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#obviously there's a lot more going on with these characters and books than just this
eww-y-tho · 2 days
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The hypothetical debates surrounding the whole "Lady and Lord Whistledown" vs "Colin and Penelope Bridgerton" make me wither because
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Lady and Lord Whistledown.
I'm telling you, this shit would be so fucking funny. I can picture it in my mind's eye: Bridgerton season 4, we get a quick shot of Colin and Penelope talking shit and giggling like crazy in the background, maybe with some PDA to match because Colin can't keep his hands off her, only to hear a male voice actor of a similar calibre to our angel Julie Andrews join in sometimes while Charlotte picks up the paper and cackles. Obviously, the reveal would happen, but I want to believe that our Queen would be down for Whistledown to continue as long as it doesn't get too personal. It would be kind of unfair and a bit indicative of the period, monarchy and all, but Charlotte being in on it would amp up the comedy points. Plus some ~historical cultural commentary~ would just be that final flavouring of spice.
It would kind of feel like Colin's turning to the dark side because we've already seen quite a few scenes where he seems possessed by Lady Whistdown's attitude and I love the idea of him coming from hating Lady Whistledown's guts to protecting her and joining in because it's fun and it activated his little shit reflex. Plus the subtextual implications of just how much Colin and Penelope actually are best friends and are connected beyond normalcy would just be *chef's kiss*
I would also love it because it feels very partner-in-crime vibes, giving another aspect to their relationship that would be fun to see. Combined with the power Lady Whistledown has on the story, we'd be guaranteed to see our beans quite a lot. Also a "Hello, my Lady," followed by a "Hello, my Lord" after a particularly steamy scene would literally have me shaking crying giggling dancing kicking my feet.
As for Penelope, it honestly depends on how you view her character and her relationship with Lady Whistledown. If the person in question thinks that Lady Whistledown is a vital part of her personality, an aspect of who she is, limiting her by making her quit would just feel really, really sad, man. Lady Whistledown has caused Pen a lot of grief, however, and we see it a lot throughout the story, so I think Colin being there, sharing the secret and partaking would make her feel much more comfortable in her own skin.
Anyway. Love the idea, and would perish if it happened, but probably won't.
Colin and Penelope Bridgerton.
This one's more cute than anything else. Two writers as a couple release solo and joint works sometimes while establishing their reputation as respectable authors and leaving Lady Whistledown behind them. I can see another scene in my mind's eye, Colin and Pen are sitting across from each other on their respective writing desks, writing and then handing each other their work to review and give opinions, paired with a kiss after they start teasing each other about their writing. Considering that the designated Sexy Desk Scene has already been taken, this would have to be in a secluded area or in their bedroom. And then shots of people buying their books and enjoying them would ensue.
With the amount of journals and letters and things Colin's done, he's practically primed for an author's role. Maybe they can be more exposed to Colin's love for travel in this version. Having Penelope with him on his trips while writing their little hearts out would be adorable. Sadly, though, this would mean that they would probably have less screen time.
If you see Lady Whistledown as an outlet for the suffering Penelope was going through throughout the story, she wouldn't need Lady Whistledown anymore and abandon the alias because she's served her purpose as Penelope's coping mechanism, and Colin and Penelope would find their fix through other means. Maybe continuing to gossip but only between the two of them, going back to the beginning of the series and the final link to their relationship.
It's been established over and over again that they both love reading, writing, gossiping, and discussing all things philosophical. And each other for enjoying those qualities. So, I think this dynamic would be particularly interesting because it would be yet another way to connect. They could probably also make each other all hot and bothered by leaving random sexy letters sporadically, which would just be so fitting, tbh. However, that would also work for the Lady and Lord Whistledown dynamic so it's kind of a null point. It would be hot, though.
And, yeah, that's how I see those hypothetical dynamics playing out and how that would affect the characters. But now for the negatives. While I love the Lord Whistledown idea, I do think that Colin is a bit too nice and cute for that, and it would probably be a bit OOC, especially because of his personal experiences with Whistledown, it would be a bit weird if his tune suddenly changed to "yeah, I know gossip can ruin someone's life, but I like it now, so I don't care." But I also just can't fathom Bridgerton without Lady Whistledown, and this idea hinges on literally removing the narrator and source of all the tea, as well as making us lose our angel Julie Andrews. At least the Lady and Lord Whistledown idea fulfills almost all fronts of their relationship dynamic.
Again, as the GIF demonstrates, both are good, and I love both of them for the different ways they would take the characters, but let's be real, a combo would be really fun as well. Like Pen keeps up with Lady Whistledown while Colin writes his own books or smth.
Anyway, enough of my rambling. Bye.
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shesasurvivor · 8 months
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Hi.. Could you explain more about this?
"Actually, I've always held a theory that the parents' love triangle represents the fate of Panem in the first rebellion/the Dark Days that lead to the creation of The Hunger Games, while the Katniss/Peeta/Gale triangle represents Panem in the second rebellion."
Thank you :)
@curiousnonny
Absolutely! I thought about going further into this the other night, but I was so tired that I couldn't find the energy. Thanks for asking!
The first time I read the books, I couldn't help thinking that Katniss reminded me a lot of Scarlett O'Hara because they were both survivors. In Gone with the Wind, the love triangle between Scarlett/Rhett/Ashley is meant to serve as a symbol for the South's struggle to adapt to the changes that the end of the Civil War brought about, or if it would allow itself to be overcome by its refusal to change with the times.
