Socks! Socks! Socks, socks, socks... (*sing to the tune of LMFAO's Shots*)
As you can see I ran out of yarn *just* at the finish line (because I'm an idiot and just assumed they wouldn't sell sock yarn for less than two socks, but it was a 50g ball and i simply can't read), but decided not to go out and buy more of the grey yarn since it's a) pretty awful quality, b) a weirdly unpleasant shade and c) I didn't want to spend any more money on this pattern. They turned out very nicely from a craft standpoint, I think! I *could* undo the left sock's toe cap and knit that in blue so they match, but I don't think I'm going to. I'm pretty happy with the job I did here, but I don't love how weirdly low the heel sits and how tiny the toe cap is in this pattern - my weird little toes are definitely going to wear holes into the sides of this sock very quickly. Also I personally think the deep stitch chain should run along the middle instead of the bit of garter stitch, because this way the middle stretches weirdly across the foot and makes them look a little weird from above (my feet swell up sometimes and I'm kinda self-conscious about that kind of thing, this probably wouldn't bother most people lol)
anyway, Mum, I get it now, knitting socks is VERY satisfying.
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— Tamino for Behind The Blinds, Issue 13 / Fall/Winter 2022 (x)
Tamino: The In-Between State
Antwerp, July 2022
Interview by
MARTIN ONUFROWICZ
Photography by
ZEB DAEMEN
Fashion by
JONATHAN HUGUET
For Tamino, the title of his new album, Sahar, reflects his mindset while working on the record. “The literal meaning of the word is “just before dawn” and I think that perfectly captures the feeling of being in this in-between realm that I felt at the time,” explains the Belgian-Egyptian singer. Having catapulted him to fame in Belgium just after turning 20, Tamino’s debut album Amir also earned him fans from all over the globe, leading to non-stop touring for years. With instant popularity — and responsibility — at a young age, Tamino oscillates between adolescence and adulthood; this very in-between state being at the core of his latest record.
With Sahar, the musician continues to express the melancholy and vulnerability that became a signature of his artistic language. The key tool in creating the record was the Arabic lute known as the oud — an instrument that takes center stage in a ballad titled A Drop of Blood. “With this song, I wanted to accompany myself with the oud as the main instrument, just like my grandfather and father did in the past,” says Tamino. “It was very important for me to have at least one song like this on the album to honor the traditions of Egyptian and Arabic music.”
MARTIN ONUFROWICZ: Why did you decide to name your new album Sahar? What is the meaning that this title holds to you?
TAMINO: The literal meaning of the word Sahar is ‘just before dawn’ and I think that perfectly captures the feeling of being in this in-between realm that I felt at the time of creating the album, and still feel a bit right now.
MO: Where is this feeling of being in an in-between state coming from?
TAM: It has a lot to do with what my life has looked like in the last couple of years. I went from moving to Amsterdam to study, where I felt so out of place, to moving back to Belgium and my music career taking off, and starting to tour almost immediately for years. It felt a bit like tunnel vision — my life started to just revolve around one thing. I’m still very young, and feel like a child on so many levels, but I'm working very much like an adult.
MO: The album was written during the solitary times of the pandemic. How has that period affected you?
TAM: I was always planning on having a break because my team saw that I was feeling a bit burned out. So when it came a bit earlier than expected, I was quite happy about it. That said, I always imagined that when I will have my rest, I will be able to integrate into the world again as a regular person who's not traveling all the time, but then that wasn't the case either because everyone was at home, and life as we knew it was on hold. I think that period has definitely contributed to that feeling of in-betweenness as well, and was also a very transformative and important time for me personally.
MO: You're starting touring again later this year. Having this perspective now, how are you going to try to avoid the burnout you had a couple of years ago?
TAM: That was the one thing I kept saying to myself during the break, “I’m going to learn from this and take this zen feeling that I found into the busy life that awaits me again." Of course, I’m not sure how well I will do, but it definitely already affected how I approach work. For example, I’m now in New York for a couple of weeks and not just packing all the promotion stuff into one week because I thought, "I don't really have that much to do in July, so let me spend some time here and see what it’s like." I wanted to be here long enough to be able to ground myself, get to know some new people, have fun and be inspired.
MO: That sounds like a really good idea! What are your favorite places in the city so far?
TAM: I’m staying in Williamsburg, which I really like. I also really enjoy the Lower East Side. I went to Central Park yesterday, which is always amazing. But I have yet to discover a bar or a restaurant that I really love — I’ll know when it will happen because I’m a creature of habit, so when I find it, I will want to return there every day. [Laughs.]
MO: Which of the songs on the album was the easiest to write and which one was the most challenging?
TAM: The one that I wrote really fast was The Longing, the first song on the album. I first came up with the guitar-picking sound that I recorded on my phone and the next day while being in bed, I listened back to the recording and started humming the melody. Then, all of the verses came in one go! I was stunned because that rarely happens, so that was a very cool moment. A Drop of Blood was probably the song that was the biggest challenge for me because it was the one that I knew I wanted to write — all the other ones were improvised while I was trying out sounds with the guitar. With this song, I knew that I wanted to accompany myself with the oud as the main instrument, just like my grandfather and father did in the past. It was very important for me to have at least one song like this on the album [to honor] the traditions of Egyptian and [more broadly] Arabic music.
MO: Looking back, do you remember having a clear moment when you realized that music was something that you wanted to pursue as a career?
TAM: Music was always something I did, but I never really thought about making a career out of it — I remember that while I was growing up, I never really worried about how l am going to make money later and I'm very thankful for that to my mom. We didn’t have a lot growing up — she was a single mom with three kids — but she never put pressure on us to earn a lot or anything like that. I do remember clearly writing my first song when I was fourteen and the feeling of ecstasy that I got from it — for me, it was one of the best feelings in the world and something I've been chasing ever since!
MO: What's a music album that changed your life?
TAM: There’s been so many, but one that comes to mind immediately is one by Radiohead that I got when I was also around fourteen. I don’t think it was even a specific album, but rather The Best of Radiohead — I just remember being so inspired by their music when I first heard it. Now, my favorite record of theirs is In Rainbows.
MO: That's so cool! It must be a totally dream-come-true situation then for you to now be able to work with Colin Greenwood [one of Radiohead's band members] — I saw that you collaborated with him for Sahar.
TAM: Yeah, it's amazing! It sometimes still feels so surreal when I think about it, but now, Colin has really become a friend to me — we have played a lot of concerts together and he did seven songs with me on the new record. He's a lovely person and it’s a dream to work with a musician of his caliber.
MO: How did you guys first meet?
TAM: We had mutual friends in Antwerp — they took him to one of my shows and that’s how it started.
MO: Let’s end with a throwback question: who was the first musician you saw playing live and what impact did that make on you?
TAM: It was Lenny Kravitz at Sportpaleis in Antwerp. Also, his song I’ll Be Waiting was the first song I deliberately learned by heart — I performed it at a school concert. I love Lenny, he's such a good performer!
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