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talaok · 1 year

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Okay . What about pedro × reader

Hear me out ...

They are dating for a few months but keeping it a secret the reader is also an actress and in her new movie her Co star is into her and with the interviews everyone is talking about in in social media . So pedro gets jealous and show up at her work ... maybe they fight or idk . I'm not sure about the ending

Pairing: Pedro Pascal x Actress!reader

Summary: Pedro’s jealous of one of your co-stars

Warnings: a tiny bit of angst because I didn’t feel like doing a lot, and allusion to smut

A/n: why do yall like jealous Pedro so much!?

Pedro was not a jealous man, he knew you were his, just like he was yours.

He didn't mind the stares you'd attract from other men, he didn't mind the shameless flirting everyone always directed your way, and he didn't even mind having to see you kiss other men on screen... but there's a limit to everything.

He'd stumbled by accident in the comment section of your most recent post, a picture with the cast of the new movie you were shooting, and god if he wished he hadn't.

He meant to write a cute comment, because even though nobody knew about you two, nobody ever seemed to notice the borderline flirty words he'd leave under your pictures, and now he understood why.

He wasn't completely oblivious to the online conspiracies about you and Andrew, you had told him about it, about all the edits and fans and ships or whatever, however, there was a small detail you had forgotten to inform him about: the guy obviously liked you.

And who could blame him right?

Pedro. He could fucking blame him.

It didn't take long before he was furiously stalking his own girlfriend's Instagram.

you look stunning darling

Darling? When the fuck did he start calling you that?

I think I just had a heart attack

Oh, fuck off

And that wasn't even the worst part. Fuck no. The worst part was the fucking videos. the interviews. The way his eyes never left your fucking body. The way he touched your hand and lingered just enough for him to notice. the way he didn't even try to hide his pathetic attempts at flirting even when he knew he was being fucking filmed.

By the time Pedro shut his phone, he was ready to go have a “talk” with this guy

But first, he needed to see you. Now.

__ __ __

"God please if it's Gary tell him that I don't need to practice that scene again, I got it." you rolled your eyes as you instructed your assistant to open the trailer's door after hearing a knock.

"sure thing, but I don't think he can be so easily persuad-" her voice trailed off as she took in the man in front of her.

"Hi" she smiled at Pedro "It's-it's not Gary" she shot you a look.

"what, who is it?" you asked, momentarily forgetting the lipstick in your hand as you got up.

"Pedro?"

"hi sweetheart"

"what are you doing here?" you couldn't hide your confusion.

"Just wanted to see you," he said, entering the trailer.

"Oh," you smiled, before glancing at your assistant "I'm sorry Ana, could you give us a moment?"

"no problem, but remember you need to be on set in '15"

"yes ma'am" You joked, giving her a pretend salute.

She chuckled as she closed the door behind her.

"they have you on a tight schedule huh?" Pedro murmured, wasting no time before wrapping his arms around your back, forcing you flush against him.

"they do" you nodded, standing on your toes "So you're not gonna get what you came all this way for" you taunted, leaving a quick kiss on his lips.

He grunted, unsatisfied, and pulled you back for another kiss. This one much hungrier.

"Is that what you think I only think about?"

"well you don't make much of a case for yourself" you laughed softly.

"that's your fault" he breathed "If you weren't the most stunning woman on earth maybe I wouldn't be so all over you"

"maybe" you shrugged, lazily drawing patterns on his chest "Maybe not"

"I need to talk to you," he said, suddenly more serious.

A cloud of dread dropped onto you.

"oh," you murmured, taking a step back "about what?"

He looked around the place before finding your eyes again.

"I want to tell everyone"

You frowned

"I want to tell people we're together"

You were taken aback.

He was always the one opposed to it. He didn't want you to get caught in all the drama and gossip inevitably heading your way, no matter how many times you told him you didn't care.

"What?" you smiled "Why- I mean why now?"

"I want everyone to know you're mine. And I'm yours" he said " including Andrew"

You shot him a look "Andrew?"

"You didn't tell me he's obsessed with you"

"what? He's not"

"he is baby,"

"how would you even know?"

"I saw it"

"When? You've never met him"

"I saw the comments, and the interviews, and the videos"

"And you think just because in an interview he did what? made me laugh, he likes me?" you scoffed "That's ridiculous Pedro"

"I don't want to tell everyone we're together just because you're jealous of a guy I work with,"

"that's not why I want to tell sweetheart" he reassured you, taking a step towards you " I want everyone to know just how much I love you, that's why. And if that means that guys like Andrew will back off... even better"

"He's not into me" you insisted

A sly smile pulled at his lips "God baby, you really have no idea what you do to men, do you?"

"He's not into me."

"Sure" he mocked "and tell me, when was the last time he didn't do something you asked him?" He asked, moving some hair out of your face.

An almost comical silence spread through the room.

"That's what I thought" he nodded, using his fingers to raise your chin.

"Maybe he's just polite"

He leaned closer, his mouth ghosting yours "Or maybe he's just in love with my girl" he breathed a moment before kissing you deeply, one hand to the back of your neck and one to your ass.

"so what do you say?" he asked once you parted "You ready to tell the world?"

"Only if you are"

"oh you have no idea" he murmured, suddenly picking you up and pinning you against a wall.

A small gasp fled your lips, but he silenced it with a kiss.

"Pedro..." you warned him, tightening your legs' grip on his waist.

"they can wait" he read your mind "You're the start after all"

You couldn't help but laugh at that.

"you're a bad influence" you breathed, causing a smirk to land on his lips as he kissed your neck.

"sweetheart?" he suddenly asked

"Yeah?" you murmured, already out of breath.

"Whose trailer is next to this one?"

You paused a moment, pondering your options.

"Andrew's" you finally spoke, going for the truth “Why?”

By the look of it, that’s exactly what he wanted to hear.

“Baby,I think you know why”

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melon-kiss · 4 months

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I know some of you don't speak Polish and we can't afford to translate 40-min-long chaotic interviews for you and I'm a bit bored (meaning: my brain wants a break from writing but I'm stubborn and I want to finish it TODAY), so I thought I'd give you a bit of a trivia based on interviews with the actors and the crew of 1670:

throughout all the interviews, no one really asked if we're getting season 2. I mean, someone did and the response was: "Well, we know nothing" but nobody really asked if they had any IDEA about what would happen in the next season

I'm not sure about the actors but the creative and directive levels went to a series of lectures on how people lived in Poland in the XVII century

they received a substantial funding, especially considering the directors were complete "no-names"

filming took 3 months, December through February 2022 if I recall

they all lived in an open-air museum in Kolbuszowa; in fact, almost all of the building were already there, they only had to build the house, the barn and the forge

there was no delay in filming, which is apparently rare in the industry but that was because they had a very tight schedule and couldn't afford staying longer in the museum

the last episode was filmed on one day and that was the last day of filming and because of technical issues with cameras working in the inn (the short shot of Maciej serving the pig to the Adamczewskis' table had to be re-done 20 times!), they had to completely rearrange the wedding party scenes, turning them into long shots; the entire labor/dancing scenes were supposed to be shot from 13 (!) different perspectives and be arranged in a "music video fashion"

one of the first episodes (if not THE first episode) to be filmed was episode 7

the script was written with Bartłomiej Topa (Jan Paweł) in mind, however, the actor wasn't really convinced about participating in this project and took his sweet, sweet time to decide on it; same goes to Dobromir Dymecki (Bogdan). Topa says it wasn't because he didn't find it good - it was because he was afraid that the project would be underfunded and therefore fail as projects like that usually don't get the attention they need in Poland

Bartłomiej Topa said he portrayed Jan Paweł as evil and conniving for the first two weeks of being on the set and the first scene they recorded was the one with the "Adamczycha" sign falling down; only after that time, after one scene in particular (don't remember which one, sorry), he finally saw the true nature of his character and changed his approach to the portrayal

surprisingly, Michał Sikorski (father Jakub), unlike Topa, thought of his character as a silly, innocent man and he changed his mind only after seeing the Aniela-Maciej dance scene where he says Love is peaceful, love is kind, love is... unacceptable - he understood he got to play a villain

the actors were FORBIDDEN to improvise; their lines had to be memorised prior to filming

they shot the barrel-cleaning scene (the thing they do before blowing the magnate's son's head up) for 2h because Bartłomiej Topa and Andrzej Kłak (well, he plays Andrzej) couldn't stop laughing; Topa mentions he doesn't even remember how they managed to get it done

all the mud was brought there ON PURPOSE

Kirył Pietruczuk (Maciej) is a debutante when it comes to film, however, he is the only actor in the crew with an acting degree; not only that - he graduated with honors

when asked about this, Michał Sikorski said: "Well, but it doesn't matter, does it? Because, even thought I haven't graduated, I got to play a nobleman and he... well..." (obv that was A JOKE; he is like the sweetest person ever!)

he also said he wrote a "Maciej's journal" during filming and spent a lot of time creating a backstory for his character; he said it was helping with the a-chronical shooting; he read one of the entries out loud in his interview

he jokingly said his favourite episode is the last one because he got to kiss Martyna (Aniela) there

as mentioned before, casting Maciej's role took the longest. They interviewed about 300 candidates and none of them fit. Kirył recalls it was right after he signed a deal with an agency for the first time in his life and he immediately received a call after his first cinema audition and it was 1670, of course! However, he reports that the process was extremely long - he had to go through several stages, each one of them revealing more and more of the script and he wasn't informed it would take that long

The creators said they looked for someone who'd understand the character and his role in the film - as he is the eyes and ears for us, people from XXI century. "He's basically like a viewer of the events, one of us", Kordian Kądziela (director, episodes 5-8) says. It was important he had a good chemistry with Martyna (she was the first and only "Aniela" he had to do short scenes with and the chemistry was immediate) and was able to break the fourth wall properly - he had to have the talent to comment current events with just one look and I personally think he does it perfectly. The actor was also supposed to be "easily likeable by girls"

The first scene they shot together - meaning as Aniela and Maciej - was the dance scene and Kirył says it's his favourite scene in the entire show

Kirył said the scene with the magnate's son was initially very aggressive on his part, however, after speaking to the directors, he decided to tone it down as it was, indeed, not fit for the character to be this angry

they all said, once they got down to it, they had a feeling they were a part of something special

Feel free to add your trivia or correct me if I'm wrong.