So with this influence in mind, I couldn't help seeing both Everdeen women as being representatives of Panem -- Mrs. Everdeen was Panem before it attempted rebellion but failed miserably. Mr. Mellark, who was from Mrs. Everdeen's old life that held considerable more comforts (even if it still wasn't great) represented what Panem was before that first rebellion. Mr. Everdeen represented the change, the possibility to improve your quality of life by just being brave enough to rebel against the status quo. Mrs. Everdeen made this choice when she chose a life with Mr. Everdeen, the man she loved, and left her life of comfort to live in the Seam. Unfortunately, just as the first rebellion ended poorly for the districts, and now had an even worse life because of the Hunger Games, Mrs. Everdeen's choice ended similarly when Mr. Everdeen was killed in the mines.
The next generation is born, and now we have Katniss, Peeta, and Gale. Katniss is what Panem has become in the story's present time. Worse than things used to be (and now we have evidence of this, knowing things were still less harsh for the districts during the events of TBoSBaS). Panem is surviving, but not thriving. And the same can be said for Katniss. Now, the love prospect from the Seam represents Katniss's status quo before the Hunger Games, and before the rebellion. He's Seam, like her, which is just about as bottom rung as you can get in Panem except for maybe the Avoxes. But it's Katniss's life, it's all she's ever known, and because it's familiar and doesn't capture the attention of anyone who can cause her or her family any harm, it's comfortable for her.
Then she goes into the Hunger Games, and along with that, Peeta, who had always been dancing around the backdrop of her life the way thoughts of freedom did in the minds of every citizen of Panem, suddenly becomes a realistic prospect in her life. Despite her defenses telling her not to do it, she can't help choosing compassion and humanity in the face of the Capitol's threats. These things are inherently, deeply rebellious to the Capitol because Snow's number one method to keep control is to keep every single citizen as divided as possible. (This is the point of his little quip at the end of TBoSBaS where he decides if he ever gets married, it'll be for power and not love.)
After her act of rebellion, with the boy who represents actual rebellion because he represents compassion and humanity and hope, she's had a taste of what life could be if she decides to go after it. Panem, too, has seen two teenagers have the absolute audacity to choose to remember each other's humanity on live TV aired on forced viewing across the nation, and suddenly they have a glimpse of this life as well. That's why the act with the berries has such a profound impact on the districts that it tips things over into rebellion.
So come Catching Fire, Katniss now has the choice: does she go towards this new rebellion, the rise against the oppressive system that's stripped her and everyone else of all shreds of what humanity they have? Or does she stay with the boy she's known her whole life, because it's comfortable and safer than the unknown of seeking what she knows in her heart she actually wants?
In the end, Katniss has no choice but to reject the old life, which is so often the case in life. But she does make the choice to embrace the new world and life, just as she made the choice to become the Mockingjay. And even though she lost every single facet of her old life in an unfathomably cruel way, we still see that in the end, she was able to find her way to a life that gives her the freedom she always yearned for. Just as Panem made the choice to fight the second rebellion, and this time succeeded in winning its freedom.
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mythvoiced · 8 months
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-. bro... i'm... bro this draft thing is actually working BRO- hehe~
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markantonys · 2 years
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readers of my “to build a home” fic series (the one with all the flowers)........would you be mad if i retconned all the foreshadowing of min being in the polycule and cut her out of it and left it at rand/mat/elayne/avi, and gaslit you into thinking the previous installments never implied min was gonna be involved and you’re crazy for thinking they did? (if i went this route i would probably go back and edit the prior installments to get rid of these moments, so as not to look like an inconsistent clown to future readers of the series.)
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blorbosexterminator · 2 years
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I believe a lot of fanfic writers would be massively disappointed if they were to try and publish their fanfics (having changed the most identifying characteristics to present it as original work). bc one of the reasons why we never say anything when someone's writing is full of spelling mistakes or bad grammar or, imo the most serious flaws - plots, characters, the low quality of the story itself, the themes, the subtext, the deeper meaning, etc - the reason, besides the whole participating in fandom communities and the fact it's free, is that we easily overlook some of those things because we get to read more about the characters we already love. I know my ff standards are fairly low. and who hasn't found themselves in a situation where they've read through everything they initially wanted to read and then started reading even the fics they first disregarded bc they can't get enough of their otp. do you know how many times I've scrolled past some especially cringy parts of fanfics, but I still love them. when you publish it, you immediately lose that aspect and most reviewers and readers won't be particularly generous. I just think publishing ff has a very high chance of being a mistake, and if publishing houses are approaching ff writers, I don't think they're looking for high quality and I wonder how much they'd invest in serious editing. IMO those who write ff and want to be published should consider working on an original piece of work, or at least reworking their ff significantly. thanks for reading through my message.
Again, I can't say I disagree at all. Fanfiction doesn't hold a grasp in all of those aspects you mentioned against actual published books [and of course nothing at all against the few of those books we would actually dare to call literature] and we allow it and are fine with it, not just because it's free and about the community and about the basic delight in sharing more of the characters we care about, but because none of those things are the primarily function of fanfiction. You don't judge Ikea and an apartment you're going to rent in the same mannar. Ikea isn't a house. At least to me, fanfiction is only about the source material. If there is a fic that has a well-thought out plot and decent prose, but the characters are mischaracterized and/or the dynamics are inherently misunderstood, then it still fails at being a good fic to me. Because, simply, if what I'm looking for is a good plot and decent prose, then I'll just pick any, even a mediocre, book [and it'll be better than said fic]. So not only does fanfiction fail by large at competing in those elements, in the average ratio of good to bad fics, it's also the fact that even a good fic that does all of those things decently still won't hold a chance against an actual good book.
It's the same from a writing's perspective too. It's not exactly about effort but what sort of effort it is. If I feel like it, I can just post a fic because I want it out without spending millenia editing it. Sometimes I do, sometimes I don't. But the point is, with fanfic I have the choice and it won't matter. And it's not just about the editing, the grammar, etc.
