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cocogum · 9 days

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The Great Wave - Chapter 1 Review

‼️ SPOILERS FOR THE CHAPTER ‼️

Warning(s): mature themes, descriptive language, proceed with caution.

Before I start, I'd like to say that I initially added a lot more to this, but since tumblr had to censor it, I had to level it down a little...

I guess I just got carried away with it because of yumalia lol

So yeah...hope tumblr doesn't flag this again....

Alright everyone you know the drill.

LET’S ALL GET IT OUT OF OUR SYSTEMS AND GO CRAZY OVER HOW THESE TWO FUCKED SO MANY TIMES‼️‼️‼️‼️

Good job you two honestly I’m so happy these two got to have fun together like this 🥰🥰

Like no joke the first time I started to read the first chapter, of all the ways I thought it would start, I DIDN’T THINK THEY’D BE FUCKING I legit thought I was interrupting them my god-

I was so SHOCKED wtf??????!!!!

Like yes but what????

Ankama wasn’t kidding when they said they’d go mature mode and INSTANTLY cram in adult themes. The unexpected (but still warned) change was so sudden that that’s how you know Ankama has been keeping themselves tamed in the seasons because they couldn’t pull this shit off so easily like Japan.

Now let’s analyze the first thing that’s in the very first chapter.

The s** 👹👹

Okay I know how laughably this sounds because the FIRST THING in the first volume that we get to see is Yugo and Amalia’s private time.

And I’m not ashamed of loving it. Even now I still can’t believe that this can literally be considered soft corn. I won’t be surprised if more than half of the chapter ended up on that infamous site 💀(if u know, u know)

By the way I love how Amalia’s hair grew cuz I was starting to get sick of seeing her with a short ponytail all the time AND I LOVE HOW WE FINALLY SEE HER UNTYING HER HAIR CUZ MAN ITS BEEN SO LONG SINCE IVE SEEN HER LET HER HAIR OUT

But their private moment(s) really made us understand just how much they care for one another. The way that they are sleeping together NAKED like this so comfortably too confirms that they have done these kinds of activities before.

The ambiance and the colors truly encapsulate the tranquility and peacefulness they both share in this moment. You can even feel the sunshine’s rays touching your skin.

AND I’M ALL HERE FOR IT. They genuinely look so cute and in love together like that I just wanna tear that blanket away and dhskdkfkksskskkdksksd.

If anyone is wondering why Yugo still keeps the dofus on him, it’s because the dragon, Rodalström, that Armand defeated is still alive. A necrome can never truly die so Yugo has to essentially keep the dofus on him at all times just in case the dragon would set free someday (i feel so bad for Qilby due to this decision…dude is the only one between his siblings who can hear these two banging💀)

While looking through these same pages over and over again (I still haven’t stopped), I began to seriously wonder what kind of positions they would do together.

We’ve seen two particular positions they have used in this chapter and it was the “lotus” position and the “woman on top” position.

These are very accurate positions for these two mainly because of the level of intimacy it provides. It’s not rough, extravagant, or even too lewd. It’s simply just right.

They are so intimate with one another that they even hug while keeping the pace. And I think it is wonderful to see these two just being happy and satisfied in each other’s arms like this.

It's such a sweet moment for these two that you really can't look away (i'm definitely not saying this to justify why I keep overfixating these panels). You can even see Yugo choosing to keep his eyes open during it all just to look at Amalia enjoying it.

My guy clearly loves the view please!! 😫😫😫

You don't think seeing her liking it makes him even more excited righ-

Some parts during their intimate moment had their arms, which were groping A LOT of things, somewhat censored by the blankets they still had on each other. So, to have a clearer view of what happened under the sheets, I decided to outline their covered arms to give you an idea of where those hands went.

At the very beginning, Yugo is woken up by Amalia kissing his cheek. But after that, his body looks much more awake when we see a panel of Amalia's hand under the covers reaching for something. This immediately makes Yugo wide awake, to the point where he's already sweating a bit and blushing very hard as he says, "You're...tireless!"

After some outlining made by yours truly, it was painfully obvious where Amalia was reaching for and- DEBHUHUFUWHYUHFUYHUWUEFHUWHFUEFHUEWH

GURL STOP OMG SHE'S TOO BOLD I CAN'T WITH HER I LOVE HER OMG SHE KNOWS WHERE TO REACH YES DO IT WAKE HIM UP!!!!

The fact that she instantly knew what to do when she wasn't getting enough attention from him after that cheek kiss alone sends me 😭😭

But it's not like Yugo's the innocent one here for not trying anything. On the contrary, HE'S TOUCHING HER TOO.

THAT GUY KNOWS WHAT'S BEST TO GRAB.

He's a man after all, so what'd you expect lol

He KNOWS that her ass is THICK, SO WHY WOULD HE NOT TOUCH ONE OF HER BEST ASSETS!?!?!?

You can tell these two obviously do more than just two “sleeping” positions, but since they were messing around in the morning, I can give them a pass for being sweet and tender with each other at this moment, just this once. They must've done A LOT more yesterday night since Yugo did say she was tireless as soon as he woke up. These two are adventurers at heart, so why wouldn't they explore each other more thoroughly-

Given that we’ve only seen the "lotus," the "woman on top," and a simple embrace, I would like to suggest a few more positions that would suit them well. These recommended positions are so accurate to them and reflect their dynamic that I wouldn’t be surprised if they have done these before (or will eventually 👀).

While nitpicking every single panel of their “morning routine” I learned two things thanks to this start:

1) Yugo’s a bottom but is able to switch.

2) Amalia is insatiable in bed. Girl is hungry HUNGRY. Because judging from how Yugo and her were fully naked and laying in bed in the beginning, that means they had finished screwing with each other a while ago BEFORE AMALIA JUST JUMPS BACK INTO IT. SHE’S LITERALLY TIRING OUT A DEMIGOD ALIEN JUST FROM GROPING AND TAKING HIM-

If a scene like this wasn’t what I thought would happen at the beginning of the first chapter, then Amalia getting choked to death had definitely thrown me off guard. Like many other readers, I already knew that this wasn’t actually real and was only happening in Yugo’s head but it still felt very off-putting to see her struggling to breathe. The way Yugo panicked and tried to help only for him to scream and cry when he realized she was on the verge of dying was powerful.

And that’s when we find the anomaly in this chapter.

The dragon that appeared in Yugo’s head.

I initially expected Toross to be the one tormenting Yugo but I guess it ended up being this dragon.

The dragon figure seems to feel severe hatred for Yugo for all the calamities he let happen in the World of Twelve and how he seems to be living a good life at the moment while having the six primordial eliatrope Dofus and the Eliasphere in his possession.

The theories immediately started flooding in on who this dragon could possibly be and here’s what people came up with:

A) The dragon is one of the six primordial dragons from the World of Twelve named Grougalorasalar.

He’s the guardian of the Eben dofus and used to have been sealed in Joris during the Dofus era. Some have theorized this dragon to be him because of how physically similar they look.

Although he looks identical, there is no logical reasoning to support his hostility towards Yugo, let alone his ability to infiltrate his mind. Furthermore, the way he acts and thinks around Yugo, assuming it is actually him, is illogical given his involvement in Ogrest's rampage.

B) This dragon is, in actuality, Draconiros, the dragon of dreams.

His job is to govern the dreams and nightmares of the twelvians. People suspect he might have taken the form of Grougalorasalar while talking to Yugo.

Despite never meeting Yugo, he could have watched over the twelvians through their dreams. This means that he might have seen Oropo's dreams, as well as Yugo's own, giving him insight into Yugo's future actions and indirectly caused consequences. If true, this theory would explain why he holds a grudge against Yugo. It currently stands as the most compelling theory among all others.

C) The Great Dragon. Yugo’s father could be the one able to invade his mind and blame him for all sorts of things.

It's hard to ignore the fact that the Great Dragon appears to have been absent during some of the biggest catastrophes in the Krosmoz. Despite countless calamities happening all around the world, the Great Dragon seemed to have done nothing to prevent them, nor did he even show up to witness them. This is why his presence felt non-existent in the world. If he doesn't care about the world, why would he have any interest in what Yugo has done?

D) Osamodas himself could be the one speaking to Yugo while taking the form of Grougalorasalar.

It's worth considering that Yugo may face blame from the god of beasts. Additionally, it's intriguing to note that the osamodas race will play a significant role later on. This is evident from Aurora and her family's return to the Sadida kingdom.

So far, these are the only theories out there that we have for this dragon. That, and the fact that it might as well be a whole new character that we haven’t seen before.

The thing that truly makes this interaction between Yugo and the unknown dragon feel severe is the fact that the dragon tells him that despite sharing dragon blood, he truly detests him.

Imagine having to know that a millennial dragon hates you despite sharing the same blood.

Of course, the interaction couldn’t have stayed for very long because Amalia immediately interrupted it by screaming Yugo’s name. Yugo looks completely out of it, huddled up and shaking in fear. I understand that he saw what could be a future threat but this whole situation must’ve looked so off-putting from Amalia’s perspective: they were fucking, they started levitating because of the six eliatrope Dofus residing in him, and then they both suddenly fell on the floor and she saw Yugo curled up and crying, freaking the fuck out.

Amalia doesn’t understand but she still goes to him and immediately tries to calm him down by embracing him. But despite everything he’s seen and the fact that he interacted with a mysterious dangerous beast, the first thing that Yugo says amidst his crying is: “I thought I lost you…”

Look at the sheer terror in his eyes.

He genuinely looks like he thought he lost everything at this very moment. His body is shaking and is still processing what he just saw and heard.

He even APOLOGIZES to her, thinking that seeing her dying in his arms was somehow his fault.

Her life is such a huge priority for him that that’s immediately the first thing he’s afraid he’ll lose the most.

That’s when Amalia suddenly says the words: “Calm down, it was just a dream.”

…

A dream??

You mean to tell me that this whole time, Yugo was sleeping?

So this whole “wrestling” scene never happened?

I believe there’s been some kind of misunderstanding when we first read this chapter.

I feel like we thought Yugo and Amalia had been messing with each other in the morning and that’s when Yugo suddenly received a flash of imagery and words from the unknown dragon before Amalia snapped him out of it and that’s how they needed up on the floor together.

But it turns out that wasn’t technically what happened.

Because if this intimate scene was real, then why would Amalia say he had dreamt?

I believe this is what actually happened:

Yugo and Amalia were peacefully sleeping together after spending the night awake (because what do you think a fully naked couple does in bed). When morning arose, that’s when Yugo started having a wet dream of Amalia and him getting in on again and right when things were starting to get better for Yugo, the dream started to twist itself and change out of its own will, forcing the one good thing about the dream to leave, which was Amalia, by making her choke to death to finally reveal the dragon. The dragon haunts his mind and spills his hateful thoughts to the eliatrope causing him to suffer alone until Amalia snaps him awake and manages to unknowingly free him from the torment. Yugo must’ve fallen on the floor while having the nightmare and Amalia simply got down from the bed to wake him up.