#1670 #1670 netflix

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sardonic-the-writer · 2 months

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𝐖𝐨𝐫𝐤𝐢𝐧𝐠 𝐀𝐭 𝐓𝐡𝐞 𝐒𝐨𝐫𝐫𝐲 𝐁𝐨𝐲𝐬 𝐓𝐫𝐚𝐦𝐩𝐨𝐥𝐢𝐧𝐞 𝐏𝐚𝐫𝐤 𝐖𝐨𝐮𝐥𝐝 𝐈𝐧𝐜𝐥𝐮𝐝𝐞

↳ notes: just wanted to do something in honor of sorry boys going on hiatus. this is entirely based on their last video so watch that to understand the silly headcanon time. cc!wilbur likers will be blocked by the way, thanks. get out of here

↳ warnings: none. just the four members here. four original, and only, members of sorry boys. no one else

↳ song: campus—vampire weekend

masterlist | commissions | carrd

• You'd think that an afternoon shift at a trampoline park would be easy; especially on the down days. Hanging around the snack bar with your employees, blowing whistles at loud kids, and keeping whatever was left in the lost and found bin became something of a daydream to you upon first getting hired

• It was a better alternative to the fast food joint you had worked previously at a crazed food van—you'd rather do anything but that after quitting

• Your first tip that things weren't going to be that easy should have been the camera crew that shuffled in on your second week, lead in part by a blonde guy with a stack of pre-signed waivers in his hand

• "What's up with that?" You turned to your only other coworker at the hour, a lanky guy with a mask and fluffed up hair. You thought you remember his name starting with an R or something along the lines of that, but mostly you referred to him as 'dude' or 'hey you.' He never felt the need to correct you, so you just never stopped

• "Oh yeah." He'd responded with a tired voice while barely even looking around. "Uh, we have a group that comes in every few days and rents out the place. I've seen them bouncing around, and I'm not really sure they're, uh, stable I guess you could say."

• Glancing down from the reception desk and to the play floor below, you caught a glimpse of the three others he spoke of, one being the blonde kid from earlier, surrounded by a few cameras and doing some rather weak jump moves. One in a red fat suit fell over at one point and refused to get up as he rolled around on the floor whining

• "Er," You took a step out of the reception desk area as you pointed a finger down at the scene. "Shouldn't one of us be down there? Supervising, and all that." You neglected to mention that one of the men looked old enough to be your father and should probably be mediating them

• For a moment you thought your coworker would shrug and tell you to go on, but he just sighed and grabbed his whistle like a weary office worker preparing for a morning round

• "At least this time I won't be alone." He looked at you. The eyebags under his eyes made you feel like he'd done this a lot more than he'd ever wanted to, despite only being at work a few weeks more than you

• The next few minutes went by fine. You were mostly ignored by the two fellows in fat suits as they proceeded to say 'dude' and 'bro' far too much, and was only offered a high five by the same blonde— Tungo you now knew. At one point the cameramen pulled you and the other worked over for a small interview, the likes of which you seemed to enjoy more than him

• The first time either of you really had to step in was when the red fat suit one delved into his shell, yelling something about yoinking his pork

• "Chungus? Chungo?" You managed to say his name without somehow laughing. "Please don't do that. We're gonna have some problems if you continue to."

• As Chounce popped his head out like a cartoon character to look at you, you offered a wobbly smile, and was severely relieved when he finally brought his hands out of his suit to cross them

• "For the record dude I wasn't even pulling my plug." He frowned, having the decency to look midly embarrassed. "I was just thinking about my feelings, bro."

• You got a thankful look from your fellow employee at your successful endeavors

• The both of you continued to watch as a competition between Chounce and Tungo occurred, eventually somehow turning into a fight between them as the self proclaimed Master Za watched

• In reality, you were pretty sure their real names all aligned somewhere along the lines of Tommy Charlie and Phil, if the signatures on their wavers spoke for anything, but none of them seemed to call each other anything but nonsense

• At one point, you were compelled enough by the entertainment to purchase a bag of popcorn from the snack desk, earning a look at disappointment from your coworker as he saw

• "Please don't encourage them." He dragged a hand down his face, careful not to knock his mask off

• "I don't think it'd matter if I did or didn't." You smiled through a mouthful. "Just look at 'em." You waved at the kid zone they'd all migrated too in the last hour or two, currently kissing Master Za on the face as he yelped in protest

• "Wait." Your hand lowered slowly as you blinked. "That's not allowed—"

• The two of you took off in their direction, using your whistles for what felt like the hundredth time that day as you ran

• By the time closing hours came around, it was dark enough outside to make you yawn. It took a significant amount of convincing to get the three of them, mostly Chounce, to leave and stop bouncing, but it eventually worked with a few well placed bribes. Namely, handfuls from your unfinished chip bag from earlier

• "You weren't all that bad! Not a wrong'un after all." Tungo eventually confided in you in front of everyone as you went to close up, looking strangely proud about such a mediocre compliment. You grinned at him anyways, finding him to be one of the saner ones throughout the whole ordeal

• "Maybe next time I could judge a match of yours, yeah?" You offered as you thumbed through the cash in the register

• "Please do not encourage them." A familiar voice from outside sounded for the second time that day, making you suck air between your teeth in an attempt not to snort with laughter

• "And remember to check the bathrooms before you leave. One of them likes to hide in them after we close."

• "Sorry, what—"

• You ended up having to drag Chounce out bt his ankles that night and into Master Za's car so he could get home

• "You know what? It's still better than the food truck."

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elisaintime · 28 days

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Woah, I must have missed something, why are people jumping down your throat?

From what I can gather at this point, it seems like they feel like anyone who likes Anne Rice herself and the books better than the show=automatically racist. Even if they ALSO enjoy the show and support the race change of the characters and all the racial conversation the show incorporated into its adaptation.

Personally, I think it does a disservice to the fandom to assume that the only reason one could like the books over the show is because of racist reasons. Anne's books speak to so many people in so many ways, especially those who have ever felt like outcasts or apart from mainstream society, and many fans have extremely personal connections to the books for a huge variety of reasons.

Like I said in my videos, I was excited and intrigued to see this AU version of the story (I love AUs!) but my complaints with the writing of the episodes mostly came back to when the show was trying to stick TOO MUCH to the books.... Because the show was really making its own thing with its own versions of the characters and all these new ideas, but then suddenly it would shove in a scene/dialogue straight out of the books which would contradict or make no sense with everything else the show had already worked to set up with the new direction it was taking itself.

Critiquing sloppy/weak writing does not mean I or any other fan who feels the same is doing it for racist reasons. Much of my criticism was about how the scripts changed Lestat's character to make him so much worse than he was in the books (which would be fine, it's their story, whatever--except the show runners told us over and over again that the whole reason Louis was doing a second interview was so that this time we could see the real version of Lestat and how Louis felt about him instead of the mean, insulting version he gave in the first interview). There was a lot promised by the showrunners about what their adaptation would be like that was not delivered ("closer to the books than the 1994 movie," "true to the spirit of Anne Rice" etc). The entire reason I made my videos was to evaluate how well the show measured up to those promises.

Worse than making Lestat so irredeemable, the way the first season ended in a way that made so many fans believe that Louis might have been lying about everything didn't sit well with me at all--it's a harmful stereotype to make the black man a liar, especially when it comes to abuse. I know the "the DV didn't actually happen and black Louis was lying or mind controlled by his evil non-white boyfriend" became a running fan theory, but I personally don't believe it one bit. But I can see why so many fans do--again, sloppy/weak writing on the show's part.

Like I said in my video, the only thing Louis actually lied about in ep7 (and he was lying to himself, not deliberately lying to Daniel) was the depth of his love for Lestat at the end. And that's entirely canon for Louis to deceive himself about--admitting how much he truly loves Lestat always came hard for him. I personally don't think it's going to turn out that anything Louis told us in season 1 was a lie. I think the show would have revealed that at the end of the season, not waited another season (or two or three) to reveal that. And the theme of season 2's promotional material has all been about memory, not honesty. I don't think Louis could mistakenly remember getting dropped from a mile in the sky and the months/years of recovery afterward, so I personally think all those memories were real.

The first three episodes of season 1 made Louis's struggle with race its primary focus, and the series description began with how Louis was chafing at society as a black man. But then from episode 4 on, the focus of the show shifted entirely. Obviously racism still existed in Louis's world, but the show pushed it all entirely to the background with little things, like segregation on the bus, and we saw the characters quietly taking in stride, not making any plot out of it. Suddenly all of Louis's character-driving moments weren't about that anymore and we were in a whole new story, when his battle against racism had been the entire theme of the first three episodes. This was something I noticed and pointed out in my videos--I didn't say it was a bad thing (after all, seeing people be racist to Louis on screen, while "realistic," isn't exactly fun for anyone, and we'd already seen plenty), but I did think the sudden dramatic shift in story focus weakened the show's themes and throughline.