Anyway, yeah. They aren't looking for quality. It's still a capitalisic endeavor. Bad books, unfortunately, do sell. Fifty Shades of Grey made millions to an average fanfic writer. Doesn't make it a good book [and I doubt even a good fic before that]. And it's understandable with this current twitter and tiktok book market; honestly the things twitter authors write and tiktokers promote aren't at all that much better than fanfics. They are well aware of what makes them money, and if they're pursuing ao3 writers then they know the money they'll put in editing, they will get back tenfold. But if anyone thinks that's a win for fanfiction, they are mistaken. It's just an insane downgrade in published literature. And dare I say [while risking sounding like a Harold Bloom-like boomer] it's an insane downgrade in the generation/public's reading taste.
#people can do whatever they like though lol#and I'm not sure whether 'blaming' Twitter Tiktok and the only-fanfic reading public swarming out at all once for this shitshow is the righ#move#I'm sure the reasons and explanations are much more complex and those might only be the apparent symptoms but not what lies underneath#but they sure are making things much worse#least of what's truly insipid about this is that it's making people mostly teenagers really really comfortable with complete#anti-intellectualism and selling to them that is this is the good thing actually you're doing so great. go burn those terrible books your#hc teachers made you read#and no you're not#there is a world of difference between grappling with difficult texts because you understand that the grappling is worthwhile and between#manipulating yourself into thinking they aren't worth anything just because it would be easier for you to believe though#but anyway obviously there are exceptions#nothing is without exception#and I do believe a lot of fanfic writers [at least in my own experience my favorite ones] are more than capable of writing publishable work#but the point is fanfiction loses the one thing that makes it actually standout by getting published. and then it'll be put in a horrible#comparison with other works and get torn down#like writing a fanfiction most of the time you take a readymade situation [whether canon or a specific au] and what you do is put different#characters in#and you don't really have to do anything other than that. the twist and spin IS the characters#but publish that and those are just regular characters inna regular situation to readers and critics#and since we're talking about most fanfic s not the rarities; there won't be much to the book that excuses its lack of originality in plot#it's a pretty complex topic anyway#this is in no way a disregard of fanfics though#I love both writing and reading it#as its own thing#not as a replacement of or as literature#this is the bottomline
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storybook-souls · 2 years
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have spent all weekend holed up in a cabin working on my novel and while it’s been very creatively fulfilling i’m left feeling very very [emotion] about the whole thing overall
#on the one hand every time i spend time writing it's so validating to get to go. 'oh i DO love this. i really really do.'#'i haven't just tricked myself into thinking i like doing this i really do feel like this is the thing i could do Forever'#but there IS a. 'hey am i actually any GOOD at this????' 'is it supposed to be easier than this? feel less like pulling teeth?'#'should the characters feel more real by now? am i as funny as i think i am? do i have the courage to take the swings i need to?#do i really control the plot as well as i need to? are my ideas really even anything at all?'#and then the third thing is. 'jesus christ it's really hard to write a novel when you have a full time job.'#especially when you're also running 4 dnd games and actually working 45ish hours a week and have to#maintain your own apartment and life and try to have some sliver of a social life and have family obligations#and are trying to get more sleep and have recently gotten back into reading books--#i got a lot done!!!! but not as much as i maybe HOPED to#this draft is like. not quite halfway done and i STILL don't know exactly what i'm doing with some of the#later chapters and while i think this draft is BETTER than draft 1 (obviously) it still like. needs a lot of work#and i'm so Tired....i feel GOOD but i'm so Tired and i have to go back to WORK on tuesday....#i. :( i know these things take time and that's okay i can be okay with it but it's just. really daunting to look down that road#and to know that i could only get as far as i did bc i set aside two whole days for it and WHEN am i gonna get that again#instead i'm just gonna have to go back to fitting it in around all the everything else which is. sigh#but i can do it! i literally can and i'm going to.#and i'm very glad i had this weekend it DID do the main thing i needed it to which is that it made me figure out#HOW to do a proper second draft. so now i can keep going#fcm#my writing
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sunderwight · 2 months
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Okay, concept:
Luo Binghe grew up very poor prior to arriving to QJP. And when he first got to QJP, he was ostracized and neglected. So there are probably a lot of phrases, terms, and ideas that he didn't know were things until SY arrived and started actually teaching him. Right? So the bulk of what he did learn, he learned directly from Shen Yuan's own slightly messy attempts to fake ancient scholarly credentials.
Plus, QJP is supposed to be the peak of scholars and well-read, fancy intellectuals, and YQY probably also doesn't know shit about most of that stuff (having also been a former illiterate street child) and of course is incredibly predisposed to take Shen Qingqiu's side on virtually anything. Especially something frivolous or linked to their shared past, such as someone, say Qi Qingqi, accusing Shen Qingqiu of making up a literary reference or "gibberish" word. If something Shen Qingqiu says is something no one else seems to know, that just proves he's more worldly and well-read than the rest of his peers. Also, Shang Qinghua will probably know it, and despite his many (many) character flaws, Shang Qinghua reads a lot too. There's really very little to convince a former street child turned Demon Emperor whose former education began and ended with Shen Qingqiu specifically and Meng Mo (wildly out-of-touch with human culture anyway) to suspect that some of the difficult-to-source references his master makes really have no worldly source (in this world).
So Luo Binghe, in his quest to become as knowledgeable of all things about his shizun and keep up with him as well as possible, and maybe also put down some arguments he's overheard once and for all, eventually gets annoyed because CLEARLY there is a wealth of cultural knowledge contemporary to Shen Qingqiu and Shang Qinghua that didn't survive to his own generation. His efforts at hunting down all the sources being referenced and origins of certain philosophical ideas or terminology keep coming up empty in certain departments. He's been over the entire QJP library with a fine-tooth comb, but QJP focuses on things pertaining to cultivation, history, and knowledge. Obviously, there are gaps. The archives are unlikely to keep pop cultural references and lowbrow literature, and Luo Binghe begins to suspect (from what tastes his master seems to share with his shishu) that that is that actual source he's missing.
