doctor who is so hilarious cuz its like yes we are a sci-fi show exploring dark themes of morality and obsession and the implications of present-day capitalism and yes our lead artists are Spice Girls and Britney Spears hope this helps <3

The bad kids are a great group dynamic, but also the individual team ups? Never miss.

Fig and Fabian going in to talk to Garthy O’Brien completely confident despite the fact that neither of them remember what they’re supposed to ask for. Adaine and Riz sweating profusely through making small talk but being overjoyed when they get past it and get to investigate a bloody ritual site. Fig and the Cig Figs. Fabian and Gorgug being jocks together (bonus points if there's Ragh). The Bardy Boys. Spring Break I Believe In You. Every combination of these characters is some entirely new nonsense dynamic and I am so here for it

ty lee is by far the most underrated atla character imo. as far as minor principal players, it’s easy to disregard her as the least fleshed out fire nation kid, the most underdeveloped. her role as a foil to any of the main characters is vague, and many people just assume she’s there to bring some sort of levity and humor to azula’s plotline. she’s dismissed as the pretty ditzy girl, or even (shudders) “the bimbo.” but when you actually make the effort to consider what we do see of her, to extrapolate from her few yet crucial scenes anything regarding her underlying motivations, you quickly realize that one of the most layered, multifaceted, compelling, intriguing, ambiguous, and perhaps even straight up insane characters in the entire show has been hiding in plain sight all along. and also that that’s the entire point.

oh ok so its the usual no-homo bullshit you always hear, good to know.

I think a lot about Leo’s tendency to push his way into the spotlight despite clearly being a natural in the shadows. Hell, you could argue that his worst moments are when he’s forcing himself onstage, and his best are when he does things no one notices until it’s already been done.

So if you follow me (and aren't just stopping by because you saw one of my funney viralposts), you probably know that I've been writing a bunch of fanfiction for Stranger Things, which is set in rural Indiana in the early- to mid-eighties. I've been working on an AU where (among other things) Robin, a character confirmed queer in canon, gets integrated into a friend group made up of a number of main characters. And I got a comment that has been following me around in the back of my mind for a while. Amidst fairly usual talk about the show and the AU and what happens next, the commenter asked, apparently in genuine confusion, "why wouldn't Robin just come out to the rest of the group yet? They would be okay with it."

I did kind of assume, for a second or two, that this was a classic case of somebody confusing what the character knows with what the author/audience knows. But the more I think about it, the more I feel like it embodies a real generational shift in thinking that I hadn't even managed to fully comprehend until this comment threw it into sharp perspective.

Because, my knee-jerk reaction was to reply to the comment, "She hasn't come out to these people she's only sort-of known for less than a year because it's rural Indiana. In the nineteen-eighties." and let that speak for itself. Because for me and my peers, that would speak for itself. That would be an easy and obvious leap of logic. Because I grew up in a world where you assumed, until proven otherwise, that the general society and everyone around you was homophobic. That it was unsafe to be known to be queer, and to deliberately out yourself required intention and forethought and courage, because you would get negative reactions and you had to be prepared for the fallout. Not from everybody! There were always exceptions! But they were exceptions. And this wasn't something you consciously decided, it wasn't an individual choice, it wasn't an individual response to trauma, it wasn't individual. It was everybody. It was baked in, and you didn't question it because it was so inherently, demonstrably obvious. It was Just The Way The World Is. Everybody can safely be assumed to be homophobic until proven otherwise.

And what this comment really clarified for me, but I've seen in a million tiny clashing assumptions and disconnects and confusions I've run into with The Kids These Days, is that a lot of them have grown up into a world that is...the opposite. There are a lot of queer kids out there who are assuming, by default, that everybody is not homophobic, until proven otherwise. And by and large, the world is not punishing them harshly for making that assumption, the way it once would have.

The whole entire world I knew changed, somehow, very slowly and then all at once. And yes, it does make me feel like a complete space alien just arrived to Earth some days. But also, it makes me feel very hopeful. This is what we wanted for ourselves when we were young and raw and angrily shoving ourselves in everyone's faces to dare them to prove themselves the exception, and this is what I want for The Kids These Days.

(But also please, please, Kids These Days, do try to remember that it has only been this way since extremely recently, and no it is not crazy or pathetic or irrational or whatever to still want to protect yourself and be choosy about who you share important parts of yourself with.)

tell me this wasn’t basically zevran’s recruitment

|| 🍍• You know how like the Hazbin Hotel crew have been pretty deliberate with their foreshadowing and hints? Imma call it…

…from them hanging effectively a ‘new bar’ sign…

…they’re gonna own/run a bar together endgame.

