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#public appearances 2013
secrestsgomez · 2 years
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♡ like or reblog if you save ♡
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source-celebs · 6 months
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Hayley Williams durante la presentación de Paramore en el Festival de Música y Arte Bonnaroo en Manchester, Tennessee (08/06/2013).
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ladygagaqueenedit · 7 months
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Lady Gaga visitando las oficinas de Bild.De en Berlín, Alemania (25/10/2013).
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bj986 · 1 year
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Lucy Hale 2013
PUBLIC APPEARANCES
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PHOTOSHOOTS
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MAGAZINE SCANS
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CANDIDS
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PERSONAL PHOTOS
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Saito has made a career of teasing out an eco-theory from the late, unpublished writings of Karl Marx. He earned his doctorate at Humboldt University, in Berlin, and now teaches philosophy at the University of Tokyo. His first book was an English version of his dissertation, titled “Karl Marx’s Ecosocialism” (2017), which tracked Marx’s study of the physical world and communal agricultural practices. (Saito is fluent in Japanese, German, and English.) In a second academic book, “Marx in the Anthropocene” (2022), Saito drew on an expanded repertoire of Marx’s unpublished notebooks to argue for a theory of “degrowth communism.” He gained a following, not only in philosophical circles but among a Japanese public facing the contradictions of tsunamis, billionaires, and same-day shipping. “Slow Down” has sold more than half a million copies in Japan and launched Saito into a rare academic celebrity. He appears regularly on Japanese television and aspires to the public-intellectual status of Thomas Piketty, the French economist who had a surprise hit in his 2013 doorstop, “Capital in the Twenty-first Century.”
The key insight, or provocation, of “Slow Down” is to give the lie to we-can-have-it-all green capitalism. Saito highlights the Netherlands Fallacy, named for that country’s illusory attainment of both high living standards and low levels of pollution—a reality achieved by displacing externalities. It’s foolish to believe that “the Global North has solved its environmental problems simply through technological advancements and economic growth,” Saito writes. What the North actually did was off-load the “negative by-products of economic development—resource extraction, waste disposal, and the like” onto the Global South.
If we’re serious about surviving our planetary crisis, Saito argues, then we must abandon capitalism, with its insatiable appetites. We must reject the ever-upward logic of gross domestic product, or G.D.P. (a combination of government spending, imports and exports, investments, and personal consumption). We will not be saved by a “green” economy of electric cars or geo-engineered skies. Slowing down—to a carbon footprint on the level of Europe and the U.S. in the nineteen-seventies—would mean less work and less clutter, he writes. Our kids may not make it, otherwise.
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skitskatdacat63 · 5 months
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Fernando Alonso & His Relationship With Cards
I'm sure we're all familar with the cards on the back of Fernando's Vegas GP helmet by now, but did you know his relationship with cards goes a lot deeper?
I. Magic Tricks
You've probably seen or heard someone at least mention Fernando's propensity for card tricks. As far as I can tell he was doing them(publically) as far back as 2003 all the way to as recently as 2018. Even once performing a card trick, with a condom and a teddy bear(!??!?!??!!), in front of Valentino Rossi who said "How was that possible?"(x)
But how did this start? According to James Allen, "Fernando admits to having been heavily influenced by his grandfather, a mercurial figure, who taught him magic and card tricks, still one of his passions away from the race track."(x) And I'm not sure the validity of this one, because I couldn't find an actual source, but apparently he once said: "My parents are responsible for the two things I like doing most - driving and magic tricks. They bought me my first go-kart and a magician's kit."
In several interviews he described it as his hobby off track, and that he loved learning new tricks and surprising others in the garage with them! So clearly cards are pretty important to him both as a hobby but also to who he is as a person since they've been with him just as long as racing has.
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II. Card Symbolism in His Helmets
This is the reason I originally made this post, but I thought I should also explain the origins of his card fascination first. As I said, we probably all remember the cards on the back of his helmet in Vegas, but did you know that wasn't the first time he had cards on the back of his helmet?
From 2008-2013, he used to have a pair of cards on the back of his helmets. The symbolisms of the cards themselves as well as the evolution of their design is really fascinating to me! Even more so with the recent development of the card choice in 2023.
Fernando said he wanted to reference his two titles in some way on the back of his helmet and after his friend sent him several ideas, he decided on having two cards(an ace of clubs and an ace of hearts, sometimes pictured with 05 and 06 on them as well), saying: "I picked the cloverleaf [the ace of clubs - Ed] to give me luck, but the only pity is that it doesn't have four leaves!"(X)
2008.
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Here's the very first appearance of the cards! They're displayed flat, with the 05 and 06 clearly visible
2009.
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Very similar to 2008, but with a slightly different design, and they're maybe a bit more straight with less shadow?
2010.
