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graceandpeacejoanne · 5 months
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Revelation 17: Seven Heads and Ten Horns
Although the angels gives some concrete interpretation, those interpretations create more questions! #Revelation17 #SevenHeads #AntiChrist #TenHorns
Then the angel said to me, “Because of what do you marvel? I myself will tell you the mystery of the woman and of the dangerous creature carrying her, the one having the seven heads and the ten horns.   “The dangerous beast which you observed was and is not, and is about to rise up out of the abyss, then withdraw into ruin, the loss of eternal life: then the dwellers upon the earth will marvel…
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acorndudesworld · 8 months
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My boy Chicken Little brushing his crest alongside other of my favorites Disney protagonists Milo Tatch.
Im so glad to see this little buddy after all this years!
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azural83 · 1 year
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The way these would've slayed the box office if they were released today...
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inquisitor-apologist · 5 months
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Thinking about how, at the end of the day, at the fatal moment, the sunset of the Republic, it wasn’t Yoda, or Obi-Wan, or even the Chosen One himself standing in the way of Palpatine. It was Mace Windu.
Mace Windu, the inventor of Vaapad and Master of Form VII, the Jedi's strongest duelist, the only person to ever defeat Palpatine in combat. Mace Windu, Master of the Jedi Council and the youngest Master ever appointed to it, the revered leader of the Order. Mace Windu, who forgave even those who tried to kill him, who risked his life over and over again for his troops, who, after 3 years of desperate war, tried to negotiate with battle droids. Mace Windu, who knew the clones were created by the Sith and chose to trust them, who saw every Shatterpoint in the Republic, and loved it still, and fought for it until his last breath, until he was betrayed by Anakin, who he believed in and trusted despite everything.
Mace Windu, High General and hero of the Republic, the embodiment of the Light, the last and greatest champion of the Order, the best Jedi to ever live.
#I’ve said my piece goodnight#don’t play with me Mace Antis I have receipts for every last one of these#pretty much everyone agrees that he was the best duelist there was and he obviously won the fight#Anakin's choice wouldn't make thematic sense otherwise#also vader did not defeat palpatine in combat sorry he just grabbed him while he was distracted#it literally had to be a fair fight and Anakin had to be the one to choose to create the empire that's what the prequels are about#Star Wars databank calls him ‘revered’ shatterpoint tells us he was the youngest (real) member of the council#Boba Fett (tcw) and Prosset Dibs (comics) tried to kill him and he asked for amnesty and forgave them#literally just watch the Ryloth arc he spends most of his screentime saving his men#in tcw season seven he pleads with the battle droids to surrender hoping that no one else has to die#there's the part near the end of tcw where the council realizes that the clones were created by Dooku but Mace and the rest of the council#trust the clones so much they're willing to ignore it#the scene from Mace's POV in the rots novelization talks about how much he loves the republic and how he was blindsided by Anakin's betraya#because he trusted him!! we see in aotc that he has more faith in Anakin's abilities than Obi-wan#and he defeated the most powerful sith of all time single-handedly#BEST JEDI EVER!!!!!!!!!!!!#sw prequels#star wars prequels#prequel trilogy#sw prequel trilogy#star wars prequel trilogy#sw rots#star wars rots#revenge of the sith#star wars revenge of the sith#galactic republic#pro mace windu#mace windu#pro jedi order#pro jedi
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d0not-disturb · 8 months
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Redraws AND redesigns of my human Grumbot children
(Click for better quality)
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+line up
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If ur a real one you know I already posted one of these 👊
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pathetic-gamer · 2 years
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Fashion in Fódlan: a very long, non-comprehensive, and entirely unsolicited analysis
The fe3h writers did a pretty solid job of creating three nations with clear social, economic, and political differences. The fashion stands out to me as doing exceptionally well at expressing those differences, and, just like in the real world, it works as a sort of socioeconomic barometer that helps tell Fódlan's story.
In this post, I'll break down the key clothing trends in the three regions and provide some light interpretations, largely related to $$
Please note that I'm NOT using this post to discuss historical inspirations. Also, not everyone from every region is included. In particular, anyone whose outfit is too much of just a riff on a class uniform (like the Ashen Wolves or the various minsters in the empire) is left out.
There's a part 2 now lol (church of seiros time); part 3 as well!
