its suddenly occured to me that as soon as Simon Petrikov makes an official return as feeling like a member of the main AT cast in his own right, Jake is no longer present. It's still unclear how much of it is Jake having retired prior to his death, or if he was already dead by the events of Obsidian, but it feels like Simon has taken up the role Jake originally occupies.

Essentially when you look at Simon's events in Obsidian and the apparent role he seems to have among the bigger Finn-PB-Marceline-Simon party and group dynamic, he shares a LOT of surprisingly similar traits with Jake:

EXPERIENCED PARTY MEMBER: Jake isn't the oldest member of the group by any stretch, but the other characters TREAT him like he is; he's generally considered to have the most life experience, and he is often treated as being the wisest one. How much of this is objectively true is up for debate and a question for how much of it is just character viewpoints coming in, but Simon definitely has the most life experience. It's arguably one of his more defining traits, since having so much of it against his will is one aspect of the crown. Simon is also a pretty dang smart and emotionally intelligent person, though he doesn't acknowledge it.

THE DAD GUY: In the sense of 'being an older guy that the other characters talk to for advice and reassurance that can be relied upon to solve problems'. Jake isn't precisely a father to Finn in particular by any means, but he IS an older brother who can sometimes come off as having raised Finn, and he is definitely a dad. (Admittedly only for... well, a day because the Pups age weird, and it clearly bothers him, but it still counts.) As for Simon, him being a Dad is probably the thing that most hammered down his characterization and redefined him to such a colossal extent that Simon Petrikov overnight went from being the tragic origin of the Ice King to 'HOLY FUCKING SHIT HE WAS MARCELINE'S REAL DAD!!!!!', with all the implications of his character since. Simon is a dad, and his role as a dad underpins so much of what he seems to value and want more than anything else.

HYPER COMPETENT IN SPECIFIC FIELDS THAT FEEL MORE MUNDANE THAN THE OTHERS: Finn hits things and does Dungeon Adventure stuff. Princess Bubblegum is practically a text book mad scientist alight with the maddening light of GENIUS ITSELF. Marceline, interestingly, comes off very heavily as a parallel to Finn and Jake as a combo package, but the thing that characterizes Jake and by extension Simon for this argument is that they don't do the fancy stuff the other characters do. Jake hits stuff with his magic powers, but in practice he's a pretty blunt force person who doesn't do much of anything outside that, and Simon is notable in that he comes off as being kind of a useless weenie who THINKS he's a useless weenie... until the call of danger comes, and he abruptly shifts into overdrive and almost effortlessly solves the problems he faces without hesitation or any self preservation. In Obsidian he arranges a big calvary team completely on his own, off screen and without prompting, and in Fionna And Cake we see more of this. Simon THINKS he's useless while Jake doesn't care, but both of them are startlingly hyper competent in the narrow field of 'its kinda boring compared to the others but they do it'.

MORAL AMBIGUITY: This is probably the most potentially contentious one, but bear with me. Jake has an established history as a thief and general Dude Doing Crimes, and its not particularly clear if he stopped because he regretted it or just because he became more responsible for Finn. He doesn't SEEM like he regrets it in the slightest, either. Throughout the series it's a running theme that while Jake is generally wiser he's also way more prone to saying messed up stuff or suggesting iffy things for comedic purpose or just on a whim; taken seriously, it can feel like Jake is straight up Chaotic Neutral without much interest in the ethics he does, just about caring about specific people and not much else besides that.

Now let's look at Simon. The current fandom vibe is 'academic weenie with a bubble butt that screams in danger a lot', and this IS technically true, but its not the whole story. Ice King WAS a villain, and genuinely the most recurring threat throughout the series, and while that was part of the crown, the other wearers show it doesn't come out of nowhere. The potential to be Ice King, the callous and destructive brute force, is part of Simon in a whole 'there's two people in the mirror, the one you see and the one you DON'T want to see' kind of way. But during the course of Fionna And Cake we see Simon abducting someone he hates to use them as a magical battery and when they die from it he's more upset about losing his chance and not that someone DIED, when he watches a parallel version of himself wither away he brushes it off as 'oh they were a bad Simon'. It's not implausible Simon did some... STUFF back in the days of the post-war world to ensure he and more importantly Marceline survived. He has a history of revealing that underneath his weenie exterior, he's a solid mass of cold metal that's like biting on tin foil.