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This is the first major change! I was sad they didn't have the years on them anymore, but then I realized they're sparkly to match with his signature lightning bolts on the top of the helmet!!
2011.
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Honestly I'm still somewhat unsure if this is the actual 2011 helmet? It's pretty difficult to find clear photos of the back of helmets from older seasons. It's easiest to find them on replica sites or auction sites so I'm not 100%? But anyways, I like that this has the championship years on the underside of the cards
2012.
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This is when I started getting weirdly emotional about the helmets. Do you see how they've progressed from being a centerpoint to being curled up and sad at the bottom of the helmet? Not listing the year anymore??
2013.
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Same thoughts as 2012. And after this season, they cease to exist (just like his ferrari chair in the garage, WOAH CALLBACK), until cards make a reeappearance in his Vegas helmet, albeit in a different form
2013 Monaco(Honorable Mention):
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For some reason 2013 helmets were easier to find proper pictures of, so I happened to witness this absolute beauty. The creativity of this helmet genuinely blows me away??? Wanting to keep the card motif, but making sure to incorporate it into the rest of the puzzle piece design?? Mwah! There was another special 2013 helmet but they didn't change the cards at all so I really applaud this one
2023 Las Vegas(The Return of The King):
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The magnificent return! But look! The cards are different cards! Instead of being two aces, it's now an ace of hearts, a four of hearts(his driver number of course!) and, the, now iconic, representation of himself as a Joker. I literally could not believe my eyes when this helmet was released and I saw the Joker card, what a fucking silly old man....I really wonder if he felt nostalgic having cards on his helmet again or if he didn't think about it all and was just like, "ah cards because Vegas!!!"
III. Why Does This Matter?
*The rest of the post was factual, this is moreso my personal thoughts on the symbolism of the cards/designs
This post spawned from me recently watching the 2010 Bahrain gp and noticing "hey wait a minute...are those CARDS ON THE BACK OF HIS HELMET!?" It's a really tiny detail that's unfortunately covered up by the HANS device pretty much whenever he's wearing the helmet, so it's really difficult to spot! But I became fascinated with the fact that he had cards on his helmet before that recent helmet, and now here we are!
There's something to me about how the design of the cards evolves over the course of six seasons from the cards being front and center to being smaller, more folded up and closer to the bottom of the helmet. As I said, the 2012-2013 ones genuinely made me depressed because it feels, symbolically, like his hopes for getting another Ace are becoming more and more unlikely and falling away until they eventually fall falt and fade away entirely after 2013 and disappear for basically a decade.
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But when they return? They're not the same cards! Instead of representing Fernando's championships, they now represent him as a person, displaying his driver number and his persona of being a Joker!! Though I do think it's interesting he happened to keep the Ace of Hearts, even though he talked more about the Ace of Clubs before. I'm not sure it's actually this deep in reality, but I like to think that it's him not letting his championships(and the lack thereof) define him, but rather letting who he is as a person shine and be the centerpoint instead! But on a sadder note, as @suzuki-ecstar said to me, maybe the Aces aren't there anymore because he's lost all hope for a chance at a third Ace entirely :(
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#yes its finals week and im up to my eyes in coursework but instead decided to spend like 5 hours researching and writing this post#nah bcs i actually genuinely put more work into this then I think I have all semester dsfjdskjg#that thing about him using a condom and teddy bear in a magic trick genuinely had me crying with laugher. actual tears rolling down my face#<- HOW!?!? WHAT WAS THE TRICK?? its literally inconceivable to me what he did. oh if only there were pics UGH#anyways!! this post was a lot of fun to make!! i really really love the symbolism and design of helmets so this was a rly fun project#and i also went down a lot of rabbitholes while make this and saw many very weird articles from yore#i feel like i make an equal amnt of deranged posts abt seb and nando but i dont know why nando is gifted w all my well researched projects#<- i.e. chair post. that was the same level of research as this one but at least this one i could find actual sources about....#idk theres smth about the extremely long history of nando's history that evokes research posts like this KLAJSLSKDJ#theres just so much that i dont think I ever really see people discussing! so i must create.#haha what was that joke tag i wanted to make abt my researched posts? I think:#normal posts that catie normally makes in a normal fashion#<- one day ill go back and actually tag posts w that. bcs the amtn of research compared to my actual schoolwork is so unwell#fernando alonso#fa14#f1#formula 1#catie.rambling.txt#we do a little bit of f1
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thissying · 3 months
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📷: Frits van Eldik NOS Sport
'At his first introduction to autosport, Max already went like a comet.'
A rainy day in the summer of 2013, somewhere deep in Wales. Jos and Max Verstappen arrive at the Pembrey Race Track in complete secrecy. The youngest Verstappen - 16 years old at the time - reports to Dutch GP2 team MP Motorsport, which has been active in (international) motorsport for 20 years. Team boss Sander Dorsman meets him. Max Verstappen is introduced to motorsport for the first time among the sheep and birds. “He immediately went like a comet.”