1. Holy Kingdom of Faerghus: function IS fashion, baby!!
Fearghus, beloved land of ice and snow and spooky folktales about watering your fields with blood and ghosts living under the ground - you did not come to fuck around. You're here to protect the commoners and go back home to a stew that may, if you're lucky, actually have some meat in it. In this kingdom, you're going to dress warm and you're going to like it. Oh, you have some extra money? Gonna spend it on something for yourself? Better be using it for something useful, like keeping your plate armor in good condition. (Please note: Catherine, though being Faeghan, is excluded because she wears the uniform of the Knights of Seiros, not her own clothes.)
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Trends:
High collars, long skirts - generally as little exposed skin as possible. (There is exactly one pair of bare hands in the entire kingdom. Mercie is getting a little bold 👀)
Fur cloaks/capes/gloves, or just fur around the cuffs and collars if they don't have a full fur cloak.
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Armor - every single man is dressed in armor, as is Ingrid. Most of the men have full suits of plate armor, but Felix, Rodrigue, and Ashe are wearing only gambesons (note the quilting in Felix's sleeve - that's what gives it away, imo). The folks in plate armor would have gambesons on as well (you can see Ingrid's underneath her breastplate), acting as padding for the plate armor. I think Gilbert is wearing plate armor with a tunic over it (a realistic historical practice).
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Fastening is accomplished with clasps and lacing, and there are relatively few buttons or adornments to be seen on the main garments - Annette is an exception, which will be addressed later.
Brief analysis:
Notice the economical use of fabric - their clothing tends to lie flat, with fabric being layered for warmth rather than pleated, gathered, or puffed. The folks in plate armor may spice it up a little with a sash of some kind if they aren't already wearing a cloak or cape. I'm assuming Gilbert's ~stylish tunic~ is keeping him warm well enough to not need a cloak or larger scarf. (Mercedes has a ruffles and puffier sleeves, plus a fuller skirt, but it's worth noting that she is currently part of a merchant house, and merchants tend to be wealthier and actually occupy a unique social class between nobles and commoners.)
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Note the colors, too. Greens, browns, and yellows are the cheapest and easiest dyes to make and use. That bright sort of tawny color that Gilbert, Annette, and Jeralt all have is easy and cheap. Gilbert's grey tunic could feasibly just be undyed wool. A true blue is difficult, but you'll note that the blue the people wear up here leans towards grey and green - could be that the dye is faded, or that it was never very blue to begin with. The only true blue is on Dimitri.
All of this reinforces the idea that Faerghus is not a rich nation, and the nobility don't live too far off from the common folk. The vast majority of the cost we see is actually their armor (worn by Dimitri, Dedue, Sylvain, Gilbert, Jeralt, Matthias, Ingrid, and also if we're getting all the way into it, Gwendal, Miklan, Lonato, and Baron Dominic as well), which is would have been pretty expensive. You'll notice they mostly wear grey armor with very little extra decoration, keeping the costs low. Ingrid, the poorest of the nobles in armor, also has the least actual plate. Felix and Rodrigue both have full cloaks, which most other people don't have (just Dimitri), but they also aren't wearing plate, so clearly that's a calculated choice.
That being said, even within these more economical fashions, we can still see clear differences between classes. Most noticeably, Felix (rich) and Ashe (not rich) have very similar outfits, but Felix's tunic/gambeson is lined with fur, while Ashe's is not.
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BTW I'm of the opinion that the Fraldariuses are the richest people in the kingdom other than the royal family, and I believe that specifically of their fancy cloaks lol
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so luxurious~
2. Adrestian Empire: look at my money bitch
Ah, the land of beauty and excess! I love to live in the capital and visit the cultural icon that is the opera and pretend that I'm not in Wealth Inequality Central. (Please note: Petra is not included, since she dresses according to Brigid's fashions. Also note: I fuck w these styles so hard, dude.)
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Trends:
Short skirts (above the knee - Dorothea has a draped over-skirt thing, but her main skirt is shorter, and Manuela has leg slits instead of a short hem), low or square necklines, open backs. In general, we're looking at a lot of exposed skin. Forgot to include Cornelia in the pics, but she has this too.
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Tailored jackets with just SO many buttons. Hanneman fits into the tailored jacket category, but isn't included in the highlights by virtue of Not Enough Buttons. (Some concept art is included here to drive the point home.)
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Finally, there's this specific very specific double-breasted neckline thing (baby edelgard is separate bc i forgot to include her when i made the first image shhhh)
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Brief analysis:
Adrestian fashion is all about displaying status and wealth, in this case through ornamentation, rich colors, uniforms denoting class/role, and also a fair amount of excess fabric.