The trashy yellow books and romance literature of their generation! Bawdy poems and lewd artworks so on! Heck, that's probably even where the shared "code" (bad English) comes into play -- disciples are always trying to sneak forbidden material past their teachers and smuggle naughty books into the dormitories. Knowing Shizun and Shang Qinghua, Luo Binghe honestly wouldn't be surprised if the two of them were racketeering that shit in their own disciple days. Shang Qinghua acquiring materials, Shen Qingqiu acquiring buyers, both of them making their extra spending money off of secretly supplying Cang Qiong's population with contraband fiction and art.
Also, that would explain why both Shen Qingqiu and Shang Qinghua get flustered and refuse to elaborate if someone asks them what this or that strange turn of phrase refers to. Shen Qingqiu has a very thin face for actually discussing erotica, and Shang Qinghua doesn't like being caught doing illegal shit.
Luo Binghe desperately needs access to trash lit that's older than he is. However, most of that stuff is not printed to last, and turning it up is like trying to find old Spirk zines without the internet.
Shang Qinghua, the obvious go-to source, also seems to not really have anything that old anymore (intimidating him is laughably easy, if he had anything he would have coughed it up by the second or third time Luo Binghe asked and frowned at the same time), and if Shen Qingqiu did have anything he wouldn't want to be questioned about it. Asking too much might even get it destroyed in an act of excessive embarrassment.
Which means there is just one other person Luo Binghe knows who might be able to lead him to some sources. One other person he is absolutely, 100% certain was extensively reading trashy literature around the same time that Shizun was a young man. Someone who would know where to go to even begin looking for it.
Luo Binghe is going to have to ask Tianlang Jun for help with something.
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sinterblackwell · 2 years
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i would like to send a sincere apology to karla nikole because after my re-read of her second book in the lore & lust series, it has come to my attention that it is actually pretty brilliant….which wasn’t exactly my full opinion the first time around :’)
#❣️#it was the cellina & giovanni subplot#when i first read the book i remember feeling very disheartened at the idea of reading from cellina’s pov bc i just didn’t care too much#i was more invested in everything else that was going on rather than seeing cellina & giovannie reconcile#and maybe that had to do with the fact that i was jumping straight into the second book after falling in love with haru & nino#so maybe i was more invested in hearing from them (especially after what eventually happens to nino)#but like rereading this book months later i actually really appreciate what the author did?? and it baffles me because#while i did yet again skim over all those flashback scenes of cellina & giovanni— the present day scenes did hold a lot of significance#i mentioned in my initial review how objectively cellina’s pov made sense and it answered a lot of questions#to the tension that was obvious between giovanni & nino as siblings and the complicated relationship there between them both & cellina#it was interesting getting to learn more about giovanni and the secrets he held and it felt important to see him express relief when#other characters help chip in to carry that weight of all those secrets and sole responsibilities off of him#but i just didn’t…care the first time around#reading this book again—i fell in love with how the author wrote cellina’s pov#i loved learning about cellina’s career in the art world and how she & giovanni so obviously balanced each other out when it came to busines#it was pretty fascinating tbh so…i really am sorry that i couldn’t see it the first time around#this wasn’t a case of ‘second book syndrome’ where inevitably the sequel to a series typically falls flat#i was just being ignorant#so rather than being like a ‘some criticisms aside i did still really enjoy this 4.5’#my rating for ‘the vanishing’ is a strong ‘i completely praise the author for all that she put into this second book and i loved it 4.5’ <3#lore & lust chronicles#booklr
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yooooo!!! you’re my favorite ethan winters artist i just wanna say that first and foremost, thank you for the wholesome content of my comfort character and father figure 🥹🫶
i’m really curious bc i feel like i see a lot of people against mithan (not me personally, i’m p neutral on them!) but i’m curious to know all your thoughts on them! thoughts on their canon relationship, their fanon portrayal, the backlash against them/mia accusations, and your headcanons? i’m just really interested!!! hopefully that’s not weird :”)
have a good day!! sparkle on!!! ✨💖
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i heart mithan... i think that they can be so cute...
i personally hc them t4t and i like to think that the dated in highschool before they both had fully transitioned
mia likes to bake and ethan likes to scrap book and he always likes to take pictures of mias cakes/ baked goods and has a album for them 😭
i am a multishipper so i draw a lot of ethan ships so my girl is left out sometimes and im sorry mia 😔
i actually really like their relationship, its a really complex dynamic that i like to talk about with my friends
i think the issue is that when talking about mithan or mia in general, theres just SO MUCH misinformation that its honestly a pain the butt to talk about
people still think that she was responsible for the creation of eveline, people still think that she experimented on eveline, people still use examples of her attacking ethan as if she did it on her own will instead of being mind controlled
in reality she was just someone who oversaw the transportation of evie. im not excusing her or anything because obviously she knew what she was doing, but people really try to accuse her of doing something she didnt and it bothers me alot lol
the problem with the fandom is that people either try to water her down to girlboss who did nothing wrong and fail to acknowledge the complexity/ moral grayness of her character and the other side is misogynists 😭😭😭😭
its hard to talk about her without people either going "stop trying to villainize her and make her look bad!" or people ACTUALLY villainizing her and acting like heisenberg would have treated him better 😭😭
mithan is such a sad relationship because they loved each other so much and that ended up being the reason their relationship fell apart (sort of... its not like the broke up... ethan kinda just straight up died)
i get a lot a trouble for saying this, but mia is a selfish person.
its not a bad thing! well i mean it is but it doesnt make her some evil witch who is somehow worse than the guy how made a werewolf american ninja warrior. its just a major character flaw she has! which is good! mia being a flawed person who makes mistakes and morally gray decisions make her a more interesting person!
she is selfish in the way that she wants to keep her family with her no matter the cost. even if it means lying to ethan about her job so that he wont think different of her. here is a interrogation from the re7 DLC, which is easy to miss!