(this still doesn’t change the things I said about the types of positions they have, how Amalia has her own nicknames for Yugo like ‘little princess’, and how Amalia is in bed though because dreams often depict and copy real-life behaviors from the mind of the person dreaming. it’s actually funny that Yugo had a WET DREAM about Amalia and him. despite getting so much action with her, his mind doesn’t leave her alone lol)

When she regards his shaking form that it was only a dream, however, Yugo insists how real it felt. That’s when he decides to stand up and claim he needs some air to think. The fact that he has said the same thing back in Season 4 Episode 1 when he had Oropo in his head, shows how his insistence of wanting to be alone after getting scarred, has become a pattern.

Amalia understandably (and predictably) gets angry at Yugo for leaving but her behavior also raises a few questions. Does this mean she’s angry that he wants to be alone every time he gets nightmares? Does he receive incessant nightmares on some nights? If that’s the case, then how often does this keep occurring? Or is this the first time he does this? Is she angry because he tends to quickly leave when he thinks he needs to deal with something on his own like how he did in Seasons 2 and 4?

Regardless of what the case may be, Amalia doesn’t waste time and immediately dresses herself up with her vines like a boss ass Queen just look a how refined and elegant she looks while changing✨✨ I love her so much 💕💕

Also vinillain noticed how these two dumbasses don’t HAVE ANY BEDROOM DOORS. How do they actually get any privacy if their bedroom has a huge ass hole with no door?? It’s so bare that it doesn’t even have a curtain to cover the front of their room!! Like did these two not realize that literally anyone can just get right in their room? I get that they’re royals so they would know that no one would be this dumb enough to simply get in like that but the entrance of the room is so big and wide that anyone can just pass through it and be able to see their bed from where they’re standing!! You can even see the bed frame right there in just that panel for crying out loud!! I get that the sadidas are a pretty open race BUT THEY’RE NOT THAT OPEN TO EACH OTHER-

Besides this stupid choice of not having any doors, I love how the kingdom made a few adjustments to the throne room because they initially only had one seat. Even when Armand was king, there was still one place. Aurora had to sit in a small space next to him lol. Note that Aurora used to sit on the right side like how Yugo has to do now.

I already talked about this to vinillain but I told them that because of how the throne was arranged when it got split into two, I feel like the ones who sit on the right are the ones who come from other kingdoms aka if they’re from another race. I believe that the reason why the throne had only been one seat in Seasons 1, 2, and the ovas, was because the only ruler at the time was King Oakheart. The ruling seat might have also been divided in two when the queen was still alive. Amalia might as well have simply chosen to sit in Armand’s place because it used to be his which would be cute if that was the case.

I like to think that Yugo deserves sitting in Aurora’s place because he’s submissive-

Speaking of Armand, the mural wall that Amalia made the artist make was such a wonderful decision. She really did love her brother despite the many quarrels they used to have.

This man entered the legend ❤️

After the interaction between Amalia and the painter, I noticed the royal advisor (or so I think) about to approach Amalia with something to discuss. Despite not having entered the throne room yet to listen to her people's grievances, the advisor seems to have something confidential to share with her, as he didn't choose to wait until she got there. Although we don't know what that "something" could be, Amalia immediately stops him, explaining that she just got out of bed and needs time to process everything.

I think we'll see what that 'something' could be about in the next chapter, though. Looking at the crowd awaiting Yugo and Amalia in the throne room to discuss their business with them, I have a strong feeling some of those problems would involve the elite eliatropes.

We can even see how the mood in the throne room looked very tense between the sadidas and the eliatropes. Some of the sadidas looked perturbed, and there's a good chance they're acting this way because of the eliatropes. Not only that, but the eliatrope kids looked super uncomfortable because of the tension going on. Even a sadida was eyeing an eliatrope in a pretty judgemental way (you can see it on the right panel).

They were all waiting for Amalia and Yugo so they could speak about their problems to the two royals so I wouldn't be surprised if some problems would be about the eliatropes staying.

I understand that when we last saw the sadidas, they were pretty much okay fighting alongside the eliatropes during the war against the necromes. But that was because it was a war. They were extremely short-handed, so they were perfectly fine with having them by their side. But now that the war is over, it's possible that many of them feel a bit awkward having to share their lands with eliatropes. Imagine living on these lands since the dawn of time and you suddenly have to live with people who are not even from your planet one day.

In short, Yugo and Amalia should get more intimate moments, the dragon in the dream has a good chance of being Draconiros, Yugo should stop dealing with his problems on his own, Armand is a chad, the two royal seats scream power couple goals, I need that sadida and eliatrope drama, and I’m waiting on what the advisor has to say.

@geekgirles @onyichii

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bl-sensei · 2 months

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Hazbin Hotel songs review: Stayed Gone

This song doesn't have a French title, but if it had one it could've been "Regretter d'être rentré" (lit. Regret coming back).

Pros:

Vox sings "You're not welcome down here anymore" (Say hello to a new status quo), I don't know why they didn't keep "status quo", but I like the translation;

Vox sings "Say goodbye to radio / We prefer video / we want sounds and images in Hell" (While he hid in radio / We pivoted to video / Now his medium is getting bloody rare) there isn't the idea of him being a coward, but I like that he says that people prefer video;

Alastor sings "For a while, you've been demanding / a stylish media / that offers quality" (yes I know it's been a while / since someone with style / treated hell to a broadcast) I like that he says that people asked for him to come back and that he's qualitative unlike Vox;

Alastor sings "Vow gonna regret / Playing" (Your status quo / Will know it's race is run) and I like that he threatens him.

I love Alastor's French va, Maxime Hoareau , he's awesome. I didn't even realize it was him, I didn't even know he could sing! I can't say how happily surprised I was! I love his energy, he was perfect, so it's a pro.

Cons:

In French Vox doesn't call Alastor a coward;

In French Alastor is far more familiar, so it was surprising when I learned that apparently him saying "fuck you" to Lucifer was the 1st he'd swear in English. In this song, he sings (Instead of one of his mediocre whorish little TV shows) (instead of a clout-chasing mediocre video podcast), the word he used in French is dated so it suits him in a way, but hearing him say "whorish" was quite a shock tbh; he also calls Vox a French equivalent of "loser" but far more familiar, so this one was quite a shock too;

We lost the idea of Vox being insecure and thriving only thanks to Valentino and Velvette; but instead, they call each other useless so I guess it cancels out?;

Alastor's French va has a bad tendency to not do the rhymes in [e] and [ə] (ex: tolerate is pronounced / ˈtɒl.ə.ɹeɪ̯t/ [tbh idk if that really helps]). We can often switch the two pronunciations (usually it depends on the region) so you can make them rhyme as long as you pronounce it correctly, which he tends not to do. Not a huge problem but it ticked me;

We don't have the parallelism "I'm gonna make you wish that I'd stayed gone", instead we have "let me remind you who I am", which is good too but I love figures of style;

Alastor sings "Because my voice / Is your friend" (Tune on in / When I'm done) and I don't think he could really be called a friend lol.

It was really complicated to rate this song because the lyrics changed a lot. As a whole, the song is not great, but not terrible either. The translation is very different, but the ideas stayed more or less the same. I'd say the song is OK if you only speak French, but it's better in English. I give this song a 6/10.

#hazbin hotel french dub #hazbin hotel season 1 #hazbin hotel review #hazbin hotel #hazbin hotel song #hazbin hotel stayed gone #hazbin vox #hazbin hotel vox #alastor #radio demon #hazbin hotel alastor #stayed gone

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jbuffyangel · 3 months

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Hot and Cold: Arrow 1x22 Review (Darkness of the Edge of Town)

There is no episode that exemplifies the disjointed nature of Season 1 more than “Darkness on the Edge of Town.” We have Exhibit A: an OTA field op and the smoaking hot chemistry of Stephen Amell and Emily Bett Rickards igniting in an elevator shaft of all places.

And Exhibit B: the other show. A frigid black hole I feared we’d never escape from.

Let’s dig in…

Olicity and OTA

Let’s start with the positive since there is soooooo much freaking positive! It can take time for a television series to find its footing in the first season. Unfortunately, nowadays if the audience isn’t binging the entire season in 24 hours, the show gets canceled. But blessedly, this was 2013. Network TV was still the supreme ruler, and Arrow was pulling big enough numbers for the CW to allow for some leeway.

Twenty two episodes of leeway. Arrow finally found its groove and latched on to the mystical “it factor” that keeps an audience watching - Oliver, Felicity and Diggle. The chemistry and dynamic between these characters and the actors who play them is undeniable and it creates an action packed, laughing out loud, and sizzling hot episode. The writers are having FUN in “Darkness on the Edge of Town" and it shows, which means we get to have fun too.

Oliver decides to question his mother regarding the Undertaking, but she refuses to confess. So, Oliver and Diggle take a more brutal approach. The Hood kidnaps them both and beats the crap out of Oliver until she coughs up the information. It’s always hilarious when this show acts like David Ramsey can fit in Stephen Amell’s suit.

The burgeoning relationship between Oliver and Felicity is very much in its infancy. Oliver is fully in denial about feeling any type of way toward his IT girl. Never is that more apparent then when Oliver and Diggle return from the confrontation with Moira. Diggle gets a few solid whacks in, which I’m sure felt amazing given the absolute jackass Oliver was being the past few episodes.

Felicity has a much harder time concealing her feelings towards Oliver and it’s clear she worries about him. She is always the first to ask if he’s okay, offer a supportive ear to listen or shoulder to cry on. However, Oliver seems to draw a line in this episode when Felicity reaches to touch the bruise on his face. That small step was too much. He physically keeps her at arm’s length because the intimacy of Felicity’s concerned touch is not something Oliver is ready for. There is still a very big wall hiding all that pain, regret and unworthiness.

Source: @lyricalarrow

Admitting he remembers the exact day they met, however, is absolutely no problem. We shall come to discover just how much Oliver remembers about that day in later seasons. I have a lot of male friends and I guarantee you I don’t remember the day we met. However, the day I met my husband is burned into my memory.

The team determines the only way to stop Merlyn from leveling the Glades with a man-made earthquake machine is to find the location of the device. Unfortunately, Felicity is unable to hack Merlyn’s system so she needs direct access to his mainframe inside Merlyn Global Headquarters. LET'S DO CRIMES!

Oliver makes an appointment with Tommy (more on that later) while Felicity continues to up her adorability factor by dressing up as Big Belly Burger employee delivering lunch to a security guard otherwise known as John Diggle.

The burger is laced with benzodiazepine, so it knocks out the other security guard and gives John free reign to control the elevator & cameras. Do we know how Diggle is able to pose as a security guard? No. Do we care? Nope. Let the hijinks commence!

Oliver and Felicity make their way to the elevator, but not until Oliver unloads an unwelcomed dudebro hitting on Felicity.