Historically, fabric itself was one of the major indicators of wealth - in fact, certain historical styles very explicitly showed off just who was rich enough to afford, for example, a whole gown made from the same length of fabric, or even just an entire skirt panel with no piecing. In the Adrestian Empire, We've got excess fabric galore, tucked away into all those beautiful ruffles and bell sleeves, layered skirts, unnecessary capes, double collars, and puffy pants - and it's all in much more luxurious colors, too. In fact, I'm pretty sure the largest single piece of fabric on anyone in the game is Edelgard's cape, which is then also adorned with dozens of buttons and extra bits of fabric. It's almost definitely fully silk, both the outer layer and the lining. (And it's badass.)
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Look at all that fluff! Dimitri's cloak probably rivals hers in the size of the actual fabric itself, but his is likely a heavy wool (unlined, maybe?), plus has a lot of fur.
"Oh, but pg, there are capes in Faerghus, too!" yes, but in Faerghus, they live in the arctic /hj. Note the vast expanses of exposed skin down here in the empire - clearly, cold is not an issue. You'll also note that the cloaks in Faerghus were heavy and lined with fur; that's not the case here. Given the prevalence of tailored jackets and the dual colors on Ferdinand's cape, I'm guessing they're either a comparatively lightweight wool with a silk lining (typical for tailored suit jackets, nothing particularly noteworthy about that), or just fully silk. (Bernie's shawl is just cotton though, prove me wrong...) Hanneman and Manuela are exceptions, since they both have fur, but they live at Garreg Mach, not in Enbarr.
The jackets themselves, by the way, could be silk OR wool. Ferdinand's in particular (especially thropes) reminds me of early 18th c. waistcoats, which would have been full silk.
We also have much richer colors down here in the land of art and song. Red, purple, and black were all very difficult colors to maintain, and very expensive. The most expensive colors, in fact. Not gonna lie, as far as price per yardage goes, I think Hubert's outfit might rival Edelgard’s in expense.
A notable exception to the excess fabric bit is Bernadetta. However, her dress is in what is arguably the most expensive color, and is heavily decorated, so that's a reasonable trade-off, and I don't blame her. I, too, would go for a smaller amount of pretty purple silk embroidered with bright, beautiful gold and yellow instead of a bigger, more impressive-looking option. It's about the little things.
I do want to take look at Caspar, in particular. He's unique in that he's dressed in a full suit of armor. But, given that he's the second son and not set to inherit anything, unlike all his waistcoat-wearing friends, he isn't being held to some particular uniform, and even if he were, it's the ministry of military affairs. Of course they wear real armor. What's interesting is that his armor is a sort of rosy grey/brass, rather than silver, and he has a lot more decoration and flair than the folks with full armor in Faerghus, in both his throuses and thropes outfits.
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Worth noting, btw, that we have exactly zero examples of actual commoners in Adrestia, other than generic NPCs. Dorothea belongs to that peculiar niche that is opera and acting, so she is expected to dress and act like a noble, despite not having a title or property of any sort.
Adrestia - and Enbarr in particular - leads the slow march of fashion across Fódlan, given that it's a cultural hub and is so much wealthier, while Fearghus slowly picks things up over time. Thus, we have Annette, who lives closer to the empire and has disposable income, having some decorative buttons and tassels and a mock low neckline.
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It's not nearly as much as the actual Adrestians, but she's picking it up!
3. Leicester Alliance: the beeeest of both worlds~
Oh, Alliance, you messy bitch. What we see here is a mix of everything, where some of them are influenced by Faerghus, and others by Adrestia (just like how some of them have kingdom-style names and some have empire-style names), and a few fit neither camp. There are clear reasons for similarities where they exist, though, so let's take a look! (Please note: Claude is not included, since his clothes are heavily influenced by Almyra.)
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Hilda and Lysithea have the frills, puffy sleeves/skirt, short hems, low/square necklines, and expensive colors of the empire (plus, Lysithea gets a decorative veil in dark purple. How ~fancy~). This reinforces the idea that Adrestia sets the standards for fashion: Hilda cares about fashion and keeps up with the times. Lysithea lives on the border and was briefly under the control of the empire, and thus is influenced by it. Mostly, though, I think it's about how she tries to seem older and tends to see Hilda as a model of maturity (lol), so she's following that example.
