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#please ask me questions yes yes
dreammeiser · 1 month
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Is it okay to ask what where the inspiration for the characters of Dream along?
Of course! I'm always dying to talk about their creation and inspiration but worry about getting too wordy/annoying about it, so I hardly talk about it unless asked (please ask me about my brainrot heeheehee). I can only fit so much on an Instagram Story or a Tweet, so I'm glad you asked here. I guess this will be the master reference for them. Sorry in advance that this is wordy!!
I made these characters spanning the past 14-15 years, with their story only being worked on about 10+ years ago, give or take. I will mention that they were made with Earl as a starting point while I was working at the cool puppet place; the show I was interning on wasn't scratching the creative itch I had, so it was recommended to me to make the project that I wish I was working on. :oD
The Muppets, Sesame Street, Osamu Tezuka's works, and Moomin were some animated/puppet media off the top of my head that always stuck with me my whole life and have influenced my retro inspired work the most. They all had such sweetness and charm to them, and all felt like a found family :o) My favorite trope. Puppets were also just deeply meaningful to me because they were physical forms of creativity and childlike wonder you could hold and play with! I thought whenever you made one, you put a little bit of your heart and soul into them.
I wanted the Dreamalong Gang to have the charm of Jim Henson's and Tove Jansson's characters, but I wanted them to have the humor and intrigue of Gravity Falls, Over the Garden Wall, Don't Hug Me I'm Scared, and Welcome to Night Vale. DHMIS and Night Vale actually inspired the story the most because they were both a really nice mix of absurdist humor and horror! Sleep Paralysis Demons were a point of intrigue for me that I thought were perfect for a Dreamscape setting, so I started working on including those.
The Dreamalong Gang has little bits and pieces of friends that I had loved, but I leaned into the group dynamics more for them. They're composed of friends I wished I had growing up!
Visually, I'd think of a fun/dream adjacent theme for the characters to tie them all together thematically. I know people tend to bark at me when they see what I'm inspired by but, I don't like to copy directly from my inspiration sources. They're just there to inspire you, ya know?
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Archie's theme was Wishing Stars and Bedtime Stories; Hunson Abadeer from Adventure Time used to be on here, but I moved away from anything that might've made Archie spooky. I forgot to include Peter Pan and his Shadow on here, but they inspired him as well!
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When it came to palettes, sometimes I'd have something in mind for them already like with Roy G Biv, Archie, and Mae-- Roy has his kidcore rainbow/SMPTE bars, Archie had some of my favorite blues and creams with a pastel minimal rainbow, Mae's were based off the colors of a golden hour rainstorm I had seen on my travels. Other times I had to play around with what color I hadn't used much of yet. I wonder if you can tell which colors are my least favorite and which ones I like a lot hahaha :'o)
I would also think about stories and songs that went with the characters thematically and use those to shape their character a little further, like looking to The Impossible Dream from the 1972 Man of la Mancha and Moon River for Archie, as well as old Ole Lukoje fairytales. He used to draw inspiration from Hijo de la Luna, but I wanted his story to be more upbeat on surface level with hidden tones of sadness instead of dramatic.
I don't want this to get tooooo long, so I'm going to put a pin in it there. If people want to know more in depth inspiration sources for specific characters feel free to ask! I like being open about my inspiration sources and my process since so many other artists gatekeep stuff. I hope this was a nice read!! :o)
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teaboot · 1 year
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Yo I haven't done it in forever so I forgot that working at a sex shop gives you superpowers
1. The We-Vibe Tango is a low frequency and fully waterproof rechargeable bullet vibrator that we used to sell for about $150. A new model came out about a year ago so it's on sale now online for $47. Can confirm that shipping is discreet and they have a really good warranty, just keep the packaging.
*(I'm not sponsored to say that and nobody is paying me rn, it's just a legit good deal.)
2. There are essentially three bases used for lube: Water, Oil, and Silicone. Oil breaks down any materials other than glass or metal, and Silicone breaks down Silicone toys and sometimes condoms. Water is safe for everything but tends to dry out, so people don't like it- but if you add water or spit, drying water-based lube will slick right back up.
3. If your water-based lube has given you any itching, tightening, or burning sensations, you probably have a chemical sensitivity. Obviously everyone has different preferences, but my number one recommendation is Water Slide- it's a super reasonable price compared to other lubes, it feels natural, it's incredibly gentle on the skin, and it doesn't stain sheets.
**(Again, I'm not being paid for this. By anyone. At all. I'm just sick of hearing people come in and tell me they don't use lube cause it hurts, or that they're using fucking coconut oil in their vagina. Please, God, don't put coconut oil in your vagina.)
4. A lot of massage oils use almond oil to suspend other ingredients, and warming products sometimes use cinnamon. Always, always, always check people's allergies.
5. You can buy toys off cheap sites if you want, just be wary of quality and ALWAYS read the product description. I personally wouldn't buy anything that isn't Silicone, stainless steel, or glass, because unlike jelly, plastic, "fantaflesh", and Silicon, (which is NOT Silicone!!!) They are non-porous, sterile, and don't melt in contact with each other. This means that as long as you clean them properly and don't use the wrong lubes, they will not hold bacteria or break down, which makes them safe for both you to reuse and your partner/s to share. (And to switch between front door/back door, so long as you wash before going back to front.)
6. Cotton and polyester bondage rope are cheap and great to practice with. Silk sounds fancy and is very strong but be advised that a lot of silk rope is "Silk(TM)", not actual silk. Read the product description. (I personally am reluctant to spend more than about $2 per foot for mass-produced synthetic rope, but could be persuaded to pay more for ACTUAL silk, nylon, handmade ropes, or especially attractive colors/patterns/textures.) You want your rope to be at least as thick as your thumb and layered to avoid lacerations, and taut (not stretchy) to be sure you're in control of how much pressure you're putting on.