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she isnt necessarily trying to apologize for the things she has done, she is more of a, "u wont need to forgive me in the first place if we just forget it all and move on"
she doesn't try to redeem herself for what she has done, she tries to move on and return to the normal life that she wants so bad. which is fine! everyone copes a different way and she has to right to move on from her trauma. the problem that lies in this is that she has a shared trauma with ethan who still has no idea what went on in dulvey and still effects him till the present (he is mold! this is a important thing to know! most people would want to know if they were a walking corpse)
she played a direct part in what happened in dulvey, and im not referring to the email, she did not send that. she never wanted ethan to come in the first place. she tried her best to send a video to him, begging him to forget about her because she wanted to protect him, BUT it didnt send.
he got involved because she was involved. its honestly a series of really really unfortunate events.
THOUGH! she did know what she was getting into. im tired of seeing the narrative that mia was innocent and didnt know what was going on or was simply a bystander. she knew what she was doing, she knew eveline was a bioweapon, she knew eveline was a child. she used a MACHINE GUN! she knows how to use weapons and was obviously trained for it.
she tried her best to keep everybody out of the mess, ex: warning the bakers not to take them in, warning ethan not to find her, sacrificing herself for ethan in the later half of re7
but again, those are the consequences of HER actions
her consequences just happen to get really big and end up hitting ethan on the head like a metal sheet 😭
their relationship is really so interesting, it makes me really sad to think about sometimes 😭they both went through something that nobody else would ever understand, in the end they really only have each other. they get moved to an entire different country and the dulvey incident gets covered up with a "gas leak"
its really tragic because their marriage definitely had some flaws and bumps. and i know im repeating myself but its because people always take this in the worst way possible but just because i say their relationship was rocky doesnt mean im saying they dont love each other!!! thats the entire basis of mias character!! saying she doesnt love ethan would destroy her entire character!
you can see in the re8 DLC how fondly ethan talks about mia! he loves her so much, though im not sure if his comments in the DLC are him narrating current (post re8) or his thoughts before everything went down and he died (pre re8)
everything mia did was because she LOVED ethan. she would never do anything to intentionally hurt him, she is not a cruel person. she hides the truth of her job from ethan pre re7 because she loves him and doesnt want her job to drive them apart. she CONTINUES to refuse to tell ethan the truth post re7 because she wants to move on a live a happy normal life with him and knows something like her being directly associated with the connections would probably cause (more) problems. she refuses to tell ethan that he is mold because again, hard to live a happy marriage with your husband after you tell him hes a bioweapon.
obviously i dont think it was right that she did this, thats what makes her selfish! she did it for herself! she did it for her family! she thought it would work out, she thought that they could move on and be happy together.
the issue is that ethan didnt want to forget. he wanted to know what happened, he wanted to know the part mia played, he wanted answers! which is reasonable! he knows to some extent that mia was partially responsible for his involvement and he was always suspcious that mia was lying to him about her job which is implied when mia says "you were right, i did lie to you"
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she doesnt learn, she doesnt stop lying, her lies get bigger and worse and it sucks yeah but it makes her so interesting!!! she keeps doing stupid things under the idea that this is whats best for her and her family, that if she hides this everything will work out and it will be for the better but its not!
just because telling your husband hes dead and a bioweapon is a hard subject to bring up doesnt mean you DONT bring it up. people shouldnt use that as a reason to excuse mia 😭, its a very bad excuse and honestly highlights how horrible their communication skills were. you cant just not tell your husband that he is actually infected with the mold and not tell him for the tree years between post re7 and pre re8.
im not saying these things to put mia down, or try and villanize her. these are all just actual things her character does! she isnt evil, but she isnt a knight in shining armor either. we need to be able to have talks about complex characters without crying everytime someone points out a flaw. characters have flaws! and mia just happens to have a lot of them!
im not mad at her, i dont dislike her because i think this way of her. shes a fictional character! you can like characters that are morally gray, or villains that drink blood and make corpse soldiers. they are fictional! pointing out the flaws of a character does not mean i dont like them.
i wouldnt call her "the real villain of re8" but i wouldnt treat her like a damsel in distress either. she is a competent person, she knows what shes doing, she has her reasons for doing them. she made bad descions with good intentions behind them! they can coexist and we should let them!
i like mithan! its a complex relationship because they both love each other so much but hurt each other in the process
talking about them is just a pain in the butt because talking about mia is a pain in the butt lol
i really hate how she keeps getting sidelined, its super frustrating to see mia get put in a cage in every game 😭
its even more frustrating that mia straight up just disappears???? in the shadows of rose DLC... like she just stops taking care of rose and theres nothing said about it. no reason or explanation. i dont think mia would ever ditch rosemary because she didnt care about her, but we probably will never know because capcom sucks at writing and they probably forgot the mia ever even existed.
all in all, i think the fandom is really just full of misinformation which make people either think mia is some horrible evil person, or its full of people who think that saying mia messed up is the equivalent of comparing her to wesker lol.
i really love mia, shes a incredibly fun and complex character, its just hard to enjoy her sometimes with the people in the fandom haha.
also ive got no idea what u meant by "the backlash against them/mia accusations" so sorry if i didnt answer that!
thank u for the ask! sorry for the long response!
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flawseer · 3 months
Text
3000 AS character drawings
(Fathom, Indigo, Pearl, Albatross)
I appear to have developed an addiction to drawing dragons. There is no known treatment, so I have been advised to just ride it out and see where it goes. Here are some ancient Seawings:
Prince Fathom
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Fathom is said to look remarkably similar to his descendant Turtle, or at least Darkstalker seems to think so. He could be an unreliable narrator who assumes all green Seawing lads look the same though, who knows.