Motorsport commentator Allard Kalff approached MP Motorsport in 2013 at the request of Jos Verstappen. If they want to participate in a car test for Max. It must remain secret. It can not happen in the Netherlands and prying eyes are unwanted. The Verstappens do not want any publicity. Son Max is still a world class driver in karting at that time. There shouldn't be any pressure when he gets into a racing car.
The location for the secret test in Wales is chosen because MP Motorsport engineer Tony Shaw had previously been there with two young lads: the current Formula 1 world champion Lewis Hamilton and former world champion Kimi Räikkönen. The landscape is mainly dominated by sheep and birds. "Tony Shaw said after the first test day: Max handled it better than Lewis and Kimi did," Dorsman remembers Verstappen's first appearance in a racing car.
Track record “The first day of the test was quite difficult,” Dorsman continues. "It rained a lot. Max picked it up fantastically. The next day it was drier. He immediately smashed the track record. That was also impressive. And for us it was nice that exactly a year and a day after the test in Wales he won his Formula 1 contract. For everyone who worked with him, that was of course great. So young and already that good. Things can happen quickly."
Birds hit In the anniversary book about twenty years of MP Motorsport, Verstappen himself writes that, mainly, he was nervous. "I didn't know what to expect at all. There were sheep and birds everywhere. I think I also hit a lot of birds. I felt like the car sounded very loud."
Dorsman: "Looking back, they were just two very special days. The way I remember it, he didn't seem nervous at all. When he arrived, we walked around the circuit. We also drove around the circuit in his father's car. Everything to prepare him well. You start from scratch with a boy like that. It went well, very well."
Dorsman now also sees Verstappen on the circuits surrounding the Formula 1 races. The GP2 class is the gateway to the premier class in motorsport. The team boss has seen many drivers come and go in recent years. Max Verstappen is going to make himself heard a lot more, in his opinion.
"He has had a fantastic debut season and now has to follow through. His strength this season will be that he has much more experience in Formula 1. He can benefit from that." According to Dorsman, it is easy to explain that the 18-year-old Verstappen sets the bar high for himself in his second year. "That's a family trait. He got that from his father. Max gives 100 percent to everything."
Future In his second year at Toro Rosso, Verstappen is being watched by all the major teams. The question is what the Dutchman will do after this season. "There is pressure on him to continue to perform. However, that applies to every top athlete. And Max is familiar with that feeling from his time in karting. He had to improve there every season, too. If he can achieve his goal of 100 world championship points and a podium place, that is great. In any case, he will continue to surprise everyone," Dorsman is sure.
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kwebtv · 5 months
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Andre Keith Braugher (/ˈbraʊ.ər/; July 1, 1962 – December 11, 2023) Stage, film and television actor best known for his roles as Detective Frank Pembleton in the NBC police drama series Homicide: Life on the Street (1993–1999) and Captain Raymond Holt in the Fox/NBC police sitcom Brooklyn Nine-Nine (2013–2021). Over his career, Braugher received two Primetime Emmy Awards, as well as two Golden Globe Award nominations.
Braugher started his career acting in numerous productions in The Public Theatre's Shakespeare in the Park. He transitioned his career into television gaining roles in Kojak (1989–1990), The Court-Martial of Jackie Robinson (1990), and The Tuskegee Airmen (1995), followed by leading roles in the ABC medical series Gideon's Crossing (2000–2001), the CBS crime series Hack (2002–2004) and the TNT comedy series Men of a Certain Age (2009–2011). He  also appeared in numerous series such as Thief, The Good Fight, House, New Girl and BoJack Horseman.
In 2006, Braugher starred as Nick Atwater in the mini-series Thief for FX Networks, winning a second Emmy for his performance. He appeared on the TV series House, M.D. as Dr. Darryl Nolan, a psychiatrist who helps House recover from his addiction to Vicodin.
Braugher had a recurring role as defense attorney Bayard Ellis on Law & Order: Special Victims Unit from 2011–2015, and starred as the lead character, Capt. Marcus Chaplin, in ABC's 2012 military drama TV series Last Resort. In 2017, Braugher had a recurring role in season 4 of the Netflix animated series BoJack Horseman as California Gov. Woodchuck Coodchuck-Berkowitz. From 2013–2021, he starred in the Golden Globe-winning TV series Brooklyn Nine-Nine as the precinct captain, Raymond Holt. For his performance in Brooklyn Nine-Nine, he was nominated for four Primetime Emmy Awards for Outstanding Supporting Actor in a Comedy Series. (Wikipedia)
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belle-keys · 8 months
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Summary: Virtual Author Talk with Cassandra Clare at San Anselmo Public Library (23/08/23)
Cassie wrote her first “novel” when she was 12 on a Mac computer, the infamous The Beautiful Cassandra that she regularly teases to us. She got into writing fiction professionally full-time after leaving her journalism job in 2006.