All in all, it feels that as Jake has implicitly left the narrative, Simon has been neatly dropped into fulfilling roughly the same role Jake originally did to the rest of the group, or at least that Jake's general narrative purpose of 'does more wacky things for giggles' has been generally split between Finn and Marceline, while Simon has taken on some of his Experienced Family Member and Moral Ambiguity bits.

happy pride month

"Louis acting like a pimp to Armand" And what is a pimp exactly? Quickly. And, oh so sexual trauma survivors can't engage in kink now without it being all about that? Pet names? They can't be submissive anymore? Consensually? Sexually healthy? Be serious. I'd hardly say there's much power difference between them during all this anyway, except that Louis is freer than Armand and it's been putting a strain on their relationship. Louis wants more from Armand, and less of this 'being his past' for them both, and so helping Armand with this could fix that. It's healthy to want to help your partners get out of a rough patch?

I mean, the whole exchange was very clearly set up as a "I want to help you" after such a great moment of vulnerability Louis feels just how much Armand is desperate for it. Louis called Armand so they could work out a plan together.

And the bit with the umbrella was Louis' way of asking 'are you willing to listen to me?' and Armand said yes by unfolding it. Louis goes on and explains, Armand is allowed to argue against it, but Louis makes his point. And then he gives Armand a way to make his own choice in it too. Armand's already decided 'I want you, more than anything else in the world', but Louis still asks after if he's sure of his choice, and with a name, Arun, that is the one of his fullest agency, running the point home. Honoring the situation Armand calls Louis Maitre - as a way of being like 'I'll do as you've said then'. To make this work he's going to have to give Louis some of the control, yes. But it's the first time such a role is ever established, and it was his choice to do it. So so what if they do it in a very suggestive way? They can't like doing that? I think it's them having fun.

I struggle to find how Louis is being overly domineering here when really he's giving and offering Armand the most agency he's ever had. Same with finding it manipulative. The manipulation was more earlier in the episode I think, when he was stringing him along, giving mixed signals. He's no longer toying with him like that. Louis might be pushing Armand, leading him on to make a decision, but he doesn't mean bad by it.

But back to this pimp thing. I find it frankly offensive that this is where people are going with this. I get it, but to run with it being the case is, on many levels, wrong.

Louis told us episode 1 this was the only sustainable line of work to support his family and keep their standing, at the time. It was never his choice to be doing this either but his blackness allowed no other options. He did what he did so his family could stay in that house and maintain all their same comforts. It gave him privileges most black men didn't have at the time that he wanted to maintain and even have more of. Anyway, it doesn't and had never defined him the way 'being good at running things' had. And in that case he just likes having that kind of control where he can get it, which makes sense.

The world is what placed that kind of role onto him of what he was allowed to be able to run, not himself. And on that he actually treated the sex workers he employed well and respected them enough to give them more opportunity.** He recognizes they don't have much in the way of options either.

Louis employed sex workers, yes, but he didn't subject them to abuse, (like how Armand was)*. He didn't oversee things in a way that would go against their consent (see; episode 1 again)**. Sometimes a job is just a job. And Sex work is work.

Armand's particular past with sexual abuses may strike a particular cord with Louis, given all that, but the very last thing either is thinking is that Louis' pimping Armand out here. This is merely their decision as companions, and had nothing to do with adding another line in a laundry list of selling Armands body out to people at the command of someone else. Armand rescinds some of his control to Louis' wishes, because he wants him, and he trusts him, that's all.