7. Choking someone by pressing on the windpipe is painful and inefficient. If you want to, stay very, very light, as it's a very delicate area. If you want a head rush, press down on the sides of the windpipe, just below the corners of their lower jaw. You will feel a pulse there. That's the carotid artery. It carries oxygen to the brain. Pressing there will allow them to breathe, but will still "choke" the air going to their head. It's faster and painless. Only hold this for 3-4 seconds if you lack experience. It takes just under 15 seconds to make someone pass out from a blood choke, and after that you risk causing *permanent brain damage*. If your partner passes out, release pressure immediately and keep their airways clear. If you're the one being choked, know that your only warning will be spotty vision and a dizzy sensation. Communicate with your partner/s and for the love of God, do your research first. I'm not a doctor. Please God, please do your research.
8. Don't reduce blood flow to any part of the body for more than 20 minutes. This includes cock rings. Take a break for an hour between uses.
9. Most 'dick pills' are just a stimulant, a mild vasodilator, and a placebo. Usually mostly caffeine. They are not worth $20 apiece. Take a minute to meditate, have a hot shower, drink some black tea, have a coffee, go for a run, whatever- you'll get the same effect. And no, there is not a single ethical and legal sex shop in the country that can sell you viagra. You would have better luck on Facebook. Do not buy viagra on Facebook.
10. There are no "male toys" and "female toys". Your only limitations are safety and creativity. If youre sticking something into something else, just make sure everything is clean, not too big, not sharp or abrasive, and can be taken back out.
11. If something "goes missing" in your vagina and you panic, you muscles will tense up and it'll it'll harder to get back. Relax and stand up. Wait a minute. Chill. Calm down. Jump a couple times. There's nowhere for it to go and worst case scenario, I promise the emergency walk-in has seen something weirder or worse in the past hour or so.
12. You cannot return toys that you buy and don't like and I swear to God if you come into my store with an opened product and try to give it back I will lose my shit
13. Actually while I'm at it, people who work at sex shops are more often than not not sex workers and even if they were, it would still not be appropriate to flash or grope them or ask them "what they use", I will run you over in the fucking parking lot
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slavhew · 6 months
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hes like a fuckign brain tumor
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johnskleats · 2 months
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got into zutara vs kat@ang discourse with a neighbor
neighbor: well the ending was good enough for ten year olds. it's not like the show was written for adults with writing degrees
me, who at age ten, watched the premiere when it happened and then rented the DVD off of Netflix later and rewatched the finale 5+ times before accepting that THAT was how it ended and there was simply no narrative explanation: it wasn't good enough for me then either
neighbor:
me:
neighbor: you must have been a weird ten year old then
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dailydegurechaff · 4 months
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I wanted to know how do you interpret Tanya's gender. After reading chapter 58 of the manga i got the impression that she is definitely trans coded, but maybe thats just me
Very good question.
To be honest, when I think too hard about Tanya’s gender (and sexuality, for that matter) it gives me brain worms. Fun brain worms, but brain worms nonetheless. I can’t explain it. Everything she’s got going on is complicated as shit there’s way too much to think about.
Like, she was a man, but now she's a girl. But at some points she says she still sees herself as a man internally so is this MtFtM? How does that work. And if she accepts she's a woman now, is that just MtF or do we add more letters. More importantly: Was Being X being Transphobic or being the Greatest Trans Ally of All Time with the free divinely issued sex change.
Ok ok, jokes aside. Confession: I actually do not keep up with the manga, so I had to go find the chapter and read it first. Having read it now though, I see what you mean.
The conversation she has with the Salaryman/herself in that chapter really does read as essentially saying “I’ve accepted who I am now.” It’s a far cry from a much earlier part of the manga I remember where she has a breakdown about being a man/people seeing her as a girl.
A friend of mine was actually showing me stuff from more recent chapters of the manga (don’t know which chapter tragically, but I know it’s not currently translated to English) and from what I gathered of it, Being X was showing Tanya a dream of being back in her past life and in response she basically demanded to go back to being Tanya immediately. It is definitely not just you, I 100% see the trans-coding you’re talking about.
As for my personal interpretation of her gender, I touched very briefly on it once before, but I honestly think she wouldn’t want to label herself as anything. At first, this is out of hesitance and not wanting to acknowledge that anything might be ““wrong”” or ““different”” about her. Later on it turns into character growth, more along the lines of, “I don’t need the label to define me, I just am what I am/like what I like. I don’t care about it any more than that.” Yes this is 100% projection on my part. No, I won’t apologize for it lmao.
Of course, that's entirely my own headcanon. I definitely am not saying it’s the only way to interpret her, it’s just my personal thoughts. Especially since my opinion is subject to change on a dime depending on what I’m reading/working on myself. The Tanya gender is, in fact, transient, shifting like water.
Like. A transfem Tanya fic that focuses on her adapting to life in her new world and coming to discover she doesn’t actually hate her new body? I’d totally read that. I’ve seen a few fics that include that as a part of the narrative and those scenes of acceptance were among my favorite parts.
I get the feeling this is the route that the manga is going as well. It’s a bit of a shame that we don't have those aforementioned scenes in the light novel (or at least, I don't remember them), but I don’t think that Carlo Zen really intended that to be the focus/narrative in the first place. And honestly, I also think that’s a good thing because it allows for so much more room for interpretation and headcanon around Tanya’s character.
Anyway, the other direction is also compelling to me. A transmasc Tanya fic where, after feeling uncomfortable and hating how feminine he looks for years and years, he finally goes ‘Fuck this, I’m gonna go back to being a man’? I would read the fuck out of that too.