Finishing City of Bones took about 3-4 years because it was her first novel. Holly Black was the one who hooked her up with her first agent who then got the book published, which was a really new experience. She said that the publishing process was initially surprising to her because of how crazily long it takes to get a single book published.
Cassie acknowledges that City of Bones is starkly “different” from the rest of all her books in colour and voice, because of how experimental the novel writing process was for her. She said she thinks she’s evolved a lot as a writer since then.
She aims for psychological realism in her books even though it’s fantasy. She tries to see each character as a fully-formed person who can exist outside of the immediate plot. She creates worksheets to write her characters.
She also believes it’s necessary to let your main characters make bad mistakes – she cites Matthew as a prominent example i.e. someone highly reactive to their own mistakes. Matthew is defined by his regret and his need to fix his mistakes. She thinks Matthew is one of the most relatable characters because of this.
She’s very drawn to the found family trope because of how much she moved around as a kid – the stability and love of a found family is something she’s worked to build her whole life. She emphasizes the importance of friendship and its different forms in life.
Cassie cites Magnus as the character who turned out most differently than she had initially planned – she hadn’t originally anticipated how significant Magnus would be in the wider scheme of the series.
Doing The Last Hours was, at least a little, in response to people’s excitement about The Family Tree back in 2013.
Her advice for writing fantasy worlds is to create a flexible and expansive magic system so it can grow with you as a writer. She also emphasizes letting your favorite characters make poor decisions – your characters determine the plot and not the other way around.
Cassie strikes a balance between planning worldbuilding details beforehand and then spontaneously adding in new things in the writing process. The Scholomance is an example of something new that was added later in the TSC writing chronology.
She decided that Sword Catcher had to be in the adult publishing category because when she initially developed the characters, they just appeared as people in their twenties. With TSC, the characters had just appeared to her as teenagers then. Writing characters in these different life stages was interesting and challenging.
Sword Catcher is the first in a duology, but she’d like it to be four books if it’s successful.
Cassie has always wanted to write Shadowhunters in the Roaring ‘20s but she has no idea what the plot would possibly be.
She doesn’t read TSC fanfiction, but her husband has informed her of a popular Magnus X BTS fanfiction on AO3. She stays away from fanfiction, but she is very invested in the fanart of her works. Her favorite artist is, of course, Cassandra Jean, and she also loves Charlie Bowater.
She loves writing with Holly Black and probably would only do more Middle Grade writing with her.
She is very much anti-censorship and anti-banning books, especially because of the form it takes in the US (aka, censorsing books dealing with issues affecting the BIPOC and queer communities).
She doesn’t believe they’ll do another TMI adaptation in any form, even though she doesn’t believe the TMI books’ story was ever truly told. She hopes, one day, that TID can get made as it’s the most adaptable series in her catalogue for logistical reasons.
If she couldn’t be a fiction writer, her dream job would be a travel writer. She intensely loves traveling and making her characters travel as well.
Her favorite author of all time is Dorothy Dunnett. She thinks you should check out The Queen’s Thief by Megan Whaler Turner (I agree). And she’s currently reading Hidden Pictures by Jason Rekulak (I really enjoyed this one).
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moonshynecybin · 18 days
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i NEED to know if you have links to all of the rosquez hugs
i have links to SOME OF THEM !
okay obvi a lot are covered under maina's #everyrosquezpodium tag never forget this. BUT i also just poked around in my drafts (i treat it like a bookshelf lmao) and found some so here ya go
as with all things we need to start with laguna seca 2013, where the public and unnegotiated (cancelling them !) BDSM exercise is followed by the aftercare of vale hauling marc INTO his arms with FORCE
qatar 2013. ooh baby. RIGHT OFF THE BAT. the EYE crinkles get me here jesus christ
pre mugello 2014 slash pre RANCH VISIT karting event hug in italy. right in front of dovi's salad...
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jerez 2014... little bump... just a little one. marc then slaps him on the flank, which he appears to enjoy more than slapping vale on his nonexistent ass
motegi 2014 championship hug.... this one is SO sweet... the way their cheeks brush....
qatar 2014.... he does the patented marc marquez loves you so bad head smack....
this one i wanna say mugello 2014
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jerez 2015.... friendship helmet bonks PLUS the homoerotic flank pat of all timeeeeee.... marc literally loves touching his bony ass hips
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le mans 2014. literally presses him up against a railing. okay.
INDY 2014.
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lecsainz · 9 months
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PICTURES
parings: harry styles x actress!reader
request: Hey, saw u write for Harry Styles! Can u do a oneshot where y/n's parents r famous actors, she n Harry got somethin' goin' on but ain't makin' it official. He's on the Take Me Home tour when she calls him to sort things out 'cause paparazzi pics with other girls surfaced, but he didn't actually cheat.
authors note: OMG haven't written anything about harry in years, like seriously, this brought back sooo many memories 😭
☆. . . masterlist !