If you aren't allowing Armand that choice, and are doubtful it's fully his, you're putting him right back in the box of being defined by his abuses. Putting him back into that space where he isn't given any agency over what he does. (Which is exactly opposite of what the intent of this scene is for)*.

*: (edit) added for clarity.

**: (strike through) numerous people are saying I'm misremembering these points so disregard it. (Thought he was siding with Bricks, it was the other way around). (Technically one aspect of those opportunities were for getting around the law). I don't have a perfect memory, it happens. Let's not get mad about it. Doesn't change much of the point which is that Louis, now, Louis then, was always considering more about the running things and for stated purposes. So I guess I'd say he may only have respected the SWers enough sometimes for what allowed him to do that, and there are moments he certainly expressed remorse over the fact, but he has a great deal higher respect for Armand that is genuine. It's incomparable. Please read my added notes in the tags, it should address most other concerns.

what do u like about allison? not attacking u or anything she's just always fell flat to me and im open to enlightenment

shes funny to me :) i like that she's catty and entitled and insufferable, but that there are moments where it slips (namely grieving seth, but also offering herself up to be a confidante to neil, crumpling into renee after andrew hurts her) and we get to see that she's terrified of herself And others and that money could not buy her a sense of self nor a reasonable emotional framework. there are also small things about her that i just find endearing, like the few times where her and matt act like siblings (when the foxes get rained on and matt takes a picture of her looking soaked, much to her horror, and when jeremy shows the foxes his game plan for the semi finals and allison tugs incessantly at matts sleeve to let her see it) and her horrible betting problem, the way she knew neil caused seth's death but also knew she couldn't live her whole life with that grudge, her gossip habits, the way she desperately wants to fix everything with money (taking the foxes out to the cabins after neil got kidnapped always seemed like such an obvious attempt to soothe the team to me, but allison was not raised on affection and the only way she can conceive it is through what she can offer them in monetary terms + i'm reminded of the bit in the ec that allison keeps a trustfund for the foxes' children and that she pays for renee's child's medical bills) etc!

i do mean it when i say that allison and kevin are not all that different, and they have a very similar understanding (or lack thereof) of the way relationships work, but allison can be such a steorotype sometimes it's hard to allow ourselves to see her as anything but a tall hot glass of skank, whereas we naturally give kevin more nuance and space for humanity because we are taught to believe men are more capable of complexity than women. one of my favorite allison is kevin in a wig moments is the fact that allison's goal with seth ('to make a real man out of him', to give him something to live for, to make him want to achieve it) is exactly the same as kevin's goal with andrew

having thoughts about how Husk actually has very little left to redeem bc he started his journey of self-change before even coming to work at the hotel, but at the same time redemption isn't even his goal- he ain't even aiming for heaven, he just wanted to be a better person and maybe now with friends and especially Angel, who he supports so much and wants to see succeed, maybe now he has a reason to be a better person

Well fellow Callowmoores, it's almost 2024 and that will potentially be the year we see endgame of Campaign 3 - given how we've returned to the Bloody Bridge and likely intend to throw down on Ruidus and fight Predathos (somehow). Nevertheless, we're about halfway through our three week wait for another episode and since we're on the verge of intense and emotionally-charged battles ahead there'll probably be little time for romantic activity - little does not mean none, mind you - during it. Last time we had a wait like this I did a post on some underrated Callowmoore moments from the Shard Incident episodes, but since others have already wonderfully dissected the recent Feywild episodes' romantic moments I'm afraid I don't have much else to add to that. I do, however, have a bunch of mental scenarios that didn't come to be, or have yet to come to be in different contexts to how I previously thought them up. So I thought; it's the new year, why not indulge the artists and fanfic writers who can do a better job than I can with it?

So if you like some of these things, treat it as a free prompt; draw, write, flourish however you see fit, and have a Happy New Year!

If you kept reading after that awesome, I was a little worried the main thing would be a tldr situation, and still could be I didn't expect the bullets to be as long...they were actually even longer at first so not sorry but also sorry? I guess. But anyway, we know what you're here for so let's go.

