Ok so I have been stewing this crossover au in my brain nonstop for the past few days and. I am nothing if not committed to the bit, so. Volume cover redraws :)
Here are the originals:
If you want to read more about my one piece spy x family crossover, keep reading!
So the idea is simple! Crossover reincarnation au where ASL is reborn in Spy x Family. They’re each born separately and none of them are born with the same names as their previous lives, and with no way of finding each other, they each find their own thing to do in the world.
Sabo, too used to the dangers of being a spy, eventually finds a cause to devote himself to again, in preventing war from engulfing the country he was reborn in. Ace, drawn to fire as he was in his previous life, used arson as a means to rob rich people for sustenance and survival, and is eventually scouted and hired by Garden as a fire specialist and assassin. And Luffy, though born in perhaps the poorest condition, grows up happily and takes whatever part time jobs he wants to do.
The thing about Sabo is that, as much as he seems like a young man of good repute and high standing within society, everyone in WISE knows that he is a massive nuisance. Nobody knew in the beginning how a child less than half the age of most of their veteran agents could have the same skills and knowledge in their profession. Sabo was— and still is— hyper competent, and by the time WISE figured out just how much of a menace to society he was, it was too late.
Ace forgot for the first few years of his new life that he wasn’t made of fire, and consequently, received multiple accidental burns. This did not deter him, however, from growing up to be a very skilled arsonist, well-practiced in every which way to start a dumpster fire or house fire. As a teenage he would use this often to draw attention as he robbed rich people blind. When he was caught, he was given an ultimatum by Garden: join them and receive payment for starting fires and causing problems under contract, or face the government and authorities for his crimes. Begrudgingly, he joined Garden, but eventually comes to appreciate that he can make substantial money in his element.
Luffy is Luffy. No telepathy or experimentation, no fancy schools, no gimmicks or secret identities. But he has still lived an extremely colorful life in this world, full of fascinating and kind individuals who have helped him grow up healthy and relatively happy. He goes where he is free, and he takes whatever part time jobs he wants in order to make the minimum he needs to survive.
Ace and Sabo find each other first, in their late teens, and neither of them realize that the other remembers their previous life, but both refuse to separate. (Sabo thinks Ace doesn’t remember, because Ace didn’t recognize him. Ace never saw Sabo grow up past 10, however, so he doesn’t recognize older Sabo immediately. By the time he does realize who exactly Sabo is, Sabo has backtracked and pretends to know Ace from a dream, or from somewhere else.)
Sabo’s attachment to Ace, predictably, causes problems between Sabo and WISE, but by then, Sabo is indispensable to the organization, and they make an exception for Sabo to be able to remain with Ace, so long as Ace never finds out what Sabo’s actual job is. Ace, on the other hand, hides his job because he doesn’t want his brother, who he has just found and who does not know Ace well enough yet, to know that he makes a living from killing people.
And they find Luffy sometime afterwards, prior to the beginning of the Spy x Family canon. Luffy figures out, not long after moving in with his brothers, both of his brothers’ secret occupations and the fact that both of them remember their past memories. He thinks it is common knowledge, however, and so he never brings it up.
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btw cause I think some people still need to hear this, but the rose colored glasses coming off and the ‘revision’ to the meanings of her songs about joe was always gonna happen. with travis around or not. so saying she should focus on her new relationship is not the dunk you were thinking it is. like I keep saying it but she wrote him into her world, she included him in the world she wrote music in, and when she needed to, she wrote him out. why would he get to stay when he hasn’t earned that anymore? she would have kept him in, she even would have left the bad stuff in a box, but he didn’t seem like he wanted that part of her life. please can we all just realize that this is just such a normal reaction and end to a relationship and Taylor doesn’t need to ‘take the high road’ or whatever just because she’s in a new relationship. the reckoning of what happened was always going to be closing the chapter of the story she wrote for them. she’s releasing it whether you’re ready to reckon with her or not.
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I love it when people draw Sanji like he's had only one hour of sleep (it was a nightmare), skinny, smoking, with eyebags, messy hair, shirt untied, and like he's about to have a breakdown over his own reflection in the bathroom mirror because he can't recognize himself
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Bro I had a dream last night where Dragon and the revs helped rescue Luffy from something and he's all exhausted but won't sleep and to calm him down Dragon sings a lullaby and Luffy recognizes it and immediately passes out and Dragon gives this gentle smile and goes "I've waited your whole life to sing that to you again" and then I woke up and I'm furious what the fuck, where did that come from that's so cute???? 😭😭😭😭😭
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the mortal wounding of the princess of scots, god be with ye
artist's statement: siobhan roy, in antiquated but historically-indistinct and provocative dress, is shown being fatally impaled through the skull by her whimsical, treacherous steed and beast of burden, tom wambsgans. her attire, as with her relationship, is both affixed in and apart from time: it alludes to an era which it does not belong to. tom and shiv are a contemporary couple, but figuratively engage in an antiquated, eternal dynamic wherein the male asserts dominance over the female through violence, delivered in the show in the form of betrayal. however, references to active movement in the falling of dripping blood indicate to the viewer the dynamism of this relationship, which could seemingly change in the following moment, were time allowed to resume. the absurd and comical image of tom as a unicorn, with equine lashes and sparkling eyes, is contrasted with the brutality of his actions against shiv, making evident the fact that he is not to be underestimated. the disarming sexual innuendo - the act of penetration, as tom "fucks" shiv, and the froth pouring from his mouth, an allusion to tom swallowing his own ejaculate at his bachelor party and an additional symbol of both his rabid defiance and affection for himself and his own ambitions - adds to the potent discomfort of the moment. tom's ears are flattened back in aggression and shiv bleeds profusely, yet both wear serene smiles, not allowing the other to win in spite of the pain of being respectively owned by his wife and murdered by her husband. tom, despite it all, looks to shiv, his master whom he has defied, and shiv looks outwards, forcing herself into a position of unwavering invulnerability in the face of her ending. "god be with ye" is a helpless prayer for the doomed spouses, and a parting message: "god be with ye" is shortened in modern english to "goodbye". goodbye soon, shiv and tom, i will always love you. ❤️
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