Could also be paired with him finally choosing to defect, where they think about it like, ‘Well there’s nothing to hold me back now, right? I don’t have to maintain appearances anymore. Also, since I’m defecting this would be a great way to hide myself. They’d all be looking for the wrong person. Two birds with one stone, how efficient.’ …Now we’re getting to fic ideas I won’t ever get to so it’s time to move on I think.
Semi-related to the Trans Tanya Concept, this actually brings me to a bit of a lore/headcanon/idea/question I want to present to the public for opinions. In Norden, during the inciting battle of the war, Tanya uses magic to “dope up” so she could enhance her strength and reaction time and kill pain. I took this to mean she used a formula to synthesize the narcotics/adrenaline hormone/whatever else directly into herself, right?
Can you see where I’m going with this? As long as you know which hormones to make, how they’re made up, and what quantities you need… Well, don’t you think magic HRT is completely possible? Of course, as I'm not sure it makes sense for Salaryman to have known the detailed specifics about it from the modern world, it would require a lot of in-universe research/science advancement for someone to actually do that, but theoretically...
The magic system in this universe has so much potential to be explored, I’m fascinated by what you can theoretically do with it. Although, this is long and off-topic already I think this should be the end, lol.
I think I talked too much? I’m sorry, you were probably not expecting such an answer. I told you, Tanya gives me brain worms (mental illness).
I guess the TL;DR is this: that kid definitely ain’t cishet.
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iamafule · 7 months
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One of the things I live about tumblr is that uts literally amazing for all my fandom needs. Like, you could have the rarest hyperfixation ever and there will be an entire community for it on tumblr filled with fanart, fanfics, rambles, info dumps, theories and memes. I love tumblr.
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semi-sketchy · 1 month
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"We didn't need the interview to answer stuff that's already in the game, people just lack media literacy!"
the game
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xenon-demon · 9 months
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I... have no idea what this is. No that's a lie I know exactly what this is, it's 2.6k of a Frozen AU with Steve as Elsa and Robin as Anna that I wrote in a fugue state after seeing a friend's production of Frozen: The Musical tonight. I have several WIPs I'm supposed to be working on and this is exactly none of them. Bone apple teeth. (Also I'm genuinely unsure if my usual crew of beloved enablers would even WANT to be tagged in this so... for now I'm not doing a taglist, and if I write any more of this AU I'll do one next time 😂)
“Steve!”
At the sound of his name, the Prince — now King, and boy is Robin going to take a while to get used to that — turns his head towards her. Seeing it's Robin, Steve gives his apologies to whatever noble he was talking to and steps away from their conversation. He makes his way over to Robin in just a few short strides, but his eyes flick back and forth between Robin and her new... well. She doesn't really want to think about what Eddie now is to her. In any case, she can already see a questioning frown start to brew on Steve's face, meaning this will be a much harder sell than she expected.
“Robin!” Steve exclaims, his gaze almost immediately sliding over to Eddie and giving him a once-over. He sounds markedly more subdued when he continues, “I see you've... made a friend.”
“Well, I wouldn't say a friend exactly!” Robin laughs, shrill and stilted, and gives Eddie's arm a pointed squeeze when he doesn't immediately join in. Getting the hint, Eddie finally starts laughing along. Hopefully Steve didn't notice her hinting, since she's had her arm wrapped around Eddie's since before she even called him over.
Steve raises an eyebrow at her, and shit does she need to keep this moving.
“This,” Robin announces, using the hand that's not around Eddie's arm to do a quick flourish in the direction of his face, “is Prince Edward of the Kingdom of Forest-Upon-Hills. We met at the ball tonight.”
“It's an absolute pleasure to meet you, Your Majesty,” says Eddie, trying his best to show the proper respect and bow as he does so. Robin's death grip on his arm prevents him from getting very far.
“Likewise,” Steve replies, sounding incredibly skeptical of this whole conversation. He then shoots Robin a look, which, rude, but also entirely warranted given what she's about to ask him.
Steeling herself, Robin begins to say, “Prince Edward and I-”
“Just Eddie is fine,” Eddie interrupts her, leaning in a little bit closer to her as he whispers. He's got terrible volume control, however, so she wouldn't know it was meant to be a whisper if she hadn't spent the past two hours talking to him.
“Not one for formalities, Prince Eddie?” Steve asks, the weight of his gaze finally leaving Robin's shoulders for a moment. God, she often wishes her brother was easier to read, but never as strongly as she does right now.
Eddie, meanwhile, straightens up so quickly it's like he's been electrocuted.
“Uh, not particularly, no. They grate on me,” Eddie says. He pauses for a moment, and Robin can see the deliberation on his face before he adds, “Your Majesty.”
“I'm not one for formalities either, Prince Eddie,” Steve says. His mouth twitches into a very small smile. “I prefer Steve.”
There's a pause, then, where Steve and Eddie are locked into some strange stare-down, while Robin looks on in vague exasperation. She's pretty sure she could strip naked and swing from the chandelier in the center of the ballroom and neither of them would take any notice of her. She's about to intervene, actually, because they really do not have time for whatever this is, when Eddie miraculously breaks the spell himself. He blinks a bit, looking away from Steve and back to Robin, face significantly more flushed than it was a minute ago.
“I believe you were saying something to K- to Steve, Princess?” Eddie asks, just about tripping over Steve's new title on instinct before catching himself.
Robin just barely restrains herself from rolling her eyes. She really is the bravest, most long-suffering warrior in all of Hawkins.
Putting her brave face back on, Robin turns to her brother and says, “Yes I was, thank you Eddie, I was saying that Prince Eddie and I-” and here she falters, because Steve looks back at her and meets her gaze. She swallows, trying to be subtle, and looks very pointedly at Steve's forehead instead of his eyes. She can't do this if she's looking him in the eye.