Note: The scenarios were devised to keep me from suffering crippling doubt and mental shutdown between episodes so mostly they'll be fluffy and comfort-oriented than angsty.

As mentioned before, Fearne pickpocketing the Ashton doll Laudna made to practice talking to Ashton, building up to it or luring Ashton over. Ashton's awareness of the pickpocketing can grow too or they could simply allow it from the get-go "I let her take whatever she wants."

Dancing, low-hanging fruit maybe but always good for chaos, awkwardness, wingman activity, and high energy, but I'm talking folk dancing like in Titanic not ballroom dancing, that's not their or the Feywild's style

"I'll be the judge of that." specifically for when Ashton feels they're unlovable or doesn't deserve to be loved. There's also "Then I guess I'm crazy." and "You've always deserved it."

Pickpocketing one another has been their game, but I can't deny that the thought of Ashton making something for Fearne was highly appealing too, I had them make a bracelet from melted down jewelry and gems they had on them (plus a compartment with an Oleander seed and some water from the Feywild in it), imperfectly made but sturdy and still pretty. Bonus for Ashton reverse pickpocketing it onto her.

"You've always been perfect to me" is another one I mentioned before, I usually have Ashton say it (and sometimes post-Fearne taking the shard reiterate that Fearne keeps becoming more perfect in their eyes) but it can go either way.

Sleeping beside each other's a common one. Not even sexually, often it's for comfort, soothing pain/nightmares or reassuring each other, and - if Fearne hasn't disappeared beforehand leaving Ashton waking up feeling a comforting presence missing - usually not wanting to get out of bed the following morning.

Similar to the above is short rests in close quarters, a specific one is Ashton using their primordial earth powers to pull up a discrete wall for the group to hide behind and rest a little, melding into the actual wall to offer a polymorphed Fearne (a small fire lizard usually, sticking on Orym and Ashton's heads) more space so she can rest too, albeit very snugly and pressed against them - easy opening for kisses under the jawline btw.

Metaphorical but Ashton's reassurance of "You could never hurt me" regarding Fearne's primordial fire was used a bit, plus it aligns with the recent "I'll take my fire damage now" when they hugged Fearne.

Fearne being open to Ashton about her fears of being the dark version of herself, bonus quote "I don't know that person, she's not you, never will be, you're better."

Fearne pulling the Uno Reverse "The shard hurt, but knowing you were there made it hurt much less." and/or "Thank you for saving me."

Also similar to the one above are conversations post-Fearne taking the shard exploring newfound empathy for each other's (albeit more extreme) positions at Whitestone; Fearne experiencing the intensity of the shard's fire, and Ashton experiencing the dread of seeing Fearne in pain from it and being afraid to lose her.

"Whatever happens, promise you'll come back to me" is a pertinent one for the current setting too.

What is that? 1, 2...12! One for each month, there's of course more, some are simple low-hanging fruit or more detailed (no seriously I trimmed a lot of these bullet points down in detail) but for the sake of length we'll stop here. Once again, Happy New Year my fellow Critters and Callowmoores!

A while back I saw sm1 saying tsukasa expresses emotions like it’s his first time experiencing them & while it’s very funny and true I think it’s also worth noting that unlike tv/movie actors, stage actors have to really exaggerate their body language/expressions so that their emotions are readable for everyone in the theatre. On screen you can easily pick up the micro expressions on an actor’s face because you’re like 5 ft away at most and the camera often zooms in on their face. From the back of the theatre you can’t read subtle expressions so the actors need to over emphasize and use their whole body. All this to say: given that u cannot take the theatre kid out of tsukasa I feel like his acting just bled into how he expresses his emotions.

Emu also does the body language thing but it’s harder to tell as she’s normally expressing a smaller range of emotions than tsukasa (she’s naturally joyous and whimsical creature & tsukasa is usually given ample reasons to express annoyance). I think that’s more of a result of her exaggerating her happiness so that other people are also happy rather than an acting thing though. Gestures at her refusing to show negative emotions. Entertainer/clown (actual clowns, not the insult) vs stage actor. Really good examples of them doing this is the clip of rui imitating tsukasa & the clip of nene imitating emu.