Holst's armor is quite decorative, similar to Caspar's, but what stands out to me is the fringe in particular. We see the exact same fringe on Caspar, Hubert, and Edelgard, but not anywhere else.
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Lorenz and Erwin are a bit of a border case, tbh! They both wear practical, full plate armor with little in the way of extra decor (other than Lorenz's rose and Erwin's little cape thing), but Jesus christ how much does it cost to keep it all so purple like that??? That's a blatant display of wealth that would impress any empire noble.
Marianne, on the other hand, would fit right in in Faerghus, with the old fashioned long skirt, high collar, capelet, and lack of extra decoration other than some pretty trim. Makes sense, since her territory is so close to the kingdom and she's clearly not interested in trying to stay fashionable.
Judith is dressed very practically, has some fun puffy sleeves and bright but inexpensive colors, has a short cape and gambeson (a short vest one, though). I want to say leans toward Faerghus, which makes sense since it's on the border and the house did at one point split off, with part going back to the kingdom.
Now we get to the only real, honest-to-god, never-owned-land-or-property, born-as-and-remain-now peasants/commoners: Leonie and Cyril. (Raphael was born into the merchant class and was able to support himself and Maya by selling his estate, so while we can consider him a real commoner at this point, it's not nearly to the same degree.)
Their economic status is obvious from their outfits: both have very practical clothes with no extra decoration, in cheap and easily accessible colors. Leonie's cloak wrapped around her waist is purely functional - she can use it when the weather calls for it, but it's out of the way of her arrows when she doesn't need it - and looks to be pretty soft, so likely is lightweight. She has a hint of some light protective wear (note the quilted sleeve) and the same front clasps as Felix and Ashe, so i think she's also meant to be wearing a gambeson, but it's shorter and less protective. Cyril doesn't seem to have any armor at all except for the shoulder protection - we can tell from the lack of center-front closures on his shirt and the shape of the cuffs of the sleeves that he's actually just wearing a tunic (or rather, two tunics on top of each other).
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Raphael also has a very practical outfit, but notice that his is so much more protective, probably because he has a little more money than the other two. He has very limited, sparsely placed plate armor, but he is covered head-to-toe in quilted cloth armor. He's ready to get some punching done, baby!
Our real outlier, however, is Ignatz... But you bet your bottom dollar I've got an explanation for that one, too!!!!! Mans is an artist and he has rich(?) merchant parents, he can do whatever he wants.
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Absurdly unnecessary lengths of (probably not very expensive) cloth? Sure. Fancy feathers that literally no one else gets? Why not! A billion buttons, half of which arent even keeping anything closed? Curly and intricate cloak fasteners probably made of some kind of cording? Sashes and tassels and a decorative sword??? Fuck it, we ball. I love this so much, it's easily my favorite outfit in the entire game and I would ABSOLUTELY wear it irl. I already have the right haircut and glasses and boots, I'm ready
4. In conclusion
These designs really are Fódlan in a nutshell. From the quiet wealth and functionality in Felix's fur-lined gambeson to the audacious luxury of Ferdinand's waistcoat to the unrepentant anarchism of Ignatz's entire vibe, we can see the history - and future - of the continent outlined right before our eyes:
Faerghus is cold, practical, focused on survival, and probably has the most even distribution of wealth. Leicester is a mix of remnants of the empire and kingdom, with clear wealth disparity but also a relatively high amount of social mobility and communal support systems. Adrestia has significantly wealth disparity, with nobles very disconnected from their people and instead busy politicking about.
Side note I know I said I wouldn't go into the historical inspirations, BUT I do think it's interesting that the men's clothing in Adrestia - particularly the tailoring - is similar to much later styles than the men's clothing in Faerghus, and the reverse is true of the women's sleeves and necklines.
Okay that's all, thanks for reading!
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Hm.
References to SAD-ist’s original frames and link to original video under the cut
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Dawn of the 16th
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I hope everyone knows in canon during the Princess Tea Party Jimmy was horrifically drunk
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mushroom-madness · 10 months
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🍄ROUND 4: QUARTERFINALS: MATCH 2🍄
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🍄 Vote for your Favorite Fungi! 🍄
Descriptions Below ⬇️
Danielle Barkstock
"Erika Ishii... uwu 🍄” - Submission 23
“✌️😌✌️” - Submission 43
"you already know what's up i'm just here to pad the numbers" - Submission 62
"Shes got the hat and I love her, that is all your honour." - Submission 128
"Danielle Barkstock is a student at the Aguefort Adventuring Academy and a member of the Maidens adventuring party. During Fantasy High and Dimension 20 LIVE, she is an NPC played by Brennan Lee Mulligan. During The Seven, she is a PC played by Erika Ishii." - Dimension 20 Wiki
Click Here for links & propaganda, or search the characters tag on my blog for more information!
