you did NOT ask but i think to the core, part of the dislike between marion and good old francis IS her job. he's seen this bitch a thousand times at the blank institutes for fucking up children. he's naturally distrustful of her. especially seeing her do his own... friend in like he's a child. it makes him question if the straights are ok, but like, unironically.
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yes, yes i know edgeworth’s big wet eyes and loser boy personality have captivated us all, but listen. listen.
phoenix wright
phoenix “genuinely unable to reconcile the girl on the stand with the girl he dated for eight months, a cognitive dissonance so profound it’s ultimately explained by them being literally two different people, but which he first sits with for five years and does not talk about at any point to anyone” wright
phoenix “don’t mention that name to me. i don’t want to talk about it. i don’t want to think about it. i am just going to keep myself in this state of perpetual crisis mode focus on other people’s problems until eventually i die and get to hang out with mia on the astral plane and never have to deal with any of these emotions ever again” wright
phoenix “overnight loses his career and reputation and sense of identity while gaining an adopted, probably pretty traumatized eight-year-old daughter, and rather than leaning on his friends for help, or getting therapy, or taking any time to process any of this, he *checks notes* spends seven years dedicating all his free time and energy to investigating the weird fucking circumstances around it and maintains a friendship with the guy he suspects was behind it all” wright
phoenix "runs across a burning bridge and falls through it, half a day after the game establishes that he is terrified of heights, because his friend is on the other side of that bridge" wright
phoenix “i sure felt surprised. maybe i had my poker face on” wright
phoenix “looking back on it that was actually a pretty dark period in my life” wright
phoenix “don’t ask me how i got started. i don’t remember” wright
phoenix “only you stood still, your eyes calmly watching” wright
phoenix “sometimes, life just sucks” wright
just
phoenix wright
crunchiest man in the world
and all i wanna do is chew and chew and chew on him
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i know i've said this plenty of times before but nothing is funnier to me than the idea of phoenix's parents being pretty normal but maybe kind of lame and him almost completely ghosting them just because he doesn't want to explain any of the insane life decisions hes made.
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I’m finally biting the bullet and contacting a therapist today after being ambivalent ab it for so long… this hellsite has its many disadvantages but one thing I can say is it has truly helped me be less scared of pursuing therapy. Silver lining etc etc
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I enjoy the 2024 grimoire challenge and what it's going for and I respect the person running the blog, but I am also going to just do whatever I want whenever I want forever. Hope this helps!
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together in every universe. or something
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the way the ericson group were at the outbreak just a bunch of troubled kids who made various mistakes or committed crimes and were judged by a system that punished and abandoned them instead of giving them the support and love they needed, are then nearly a decade later put into a situation where now they must judge a troubled child for the mistakes and crimes hes committed against them. and 5 to 3 vote them out 😭
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I felt the need to join the Shen Yuan has chronic pain train because that is so true and canon
Edit: Posted this by accident instead of scheduling it so I’ll just rb it tomorrow and mayhaps draw sm extra tmr too but we’ll see
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Lord I cannot believe it took me this long to realize this, but. Vnc's refrain of Noé trying to grab Vanitas's hand is a metaphor.
This whole time I've been reading the constant references to "Noé grabs Vanitas and saves him from falling, but one day he'll fail" as very literal foreshadowing for a day when Vanitas is going to fall and get hurt (or die?) and Noé will fail to catch him. And I still think there's a good chance that's true! However, it's also really obvious symbolism for the idea of salvation in general.
I've beaten this drum to death, but Vanitas is more or less the ultimate example of a character doomed by the narrative. He is going to die; the entire story is the buildup to his death. And one of the main conflicts is that Noé wants desperately to save him (and wants it more and more as they grow closer), but by nature of the story, we know he can't.
At least by Noé's definition of salvation, Vanitas is unsaveable. His death and suffering cannot be prevented, and despite Noé's best efforts, he is going to die by Noé's hand.
Enter the falling metaphor.
The absolute certainty of Vanitas's death works like the force of gravity. He is constantly being pulled down and down toward his doom like an endless free fall. But then Noé steps in and tries to save him, and in little ways he even succeeds! In all the little less important ways, he grabs Vanitas's hand time after time.
When Vanitas goes toppling off the ledge in Gévaudan, Noé catches him and shortens his fall. When Vanitas sinks into despair in Moreau's lab, Noé snaps him out of it. And when Vanitas gets lost in his own trauma and self-hypnosis at the amusement park, Noé brings him back to reality. For all of the little free falls, both literal and metaphorical, Noé is there for Vanitas before he hits the ground. The beating heart of their relationship is Noé's constant attempts to catch him.