She takes another half second to compose herself, then rips the band-aid off.
“Prince Eddie and I seek your blessing for our marriage.”
“Excuse me?” Steve says, more like demands, almost choking on nothing. Robin's never seen her brother this off-kilter in her life. He doesn't even try to compose himself at  all before he says, “Robin, can I speak to you for a moment? Alone?”
Robin swallows guiltily, knowing he'll see straight through her if she agrees.
“No. Anything you want to say to me, you can say to both of us,” Robin says, and how her voice stays steady, she doesn't even know. It probably helps that she's still not looking Steve in the eye.
“Robin- I don't-” Steve interrupts himself to run his gloved hands down his face. He pauses for a moment, face completely covered by his hands, and takes a deep sigh. When he removes his hands and starts speaking again, his voice is measured. Calm. Deadly.
“Rob, you can't marry a man you just met,” Steve states. The word man falls heavy off his tongue, and Robin knew she would regret coming out as a lesbian, she just didn't think it would be like this. Squaring herself up for the best performance of her life, Robin begins her improvised speech full of bullshit to convince her brother to let her do this.
Before she can, however, Eddie chimes in with, "You can if it's true love." Steve doesn't even spare Eddie a glance, but his frown does deepen significantly. Shit.
“Steve,” Robin begins, trying very hard to stay calm, “Eddie and I have a connection unlike any I've ever felt before. I lo-love him”—shit, she could feel the bile rising in the back of her throat saying that, and judging by the almost-imperceptible twitch in Steve's eye, he knows too—“and I think it's time I start giving back to the Kingdom of Hawkins.”
“Giving back?” Steve asks, and fuck he's folding his arms across his chest now. “How exactly is this giving back to the kingdom? What you're doing is running headfirst into the first bad decision you can find.”
”I'm a bad decision?” Eddie asks. Both Robin and Steve ignore him.
“No, Steve, I'm giving back by giving the kingdom a new celebration to look forward to after your coronation,” Robin hisses. “A royal wedding is another opportunity to open the castle gates and bring the kingdom together-”
“Absolutely not,” Steve snaps, interrupting her. “We are not opening up the castle gates again for a long time.”
“Why not, Steve?” Robin snaps back. “Tonight's been great for the kingdom's morale, it's been great for you to see people and actually socialize-”
“You have no idea what's good for me, Robin,” Steve says, making her stop dead. It hurts, hearing Steve say that like it's obvious and she's stupid for not knowing it already. What hurts more is that it’s true.
Once it's clear Robin won't keep talking, Steve continues, “You asked for my blessing, and I do not give it. I don't approve of this, and if you're doing this in some misguided attempt to make me happy- quite frankly you've gone insane if you think this would make me happy.”
With that, he turns to walk away.
Okay, sure, she has no idea what Steve's whole deal is or why he's always shutting her out, but Robin is sure she knows what will help.
Sure, part of this crazy scheme is the vague idea that if Robin has a picture-perfect capable-of-bearing-children partnership, then Steve will be under less pressure himself to marry someone who can produce an heir. Maybe, with less scrutiny on his personal choices, he'll learn to relax and open up more over time. That idea falls apart pretty quickly, however, as the thought of producing an heir with a man - even one as fun to talk to as Eddie - makes her want to gouge her own eyes out. No, the real reasoning behind Robin's (admittedly insane) plan to marry someone she met two hours ago at her brother's coronation is so she has an ironclad reason for Steve to open the gates again. Sure, ideally it would've been a woman who caught her eye tonight, but she can't be picky. Robin doesn't meet anyone, especially with the castle locked up like it always is, and she has yet to think of something other than a wedding that would convince Steve to open the gates. Then Eddie came along, laughing and flirting (she thinks, at least; Robin's tried to black that part out) and professing his undying true love to her, and this was the best opportunity she was ever going to get.
And she has to convince her brother to open the gates again. Steve's been thriving tonight. He clearly loves the thrum of people, all of them dancing and laughing and enjoying themselves, and he's slowly coming out of his shell with every conversation he has with their subjects. Robin's spent more time talking to her brother tonight than she has in a long, long time. Too long for her to try to quantify it without crying.
Watching her brother turn away from her, the promise of a relationship with him going forward about to slip through her fingers, she knows she has to do something.
“Steve, wait-” Robin says, reaching out for Steve. She grabs him by the hand, feeling the soft cotton of the white gloves he always, always wears.
“Enough, Robin,” Steve says, not even looking back as he yanks his hand out of her grip. She's trying to hold on, though, so she's left holding his glove as Steve pulls his now-bare hand away from her. God, how upsetting is it that it's been years since she saw the back of her own brother's hands?
Steve swears, then, under his breath. Robin almost doesn't hear it; almost.
“Robin, give me my glove.” Steve's not asking; he's demanding. Robin can work with this.
“Not unless you talk to me about why you won't open the gates. Look at how tonight went, it's been so good for you-”
“This isn't up for debate, Robin, give me my glove,” and Steve reaches for it then, but Robin quickly holds the glove up high above her head before he can grab it.
“Why isn't it up for debate? Why do you isolate yourself all the time?” Robin's almost dancing now, twisting and turning as she tries to keep the glove away from Steve's grabbing hands. It doesn't help that he's taller than her, but she's more agile than people think, especially since Steve's in full coronation regalia right now. The material's stiff as a board at the best of times.
“You wouldn't understand, just give me the- ugh!” Steve's stopped trying to grab the glove, instead trying to restrain her and make it easier to grab.
“Maybe I would understand if you'd talk to me instead of shutting me out all the time-” Steve's almost got her in a headlock, but Robin ducks out from underneath it and quickly steps away and out of Steve's reach.
“Robin, that's enough!” Steve shouts, and then several things happen consecutively.