When I picture Fathom, I imagine him as looking visibly marred by what he experienced. He is careworn and looks tired most of the time because, at night, spiraling thoughts and stress dreams are interfering with his sleep. His general physique is a bit oddly proportioned, with some areas of his body (face and extremities) looking more gaunt than others, indicating that he has rapidly lost weight.
Hoping he was able to return to some form of normalcy and make a recovery after the conclusion of the Darkstalker book.
Indigo
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Fathom's childhood friend, bodyguard, and numerous other things. I have no idea what the plans of the graphic novel adaptations are with regards to the Darkstalker book, so I don't know if she will get an actual depiction any time soon.
I gave her a forward-swept, somewhat wild-looking head fin because I thought that was fitting for her character. It contrasts with the more put-together, rounder, or rigid appearances of the royals she is surrounded by.
Princess Pearl
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Fathom's uptight sister and future Queen of the Seawings. As far as I know, the books never go into detail with regards to her color scheme. I imagine that, in terms of looks, she takes a lot after her grandfather, resulting in a light blue coloration. Some of these traits would then later be passed down the royal Seawing line until they resurface in her descendant Anemone.
I do sometimes think about what happened after the Darkstalker book. Does she believe her brother is dead? Or is it assumed he evacuated with the rest of the Nightwings? Did Fathom ever try to reconnect with her in later years?
Prince Albatross
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Fathom and Pearl's grandfather and person of historical infamy. The graphic novels draw him very blue, but he is described in text as unnaturally pale, almost white. Really minor detail in his luminous patches: I drew them that way to suggest he passed his spherical markings on to Pearl (which she then got her name from) and the crescent markings were inherited by Fathom.
Also, his ear is frayed and worn. I imagine he developed a nervous tick where he squeezes and yanks his ear whenever he is upset due to his sister's constant abuse.
------------------------------------------------
Errata:
I initially wrote that Anemone is Pearl's ancestor. This was a nonsensical lapse of thought, as, barring questionable time travel plots, she is obviously her descendant. Corrected.
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transmutationisms · 2 months
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oh i would actually be curious to hear your thoughts on lolita book covers in that case. i do get the sense that some of the covers are designed to uncritically titilate and seem to misunderstand the text, but that could obviously be an assumption on my part lol.
oh i agree that the cover designs tend to run counter to nabokov's intentions, both in the text and in the literal instructions he gave about covers lol. they pretty clearly rely on putting some young girl on display, which is exactly what nabokov did not want to do visually; they also tend to suggest dolores as some kind of seductress (sultry gazes, pouty lips, &c). clearly this is precisely the opposite of what the text tells us about her.
however when evaluating these visual choices i find that many people portray them as some kind of originary and culturally polluting act: that is, a narrative emerges that the problem here is people misinterpreting 'lolita', and then publishing it with covers that will do harm to young girls &c. i think this is lazy analysis and fundamentally makes idealist assumptions overestimating the effect of cultural products (books, book covers) on problems, like the sexualisation of children, that are in fact grounded in material relations, such as in this case the status of children as legal property and the total power granted to adults over them. that is to say, these broader conditions are at root the reason that cultural products like the cover of 'lolita' look the way they do, and chalking it up to individuals not understanding the book is never going to get us very far; and also, although some of these covers are pretty egregious, they are the reflection rather than the cause of the sexualisation of children, a problem that would continue to exist even if every edition of 'lolita' ever printed just said "humbert humbert is an unreliable narrator and dolores haze is a child he is preying on" on the cover.
fundamentally i also think this sort of conversation often elides some more interesting points about whom these covers communicate to and what they say. you suggest they are meant to "titillate"; although i would agree dolores is often shown as sexual, desirable, and seductive, i'm not sure that's the same as assuming the cover is trying to arouse the potential reader. for one thing, to put it bluntly, this style of cover tends to be associated more with books marketed to women than to heterosexual men. and more broadly, and this is something the lolita podcast really fails to understand imo, the phenomenon of people reading 'lolita' and relating themselves to dolores is not mutually exclusive with this type of rhetorical construction of dolores-through-humbert's-eyes. that is, often what appeals about dolores is, i think, precisely the fact that through her, people find a way of discoursing about or simply re-enacting the kind of sexualisation that they are already subjected to or have been in the past, whether or not at a level as explicit and extreme as what nabokov depicts.
i'm not really interested in a simple moral condemnation of the people who design these covers; that critique writes itself. they are obviously bad and facile, and reflective of precisely the culture of child sexual abuse that nabokov's text condemns. but if we are interested in the reception of these objects, or interrogating the cultural meaning and implications of their existence, i just think there's a lot more going on here than what the podcast portrays as a simple sort of 'broadcast' model of mass media wherein the 'lolita' book cover and trope is beamed out to unsuspecting innocents who are then exposed to its nefarious elements. dolores appeals to people for lots of reasons, some prurient, some pitying, some openly self-projective, and these are not mutually exclusive with one another nor are they mutually exclusive with readings that reproduce elements of the very lolita character that humbert creates and uses to silence and re-write dolores. we can be uncomfortable with that and refuse to talk about it but if that's the position someone wants to take then i'm not likely to be interested enough in their opinions to, like, listen to their podcast about this book lol.
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indigovigilance · 8 months
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The Final Fifteen is about Terry Pratchett's Death
read on Ao3
The final fifteen is obviously a major plot point, and serves a role in a story that was written long before Terry Pratchett was ever diagnosed with Alzheimer’s. But the scene itself wasn’t written until just a few years ago, during the writing of Season 2. In fact, the scene came about during a park bench conversation between Neil Gaiman and John Finnemore.