Again this comes down to writing, and the premise/script was written by white people. I think they could have done much better with much more non-white involvement on the writing level. I think the show could have been stronger with some more care taken to create consistency and smoother transitions between episodes (like when they take Claudia out to feed in episode 4, suddenly all the race riots are gone, when everything was on fire 2 hours ago). It's common for shows to have each episode written by a different person, even though they all collaborate in a writer's room, but to me it felt like the show lacked efficient script supervision to make sure all the scripts flowed into each other without any contradictions or inconsistency.

When I talked about these things in my videos, when I said I would have liked the show to do better with the way it missed the mark sometimes in handling racial aspects (even though other parts I commended as being great), and the way I critiqued the inconsistencies and contradictions, some people took that to mean I hated the show entirely. The point of my videos was to see how well the show measured up to Rolin Jones's promises that it was so faithful and respectful to the spirit of the books and that all he wanted to do was honor Anne's work. I know the books back and forth, enjoy having a ND hyperfixation that gives me near-encyclopedic knowledge of the texts and Anne as an author. So people ask me questions about them all the time, especially in comparison to the adaptations. Who better to make videos evaluating how well the show measured up to RJ's promises and claims of faithfulness? But some people took me comparing the show to the books to mean I thought it was a bad thing that they weren't the same, and I hated the show entirely for not being the same as Anne wrote it, and therefore that meant I (and anyone else who loves the books) was racist 🤷

#amc interview with the vampire #vampire chronicles #maven of the eventide

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pinkcrocss · 2 months

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On Andre...

So, I've been picking up on a lot of negative feelings towards Andre within the fandom (some warranted, some unwarranted in my opinion). And I think it comes down to two things:

-Andre is probably one of the least developed of the core group in terms of writing.

-Andre's actor (Chance Perdomo) has some problematic views irl.

I want to focus on the first point however, cuz I'm interested in the character not the actor (Patrick Schwarzeneggar and Claudia Dumit also support Isreal, so I'm choosing to focus my feelings on characters, not the actors if I want to enjoy this show at all).

When I first watched Gen V (before the hyper fixation had kicked in), Chance's performance had been one of my least favourites. I didn't like the weird voice he was doing (turns out he was Brit doing a pretty decent attempt at an "American Jock" type accent) and I thought the actor kept doing a lot of awkward stammers and tics that didn't feel in line with the character (I assumed, that's just how the actor was irl). That is until I watched a cast interview and I learned 2 things:

He is a Brit.

He's actually a very smooth and clear speaker. Which means those mannerisms were an intentional choice by the actor.

Later, once the hyperfixation had truly set in, I was watching a boatload of cast interviews, when I caught a comment underneath one of those videos that totally changed my view of that character and performance during my 4th (maybe 5th) rewatch.

You know how each of the core group's abilities hurts them in some way and thus works as an allegory for some form of personal issue that they are overcoming? i.e.

Marie -> Cutting/Self Harm

Emma -> Eating Disorders

Cate -> Consent

Jordan -> Gender Identity/dysphoria

For a while, I don't really see how Andre's abilities could serve as an allegory for anything. like, yes later on we learn that his powers will cause him damage over time, but that kind of seemed ham-fisted at the last minute, and not really connected to his ability to bend metal.

But back to that one Youtube comment. I can't remember word for word the comment, but to paraphrase, essentially:

The commentor spoke about how they connected to Andre's character a lot because when they were in college, they had developed an auto-immune disease that essentially made them chronically ill.

They talked about being unable to keep up with their peers, while they were supposed to be in their prime physical years, and how much that taxed on their mental health. Constantly feeling left out, constantly self-medicating, and the chronic pain that they just had to grin and bear.

And as soon as I read that, everything I didn't quite understand/connect with in Andre's character suddenly made sense.

What is one of Andre's core personality traits in the group? He's the stoner.

From episode one, there's a scene of him doing drugs in every episode. Cate is constantly asking him if he's high... he's self medicating.

The slow way he talks, the constant blinking and squeezing his face (note the scene when he's yelling at Tek Knight, or after he takes that first hit from Sam, or after he stops the helicopter)... he's in pain.

So many tics and nuances in his behaviour that I initially wrote off, was actually a much more nuanced performance from Chance Perdomo.

And it all coalesces in that final scene when Andre is at Vought tower and learns of his dad's diagnosis. His powers are slowly killing him, making him weaker (like an auto-immune disease. the body attacking itself).

And the doctor asks him if he ever feels light-headed? has he noticed any uncontrollable tics? Andre is hesitant, almost like he's in denial. But you look back at his actions/behaviour throughout the show, and he's been showcasing both those things.

Finally, the scene with the helicopter. Where it's more or less confirmed that Andre's powers are doing to him, exactly what his dad's powers did. I've seen people very critical of that scene. Saying things like, Oh! He's all of a sudden being affected by the use of his powers, but we hadn't seen that previously (which I disagree) and how it seemed "too convenient".

But keep in mind, stopping a decelerating helicopter is the biggest feat of Andre's abilities we'd seen so far in the show. Of course it's going to take a bigger toll on him than all the other times (not to mention he was in pretty big emotional distress. His dad, Cate's betrayal, an attack on the school...). Stress exacerbates illnesses.

The other critique I've seen is, why are Andre's abilities having this affect now? He's supposed to be in his 20s, but his dad made it all the way to his 40s/50s before it was detected... and that's a fair question. I have some theories:

Like certain genetic illnesses, this issue is hereditary. It's not Impossible, that Andre just inherited a stronger ability than his father, and thus stronger blowback on himself.

Andre's chronic drug use might be a chicken or egg situation. Where maybe his chronic drug use exacerbated the damage his abilities were causing him, and as a result he started self-medicating with more drugs, causing a continues cycle of him increasing the damage to himself.

His dad has been shown to have a very stubborn personality (note how he refused to acknowledge when Andre revealed to him the damage their powers were causing them). Perhaps, he had started feeling the symptoms around the same age Andre had, but just kept ignoring it and pushing through up until he reached his limit in his 40s/50s.

Some other reason that writer's haven't revealed yet. The show has been renewed for a second season, and it's obvious these characters have been set up to be integral to the overarching storyline of the boys as a whole. It's entirely possible that there is more potential development for Andre's character in the future, and I think it's fair to give the writers leeway to explore that.

All in all, I just wanted to get my thoughts out about this, and maybe see how everyone else views Andre's character. He seems to be one of the least discussed in the core group, and I feel like his character has a lot of room for more development in the future if the writers approach it correctly.

#sorry for the rambling #I literally made this blog just so I can be insane about this show in peace #gen v #andre anderson #marie moreau #jordan li #emma meyer #cate dunlap #luke riordan

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mirai-e-jump · 9 months

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Hero Vision Vol.14 (2004/Spring) ft. Kamen Rider Blade Cast Interviews Ryoji Moromoto x Makoto Ito (Suit Actor) Segment (translation below)

Publication: May 20, 2004 (between episodes 17-18) Ryoji Moromoto (Hajime Aikawa) x Makoto Ito (Chalice Suit Actor)

"When did you two first meet?"

Ito: When? (laughs)

Moromoto: When we first met? I'm pretty sure it was before filming started. My first impression of Ito-san was that he was, "A kind big bro."

Ito: He made me think, "This year's also going to turn out cool" (laughs).

Moromoto: We talked alot about Chalice back then. You said, "Chalice has existed for 10,000 years, so I want to show you 10,000 years worth of my career." What were some of the other things you said again?

Ito:……not much, I really don't remember (laughs).

Moromoto: Ahaha! One thing we have in common, is that we have similar bikes, don't we? We've talked about how we want to go (motorcycle) touring together after the show ends. I ride a Yamaha SR400 and, ah...I'm sorry……(Note: The bikes used in Kamen Rider are provided by Honda)

Ito:…Sorry, but I'm also a WR250F (Yamaha) rider~, but before that, it's always been a Honda! I'd love to see Moromoto-kun's rumored SR. I've heard that they're loud and rather slow……

Moromoto: That's right! I actually modified it too much, and now it can only go about 80kph (50mph) (laughs). Right now, I'm too busy to work on it. I feel like my love for it is fading~!

"What were your first impressions of Chalice?"

Moromoto: I received a call from my agency, saying I passed the audition with, "You're Heart." "Eh?! You mean Momorenger?!," I was so surprised and alittle bit intimidated (laughs), but when I saw the design in person, it was cool and I liked it alot because it was something I had never seen before.

Ito: When I was first told about it, I jokingly thought, "Heart……(sinking in)…ah, alright then, I'll just act like a gay guy……" But, after seeing the design, I was relieved and thought about what kind of pose would suit this Rider. My first thought when I read his setup, was that it would be nice to have something wild and different from the other Riders. Compared to G3-X in "Kamen Rider Agito" and Knight in "Kamen Rider Ryuki," this is the wildest work I've ever done. Even with Kaixa in "Kamen Rider 555," I tried to keep martial arts like movements in mind, and to avoid any unnecessary movements. But with Chalice, there's just so many unnecessary movements…(laughs).

Moromoto: That's why I also tried to make the movements bigger in that fight scene (episode 9).

"Morimoto-san, "Hajime Aikawa is not a normal human being," what do you pay attention to when playing such a role?"

Moromoto: When my heart is closer to the human side, it's not so different, but when it's closer to Chalice's side, I try not to blink as much as possible, and when I talk to people, I try to give subtle pauses in my responses. It's almost like a foreigner hearing Japanese and interpreting it in their head before replying. In general, when I'm on Chalice's side, I don't think with my mind, but instead, try to act with my feelings

"Do you have any techniques for the dubbing process?"