Steve reaches out towards Robin with his right hand, the one missing the glove.
Robin thinks she's going crazy, but- what look like snowflakes shoot out from Steve's hand where he's reached for her.
The crowd, most of whom had turned to look at Steve's shout, gasp, almost in unison.
“I- Steve-” Robin says, not quite sure where to start with the -- actually quite sizable -- pile of snow now on the ballroom floor.
“No,” Steve gasps, and Robin's never heard her brother so distraught. It makes something keen inside her, the sheer anguish in his voice. “No, no no no, this can't be happening, this can't-” Steve reaches up to pull at this hair, but more snow and ice shoots out from his hand as soon as it's pointing towards the ceiling. He flinches away from his own hand, sheer terror on his face, but with every movement Steve makes more and more snow and ice surrounds him. Within a few seconds, there's a wind picking up as well, and it's like a snowstorm is starting to form right there in the castle dining room.
The crowd, originally shocked into silence, starts to move again. Robin hears screaming, people running, shouting from the guards about an evacuation plan, but it's all faint and distorted like she's underwater. All she can focus on right now is Steve, the way his terror is only worsening by the moment.
“Steve, let me help you,” Robin calls over the roar of the crowd and the storm, taking a few steps towards him. She needs to get his attention before getting closer, the last thing she wants to do right now is startle him.
“Stay away from me!” Steve yells, holding up his hands in an instinctive 'stay back' gesture. Yet more ice shoots out towards Robin as he does so. “I’m not safe!”
“I don't care! You're my brother!” Robin shouts back, but Steve doesn't seem to hear her. He's looking down at his hands in horror, then at the waist-high line of ice between the two of them.
Robin somehow knows what he's going to do the moment before he does it.
“Steve!” Robin screams, breaking into a run. Steve's faster than her, always has been, so he makes it to the doors of the ballroom well before she can catch him. It also helps that people, even the guards posted at the doors, part to make room for him whenever he draws near. Seeing Steve push open the ballroom doors just enough to slip through them, Robin yells again, “Steve! Stop!”
“Princess Robin!” Someone crashes into Robin then, nearly sending the two of them flying. (Robin mentally thanks whatever God there may be that she wore pants and not a dress.) After regaining her footing, Robin looks at her assailant to find- oh, it's that guy. The Duke of one of their main trading partners, Tommy something. Haggard? Halfwit? Yeah, something like that.
“Princess Robin,” Tommy Hapless says, bending over with one hand on his knees and the other holding Robin's elbow as he catches his breath. God, Robin does not have time for this. “Princess, you can't- we need guidance. We need someone to... to lead us while the King is... indisposed.”
“I really don't have time for this,” Robin snaps, brushing his hand off her elbow. “Steve's my brother, I have to find him before he gets hurt!”
“I don't think... he's the one who'll be getting hurt,” Tommy Hanger-On says between gasps, quietly, but not so quiet Robin doesn't hear. She makes a point to stomp on his toes as she stalks off towards Eddie, who is doing his best to help people follow the evacuation advice. He looks faintly queasy, and very much like he would rather be literally anywhere else, but he's actually doing a pretty good job of guiding people where the guards want them.
Eddie doesn't notice her coming, so he jumps when Robin grabs him by the shoulder. She turns him around to face her, then grabs him by the other shoulder as well so she's looking him right in the eyes.
“I need to find Steve,” Robin says, not waiting for Eddie to finish whatever question he's opened his mouth to ask before continuing, “Can you take care of the kingdom until we get back?”
Eddie goes pale instantly. “What? I can't-”
“You're a prince, right? I know Forest-Upon-Hills is a pretty small kingdom, but how different can Hawkins really be?” Eddie doesn't look reassured, but Robin cares very little about that right now. She claps him on both shoulders in what she hopes is an encouraging gesture.
She grabs Eddie's hand and thrusts it up into the air, shouting, “Prince Eddie is in charge until I return!”
She then drops his hand before turning and running out into the night, ignoring the chaos behind her and the faint sounds of Eddie's confused protests.
Nothing matters to her now except for finding Steve.
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jellyaibo · 3 days
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funny werewolf markerrrr for @cephaloprincess
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princesseevee06 · 9 months
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me and the bestie and the shared hallucination that torments us
(for my YTTD swap AU, Your Turn Ryoko!)
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yellow-faerie · 11 months
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Anyone want to hear about my HTTYD OC?
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time-is-restored · 11 months
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more whinging bc i got negative hours of sleep last night and i need to stay awake somehow lol
cw: discussions of misogyny + abuse
god the more i think abt it the more exhausted i get by the gender politics of ted lasso.
like god i do genuinely think that rebecca's arc in s1 is one of the best depictions of a mean + cruel woman ive ever seen on TV specifically bc it manages to thread the needle so well? like they never tilt her balance too much and doom her to being either totally fucked up + evil OR totally soft and sweet and harmless. and ted's 'divorce makes u crazy' response to her apology STILL makes me crazy wrt the sheer. understanding and empathy there, and she's just. given so much more depth than ive come to expect, especially for an ensemble cast sitcom w a (then) p short run time.
but my fucking god. we literally don't learn a fucking thing about michelle. im pretty sure the one (1) concrete thing we know about her comes in the fucking finale, and it's that she's a teacher for... something. the two most important people in ted's life and we don't know anything abt them! they're literally just empty symbols representing the importance of Family™, and that vacancy does nothing but weigh ted's storyline down!
like, i liked michelle's episode/storyline in s1, bc the blinding novelty of a woman instigating a divorce not being the Actual Devil, as well as a just. generally very empathetic + nuanced take on how divorce shakes out between two ppl who really care for each other, was so 'WAIT TV CAN DO THIS??' that i felt satisfied with that being Her Arc™. divorce happens, life happens, people fall out of love, and it hurts but its ultimately okay. the show, at the time, was ultimately abt a football club and how caring abt that football club helped everyone around it.