Todd (From Mario)
"Todd is a baby possum who has a Mushroom on his head. He is a precious darling with big, soulful eyes, and is one of the most popular characters from Drawfee." - Submission 118
"You know who he is
You said none of the examples were not guaranteed and I really want Todd in there so submission here " - Submission 188
youtube
Timestamp ~ 1:25:00
Click Here for links & propaganda, or search the characters tag on my blog for more information!
Toad Berry
Shrub Berry
"shes the last of her kind she has ladybug wings she can talk to wolves and i love her lots" - Submission 183
"Shrub's empire is called the Undergrove and is located in the forest hills. She has gone for a general mushroom & forest-inspired cottagecore vibe for most of her builds, with several hobbit hole-like villager soon-to-be villager homes as well as a big colorful mushroom castle with multiple levels for her to live in.
The empire's main exports consist of nether-based building materials such as warped and crimson stems, as well as shroomlights and different kinds of mushrooms." - Empires SMP Wiki
Toad
"You know him you love him" - Submission 32
"Toad is one of the main characters of the Mario franchise. He is Princess Peach's attendant and a longtime protector of the Mushroom Kingdom. He is actually a singular character among an entire species of look- alikes (much like Yoshi is to the Yoshi species). leading to confusion over some of his appearances. He usually has the role of a supporting character who tries to help Mario and Luigi on their adventures" - Super Mario Wiki
Click Here for links & propaganda, or search the characters tag on my blog for more information! Toad Berry has a special tag, go check out #Toad Berry Saga for the full lore!
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icy-watch · 4 months
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Well, that's a Look.
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liasisss · 4 months
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Varian and hugo absolutely have Disney nights, they cuddle up on their couch in their pjamas and watch Disney films for hours until they both end up falling asleep together
Whenever they watch Altantis, varian always teases hugo on how alike he looks to Milo, hugo will always respond with something like "milos hot so I take that as a compliment" or smth like that 😭
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texaschainsawmascara · 5 months
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Michael Pitt
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thetomorrowshow · 15 days
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seven
empires superpowers au masterlist (not up to date)
this story takes place about a year after the end of ‘poisoned rats’.
cw: light eye horror
~
He’s still new to the whole going-to-work thing. It’s kind of like school, and Jimmy had never liked school, but it’s different in the way that he’s getting paid for his work. And it’s a decent bit more enjoyable than school—he’s learning about cars, getting familiar with the inner workings of machines, and he hasn’t properly had the chance to pop open a hood since he was a teenager and would help his dad with checking the coolant and whatall.
It’s nothing glamorous, but Jimmy really likes his job—more than when he worked as a call service agent, at least. Today he’d learned how to even the weight of a motorcycle, and even though he’d pinched his fingers between the exhaust pipe and the engine, his boss had praised his efforts and let him off early.
Scott usually picks him up from work—they’ve got a second car, but Jimmy doesn’t take his driving test until this weekend so he’s not really meant to be driving himself anywhere—but Scott isn’t free for another hour, so Jimmy meanders around downtown.
He used to live on these streets, so it’s more instinct and less purpose that leads him down to the park across the block from his old apartment building—now closed, he observes, for renovations. The park is lonely at this time of day, two rusting swings hanging silently and a plastic slide gleaming in the sun.
Jimmy stops for a moment, stares at the yellowed grass and bleached plastic playground equipment. He’d never allowed himself to go anywhere near this park, a spot of joy for the kids living in the rundown neighborhood.
He can’t hang here long for risk of being chased off by some bathrobe-clad mother, accusing him of being a predator, so Jimmy turns back to the main part of downtown and heads back in the direction of the mechanic. Maybe Scott’s patrolling in the area, can show off some ice tricks.
There’s a handful of other walkers starting to appear when he makes it back into downtown proper, mostly those returning to work from lunch and high schoolers skipping out of school early. Once upon a time, Jimmy knew how to blend in perfectly with this crowd. Once upon a time, he could never stay in one place for too long.
