. when lottie locks jackie in the closet (ha), nat is the one who comes to her rescue. when travis apologizes to nat for sleeping with jackie, she says it doesn't matter to her. jackie is horrible to nat, but nat is genuinely mature enough that it doesn't even bother her. jackie wears her insecurities on her sleeve, and nat sees right through her. she doesn't put up with jackie's bullshit, but she's also gracious enough to not gang up on jackie with the rest of the girls, even though she's the only one who actually has any right to be mad at her. nat is generally apart from the rest of the team, not only because she's an outcast, but because she's simply above their petty dramas.
jackie doesn't have a good reason to be mean to her. she's the kindest, sweetest girl on the team. but jackie is mean when she feels threatened, and nat's existence threatens her very identity.
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isagrimorie · 23 days
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Star Trek Voyager, 4x08 - Year of Hell, Part 1
Captain Kathryn Janeway as a Brilliant Tactician, part 1, 2, 3 (version 1) (version 2)
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vaguely-concerned · 1 year
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merrill dragon age really reverse engineered an eluvian from first principles in a cave with a box of scraps and one single blighted shard. and STILL she gets no respect for it from anyone but potentially hawke, at least in a confused yet well-meaning 'are ya winning son' sort of way on the friendship path. dark days for women in STEM
(really though it seems the equivalent of a person in the middle ages putting together a nokia phone from rocks and sticks (and one coaching session from a spirit, fair enough) and then just not being able to figure out how to turn it on even though it is fully functioning. magically at least merrill is inarguably a genius. the tony stark of kirkwall. well not really that comparison falls apart pretty quickly but you see what I'm saying here lmao)
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mandyfem · 2 months
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mydairpercabeth · 4 months
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the way they look at each other needs to be studied in a lab
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godofsmallthings · 1 year
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thinking about "we were something, don't you think so?" as it's literal meaning...asking the other person to confirm that something did happen between you, because you're left to sit with this love of a lifetime and they won't even acknowledge it happened...
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