Moromoto: I have a high pitched voice, so it can be difficult for me to make Chalice sound intimidating or violent. That's why I'm trying to lower the tone of my voice. I also did research by studying "monsters" such as the Hulk, Akuma from "Street Fighter II" and King Piccolo from "Dragon Ball Z." One time I even played the videos, and would try to voice the characters myself with the sound off, but there was still something wrong. What could it be…I don't know what Chalice's true form is yet, so my image may not be perfect. (Note: The actors have not been told where the story is going at this time.)

Ito: When it's my turn to "Henshin!," I'm trying to decide if it's better to change or to fight and further develop myself. Essentially, Chalice is supposed to be used to fighting, so I want to keep my methods in check. I'm so focused that I feel like I can see my opponent's movements, even when they've stopped. However, the tension is still high.

Moromoto: The way I say "Transformation" is different depending on if I'm fighting to protect Amane-chan or with my natural emotions. For Amane-chan, it's, "Henshin!" but naturally it's, "…Henshin" (lower tone).

"Did you face any challenges during filming?"

Ito: I'm not good when it comes to cold weather, so I almost cried during the snowy mountain shoot.

Moromoto: It was -15C (5F)! And when the sun went down, they brought out one of those giant fans! It kept spraying us with cold water! Man, I remember my face being scrunched up with anger (laughs).

Ito: When I did a test shot without the mask on, my hair ended up freezing. It wouldn't even melt when I put my head over the space heater, so I just had to keep it as is.

Moromoto: There was also the scene where Amane-chan's father gives Hajime the photo, with it being so cold I thought, "This guy, is he really going to die?!"

Ito: I'm bad with Winter, but I'm also bad with Summer too. When I wear a suit, my body temperature rises and my face turns bright red. My heart starts to race too and I think, "Ah, my life is getting shorter…"

Moromoto: It's good for Chalice though, isn't it? Blood rushing, a fast pulse, it's like an unleashing of the instincts.

Ito: But, when I get like that, I become quiet. In the Summer, Chalice becomes more like a domesticated cat (laughs).

Moromoto: Please keep doing your best~, I'm also prepared to risk my life for this role!

Ito: I also want to play the role of a Rider who will continue to remain in everyone's heart. Personally, it's frustrating to often hear people say, "Chalice looks like Gills (Agito)" (laughs), regardless, please continue to watch us in the future. We're going to give it our all!

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stormoflina · 5 months

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Okay, so this is regarding that fantastic anon I got over the totally absent DomiTrent content in socials. There I shared my reasonable (or so I think) opinion on the matter, so here's the very unhinged one.

Just as a reminder, this is pure fun, I made it all up, based on speculation, I don't know anything and none of this is factual. Now, that we got that out of the way, let's do this.

So, we all know and remember (and grieve and miss!) September, the literal peak of DomiTrent, right? It all started when Trent assisted Domi's first ever goal for the club they had that very cute celebration. DomiTrent thruthers were born that day. Then, literally every Inside video we have, they are suddenly next to each other. The sm media only have themselves to blame, because it was them who launched them first when they posted them hugging and laughing and arriving to training together! This kept happening, I mean them being literally obsessed with each other. And the official socials were milking the heck out of it!!

The scenes when these dropped? Girly, they dedicated half of that Inside video to them! They KNEW what they were doing with including a literal clip of Trent sniffling and clinging to Domi like a coala. Engagements were flying.

By this time, they were all over, everywhere. Neither of them could give an interview without being asked about each other. People were obsessed with them, and the sm media was very aware of that. They were posting singular posts about just the two of them having the most basic interactions, they were totally milking it. The fact that Mo posted them together on the hot tube only added to the fire.😭

Then, the bum tickling/fingering controversy happens. Bumm. It's unexpected and uncontrollable. They were just literally caught on live, there's no editing them out, making it a certain way, nope, it's out of control and it's everywhere. And I mean everywhere. And while we were having a field day here, not everyone was... There are hundreds of comments like this (and this is only twt):

At this point, there are viral tweets going on how both of them, especially Dominik is gay. News just dropped he broke up with his girlfriend, too. First, its all fun, clearly a joke, then it's just like the tweets show, it reaches a certain circle. It reached the Hungarian media too. Now, there are close-minded, homophobic older football fans, and there are Hungarian close-minded, homophobic older football fans. Let's just say, it did not look good.

Right after the whole bum-touching incident, Szoboszlai's dad goes to a Hungarian live broadcasting of the next Liverpool match. Of course, they pull the video out about him and Trent and ask him about it, basically, that what is Dominik doing, looks like he got comfortable in LFC already. It was light-hearted, the question, his dad response ... seemingly too,or at least tried very hard to be to. I think there was pa certain edge to it. They were trying to ask about Dominik's bromance with Trent, as most journalists did at the time, but he dismissed the whole thing and cut the conversation short with only saying that "He [Dominik] likes to clown around".

(He said "bohóckodni", which does mean clown in mirror translation. It could be also translated as joking around, but jokes imply that it's fun and light-hearted, not to be taken seriously, while what he said, again, had some real edge to it. Kind of like "fool around". A disapproving tone to it, basically.)

After that, silence. No more DomiTrent content, they even got moved in the training from being in the same group. To me, for a time, It looked like the sm team was actually going out their way not to show them together. Like the first game they had a post about them was when, against City, showing a pre-match training shorts video? That's a bit odd, considering that they were living off posting of the two just literally breathing next to each other.

So, here's what I think. I think Dominik's management did not like what was being assumed about him. That he was building up a reputation of being the "new gay acting guy, obsessed with Trent". It's not something, that at the moment, could be accepted. Not in football, and definitely not in the Hungarian footballing world. When his dad was asked about it in live TV, I think that was the last straw. I don't think he was impressed/happy about Dominik in that regard, that this was even something that people brought up and connected his son with. I think, essentially, pressured by his dad (who admittedly still have a huge influence in his life, on his agent), his team must have told the Liverpool sm team to basically stop showing them together to silence those shouts.

Again, this could have been done by the Liverpool sm team, done or supported by Trent's team, the players themselves, anything and anyone, we don't know. We don't even know if it was really an intentional move to quit showing them together. I think it was, In my mind, have no question about that. What I shared above tho? Bit of fanfiction-like😭 but in my mind, based on how his dad reacted and just the culture/Domi's relationship with his dad, could totally see it.

#domitrent #dominik szoboszlai #trent alexander arnold

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lopposting · 7 months

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Hello Puppet pals + Romeo fans

would you like a fresh, fun new dose of pain tonight

On Romeo (long post)

So way back in april, in the taiwan event they showed some material from what looks like early builds of the game. this is the still i want to talk about today

It's gepetto (romanized to "zepeto" here) asking if we've "killed the beast".

In the released version, we meet him outside in rosa isabelle street after the KOP fight. It looks as though he's even beside the same lamppost. There's no other similar scene of us meeting gepetto like this, so it's likely referring to the puppet king. (When we meet him on the bridge, he's seen that the donkey has been killed, so we wouldn't need to lie.) but the thing is, this question is a YES OR NO ANSWER, meaning one or the other would be a lie.

So maybe in the early versions of the game it was actually possible align with/spare the puppet king (and by extension romeo) and then lie to Geppetto about it. (I mean, it's possible that it's simply just lying about not killing him to G, and we couldn't spare him to begin with)

I think they realized that they couldn't possibly make such a narratively important boss fight optional and that story-wise it wasn't linear enough to work. The story as a whole is not nearly as effective without his loss.

TLDR: I'm speculating that that image was from an early version of the game, and Romeo could've actually lived but the devs made the hard call against this.

[It's also possible that they just made that image for the purposes of presentation, and that it doesn't mean anything, or that it's another beast entirely.]

But still, somehow it makes it the more tragic. *stares blankly into space.*

(bonus fun notes below)

In this IGN interview before release, Director Choi dropped a big hint about romeo here.

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"Yes, this is the king of puppets. And we want to call him a character and not a monster, because he will be the centre of the story. So if you play more and discover more about him, you'll find out more about what he is and who he is."

the puppet king being lampwick was also inadvertently leaked by IGN in this video:

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I don't think people unfamiliar with the story would know anything, but pinoheads definitely would've and did recognize what "romeo" alluded to

They kept Romeo's ENTIRE EXISTENCE a secret up until launch. During the roughly two years of promotions before release there was never any mention of Romeo before release. Zip, Nada, so much so that the budding fanbase was starting to assume that he wouldn't even be in the game. NO ONE saw it coming when we found out who exactly we killed. Developers did consider that people who had read the book would catch on to particular things, so, bravo neowiz

And here's the other ingenious thing - they showed us the "Mad Donkey" boss early on in the demo and NOW I'm starting to wonder if this was a deliberate play. Almost everyone assumed this was already the game's iteration of Lampwick, so Romeo came as a surprise, and I think the proceeding story reveals about who the King of Puppets truly was were very effective.

also.. it's extremely cute what they did with the character. Of course, Romeo is the canonical name of Lampwick in Pinocchio, but the name "Romeo" is also probably the most heavily associated with Shakespeare's play Romeo and Juliet (which also takes place in Italy, as does Pinocchio!). And then we meet him in a theatre, and he puts on a play for us before we fight. Romeo supposedly had an affinity for acting, as Carlo did with the piano (I have heard this around on reddit, I don't know where this originates from, please lmk if you've seen these lore items). But most of all, Romeo and Juliet is a deeply remembered tragedy - like Lampwick in collodi's pinocchio. They are two young boys who didn't get away.

