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#one thing that does suck about art month is often having to end up with stuff I'm not fully satisfied with
fadebolt · 3 months
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"Perhaps I reminisce because I cannot go. Perhaps I cannot go because my memory traps me here."
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I had to travel for quite a long time today, so I unfortunately couldn't refine the third day drawing as much as I wanted to. However, I think it's a decent first attempt at an Ancient, and figuring out a design was pretty fun.
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adventuringblind · 3 months
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She's My Princess
Daniel Ricciardo x Reader
Genre: Smut
Summary: Daniel Spoils his girl... That's it. That's the plot.
Warnings: Soft dom Daniel, Daddy kink, BDSM, Voyeurism (if you squint), bondage, age-play (again, if you really look hard enough), choking
Notes: This is my happy place, right here. Mildly self-indulgent but all fanfiction is so I don't care. I hope the requester likes it!!
Masterlist // Request Form // My Website // buy me a Ko-Fi
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This side of Daniel is something she sees often. He's a soft person and treats her as such. Dotes on her like she's a porcelain doll.
He zips the back of her dress and ties her shoes. He carries her bag to the car and buckles her in. It makes her feel small, entirely to warm inside.
"I'm sorry we have to go out tonight." His plan had been to ravish her until she couldn't think. Until they got a surprise call from Max saying he's in town for a couple days and wants to get dinner.
It had been over a month since they saw Max last, and Daniel had only said yes after he talked with her about it.
Daniel, still very intent on keeping his promise, has been not letting her do anything for herself all day long. She's been spoiled far more than necessary, but every ounce of insecurity only made Daniel more intent.
"It'll be nice to see everyone!" She assures. "I could care less about what we do as long as you're there."
"How did I get so lucky?" She blushes under his gaze and tries to look away, but Daniel's fingers foil her. "If you're good for dinner, I'll make this whole thing up to you later. Sound good?"
"Yes daddy."
He pats her cheek. "That's my girl."
He holds her hand as they walk inside. He pulls her chair out for her at the table of drivers.
Daniel makes small talk with the guys and the WAGS that had come with. She tries, but her mind is focused on Daniels hand sneaking up her thigh.
She tries to ignore when he rubs a finger over the thin lace of her panties. She's mid-sentence and ends up stuttering, but she manages to pull herself together. Daniel teases her about the blush on her face.
He keeps up his antics until dessert when he slips a finger into her, obnoxiously wet cunt. She, not so gracefully, chokes on her water. She makes not a sound after. It's not like they've never done this before. Daniel's just not making this any easier with the way he keeps calling her a good girl in her ear.
It feels like an eternity until they can leave. When Daniel finally helps her out of her chair and guides her to the car.
The drive home takes an interesting turn when Daniel has her sucking him off while he's driving. He's skilled in multitasking. Specifically in the art of fucking her throat and keeping his eyes on the road.
Daniel paints her mouth white during a particularly long light. She gets satisfaction in knowing this is what she does to him. That he's desperate enough to fuck her mouth while he drives because he can't wait.
The Aussie hauls her into the house and throws her onto the bed like she weighs nothing. Which is quite the compliment in her eyes. Her body, in her opinion, should not be that easy to carry.
"You did so good tonight, Princess." He kisses her, open mouthed and dirty. He sucks on her tongue and makes a whimpering mess out of her.
Her literally rips her dress off. A whispered promise to buy her a new one is said against her chest. Right before he swirls his tongue around her nipple, alternating between each side. His hands press into her upper back, pulling her further into him.
"Daddy, please - need you."
Daniel moves lower and settles between her thighs. He makes a point to blow on her on her before flattening his tongue and licking upwards.
Her hands find his hair. An attempt to ground her thrashing body. It makes no difference. Daniel still has to pin her hard enough to leave bruises.
His teeth graze over her clit. He sucks on her in the way that drivers her insane. Until the only word she knows is his name.
"Daddy - need to - pleassseee-" Her eyes roll back into her head as Daniel double down on his efforts. The permission is non-verbal in the way he taps her thigh a few times, allowing no break.
She releases onto his tongue. It's wet and it's everywhere and Daniel cleans every bit of it with his mouth.
He launches upwards to kiss her. She can taste herself on his shiny lips. He doesn't give her a break. Three fingers are jammed into her and she wails.
"You're doing so good baby girl. Taking everything I give you." The sounds he's making with her pussy are obscene. His fingers curl upward, sending her body spiraling.
A hand puts pressure around her throat. She sucks in as much air as she can, but inevitable her vision starts to go dark. Daniel opens and closes his hand in perfectly timed intervals, keeping her right on the edge of coherency.
"Cum for me princess, you can do it. We've gone for more rounds than this before."
Daniel has to pin her with effort this time around. He doesn't stop talking, the roughness of his voice rings through her ears. "Such a good girl for me. Just gorgeous like this, a right fucking messy slut, aren't you."
Daniel moves off the bed to get the rest of his clothes off. She cries real tears at the loss. Still to disoriented to know where he is. "Oh baby, I'm still here. You feeling fuzzy? Needy for my cock?" Embarrassment and shame are nothing to her as her tongue rolls out of her mouth and her head nods yes.
Daniel ties a rope around her wrists and secures it to the headboard. He chuckles as she watches him with glassy eyes and no resistance, just dead weight as he tries to adjust her position.
It takes entirely to long for Daniel to get inside of her. For her to feel his body pressed against her. His hips rutting into her, desperate and dominating. She couldn't fight him if she tried.
The pace he sets is relentless. The free hand not holding him up is rubbing at her clit. His mouth close enough to to brush up against hers, but he's still talking to her. Keenly aware of what his voice does to her. She's not sure what he's even saying, aside from that she's a good girl; his princess.
His teeth latch onto her throat, biting and sucking away at it until she thinks she might actually be bleeding onto his tongue. "Mine, all mine. My perfect little girl."
His thrusts are getting sloppy. She's been pushed past the point of overstimulated and isn't sure she can come again. "Let go for me baby, I know you can. I wanna feel you tighten around me. Can you do that for daddy?"
She's crying again. She cums so hard that it hurts her muscles. The line between pain and pleasure is blurred once again as Daniel wraps his hand around her throat again, completely cutting off her air.
She's choking on her scream. Barely aware that Daniel is painting her insides for the second time tonight. There are no thoughts aside from him.
Calming down is harder than expected. She's still twitching when Daniel is untying her. His hands caress her sides and praise her until she's able to breathe again.
Daniel carries her to the bathroom and gets them cleaned up. She's entirely to out of it, still partially crying and refusing to let go of his hand.
"Feeling good still, princess?" She hums happily as Daniel tucks them into bed. "Go to sleep baby, I'll be here when you wake up."
She curls up on top of his chest. Daniels arms wrapped around her to keep her from falling off him. "I love you, my perfect princess."
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factual-fantasy · 4 months
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23 ASKS! THANK YOU! :DD 🐟
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@timestorm04
1: Captain Barnacles! :DD
2: One of the reasons why I redrew them suddenly was because I was thinking of re-writing my Octonauts Sea dwellers AU :0 But I'm going back on that now tbh.. :///
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They didn't figure it out and they did end up booking it. I mean,, can you really blame them?
We know Papyrus, and all of us would absolutely give him the benefit of the doubt and assume he was innocent. But Seam and Jevil don't know the Papyrus we know.
All Seam sees is an absolute mountain of bodies and an state of utter decay all around him.. with suspiciously the last man standing being a very clearly mentally unstable skeleton.. would you assume he was innocent?
Add onto that all the stress Seam was under, how unstable he was as well. Seam couldn't see the situation any other way and he was not taking any chances.
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AAA THANK YOU!! IM SO GLAD TO HEAR THAT YOU LIKE THEM!! :DDDD
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@foxythefox711
I don't watch Adventure time currently and I don't know all the nitty gritty of the shows lore.. but my favorite characters from what I've seen is Simon! With Jake as a close second. :} Also Prismo is 3rd I think-
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f...fank youu!!
(Also the protons joke got a laugh outa me XDD )
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:DD Thank you so much! I'm glad you like how I draw them!! :}}
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@couchwow
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oh ok
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Wait are the characters from the game actually baked in an oven to be "born"?? I didn't know that--
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@taizarack
:DD I'm glad you like them! And although I don't have either game, I hope to learn a little more about the games lore :0
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@chickenheadguy (Link in question)
Oh! Thank you! Lemme just take a look an--
170 VIDEOS??
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GORL THEY WEREN'T LYING THOSE COOKIES GOT LORE-
(Also thank you for the compliments and the link! :DD )
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@luna-purple454
NO HE DOESN'T GET KILLED-- Seam and Jevil just jump to another AU as soon as Jevil had the strength to. Leaving Papyrus behind in the process..
(Also thank you!! :DD )
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@torriderrelic44
I don't have any plans to draw any art like that, no.. sorry! <:/
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YES. YES IT DOES. But its not the people who go "ohmygosh I LOVE this (AU/thing) you made! Its wonderful! Do you have any plans to continue it someday.? If not that's ok! Just wondering!" Those guys are fine and I take it as a compliment actually!