Jealousy looks so good on him. The way Stephen Amell plays this scene, with his nails-on-a-chalkboard look at the word “sweetie” to robotically knocking the papers out of the elevator, is physical comedy at its best. Something Amell rarely gets to do, but he’s great at it.

The mainframe is on the twenty fifth floor, but the elevator only goes up to the nineteenth, so Oliver and Felicity have some climbing to do. It seems Felicity is thinking of a certain kind of climbing as well and really who can blame her?

Source: @lyricalarrow

Oliver lifts her WITH ONE ARM out of the elevator, which is so freaking hot I cannot.

Then, very gently, bends down to wrap his arm around Felicity’s waist and loop her arm around his neck. Oliver is moving with the precision of a jungle cat, but it also feels like an incredibly elaborate way to grab hold of someone. It has a very superhero sweep-her-into-my-arms sensuality to it. The mission is giving Oliver plenty of reasons to touch Felicity and he doesn’t seem unhappy about it, particularly when he softly tells her, "Hold onto me tight."

Is it warm in here? Holy Moses, Oliver Queen. Get control. This man is a god to women, so he clearly understands the connotations of, “Hold onto me tight.” There’s a thousand different ways to say that platonically, but nope! Oliver charges headlong into the blinking neon lights of SEXUAL INNNUENDO.

Felicity’s Freudian slip didn’t feel so Freudian either. She knew exactly what she was saying and leveled her full meaning in a single look. I thought the elevator was going to combust from all the heat. If you are looking for the text book definition of undressing someone with your eyes than look no further than these two. They way they hold the gaze. WOW. Can we have all the nakedness now?!!! It’s a sin against science for Oliver and Felicity not to bang regularly BECAUSE THE CHEMISTRY.

THIS IS NOT THE BEHAVIOR OF A MAN MADLY IN LOVE WITH LAUREL LANCE.

This scene has the classic Superman and Lois Lane feel to it.

Source: @olicitygifs

Oliver is doing his vigilante thing, but his partner in crime isn’t the leading lady of Arrow. It’s a supporting character who’s feeling less and less supporting with each episode.

Unfortunately, Felicity is about to be discovered while Oliver is held up by Malcolm Merlyn, Thea and Roy Harper. This is a very popular day to visit Merlyn Global. Oliver’s frustration under his cool and calm exterior builds the tension nicely and we do wonder how Felicity is getting out of this jam. Never fear! It’s John Diggle to the rescue. Top notch comedy from both Rickards and Ramsey.

Source: @olicitygifs

Their first official team mission outside of the bunker is a wild success. Felicity still has to search through all of Merlyn’s data to determine the location of the device. Despite all the heat, hilarity and hijinks on this side of the show, Oliver makes an abrupt decision regarding the other side of the show that makes absolutely no sense.

Lauriver and Merlance

Still feeling warm friends? Well don’t worry. I have a nice bucket of ice cold water to dump on you.

As predicted, Oliver’s love confession messes with Laurel’s mind and obliterates any clear path back to Tommy. He drops this bomb on her and they have not spoken for a WEEK. Of course, this is all Laurel has thought about and she makes a rather elaborate speech admitting she has feelings for Oliver too.

Yeah, none of this is a surprise. Tommy knew Laurel had feelings for Oliver. We knew Laurel had feelings for Oliver. Hell, even Oliver knew. The only one who wasn’t admitting it was Laurel, so at least she’s finally being honest about things. You don’t get a love triangle if the central figure in the love triangle doesn’t have feelings for two people. The issue is who does Laurel love MORE.

Laurel: Maybe Tommy was right. Maybe he and I weren’t meant to be.

She had a clear answer last week. It was Tommy. She absolutely wanted to get back together with him, but Oliver decided honesty was the best policy on this one subject only. This line enrages me because Oliver has distracted Laurel from the man she is truly meant to be with. I will die on this hill, friends. DIE. ON. THIS. MERLANCE. HILL.

Laurel: Tommy’s a good guy. Are you?

Oliver: I didn’t have an agenda. I didn’t mean to make it more difficult to fix things with Tommy.

Oh for fucks sake. Yes, you did Oliver. That’s exactly why you said it. This is just a straight up lie. Oliver absolutely wanted to confuse Laurel. He just doesn’t want to look like the bad guy for doing it. This is some A+ Ollie behavior.

After Laurel makes a wonderfully impassioned and heartfelt speech about her feelings for Oliver, after probably obsessing about it for seven days straight, Oliver dumps her. AGAIN.

Oliver: Nothing’s changed. My life hasn’t changed. I haven’t changed.

I am infuriated on Laurel’s behalf with this flip flopping back and forth. The time to make this speech was last week in the hospital hallway. That was the moment to let her go and put Laurel on the plane with the man she belongs with, but Oliver couldn’t do it because it was too damn hard. It was just cruel and horribly unfair to both Tommy and Laurel because Oliver has absolutely no intention of being with her. But now it’s too late. The information is out there. You can’t put the toothpaste back in the tube, my dude.

Laurel pays her father a visit to basically get his permission to date Oliver again. Yeah, let’s make the man who lost his daughter to Oliver’s selfishness sign off on banging his other daughter again. This show.

Quentin’s speech is equally as empty as any speech Laurel’s made about seeing the change in Oliver because we, the audience, have not been privy to those moments. We’re just supposed to take their word for it even though the last time Quentin saw Oliver Queen he was trying to arrest him for drug trafficking. But sure, Quentin thinks he’s “changed.”

In order to make this storyline work, you have to give proper attention to the Lance family interacting with Oliver and the writers do not seem interested in doing that. All the important emotional growth takes place off screen and we’re supposed to accept it as fact because the characters tell us.

Meanwhile, they are organically growing the relationship Oliver has with Diggle, Felicity, hell even Roy! So we know the writers are capable of SHOWING these moments of character evolution. They just choose not to when it comes to the Lance family. It’s why the show feels so completely disjointed.

Oliver pays Tommy a visit and wants to have a chat.

Source: @queensarrow

So it's safe to say Tommy is still pissed.

Oliver encourages him to work things out with Laurel – kind of?

Oliver: Lord knows, I am guilty of a lot of things between us, but not you are her.

What’s infuriating about this conversation is that Oliver still refuses to accept any kind of responsibility in their break up. Oliver pretends to be a friend to the all feminists and touts Laurel’s independence and free will. She makes her own choices and she chose Tommy.

Tommy’s point is clear, even if it is self pitying; Laurel is not dealing with all the information. If she did have all the information then she would choose Oliver. From Oliver’s standpoint, it doesn’t matter because he can’t be with her.

That’s not reassuring to Tommy nor is it supposed to be. If the elements keeping Oliver and Laurel apart were removed (the Hood) then Oliver wouldn’t think twice about making a move on Laurel. And Tommy knows this. These are not the actions of a best friend, which is why he’s so pissed.

Now, Tommy’s big mistake was throwing in the towel too early. He should have NEVER given Oliver an opening with Laurel, but he did and it set them on this path. No we have to watch it play out.

Oliver: I promised myself that when I crossed all of these names off the list, I’d be done, but taking down these people, it doesn’t honor him. I was just treating the symptoms while the disease festered. I stop the Undertaking… I wipe out the disease.

Diggle: What are you saying Oliver? You would hang up the Hood?

Oliver: Merlyn’s plan is what I returned from the island to stop.

Does anyone else have whiplash? Oliver does a complete about face and determines he can be with Laurel since he only needs to cross one name off the list instead of dozens. He’s just missing one step, gee what could it be? Oh! I know. OLIVER STILL HAS TO CROSS MERLYN’S NAME OFF THE LIST AND STOP THE UNDERTAKING. Talk about counting your chickens before their hatched.

A hero’s journey is a very specific type of story. Joseph Campbell outline seventeen stages in 1949 and Christopher Vogler created an updated version in 2007 for screenwriting. I’m not going through all seventeen steps, but we can skip to the very last one regarding this storyline.

Freedom to Live/Return with the Elixir – meaning the hero has faced their internal and external struggles, has conquered the demons around them and earned the right to live as they choose. From a spiritual sense, the hero lives without fear of death.

It’s similar with Vogler’s elixir stage. From a community perspective, the hero has found the magical way to heal their wounded land. They are bringing hope, life and freedom back to their loved ones. In doing so, it gives the hero a personal victory. They’ve earned the right to experience peace and joy, which can be represented in a wide variety of narratives.

Oliver is hero. Arrow has made his endgame very clear - save Starling City. Has he saved the city? Has he stopped Malcolm Merlyn? NO. So why is his leather clad ass running all the way back to Laurel Lance to enjoy the fruits an elixir he has yet to procure? If Laurel is endgame, this makes absolutely no sense. This is too fast. It’s too abrupt. It doesn’t feel earned because it hasn’t been earned.

Clearly, the initial plan was to put Oliver (Green Arrow) and Laurel (Black Canary) on parallel, if not intersecting, paths. I’m not saying Oliver cannot be with Laurel as they evolve into superheroes together. But this is the first freaking season you guys! He hasn’t done a damn thing yet! Neither has she. And yet, here Oliver is, knocking on Laurel’s door, looking for some fruit.

Oliver: Ever since I’ve been back, we’ve been doing this dance. We come together and then I pull away. Something pulls me away, but I think finally that something might be over.

Laurel: What are you are trying saying?

Oliver: That you know me better than anyone. And that you are more important to me than anyone. I just hope I didn’t wait too long to say it.

If Laurel has no clue Oliver is the Hood then can he really claim she knows him best? It sounds good to say, and probably what Laurel is dying to hear, but it rings hollow because there’s no evidence of this anywhere on the show. Laurel was wrong about who Oliver is all season. We are just supposed to accept some verbal acknowledgment of change, that she knows him better than anyone, but without any television scenes to back it up. That’s not how storytelling works, Arrow writers.

Sorry to beat a dead horse, but I warned you I wasn’t done with this topic - Oliver is still lying to Laurel. There should be more talking. What are those things pulling you away, Oliver? Why are they over? Are you a hooded, crime fighting, serial killer who has been mysteriously stalking me all year? Those are just some ideas off the top of my head. There is no person on this planet that Oliver needs an honest conversation with more than Laurel Lance, but nope. They jump straight to sex.

Let’s talk about the sex. This has been built up all season. These two characters belong together. They are bulldozing over Tommy Merlyn to be together because they are this passionate romance that time cannot quell. It should be like the fourth of July in Laurel’s apartment right now.

Source: laurelscanary

Instead, of heat we get frigid. Fish have hotter sex.

I’m willing to acknowledge "Radioactive" was the hit song of 2013 and every show on the CW was using it. It has a very sexy beat and big crescendo. It sounds like a good song to use during a sex scene.