However, Noé is haunted by the fear that he is going to fail someday. When Faustina reverts back to Naenia and dissipates in Gévaudan, he's shown a vision of Charlatan(?) telling him his hand cannot reach Vanitas. Naenia preys on people's worst fears and weaknesses, and this is one of Noé's. He fears that his hand will not reach the one he's grasping towards, and he will fail to save those that matter to him. The very broad line "you persist in reaching out for them" in the middle of Noé trying to literally catch someone more or less tells us outright that the falling and catching is a metaphor for salvation.
And when he speaks from the future, Noé confirms that this exact fear has come true. Noé in his narration is haunted by the regrets of "that day when I didn't grab your hand." His grand attempt at Vanitas's salvation has ultimately failed, and he didn't catch him when it mattered most.
The night that he first meets Vanitas, Noé throws himself out of an airship in the attempt to catch and save him. And from that point onward, he tries to catch him over and over again. Their relationship is one long straining outstretched hand as Noé attempts to pull Vanitas from his endless plummet downward. He is the one person deeply focused on Vanitas's salvation. However, Noé cannot ultimately stop the forces of tragedy and gravity and doom, and in the way that matters most, he can never quite reach Vanitas's hand.
There is going to be a day when Noé will be unable to catch him, and that day is the day that the entire rest of their relationship (and the entire rest of the metaphor) is building to. Noé is constantly reaching out, but he cannot save a man that is already dead, no matter how passionate the outstretched hand.
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"i'm teaching a monkey yao a forbidden method of immortality!!!" girl... what were YOU doing knowing a forbidden method of immortality
[ID: A three page comic done in white and shades of purple. Characters are uncolored, but have shading.
First panel has Patriarch Puti and Sun Wukong walking in an enclosed back garden, with Sun Wukong looking up at Patriarch Puti seriously as his sifu speaks. Patriarch Puti says, "These techniques, although effective, are dangerous. They are teachings outside of known doctrine. What you have done is stolen the creative powers of Heaven and Earth, intruded on the dark machinations of the moon and sun."
Second panel has Sun Wukong considering this somberly. He says, "Sifu... That's..." He processes for a moment, and says "Wait-"
In the third panel, Sun Wukong looks up at Patriarch Puti with a knowing mischievous grin, while Patriarch Puti looks very tired, as if he already knows what SWK is about to say. Sun Wukong asks, "If they're so unknown and forbidden, how do you know them then?"
Fourth panel has Patriarch Puti simply stating, "Wukong, as the next generation, your responsibility is to learn from the mistakes of your elders." Sun Wukong responds, "ha okay." In the background, with the caption "Several hundred years ago," there is a flashback of a young Patriarch Puti running away as a strike of lightning barely misses his feet.
End ID]
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I didn't realize this wasn't consensus, but as far as I'm concerned Roger abandoned Ace and Rouge, and leaving them to Garp was not remotely enough. He had a year. He could have protected her, found a safe place for her, and been there when Ace was born. She wouldn't have killed herself holding him in.
It's entirely his fault that Ace grows up hating him. If he had protected him and Rouge before he died, Ace would have grown up with a mother who could have told him better stories about his father. He could have grown up proud of him, if Roger was a responsible father with his last year of life.
Roger clearly did whatever he wanted, and that's why he was so connected to Garp, who is basically an older, black mirror government officer version of Luffy. There's a core personality trait that runs between the three of them. It's that utter selfishness, carefree attitude, taken to an insane degree.
Garp didn't parent Ace well either! Neglected him, told him he had to create his worth, instead of seeing a deeply hurt child and saying something comforting or helpful for once in his fucking life. He let Ace be killed, knowing he was a kind gentle person, instead of letting go of his place in an institution of injustice.
(After watching them target Ace, personally I didn't think you could make any argument that Garp doesn't know The World Government is an unjust institution. But now that we've seen him casually watch them commit a genocide and do nothing to stop it, I suspect I'm not gonna have to suffer this rose-tinted view of Garp as much.)
There's a clear message here. Earlier I stated that it's because Garp works for the government that he's callous to the suffering of others, and I still think that's definitely true in part, but Roger shows that just being on the outside of that institution doesn't turn a selfish, carefree person, kind. I mean, he also showed up to that genocide, but we only see him fight for something valuable rather than save anyone.
Ace and Sabo both represent those left behind in both ways of life. Ace of course is a victim of Roger's prioritization of his own desires over people. Sabo is a victim of the government's prioritization of the desires of a select few over all other people.
("All other people", of course includes the children of nobles, who, like all children in societies that give their guardian's complete legal dominion over them, are an incredibly vulnerable population at highest risk of all kinds of abuse from inside their family.)
The difference between Roger & Garp, and Luffy, is that Luffy grew up with Ace and Sabo. He grew up loving them and caring about the ways that they were hurt.
You can't imagine Luffy abandoning anyone, or sacrificing other's freedom.
Also, fuck Roger and Garp. They're enjoyable characters and the way things happened obviously makes the younger characters who they are and makes for a great story, but ohhh my god. Fuck those guys!!!!! It's their own damn fault!!!!