(maybe all of this was so obvious to everyone else but i love it still haha)

Fun to revisit this stuff after release with new clarity.

[To Reiterate - All of this is just my speculation]

#lies of p #liesofp #LOP #spoilers #lies of p spoilers #post #romeo #theory #speculation

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daily-hanamura · 8 months

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I was wondering if you had any analyses on yosuke's dances in P4D, especially his partner dances wrt his character/personality... or even just generally what you thought of his moves. I think atlus/p-studio enjoy putting more than meets the eye into the choreography for the dances, but i wondered what the account that does really good yosuke analyses thinks. >:) Cheers

Oh wow you're very kind!! but this is also a very high level ask as I am not at all a dance expert and I'm still working my way through all of the dances, but I will do my best! o7

Long post incoming!

I remember reading an interview which said that Yosuke's dance style is very much inspired by male idols with a hip-hop flair, and I can definitely see it in his dance? iirc there was a pretty strong influence of hip-hop in jpop of that era - I'm thinking about Johnny's entertainment boybands which I think pretty much dominated the jpop male idol scene around 2010 - just look at Arashi's Monster dance routine, which imo is a super quintessential dance of that time. Like Jun's breakdance around 0:45, but also more generally, the sort of precise, rapid-pace footwork and moves that is also very evident in both Backside of the TV and Your Affection. I think it really suits him for a few reasons

Yosuke generally has the highest agility stat and tends to be the fastest char (for me at least? but i've also seen enough fics that reference how quick he moves), so it makes sense that this sort of high-pace dance suits him. Obviously Yosuke has a very good sense of beat listening to music all the time in combat and moving with it, so despite his real world clumsiness, he's well equipped to take on the kind of rigorous idol dance style that's typically very demanding to learn and perfect.

At the same time, it also matches his narrative - Yosuke in canon is very familiar with idol culture, both with Risette and Kanamin Kitchen, so it's not too surprising? But what I thought was kind of interesting was that there aren't really any references to male idol groups in world, and even his bedroom in p4au only shows female idol posters and some mainstream American albums. However, in the interview scene at the end of p4d, he mentions to Yukiko that he's tried to copy moves from stuff he's seen. But his dance style is more similar to boy idol bands - with the hip hop influence especially - as opposed to being similar to female idol bands - which tend to be preppier in dance style (see AKB48 for example). (Or just compare Rise's dance with Yosuke's.) So idk if this is a random oversight on Atlus/P-Studio's part, or if Yosuke is a closet male idol enjoyer (which would be very funny but also on brand for him, especially if he's still in the closet).

The other thing about idol music and group idol dance styles more generally is how much emphasis there is on harmony. If you look at the Arashi video again, there's kind of the expectation that all members are dancing in sync with each other. The thing about that sort of group dance is that you don't really have "leads" and "backup" dances, because no one member is really supposed to stand out or take centre stage since they're all equals. And I think that's a fun thing to think about because, you know, Yosuke Rank 10. But it's also in his partner dances with the others - I feel like Yosuke tends to harmonise with the others and their dance styles the most, maybe he's second to Yu? But Yosuke tends to match his dancing to the style of the other person when he joins them in Fever, like in Naoto's or Chie's (caveat, maybe I'm just Yosuke-biased LMAO). I think there's a lot to say about it because on the one hand, his captain ressentiment attitude means he sees his friends as better but he also wants to catch up to them and be their equals! but also, on the other hand, Yosuke doesn't want to stand out? And him keeping his head down is very much in character for him throughout most of the game, so :')

(but also souyo lens time his partner dances with yu is SO GOOD they mirror one another so well and it makes me so weak)

I think my final point is on how idol dancing is kind of on brand for him as well? Yosuke is kind of a vain person - he likes fashionable clothes! He likes to look cool! (and we love him for it!!) - and I think one thing that kind of marks idol dancing compared to, idk, interpretive dancing as an extreme example, is how idol dances tend to emphasize... looking good? The whole point of idols is to sell them on their aesthetics, after all, and good looks are kind of a minimum criteria to being in an idol group. The dances are choreographed to maximise the dancer's appeal, so it's all smooth moves that present them in the best light.

Those are my extremely long thoughts!! but yeah tldr I think his dance style really suits him on every level I can't imagine anything better for him ngl. Anyone with more expert knowledge feel free to pitch in though

#asks #sillyjazzy69420 #thank you for this ask this was actually super fun to think about!! even if i'm not sure i've done a good job haha #“chai everyone dances well together in their partner dance” “chai your yosuke bias is showing” I'M DOING MY BEST #also is it just me or does anyone else also think yosuke is one of the best dancers in the group apart from rise?#i mean yosuke and naoto are my fav. i love yu but he dances like it's 80s disco so unfortunately he's in second #“chai did you have a secret idol watching era?” i neither confirm nor deny

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dollsome-does-tumblr · 8 months

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thinking about the cut funeral scene for the millionth time on this, pink notecard of despair day! under the cut so no one has to witness my rambles. 😘

i've been pondering the story that we got without the scene in, vs. what it would have been if it had stayed. without it, it's basically: roman (rightfully) loses gerri, gerri still cares and we know but roman doesn't know that, roman is left with the bittersweet awareness of what he had and what he lost. (a little fleetwood mac there for ya!)

and then with it in ...

+ i feel like the second gerri walked past roman in 4.03, that was telegraphing that eventually she would comfort him, in the name of narrative parallels and bookends and what have you. so it fulfills that purpose in a satisfying way. (plus, gerri saying "this is fine" when he breaks the firing news to her in 4.03 and then again here. parallels! delicious parallels!)

+ i think in a way it's a healing moment for gerri too, because after spending the whole series quietly observing logan's mistreatment of roman, and being emotionally removed (on the surface anyway), she finally actually does something to outwardly support him. and does something with virtually the biggest audience they have ever had! i just think it is forever so interesting that she was so "this is only professional, this is only professional!" for all of s3 and then when roman is at his lowest, she shows up for him in a way that is not professional at all.

+ i am also very moved by the thought that roman would finally have someone express to him the sentiment "i am done with you professionally, but i still care about you as a person." acknowledging that those are two separate things, and that his value isn't totally wrapped up in who he is in the business. (i remember jsc said something in an interview about thinking that scene was important because it was beyond their differences.) like, after roman has spent the whole season hustling like a terrible beast to honor his dead father and to stay connected with his brother, like totally being consumed by the company was the only way to demonstrate his love, here's someone he loves and thought he lost at the lowest moment of his life going "it's okay, you're okay." to see someone care for him as a person separate from what he can bring and what he can do -- and the person who had the highest, most earnest hopes for him businesswise too! -- is just A Lot. (maybe it hits the Gerri Is The Good And Healing Force In Roman's Life thing too hard and that's why they cut it? too sappy? too positive? too romantic? i don't know!!!) and then he rejects it because it's so painfully far removed from his world view and his conception of himself. (secretly, in my heart of hearts, this is why gerri looks so wistful at what i'll 2013-ishly refer to as the HBIC table at the reception thingie later.)

+ uh they finally would have had some physical contact for the first time in 9 million years and that's extremely important to me. it's not actually related to anything, but it's still essential to my well-being, so i'm making it a bullet! you know everyone (cool) wanted them to touch One Last Time!!!!!! you know that's what the people wanted!!!!

anyway, those are just my paragraphs on why i think it would have been narratively enriching for both characters to keep this scene in! i think it would have done some good character & relationship work and that it would've added some tasty, fulfilling-as-we-near-the-end-of-the-story goodness to the season and the series overall.

i think it would have also made the finale really difficult, because after that interaction we all would have definitely with more confidence expected more to happen between them in it. but also: think about all of roman's reactions to gerri (on video and irl and thinking of her w/ martinis) in a universe where she comforted him at the funeral and he has that recent memory of her! because that's technically what it was when they shot that episode! and also, i'm insane! in short: i will forever carry a great burdensome fangirl sadness in my heart that they took this out.

they also should have kept in the scene of gerri winning at sauna in norway. i will die on this hill. the s4 deleted scene news was truly blow after blow for the gerriheads among us.

#dollsome's deep thoughts #romangerri #roman x gerri

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ariadnaltos · 1 year

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ND Stevenson interview about She-Ra and animation in Celsius 232 (2022)

This post is a transcribe of second interview/talk made to ND Stevenson during the Celsius 232, a multimedia festival about fantasy, scifi and horror genres celebrated in Avilés, a city in the North of Spain. The interview was about She-Ra and The Princesses Of Power. There was another interview about his comics that I attended, but I couldn't find recordings of that one. In this interview ND talked about topics such as Catra's choices, toxic relationships, Nimona's film adaptation and Lumberjanes' TV adaptation. He also answered questions from the public.

Click on Keep reading to read the whole interview!

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Thanks to Comic Astur for recording the interview. They have another interviews during Celsius 232 in their channel, both to Spanish and non-Spanish authors. So check it out!

First of all, Merry Christmas and Happy Holidays! This post is being released on Christmas day in Spain, so I think it's a good moment to make a gift to the SPOP fandom. 🎁🎄

I don't do professional trancribes, I just want to share this interview. I love Celsius 232 and hearing ND Stevenson in person was a great experience. I want to share this with international fans. The interview is in a mix of Spanish and English, so I'll translate the Spanish parts (and also use some of Diego's translations that you can hear in the video) and I'll transcribe everything in English. I'll also add some notes here and there about the interview.