but then the show sticks around, and her continued absence just... raises a lot of questions? how did the conversation abt ted going overseas happen? what conversations did they have abt henry? how long term was it intended to be? did money really not factor into it all? like it's one thing for a character's backstory to be vague when it's not really the focus of attention (s1 was ultimately rebecca's story before anyone else's), but when it's the load bearing stone of their '''''''arc''''''' in s3...????
like. god. and then it fucking infects every other woman on the show!
sassy + nora? well sure we'll give you a softball - you can have one (1) scene where a woman is able to resolutely and firmly reject a man asking her out without immediately being seen as cruel or gameplayey (not that the audience will see it that way! she's already a lecherous temptress for them!), but neither of them will ever be able to speak to rebecca onscreen again, even after the heart-wrenching scenes in s1 CLEARLY establishing them as a beating heart of rebecca's arc.
shandy? nope, don't even think abt her motivations/drives, just forget her. simi? LMAOOO imagine a black woman getting a personality beyond righteous anger. jack? three-four episodes, and we learn so little abt her that her conflict with keeley - which SHOULD'VE have been a huge emotional beat - just feels like a kick in the teeth (and while, yes, i absolutely agree that in a real world context, jack's rejection of keeley would be largely motivated by class, in Ted Lasso Land™ rebecca is just as rich - if not richer? - and we're never once encouraged to interrogate her priorities).
barbara's the one that really makes me miserable, bc i feel like on a show with less run time, she could've played REALLY well. she's a great contrast to keeley, has an amazing delivery, and the scene where keeley + her first discuss the snowglobes shows that she has the potential for some really moving vulnerability + pathos. but instead they give SO many of keeley's scenes to characters who ultimately get written out, so when barbara stays it's like... okay? sure? like, i was so stoked that barbara survived the Mass Exodus of side characters that i didn't wanna look the gift horse in the mouth but... wasn't the last thing we saw of her and keeley's relationship like. general resentment + distrust abt the shandy debacle? when did that improve? how???
i don't think i'll ever have enough mental real estate to explain how disappointed keeley + rebecca's 'arcs' in s3 made me, and at least there's the saving grace that. virtually no one other than jamie got a coherent arc this season, so at least it was on some levels an egalitarian screw up. but fuck dude. keeley was just forced to react to bad things that were happening to her, and we got to see her do her job (which, unbelievably, does actually involve things other than being an awkward manager!) precisely one (1) time.
i even like rebecca's arc on paper - i think it's really cool to see a character backslide so intensely in terms of obsessing over and struggling to come to terms w a past relationship, especially an abusive one, bc like. yeah! that shit sticks with you for longer than a season! and beyond that, seeing her regain her sense of self and what SHE actually gives a shit about was oftentimes just as sweet as s1. but her scenes were poorly connected, and she had to carry WAY too much of a burden as the Resident Speech Giver for any of her internal characterisation to make sense. like, sorry, but it's kind of hard to believe a character's Going Through It™ when they have to spent near 100% of their screen time giving Take It From Me, Kid, speeches. and then she's not even given a real opportunity TO fuck up + sabotage her relationships, even when she starts getting really weird w ted! it's all just so meaningless and like nothing that she does is ever going to matter. she never speaks to zava again, we don't get to see her interact w bex or kate, her pleas to ted get COMPLETELY shut down...
but the thing that REALLY makes me sick is this complete lack of interiority absolutely butchers the characters of jade + jane, who are otherwise RIFE with potential. like, jade is a completely unflinching, unapologetic asshole to nate + his family, and that's never interrogated. even in Sitcom Land™, it's more than reasonable to view jade's actions as racist, especially when she doesn't give the same treatment to others (at least not as i recall? honestly i usually watch the taste of athens scenes while peeking out behind my hands, so i could 100% be wrong here). and yet, suddenly, and completely inexplicably, she's charmed by nate. she wants to give him the time of day. she finds him attractive, and wants to date him, and generally take control of his life and force him into a decision that is literally the exact opposite of what he expressed wanting to do. except even that LAST thing isn't allowed to be interrogated, bc god FORBID a woman is enough of a fully realised creation to actually be culpable of the terrible shit they do!
and fucking jane??? beard's so head-over-heels for this woman that the emotional abuse + extremely controlling tendencies don't even make him bat an eye, and we don't get to know anything about her? she's literally just the suggestion of an alluring woman! good at sex! good at chess! fuck you if you wanna know more, even though the show ENDLESSLY hits you over the head with how painful their relationship is for beard - beard who is given virtually no other storyline. like, i literally can't read brendan's refusal to label jane as abusive as anything other than like. that bio-essentialism shit where ppl 'women are better than men <3' so hard that they end up genuinely and wholeheartedly arguing that someone's sex defines their morals - or worse, that their sex is a deciding factor in determining whether someone's actions are good or bad. not context, but a legitimate 'add points if woman, take away points if man' variable.
like that's so feminism 101 it's legitimately almost worse than nothing. that's like getting as far as 'hey so you know how we're all inundated with both implicit + explicit messaging abt what is Valued and Good for women vs men to-' before shoving ur earplugs in and going 'if you are oppressed by society we'll automatically stamp a 'good person' label on ur head and now we don't have to think abt any of our biases + internalised beliefs ever again <333'. the most useless and fucking pointless stand against the patriarchy ever, especially coming from the same show that ENDLESSLY slots characters into the 'loving gf/wife' archetype and then give them Literally Nothing Else. my comrades you have literally just done madonna/whore 2: oops all madonnas! this is not liberation!!!! this is a miserable cage!!!!!!!!!