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I keep seeing stuff in online queer groups about gender abolition, but in the sense of people wanting to abolish gender identity itself instead of just gender roles, and honestly as a trans masc it's really scary to see stuff like that being pushed around because even if there wasn't any words to describe being trans, it's still a feeling that people would feel
Anyways sorry to vent its just really scary because it seems like radfem rhetoric is inching its way into the queer community
Yeah, that's one of those things that I honestly tend to see a lot in real-life progressive spaces mostly dominated by young queer folks. I have met a lot of very young nonbinary people who are genuinely accepting of all trans people- at least in theory and goal- but who also haven't thought super critically about gender theory, and end up projecting their own feelings about gender (and what they've seen/heard in punchy little soundbites on twitter and tiktok) onto the rest of the world.
I think it arises when those personal feelings meet subtle radfem rhetoric and folks just do not know enough to catch that, or don't think to examine it more critically. And it sucks. And I also think they're often well-intentioned people who do not want to do harm to other trans people, and who's ideas tend to evolve pretty quickly once they have some better ones to move towards (though I have certainly met people who aren't and don't. people are people).
I also don't want to imply that this phenomenon is exclusive to nonbinary people. Aside from the fact that plenty of cis queer people also believe this, and that it originates in radfem and TERF rhetoric to begin with, there are plenty of other examples of trans people projecting their experiences onto everyone else: transmedicalism is a great example.
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i am the number one fan of torturing Brennan Lee Mulligan, but it's honestly heartwarming to me how much Brennan suffers in episodes not designed around him, especially in the episodes he was a sub for. [spoilers through Game Changer 6.5]
for the first long stretch, Brennan was just very good at figuring out and adapting to a new game, and it was a bit less fun when he kept winning. where i'm from, when one student knows the answer every time, the teacher calls on them less. then there was Yes or No and Second Place, which knock specifically Brennan down, but these two wrongs don't necessarily make a right.
but then but then for Cool as a Cucumber and Bingo, the game was control your heart rate and be a funny person with a brand, two things you can't logic game your way out of. and Brennan just gets to play. and that's what it's all about. it's inspiring that we can play the same game with people of a range of natural ability and have the same fun. and by fun i sometimes mean torture.
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I think what people are missing when they say "The girls took all the powerful moments from the guys!!" or "Egwene would never have been able to stand up to Ishy for even a moment!" is that...the women are never standing alone when they do their incredible acts.
I think even book readers forget the massive buff being near other ta'veren gives the characters in the books and the power of working in a team.
In the season 1 finale, unlike Rand in the books, Egwene doesn't demolish a whole army of trollocs alone, nor does Nynaeve, nor do any of the other women there. Egwene and Nynaeve don't even cast any of the attack weaves at all. They are linked and Amalisa - a Tower trained individual - uses the collective power of all the women standing there to demolish the battlefield.
in the season 2 finale, they set it up all the way back in episode 1: "Standing alone, a shield only covers part of you, the rest is exposed. But standing together, our shields cover each other and nothing can touch us."
When Egwene stands up to Ishamael, she's not attacking him. She's making a shield. And she's not doing it alone. Mat and Rand are there too, two more powerful ta'veren converging in the Pattern with her, with two more on the way.
It's amazing how quickly book readers forget the plot convenience power of ta'veren Robert Jordan very purposely wrote into the story!
In the final confrontations of both seasons, Rand IS the one who strikes the final blow - he's the one who has to mentally 'defeat' Ishamael. It's Rand's decisions that determine the outcome in both - not Egwene's opinions on the matter, not Nynaeve's. The idea that a random mass attack is a more impactful character moment than overcoming the temptation of Ishy's promise of a perfect world for Rand to live in, that Rand declaring firmly and to Ishy's face that he will never join the shadow never stop fighting for the Light, is just ridiculous.
None of Rand's actually impactful, story-defining moments are given to 'the girls'. The show is not 'pushing Rand down so the women can be made more powerful'. If that's what you think, I'd take a look at what you think is 'powerful' and then take a look at the actual story Robert Jordan wrote and what he had to say about what wins the battle in the end. Was it sheer, raw power that won the conflict or was it strength of self (internally knowing who you are and not caving on your morals for power or influence or glory), community, and compassion?
Yeah, Rand is the character with the most raw power - but that's not why he wins battles and I think his big power moments will mean so much more in the show now that we've seen WHO HE IS and WHY he's using that power.
This isn't to say the explosions of power that Nynaeve and Egwene get aren't meaningful - I think the way the show has altered them to be about community support makes that act so much more powerful than a single character floating above the battlefield and demolishing it all on their own.
So in conclusion, I don't think the criticisms that "Rafe hates men and is giving all Rand's important stuff to the women!!" are accurate in the slightest.
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