Except for the fact that it’s called RADIOACTIVE with lyrics like, “This is it, the apocalypse.” This is not the romance your Plan A couple usually requires in a scene like this. They had Blake Neely for a composer. Where’s Oliver and Laurel’s love theme? We'll probably get it in the season finale but anything would be better than "Radioactive."

Source: laurelscanary

Next issue. Black socks and jean shorts? Wardrobe – what were you thinking? Nobody felt the need to tell Katie to take off the sox? Details matter!!

Source: laurelscanary

Stephen Amell and Katie Cassidy kissing are like watching two pieces of flat cardboard trying to hump each other. Can they choose a direction? Are we biting or no biting? Are we using tongue or no tongue? Can Oliver unbutton his shirt or does Laurel need to help? Is Oliver going to drop Laurel while trying to get her sweatshirt off? It was just so awkward from start to finish. ZERO SPARKS.

Source: habibialkaysani

And for the coup de grace, they leave the curtains pulled wide open, so Tommy can see them screwing from the street. The look of utter devastation on his face is heartbreaking and that’s the final image they leave us with as their love scene fades to black. Oliver and Laurel reuniting are not framed as a good thing. It’s framed as a betrayal, because that’s exactly what it is.

Source: @queensarrow

Even worse, Felicity finds the device while Oliver and Laurel are asleep and HE LEAVES. No note. No, honey I have to run out and save the city real quick, but I’ll be back for round two later. Nothing. But please, tell me again how much Ollie has changed.

When I watched this episode live I was horribly disappointed the big reunion with Laurel and Oliver fell flat. This was really my last gasp trying to be a Lauriver shipper. And I use the term “trying” loosely. I was more or less looking for any redeeming qualities in this love story, but after this hypothermic love scene I was officially out. I could not ship these two. I could never forgive them for betraying Tommy. But I feared Arrow would never move on from Oliver and Laurel.

Of course, their real intention becomes all too clear later. Arrow was trying to blow them up to make way for something infinitely better.

Theroy

Speaking of flipping back and forth, these two break up every other week. Roy is clearly committed to finding the Vigilante, which leads them to Merlyn Global and a run in with Oliver, the disapproving older brother. Again, Stephen Amell’s acting is superb.

I loved the way he said “What” to Thea and the firm alpha male handshake he gives Roy, warning him to stay away.

Obviously, Roy accomplished his goal. He found the Vigilante. Roy just doesn’t know it. He thinks Oliver Queen is too much of a wimp to ever consider him as the man in the hood. Thea was good and ticked off with that “wimp” remark. Enough to dump Roy. She will not tolerate any slander of her brother. #QUEENSIBILINGSFOREVER

But this is like the fifth time these two broke up, so it’s losing the impact. This isn’t all about the Hood’s identity and thanking him for saving Roy’s life. He wants to BE the Hood, so Roy can protect the people he loves and never lose anyone again. The question is – who did Roy lose? Unfortunately, Thea storms out before we get an answer, but hopefully one is coming in the season finale. (No I do not remember who).

Long story short, yes I like these two, but the faster the Arrow writers move the characters into the Hood storyline the better. Otherwise they are just marooned on their own show like Laurel Lance Island.

Stray Thoughts

Yao Fei died! It’s so sad and traumatic. I forgot he’s shot in the head. Really didn’t need to see that twice.

Fyers is shooting down a commercial airliner to destabilize the Chinese economy. It’s always about money for these assholes.

Walter wants a divorce and I would say their differences are irreconcilable. Moira is getting what she deserves. You can’t kidnap your husband for six months and then offer him tea and crumpets when he comes home.

"Who the hell is Felicity Smoak?" Uh oh. Quentin has Felicity’s name. That ain’t good.

“Is the other archer working for Merlyn?” Please don’t make Diggle look this dumb again.

Merlyn versus Oliver battle was EPIC! The fight scenes this season are so stellar.

“Psychopaths are color coding themselves. That’s helpful.” HA!

Listen to the Watchover podcast reaction to 1x22!!!

If you’d like to support the blog, please buy me a cup of tea!

Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me!

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immabitqueer · 3 months

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Watching House MD for the first time in 2024 full SEASON 1 Review-

- I had learned from his Wiki page before I even started the show that he had a couple of divorces, but Wilson is really bad at marriage, isn't he? His wife is having company and she makes dinner. House calls once and he totally abandons those plans to meet him at a bar. Wilson lies to his wife and says he's working on christmas and then he goes to Houses apartment instead. House continuously implies that wilson is having affairs around the hospital. He's very funny, he's clever, and he can be sweet, but I would NOT want that man as a partner. That being said, whenever House and Cameron were going on a date and he goes to Cameron to tell her not to hurt House was crazy. Everyone is just so worried about Cameron getting hurt and he does NOT care about her. He's like "huh?? why would I care about you i'm here about house??"

- Cameron's crush on House hit me like a ton of bricks. Even before it was revealed that she had a crush. I thought that they were so good as friends. It seems that now at the end of the season. It's kind of been packed up? And i'm glad for that I hope they can go back to being just besties. You kind of begin to see some of the more flawed parts of Cameron in the latter half of this season, which I appreciate. Such as her need to fix things or people. It makes her feel a bit more human and not just a very angelic being.

- Chase also has a lot of flaws shown in the latter half of the season, and a lot more than Cameron. Don't get me wrong, I still love him, but he was one sidedly enemies with a ten year old girl because she was overweight? Also I picked up on a consistent habit that Chase seems to have where in general he's a pretty nice guy, but when things start to go wrong for him, he will say the most out of pocket things to patients. It's a writing quirk that showed up early in the season with the nuns and has been a constant part of his character since. Also, I made a post about this when I watched the episode. But canonically has seen a dominatrix???? More and more ragged pieces of fabric are stitching themselves together to show me a quilt of Chase.

- I hope in the future we get more focus on Foreman as a character. I would like to know everything about this man. And I know that it was a joke at the beginning, but this man really does try to tie every case back to neurology. Him stepping in to tell House not to hurt Cameron by being nice and giving her hope was nice.

- Time for Mister Gregory House himself. Noticing a pattern of him very much being good with children and having no room for idiot parents who are hurting their kids or are weary of medicine. Love to see it. He has a very distinct relationship with everyone on screen. Every person he interacts with, he interacts with the differently. He's pretty hard on Chase, especially after the Vogler incident. He is continuously hard on Foreman as well with an unhealthy dose of micro-aggression mixed in. Generally, he's hard on Chase in a fatherly way and hard on Foreman in a motherly way, if that makes any sense. He is much softer with Cameron. He and Wilson are co-dependent and at the same time can be very cruel to each other, while also supporting each other. It's very interesting to see these dynamics play out.

- Stacy is complicated. Her trying to convince House to do a treatment her husband doesn't want him to do, mirroring how Housebecame disabled was painful. I can see why she would want the treatment for them in both scenarios and I can also see why it can be selfish or wrong. She found someone that doesn't make her feel alone and is willing to forgive her, so in the end I guess she found her way to a happier life. I still think House has the right to be angry, of course and she isn't owed House's forgiveness but she's at least understandable.

Random extra thoughts and things I've noticed:

- THE KID FROM SPY KIDS WAS IN AN EPISODE??

- So was the girl from mean girls, les mis, mama mia, and Jennifer's body, can you tell I don't know peoples names?

- House has the saddest little eyes but they also pierce my soul and make me feel horrible for him, almost like I did something

- House has an array of toys all over his desk, and he plays with his cane or rubber bands all the time

- I could not STAND Vogler. I'm glad they wrapped up his arch this season because I was getting tired of him

Some context:

I'm watching the show mostly because my Twitter and Tumblr were very adamant that I do, but also because I have a running thing where I very rarely finish a show that I start. I've started several shows and finished very few of them. I started watching House on New Year's Eve The day before the first day of 2024 and plan to finish it before the first day of 2025. This is actually a big deal for me because usually I can't finish a show over 3 seasons and the farthest I've gotten is five seasons. I will be posting as I go and also doing a halfway point and a full season review of all 8 seasons.

#house md #hate crimes md #please interact and tell me what you think but no MAJOR spoilers #gregory house #james wilson #allison cameron #robert chase #eric foreman #season review #character study #kind of #house md season 1

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thecrownnetflixuk · 6 months

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Goodbye to Diana, Goddess of the Hunt

Pt 1 of The Crown S6 Will Stand as the Definitive Dramatised Version of Diana & Dodi’s Final Days

Review (& gifs) by L.L @The Crown TV

Having seen Pt 1 of The Crown S6 before its official release, I can understand why Netflix decided to split the final season. The first 4 episodes are almost exclusively dedicated to the events surrounding the tragic deaths of Princess Diana and Dodi Fayed.

It's first-rate drama, but it's not always an easy watch. The series does have some lighter moments too, but it makes sense for The Crown to take a short pause before moving forward in December.

To be clear, Diana and Dodi's car crash is not portrayed in a voyeuristic way. We don't see the moment of impact; hearing it is traumatic enough. Diana's body is not shown. The show doesn't delve into what caused the accident. This is still The Crown, not CSI Paris.

Kudos to Peter Morgan and his research team who somehow scrutinised all reports of Diana and Dodi's final days and managed to turn no doubt conflicting accounts and opinions into 4 brilliantly dramatised episodes which feel like a definitive screen version.

I prefer the sharpened pace of S6 after a disjointed S5. All the cast seem more comfortable in their respective roles ... except ... Dominic West is a great actor, his grief and regret is so believable in these episodes, but for me, West's natural charm and roguishness still doesn't fit well with Charles. Perhaps Camilla would disagree!

There are no such issues with Diana. It's a difficult task playing an icon hunted by the paparazzi, but Elizabeth Debicki radiates the right emotional intelligence and effortless star quality of the princess. In fact, Debicki's empathetic and assured performance largely carries these pivotal episodes and tops her earlier impressive work in S5.

Warning - long read: more detailed spoilers ahead! GO & WATCH THE EPISODES FIRST (NOW ON NETFLIX)

Interview/images: courtesy of Netflix & Elizabeth Debicki.

The final season of The Crown begins in Paris with a bold flash forward to a dog-walker who witnesses the crash at the Pont de l'Alma tunnel. It's a jarring change of tone after S5, but effective.

From the start, we know where this story is headed. But first, it's back to Diana on her summer hols, impertinent rodents scurrying in the palace and Charles getting grumpy over the Queen not showing up for Camilla's birthday. Reassuringly, it's royal business as usual.

^ Happy 50th, Camilla. I'm with the Queen about this pair; still not quite on board.

Enter Dodi Fayed, who could not be more different to his overbearing father. Khalid Abdalla infuses the shy son-of-a-billionaire with an engaging soulfulness which contradicts Dodi's two-timing behaviour.

Dodi starts out romancing his fiancée, Kelly Fisher (Erin Richards), but after being bullied into it by his father Mohamed Al-Fayed, Dodi pursues Princess Diana. For a while, Dodi juggles both women, before redeeming himself and confessing the truth to Diana.

