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#sherlock tattoos
petite-madame · 1 year
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The Science of Seduction - (2023)
“Am I going to keep the tattoos ? Of course not, don't be silly John, it's for a case. A "three", unfortunately. I'll be back in two hours top, don't wait for me for dinner. John, are you alright ? You look sick. I'm concerned. John ? John...? Why are you looking at me like this ?”
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gjdraws · 2 months
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these are all the same man
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I got a tattoo! First color piece!
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Gay flowers, and tiny bees with sweet little feet.
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beekeeperspicnic · 1 year
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The Case of the Rose Tattoo
If you fancy a oozing-with-love-for-the-stories Sherlock Holmes point and click adventure and you don't want to wait a year or more for me to complete the Beekeeper's Picnic, might I suggest 30 year old obscure classic The Rose Tattoo?
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I spent this evening playing around in this game and I'm in love, I think it's instantly become my favourite Sherlock Holmes game.
I've always thought that if I was writing a proper Sherlock Holmes mystery game, I would find some way for Holmes to be indisposed so that the player could play Watson acting in his stead, at least for part of the game. I feel like playing as Watson is so much more satisfying - he's able to be fallible, and we can join him in wanting to impress Holmes.
This game comes up with the BEST reason for Holmes to be out of action because it also sets the stakes very high - the Diogenes Club has gone up in flames and Mycroft is on death's door. Holmes immediately locks himself up in his bedroom in terrible grief, and it's up to Watson (and the player!) to pull him out of it by beginning to piece together what has actually happened.
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The game uses actual actors in front of green screens for all the characters, which looks a little odd sometimes but it does mean they are expressive and grounded.
The voice acting generally seems good, although sometimes I think the quality of the dialogue surpases it. There is lovely a moment where Holmes laments that freak accidents seem awfully unreal until one happens to someone you know. His distress is palpable in his words, but not quite carried through to his voice.
The dialogue and expository text is aboslutely steller, though, so having voice acting to match is a tall order. It often has a very very dry sense of humour, and nails the 1890s parlance.
Also honestly I think I just love the Mycroft whump and Holmes being all 3 Garridebs about it. It's so personal!
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The caveat is that this is a game from the era when you were expected to sit down with a notebook, with no objectives or tutorials or prompts. It also seems to rely on you spotting very tiny details and doing a bit of pixel-hunting. I have a feeling that completing it would take a long time, and a lot of brain-power!
You can download it from Archive.org, and I recommend playing it with the ScummVM emulator.
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helloliriels · 11 months
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Just Like A Tattoo (I'll Always Have You) by helloliriels for @sherlockchallenge June prompt: Tattoo
🥀 Based on song lyrics from: Rose Tattoo by Dropkick Murphys; and ofc Tattoo by Jordan Sparks; couldn't decide, so I went with a bit o' both 🥀
John walks in on Sherlock after the fall, only to discover ... Sherlock wasn't quite as heartless ... or as clueless about love as he had imagined ...
tagging peeps! @johnlocky @ohlooktheresabee @fluffbyday-smutbynight @rhasima @chinike @spooksicl-e @justanobsessedpan @totallysilvergirl @whatnext2020 @topsyturvy-turtely @chriscalledmesweetie @safedistancefrombeingsmart @gaylilsherlock @sarahthecoat @inevitably-johnlocked @kettykika78 @khorazir @kaursblog11 @john-smiths-jawline @mrb488 @jobooksncoffee @carla-creates @wizama @sgam76 @gregorovitchworld @arwamachine @discordantwords @raina-at @simplyclockwork @janetm74 @bertytravelsfar @7-percent @missdeliadili @peanitbear @meetinginsamarra @breath4soul @blogstandbygo @iamjustreading @1-800-get-sherlocked @impalaparkedat221b @calaisreno @lisbeth-kk @solarmama @momma2boys
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capfalcon · 5 months
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SCREAMING elementary is literally the perfect show for platonic relationships i LOVE i LOVE it i am obsessed
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does john have any tattoos? If yes, what are they?
I didn't find any tattoos on him yet, maybe I will have to examine him closer. @consultjohnwatson don't be shy, come here.
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purpletrashcans · 26 days
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honestly it's probably a good thing i haven't had the courage yet to get a tattoo otherwise i would 100% be covered in stupid fandom tattoos rn no doubt
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anneangel · 8 days
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I was reading a book where the phrase 'Amicus usque ad aras*' suddenly appeared in the text and I immediately remembered Sherlock Holmes and John Watson.
*Latin phrase usually translated into English as "a friend as far as to the altar" or "a life-long partner" or "a friend to the very end".
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ithaspockets89 · 1 month
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#sherlock
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lisbeth-kk · 11 months
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Sherlock wants to get a tattoo. It's for a case. Obviously. John won't have it, but he can't tell his best friend why.
Written for the Sherlock Challenge. June prompt: tattoo
@sherlockchallenge @calaisreno @gaylilsherlock
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holmesoldfellow · 9 months
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The original 1903 manuscript for "The Adventure of the Dancing Men" from "The Return of Sherlock Holmes" by Sir Arthur Conan Doyle
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spiteful-crow · 5 months
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beekeeperspicnic · 1 year
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Ok I love this game to bits but AHAHAH WHAT?!