Its the people who say things like "When are you gonna finish this" "Why did you stop drawing this" "How long until you draw this again" "I don't like what you're drawing, now go back to this it was better" comments like THOSE, suck. And its always about the same comics/subjects that I stopped drawing months ago. Looking at you Octonauts crab comic
As for my AUs, its not too hard for me to remember all of them. I never have more than 5-6 per fandom. I can usually list them off by memory! :0
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Tbh the animatronics would probably just register that as a mess/hazard and would notify an employee about the issue. In which the employee would dispatch a mop bot to go clean it up. I imagine it unfortunately happens often enough that the bots aren't really fazed. Kids amirite-
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I have drawn her at least twice from recent memory! Once in this horror post, and she makes an appearance in part 1 of my FNAF AU recap/repair! :00
The reason why I rarely draw her is becuase of the plans I have for her in my AU. She is meant to be very mysterious and I want the changes I made to her in my re-write to be a surprise-
Also thank you! I'm glad you like my cookie run creatures! :}}}
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WAAAA THAK YOU SO MUCH!!!😭😭💖😭
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I'm not sure actually.. idk if the characters from the games are aware that they are "cookies" in the sense that they are meant to be eaten- So I'm not sure how my characters would react either-
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Its related to the names of the drivers, I cant share anything else! :x
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@mumble-jumble-gallery (Post in question)
Magic candy..? Huh- well I'm glad it isn't world shattering at least-- <XDD
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@ravenslog
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THANK YIU!! :DDD
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:DD Thank you so much! I'll be sure to draw them again sometime XD
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@beryl-shade
Sorry for the late reply! This ask got buried-
If you look to this post for reference, I was thinking that Fredbear would be as tall as Bonnie. Maybe a little taller.? And Spring Bonnie would be about as tall as Foxy :00
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jazeswhbhaven · 5 months
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Response Email from PrettyBusy! (courtesy of WHB Updates)
Alright! So the admin has updated us with the responses from PB from a long email about our concerns. I read through them all and understand where they're coming from and at this point, I'm just going to keep proceeding as before with how I'm playing and approaching the game. Here's where you can read the responses -> Part 1, Part 2
In general, I saw a repeat from PB stating that other emails were sent in from others stating that they
A. Were fine with the prices B. Didn't want repeat characters C. Mostly concerned about the battles being boring I'll touch on this with my take real quick. Personally...who is out here saying they don't want repeat/re-releases of characters???? Because while I get that some folks don't like certain characters...some of us may want a chance to nab them in case something came up and we didn't get a chance to the first time. NuCarnival does this and no one really complains (as far as I know I'm not active in that fandom, so correct me if I'm wrong). And for pricing, I talked to my friend who also plays other gachas often and he expressed PB's prices are actually low compared to the thousands of dollars other games tend to require for players to not even get the card they want. And for the battles being boring, that's not my problem personally. I just don't want 5-6 battles in between story points...I like how the event battles are usually around 3 between story points. I get they may do this to space it out so we can gain resources and it's not just a click-and-read game, but ugh 6 battles are just too damn much, I'm sorry. I hope they don't take it as "Oh let's make the battles more complicated and harder and throw in more of these screeching bitch ass angels with the wings on their heads" because I will scream lol So the tidbit about them not excluding F2P players and stating that they offer a lot of incentives such as free main story, free Minhyeok story, H-scenes that are free; I get that.* But honestly, the Solomon Seal thing that happened really alienated me because it was like telling me "broke folks can't have the nice stuff, sorry" and let's be honest....some ppl out there REALLY think like that especially over here in the states.. Now I'm glad they ARE addressing obtaining Solomon Seals easily, and implementing a way to gift it to us a free 10 pull per month which is a $34 value (rounded up). Hey, I'll take it. Because I'm gonna save 'em up anyways.
Now....there was something that concerns me and I think players should keep it in mind. Mammon's dildo is officially retired and not coming back for any of the platforms. PB has been threatened most likely by Gplay and AppStore to get rid of stuff like that or they'd pull the app from their platforms. EROLABS sadly, is affected because they don't have a way to specifically do the censoring for some things per platform. That was one of them. So in the future we may see MORE censoring just in case and EROLABS may be affected too. Not necessarily their exclusive content of course, but maybe just small things like the card art censoring, or stuff like that. Sucks really.
Someone brought up Event Stories being available in the future for reading again and this was a great idea to bring up to them. Some folks don't play the events so having the story available at a later time would be cool. Also, I read a couple things about PB talking about their customer service trying to catch up with social media interactions and other things and I was like well damn... Because at the end of the day someone who's working a 9-5 maybe even overtime is sitting up here reading all those tweets cussing them out and it gets really mentally tiring. Criticism is okay, but yeah going left field on someone who's just doing their job is a reminder of why I hate working in customer service myself. Some of the population forgets you are a person and sometimes your hands are tied so why are you yelling? Chill for a moment. It's just a game.
With that being said they did say that they would do better on being transparent on letting us know if the cards are gonna be in the banner or not. (I'll believe it when I see it, not trying to be mean) Overall I was nodding and taking in their responses. The fact that they bothered to even answer with sincerety has already put a good impression for me so I'll stick with that. I personally keep a boundary between me and companies for my own personal reasons. I understand that there are others who are ride or die for this company, and that's cool. Just don't expect others to have that same energy. If you've been through what I have...you'll understand why I don't do this for most companies anymore unless it's for a personal friend who has their own business/commissions/etc. What do you all think about the responses? Satisfied or just waiting it out? *edit: and to add...honestly the L-card stories are better than the H-scenes lmao at least to me. Because there's our bois literally cussing, the writers use actual words like penis and masterbating, like I'm still not recovering over Beel saying "fuck this is good" and satan calling us a dirty bitch. i a m s o r r y and t h r i s t y. Because imagine Belial being like "oh so you like my thick cock up your ass?" or Dre fingering you and being like "Fuck you're so soft here..." I neeeeed it.
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cowboyinternist · 11 months
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hello and welcome to the post where i finally talk about some of my favorite wtnv episode art, because it’s a thing they do that i absolutely adore.
and i think it’s severely under appreciated/untalked about
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starting with this one because i think it’s really lovely both in concept and execution. i have the print of it :)
i enjoy this work a lot for a same reason that i love room scenes: story told through subtlety. using the fridge as a canvas, including esteban’s drawings and letter magnets, gives us a window into the lives of these characters that we don’t really see in the typical format of this show. it’s also just really cute??
the subtle references to the past, the constant, and the current really tie the themes of the episode (and the show as a whole) together.
other things of note:
the star tarot card is representative of hope and new beginning.
the exes on the community calendar match up to the day of the month (the 15th).
i really really really like the references to the wtnv novel, because i think the novels are neglected a lot when it comes to the podcast and merchandising.
it knows with a certainty that the people seeing it will understand the niche references on it, and thus does not feel a need to explain itself.
it works really great as episode art, but also wonderfully as a 10th anniversary piece. unlike the poster. which i hate.
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like the above, i love this one for several reasons. the composition, the colors, the lettering.
but above all i am a big enjoyer of flower imagery and symbolism.
lavender is pretty well known to symbolize calm, and tranquility. i think most people know that. and i think that reflects the kind of levelheaded and methodical way that carlos finally deals with his problems in this episode.
and i’m hoping the it’s representative of carlos’ mindset in the year to come? representative of him finding peace with his past.
him having his back turned to the viewer gives a sense of withdrawal or running away, but the lavender and calm atmosphere portray an aura is resignation. he’s done running.
other things:
old woman josie says in an early episode that carlos smells like lavender chewing gum
lavender is drought resilient and does very well in desert climates :)
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i love this one for the same reason that i have issues with the most recent arc.
the magnifying glass both casts a shadow over and a beaming light into the community that you see in the illustration. it can be assumed that it’s only a matter of time before it bursts into flames and is destroyed under the prying eye. symbolism that is pretty easy to dissect. it tells us exactly what the danger is and exactly what is in danger in a very easy to interpret way.
welcome to night vale has always had a very heavy emphasis on community, but for me that isn’t really shown in this arc.
allegorical meaning aside, it ended up being framed in this way that ended up m very cecil & carlos vs. the night vale community + the uowii. rather than it being cecil, carlos, and the night vale community vs. the uowii. which was so
i think both of those concepts exist within the arc, but the latter is less believable because there’s so much less community detail. characters motives are not described. characters reactions to certain events are brushed past, often with little emotion to them. oh josh is missing? that sucks. anyways. dana is completely innocent? woohoo! anyways. they don’t allow room to for us, and the characters, to just FEEL? which is a stark contrast to the writing of previous years.
night vale as a community is what was at stake at this arc. but the lack of focus on characters and the relationships between them really took the stakes and emotion out of the situation. and, for me, took some impact and comedic value out of the ending.
i remember being really excited upon seeing this episode art because this piece did a really good job at setting an expectation for what the themes of this year would be. the themes were still there, but the writing didn’t do them justice and didn’t give them enough push to make them feel as impactful as they should have been.
this is all that i have the energy to talk about for now, but if there’s other episode art you’d like me to talk about, send me an ask! i’m also happy to talk about my opinions on other merch pieces that they have in their store! :)
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mcalhenwrites · 3 months
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I'm sincerely trying to find answers to these questions. I'm seeking advice.