^ Diana & Dodi. This time, it's Diana herself who ends up not quite on board this ship.

BAFTA nominee Salim Daw is a force of nature as a magnificently Machiavellian Mohamed Al-Fayed. Daw's performance, along with Elizabeth Debicki's note-perfect Diana, is a standout in S6.

Those who had concerns that The Crown was too generous towards the real Al-Fayed in S5 have no such worries about S6. By episode 3, Mohamed almost crosses into arch villain territory, bribing Dodi into marrying Diana to get British citizenship and raise his social status.

^ Mohamed Al-Fayed. Give him a cat & he'd be the perfect future Bond villain.

It's a controversial post-death chat with a 'ghost' which (nearly) absolves The Crown's Mohamed. Salim Daw is tremendously genuine during his imagined conversation with Dodi, sobbing for forgiveness. Too little, too late, but we feel his real pain about the loss of his son.

Before watching these episodes, the idea of Ghost!Dodi and Diana in the show did seem off-putting. Confession: I didn’t make it through the surrealistic film ‘Spencer’, where Diana talks to the ghost of Anne Boleyn (although Kristen Stewart seemed well cast in her role.)

Now that I've actually seen the 'ghost' scenes in The Crown, they don't feel ghoulish or disrespectful. Following the crash, both Charles (Dominic West) and Imelda Staunton’s Queen have small conversations with Diana, as though the princess is still with them.

You could take that to mean they’ve gone full royal-bats-in-the-belfry, but as a person who recently lost my dad, I talk to the dead all the time. It’s often what happens when you lose somebody you love. To see this depicted on The Crown felt honest. And human.

^ Wassup, Betty? Just chillin', chatting w/dead Di* (*not dialogue from The Crown)

As the show wades through the aftermath of the crash, dealing with public sorrow, funerals and grief-stricken young William and Harry, it becomes heartbreaking. However, The Crown does handle heavy subject matter very well, as shown in episodes such as ‘Aberfan.’

With a golden jubilee coming up, hopefully Pt 2 of this final season will be more uplifting, and feature more scenes with Imelda Staunton as Elizabeth II. When we do see the Queen in Pt 1, her intonation is superb. There’s continuity too, with Staunton merging Claire Foy’s vulnerability and regality with Olivia Colman’s steely durability.

I'm no ardent monarchist, but now that we've said goodbye to Diana, I can't imagine that The Crown would end without paying tribute to another Queen of Hearts who reigned for over 70 years.

THE CROWN S6 PT 2:-premieres on Netflix | Thurs 14th Dec 2023

N.B: These are just my (humble) opinions at this point in time. No offence is intended. Agreement = lovely; not compulsory. Disagreement = happens; kindly coexist. Ta!

#the crown #princess diana #elizabeth debicki #charles and camilla #dominic west #olivia williams #diana and dodi #dodi fayed #khalid abdalla #mohamed al fayed #salim daw #imelda staunton #queen elizabeth ii #reviews #articles #season 6 #pt 1 #gifs #the crown spoilers

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barbie-nightmare-house · 2 months

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I just finished my (???) rewatch of season 1 and I’m restarting season 4 and I genuinely think I have developed a narrative that explains the supernatural elements and it started because I WAS GOING THROUGH MY BOOKSHELF TODAY FOR INSPO TO WRITE THIS FUCKING FIC AND I OPENED A BOOK I HAVE NEVER READ— WHICH I BOUGHT IN A CREEPY SECOND HAND STORE YEARS AGO BTW— AND UPON SKIMMING I OPENED TO A PAGE WITH A HORNED GOD

AND THEN I STARTED RESEARCHING AND I SWEAR TO GOD I HAVE A THEORY I SWEAR TO GOD IM ON SOME SHIT RIGHT NOW IM PROCESSING BY SPEWING NONSENSE AT MY FRIEND BUT I SWEAR ITS GONNA MAKE SENSE

#I’m gonna have to consult the academically reviewed resources #Reddit and Wikipedia #but I don’t think anyone has threaded the theory to completion AND IM FLOSSING MY FUCKING TEETH WITH IT #RIGHT NEEEEOOOOW #holy fuck holy fuck once I get this fully formed im going to create the most incomprehensible Reddit post #fuck fuck fuck #rust cohle #true detective season 1 #true detective season 4 #I see everything #I SUHWEAAAR IM ONTO SOMETHING MAJOR #JUST GIMME ANOTHER WEEK CAPTAIN #mentally I’m a chain smoking detective that’s stabbing my thumb meat on a push pin #FUCKKKK #I can’t wait to get downvoted #I can’t wait for a 43 year old divorced father to tell me I’m a moron #trash bin tag

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anaid-arghem · 12 days

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Williams teammates in 1996.

#this is so silly im sorry #i watched the season reviews from 1994 to 1996 #then heard the audio and the idea wouldn't leave my head #it's been a long time since i made an animatic oof #f1 memes #f1 #formula 1 #classic f1 #damon hill #jacques villeneuve

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thealogie · 6 months

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The funniest part of the 1992 script is how the Hollywood execs were so clearly like “ok we love this idea you had of two guys - one nice one evil - hanging out and not wanting to do their jobs. But can we lose literally everything else? we hate the convoluted baby swap and the kids playing games and the witch finder stuff.“

#and I bet they read all the season 1 reviews that were like ‘we are sad when not about the leads’ and thought ‘we tried to tell you’#1992 omens

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after-nine-at-the-oasis · 27 days

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EVAN BUCK BUCKLEY IS BISEXUAL!!!!!!!

WHOOOOOOOOOOO 🥳🥳🥳🥳🥳🥳🎊🎊🎊🎊🎊🎉🎉🎉🎂🎂🎂🥺🥺🥺😭😭😭😭😭❤️❤️🥰🥰🥰🥰!!!!

#IT'S CANONICAL #SCREAMING SOBBING THROWING UP #HOOHHHHHHHH MY GOSH #9-1-1 #911 #oasis's 9-1-1 chatter #bi buck #evan buckley #the bi buck tag is for me slfkfhsld #9-1-1 spoilers #911 spoilers #911abc #911 on abc #we are about to be trending at one for so long #y'all I stopped my review for this #I also think I stopped breathing when it happened #I was literally screaming #whisper screaming because my mom was washing dishes in the next room but OH MY GOSH #I was catching up on my liveblogging and literally just stopped as the scene was getting more and more sud #I was drawn in and also wanting to pay attention #and then as it happened I said SCREW IT I'M TYPING I'LL COME BACK slfkghs xD #my gosh #losing it <3333 #guys #guys :'DD #we DID IT #oh my gosh #oliver must be so happy genuinely lol #wow. buddie soon guys :')) but I am NOT disrespecting this victory #AFTER SEVEN SEASONS :'DDDD he's finally there :')) ❤️❤️❤️😭😭🥰🥰🥰🥰🥰

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gregorovitch-adler · 8 months

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A date after the crisis has been averted, at least temporarily.

You know you're down bad, completely fucked up in love when THAT is your reaction when your crush has (jokingly) called you a bastard. What's even the point, now? You're doomed!

So, I've finished watching Season 1 for the first time and here are my thoughts:

1.) I love the writing of this season overall. I haven't read the book, so can't make a comparison, but Satire is one of my favourite genres, and I love it when things like Religion and Righteousness™ are questioned and satirised.

Also, I loved how witty some of the dialogues were. This one, for example:

"I don't see what's so wrong with them (Adam and Eve) knowing the difference between good and evil." (Crowley says).

"It must be, otherwise you wouldn't have done it!" (says Aziraphale).

It effectively calls out the lack of reasoning and blind faith in the real world.

I love how nuanced these two are. Crowley is a demon and pretends to be the Big Bad but time and again proves that he does care. Even when he doesn't want to.

As for Aziraphale, he's a good person overall but it's not like he always makes the right choice. He's fucked up too. And he has said hurtful things to Crowley. For eg. he didn't have to say, "We're not friends and you and I are on the opposite sides," to Crowley. I know he was trying to protect Adam Young at first, but still.

Aziraphale is quite stuck in his own prejudices. He wants to be with Crowley but still feels compelled to be loyal to his own side - even when the other angels have been nothing but arses to him the whole time.

Crowley is more open-minded in that sense. He's got greater vision and clarity about what he wants and the things that matter to him - he's been pretty much upfront about wanting to be with Aziraphale and ditch this nonsense about the good side and the bad.

I guess that was the whole point they were trying to make in this show.

2.) Aziraphale and Crowley are head over heels in love. I know, old news, but let me as a new fan just gush about it for a second.

Ever since they meet for the first time - when Adam and Eve are escorted to Earth - their chemistry is off the charts and it looks like they're perfect for each other.

Since Episode 2, it's clear that they have feelings for each other but they don't talk about it.

I love how even with his prejudices, Aziraphale is totally with Crowley when they want the Antichrist to be a completely normal child. Aziraphale wants the same things as Crowley but doesn't want to say it out loud.

The scenes where Aziraphale dresses up as a gardener and Crowley shows up as a nanny are hilarious. That too with the wrong child because of that mix-up eleven years ago!

This is my favourite scene:

It's ... nothing needs to be said. He's practically glowing with his love for the Demon.

Their banter, and the way Crowley playfully teases him sometimes - it's absolutely perfect. I love them.

3.) Coming back to my point about the other angels, can I just say I hate Gabriel? Fuck that guy.

He's the most despicable character of this show. I don't know if he gets better or worse in the next season, but for now, fuck him.

I guess I hate anyone who bullies and is condescending to Aziraphale lol.

I hate him even more than Hastur. Hastur is at least supposed to be cruel because he's a proper demon. People like Gabriel - who're supposed to be good but are actually assholes - can fuck off.

4.) I don't know if I missed it when it was being explained, but why is Crowley stuck in traffic in E5?

I know there's a huge demon prayer ring of fire set up by Adam Young but Crowley is a demon, and demons aren't bound by Physics, or so the God narrator told us. Couldn't he go to Tadfield any other way?

Also, why did Hastur burn to death in that episode? I thought the only thing that kills a demon is Holy Water.

Maybe I was being dumb when I watched the show lol. Would appreciate it if someone clarified this point for me in the notes.

5.) Whoever did the voice acting of God did a fantastic job. She had a lot of sarcasm in her voice at many points and I loved that.

Also, seeing Michael Mckean as Witchfinder was such a pleasant surprise! I'm a huge Better Call Saul fan.

6.) I loved the humour of this show. These two scenes were the funniest:

7.) Crowley's walk was my absolute favourite thing:

That's all for now. See you again once I'm done with Season 2.