im just. higgins' wife. mae. trent's daughter and anonymous 'her'. the women at the hotel and the restaurants and the firm and the fucking physios, fuck - dani's gfs! who are they? what do they want? where do they go when the camera stops rolling? can anyone hear me?? hello??? hello???? brendan hunt i am OUTSIDE YOUR HOUUUUUUSE
#ted lasso spoilers#ted lasso meta#ted lasso critical#dead girls by p.enelope s.cott has been stuck in my head for approximately a month bc of this fucking show#its so fucking nuts being treated to rebecca + keeley in s1 and then slowly realising w dawning horror that its literally only down from#here. and also listen nothing but respect to my comrades out there who can take michelle + henry as written#and immediately + painlessly extrapolate from their significance in ted's life to viewing them as like. important figures narratively#but to me they literally never got beyond the carboard cutout stage? like. yes thank you if u love ur family its sad when u leave them.#why'd he leave them then lol.#LIKE. if both michelle AND henry are just these. passive vessels who are neither invested in ted staying OR leaving london#and the only motivation we're EVER given for ted's move is 'michelle wanted space'. like sorry for wanting an actual deconstruction of ted'#motivations rather than the worst mystery box of all time! if i wanted a story abt 'man misses family :( please don't ask any questions abt#the family in question-' i could just close my eyes and imagine a stock image of a sad business man.#wagh. ted bud they gave you so much potential + so many demons and then just wiped them away w no exploration outside of like. two#scenes w sharon. u are also in this cage king but at least u got a good two seasons of mc character energy before they locked the door :(#something something sorry for having an ace attorney witness stand breakdown when the show i liked Was Bad. do u still want to be mutuals
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d3df1zh · 2 months
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heai look at my regretevator oc. Princess is named Princess and only goes by Princess's name :3 no pronouns, no gender, only Princess. i have so much facts and lore for Princess you can ask if u want either in my askbox or the comments if ur interested... pls be interested i adore Princess w my LIIIFEEEE!!! trust ill answer ANYTHING (almost anything, don't be weird. obvi.) there are so many 'princess' in this post but i wouldnt have it any other way
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cathalbravecog · 8 months
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long ramble, haven't had one of these in a while! if you read this, have fun. it's headcanons/thoughts on some stuff. i don't talk about my thoughts on story stuff publicly much anymore especially because 1) i'm shy 2) trust issues 3) bad rsd 4) i forgot the last point
i was writing for oNCE yesterday (some headcanon stuff, for myself, won't be posting that unless i change the wording of some of it to make more sense because i ramble a lot and it's a mess. like i am doing right now. also that turned into being mostly about hr in the end because i am ill. now hopefully this motivation will get me to write my mary and archie stuff.)
and when i went to bed i was thinking about some stuff in toontown, mostly the cogs - and how things work. these are things i ponder on very often and have talked about with my friends many time, throwing ideas back and forth and my headcanons for how things work.
though, there's one thing i really wonder about, and that's where cogs come from in ttcc exactly. in 'that' way though of course to keep things on the same rating as the game is i won't discuss anything explicit so don't worry. (besides they're robots and also are sexless to me, anything related to gender is purely cosmetic to them. you are usually assigned a certain expression when built though, but can change that later on. that's how i explain trans cogs.)
i think about how there are canonical families and children, and that they have "built" dates and places where they've been built. it's obvious as they're robots, they're not born they're built and made.
it's a bit difficult to explore with the limited info we have, which is kind of both an hassle to work with, but also beautiful because you can let your creativity go and make up your own headcanons, without things being set in too much canon. it's also difficult due to how different the suit culture is to us humans and also what we see from the toons which is by nature more familiar to us.
we also do not know much about suitopia, or other possible places where cogs live.
(i, personally, imagine suitopia as essentially a big country where most if not all cogs live. it has it's own regions, cities... all that. where as c.o.g.s. inc has built itself to be essentially it's own small country/community, if that makes sense. though cogs don't always only mention suitopia, at least once 'the whole world' is used. this is irrelevant tho so i won't discuss that but it's still a 'core' headcanon i have - as other things i may hc rely on this personal interpretation / headcanon.
but be aware i do not know everything is canon and can discuss things outside my realm of HCs and interpretations, but if i go deeper into like, let's say, analyzing a cog and imagining their backstory, instantly assume i'm using all these things. sorry for the side ramble, i want to make things clear for possible future reference.)
i wish it will be expanded upon slightly in the future, even a slightest crumb of what it's like out there and i can have a field day with it. i do enjoy the vagueness tho, again, as i've said we do not need to have all the information out there and it's not necessary to the main stories that are being told but MAN my brain itches for MORE. i demand EXPLANATIONS. and so i make up my own lol and i love that i can do that /gen (there's some stuff i do have an issue with that it was not explained better, but again, fixed that with hcs. talking abt atticus but im not getting into that rn)
there also may be things i am missing - i have known of ttcc's existence since it's early days, but i wasn't there for it and missed being there in person for any lore until i started playing for real in early 2023 and became a part of the community. like, there ARE things i have missed AND small details i am missing. that's one criticism i have about some info being more difficult to access now, but the main stuff is on the wiki an all luckily.
anyways that ramble out of the way... how the heck are cogs made? there's a few ways, that seem contradictory in some ways at first but i just see it as different methods.
we know cogs can change their appearances (their shell) and be "upgraded". we know cogs can even choose to be just their skelecogs (Atticus) and i suppose every other skelecog we see.) we know cogs have families and have their own kids. (cathal and bobby jr come to mind, and also belle's own kids and grandkids. not to mention, we have siblings too - thomas and robert. and their whole family drama DOES involve their unseen parents.) we know many cogs, mostly the managers, come into the company as their are - but also new parts are built, at least for the employee cogs in sellbot hq. (recently re-read the dialogue which confirmed this - literally as you're building your sellbot suit.)