He slides in among them just as easily as he once might have, moving at the same speed and keeping to the common footpath. He keeps his eyes down and dodges anyone coming from the other direction without issue.
Which is why it’s weird when someone runs right into him.
“Oh, geez—sorry, can I—”
“Well, isn’t it great to see you!”
Jimmy blinks, flinches as the man he’d run into slaps him on the back a couple of times. He . . . he has no clue who this is.
His mind instantly cycles through various brutes from Xornoth’s manor, but this face doesn’t match any of them. This man is a bit stocky, straw-colored hair hanging over his forehead, thin beard a bit darker in color. He’s smiling widely, even as he takes Jimmy by the hand and starts dragging him off.
Jimmy can’t help it—some strange man is pulling him away and he panics—with a snap of adrenaline—
The man jumps back, Jimmy coming with him, as a chair is thrown out of the window of the building beside them, narrowly missing them. He chuckles, taps his nose knowingly.
“You aren’t getting me with that one! Don’t worry, I just want to talk. How about in that deli?”
He doesn’t point anywhere, strangely enough, so Jimmy just glances around until he sees a deli.
All the well-trained alarm systems in Jimmy’s brain are firing, but. . . .
Now that he thinks about it, there is something familiar about this man. Maybe it’s his cadence, or his eyes—
And Jimmy realizes with a start that the man is blind, his eyes clouded over, faded scars stretching across them.
He’s shocked enough that he lets the man lead him into the deli, grab them a table, and order himself a sandwich.
That’s when he notices that the man is not only blind, but has earplugs in.
“I’m sorry,” he finds himself saying loudly as the man tucks into his sandwich, “I think you may have mistaken me with someone else.”
The man winces. “You don’t have to shout, I’m right here,” he says around a mouthful of sandwich. “And no, Tim, I know who you are.”
If that isn’t ominous. And also the wrong name, though it once again scritches at the part of his brain that finds something about this man so oddly familiar. “Jimmy,” he automatically corrects. “Not Tim. And I really ought to get going—”
“Back to Scott?”
Jimmy freezes, halfway out of his seat.
“Because I’m pretty sure he’s patrolling around the East side of the city, y’know. Unless you want to call Lizzie. Pretty sure she’s not busy at the minute.”
The man takes another bite out of his sandwich, scratches his beard.
Jimmy’s stomach goes cold. How did he—how can—it’s—
“See Tim, there’s not a lot that I don’t hear about,” the man continues. “However, there is something that I need to know, if you wouldn’t mind answering.”
He needs to get away. Fight or flight has fully kicked in, and Jimmy needs to run. Jimmy raises his hand, ready to do—something, shatter his chair or collapse the table or hurt him in some way—but the man only tsks.
“Come on then, none of that. The three of us have got to stick together, really. Wouldn’t be good to start fighting, especially with the way Nine acts.”
Slowly, Jimmy sits back down. It’s not because he’s intimidated, he tells himself. His fingers twitch. He could kill this man in an instant, and no one would ever know.
The man puts down his sandwich in its wrapper and leans in, head tilted a bit to the side. “So,” he says lowly, “did you kill them?”
Jimmy knows, instinctively, that he means Xornoth.
And it’s not intimidation that makes Jimmy answer. It’s some strange feeling that he knows this man, and cares about him. Something familiar in the line of his nose and the color of his hair.
“Yeah,” says Jimmy in the same low tone. “Yeah, I did.”
The man sits back, a wide smile spreading across his face. “Good. I figured you did, y’know, but I was sleeping when it happened. You could’ve pulled a runner, y’know? Could’ve been someone else to get them. That wouldn’t have been right, though. It had to be one of their . . . erm, what did they start calling them? Subjects?”
Jimmy swallows, then mutters an answer in the affirmative. He keeps having to remind himself that he doesn’t know this man, as familiar as he is. How does he know so much?
“Right. Back in my day, we were ‘participants’. What a joke.” The man shakes his head, then takes another bite of his sandwich. “Well, thanks for the info. I won’t tell anyone, promise—well, I’ll tell Nine, but Nine isn’t much of a talker, so it won’t get out or anything.”
“Right,” Jimmy manages. He checks his phone; Scott should be coming to pick him up soon. He casts his eyes about, trying to think of anything to say to the strange man with white scars and earplugs.