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denimbex1986 · 2 months
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'He starred in one of the year’s most profoundly moving films, All of Us Strangers, and won praise for bringing Uncle Vanya to the London stage. Now Andrew Scott continues an impressive run of work by giving audiences a fresh take on one of the most iconic characters of them all.
Since US novelist Patricia Highsmith first brought Tom Ripley to life in a series of novels, the shrewd criminal and con-artist has enthralled readers and audiences alike.
Over the years, actors including Alain Delon, John Malkovich and Matt Damon have brought Ripley to the screen. Now the Dublin actor takes a deep dive into Ripley in a new series for Netflix - and characteristically makes the role his own. Not only does Scott take on an American accent for the role - impressively, he learned to speak Italian to play the character, who moves to the Mediterranean in the late 1950s.
“I had a wonderful Italian teacher and learned it for three or four months before we started just so you could understand it. It's a beautiful language to speak. And then of course, when you're around it, you become more interested in it," says Scott.
“It's one of the things you have to get used to a little bit as an actor - you've got to become really adept at something for a particular period, and then you have to move on to something else. I love that about acting, actually. But I'll try to keep it, I'm going to go back to Italy this year.”
Scott has given us a Ripley for the ages in the suspenseful series. It’s written and directed by Steven Zaillian, whose previous screenwriting credits include Schindler’s List, The Irishman and The Girl With the Dragon Tattoo.
Zaillian brings Hitchcockian levels of tension to the storytelling, shot in black and white and striking in its attention to detail.
“It's the most extraordinary character and we spend so much time inside his mind and inside his world,” says Scott of taking on Ripley. “I think that's what's remarkable about it. Sometimes in a television series where there's eight hours of this, it might be about a couple, or a police department, or a family, or a hospital. This is really based on one person. We spend so much time with this guy, the character's in 95% of the eight hours, that's an awful lot of time to spend with one character.
“And so the challenge of it is to not blot the copybook too much in relation to how wonderful the mystery of the man is, as well as what we do know about him, which is that he is an enduring character that people love. But I think the questions about him, and his mysteriousness and his secretiveness, are a reason that he's so fascinating to play.”
Understandably, he opted not to watch other performances depicting Tom Ripley, though he had seen Alain Delon in Purple Noon and Matt Damon in The Talented Mr Ripley years previously.
“I love both those versions for different reasons. It's happened before in relation to Shakespearean characters, you think: ‘Oh, I don't want to see that’. You want to be able to put your own stamp on it.
“I was very lucky because I received the full eight hours of scripts, a big pile of scripts to read, which is very unusual for an actor. You usually get maybe one or two episodes. I had the whole thing mapped out and I knew immediately how extraordinarily written they were and sparsely written.
“I love the film noir-ish element to it. It's absolutely exquisite to look at and I love the opaqueness of playing this character. It felt like a real departure for me.”
The series was shot in New York and various glamorous locations throughout Italy including Rome, Capri, the Amalfi Coast and Palermo, as Scott’s Tom Ripley travels to Europe to seek out an old acquaintance, the wealthy and privileged Dickie Greenleaf (Johnny Flynn).
As a boy, a shy Scott took up acting classes and quickly fell in love with the craft - playing the Tin Man in one of his first ever performances.
Years later, he went on to star in several Irish dramas including Jimmy’s Hall and Handsome Devil. He gave us the villainous Moriarty in a TV adaptation of Sherlock and the legendary ‘hot priest’ in Fleabag.
“I think we all as human beings want to do something that's of use to other people,” he says of his career. “You want to do something that's useful in the world. I suppose I appreciate more now, how much this can be of use to people, and how it genuinely helps.
“I do feel like I try to force myself sometimes into appreciating that what I do can be of use to people and it's not a frivolous thing, because I know that actors and artists of all different persuasions have really helped me.”
There have been many memorable screen performances from the Irish actor, but theatre is at the very heart of what he does, and his recent successes include an award-winning run of Vanya, which also screened widely in cinemas.
“It's just like injecting the atmosphere straight into your veins,” he says of live performance. “You don't wait around - you're the chief artist, if I'm honest, as an actor. In the theatre, you're in charge.
“If the audience is getting bored, it's your job to pick the pace up, it's your job to be sort of all seeing, and there's nothing like that. If you don't exercise those muscles, you lose them and I don't want to lose them. I find it just the purest form of storytelling. Vanya was exhilarating, and exhausting, and all the things.”
Scott brought audiences one of the finest screen performances of the year in All of Us Strangers, which audiences are falling in love with on streaming services following its successful cinema run. He and his friend and co-star Paul Mescal entertained fans with their banter while publicising the film.
“It's been extraordinary,” says Scott of the film’s reception. “I’m still processing that actually, how affecting the film was for people. I suppose I understand for my own personal reasons more now why it affected people so much.
“I did that project with people that I really love - Paul especially. And when we brought it back to Ireland it was completely magical for both of us. It was very, very special. I'm very grateful to have just been part of it, not just the film, but the process and the reception and everything about it.”
Ripley comes to Netflix from Thursday, April 4. www.netflix.com/Ripley.'
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cinemajunkie70 · 1 year
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A very happy birthday to the very cool Noomi Rapace!
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