we know cogs are more than just some working machines and do have deeper lives and desires and even relationships, though all instances of a parent/child relationship in ttcc have only one parent. makes sense after all they don't reproduce sexually to put it that way, again they're built and they're robots.)
it's easy to conclude, that, cogs are just built. which is true. but it just makes me wonder. we know they age. we have at least 1 cog who is a literal child, and bobby, in human years at least, looks no older than like, 8 years old. (we also don't know how cogs age. we also know cog's don't die like that, due to the whole deal with atticus. i will talk about this one day i have so many thoughts on it)
we know they grow up and even have schools - they're not programmed with everything. they earn experience as they live life and even have?? education systems? like they're more like people than we thought. (ttcc does make cogs more easily sympathized with and gives us INDIVIDUAL cogs and not just... 'The Cogs'. cogs are the focus of ttcc so of course they're developed more and are more 'human' despite being machines.)
so clearly, there's cogs like bobby. who are built young and eventually grow up. we have not seen a cog growing up yet, at least i don't think. but i wonder how that works. through cartoon logic, do they just grow up? their skelecog and perhaps their shell, too? or do they periodically get upgraded to be larger - wouldn't it make sense to built a cog as, well, an adult already? to program all these things? there may be more limits to this than we think, but also just... cultural things possibly.
the only cog CHILD (not just the child of someone - cathal's an adult. also, redd mention, but redd's adopted so he doesn't count) we ever see is bobby and, he is the child of robert, who is known to be very short. we don't know if bobby's going to grow up, or if this height is what he's just going to be like. we have one image where he's way smaller than robert, and other, more recent ones, where they're a similar heights. is that just art inconsistency due to the nature of all the (amazing) artwork being, well, volounteer work and that not everything is (or has to be) perfect? or did bobby really grow up. i'm talking about the wallet picture and the comics featuring bobby, by the way.
though, as things are, i'm sort of assuming that bobby's going to grow up or be upgraded in some way to "grow up"? i don't think we need an clear explanation for that, and in a universe like this 'cartoon logic' would be enough, but it's still something to think about.
like...how do cogs go about having kids, anyways? all instances we see are visually similar as well. cathal has the same gear for his neck as allan's body does, and they have the same head lightbulbs and wires. bobby jr and robert are both furniture.
i've always assumed that it's like in robots (the movie, that i havent watched in years which would be helpful for all this, probably.) if you decide to have a child just for the experience of raising a child, to have a legacy, or due to a bond with a partner - you literally just build one. perhaps not in the same way as in the movie - in here it definitely requires more paperwork and blueprints. but again, it's interesting to think about! hey company i want a CHILD. i look like this build them like me thanks here's some blueprints. (this also explains the amount of single parents. though belle has to have been married/is married as her honorific is listed as mrs. hey fun fact, non native english speaker here. i didnt know 'mrs' means a lady is married until like this year. i've been on this earth for 19 years.)
like the concept of family is possibly just more social there than anything. duh... can't exactly have the same oil and wires inside of you as Robots .
anyways, so that explains kids... but what about the others? some cogs don't have any families mentioned but it's not hard to assume they come from families with parents and siblings as well. what about the employee cogs? who are quite literally very disposable in a way?
we do have to take into account that after all, employee cogs we see just on and about on the streets are mostly a game mechanic, and there are some individual cogs who ARE cogs who would typically be employees cogs. (jennifer comes to mind first, she's a micromanager but also a secretary and counts as a manager. same goes for judy and so forth.)
and y'know, the game won't have a personality and backstory for each random flunky on the streets you fight. but with often they get destroyed and repaired and that there's just... so many of them! of the same model and appearance... makes you think. is that why they were made? are they truly more robotic than the others, more devoid of 'humanity'? or were they different cogs, perhaps more lower class, who's appearances were changed entirely to fit into more easily fixable and replaceable shell forms? something that's less expensive for the company and for them? i swear i am missing some details on this, but that's for me to re read the wiki and cogs ink for on my own later. (i need to have full info n everything and if i dont bring up that i know one small detail i will explode bc someone will bring it up and make me feel dumb and that's the rsd part and it's often physically painful!)
very hard to tell, i'm sort of content with my thoughts on how cogs have kids, but i hope we ever get a bit more clarity on employee cogs - though it is a bit problematic as these are the guys you beat up on the daily who don't have individual personalities.
like i'm just rambling as i go here man, it was gonna be cohesive but i'm just spitting thoughts here now. like, we have 3 seperate skelecog types - all cogs come with a skelecog like we have a skeleton so that also comes into play. it can be adjusted in ways, most notably the head and also in size. though we do have a 4 arm cog. jason please i love you /p we need more jason content. it's wacky, it's tacky - it's toontown!
fun stuff to think about but i just deep fried my brain. tdlr i guess.
how cogs made. how cogs have kids. how cogs work in general. very swag very cool. guzma cathal spades spamtongender goes on 1568854 different tangents while saying they wont aka your swagesty your adhd symptoms are showing
that's it fellas enjoy 2k words of incomprehensible rambles that i am happy to finally get out! you see the way i explain things is precisely why i almost never do it publicly and i need practice shortening things.
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shepscapades · 11 months
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WAIT CAN WE DO OTHER MINECRAFT YOUTUBERS FOR THE HCD EVENT !?!??!
YES IT’S IN THE REMINDERS AND THE ORIGINAL POST?!?!?!
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thursdayg1rl · 5 months
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OH MY GOD CALL ME THE CILLIT THE WAY I JUST BANGED THAT INTERVIEW. king of maths. im literally like if euler was a beautiful girl
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