Others have noted that the non-romantic kiss that signals the story moving into the third act is a Neil Gaiman staple. The function of such a kiss, from Gaiman’s perspective, is to communicate.
In 2023 we are seeing a lot of stories written by men, for men, about men who are best friends and discover that their friendship can go deeper than the norms of society would usually allow; that platonic and romantic love are not so far apart, and perhaps the better word for a relationship that can be described this way is intimacy.
Neil Gaiman has made it clear in interviews that his friendship with Terry Pratchett was deeply intimate. They began collaborating on what would become Good Omens in the 1980’s, endured a tumultuous experience together through the first publication, wherein Neil offered to martyr himself on behalf of Terry if the book failed, and then spent the better part of two decades touring the world, meeting the people who loved their work. Neil would even off-handedly remark that Terry’s fans were so cheerful, and Neil’s seemed like they were ready to kill themselves; wouldn’t it be nice if they got married? From the outside, it looks very much as if Terry was Aziraphale-coded, and Neil was Crowley-coded, working together in an unexpected partnership to make the world a little bit more tolerable for the humans inhabiting it. I am not conjecturing that Neil and Terry had romantic inclinations the way their fictional characters do, but I think it is fair to say that their opposites-attract intimacy became an important part of who each of them were.
In 2007 Terry Pratchett was diagnosed with posterior cortical atrophy, a rare form of Alzheimer’s. As the disease progressed, he began to lose himself, and knew that the person he used to be was slipping away. He wanted to end his life on his own terms, and die as himself, but England did not and still does not allow for voluntary euthanasia or assisted suicide. He advocated for the right to die but never achieved it, and ultimately succumbed to the disease in 2015. Neil Gaiman has spoken a lot on the topic of death, and one answer of his that resonated with me reads:
Mostly it feels terrible. It even feels terrible when it’s someone who has been in a lot of pain for a long time or has not really been there for a long time and you know that Death has in some ways been a blessing: suddenly you are mourning the whole person. 
It doesn’t get easier as you age. It gets stranger. The point where you realise how many people you used to know and like who aren’t there any longer, and you cannot talk to them or see them or laugh with them is painful in a way that I had never expected. The first time that someone you had a romantic relationship with dies and you realise that there had been moments both of you shared and now you are the sole custodian of those moments and one day you will be gone and they will be lost forever is peculiarly strange and hard. 
~~~
The entire show is seeded with references to Terry Pratchett, but the most important one is the one that’s missing. Neil Gaiman cameoed as a sleeping moviegoer in S1E4, but a long time ago, he and Terry had discussed cameoing as sushi restaurant-goers, because sushi was weirdly prominent in the book. That cameo would have been in S1E1. But when it came time to do it, Neil couldn’t. Not without Terry. 
Neil: I was gonna say our location is a Chinese restaurant we’d had turned into a sushi restaurant. So Terry and I, Terry Pratchett and I, had a standing… not even a standing joke, just a standing plan, that we were going to have sushi - there was going to be a scene in Good Omens where sushi was eaten and we were gonna be extras, we were gonna sit in the background, eating sushi while it was done. And I was so looking forward to this and, so I wrote this scene with it being sushi, even though Terry was gone, with that in mind and I thought: Oh, I’ll sit and I’ll eat lots of sushi as an extra, this will be my scene as an extra, I’ll just be in the background. And then, on the day, or a couple of days before, I realized that I couldn’t do it.
Douglas: You never told me this before either. I might have pushed you into doing it, had I known. I think you were right not to tell me.
Neil: I was keeping it to me self ‘cause I was always like: Oh, maybe I’ll be… this will be my cameo. And then I couldn’t. I was just so sad, ‘cause Terry wasn’t there. And it was probably the day that I missed Terry the most of all of the filming - it was just this one scene ‘cause it was written for Terry and all of the sushi meals we’d ever had and all of the strange way that sushi ran through Good Omens.
~~~
In the Final Fifteen, it is clear that Crowley and Aziraphale want to stay together. They love each other. They each know that the other loves them. There’s nothing that needs to be said, no convincing that their bond is true and real and precious.
But Aziraphale has to go to Heaven, and Crowley cannot follow him there.
I cannot speculate what it must have been like for Neil to endure losing a friend who, though I’m sure he desperately wanted to still be in his life, he also knew that life had become a burden to him, and grieved that Terry was not able to choose the time and manner of his departure from this Earth. This sort of complex grief, we fan-ficcers know, is the kind that is often best processed through story-telling. 
I think that what we see Crowley going through in the Final Fifteen, alongside its importance to the story arc of Good Omens overall, is Neil processing his grief at losing his friend Terry Pratchett, and even the kiss, that violent, terrible, awful kiss, was the symbolic representation of Neil saying goodbye.
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signedmio · 4 months
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After Reading the Proposal and Wedding One shot I think it's called?
Can I please request the same characters(Adam, Lucifer and Vox) react to there kid having there Powers and how GN Reader and Them deal with it in an everyday bases
oh my god my brain has so many ideas i’m doing this right the freak now
also i’m so sorry this isn’t necessarily gn!reader becuz this does talk about pregnancy 😭
Warnings: AFAB!reader, pregnancy talk, ooc Adam?(?), swear words, potential S1 spoilers, Vox being a bit of a shitty dad
Adam, Lucifer, Vox w/ kids who have their powers (+ extra)
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Adam
You and Adam probably wait awhile after your wedding until having kids, he wants to have his party lifestyle a little longer, and cmon, who can blame him?
At first he isn’t so sure, I mean, a small ball of flesh that just cries wasn’t the most entertaining thing to him… But he’ll do it for you
But the moment you tell him your pregnant, something in him clicks.