#good omens #good omens season 1 #first time watch #new fandom #new fan #aziraphale #crowley #crowley/aziraphale #aziracrow #ineffable husbands #my thoughts #season 1 review and ramblings #meta #review #show blogging #live blogging

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chaneajoyyy · 10 months

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Lemme see more mystery on episode 2 of FROM

#let’s chat #sip tea #talk tv #talk from #talk horror tv shows #talk horror #from #tv shows #horror tv shows #horror tv #i love horror #spoilers #beware spoilers #from spoilers #season 1 spoilers #season 1 reviews #season 1 #1x02 #live-blogging

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voydcat · 2 months

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I just binge-watched all of Hazbin Hotel season 1

Phenomenal soundtrack and character design, character writing and voice acting is great, animation is wonderful, the story is a little shaky sometimes but that’s just life

Husk, Lucifer, and Rosie are my favorite characters

Loser Baby is the best song don’t @ me

Can’t wait for season two even though it’s gonna be five fuckin years

#hazbin hotel #hazbin hotel review #hazbin hotel season 1 #hazbin hotel husk #hazbin lucifer #hazbin rosie

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5-pp-man · 2 months

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another tierlist because ppl actually liked that first one;

the crème de la crop;

the first 2 eps i thought it was fine, but it didnt really captivate me as much as id hoped. but then ep 3 changed everything for me. i started to think "how could living armour work logically? everything so far has been edible, so this must be too, right?" i actually managed to think of the exact thing that this series did. that really made me realise the worldbuilding in this was something unique, and it only got better and better with each episode. its really managed to captivate me and i look forward to "delicious donderdag" every week :)

ANIME ORIGINAL LETS GOOOO absolutely bonkers show that almost slipped by me because it initially tried to fool its audience into thinking it was a regular dramatic military show. it still is but theres also a giant robot who plays by saturday morning cartoon giant robot rules. if that sounds like tonal whiplash to you, trust me, it is. and its amazing. have i mentioned how homoerotic this one is as well? yeah. originally a tier below this one, but immediately after finishing this post i watched the newest ep. i had to make an exception and edit the list because ep 9 changes everything. i havent been gobsmacked by a show this hard in a while.

(return of the) show(s) that execute their own premise very well;

i havent read the manga for yubisaki to renren so i cant compare, but the quality of this adaptation has been very consistent. you need a little sweet romance every once in a while :) this is one of those series where the characters really grew on me the longer it went on. im always a fan of mixing realistic struggles with romance and this one has been doing it well so far

adaptations that are ok (i read the manga for both of these);

i've been a mashle fan since before s1 aired. and the anime has some good changes and additions here and there! but its not very consistent in terms of quality, it does that shonen thing where the animation quality suddenly spikes for certain action sequences, but it also frequently had a lot of scenes where they recycle shots a lot and nothing interesting happens on the screen for a considerable amount of time. still! its a fine adaptation. and yeah the op for this. blew tf up lmao? very strange to see happen in real time

i actually rlly like the manga for this one. i read the whole thing up until vol.6 before the season started (all that was available back then) and it made me cry multiple times throughout. i was sort of missing that connection with the show, though some of the later episodes still hit. its mostly to do with the animation quality, which isnt that great unfortunately. the voice actors are knocking it out of the park though

wghere am i;

is this show good? i. uh. will you hate me if i say yes...? objectively, i know its not that good. especially in the animation department. but if you like other Umatani shows, you'll like this one. it's got the same brand of goofy reactionary humour mixed with gimmicky tacky characters and crazy stupid plot twists. ive been faithfully watching this one each week and I'm afraid i've become very invested. overscientific indeed

bro you fell off...;

i was so beyond excited for this one. i replayed the op a million times, watched each preview, rewatched multiple episodes. and then. ep 5 happened. and i started to realise. oh this show kind of sucks doesnt it? the pacing of the first ep was great, but the rest? way too fast. it became clear with ep 6 that theyre trying to do a double cour show with half the length, which is why they started hauling ass plot-wise. now. i was an arajin apologist for the longest time. but at that point i honestly started to loathe him. even when he stepped up, his praise still felt sort of unearned. and to top it all off, shindou's motivation sucked so he felt like a lousy antagonist. ep6 was better than 5, but it really made me lose my enthusiasm and hope for the series. and right as we were talking about them probably not having time for a filler ep, ep7 happened. feels like a waste of time to do an ep like that when you've still got a whole 2nd arc to go through. but who am i

it started off pretty good honestly. but then chris went to the hospital and it kind of just dwindled from there. this season does so much with characters that have not even been properly introduced like how am i supposed to care about these people if i barely know who they are. the stuff with finn and leo respectively was good though. but the lore dump? lord help me. also vijay just kind of. exists to be there in the background huh? i would not call him a main character they never give him any attention. wendy had another ep again and he didnt get shit. again. also i think finn was stupid as fuck for not listening to lala but again. who am i. i know we cant destroy high card because we need a show but. cmon man.

i am severely behind on these;

reason why im behind is because most of the eps are a bit heavy so i kept. not watching them. its starting to get rlly interesting though so i'm def gonna catch up this is one of those robo-racism shows so i have to really watch out to see where its going. dont want another marginal service situation...

sorry this is just. a little too boring for me. its charming, sure. but i think this wouldve worked better as something with an 11 min timeslot instead of 23 min. theres just a bit too mu- or well, too little for me to rlly get into this. i think reading it would be more fun for me personally

#dungeon meshi #yubisaki to renren #yuuki bakuhatsu bang bravern #30 sai made doutei dato mahoutsukai ni nareru rashii #gekkan mousou kagaku #bucchigiri?!#high card #metallic rouge #kyuujitsu no warumono san #delicious in dungeon #a sign of affection #brave bang bravern!#bang brave bang bravern #cherry magic!#delusional monthly magazine #bucchigiri #mr villain's day off #i did the review a bit later into the season this time around. so my thoughts are more in order and ive already dropped a few things #theres also 1 more category this time #also if youre curious; i ended up finishing everything from last season except for the 2 series in the couldve been better category #i finished a bunch of them way later though but shhh. im also planning on finishing the last 2 at some point. esp since ke is getting a s2 #like wtf. who couldve seen that coming.#tedpost #tedtalks #tedlists

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jbuffyangel · 2 months

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Survive: Arrow 1x23 Review (Sacrifice)

Well, my friends… we made it to the end of Season 1. Arrow’s first season was often uneven as it searched for the magic to bring it all together, but supported by fantastic stunts and fight scenes, and a great hero's journey story.

That said, they deliver on the finale. “Sacrifice” is tense, exhilarating and, above all, tragic. In the eight seasons, the Season 1 finale still has me emotionally traumatized and is definitely my most mourned character loss on the show.

But there is massive hope for Olicity in some very key scenes, while Laurel & Oliver are left in the wreckage of the Glades.

This review is particularly spoiler heavy for Season 2. I cannot tell you how many times I started and restarted Arrow Season 1 reviews. It’s taken me the better part of a decade, so I am absolutely thrilled to say -

Let’s dig in…

Olicity (and Diggle)

Is Olicity the focus of this finale? No, not even close, but that’s okay. In fact, it’s very good. This is Season 1 friends. We are at the beginning of the story. Not the end. Oliver and Felicity are just getting started and Arrow makes it abundantly clear with scenes that echo through the show until the series finale. The absolute last thing we want is Oliver to get the girl in the Season 1 finale. *cough*Lauriver*cough*

Oliver left Laurel’s bed in 1x22 to take Malcolm down for good. He gets his ass handed to him on a platter instead and then Malcolm literally strings him up. Shirtless, sweaty and in chains. THIS IS A FAMILY SHOW. Get your head out of the gutter. HA! Just kidding. I’d never tell you that. Here’s some gifs of Oliver chained up and half naked. Enjoy.

Source: PaigeOTA

Diggle rescues Oliver after he already rescued himself, but it’s the thought that counts. Felicity is on her way to the bunker when Detective Lance picks her up.

Source: @felicitysmoakgifs

Paul Blackthorne is an actor’s actor. He is truly great, but Emily Bett Rickards finally gives Blackthorne someone to bounce off of. It makes the interrogation scene hilarious, but also sincere as Felicity voices the mission statement of the whole show.

Source: @felicitysmoakgifs

Detective Lance is a damn good cop (minus the fact he never pieces together that Oliver is the Hood, but that’s not really his fault. Oliver gaslit his suspicions masterfully). He reads Felicity Smoak for filth with the evidence he has on her. This is about the time Felicity should be asking for a lawyer, but it’s Oliver to the rescue instead.

Oliver actually calls the cops to report a crime! It’s really shocking quite frankly. He tells Lance that Merlyn is going to blow up the Glades and it needs to evacuated. Even more shocking than Oliver reporting a crime is the fact that Lance listens to him! See boys? Isn’t it better when we use our words?

Oliver feigns ignorance when Lance says he has Felicity in custody.

Alright he lies better than that, but Lance buys it because they have bigger fish to fry quite frankly, so he lets Felicity go.

Source: @livelovecaliforniadreams

Laurel told Oliver he was too selfish to be the Hood. Then she called the Hood a killer. Tommy called him a murderer after he learned Oliver’s true identity. Yes, the Vigilante/Hood has killed, but we’re not watching the story of the Vigilante or the Hood – the killer. We’re watching the story of Oliver Queen – the hero.

This is the first time the show has uttered the word "hero" in relation to masked man in the hood (I think? Feel free to fact check me) and it's said by none other than Felicity Smoak – the guest star, the girl Friday, the comedic relief. Or any other term those who failed to believe in this character liked to call Felicity to minimize her importance in the story. But the writers are not minimizing Felicity. They are elevating her.

Felicity admits initially she thought the Hood was a killer, but then she found out it was Oliver Queen. From the moment Felicity met Oliver she saw the light inside him. She sees who Oliver is and who he can become. In Felicity’s eyes there are no grey zones when it comes to Oliver Queen. There are no moral quandaries. Felicity knows both sides. She knows the hood and the man. She sees him as a good man who selflessly sacrifices for the people of Starling City every day.

Quentin: She says you care about the people of this city. That it needs you.

Felicity is telling Lance instead of hunting the Hood he should be working with him. And you know what? It works! Felicity has an impact on Detective Lance. He’s second guessing his approach to the Hood.

It used to be Laurel who was extolling the virtues of the Hood to her father, but now it’s Felicity. This shift is so incredibly subtle, given all the other Laurel activities in the final two episodes, but so incredibly important.

If you look at the history on superheroes (which is modern day Greek mythology) there is always one person who believes in the superhero, calls them a hero before anyone else, and loves the hero unconditionally – particularly when it’s inconceivable for the two to be together. That person is typically the superhero’s great love.

So WHY are the writers giving Felicity Smoak a love interest speech in the Season 1 finale? Particularly when Oliver just hopped out of Laurel Lance’s bed. Riddle me that kids! It’s also the line from which the episode title is pulled from – a significant factor when you look at the history of Arrow. This is the first time a series finale episode title is pulled from a Felicity Smoak line, but it’s not the last!