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Y/N Aniston was the daughter of a renowned actress, yes, Jennifer Aniston herself. She grew up with the media at her feet, and just like her mother, she chose to follow a career in acting. Little did she know that due to her fame, she would end up meeting a singer from one of the biggest boy bands of 2013, who would bring her a lot of headaches.
Harry and Y/N crossed paths during the VMAs, in line for the bathroom. They don't remember when exactly, but at some point during the night, they found themselves in her limousine, having a quickie. However, that quick encounter became a regular thing whenever they met up.
And Y/N developed feelings for the green-eyed boy. She liked him a lot. Maybe she even loved him.
Harry had embarked on the Take Me Home tour, and some photos of him with other girls had been taken by paparazzi. Even though they weren't officially an item, her heart shattered nonetheless. Those pictures felt like daggers to her heart, and they hurt like hell.
And here she was, sitting on her bed, heart almost racing out of her chest, waiting for Harry to appear on the screen.
"Y/N!" Harry's face popped up on the screen, lying on the tour bus bed with a sleepy yet adoring smile.
She managed a small smile, her nerves getting the best of her. "Hey, Harry."
His eyes sparkled as he looked at her. "Missed you."
Y/N felt her heart skip a beat. Despite everything, the sound of those three simple words from him still had a powerful effect on her.
"Missed you too," she admitted, her voice soft.
They talked about everything and nothing, the conversation flowing as naturally as it always did between them. But as the minutes ticked by, Y/N knew she couldn't avoid the elephant in the room any longer.
"Harry, about those pictures..." she trailed off, her heart racing.
He sighed, running a hand through his hair. "Y/N, I'm so sorry you had to see those."
She looked down, feeling a mix of emotions. "It's just... hard, you know?"
Harry's expression softened. "I know, love. They're not what they seem."
She raised an eyebrow, curiosity piqued. "What do you mean?"
"I mean, they're not real," he confessed, his voice earnest. "It's all a publicity stunt, arranged by Simon."
Y/N's eyes widened in surprise. "What? Why?"
"He wants to maintain that image, make me appear as the 'ladies' man' for the fans," Harry explained, frustration evident in his voice. "But it's all a facade. I hate it."
Y/N felt a mix of relief and anger. Relief that the pictures weren't real, and anger that she had been hurt by something so manufactured.
"I had no idea," she admitted, her voice softer now.
Harry's eyes bore into hers. "Y/N, you know I care about you, right?"
She nodded, a small smile tugging at her lips. "Yeah, I do."
"I'm not looking for meaningless flings, Y/N," he said, his voice determined. "I want something real."
She felt her heart race, hope stirring within her. "Harry..."
Just then, the atmosphere on the tour bus shifted as the other members of One Direction appeared on the screen, grinning widely.
"Hey, is that Y/N?" Niall's voice chimed in.
"Y/N!" Louis exclaimed, waving enthusiastically.
“Our favorite girl!" Zayn added.
Y/N chuckled, her heart swelling with fondness for the boys. "Hi, guys! I miss you all."
"We miss you too!" Niall exclaimed.
Y/N's cheeks turned slightly pink as she greeted the rest of the band. She had known them for a while now, having met them through Harry. They had always been incredibly welcoming and friendly towards her.
"Long time no see," Liam said with a warm smile. "How've you been?"
Y/N chuckled. "Oh, you know, just taking over the world."
Harry rolled his eyes playfully. "As if she hasn't already."
Zayn smirked. "You're in good company, Y/N."
Niall leaned in closer to the camera. "Harry talks about you all the time."
Y/N shot Harry a teasing look. "Oh, really? What kind of things does he say?"
Harry's cheeks turned a light shade of pink. "Just good things."
Louis wiggled his eyebrows. "We can all tell he's smitten."
Y/N couldn't help but laugh, feeling a sense of camaraderie with the guys. She had seen them at their goofiest and most genuine moments, and she was grateful for the bond they shared.
"Well, Y/N, if Harry doesn't treat you right, you know where to find us," Zayn said with a wink.
Y/N playfully rolled her eyes. "Thanks, Zayn. I'll keep that in mind."
"We saw those pictures, by the way," Louis said, his tone slightly teasing.
Y/N's cheeks flushed, but she managed a sheepish smile. "Yeah, I guess they're making quite a buzz."
Niall rolled his eyes. "Don't take those too seriously. They're just playing with ya."
"Yeah, Simon probably thought it was good for marketing," Liam added.
Zayn nodded. "It's all part of the game."
Y/N let out a sigh of relief, feeling their genuine support. "Thanks, guys. It's just been a bit overwhelming."