“What happened to your eyes?” he asks eventually. The man smiles ruefully, one hand going up to trace over the scars. They aren’t precise in any way, some smaller ones littered around the corners, long ones down the middle. If Jimmy looks closely, he can even see the places the irises are entirely missing along with the scar, leaving the man with cloudy white streaks through his eyes.
“Let’s just say—next time those scientists of theirs have you on the table, make sure and ask ‘em to strap down your hands,” the man says. “Not that that should ever happen to you again, but you never know, y’know?”
Well.
Jimmy feels slightly ill, staring at those scars. Most of his aren’t self-inflicted, nor nearly as visible as those. Sure, he has one across his cheek, and a small one above his eyebrow, but they don’t usually attract much attention. Scott even thinks they make him look rather dashing. He can only imagine the stares and questions this man gets on a daily basis.
The stranger finishes his sandwich, wiping his fingers off with the wrapper. He stands, tips an imaginary hat toward Jimmy.
“Well, I’ll be off. The city’s a bit loud, don’t you think? Oh, and thanks for footing the bill.”
And then he’s gone, and Jimmy sits there in stunned silence until he shakes himself, heads up to the counter, and pays.
He tries to forget about the man. As weeks pass, he moves on, his days taken up by work and Scott and his friends. And he mostly does forget about the familiar stranger, too busy to spare the mental energy needed to try and figure out who he was.
That is, until one night, nearly a month later.
Lizzie had managed to get a hold of their high school’s yearbook from when she was a senior and Jimmy a sophomore, and together with Scott and Joel they paged through it, laughing at Lizzie’s galaxy-themed outfit and Jimmy’s unbrushed hair.
They stop on the page of the soccer team, and Jimmy knows from the coos and laughs that they’re looking at him and his ridiculous hair, but his eyes are caught on a familiar face.
“Who’s that?” he finds himself saying, pointing to the boy beside him, the boy who has his arm slung around his shoulders, the boy who—in one small picture off to the side, is knuckling Jimmy’s head.
And then he remembers.
He pages through the yearbook until he finds him.
A senior that year. One of his friends, and one of the only people who tried to still hang out with him after his powers got out of hand.
He’d almost completely forgotten about Martyn.
Martyn, the dude with the new Playstation. He’d been powered—not strongly, but with some fairly average super hearing and far vision.
Jimmy thinks back to the man he’d met, blinded by his own hands, hearing so intense that he has to wear earplugs at all times.
And then he wonders, dreading the unknown answer, what kind of mistakes had been made with the experiments before his own—and who on earth Nine might be.
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d0not-disturb · 4 months
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Can you draw your human grumbots?/nf
UH YES I WILL DRAW HUMAN GRUMBOT PRIME AND HUMAN EMPEROR GRUMBOT RN
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They’re names are Parker and Emmett 🙄
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maxymylli0n · 2 years
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Presenting: my childhood crushes that I think need to be mentioned because I feel like they're forgotten most times
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cursed-40k-thoughts · 9 months
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Just going off the vibes I get alone I think tau should basically be portrayed as the British empire
While I get the gist of your notion what with the annexing and assimilating... no, I don't agree.
The signature thing the T'au do is put up a front of diplomatic inroads, usually trade or medical relief or general assistance and political interaction, and then use that as an avenue to introduce more and more of their forces and culture and ideals to a non-integrated populace/world whilst passively using all their ships and suits as a show of force. Even if that populace/world is difficult, provided that violence is kept to like... a controllable level, the T'au aren't inclined to explode into warfare.
Now, obviously, by today's standards, this is still very bad. We understand what they're doing is colonisation, but the key difference between the T'au and the British Empire is that T'au colonisation aims to be as bloodless as possible, and takes a vested interest in communicating with and learning about the people they're trying to assimilate, so as to show the doctrines of the Greater Good to them in a way that resonates more effectively.
The British Empire didn't give a single fuck about the ins and outs of cultural integration. The British Empire didn't invade new places with the intent to be as tactful as possible, or to induce amalgamation through politicking and implicit threat. The British Empire wanted to go to other places, take possession of all their shit, kill/torture anyone who disagreed, and then fill all the gaps created by these murders with upstanding white British people.
You know the bits of the Horus Heresy early on where the Imperium is "bringing order" to "savage"/"degenerate"/"heathen" worlds by giving them one opportunity to accept being part of the war machine, then siccing thousands of bloodthirsty soldiers on them if they refused, and then graciously accepting them into the Emperor's fold? That's the British Empire.
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