The auditorium opened some minutes before the beggining of the talk. It was almost full. There were some cosplayers of She-Ra, Adora, Catra and even one cosplayed as Finn, Adora and Catra's post-canon child. There was also a baby cosplayed as She-Ra (baby She-Ra!!). Some people brought with them pride flags because of the series nature. 🏳‍🌈🏳️‍⚧️ When ND Stevenson entered the auditorium everyone started clapping.

In the scenario, as you can see in the video, there were three people. ND Stevenson (center), Jorge Iván Argiz (left, interviewer) and Diego García (right, interpreter). Jorge Iván did the questions while Diego translated everything to ND and then to the public.

The interviewer started the talk remembering that ND Stevenson will come back to Celsius next year, for Celsius 2023, and he also claimed the importance of animation. Then, he asked his first question:

Interviewer: When you make a comic you have full control. You have a blank paper or a screen. You have your pen and you can do wathever you want. However, when doing an animation film, even if it has a main creative, it's a hugely collective work. How it was your first experience? How it was entering the animation industry and realizing that it's a huge teamwork effort?

ND Stevenson: Getting into animation was actually kind of an accident for me. I didn't plan to go in that direction. When I started out writing comics I thought of myself as an artist first before I was a writer. And so getting hired as a writer in animation was kind of a surprise for me. And I wasn't sure if it was something I was going to stay with. But my first job was amazing. It was working for Craig McCracken who did Powerpuff Girls and a lot of other stuff that defined my childhood and other people's childhoods. It was a very cool job to work with him.

Thinking of myself as a writer... it took me a while to accept that. But also, the collaboration of animation was what made me fall in love with animation. I also had always loved animation as a kid. Sneaking into my parents room where the TV was, when they were out of the house, to watch Teen Titans, which was my favorite show. To be behind the scenes, to be able to share this world that we were building together with the rest of the crew, that was... I immediately became addicted to that.

To write a comic it is all you. And unexpected things still happen but it all comes from your own brain, you own hands. With animation, everybody has a little piece of that world. And so, I would look over people's shoulders and ask to be in meetings that I wasn't technically a part of, just because I wanted to know everything and see everything. And so that is what made me fall in love with animation and that's what eventually lead me to make She-Ra.

Interviewer: Now we're going to talk about She-Ra. She-Ra as a character already existed, created as a base for a series of toys. I think that it started in 1985 and it was a show with near a hundred episodes. She-Ras was a twin sister to He-Man and she had a similar story to him, it was kind of complementary. But you made something completely new with this character and this universe. This seems wonderful to me. The first example already appears in the tittle [of the show]. The original series was called She-Ra Princess of Power. But here we're talking about She-Ra and The Princesses of Power. This collaborative spirit that you liked a lot when making animation shows was translated to the animation series. I imagine that this was the first decision [that you made], to bring a more complete arc for characters and to create not just one, but multiple princesses of power.

ND Stevenson: Yeah, the show ended up being- it was about teamwork. It's not just what the show was about, it's also the way in which we made it. It was a show that was made under a lot of pressure, not just because of She-Ra, but because we didn't have the biggest budget and we didn't have the longest timeline for making it. And so it was really something that if we were going to pull it off, we had to rely on each other to do it. And so that was something that really brought us together.

But that show, taking it from being- I hadn't watched the show myself [before], the original show from the 80s [when I was] growing up. But I loved it when I watched it [as an adult]. I had a lot of love in my heart for that show. Trying to pay that off and take that so it could appeal to new fans as well and still make old fans happy was always the line to find and walk. Taking it from one princess of power to an entire team of princesses who are very powerful and making it more about that, about the group instead about the one individual. That was something that was very important for us to do. Because it was so personal for us, with how the show was being made, because we were so close to each other. It was important to show that aspect of friendship and teamwork, and relationships in general. And love in every form. That was our inspiration behind that aspect of the show.

Interviewer: I would like to know if from the beggining it was always clear that the series was going to have that format and that number of seasons. The first season was a presentation of the princesses, almost one per episode. For me the series starts having more pace when each episode develops these stories that connect with each other. I would like to know if the series was already thought like that or if after season one you still had freedom to make changes.

ND Stevenson: The production of the show was actually pretty unsual in animation. The show had already been greenlit for 26 episodes before I was even hired for the show. They just bought the rights to She-Ra and they knew that Netflix had already ordered the first season. They also knew that they wanted to do 52 episodes total. So when I was hired it was my job to pitch that second season. And so, when I pitched the show, I'm kind of a wordy person, so my pitch was supposed to be like 20 minutes and it was like over an hour [in the end]. And I was lucky that the people I was pitching to were receptive and interested, but I pitched all 52 episodes. That is part of why it was so long, because I wanted to have this conception of it.

Some things stayed the same and some things changed over time, but we had certain ideas that stayed the whole time. For example, an early idea was that Catra was going to get a promotion at the end of every season and move further up the ranks. And also she was going to betray somebody in each season. That really ended up in the show. She just keeps kind of working her way up the ranks and eventually decides that she's out of there, going back to Adora. That was something that stayed true over time, but there were some things that we found along the way. A lot of things were really unexpected. At the very least, it was very helpful to have those broad strokes figured out from the beggining. I'm glad they didn't just cut me off after 20 minutes of talking cause that would be embarrasing *laughs*.

Interviewer: One of the best things that has happened to YA narrative is the shift from just entertainment and fun spirit to topics that were forbidden before. This change probably happened because of the new young people creating new stuff for young audiences. Some of this topics are abuse, bullying, mental health... She-Ra is about some of these topics, toxic relationships are very present in the show. There are multiple cases. It has been talked a lot about the relationship between Adora and Catra, but the relationship between Catra and Scorpia is also another perfect example of a toxic relationship. Something that someone denies, although everybody is warning them. I would like to know more about these messages that can make the audience think about their own relationships. Tell us about it.

ND Stevenson: I'm of the believe that it's important just not to see representation of good behaviour and role models that we can model ourselves on. But is also, I think, a good thing to see representation of characters making the wrong choices and doing the wrong thing. And Catra is defined by that. This was [something that] the crew [asked about as well]. People would come and they'd be like: "so, you told me that she's gonna join the good guys again, right? She'll be OK? When is that going to happen?" And people started to stop believing me that it was going to happen.

AJ, who voices the character, I would [tell her] "We have a big run for you today, Catra is going to do something new, but I promise that she's going to be OK in the end". And she'll be like: "yeah, sure, you say that every time". But I think that's why [Catra] was very beloved among the crew and by me. She's a character who kind of consistently always makes the wrong choices. And it can be so frustrating. Because you'll yell at her at just be like: "OMG, you know you don't want that, why can't you just do the right thing?". And that, I think, in it's own way can be something that also tells us how to make decisions ourselves. So when you see somebody who we sometimes want to scream [at], sometimes we're compelled to do things that make us a bad friend or bad people. And it's important, I think, to know the consequences of those wrong decisions.

Catra is someone who expresses those things and my hope is that it is cathartic in it's own way, but it's also a little bit of a cautionary tell. She ends up alone at the end, without any friends. And that's the consequences of her actions. But then it's also something that it's- you know, there's nothing you can't come back from. There are things that if you work, if you make yourself vulnerable and open yourself up and try to make amends for your mistakes, it is possible to come back. That was something that was very important for us to show. It's my believe that it's important to see characters, specially female characters, making those bad decisions. We found it cathartic, and I hope that it was cathartic for others as well.

Interviewer: Now two short questions about the animation. First, it is traditional animation, or at least it looks like it, with some touches of CG here and there. I wanted to know if it was a conscious decision so the show would look like it was intended, or if it was because of the low budget and short production time which you said you had.

The second question is about the aesthetic of the ancient buildings. It makes me think about an illustrator called Roger Dean. I don't know if it's by chance or if it was an inspiration for this aesthetic.

*a fly 🪰 flies near the interviewer and he tries to hit it*

ND Stevenson: We had an option on pursuing 3D animation as well. It was something that was done at this studio I was at, at DreamWorks, pretty often. But it was also for an epic... There's a fly!! 🪰

*the interviewer and translator agree and everybody laughs* There's a fly in my... flying over and over... 🪰

Yeah, for epic action scifi fantasy it is harder, it's more expensive to do CG animation. And you have fewer resources. One thing that happens is that the characters can't go to many places because every room and setting has to be build in three dimensions. My friends who are writers working on shows in 3D have limitations of what they can use. They have a set number of characters and a set number of locations, which is true in hand-drawn as well, but less so. You don't have to design the whole thing if you'll only going to see it from one angle.

So that was a lot of the reason of just what was posible with the show. But also, I thought it was important because She-Ra was one of the last shows in the 80s animated in the US, before everything moved overseas to be animated in South Korea and Canada, France and Ireland. It felt important to stay true to the original and the hand-drawn look of the original.

As for Roger Dean, that was definitely one of my inspirations. You have very sharp eye! That very epic... The science fiction illustrations of the 70s and 80s that you would see on the cover of a paperback... That is how I wanted the world to feel. But populated by characters who felt a bit newer. As a kid, I always loved this covers because you would see these floating rocks or the sky with dozens of planets and moons. I wanted to capture that feeling. It always sparked my imagination to see those illsutrations and I wanted to capture that in the show.

Interviewer: Before starting with the questions of the public I have to ask about the adaptation of Nimona into a film, as well as Lumberjanes' TV adaptation. Tell us a little bit about both projects.

ND Stevenson: You're gonna see the Nimona movie early next year, I think february or march. *big applause from the public* So get excited because I just saw the newest cut and it has a lot of the animation. I've seen the board drawings for a while, but I started to get the animation and it is completely surreal to see really dumb drawings that I made as a teenager like, suddenly being executed in three dimensions and it's gorgeous and the style is amazing. So I'm very excited for everyone to see it.