It’s Felicity who figures out where Merlyn has hidden the earthquake machine. The friggin map in Oliver’s book did actually mean something guys! Points to those who cared. I was not among them, but I rejoice in your win.

The device can be remote activated, so someone needs to find it, but Oliver isn't leaving anything to chance. He wants Diggle in the field to deactivate the device. But this leaves Oliver to fight Merlyn alone.

Diggle: He’ll kill you, Oliver.

Oliver: I know.

Can we talk for a moment about the absolute resolution in Oliver’s voice? There’s no fear. Not even sadness really. This is the way the battle ends – the way it was always going to end. Oliver came home to save his city, but it means sacrificing his life. Oliver is not suicidal, but he’s resigned to his fate.

Except, bit by bit, Oliver has allowed people he loves back into his life. That impenetrable wall, the one that made him almost machine like in the beginning of the season, has softened a bit. Those people are the tethers to his life and make it more difficult for Oliver to just let go now. He loves and is loved returned.

As far as Diggle speeches go, this is one of the greats. Oliver accepts Diggle’s help, but balks when Felicity volunteers to deactivate the device while John fights Merlyn with Oliver.

Oliver looks so proud of Felicity in this moment, particularly when she refuses to leave his side. So much is said between these two in just a single look. I am feeling verklempt.

Oliver cannot focus on fighting Merlyn if Felicity is not safe, so he calls Detective Lance for a second time and asks him to deactivate the device. He volunteers Felicity to talk Quentin through it. Yes, Oliver is willing to sacrifice his girlfriend’s father to save Felicity (HA!), who shall be hereby known as his Not Girlfriend-Girlfriend.

Lance and Felicity are successful. They deactivate the device. Oliver beats Malcolm, but he doesn’t outsmart him. There was a second device, and the team must watch helplessly as a portion of the Glades crumbles around them.

Source: @yet-i-remain-quiet

Oliver hears her voice and his first thought is of Felicity's safety. His second thought is of Laurel’s safety, once Felicity tells him the location of the damage. (Jen evil grins).

Admittedly, I missed all of these moments the first time I watched. I didn’t realize the importance until the Season 2 finale and I began this blog. The way Felicity sees Oliver Queen is the way he will be seen someday, but not in Season 1. He will become a hero, but this failure and loss will be one of many incredibly painful sacrifices in that journey.

There will be one woman, in a hero’s journey of her own, who will be integrally linked with Oliver. The one woman who saw Oliver Queen for who is truly is and believed in him from the beginning. The one woman he trusts and depends on. The one woman whose unconditional love helps Oliver Queen become a hero.

But it’s not the woman promised in the pilot.

The story shift was there all along my friends. We just had to look.

Lauriver and Merlance

The dreaded love triangle of Season 1 resolves itself in the most heart breaking and disastrous way possible. Actions have consequences, my friends. Don’t ever forget it.

A very drunk Tommy decides to pay his “best friend” a visit after witnessing his sex romp with Laurel. Tommy still can’t even bring himself to say sex. He refers to kissing, but come on my son. We all know where they were doing.

Oliver gives a classic sorry not sorry response and tries to pivot the conversation to Tommy’s mass murdering psychopathic father. Why Oliver feels the best time to share his father's evil mastermind plan is when Tommy is three sheets to a very drunkity drunk wind is beyond me. Oliver has the emotional intelligence of a stump in Season 1. I can’t even call him a pine tree yet.

Tommy swings on Oliver after he brings up Tommy’s mother. Yes, Oliver is trying to explain Malcolm’s motivation for destroying the Glades, but it’s just a step too far after banging the love of Tommy’s life. Oliver side steps it easily, but I wish the writers would’ve given Tommy that punch. Oliver completely deserves it. Not more than three seconds after telling Tommy to fight for Laurel, Oliver shows up at her door for an illicit sex romp. YES, I SAID ILLICIT. COME FIGHT ME.

Oliver: The difference between us Tommy is that I didn’t find out the truth about my father until it was too late. But you’ve always known, deep down, you have always known the man he is.

Tommy: I wish you would’ve died on that island.

This lands harder than any punch Tommy could’ve given Oliver.

After discovering her bed empty, Laurel pays Oliver a visit at the Queen Mansion because understandably she has questions. Like WHAT THE FUCK OLIVER???!!!

One of the first posts I wrote for Something to Live For was “Moments of Truth: Oliver’s S1 & S2 Queen Mansion Love Confessions.” You can still read it. I stand by every word of it. It’s funny that in ten years my perspective on this scene between Oliver and Laurel has not changed at all. I will try not to repeat myself too much, but the bottom line is the scene is not believable. There’s too much dishonesty. That’s the crux of my problem with it.

It’s supposed to be the big love confession between Oliver and Laurel. The entire season has been building toward it. Oliver assures Laurel that he’s not reverting to form by leaving her bed in the middle of the night with no note. Laurel believes Oliver is scared again and he’s running away – just like last time.

Oliver assures Laurel that he’s not afraid and there’s so much he wants to tell her. For the first time, we hear Oliver’s perspective on the island. It didn’t change him. It just stripped away all the things that he wasn’t, which was the person Laurel always saw.

I do not agree with Oliver’s perspective on island AT ALL. This is a beautifully prepared speech and I’m sure it made Laurel feel really good, but it doesn’t make a lot of sense when you parse it out. Lian Yu means purgatory. You suffer in the fire of your sins in purgatory. That pain and suffering is redemptive. It forms you into something new, something better. I do not believe Oliver was always a hero deep down. I believe Lian Yu burned him like molten steel until he was remade new. Ollie Queen died on that boat with his father, and he was formed into someone one else… something else to survive.

Agree to disagree, Oliver. Except, I am right, and you're wrong BECAUSE TREE STUMP.

Laurel believed Oliver could be more than a selfish, cheating, lazy, entitled, spoiled playboy who lived off his father’s money and did whatever he pleased, regardless of who it hurt. Laurel could see the potential in Oliver, but the writers never truly quantify what that potential is. I do not believe she meant a crime fighting archer who vigilantes by night and is a reclusive bar owner by day.

We don’t know what GOOD Laurel sees in Oliver. She’s basically mute on the topic. All Laurel will say is Oliver changed. So, we’re just supposed to accept that Oliver is a different person and the person he is today is the man Laurel always believed he could be. Ok. It would just be nice if Arrow would SHOW us that rather than tell.

I don’t want to rag on Laurel too much, because she’s really not my primary issue is this speech. She’s just the object of Oliver’s word vomit. And like I said, girlfriend has put in the YEARS, and this is probably the first time he’s articulated what she means to him. So, a win for Laurel I guess. However, hallow it is.

No, my issue is with Oliver. Not just in what he’s saying but in what he’s NOT saying. Oliver never tells Laurel that he’s the Hood. HE’S STILL LYING TO HER. Oliver is on his “nobody can know my secret” trip, so some of this we’ll just have to attribute it to being Season 1. But this is the big speech about who he truly is, so it would make sense for Oliver to tell Laurel WHO HE TRULY IS. He even says there’s so much he wants to tell her, but then doesn’t tell her anything.

Let’s remove the safety concern. This leaves two options. The first is Oliver intends to save the city, hang up the hood, and live a peaceful life with Laurel. The second is Oliver does not anticipate surviving this fight with Merlyn, so doesn’t feel it is necessary to tell Laurel the truth because he’ll be dead.

I’m a glass half full girl. Also, they are shining a big old spotlight on Oliver and Laurel as they kiss, so I think the first option is most likely. It’s also the reason Oliver raced over to hop into bed with Laurel the previous night. Oliver NEVER plans to tell Laurel he’s the Hood the same way he never planned to tell Tommy (or Moira, Thea, etc.).

The problem is, Oliver wants a new life with Laurel, one built on trust because trust is their big issue (because all the lying and cheating). But in order to have trust, there must be honesty. Oliver cannot hope to have a functional relationship with Laurel if he’s keeping a secret this big. Laurel deserves to know all sides of Oliver Queen - the man and the hood. Anything short of that proves Oliver hasn’t changed at all. Not when it comes to Laurel Lance.

The second option is very dark and twisty. He’s giving it one last go, telling Laurel how he feels, before he marches off to battle and dies. Is this something Oliver Queen would do? Absolutely. I’m just not convinced this is where his head space is at in this particular finale. Oliver is celebrating with Laurel like he already saved the city. But he hasn’t done anything yet, so the pacing of this scene feels very off. We’re in the middle of the episode, but it feels like the end.

Things brings me to my biggest problem with this speech – Oliver never says “I love you” to Laurel. This is the big love confession speech, but there is no “I love you.” Oliver says a lot of stuff, but he never says what’s really important and what Laurel truly deserves to hear.

You only put the couple together this early in an episode to break them up at the end. Cleary, Lauriver is going to be sacrificed on the altar of Starling City, but we don’t know how or why. We get our answer at the end of the episode.

NOW we get to rag on Laurel. Both Oliver and Lance tell her to stay out of the Glades, but does she listen? NO. Laurel and the rest of the staff at CNRI need to save paper. Yes, you read that correctly. PAPER. Apparently, all the clients would lose everything if they didn’t save the files. It was 2013, not 1954!!! Throw a litter of kittens or something in the building to make it make sense!

Of course, the building collapses and of course Laurel is trapped under a cement block. Ugh, just leave her there. I’m so over it. DIE WITH THE PAPER LAUREL! BE ONE WITH YOUR FILES!!

But it is not Oliver, dressed as the hood, ready to reveal his secret and save Laurel like we expect. It’s Tommy. Beautiful, precious, wonderful, cinnamon roll Tommy Merlyn who immediately tells Laurel the one thing Oliver Queen has not.

You can pinpoint the moment where Laurel realizes she made the biggest mistake of her life.

Tommy was always honest with Laurel. He loves her unconditionally. Tommy put Laurel first and made her laugh. They built a peaceful and happy life together. Tommy Merlyn was already the man Laurel wanted Oliver to become. He’s the man who truly deserves her. It wasn’t Oliver’s love confession we were waiting to hear. It was Tommy’s. It was always Tommy.

Laurel knows Tommy was the right man, the better man, for her but now it’s too late. She can never tell Tommy loves him. Laurel can never choose him. She can never make it right. All we can hear are her anguished screams as the building collapses around Tommy.

I’ve had my disagreements with Katie Cassidy over the years, but holy crap was her acting amazing in this scene. She sold Laurel’s despair and devastation. This is easily one of my favorite Laurel Lance scenes. Perhaps only surpassed by 3x01, but it’s an awfully close second.

Quentin: You have to promise me one thing Laurel. You’re not gonna die along with me. You have to go on with your life. After your sister died, I pushed people away. I became like a ghost, and I didn’t think I had the right to live if my baby couldn’t. Promise me you’re not going to make the same mistakes as I did.