I'm going to start this off by stating that I'm still writing. I haven't quit. I'm not going to quit. This is about sharing. I've had so many people assume I quit writing or only will write for the sake of being a published author. I'll always be writing as long as I'm alive.
And as someone who firmly believes that people can choose whether or not to share their art with the world and no one else gets to decide that, I also believe that it's not wrong to want to have readers. Libraries and bookstores and art galleries and art sites and everything else - we connect to each other through art. It wouldn't exist if everyone just went, "Welp, I made the thing, good for me. Done!" And if someone is going to tell me that I should feel that way, I hope you keep all your writing and art to yourself. If not, I'd consider it a kindness to us both if you don't respond to this post through comments, DMs, or asks. Thank you. ;)
So onto the questions I'm seeking advice on.
How can I overcome the shame of posting writing for about 14 years and still barely getting readers? (But often getting a lot of critique?)
I've been in writing circles, reading and cheering on others, and they read one anothers' writing, but I'm frequently passed over/ignored - and that's the kinder response. I've been told that I'm there for my support only, that I'm not a good enough writer myself, that my characters are all the same.
How does one keep posting links to their published work or AO3 chapters/works, when they never get any likes or reblogs across several websites?
When friends have done nothing but scold them for not being good at PR, when I'm just... I'm a writer, not a businessman. And I am trying, but even popular authors on social media have mentioned that word-of-mouth and boosting of their work on social media has impacted their success? That M*sk taking over one of those sites has negatively impacted their interactions and therefore their sales? (Wouldn't this mean they also suck ass at PR? xD)
Am I supposed to believe I have a chance, when even established authors are struggling?
I don't like myself very much, and I'm ashamed of level of skill, even though I enjoy writing so much I can't help but always want to do it. I can't help but create stories and get excited about writing them down. There are even times I feel like I've made progress. Gotten better as a writer.
But it's so hard not to end up letting other people make me feel ashamed.
It's true I shouldn't listen to those people, but why have they been so many, and why is the positivity always so few and far in-between? Maybe if it was one voice in one-hundred, but what if it's twenty voices out of thirty? What am I to believe then? When even friends clearly have no faith in my works and don't want to be seen associating with it?
I wanted to be a published writer. I wanted to make a little bit of an income on writing, so I'd have reason to do what I love even more.
But I've spent most of my life feeling like a fool who keeps humiliating himself. Who wonders if the truth is that I'm worse at writing than even I'm willing to admit.
I had one story that "took off" on AO3, but even that lost readers by the end, and no one is interesting in anything I have created before or since then.
And that story... I've been editing it heavily and even added chapters, and I'm like, "I should post the new version sometime" but I'm convinced no one even wants it. (And I'd have to do it for free, and I can't afford to do things for free. I just got on medicaid finally and went to a food pantry last week and keep applying for help, and I have to wait until April to see a doctor to get critical help for my multiple health issues that might make my ability to work even harder. I broke down and crocheted stock for a table this month, and the pain in my wrist is excruciating, and the pain my heart that I can't spend half that time making personal passion projects with something I only want to do as a hobby is even more excruciating. So no, not every story of mine can just be churned out for free.)
Anyway, thank you for reading and your time, and if you have legitimate advice/answers/support... I could use it. I could use it more than ever. 
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dreadnotau · 8 months
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Its been a decent couple of months of productive work, so it's sadly time for a schedule change. I'll be posting pages two weeks apart again. Details provided below if you're curious as to why.
In all honesty there's no big dramatic reason this time around. I've just slowly lost drive to work on Dread Not as often and as thoroughly as I used to be able to. As I said in one of my previous posts (that sounded suspiciously like this one), I want to focus on other projects as well. One of those is my personal art blog, which I've neglected even though I've had art on the backburner that I've been meaning to post for AGES. Kingdomrune is another one of those, where I have shit I could post that I just... never did. Dread Not takes a lot of time and I miss being able to dedicate that time to consuming media instead of just grinding and trying to produce my own. One of the most important things to do as an artist is to broaden your horizons and take in as much art as you can, to diversify and expand what you know and what you can make. But, when all day every day I'm just sitting and drawing my own thing, it's like I have tunnel vision and my creative resources run dry. It's starting to feel weirdly soulless on my end, because I don't feel nearly half the inspiration to make the pages as I did when the big hiatus ended. It's all dependent on time and exposure, and I can only crunch for so long before it starts to feel damaging to me instead of fun and creatively fulfilling.
So what does this mean, practically speaking? Well, for one, I'm spacing out the page upload for the rest of Act 1, as previously mentioned. I'm well aware this will kill the pacing and it'll drag out longer than it theoretically needs to, but I'd even rather that than trying to rush out a page in the Two Days I have free this week (yeah, ONLY two days free out of the ENTIRE week. Don't ask me why it's not even my fuckin' fault this time). If pages become even more scarce than 1 page per 2 weeks, blame it on college. I'm getting new subjects and I don't even know the class schedule yet. Concerning Act 2 though, I'll be changing the structure of the pages from their core. I'll be switching to a different drawing software (probably Krita, suck my dick Photoshop) so it'll take some getting used to. I can't even promise bonus content or anything during the necessary break between acts because of that shift in software happening, I've never done a massive technical move like this. However, it'll allow me to, not only work on Dread Not better, but expand my art overall, so it's definitely worth it. I've wanted to get into animation for YEARS and Krita seems like an okay place to start (the gif on this post WAS made with Photoshop, but shitty gifs are about all I can make as animations in Photoshop). Act 2's style will, predictably, differ heavily from Act 1 and (with how long writing the dialogue alone for it is taking), it might end up being Longer than Act 1, too. Visually, it'll probably be something like cleaned up and coloured sketches, with simpler colour palettes and simpler (big airquotes) visuals overall, and it'll speed up the process and possibly allow me to post more than one page at a time. Possibly. That's not a promise.
I'm sorry if that's disappointing to anyone, but I physically can't make myself continue the current artstyle across all acts. It's just not feasible.
For those curious about the FARTHER future of Dread Not, I have plans to turn Act 3 into a series of fics rather than full comic pages, and something maybe a bit more insane for Act 4. I don't have everything figured out yet, and I don't want to make any false promises or give any grand ideas I won't be able to commit to, since only time will tell how my creativity will flow years from now. If you all want more content from me specifically, again I'm planning on reviving my art tumblr like a half buried zombie, and you'll probably see more there than you bargained for once I actually get into the habit of posting things. If you're mayhaps interested in my original stuff, keep your eyes peeled for a guy called Duro, I might start posting about him some time soon.
As always, thank you for your patience, and apologies again if this news was disappointing to anyone. I'm just one guy and this comic is a titan of biblical proportions. I'll keep you all posted on any further developments and plans for the future! Stay tuned!
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17 (you bought me a SWORD? OH MAN IM GONNA BE SO DANGEROUS) with magnus and lup please :O??? -ise
When living in what feels like an endless cycle of life and death, you have to find ways to keep things interesting.
Merle enjoys learning about the flora of any given plane; the rest of the crew try not to think about it too hard.
Lucretia, when there's some semblance of inhabitants, has taken to sitting in busy parts of a town, sketching and interviewing people.
Davenport, a real jack of all trades, gets in tune with the music that a plane might have. Sometimes he takes an interest in tech. Sometimes he just tries to relax.
Taako and Lup explore all the cuisine a plane has to offer while trying to put their own spin on it.
Barry’s often holed up in libraries or universities or weird, semi-culty enclaves of scholars.
Magnus, though, Magnus is a man of the people. He likes getting in with salt of the earth, seeing what makes each civilization tick.
Magnus also dies more frequently than most.
That's purely correlational. And if Barry and Lup have taught him anything, correlation does not equal causation.
He thinks that's applicable in this context.
And salt of the earth is almost too applicable in this plane; all the humanoid beings on this plane seem just just shed large salt flakes everywhere they go. it's very convenient during their cold months, keeps pathways from growing too slick.
Generally, life on this plane, helpfully dubbed the Salt Space by Taako, seems to revolve around two things: holidays and the forge.
Many holidays even honor the forge, if you can believe it!
Lucretia’s collected all kinds of oral histories about it, though they're a little dry for Magnus's taste. They just span a few millenia and his attention span is good for about seven minutes.
But after a lot of convincing, he is able to join some of newest entrants in the forge. In all honesty, the salt beings are interested in how Magnus's fleshy nature will fare in the forge.
Fairly well, it turns out. Getting a handle on design takes more time. And finesse, a skill Magnus doesn't want to try to develop.
But, enough practice puts him in good standing to handcraft gifts for his friends for Pyromentiya, the end of the year celebration that sits in the dead of this plane's scorching summer.
It's a week long affair, festivals taking place at all hours in the center of each town. They're raucous and lively and full of gift exchanges and competitions.
The gift exchanges are inherently competitive for this reason. Not in a mean spirited way, though. More in a way to give gifts that'll knock your friends' tits clean off.