"We know, love," Louis said, his eyes softening. "But remember, you're stronger than the headlines."
Zayn chimed in. "Harry's been a mess ever since those pictures surfaced."
Louis nodded. "Yeah, he's been moping around like a lost puppy."
Y/N's lips curved into a grateful smile. "Thanks, guys. Your words mean a lot to me."
"Anytime, Y/N," Niall grinned. "Now, you make sure to keep our Harry in line, okay?"
Zayn chuckled. "Yeah, we can't have him causing any more trouble."
Harry pouted playfully. "Hey, I'm a changed man."
"Sure you are," Louis quipped, earning a laugh from everyone.
Harry leaned closer to the camera, his voice soft. "They adore you, you know."
Y/N's smile grew warmer. "I can tell. And I adore them too."
The connection was beginning to falter, the image on the screen slightly pixelated as Harry's voice crackled. "I wish I could hear your laugh properly right now."
Y/N chuckled, the sound distorted by the poor signal. "We'll have to fix that soon."
Harry's expression turned more serious. "Y/N, I've been thinking... I want to talk about this face-to-face. This distance between us, it's not fair."
Her heart skipped a beat, hope and apprehension mingling in her chest. "Harry..."
"I mean it," he said with determination. "I want to have an honest conversation, in person. No screens, no miles between us."
Y/N nodded, her own resolve strengthening. "Okay, Harry. When?"
"I'll be back in a few weeks," he replied. "After this leg of the tour. We can find a place to meet up."
She felt a mixture of emotions, excitement and nerves intermingling. "I look forward to it."
"I do too," Harry said softly. "I want us to have a proper conversation, Y/N. No misunderstandings, no miscommunications."
Y/N smiled, her heart swelling with anticipation. "I want that too."
As the signal continued to weaken, Harry's voice grew fainter. "I'll see you soon, Y/N."
"Can't wait," she whispered, her voice barely reaching him.
And then, with a final wave and a promise in their eyes, the call disconnected, leaving Y/N with a renewed sense of hope and a countdown to the day when they would bridge the physical and emotional distance that had grown between them.
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sledbedar · 10 months
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Most people probably know this but if you don't this will be a wild ride, so the history of what would eventually become the Panic! at The Disco song 'Far Too Young To Die' actually started in *1998*, the song then was called School Bell, it was written by Scott Jones & Dallon Weekes. The band later took to calling the song 'Monday Morning', after 1000 West turned into The Brobecks and Scott Jones left the band The Brobecks then recorded a new iteration of the track called 'Monday Morning' for their debut album Understanding The Brobecks. Time would pass and eventually after The Brobecks split up Dallon turned the song into what we know as his iteraion of Far Too Young To Die, he recorded a solo demo for it and later did a full studio recording (that is what appeared on the unofficial 'This is Heavy!' release) then eventually Dallon started writing for Panic! at the disco and turned the track into an effectively different song by the same name for their album. So to recap
School Bell/Monday Morning (1998) by 1000 West
Monday Morning (2003) by The Brobecks
Far Too Young To Die (Demo, 2009ish?) by Dallon Weekes
Far Too Young To Die (Unmastered, 2010) by The Brobecks (This was the original soundcloud leak)
Far Too Young To Die (This is Heavy, 2020) by The Brobecks (effectively the mastered version of the soundcloud leak)
Far Too Young To Die (2013) by Panic! at the Disco
Such an interesting history to a track that most people tend to only know about the panic version. The only one of these that isn't public is Dallons demo recording, but it's pretty crunchy, you aren't missing out on much.
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jmdbjk · 4 months
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Episode 1: The Beginning
Beyond the Star, produced by HYBE Media Studio
Opens with a flashback of Namjoon explaining their belief in the concept of how any art, any genre of art, can change the world.
This opening footage was recorded during a press conference for CONNECT, BTS.
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A good explanation of what CONNECT, BTS appeared on DAZED, January 14, 2020.
It was a huge wide-ranging global art project to link visual art to music art. This is one of the installations in New York City:
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Then we see scenes of them arriving at Incheon Airport in February 2020.
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In February 2020, they were about to embark on the MOTS world tour. They were really pushing into the western market, especially the United States. They were headed to the States to start promoting on the talk show circuit and for magazine interviews. Western media was all over BTS. The public relations hype for their tour was huge. It was going to be HUGE. BTS was HUGE. At this point in the documentary we see english speaking fans trying to buy tickets for this tour.
This was the beginning of the year that would be their magnum opus. 
Leading the docu-series with this reminds everyone what was supposed to happen and the impact they hoped to make here in the United States, to ride the wave of their success as far as they could go until they had to stop. Keep in mind they did not have any full English songs yet. 
As far as they knew, this would be the end as we knew it, the end of Chapter 1. We all know what was to follow the MOTS tour even though no one wanted to speak about it: Enlistment. Jin would enlist December 2020 even though rumblings of a potential military exemption were beginning to buzz.