And Lumberjanes is still in the development period. This is a little more standard. I said that She-Ra was unsual in the animation industry and part of that is that the development happened very very quickly. Less than a year. For most animated projects it takes longer than that. So on Lumberjanes we are still on the development phase. We haven't launched into the actual production of the show yet. It's still on the writing and creating the look of the show, finding a studio and everything like that. I think that I'll hopefully have more news about it soon for you. And I think that it's going to be also really cool. So... yeah. *applause*

Interviewer: Great. (To the public) Any questions?

#1 audience question: 1) I heard some rumors that you had trouble with Netflix because the series did not have as much advertisement as they wanted, the low-budget... That was the case? 2) Would you be interested to start working for other platforms like Amazon?

ND Stevenson: Something that not many people know it's that I actually haven't worked for Netflix. I created She-Ra as the show that you saw on Netflix, but I made it at DreamWorks. DreamWorks is it's own animation studio and they had a deal with Netflix that Netflix would stream the shows that DreamWorks was producing. So that was the deal. That's different now. They still do co-productions with DreamWorks, but they [Netflix] created their own animation studio after a year or so after I started working on She-Ra. So actually I didn't have much interaction with Netflix at all. I didn't get notes from them. I didn't know my executives there personally... Actually, I did, but... One of my executives was actually a good friend of mine. But I didn't actually have meetings with Netflix in any way.

If there's rumors about being trouble with Netflix it's certainly not in any kind of working relationship way. They are pretty mysteryous, they guard their algorithm pretty closely. But yeah, that was my experience with Netflix. For me it was very positive. I can't speak any more to what their reaction towards the show was because we were in different places. Hope that answers that.

I'm not currently working with Amazon, but that's something that is definitely... it's pretty common in animation to kind of move around from studio to studio. So it's definitely posible.

#2 audience question: I'm almost 30 so I'm a bit old for the She-Ra target audience, but me and my friend loved it because there is a lot of queer representation. For me and my friend that is very important. I was wondering how it felt because we're more of less of the same age, so we've grown up with similar cartoons and there was nothing that showed you what queer means. We didn't really see ourselves in mainstream shows. I was wondering how it felt to put for the queer community out there this clear representation.

ND Stevenson: It was obviously pretty important for me in a personal level. But another thing that I don't know if that many people know it's that when I got the job I wasn't out yet as gay. So it was certainly not something... Honestly, the show is probably responsible for making me way gayer, just working on it. *everybody laughs*

But it was something very important to me, just in the world of the show, you know? For me, it's always queer characters, they're always on the front of what I make, even before I was out. But also it's something that is defined by the show itself, what makes the world feel more alive. So I felt that having very fluid gender expression was an important par of the show. Because honestly, the original show has fairly fluid gender. He-Man wears pink and purple in his clothes and then wears a furry diaper when he transforms as He-Man. All the characters are wearing tights and belly shirts and men and women, there're not non-binary people in the original show, but it makes sense for us that there would be. So there's something for me that made the world feel more alive. And again, rainbows and drag queen princesses were such a big part of the original that it just makes sense to [have them] and it made our world feel bigger and more expansive. So that was a lot of my thinking behind it, and sometimes it was an easy sell I think. We were pleasantly surprised that the studio would be very receptive for Bow to have two dads. And Double Trouble, we were very excited about that and very supportive of hiring a non-binary voice actor.

And then there were other things that were a harder sell. I got on the phone with a lot of different people for the Adora and Catra relatioship and had to pitch it a bunch of different times to different people. Got a few notes at first. And then, you know, appealed it, and then the noes turned into yeses. And I still didn't believed it until I was actually watching the final season on Netflix. I didn't believed it'd really happen. But it did so, yeah, that was really cool.

*when the interpreter was translating this answer by ND he tried to hit the fly 🪰 and everybody laughed and applaud, it was really funny*

Interviewer: (To the public) One last question with a short answer?

#3 audience question: In the series there's a lot of characters. I wanted to ask who do you relate to the most?

ND Stevenson: I think all the characters have little bits of me and the rest of the crew. I think almost every character is sort of- there's someone on the crew who identified with them really strongly and that person became more expert on the character. So we have someone who strongly identified with Entrapta, or Tecnia as you said... (Tecnia is the name of Entrapta in the Spanish dub <3) I forget they have different names sometimes. Which is a great name, Tecnia is a great name! *public laughs* But yeah. Almost all of the characters had some counterpart among the crew.

For me, I think that I sort of related the most to a tie between Adora, Catra and Glimmer. One of the things I struggled with on the show was that I was very young when I was hired and I'd never been a manager before. And I mostly just worked on my own stuff and so, having to suddenly become a leader was a thing that I found very difficult and very scary. Like, I really really wanted to do a good job. I wanted everyone on the crew to be taken care of. And it was very difficult and terrifying. That's something that I think all three of those characters deal with in different ways.

Glimmer unexpectedly becomes the new queen. Adora changes sides and suddenly has to deal with all the guilt of having been on the bad guys side before. And Catra has this drive and this ambition, but she also starts to fall apart the higher up the ladder she moves.

I put a lot of those feelings into the characters. With Glimmer there's an episode where she can't go on missions anymore with Bow and Adora because she needs to stay and go to meetings, which was like my everyday. Everyone's going to do something fun and I have to be in a meeting, I can't hang out with [other crew members]. Like Adora in the episode where they play D&D and she keeps just being like: "no no NO, we're all gonna die and everything is gonna go wrong" and she's trying to anticipate every possible way it could go wrong. That was a lot of like, you know, having to conceptualize and keep consistent a story that was going to be told in such a long period of time, with such a large crew of people. That was how my brain felt a lot of the time. A lot of these feelings were poured into she show through the characters. Those are the characters that I think I have the strongest connection to.

(ND is, in fact, wordy, so it wasn't a short answer LOL)

Interviewer: There are big threats and the world needs to be saved a lot of times, and at the same time what you're woried the most is if the characters will recover their friendship... What's going to happen next? Someone will pay attention to Scorpia? *everybody laughs* This shows us something that happens in our lifes as well, that a big event can change you as much as an event that may seem small. This series also shows us that being different is cool, being the same as everyone else can be pretty boring. Being different can be even desirable. ND said that at the beggining he started working with someone who changed his life and who gave him a show such as The Powerpuff Girls, and I anticipate to him that right now, very very soon, there will be people that will say "I'm working for ND Stevenson, who changed my life thanks to She-Ra and his other works". To make easier our wait for the next year [Celsius 2023], when he comes back to Avilés, we're gonna say goodbye to him with a very very strong applause.

*all the public applauses, ND does a heart shape with his hands 🫶 He also thanked the Celsius 232 organizers and the public for coming*

This interview was done on Friday 22nd, july 2022. ND Stevenson made another talk/interview the day before. After that one talk I went to the signing and got my copy of Nimona signed. He was really nice and we could talk with him a little bit. He seemed really happy to visit this event in Spain and I'm really excited to see him next year. At that time the Nimona movie will be out, so I'm sure that we'll be able to know more about it and his future projects!

Photo with ND Stevenson during the book signing on Thursday. My boyfriend and I went together. We both love Stevenson's stories. <3

Thanks to ND Stevenson for coming to Spain and to Celsius 232!! I've been going every year to this event since 2018 and they always have great authors and the festival is really nice. I've learned a lot of stuff thanks to this festival and with talks like this one that ND made. The event is mostly about books and literature, but as you can see other forms of media are in Celsius 232 as well.

That's all! Thank you so much for reading this whole thing. I hope that it was interesting. <3

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gayofthefae · 4 months

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Hey, I've been sad since yesterday and I thought a lot and I can say that I lost hope, I saw a video on TikTok of David talking about Byler and saying that it's not going to be a real "I don't think of your ship is going to sail " what do you think he meant it?

@nadajjk56 (just to make sure you see this in your notifs) Proof/Comfort: I have seen this. David also said that Hopper was dead(I think he's very convincing in this one by talking about character arcs and things so he is definitely good at lying with a straight face). David also said that Jopper was not going to happen. I got really stressed and nervous too but then I was reminded that he said those things.

And if you'll remember...

I still have hope.

To answer your question more directly, I think he is trying to subvert audience expectations for it to be more of a surprise. Think Alex Hirsch "leaking" a fake spoiler of Gravity Falls when fans figured the twist out too quickly.

But yeah. That felt like a definite hope-crusher to me too. I felt nauseous and had to recover and unsuccessfully convince myself it was gonna be fine. Until I was reminded that he has blatantly lied in interviews on multiple previous occasions.

For additional proof, the article on Joyce and Hopper was published between volumes 1 and 2 of season 4: well after they had already filmed the scene pictured above. So he has most definitely blatantly lied about plot points or his opinions on them when fully in the know before.

On other occasions, he was also giddy when talking about Mike and Will and said on 2022 and 2019 that he knows how the story will end(and I think he did because in 2019 he said he estimated 5 seasons) and that it is "beautiful", a word I would not attribute to a dead, heartbroken, or dismissively wrapped up queer character. So he has turned to be not consistent and and a proven non-credible source. I hope this helped lift your spirits :)

And I appreciate you valuing my analyses enough to trust me to have answers or comfort for you. That is so sweet to know <3

#byler comfort #stranger things #david harbour #byler #asks

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mementoboni · 11 months

Text

[part 3/4] DIR EN GREY WOWOW Interview & Document (2020)

"But looking at these, seeing Diru's behind-the-scenes production process, I still feel it's not easy, DIR EN GREY is really amazing." — Shinya

Notes before reading:

The whole interview is divided into 8 topics, and the translation is divided into 4 parts. This is the third part, including the 5th topic. The details of all topics and time markers are 👉 here.