If Magnus is being honest, he thinks his gifts take the cake.
A sturdy, hands-free book rest for Barry to make long nights studying the Light easier.
Merle gets a nicely crafted watering can and a small trowel set.
For Lucretia, a lightweight, locking case to hold a few journals and art supplies; she's spilled paint in her knapsack a few too many times at this point.
Davenport receives a brand new wheel for the helm, one that's more comfortable to hold when he's making delicate maneuvers.
Taako tries to not act impressed with the new set of pans Magnus made, but Magnus isn't easily fooled.
Lup was the toughest to settle on. But as she fiddles with the wrapping paper, Magnus is pretty sure he nailed this gift.
"Hefty box here, Mags," Lup says as she tears into the paper and into the box itself. She tosses tissue paper to the side and gives a veritable squeal when she sees the contents. "You got me a SWORD?" She shouts, hefting the blade out of the box. She gives it a gentle swing, well away from the rest of the crew. "I'm gonna be so dangerous," she promises.
"It's just a sword, not like it's a magic sword," Taako says flippantly, eyeing the sword.
"Well, could you enchant it?" Magnus asks. Metalwork he could do. Magic? Less his forte.
Taako and Lup suck a breath in through their teeth.
"This is a real sword, though," Lup says.
"Yeah, dunno about it," Taako affirms.
"But imagine if you made it like, oooh like a flaming sword or something! O-or a poison sword!" Magnus says excitedly.
"I mean, why stop there, make it poisonous and flaming," Barry suggests.
Again, Taako and Lup suck a breath in through their teeth.
"Sure, sure, sure," Taako says. "But this is a real sword," he repeats.
"We could workshop it," Lup suggests, waving her real, nonmagic sword around before Davenport tells her to take it outside.
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clarencethemouse · 2 years
Text
Eli/Hawk Moskowitz Relationship Headcanons
[insert funny and interesting description here]
I actually got carried away so for my one specific follower who likes Hawk, this is for you
Eli:
because they’re two different dating experiences, let’s be honest with ourselves
let me just start by saying he did not ask you out
you made the first move 
(which there is no problem with, especially if you’re a girl reader. Masculinity/femininity is not defined by willingness to take a risk of asking someone out)
but then some problems started
you know nothing about each other. Hardly any time spent together outside of school, and it only gets worse after the first week
this boy does not know how to function around you 
let’s assume for the sake of it, you didn’t start out as friends. So Eli had no time to warm up to you before things go serious
this was a mistake, you soon find out
so you break it off for a few weeks/months 
which sucked cause there was a strong mutual liking
this first go lasted a solid three weeks
but in good conscience he couldn’t be with you knowing he couldn’t force out three solid sentences at a time, much less go on a date. And you didn’t see yourself being happy in a relationship where he buried his face every time your eyes came anywhere in the vicinity of his being
during this break you two got to know each other at your own paces, and there was no longer any pressure to be this perfect macho boyfriend for you, and you no longer felt like you were the one applying that pressure
you engaged with Demetri as well, who DID NOT like you at first
then Demetri warmed up to you a bit once he saw how happy you were making his best friend
then... take two
eventually you come to a point where you ask him out again, and this time he is more than willing to accept
more confident in who he is and his place in this world as a human
you bond over comics and video games
if you hadn’t liked them before, he introduced you
and even if you still don’t like them... that’s okay, too! There are other things in the world this boy is interested in!
the relationship is so caring and full of adoration
I feel like he actually was the first to pop the big three words, and it was terrifying for him
a complete weight was lifted off his chest when you repeated it
you’re still going strong by the time Miguel shows up and karate starts up in the Valley again
...and things slowly start to decline
he gets the mohawk and changes his preferred name, which is a shocker
you comply ~ through reluctance ~
this is not your sweet and kind boyfriend
this is not the boy you fell in love with
you end it with him a few weeks after the All Valley. You just couldn’t take it anymore
Hawk was no longer your precious Eli. You doubted anyway that if Hawk had been the one to ask you out all those months ago (almost a year), you would not have considered. They were not the same person
he was your first heartbreak
Hawk:
you guys get in trouble. A lot
you met while he was Hawk. So you never knew Eli. You only knew this bad ass rebel with sick hair and body art
the dynamic is definitely different than the other situation
you’re the only person he allows to see his hair down. Absolute only
he could be sent to the ER, and instead of worrying if they need to remove an organ he’s begging them to place him in the bed in a way that will preserve his mohawk
and you scold him for it through the tears of watching him hooked up to the IV
(hypothetical situation you’ve worried over^^)
I feel like you two don’t say “I love you” audibly very often. In times of stress and utmost happiness (no, get your minds out of the gutter)
but he’s not a very vocally affectionate person, I don’t think
that being said, he is physically affectionate
maybe the most out of the entire group
the entire damn world WILL know whose you are, and they WILL have to accept it
cause you’re perfect
and he has a perfect thing
you grace him with your presence every day. He’s so lucky
he totally wants you to dye your hair a matching color
and you totally do
finds a way to tattoo you onto his body, no matter how difficult your name is to make art out of. He’ll search for anything
this man is creative. He could come up with something
sneaking into each other’s bedrooms are an every week occurrence
your parents know about it, though you don’t think they know. But they do
Hawk tries so hard to keep up the macho man vibe around you, but it becomes strenuous. With everyone else he only has to act hours at a time. But there are times during the summer when you’re practically living in his basement, so his mach man vibe becomes a full time acting job
he thinks you don’t see through his facade. You do
regardless of whether or not you cared anything for Robby in this world, you didn’t after the forced cut. Any ties remaining with Cobra Kai were completely severed, and you were happy to do so 
You hated Robby
Hawk begged you not to act on anything and put yourself further in harm’s way, but what can you say? There’s a reason you two have been together for so long
you are 90% of each other’s impulse control
so... you can imagine how that played out
---
Robin
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heleizition · 5 months
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AIGHT im back and i did the reading and i need to know e v e r y t h i n g about the naruto au im not even fucking around. the amount of times ive fixated on that shit despite never finishing it is unreal. also which one was the one that got beheaded? because thats superb shit and i require more information to rotate them in my mind
HIIIIIII thank u so much for this ask i saw it at work and i was SO EXCITED to get home and tell u all about a) the naruto au b) eden who's the one who gets beheaded :3
BTW you can find the art i did of my ocs by checking out the tags on my blog of their name (ex nell art is under #nell, vik's is under #vik ...)
i'll start with eden !!! he's my token white haired guy (altho i have also a white haired girl in the same group of oc lol) to whom i do many terrible things. ever since i created him he's had a scenario where his neck got hurt (electric shock to his neck, knife injury, beheading to simply head explosiong lmao). he's an angel in the angel/demon scenario and the village's doctor in the farm au :3 he's always some sort of healer ! (he's that one "im a healer but... *cocks gun*" meme)
in the angel au he has extraordinary healing powers that antagonists want for themselves until they realise eden is not gonna give under the pressure and side with them so they behead him/make his head explode. not quite sure whcih one yet <3. except he doesn't die bc his power is more. body manipulation than healing and it acts by itself and stitch him back together . its a very traumatizing process but in return he destroys the other guys : D he's often nell's best friend in aus... moody guys who become menaces together. he was supposed to end up w jasper when i very first made him but eh !!!
THE NARUTO AU
okay so . disclaimer most of what i know of naruto is memories from what i watched when i was a young teen and a lot of sakura centered fanfics ive read the past few months lol
the story focus on on genin team but for the sake of the story ill jst go and talk abt the others too :
a) main genin team is nell, vik, lena and their teacher abel
b) second genin team is belly, jasper and eden with their teacher noah
c) cody is basically tsunade, titania is a civilian from a noble family who has a whole side story with lena lol
nell and belly (twins) are illegitimate kids from a clan's girl, who possess the clan's kekkei genkai. no i dont know what it is yet it's not even relevant to the story SEFJSEFOSFJOE
once their mother die they're put under the care of their mother's clan, where they're not rly treated well,,,, belly is a natural as using the clan's technic while nell isn't,,, they stick together but they're treated different and it sucks. tbh nell and belly's ways of dealing with family trauma is a recurring theme in all of the universes they're part of...
nell's fighting style focus on ice jutsu mostly, he's not a powerhouse but he's deadly. belly is more of a brawler type but i havent figured it out much yet :]
vik is an orphan who was groomed into roots (in universe it's a secret unit of ninjas like anbu but it's controlled by danzou who's a fucker and stole kekkei genkai including sharingans by STEALING DEAD PEOPLE'S EYES), who want's belly & nell's clan's kekkei genkai, and who's sent to pass as a new genin in nell's team to gain his trust and kill him and take his eyes,,, theres prob something going on to take belly's also but i havent gotten that far lol
lena (my BABYGIRL) is a civilian, born from a big player merchant family, who's supposed to inherit her parent's role but does Not want to :] she's lovely she's great she has a lot of chakra that she uses for summons (tigers!!!) and also she IS a powerhouse (uses . axes). not the most usefull of spy missions lol i love her <3
abel, in most of my stories, is a big brother figure to most of the kids especially nell,,,, i have not figured out yet what exaclty he does in this au BUT he and cody are old buddies and are destined to be together in all of my aus. anyway
quick other stuff, belly is very angry in hte beginning like her brother and does not know how to work with a team, jasper is kind and gentle and has to learn how to deal with her, also later masters mokuton (tree/plants jutsu) (which makes him very precious and rare), eden is once again a healer in this except he also works with poisons. bitch
and their teacher, noah, also works in torture and interrogation which will come up later.