This period of time and after was when MANY MORE became fans of BTS. MOTS:7 was a record-breaking album. They were riding HIGH.
The scene of them being told the MOTS tour was cancelled is gut-wrenching. It makes me think of the content they filmed that day (March 8, 2020 a music show?)
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and I wonder at what point during the day they were told. Jimin and Hobi did a Vlive:
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There are scenes of MOTS cancellation day in 2020 Memories, but not THIS scene of them being told the tour was cancelled. 
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Then we jump forward to scenes of the members on the beach in LA (end of 2021) recalling their feelings and thoughts about the previous (almost) two years (the pandemic), reflecting on themselves. They had to overcome frustration, and change and adapt to reality. 
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Some of them were able to do that easier than the others. We know Jimin had a rough time, and it was challenging for Jin, Tae and Yoongi. Namjoon and Hobi worked on music. Yoongi wondered what was the point of even releasing music at all.
Jungkook says even though they were sad, something good came of it, they realized how much singing and dancing – performing – meant to them and how it superseded everything else.
Jimin says he and Namjoon spoke about how they needed to organize their thoughts over the years pertaining to the reasons they are doing what they do, how they feel and what they want to do, perhaps in order to help them sort through the pandemic aftermath and to serve as sort of an outline of how to proceed... it is sort of how the rest of this documentary series unfolds: the past, the present, the future.
Namjoon begins sharing thoughts of how he felt in the beginning and we flash back to 2013 debut. And the rest say their thoughts about how they began. This is a good way for newer fans to understand how they began: hearing their words as mature adults reminiscing about their roots and their start. 
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We’ve heard the general story of how they began with RM first and the rap line was assembled, then the vocal line was added with Jimin being the last to make the team. Bang PD recalls how impressed he was with Namjoon and knew this was someone special. 
I’m positive there were opinions, decisions and choices made that we will never know because we weren’t there witnessing the moments. Whatever those decisions were, some probably forgotten in time or only known by a few involved in the process, however it happened, these seven individuals were settled upon and the team was created. The rest is history. 
No one had an inkling of how much they would change the idol and kpop industry from what they then knew it to be.
Preparing for debut: one of the things Jungkook says is they expected hardships back then but looking back now, if he tried to do that now, he couldn’t do it, but back then, it was a given. Yoongi said they spent every moment in the practice room when they weren’t eating or sleeping… up all night practicing, so much stress and pressure amongst seven young passionate young men trying to make a good debut.…you can see the stress and fatigue on their faces.
Through all of that they reveal how hard they worked and how deep their commitment is. They felt it was important to convey this deep personal connection to each other they developed and how strong their bond is.
The events might be repetitive for people who’ve been Army since the beginning or since before 2020, but for the benefit of newer fans, presenting their story like this in the words of each member is important. 
The author of the book Beyond the Story, Myung Seok Kang, explains how much of an underdog BTS was in the beginning. They were from a small, barely making it company and had the audacity to win Best New Artist in 2013 at the Melon Music Awards. 
Hearing them state how they felt during that debut year, their young minds trying to process what was happening, thrust into society at such a young age, seeing their friends still being students, they had to reconcile within themselves that their lives were so different.
Jungkook (our now giant global pop star) said he remembers how small he felt hearing another really good singer in his in-ears as they prepared for a performance.
Watching them struggle to come up with the melody for Danger, working on it as a team from Jungkook, to Namjoon, to Yoongi, note by note… at such a young age and then not experiencing the expected success or gains after they had done that with the previous song… they thought this would be the end for them. All they wanted was to win first place at a music show…. CAN YOU IMAGINE?? The team was wavering.
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Newer fans need to be aware of this struggle.
All of this led to them writing the album, The Most Beautiful Moment in Life, the real start of their rise to stardom. They finally bagged that 1st place music show win with I Need U. The win gave them the confidence they needed to push forward and they kept winning with each song after that. Seeing their confidence grow after each win is exhilarating.
This album is the turning point in their career, the launch pad, so-to-speak.
And the song, Yet to Come (The Most Beautiful Moment in Life) is the thread connecting Chapter 1 to Chapter 2 and beyond. We will have a Most Beautiful Moment in Life 10th Anniversary in 2025. This docu-series is the bridge between what was then, now and what is … yet to come.
Review of Episode 2 next…
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ladygagaqueenedit · 8 months
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Lady Gaga llegando a la fiesta lanzamiento del álbum Artpop en Berlín,  Alemania (24/10/2013).