I have added Chinese subtitles for this video in 2021. The whole interview was very meaningful, and I hope that with the English translation, more people can understand what they're talking about.

The five members were interviewed separately and then edited into a video, so the words spoken by each of them are not necessarily coherent.

Repost and share are welcome.🙌 I translated it all by my ears, so please feel free to correct me if you spot any mistake or any confusing parts.☺️

— — —

05. Member Feature

[ 薫 Kaoru ]

►Memories of the Band Formation

Kaoru: Even ONE MAN LIVE, we still didn't have the budget to decorate the stage. But we still wanted it, so we went to TOKYU HANDS* and bought Styrofoam, flower decorations, and wire or something like that. It's fun that we all made stage decorations in the house together. (*Note: "TOKYU HANDS" is a Japanese chain of home-based department stores specializing in selling DIY products.)

►Something of Recent Interest

Kaoru: I am often asked, but I can't think of anything. I don't want to do anything when I get home. This month, in June, "Neon Genesis Evangelion" (the movie) will be released, and I really like it. Kaoru: It's almost over, of course I also want to see it earlier, but after watching it is really over. I'm a little happy that it's going to be postponed, that it won't be released this year (2020), and that I won't be able to watch it. (Staff: Emotionally, you still can't accept it.) Kaoru: Yeah, yeah, it will feel like it's not the end yet.

►Opportunity for Solo Exhibition

(*Screen caption: Kaoru held a solo exhibition”ノウテイカラノ”in 2019.) Kaoru: The reason for the exhibition is that a few years ago my hands started to become a bit uncomfortable and I couldn't hold the pick properly to play the guitar, so I had to put the pick on my fingers with tape*. As a kind of rehabilitation, I started to draw and try to show some random things, but the story is not yet that rich. (*Note: Around 2014, Kaoru's hands began to show signs of abnormalities, which were diagnosed to be the occupational disease, caused by relaxation of the ligaments of the muscles or joints.)

►The Origin of「ノウテイカラノ」("nouteikarano”)

Kaoru: When I was a child, I often had a dream. I don't know if it was the sky or the ground, but there was a pure white place, and from far away, I could see a lot of dots, as if there was a large group of things coming closer and closer, and in an instant, they all swarmed towards me. Kaoru: Every night I would dream about it, and then I woke up with a start. I wake up every time I dream about it, and what happens after that? I imagine what happens after that, try to draw a picture like this, go back to my mind at that time and imagine it. (*Note: According to Kaoru’s scend book “Dokugen ni” (published in 2018) P.85, "ノウテイカラノ" means "脳底からの" (born from inside the head), just written in katakana.

►Influence on the Band

Kaoru: At first, I wanted to draw with a different feeling, and I felt that my creative power was stimulated, so I thought I could compose with a different feeling. But, rather, it seems to be more difficult to make a song. (laughs)

...

[ Shinya ]

►The Person You Admire

Shinya: I've been in a band since my first year of middle school. X was very popular in the class, and YOSHIKI-san's presence was very strong. At that time I decided to become a drummer like him, and I've always looked up to YOSHIKI-san since then.

►Memories of the Band Formation

Shinya: We used to compose in a studio in Osaka. There was a container-like studio, and I remember we stayed there for 3 or 4 days, composing the song together. The studio was rented, and we slept there under the blankets. Shinya: I never understood why we had to share a room*. The studio was in Osaka and we could just go home, so why did we have to spend the night there? I guess other members might have felt the same way. (*Shinya used the word "gashuku, 合宿")

►Reason for Not Changing the Style

Shinya: There are people who have liked me for a long time. Also, I can feel the beauty by keeping my old look, and that's why (I don't change my look).

►Opportunity to Start Solo Project

(*Screen caption: Shinya established the music group "SERAPH" in 2017.) Shinya: The concept was already there many years ago, but I felt that it was a bit taboo to have other band activities, so I didn't do anything. But around 2012 or 2013, I started to think that it was okay, so I went into it with the intention of trying it out.

►The Concept of "SERAPH"

Shinya: The theme is the various things that I see from heaven, about human beings, and that's what I'm expressing.

►Influence on the Band

Shinya: The drum part is the same as DIR EN GREY. After all, it's an expression of my own creation. In this respect, when I think of the drums of DIR EN GREY, there may still be some influence.

►Things learned from "SERAPH"

Shinya: I have to do a lot of things by myself in SERAPH, booking all kinds of things and so on. I'm quite happy to do it myself, or maybe I'm doing it because I like it. But looking at these, seeing Diru's behind-the-scenes production process, I still feel it's not easy, DIR EN GREY is really amazing.

...

[ Die ]

►Opportunity to Go into the Band

Die: I wasn't that interested in music itself before. I like listening to music, but I don't know anything about the bands. After entering high school, I saw the performance of senpais' copy band at the cultural festival. I was dragged there by my friends, and it was a shock to me. The first time I saw a live performance, I realized that it's the band. Die: Although I had no interest in it, I wanted to do something while watching it, and I formed a band with my friend immediately after the show was over. There was no one else (in the band). I was a drummer at first. (laughs) But it's boring to play rhythm all the time at home. After all, guitar is a melodic instrument, and there is an amplifier. I guess the guitar is more attractive to me.

►Memories of the Band Formation

Die: When we first debuted, we spent the whole day in the conference room of the record company, signing posters, changing signatures, and so on. Filming also started at 6 a.m., and it took about 3 hours for a person to put on makeup, it's usually over time at the end. I remember these things very well.

►Something of Recent Interest

Die: In my daily life, I naturally see and hear things like the Japanese music industry, and it feels really peaceful.

►Opportunity to Start Solo Project

(*Screen caption: Die founded the rock band "DECAYS" in 2015.) Die: As far as music is concerned, it's something I can't do at DIR EN GREY. I wanted to try and see how far I could go without the DIR EN GREY label. There is a part of me that wants to do it myself, or to challenge it.

►Things learned from "DECAYS"

Die: At first I felt like I had to make some changes, but instead, I felt like I was losing myself. In the end, I found that it is best to be myself, in the next process.

...

[ Toshiya ]

►Opportunity to Start Playing Bass

Toshiya: Originally, I just wanted to be a guitarist, but I didn't think I could play very well. At that time, I was thinking about what to do, and then I was attracted to the bass. I felt like I could see my future. Toshiya: There are many people who are called "Guitar Heroes", but few people remember "Bass Heroes". That means there is still room for me to develop, so I thought I would play bass.

►Memories of the Band Formation

Toshiya: When our band first formed, four members came to my hometown. It was winter and there was still snow on the ground. They all came from Kansai and rarely saw snow*. I was very impressed by how excited they were to see snow. (*Toshiya's hometown is Nagano. It is said that Toshiya's mother took the picture at the time and still keeps it at home in Nagano :D → TOSHIYA AT JOE YOKOMIZO CHANNEL 4th FEB TRANSLATION/NOTES 2/4)

►Favorite Artists

Toshiya: I like painting. Vincent van Gogh and Francis Bacon, I like both of them very much. The world of painting is usually a mixture of truth and fiction.

►Opportunity to Start the Apparel Brand

(*Screen caption: Fashion brand with Toshiya as creative director - DIRT) Toshiya: I think music and fashion are inseparable and both are very attractive. Music should be free to express itself, and in the same way, fashion should be free, too. Toshiya: When it comes to expressing oneself, everyone chooses what is acceptable to most people*. I don't like that, I think we should listen to our own thoughts more. (*Toshiya used the word "migimuke migi, 右向け右")

►Influence on the Band

Toshiya: Even if I'm designing clothes, I end up having something to do with music. Although this is a completely different field, it will eventually return to music and bands.

...

[ 京 Kyo ]

►The Person You Admire

Kyo: There are a lot of them. Now I'm not just targeting one person. When I was young, there were a lot of senpais that I wanted to become like them. But it's been more than 20 years, so now I don't take them as a target, just be myself.

►Interested Artists

Kyo: Haven't there "Kimetsu no Yaiba (鬼滅の刃)" recently? I haven't read it yet, it's super popular, isn't it? Generally speaking, if the sales are so good, it is difficult to end the series, right? There will be a variety of entanglements, such as the life afterwards, there are many to consider. Kyo: I think it's great to end the series like this, to end it at this time, with a sense of strength and determination. So if there is a follow-up manga in the future, I would like to read it.

►Opportunity to Start Solo Project

(*Screen caption: Kyo founded the rock band "sukekiyo" in 2013.) Kyo: The things I want to do often keep popping up. I think it's a shame not to do it, and I don't want to regret it.

►Influence on the Band

Kyo: I don't think so, but I feel less stressed (after the solo project). People who like DIR EN GREY say to me, "Don't bring sukekiyo to DIR EN GREY!" Sometimes people say that, and I'm not going to do that. Kyo: I was asked why (I want to form a sukekiyo), "Diru can do it, right?" It's because I can't do it (in Diru) that I want to do it! I don't know what criteria they used to say that Diru can do it, but I didn't do what I could do (in Diru). If you finish what you want to do one by one, you will be less stressed out.

(To be continued…)

--- --- ---

part 1. & part 2. & part4.

topics & time marks

中文翻譯 (My Blogger) part 1. & part 2. & part 3.

#dir en grey #kaoru #薰 #kyo #京 #die #toshiya #shinya #interview #interview 2020 #translations #video translation #diru translation #translation by yinfu #diru wowow 2020 #WOWOW interview #long post

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