basically the story follows nell's team as they meet and start working with each other, vik realising that maybe he's doing something that he shouldn't, almost kills nell once when infiltrating his living place but manages to get out when he hears belly coming in, discovers the power of friendship, then they're sent in the death forest for their chunin exam, antagonist guy sends more roots agents bc vik can't do the job, vik protects nell and lena, spills as much of the beans as he can before the seal in his throat starts to paralyze him, nell holds on to him for dear life and fights the other roots, lena gets one of her summoned tiger to go find eden and his team who save the day & also vik...
once vik is saved he cooperated with t&i and noah, who works on the case, adopts him,,, all is well. its not much . i feel like i had more thoughts lmao but its all messy in my head <3 thank u for reading
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ancrchy · 1 year
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hey y’alllll, jay here with jeon jiwoong — spoilt brat and trust fund baby banished to daegu after repeated fuck-ups back in seoul! his dad got sick of him spending his trust fund on partying and reckless endeavours so he removed his access to it and made him live with his grandma in daegu. more info about him will be below the cut! i also have an about page up. like this post if you’d like to plot, i'll drop you a message! i’m available on discord too if that’s better for you.
₊˙ ◌ ⁎˚ 〇﹒﹙kim sunwoo. cis male. he/him.﹚guess who was almost late for their shift at lapis roasters again?? that’s right, it was jeon jiwoong! it’s a wonder their job as a/an barista isn’t in jeopardy. the 23 year old has been working at sunset galleria for three months, and is well known for their outspoken nature. on bad days, they can be rather arrogant, though. when the mall is dead at night, they can usually be found flirting with customers, but don’t tell their boss!
001. BACKGROUND
his dad’s side of the family comes from old money
they have a family business, which jiwoong is expected to inherit one day
his paternal grandparents had set up a trust fund for him, one he gained access to once he started college (he is in his final year and is currently on leave)
big mistake, because he took it as an excuse to do whatever he wanted
he went out partying every other day and dabbled in illegal activities like street racing etc.
what really did it for his dad was when he had gotten into a small accident after one of those illegal street races
his dad removed his access to his trust fund and sent him to daegu to live with his maternal grandmother
his mother had fallen ill and passed away when he was in high school but he had never healthily processed it; his dad was also too busy with work to realise that
this is also why he turned to bad company as he got older, because all the fun distracted him from the loss he never properly dealt with
he used to visit daegu during holidays when he was a child, but has never been back since his mother passed on
his dad wanted to send him away to reflect on his mistakes and have a taste of hardship, so he would understand the value of money and the responsibility that came with having a trust fund
so he decided it was best for him to live in daegu with his maternal grandma, who comes from a more humble background than his paternal family
his dad also figured that in order for him to inherit his family business one day, he has to understand the importance of hard work, which is why he insisted he get a job and not live off his grandma
i imagine this to be a time of reflection and learning for him, where he has to work for the first time ever and kind of returns to his roots, or his mom's roots, whom he avoided thinking about the past couple of years
002. PERSONALITY
a spoilt brat who has never lived a day of hardship so you can expect him to be struggling with this whole job thing
in the beginning, he most probably would be complaining or whining about how he wants to go home
but he's your typical softie whose bark is louder than his bite
might cause trouble for you and end up feeling really bad about it but doesn't know how to apologise because it makes him look "weak"
he's honestly just a child at heart and a lot easier to please than you think (just buy him some ice-cream and he'd be grinning from ear to ear)
seemingly doesn't take things seriously but it's only because he struggles with being vulnerable
is very prideful and might stay up all night perfecting his latte art just because you made a comment about how it sucked
very outspoken and not afraid to speak up about how he feels, certainly does not believe in the saying that "customers are always right"
frankly isn't the best barista out there (before this job, he didn't even know how to make 3-in-1 coffee lol) but he has a way with his words so customers often come back for more
misunderstood bad boy trope in a nutshell
potential redemption arc in the future as he loses his spoilt brat tendencies and start to come to terms with the loss of his mother
003. WANTED CONNECTIONS
enemies to lovers/enemies to friends: could be someone who thought of him as a spoilt brat at first and started to realise that he wasn't as bad as they thought he was?
a childhood friend: someone he had met when he was a child visiting daegu every holiday but grew apart from when he stopped visiting after his mom's death.
more than friends, less than lovers: is it just harmless banter or are you actually flirting with each other?
opposites attract: you are hardworking, modest and come from humble beginnings, the complete opposite of jiwoong. people who hear that both of you are good friends often ask, "how?"
bad influences/birds of the same feather: you're just like his friends back home who enjoy partying and living on the edge. he's meant to be turning over a new leaf but it's a challenge with you in the picture.
a parental/older sibling figure: someone who tries to guide him onto the right path. the person he turns to whenever he faces a problem.
neighbours: your muse lives in the same neighbourhood as his grandma. could be someone that is close to his grandma and is forced into showing him around or helping him adjust to life in daegu.
regular customers at lapis roasters: you can always expect a free upsize or a free cookie whenever you pop by.
flirtationships: doesn't have to be anything serious. you're pretty to look at and he's born with a glib tongue so he has to let you know.
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drawnaghht · 7 months
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SRTUC and the "3D vs 2D" toons
a little animation prediction:
...10-15 years from now, the kids growing up watching things from their parents' handheld devices are gonna be nostalgic for their cocomelon's and will be wondering, "why aren't there any good 3D cartoons like in their childhood??" just like how ppl in each generation have always been nostalgic for the entertainment of their own childhood haha x3
this little anecdote is smth I've slowly kinda realized after thinking abt the whole "3D vs 2D" mindset ppl have about animation in general. i've been seeing a lot of complaining online abt 2D cartoons and indie cartoons in general and I'm wondering.... when will the criticism end? Just 8 months ago, people would have shared the sentiment, "more indie animation! hollywood is starving our artists!" but now from online fans, I see a lot more of the sentiment of "this thing sucks" or in the case of Rise TMNT for example, "we were too late for this show".
People like 2D animation, but any time there's a new show out, people either don't give it a chance (thinking of my old faves, like Motorcity and Sym-bionic Titan, but also many others). Or like with Moon Girl, people seem to ignore it more than talk about it. Is it because it's a Marvel show? it's like the spiritual successor to both ROTTMNT and LMK, but also BH6 a bit?? it's good. animated by Flying Bark (known widely for Rise and Lego Monkey Kid) with supervising director Ben Juwono, story artist on BH6 and Glitch Techs. and there's lots of other cool ppl on the crew
also just, I'm thinking again abt how the 1st reactions from many different fans and viewers in general was so... strong. People reacted so badly to the 3D in SR, and it didn't make much sense to me, because personally, as someone who's seen many animated films and series since Toy Story in 96, it looks better than just "fine". the art direction in the show actually looks great to me. I do notice smaller animation or model/render mistakes but tbh they are so few and inbetween, that usually does not break enjoyment for me when it comes to 3D tv. So a lot of the hate that the "3D style" gets still doesn't make sense to me.
now I see that it's probably bc ppl are still used to 2D being their preference or something they see as better.... and maybe not entirely just ppl being tired of certain 3D rendering styles. A few thoughts...
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So alright, it does not look like disney or like Sony artists' work with Spiderverse and later films. "Styles" or approaches to rendering which ppl are used to or have come to expect from all animated features and even animated series now. But it's still unique and strong in its own way. It doesn't look like Trollhunters either, 99 pictures' previous series of works, and I find that a good thing. it's been a long time since Trollhunters was in development to when Samurai Rabbit started 3D development.
The show is stylized in a way where it takes into account the work of all the visdev artists while also juggling the task of making anthro animals look animal-like and cartoony, but not too cutesy or too smooth either. It seems to follow the visdev art a lot. So there are many considerations to balance in the style. They also used many budget-saving methods, i.e. the changing walls of the city so they would have more variety without modelling a lot of buildings, or how scenes were rendered in a way to save time and space. Or cut character's legs off via camera view bc it's not important to see leg etc. So for the result they got on the show, it looks fine and quite often also nice. Again, the art directions saves the show from a lot of the smaller mistakes and ties it nicely together. One thing that did bother me a bit more was the crowd-characters style, both in 3D and 2D. To me they look a bit ugly and like they don't quite go together with the main cast "drawing" style, but again lol, you cannot splurge on everything when you're on a TV budget and imo it's not a huge loss.