Literally zero HAND-vantage of using all hands joined together to hang up a sign…WHAT DOES IT MEAN?!

Yeah, you could say I’m pretty amped about this design lmao- (gets sniped)

Seward's bone deep desire to run away from the asylum is not exactly surprising. There have been a lot of really good meta posts about how the return of Van Helsing into his life is the turning point where we see the caring and good side of him and how we can interpret his life as a student in Amersterdam as one of freedom and happiness. How he is part of the tragedy of manners, how strict social expectations allow Dracula to persist, and how they only exacerbate the unhappiness of the characters.

And I think the tragedy of Seward is that, really, he should not be the head of an asylum. It's a job that brings him no joy, and he's BAD at it. We can all recognize that if your first reaction to going back to work is "What if I just leave it all." That isn't a healthy work environment.

Now, in the modern day, the ability to pick and choose a work environment, even to leave one that is damaging your mental health, is a privilege. (IT SHOULDNT BE, but it is). And, although it is definitely reaching crisis levels in modern times, major changes in your career have almost always been difficult (unless you are really rich, or a particular brand of academic in the 17th-18th century, or both).

Seward can't just leave and become a surgeon. To give up the lofty position of "Head of an Asylum" would be unthinkable in the 1890s, especially for a reason like "Being here is basically turning me into the Joker." Like, how would Seward explain that in polite society? Would they accept that reasoning? Would they create salacious gossip if they didn't? Can Seward leave his position without losing a great amount of social capital?

Probably not.

His rise to head of an asylum, as many have pointed out, was meteoric, to say the least. It has afforded him status and respect and also left him deeply, deeply fucked up. And he can't leave!

I think his desperate attempts to quantify Renfield's behaviors into a new mental illness are telling in this regard. Maybe he is too used to having to meet some sort of expectation, and now he thinks this is the logical next step (It's NOT, but I digress). The feeling of having to keep performing above expectations, grasping at straws to do so, and subsequently burning oneself out (as well as others around you) and engaging in unethical practices? Idk. It sounds like something that would happen today. (tbh there are probably a ton of Sewards out there today, as there are still systemic problems within the mental health system that allow for the dehumanizing and abuse of patients).

It doesn't excuse his behavior. Nothing he does to Renfield is excusable, but I think it does explain some of the *why*. He isn't just cruel for cruelty's sake.

So, tldr I guess: I think reading Seward as someone who got stuck on a career path that he realized was unfufilling and that he ends up hating. Social conventions restrict him from just quitting without and a (socially acceptable) good reason to do so, and a lifetime of being regarded as one of the smartest people in the room means he can not allow himself to fail. Unfortunately, this also means he can not admit when his actions or his ideas are wrong when it comes to his job.

(But he can show that uncertainty FOR Lucy, and TO Arthur and Van Helsing, which speaks his trust and love for them)

Mamma Mia is a movie musical where only like 2.5 of the actors can actually sing and somehow it works.

The way I completely lose all interest in Lawlight as a ship if Light isn't Kira. And frankly, I feel like L would agree with me on this one. I don't think he'd gaf abt Light in the slightest if Light wasn't Mr. Serial Killer.

whaddup cassie time to get some new names

SEVENTEEN 8TH MINI ALBUM 'YOUR CHOICE' - JUNE 18, 2021

This is what Ganondorf says in the Japanese version of the Tears of the Kingdom teaser trailer, along with the official English translation...

いでよ、我が下部ども。 Rise… Rise, my servants.

この地を支配するハイラル王国と、 Sweep over Hyrule.

それに組するものどもを一匹残らず Eliminate this kingdom and her allies…

根絶やしにするのだ！ Leave no survivors!

As in The Wind Waker, Ganondorf speaks in slightly archaic language with a poetic rhythm and a colorful choice of words that resonate beyond the literal translation. What I find curious about the English version is that it omits the subordinate clause of the phrase この 地を支配するハイラル王国, which translates as “the Kingdom of Hyrule, which exerts its control over this land.” The Japanese performance of this line is fantastic, with a measured tone of barely concealed anger that gradually erupts into fury with each successive syllable. I’m usually not one to nitpick translations, but I feel that eliding the source of Ganondorf’s rage at Hyrule into pure aggression might be missing something important.

Louis, 100 years later: My goal in this interview is to be honest with you and present a nuanced portrait of a complicated situation. I want to be clear, so I’m going to share something very important: Antoinette had a flat ass, and it’s not me who said so. A third party specifically pointed that out. It’s crucial that you know how flat her ass was, so you can have the full context of what happened. I hope you’re writing this down. Your readers should know.