85. "I’m not going to be sympathetic until you go to a doctor.”

tgcf, pm or swd to ling wen

Thank you <33

....I think this should have been a more hurt/comfort prompt, but with only 100 words it just became hurt, I'm sorry ;w;

Pei Ming is back again today with new grumbles and demands. So much to be done, all at once, only by her. These days, Ling Wen can barely lift her head. She can barely hear her retort. “And?” There’s a rare edge in his voice. “I’m not going to be sympathetic until you go to a doctor.” Pei Ming knows how to fight. To take away the firewood she needs to stay warm. Day by day he’ll wear her down, getting more outrageous until she finally caves, willingly or forcefully. Ling Wen knows this. Really. But she hates to lose.

I love lw but i also do think she has trapped herself in a vicious cycle of self sabotage

Obsessed with the dynamic (not romantic, not platonic, but a secret third thing--both and yet neither) between two characters who knew and cared about each deeply years ago when they were both younger and life was much less complicated.

But then, tragic, transformative circumstances separated them. Assuming that this separation was certainly permanent, because how could it not be?

And yet, somehow finding each other again years later, and sometimes they aren't sure whether the reunion that they once longed for with every fiber of their beings is a blessing, a curse, a joke, or a punishment.

Because they've both changed in the intervening years--largely because of the hellish circumstances that caused their separation. They've both changed completely and irrevocably, even if one of them has changed much more noticeably and dramatically than the other to the point of seeming a complete stranger. It is about leaning to see and appreciate all the things that have changed about the other and all the things that have not changed. It's about learning to reconcile beloved, often rose-tinted memories with the complex, yet-equally-compelling reality of the person those memories are about.

I need to draw something with PK and Hornet there's not enough of these two together in my art

my reading of lifesteal season 4 is so personal and involved at this point that even if i was going to post more character analysis i would not know where to start. it would require footnotes to documents that don't exist. listen to luddites and lambs by everything everything and you'll get half of it though

once in a red moon (haha) i watch certain dynamics and interactions with characters that give me such visceral "oh THATS whats happening here" that I have to pause the ep and like. sit and make sure im not letting my personal conceptions completely and totally fuck over my perception of the scene at hand before it even concludes.

This to say: oh this Laudna/Ashton conversation feels like such a visceral situation of two people speaking so- honestly(??), with such probing and cutting and weighted intent that it. Overshoots. An interrogation turned confession.

It turns into, two conversations sailing past each other, both parties aaking questions but more interested in the speculation and the weight and getting to ask than any answer.

There are so many topics, covered so quickly, and so many questions that recieve questions in turn.

Its all intensely personal. They aren't necessarily invested in the answers the other person provides. Its also not a conversation either of them would have with anyone else. They ask, and don't always answer, and level accusations that- very often- say more about them than the other. Confessions disguised as investigation.

There's a conversation happening, but I'm not sure its the same one for both parties.

this is so off topic but i wanna put this here instead of putting it on askadelcatty but

it makes me so happy when i see someone discover theres a spoiler folder on toyhou.se ASFDGDH

thinking about my oc Bytte. and. her gender is Aro. her Aromanticism is inextricable from her gender experience.

I need to go to bed I’m just gonna shout a lil

I was already familiar with being able to identify some Japanese VAs due to them having a very distinct tone, but I'll say I wasn't expecting to manage to identify Chinese ones for a mix of that reason and also having heard them a lot. But since I play both Genshin and HSR in CN, it's been very fun hearing a HSR character and going "I KNOW WHO YOU ARE" after barely a couple lines.

I successfully clocked Welt (Zhongli's VA), Jing Yuan (Kaeya's VA) and Fu Xuan (Nahida's VA). I didn't spot Kafka sharing Yelan's VA though and I am very ashamed of myself.