I do like however how this show avoids what a lot of videogames do (for good reason), and what some 3D shows seem to also do. Everything looks like it's at the right size. Like the characters and objects/scenery/city they interact with feels tangibe, despite any technical shortcuts mentioned before. It looks really nice to my brain, especially knowing what many of these things look and feel like irl. I also enjoy that they've made the simple choice of making the characters more "furry" looking anthros and "less human" - so they don't feel awkward for having too many human traits and less animal traits. Or like animal heads with human bodies with the wrong proportions. Sometimes these things just work better in drawings and 2D vs 3D. Smart choice to not overly humanize them when they're already walking on their very human-like cartoon legs.
Lol maybe I've just seen much uglier things in 3D than what kids these days are used to. It does feel like with Samurai Rabbit in general, it's another case of a show coming out a bit too late for the changing tastes of viewers now. But then again, if we consider how many of these criticisms are coming from teens, who maybe just have a different taste and preference (e.g. they haven't seen maybe early 00s stuff so they judge all 2D to be superior bc they're tired of 3D? could be anything like that). And the other contingent I see are some older adults in their 30s/40s who are critical of animation in general, or they don't like how it's not a direct adaptation of Usagi Yojimbo. I remember a quote my sibling throws around about fans like these: "and baby food doesn't taste as good as it used to!!!" and I find she is right haha, some people have way too many opinions about shows which are not for them at all. Like, move on and watch something else x3 It seems it was popular with the indended demographic of kids ages 6-11, so, if that's something that helped the show, good. That's nice.
BTW, on that last note, been meaning to say this for a long time, but imo, it's actually good that the show wasn't a direct adaptation. Think about it. How many adaptations have you seen where people don't complain about how xyz part was left out? Or how they didn't capture the essence in their style? Stan and crew worked with what they got from Netflix, and I find that admirable on its own, seeing how Netflix treats many of their animated shows nowadays in general. Not just cancellations, but other things like contract disagreements and changes to a show. It seems with the last 2 years, the halcyon days of Netflix are over. Even though animation was the thing holding the entertainment industry in the US up during the pandemic, it and its workers are treated unfairly by the megacorp, who have also revealed that they're losing money in general. And from interviews and articles, it seems this show also had hard times, in terms of getting an adaptation at all (it was changed and NF asked them to do it about a younger Usagi instead, something like that), so they got the short end of the stick, but dealth with it. When Candie and Doug, the showrunners, were brought on board, they were told that it had to be for a younger audience, so a younger Usagi and the solution was to make a descendant. But that freed the show up a lot more than it would have been before. Now, instead of deciding on what favourite UY story to cut, the crew could instead focuz on making a complete story and rounded characters without stepping on Netflix's toes. It also seems the show had really enthusiastic execs and producers in general. So in the end we got a show with descendants of some of the comic's cast, who just happen to also be like retellings or their own versions of some of these characters (like Chizu and Kitsune for example)
saying all that.... lol if this show does come back, it'll be a while again and 3D preferences and styles would be changed again... I wonder what kind of visual style they would opt for if there was a new series based on Samurai Rabbit or based on other Usagi Yojimbo series, like Chibi Usagi or Yokai Hunter.
there's also of course just the factor that a lot of animation fans might be coming from a different place compared to fans of other media and are a lot more critical about what they watch. Never really been big on liveaction fandoms cuz I only watch liveaction stuff w my family as a fun activity to do, but i get sorta bored otherwise (so personal preference). I do know ppl complain abt their liveaction shows too but... it seems from this far away, much less whiney in some way. Like ppl being used to it and moving. But animation criticism always seems to be coming from an ungenuine or unfairly angry place. I don't know if it's the combo of "nostalgia nerd"-like youtuberisms having an influence on this, or just general negativity, but it's definitely something that's sorta become more boring/annoying to see. If you're critical of everything, eventually you sorta have nothing to criticise, or at least, nothing to enjoy.
but hey, if the general taste preference is still 2D, that's great! that's nice. I also still prefer 2D even if 3D is something I've worked with and something i've become accustomed to in animation in general. I just wonder where this mindset comes from that animated things have to be absolutely-infinitely PERFECT, or else it's not worth the watch.
I've definitely been in this camp of cartoon haters myself in the past... maybe not so much looking for perfectionism, but trying to see things I liked from an adult POV... but thankfully the early 00s we didn't have internet access i my family yet so no one else saw lol. As a kid, I genuinely thought that to be an animator, I have to learn how to be critical of every movie and animated thing I see. But animation brings me a lot of joy even when it's not "objectively" good... I wonder when more people will catch up and see their old mindset from a different point of view. I just find it sad that critics and internet drama seemingly have a much bigger impact on a show's success than say, the actual demographic watching it, or sales or whatever.
Anyway, if you read this far, thank you! I would offer an internet cookie, but it seems so here have a SR! Gen, representing how tired I am after staying up too late to write this haha x3
Anyway, good night, if you like a show or really enjoy it, pls watch it and share the word about it, that seems to do good.
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Night!
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aitavoting · 1 year
Text
AITA for cutting utilities off on my roommate?
I (26 F) want my roomate (23 F) to move out immediately due to threatening me by having company that makes me uncomfortable and having a friend who is not on the lease, despite me saying I do not want this person living with us rent free. I want to start by saying my roommate is on the lease. Therefore, I can not legally kick her out. She has every legal right to stay in our apartment for the next two months when our lease ends. However, she is starting to make me feel unsafe and my mental health has spiraled into a dark corner of anxiety and fear.
One year ago my roommate and her girlfriend hurt me in a way that I don't want to forgive. They have traumatized me, lied to me, all while my roommate struggles to maintain stable employment or not employed at all. She is currently unemployed and not looking. My roommate covers what we call "Basic Rent" meaning she pays her portion of the rent and nothing else. However, when we moved in together, she went on a long argument with me about how I need to distribute our finances proportionally due to me making 3x her income and having multiple college degrees. I agreed and we have been splitting the bills "proportionally every month." meaning she pays no bills, groceries, or basic home things like shampoo, dish soap, etc.
My roommate has made the living room her depression nest for the past year and I am tired of it. The living room and kitchen are filthy due to her art projects. She does art in the kitchen and does not clean up after herself. Her clothes are and plates of leftover food are in our living room. Her papers, art supplies, and general junk are taking over the couch, coffee table, and kitchen island. Now, there is currently an entire human who is "crashing on the couch for a few days" with no time of moving out any time soon. This person has explicitly told me they refuse to ever be employed for "anarchist reasons" that I did not want to ask about. I have been unable to use the living room couch, coffee table, or cook in a clean kitchen for almost a year and I am fed up. My roommate does not clean, nor pay.
My roommate and I generally don't get along anymore. Often, she will take out her anger on me, speak to me with the most hostile tone, and overall talk to me like an idiot. I understand she has autism, but she is bringing company over that makes me uncomfortable, breaking boundaries we both agreed to, all while milking me for money and being speaking to me in aggressive tones.
Yesterday, I told her I wanted her to move out and we had a huge fight that ended with her not wanting to move out. Therefore, I cut off the power. 
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artofapeach · 1 year
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I've always worried if no one will like me or just ignore me because I ship DamianxKayla. I used to be in a zoophobia discord chat and use to draw a lot. But whenever I post art in the chat, especially with a certain ship, I just get ignored in favored for someone's art or ship. It hurt so much that I lost motivation to draw for almost a year. Just a couple months ago I finally started drawing again. But I'm scared if I will get ignored again all because they don't like what I ship.
Please please please draw for you no MATTER what!!
It does suck getting ignored and having no one to talk about it with and worrying that people dislike you *because* you ship it—I go through that all the time!
…well okay not with shipping since if it’s not Blitzfizz I don’t really ship much, but with other things!
I draw a lot of body horror art and enjoy working on original stories—which pretty much gets 0 notes every time I post them. Usually, I don’t mind, since this blog was created for me to dump my art, but now that I have a primarily Vivziepop following, I feel this expectation to post mainly Vivziepop fanart. When I’m more in the mood for body horror and other original work, I’m often worried people won’t like it anymore and stop following :(
But I post it anyway!!
Because this is Tumblr dammit!!!!!! This is the place where we’re supposed to be cringe and post the things we enjoy, whether others like it or not!!!!!!!!!
I will tell you this. Unless it’s a proship (which Damian and Kayla is most definitely not) no one will ever not like you for what you ship! If they do, trust me, you don’t want to be involved with them anyway!
People will see your art, go “hey that’s a ship I don’t care for” and go on with their lives.
But for some people??? It doesn’t end there! They’ll keep seeing your art thinking meh, but then they see more and more and go “okay this is kinda cute actually” until they end up shipping it too!
How do I know this? Because it’s happened to me! Twice! Yes, once with Blitzfizz that’s predictable I know. But ALSO with Dandash—Danny and Dash from Danny Phantom. I did NOT care for them until I saw tumblr user Pbeltarts draw soft art of them again and again and I just finally went “okay this is cute actually”
You gotta keep drawing for you, not just for yourself but also for others! There’s 7-8 billion people on this planet—someone’s going to like your ship, your art of the ship, the way you implement the ship, etc. They just either haven’t realized it or haven’t found you yet :)
Again I know it’s hard—I still struggle with it. But I hope this motivates you to at least keep going!