Can someone just give Paul Blackthorne an award. I don’t care which one. Just give him awards. This scene, while a heart-breaking goodbye between a father and daughter, also perfectly sets up Laurel’s Season 2 arc. If Oliver Queen has taught us one thing it’s that you can physically survive, but emotionally may be a completely different story.

Laurel is begging for someone to help Tommy and when we see Oliver’s motorcycle it gives us a glimmer of hope that maybe he arrived just in time. Oliver removes the fallen concrete boulders away, but there is a rebar through Tommy’s chest and then we know it’s too late. Tommy’s final moments will be with Oliver.

There are more physically traumatic deaths on Arrow, but no other death impacted me more emotionally. He was not a perfect man, but there was a real light in Tommy Merlyn. He exuded humor and charm, but underneath all of that, was a truly kind and earnest man who wanted to be a better person, not only for the woman he loved, but for himself. And Tommy became a better man. In a series about hooded vigilantes, it’s easy to lose sight of what makes someone a good person. You don’t need to save a city. You just need to show up every day for the people you love. That’s all the heroism most of us really need.

Oliver knows one of the main reasons Tommy broke up with Laurel was because he felt he’d never measure up to Oliver. He could never swoop in and save Laurel like the Hood could. Tommy felt he wasn’t enough - Laurel wanted a hero. This is Oliver’s way of telling Tommy he is one. In the end, Tommy was everything Laurel needed him to be and more. Oliver is realizing this just like Laurel. Sometimes the clarity of death exposes the lunacy of our life choices.

If I didn’t love Oliver Queen so much, I would hate him for inserting himself between Laurel and Tommy. But I don’t need to hate Oliver Queen for his decisions. He’ll hate himself enough. I must forgive Oliver because he is incapable of forgiving himself.

Tommy never wanted to be like his father, which is why joining his company was so disheartening. We thought we’d lose Tommy to the darkness, but he proves once again he is the antithesis of Malcolm Merlyn by asking for Oliver’s forgiveness.

Oliver has been chasing forgiveness all season and what is so beautiful about this moment is how freely he absolves Tommy. Oliver refuses to accept Tommy has anything to even apologize for (which is correct). Sometimes when we are not forgiven it can harden us against those who require our forgiveness, but that hasn’t happened with Oliver Queen. There is a heart that loves deeply underneath that fortified wall of pain and we are watching it break.

Source: @olivergifs

Tommy asks Oliver if he killed Merlyn and Oliver says no. It’s a lie, but a merciful one. Tommy leaves this world for the next with a thank you as his final words to his best friend and Oliver shatters. He was ready to die to fulfill his mission, but he was not prepared to lose Tommy. Oliver begs God to switch places, but Tommy does not open his eyes. There is no reprieve from this grief. Tommy died and Oliver survived. It is a sacrifice much too difficult to bear.

I was absolutely gutted after this episode. It’s still hard to watch these final scenes to this day. I truly do not see how Laurel and Oliver overcome Tommy’s death. If Lauriver is the Titanic (and it is) and Sara was the iceberg, then Tommy is the split down the middle that sends the ship plummeting to the ocean bed. Quite frankly, I don’t understand how they ever overcame Sara, which is another problem with the big love confession in the mansion. Neither of them is being honest about their reasons for resurrecting this corpse of a relationship.

This is why Tommy is a death knell to Laurel & Oliver’s relationship. There is a confluence of events which led Tommy to that building and the primary factor (other than Laurel and her papers) was betrayal. Sure, all the technicality boxes are checked. Laurel and Tommy broke up, but boy did Oliver & Laurel have a hell of a time at the wake. (re: Rachel and Ross). Oliver betrayed Tommy just like he betrayed Laurel with Sara. And now Laurel is culpable in the same betrayal that made her wish for Oliver’s infinite suffering. This guilt is inescapable, and it will drive them apart.

Tommy is the nail in the coffin. Lauriver is dead and it needs to stay dead.

***Did I know this after watching the finale the first time? Nope. But I’m here to save you a lot of heartache, stress, and worry. You’re welcome. Enjoy Season 2!

Malcolm Merlyn

I haven’t written much about Merlyn and the Dark Archer primarily because we haven’t heard much from him outside of his conversations with Moira and flashbacks with Robert Queen. His motivations, albeit depraved and evil, are simple. His wife died in the Glades; therefore, the Glades must die.

Malcolm: You mother built her clinic in the Glades because she wanted to save this city. It can’t be saved. Because the people there don’t want it to be saved.

Tommy: So, you kill them all?

Malcolm: YES! They deserve to die, all of them, the way she died!!

“Sacrifice” showcases John Barrowman’s acting ability because he’s allowed to unleash the crazy, particularly when he explains his master plan to Tommy. Daddy is one friggin scarry fruit loop!

We also get some great super villain monologuing and much-needed philosophical debates between Malcolm and Oliver.

Oliver: Do you really think you’re honoring Tommy’s mother by destroying the Glades?

Malcolm: As surely as you believe you’re honoring your father by wearing this hood. Not a day goes by that I don’t miss your father.

Oliver: You’ll see him soon.

Malcolm: You can’t beat me, Oliver. Yes, you’re younger and you’re faster, yet you always seem to come up short against me. Wanna know why? Because you don’t know in your heart what you’re fighting for. What you’re willing to sacrifice, and I do.

This dialogue is so great! Classic good versus evil. The best villains are ones with emotional ties to the hero. The best villains are often the dark reflection of the hero. The terrifying part of Malcolm’s monologue is he’s right.

There is a thin, but discernible line between Oliver and Malcolm Merlyn. Oliver is choosing to murder guilty people to honor his father. Merlyn is murdering innocent people to honor his wife. It’s a big difference, but Oliver lacks the firm moral high ground needed in this conversation, which is why he silently twists helplessly in the chains.

Oliver’s own actions have handcuffed him in a way. He is a killer just like Malcolm. Yes, he killed bad people, but not always because he had to. Oliver killed to exact justice (revenge?) too. A justice based on his convictions and beliefs alone. But what does Oliver believe?

We can justify just about anything in this world if we want to, which is why it’s so important to have a moral code. Without one, you’re just making it up as you go along and it’s very easy to be pulled off track. Oliver’s code in Season 1 was the list of names. He thought saving the city was as simple as crossing names off a list. Oliver believes he was honoring Robert by making those who hurt the city pay for their unanswered crimes.

Felicity answers Malcolm’s question about sacrifice when she tells Quentin Lance who she believes the Vigilante is. She’s right. Oliver is willing to sacrifice a lot to save strangers. People he’s never met but feels a responsibility for because of the sins of his father. It’s not an insane idea. Some carry the weight of our parents’ failings and recognize themselves in Oliver Queen.

Both men are clearly willing to sacrifice their own lives. But Malcolm will sacrifice anything and anyone for his mission – including his own son. For Oliver that price was too high and one he never anticipated paying.

Tommy is not the only death in the series finale. Yao Fei dies in the flashbacks and its brutal. As we peel back the layers of Oliver Queen, we see how truly traumatizing those years away were. It’s freaking miracle Oliver can even function, let alone fight for his city. The symmetry of fighting Malcolm, the man who sent Oliver to Lian Yu, with Yao Fei’s’ bow, the man who saved him from Lian Yu, is exceptionally beautiful.

The rooftop battle between Malcolm and Oliver is the level of awesome I require in a series finale fight scene. In the end, Oliver kills Malcolm but fails to save the city. Primarily because Merlyn outsmarted him and used two earthquake machines. But Malcolm also beat Oliver because he was right. Oliver does not know what he is truly fighting for. A list of names is not enough to save the city and honor Robert Queen.

Oliver: Thank you for teaching me what I’m fighting for, but my father taught me how.

It looks like Malcolm will kill Oliver in the final moments of their fight, but Oliver flashes back to that moment on the boat with his father (like he did a thousand times on the island and over the course of the series) and recalls what his father instructed him to do: SURVIVE.

Oliver Queen has an indomitable will to survive. It’s the promise he made to his father. It’s what kept him alive the five years he was on the island. It’s why he ultimately beats Malcolm Merlyn. Pure determination.

But survival isn’t enough. None of us are here to survive life. It’s not a moral code. It’s why Oliver falls woefully short. Robert Queen taught Oliver how to survive, but it will take someone else to teach him how to live. Until he learns that lesson, he will never be the hero Starling City needs.

Stray Thoughts

The earthquake machine being at the location of where Malcolm’s wife was murdered does have a nice poetry to it. Crazy poetry. But poetry.

Oliver killing Fyers with Yao Fei’s bow which is the justice I needed. He also chooses to save Shado’s life over securing a ride home and we hear the Hood’s voice for the very first time. The evolution is happening!!!

Malcolm stops an arrow with his bare hand. It was friggin cool. It was even cooler when Oliver used an explosive arrow the next time Malcolm tried to pull the same trick.

“I take back every joke I made about you putting a tracker in your boot.” I love when this show tackles potential plot holes and the solutions make sense.

Fyers is shooting down a commercial airliner to mess with China’s economy like what happened to the USA on September 11th. I'm not a fan of killing, but anyone trying to repeat 9/11 needs to die.

Shado is really the hero in the flashbacks. Homegirl reprogrammed a missile and blows up the camp!

“What are laws, rules, if they don’t protect people?” Detective Lance is grappling with his own moral code and gets suspended. Quentin teaming up with the Hood? I am 100% down for this storyline.

Oliver: What about those people in the Glades?

Moira: I’m not their mother.

I’m as fierce a Mama Bear as any other mother, but this is not a good look Moira. I love that Oliver finally tells her how Robert died and that they have an honest conversation about Moira’s choices.

Moira going to the press to expose Malcolm Merlyn was AWESOME, but couldn’t she have thought of that like, I don’t know, twenty-three episodes ago?

Laurel is wearing green in the mansion scene. No, not even symbolic color coding will make me love these two. And that means a lot coming from me because symbolism is my freaking jam. This also includes the sunlight shining on Lauriver. It's a red herring. Pay it no attention.

Moira DEARDEN Queen. Wave hi to another comic book reference.

Thea goes to the Glades too to save Roy which makes her the second stupidest character in this episode. DOESN’T ANYONE HAVE A PHONE? JUST CALL HIM THEA.

Don’t pull the knife out, John. That’s literally the last thing you do.

“You fucking dumb ass.” My note while watching Laurel collect all the paper.

They should have killed Laurel and Tommy should have become the next Dark Archer. It would've been a waaaaay better story. They saved the wrong character. The Season 6 appearance by Colin Donnell supports this theory.

Just so you know where I was at emotionally in May 2013. On Wednesday I watched Tommy die on Arrow and then Thursday, on The Vampire Diaries, I watched Elena choose Damon while Stefan was trapped in a safe at the bottom of a lake drowning repeatedly. It is easily my worst series finale week EVER. Including Grey’s Anatomy Season 5 and 6 finales (hello trauma) and Pam dying on Dallas (I was six and thought she really died).

Listen to the Watchover podcast reaction to 1x23!!!

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