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cursed-man-prayers · 1 year
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why swifties cling to joe alwyn
alternate title: How Taylor Swift Convinced The World Of Toe
There are so few pictures of Taylor Swift and Joe Alwyn standing next to each other that Swifties have to photoshop them together. In the Miss Americana documentary, there is one shot that shows Joe Alwyn while Taylor talks about a precious relationship that got her through the Dark Age leading up to Reputation. In her speech, she doesn’t use gendered pronouns or say “boyfriend,” let alone say “Joe.” There are videos the lover took of her, but those videos are careful to never show the lover's face, a hand at most. With Joe, their public appearances together are few and well-planned. There was a pap walk right before Midnights released, just to remind people that they are supposed to believe she is in a happy relationship and that this album is not her third breakup album in a row.
Since 1989, Taylor has consistently written about keeping her relationships secret. Think Wildest Dreams and I Know Places. 1989 also brings us “boys and boys & girls and girl” in a song about how she feels living in New York City, a song where she says “us” and “we" (on the same album as New Romantics). She is including herself in the people who can want who they want.
Then, in Reputation, the lyrics are full of “secret moments in a crowded room, they’ve got no idea about me and you.” “I loved you in secret/in spite of deep fears that the world would divide us,” “picture of your face in an invisible locket,” “you make everyone disappear,” “touching my hand in a dark room.” Like, that’s basically the theme of the entire album.
Weirdly, in Lover, she continues these themes. Not as strongly, but it’s still there (Cruel Summer as the prime example). At this point, Taylor and Joe are not a secret. But the framing of it as a secret relationship lets listeners fill in the gaps of songs. We didn’t see Taylor and Joe in the kitchen in New York, but we can imagine them being there. We never saw Taylor and Joe being “best friends,” but because of her absence from the public eye, one could imagine that being a phase of their relationship. On Cornelia Street, when Taylor says “I get mystified by how this city (New York) screams your name,” we could imagine that Taylor and Joe had memorable moments in NYC, despite the lack of evidence of this. Taylor and Joe having a limited amount of public appearances together means that we can just, imagine them doing whatever she’s talking about in her songs.
Taylor leaves her relationship with Joe to the imagination. Joe has never publicly called Taylor a daisy, but Karlie has. Joe has never been known as Taylor’s “best friend,” but Karlie was. Joe has no major association with New York City, but Karlie does. Joe has never been photographed baking with Taylor, but Karlie has. Despite the very public friendship of Karlie and Taylor, hetlors refuse to see that Taylor is referencing those moments. It's all about plausible deniability.
So on Midnights, when she sings “it’s like snow on the beach” and Gaylors immediately think of VS 2013 and Big Sur, or when we hear Question…? with she/her pronouns and references that line up with kissgate, or when she puts out a breakup song with parallels to Cornelia Street (Maroon) and we think “Oh, she’s not with the Cornelia Street muse. Obviously.”
In my opinion, Taylor wants the general public to believe she’s in a committed heterosexual relationship, partly because of the way she was slut-shamed for the first ten years of her career, partly for the sake of keeping her secrets. So much of Taylor’s life has been grossly publicized, and she has every right to hold onto what she can keep private. She makes it clear for queer people who are listening to and reading her lyrics. But she gets to avoid the hell that was her public life ~1989 era. If someone who knew nothing about Taylor Swift's relationship with Joe Alwyn, they would listen to folklore, evermore, and Midnights and be like "wow she has had her heart broken so damn bad that she wrote three albums about it."
If Taylor is in a glass closet, Joe is the glass. He's the only thing keeping people from seeing Taylor as queer (note: I know Taylor might be bi or pan/not a lesbian, that's completely possible. I just don't think that Toe is real. Not believing in Toe =/= biphobia).
tl;dr: By having few public appearances together and little interview answers about each other, Taylor has created the illusion of Toe being both tumultuous and stable, passionate and calm, temporary and forever.
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koter-irl · 6 months
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I cannot stop thinking about the fact that Alan Wake II exists at all, like
I've been a big Remedy fan since I first played Max Payne but the first Alan Wake has always been my favorite of their work and to think that I've been waiting for the cliffhanger at the end of it to be resolved for over a decade now is so crazy to think about.
I still remember all the ups and downs over all that time, points where speculation about a sequel releasing were reaching fever pitch, points where any hopes were dashed and I had resigned to thinking it would never actually happen. From the time when Sam Lake said that Remedy wanted to make a sequel but the time wasn't right, and the original AW2 prototype video being released to the public, to the tease of the Remedy Connected Universe that set up both Alan Wake II and Control appearing as a chalkboard easter egg in Quantum Break, the house renovation blog that teased AW2 back in like 2013, and the collective explosion of hype that surrounded the AWE expansion for Control and the confirmation that something was FINALLY happening.
It's so insane to me. For as much as I hate Epic Games I have no choice but to be grateful for them stepping up and bankrolling something that I genuinely thought would never come, even if that means the game is going to be an EGS exclusive on PC.
I don't like to ramble for so long but this game means so much to me and I can't help it
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