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pikawarrior · 8 months
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Welp welcome back to my random rambles im just gonna talk bout alot of random stuff mainly my stories so here for go lets hope this is understandable
Story/maybe comic stuff
Turning of the orange | The Strawberry Patch - Old soon to be remade/written stop motion strawberry shortcake zombie movie me and my dad were making when i was in elementary schoolish. We unfortunately didnt make it that far since he had to leave often and for long times cuz work, but recently i found my old tablet with all the pics and my notes so rework time baby. Im about to use all my years of angst/horror writing to fuck these bitches up even more
The Butterfly Effect and It's Consequences | The Phoenix Effect -
The Butterfly Effect is my main rottmnt fanfic series. About my little rottmnt oc's (Ame) life and how the gang adopting them into the family changed everything mostly for the better but the bad things kinda got alot worse. Idk been focusing on the phoenix effect more
The Phoenix Effect is kinda an extension of that. Its basically the same thing but adds the cass apocalypse series into it. Basically how future Ame being there also changes things and how oopies mystics powers are hard to control after being half dead in stasis for about 12 years hope Ame does trys to leave to protect everyone from himself only to get kidnapped putting everyone in worse danger also oopies isnt that the super dangerous alien someone accidentally freed awhile ago
The Future Diary - So i watched The Hot Box's video on the anime future diary and well here we are
Another rottmnt oc thing. Ame obtains a diary from his future self being like "hey so the world is gonna end soon here's how i think you could possibly stop that. Pls dont do this all alone ur like 5" and ame decides to do it all by himself.
Got all eight chapters planned out already with two already at stage two (aka fully written out just needs to be edited and stuff). I just dont know how to use ao3 in this sense or how to tag stuff plus i got anxiety so its just sitting in my notes app
Video stuff cuz yes
Currently working on a few more special videos. On my channel ive technically reached 100 videos (i unlisted alot of old ones/never posted a bunch more so technically i reached that months ago but shhh let me have this) plus i got 135 subs now so celebrations are in order. Idk what to say bout this, am making a video using the ok ko ending song idk the name, one is a fake collab a friend made and another is an original meme a youtube mutual/friend by association made. Plus like so mant mini things for my ocs, Dimension and Watcher are gonna get so much development and cute couple moments.
Also everyone else is gonna go through so much trauma my gods its gonna amazing.
Also ive been trying to like voice things, audio quality sucks cuz im working off of my tablet but like ive voice a few of my own videos (only one posted) and like its so fun i wish i had proper stuff to do this so i can do it more
Other art stuff
I got a toyhou.se (its EnviousDeath), pls enjoy these characters and stuff
Tumblr media Tumblr media Tumblr media
Im trying to make my art more mess and chaotic while staying clean? If that makes any sense. Still a lover of doing gacha stuff but am trying to branch out more.
Also btw how do people just idk do social stuff like trade characters, comment, and just aaaa idk what am doing i forgot how to do social stuff and also i never understood how to do this type without being awkward as hell
Character stuff
Watcher - *slaps religious trauma onto them* bitch gets sacrificed. Okay okay so Watcher, wasnt always Watcher. Before they used to be Ena a simple kid who was sent away for reasons i havent thought of yet to a church. Blah blah corruption, Watcher gets sacrificed for not falling in line blah blah they were saved and given a second chance.
Dimension - *slaps alot of anxiety and identity issues onto her* bitch got issues. Same as Watcher, Dimension wasnt always Dimension. Before she was Ellie a poor girl hated by her whole town because of the lies their mother spread about them and their father who had left years ago. She only had one friend, Watcher. Somehow they managed to make contact with each other despite being in different universes. Eventually Dimension snapped and went on a killing spree, slowly ripping apart her world in the process because this wasnt supposed to happen (think spiderverse canon events but different ill explain later) with her world crumbling around her, Dimension messages Ena one last time, not knowing Ena was already long gone, and accepts what they assume to be death only to fall into whats basically the anti void from utmv, gets corrupted and became a villain technically more of a multiversal criminal.
(For time and length reasons im cutting this segment short)
Multiverse stuff
OKAY TIME FOR WORLD BUILDING
How does what happened to Dimension's universe work? The way i explained it is like spiderverse canon events but different, but heres the details. Idk how to explain this but bare with me
Imagine each universe as a game in a folder on a computer. Each game has different code, story, art assets basically all are mostly different.
Most games are coded to have very specific story events and when something goes wrong everything breaks. Like take a spaghetti thing of code that shatters the moment you try to do something like trying to talk with an npc while having a status effect and thats how some of these worlds are like. And Dimension's was very much one of those worlds, and her breaking down like that shattered the code of their world and everything fell apart.
Im too tired to continue but my main multiverse is like one big computer own by a game creator who only sometimes knows how to make a stable game
Feel free to ask about any of what ive just ramblef about am always willing to ramble bout my stuff
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dzpenumbra · 10 months
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8/4/23
I took the day off today. Okay, that's a lie. I tried to take the day off today.
The only work I did was to string the beads, knot between them and add a nifty slipknot to the end so the necklace is length adjustable. I decided to go with black hemp, the beads are a very deep blue that goes almost black along the edges. They don't have a perfect mirror buff to them, some of it seemed to fade a bit, but not nearly as much as the red ones did. I'm not really sure... why that's happening... but it's a thing. Instead of letting the beads sit for a few days to see how time and atmosphere affect their finish, I just strung them. And the final product looks pretty damn cool.
I like these jewelry pieces so much that I would wear any of them, and often do just sorta cycle through whatever catches my eye that day. I don't really think I'd have too much of a problem parting with them... as long as they go to good people... The trouble I have is, as always... how to price my shit.
In fact, the majority of my therapy session today was dedicated to how to price my shit. Which I just clearly really fucking blow at. Because I have dedicated so much of my life to putting value on things other than money and material possessions - like relationships and experiences. I keep calling it a "monastic approach to life". Like... I want nothing more than to just give my shit to people who love it, so they can have something special. Then I'm left fucking penniless and dependent on my shitty family's financial support. It fucking sucks.
My therapist was one of the first to get it himself, to connect the dots and go "man, you really were born a few centuries too late, weren't you?" And I just laughed and nodded. The first time I've ever heard that said by another person where I didn't have to lead them there. Hopefully we can follow up on that, maybe he has some ideas... because honestly? I really feel like most of my life problems would go away if I joined some kind of art community. Like some weird art collective living in studios with like a group kitchen and shit. Or at very least working as an art teaching assistant (or even a professor or guest speaker or something) and having the school take care of my food and board. Like... that would be fucking ideal. Well... the teaching would be less ideal because I'd have to learn how to teach and all that, with the art collective idea I could just really focus on my craft 24/7. I'm curious to see where that idea goes.
But yeah, pricing my shit... I have no idea what to charge for this necklace. This was a second attempt at this process. The red ones were the first, they came out okay. This was a 2.0 with the tung oil and it came out much better. I think it's one of my better pieces. So... here's what I'm not sure about. Since this is entirely hand-crafted. No power tools at all, the raw beads and hemp were sourced, but the rest of the process was entirely by hand. So I dyed them with 15 year old ink, coated them in an organic plant-based sealant, and sanded, waxed and strung by hand. These ones took me over a month. That said... I did have them on the backburner for a bit, but like... the tung oil alone takes 3 days to dry each coat. I put a tremendous amount of time, energy and labor into this piece, especially with the sanding. I don't really know how to convey that in like... an Etsy shop... in a way that doesn't sound gimmicky. And I really don't know what to set as a price point. $40? $80? $120? Where does it get ridiculous? Where do I get greedy? I just don't know. When, with art, the real answer is always "however much the person who must have it is willing to pay".
All that business talk just makes my brain freeze up and draw a blank. I really, honestly, really wish I didn't have to ever worry about that. Which is so alien in America. Most people are consumed with getting attention or making money - fame/fortune/success. And my only real metric for success has been... is the piece happy? Is my muse content? Is the piece where it needs to be? Does it feel complete enough to enter society? And if it does, I celebrate, and attempt to present it to society... and they summarily nod off and change the channel because they have the attention span of gnats and need to see actual crimes being committed in order to keep their attention more than 5 seconds.
So... my big problem is... I'd absolutely love to just make new pieces all day every day. Just new art projects all day long. And that's pretty much my life right now, which honestly... I'm very very lucky. Our society is simply not designed for that. And the only reason I can actually do this is because my deeply unsupportive family are tolerating it until I can support myself. Which is a very odd way of saying "we don't want to support you." Their goal in our relationship is to no longer support me in any capacity. Red flags, anyone? XD So yeah, that's scary enough. Plus, my rent just went up. And the cost of living is... utterly terrifying. So we're living in this super weird version of reality where I try to get a billing issue figured out with Comcast (Xfinity, whatever) and it is literally impossible to speak to a human. They literally do not hire human beings anymore. And, at the same time... it's impossible to be an artist without having another job... So... somehow... society is simultaneously eliminating human resource jobs... while also demanding you work a second career or else you starve to death. Shit is so fucked.
I don't even wanna go down that rabbithole, I know we're all feeling it, I don't even need to say it. Young people? Like... people a generation or two before my Millennial ass... just please do know that this is not normal, it's not reasonable, and you should absolutely be vocal about the situation we're all in right now.
Okay, mini-rant over. I was talking about... how setting my prices and valuing my time monetarily is a requirement in this society. And I'm so fucking bored of talking about this that I'm literally falling asleep. Ugh. Good lord, I'm depressed and trying to live a fulfilling life, can some fucking art supporters out there just like... magically appear and save me from this commercial hellscape? I really don't ask for much...
Welp... therapy today helped. Most of it, at least. We had to go over how I kinda freaked out when my former friend contacted me. And he kinda confirmed that the former friend is definitely acting sketchy. But the part about like... who the fuck do I talk to when I'm freaking out, and how can I get some perspective and grounding on important decisions I'm making... That's a really tough one. I mean this, when I was younger and had "friends" (or so I thought...) I really "didn't want to bother them" with my problems. I would just sorta keep it to myself and avoid things that I was too insecure about. I rarely got second opinions and missed a TON of opportunities because of it. The lesson I thought I was supposed to learn was - get a second pair of eyes on important decisions, but keep in mind the bias of the source. Essentially that I should not let my insecurity or "not wanting to bother" prevent me from taking big leaps in order to accomplish great things in my life.
It turns out... my self-protective insecurity... was unfortunately correct. And now... my brain kinda flails and doesn't know what to do in those times... and then starts slide-showing all the horrific nightmarish ways people I trusted and thought were there to support me had treated me like human garbage when I went to them with like... every day shit.
I even had my therapist say the word today, and it's still echoing in my head even this many hours later. "Gaslighting". And not in the new colloquial way people have kinda been misusing it, as a way of sorta referring to all kinds of manipulative behaviors... I mean classic Gaslighting. Literally convincing a person in extreme isolation who is detoxing alone off of benzodiazepines that he is losing his mind... as a way to justify not being supportive. Both family and "friends", my entire support network at the time, did this to me. It's so fucking hard to process how they can sleep at night.
So... without getting too deep into that, because I can already feel the emotions flooding back and my chest tensing up... When I need a second opinion on something - like a "former friend" showing up out of the blue and wanting to commission work that's not in my field, when I'm suspicious he might be trying to take advantage of me and get free work out of me - I now... often have trauma responses to that. Just the experience of needing help is a PTSD flashback. Fucked, right?
Why? Because I don't have anyone left in my life. It's just me and my therapist. That's it. And our relationship is strictly professional. So I feel absolutely horrible sending messages at a time like that, that's not really what a client-therapist relationship is for. But in some ways it is? Ugh, it just gets so fucking messy.
So... what I'm going to have to do is... just fucking Hail Mary all of those situations. Just sorta... live life without a second set of eyes on shit. Until I manage to make a good friend who is willing to fill that role. And here's the most fucked part.
The Hail Mary approach? That's what earned me the title of "crazy", "manic", "impulsive", "unstable", by my family and "friends". I'm really at the point where I might put family in quotes, too. Me "impulsively" reaching out to tons of people, trying to rebuild my life, coming up with tons of art plans... they viewed that as "crazy". So... they refused to offer me a second opinion based on their judgement that I was "crazy"... and their judgement that I was "crazy" was formed because I took leaps of faith and ambition without getting a second opinion! And they got so deep and hurt me so badly that I just turn into a fucking trembling leaf in the wind when I pull up a blank email to send to a former teacher to see if she is willing to mentor me, or needs an assistant, or if she could help me get integrated into the local art community.
My insecurity says I'm going to "overshare and overwhelm her with a novel, like I always do". My trauma says "you need to get a second opinion, but you'll get hurt if you get a second opinion. It's fire on both sides. You're fucked." All over a fucking cold-call email.
Have you ever stood on a skateboard? If you're brand new to it... the idea of rolling down a ramp on that thing seems like fucking suicide. Like, your knees are buckling and shaking and something inside you literally freezes you in your tracks and prevents you from going, because it thinks you're going to hurt yourself. I wrestle with that every time I skate, to varying degrees. Because, very often, that part of my brain is lit up like a fucking Christmas tree.
The more you gain experience (XP), the more reference material that part of your brain has access to in order to make that safety judgement. And a lot of consistent successes rolling down that ramp will build a sense of comfort and familiarity with it. The paralysis grip just sorta... vaporizes. And, eventually, it just becomes a natural part of what you do... to the point where you look at someone who is shaking and can't get themselves to roll down the bank... and you struggle to even remember what it was like to be in their shoes. What demon they're actively going up against.
Now... imagine you've conquered that. You can comfortably ride down that ramp, it's second nature to you now. And one summer... you run up and throw your board down and hop on and roll down the ramp and get shot with a fucking sniper rifle. And then when you recover, you go back and face that fear and do it again... and you get shot again. 5 times in a row, this happens. When it's not just hitting a pebble or slipping out... when it's like... losing half your front teeth or hitting your head and almost dying? (I used sniper rifle for dramatic effect, obviously) When it's something really traumatic... especially consistent repeated traumatic events... that shit fucking haunts you, man. It's next level. And I guess some people are just more susceptible to it than others? Idk.
That's a really tough nut for me to crack. The concept of "support". And the subsequent deep betrayal from those in a role that are supposed to have my back. That's a big part of where I'm stuck. And it leaves me in this fucked up place where I can't really get any perspective on big decisions I make in my life. And it leaves me feeling more alone than I've ever imagined I'd feel. Teenage-Loner-Me was a fucking joke compared to this.
It's scary. And it feels like... like it's always going to be like this? Like it's not okay for me to get a second opinion, or ask for help. And that message is... not coming from me, for once. It's coming from the outside. "Your goal is to get to the point where you don't depend on people for guidance in those moments". Really? Since when?
I guess the endgame is for me to be able to Hail Mary again. Like I used to back in college, when I was more emotionally detached and my anxiety was easier to manage. Like I did back in 2019, which spawned this wave of trauma in the first place. I guess the only way forward is to just... put my foot on the board and push, and trust that I know what I'm doing. That I'm not going to get hurt. That I'm not going to embarrass myself and alienate others and lose valuable opportunities that I desperately need.
I mean, when you put it that way... yeah. It kinda is the endgame. It would just be so much easier and less of a living nightmare if I just had one fucking person to like... be there for me to lessen the blow. In any capacity. Proofread a letter? Reassure me in the interim when they haven't immediately written back? -_-
Anyway, enough of that sad shit. Ugh.
I took the day off... ish... I mean this is clearly work. And therapy is work... analyzing this whole complex trauma thing was the very end of therapy, the rest was really good but was pretty overshadowed by this. I finished the necklace, it's awesome. I made a nice dinner and ate in my comfy chair and watched TV, I haven't done that in fucking ages. I watched a behind the scenes documentary from Star Wars Episode 1. It was really cool, I really liked it. And... it's been raining and thunderstorms all day so, yeah... that's about it. Just a quiet day full of nightmarish self-reflection, more labor than I was supposed to do, and a cool documentary.
But the day isn't quite over yet. So I think I'm gonna do some more yoga and take a bath or something. Spa day kinda deal. That could be nice. Maybe get to bed early.
I just wanna say this before I go, because I think it's really important. I often beat the shit out of myself and feel ashamed of my PTSD shit, and my anxiety problems. And that often takes the form of it being "my fault". Mea culpa. Like I just lack the willpower to push through that invisible force that cripples me. Like all of these things that haunt me, from years and years ago, it's "my fault" for holding on to them. I should just "let it go" and let the past be the past. And, in theory... yes... "let it go" is the answer, but... this is not the way. What I really need to keep reminding myself in those moments... is that... it's not my fault. Being a victim of other people, whatever the fuck logic they had to strike me at times when I was most vulnerable, and twist my own mind against me... being a victim was not my fault.
I've heard others refer to this as like... a form of self-forgiveness? But it's beyond that, right? Because... how can you forgive something that was never your fault? I guess we just don't have a word for that. So... it's easy to turn this into rage, or vengeance, or whatever... against the people who did do this. But that obviously doesn't fix anything, it just creates more problems, more suffering. And I think it's much healthier to just let the past be the past in that sense, and correctly allocate the fault off of my shoulders. So... to stop incorrectly blaming myself, to let their mistakes be theirs to learn from, and to try to move forward with that in mind.
I just say this because... I've started to notice that those moments where I flash back... when I try to push through it can often have a sorta chinese finger-trap effect. The more I push, the worse it gets. But if I just acknowledge that I'm feeling echoes from the past, and I decide to act like a fucking friend to myself and say "it wasn't your fault, they were assholes"... it can do really surprising things. Kinda like a yoga thing, where you struggle to get into a pose because you're gripping too hard without knowing you are... so the way to push further into the pose is to... counterintuitively... relax?! Supine Twist comes to mind, for me. I got quite a bit out of it at first, but once I cued in to the idea of getting in position and then on an exhale just letting my body go limp and have my body weight do the stretch for me? It was a game changer.
So yeah, I just thought that was important, since I've been talking PTSD a lot here tonight. On that note, off to do yoga before bed. XD
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