He’s very invested in the kids before their even born, he’s reading all those cheesy and old baby books constantly, cause honestly, he’s not as prepared as he’d thought he’d be
Simply because I see Adam as both a boy dad and a girl dad let’s say you two have twins 😛
He’s a good dad not gonna lie, but let’s be real, he tried to make at least one of his kids say “feces” as their first word… yeah, you weren’t too happy. 😀
Growing up, he definitely spoiled his girl and roughhoused with his boy, maybe a bit too much…
He was definitely a baseball or softball dad
Considering Adam’s foul language, they definitely grew up at swearing at a young age, but it stayed in the house dw
As the kids grew into their early teens they discovered their shared their dads powers — and bitch was through the roof about it
Adam started training them on how to use their powers to their liking, but also taught them the safety of them. He was actually a pretty good teacher ngl.
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Lucifer
Obviously, from his past marriage with Lilith, he already had his first kid, so he was ready — he was just waiting for you to be as well
So when you were, he was stoked !
He was very aware and attentive during your pregnancy, trying to not make the same mistakes he did the first time around
He’s also very understanding about mood swings and he WILL go out in the middle of the night to get you cravings, he doesn’t have to, but he will
But when you both bring another daughter Morningstar into the world, Charlie is thrilled to have a younger sister!
She definitely babysits a lot, and the child definitely spends a lot of time in the hotel
Luci dedicates certain times of the day when he can not and will not have meetings or projects to be working on so he can dedicate time to both of his daughters.
He loves asking your daughter how her day was, and how schools going, but he also asks how her friends are to stress that grades aren’t the only thing that matter
As your daughter grows, she starts to develop Lucifer’s powers, only a small fraction — considering how powerful he is, but he’s stoked that not one, but now both of his daughters have his powers!
He’s been through training them before with Charlie, so he’s pretty skilled on how to do it now, but he tends to stress to your daughter the usage of the powers and the rights and wrongs are far more important than the strength you have
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Vox
Vox was in no rush to have kids due to the current workload for VoxTech, but if you wanted them, all you had to do was ask
Vox, like Adam, couldn’t really wrap his head (or screen ig??) around the concept of a child until they were in his arms.
Vox wasn’t really sure how to handle a newborn, older kids were different, but this..? Maybe this wasn’t right for him…
It broke his heart every time he heard his son sob as a new born, and to be honest, he wasn’t sure what to do.
It’d be late at night and Vox would get out of your shared bed to go make sure the baby would stop crying before you’d wake.
He’d try everything, singing, rocking, bottle, changing the diaper, toys, everything. And it wouldn’t stop.
It’s not until you stir in your sleep and hear everything, you go to your son’s crib and simply hold him and he stops crying immediately, you set your son down and go back to sleep. Vox is literally amazed.
As your son ages into the ages of 6 and up is when it starts to get easier for Vox, by the time Vox can even slightly have a conversation with the kid it gets easier, the communication is a lot more clear
He doesn’t have a lot of time to play with his son due to VoxTech, so usually Vox will keep his son in his lap as he works in his office, he’ll even ask his son business questions! Even when he only gets gibberish back, he’ll take it. Hey, don’t judge him, client feedback is important.
As his son ages into his teen years, Vox starts turning a bit strict, he needs his son to be the coolest fucking kid in school, so Velvette tailors him a shit ton of clothes and Vox makes sure his son always has the newest gadget. Vox also is strict about keeping grades up, he wouldn’t ever take anything away for a bad grade, but your son may get a bit of lecture..
All of this is building up to something though, Vox really wants your son to take over VoxTech in his adult years, so he wants to make sure his son is prepared and experienced in the new world he’d enter, if he doesn’t want, Vox gets it, he may be a bit pushy though, but Vox has been in that place so he won’t push too hard.
At around the age of 15, your son developed Vox’s hypnosis powers.
Vox teaches your son how to use this to his advantage, like for example, VoxTech, but he also stressed there’s a time and place, and to not use it on someone you truly care about. Strategy is everything.
Is Vox the perfect parent? No. But no one is. But he genuinely has so much love for his son, and tbh he wants more kids…
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ramons-elevator · 11 months
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Bad mentioned on his stream that all the dead eggs lives impacted how different we treat the eggs on the server and I realized that EVERY egg death changed history on the server and how we treat the eggs.
Juanaflippa- Obviously her second death made everyone very weary with the beds (and the admins bc i believe they made the beds harder to break). But her third death with sweeping edge and how everyone needs to be careful around the eggs with swords.
Tilin - Their death kinda goes hand in Juanaflippa about how NOT TO USE SWORDS around the eggs. But also Charlie went into eggxcile because of Tilins death and that snowballed into Gegg. Also helped with Luzu’s character and how he switched to Arin and with the computer/Code.
Chayanne- Technically chayanne lost their first life to neglect BUT the nightmare Phil, chayanne, and Tallulah had i believe introduced ‘nightmares’. Also it made the admins disable some born in chaos mobs and made Philza even more paranoid about the island than he already was.
Bobby - his death was the first permadeath we had since the trio died. It hurt a lot and made Forever realize that his death could have been prevented. Thus making Forever build the Ninho and make everyone very cautious of everything.
Ramon - same with Chayanne’s were his first death was to a Blaze but his nightmare was significant. It made the admins make solid ground rules about certain things and make sure everyone knows the rules about reinforced bases.
Leo- Her death with whales made everyone realized how fucking beefy and super dangerous the whales are. Also that you shouldnt just AFK anywhere. That you should try to be in a safe place before AFKing.
Dapper - His first death was SUPER significant. It made people realize that the code is learning and adapting. Thus made Bad, Forever, Cellbit, and Etoiles go to Luzus computer and explode it. Which lead to Forever getting pieces of the computer and getting the motivation to try to bargain with it. Which lead to Cellbits betrayal and enderchests getting banned. It also gave the most insane book by Cucurcho which is “Perfect for you or for me?”
Richarlyson- His first day nightmare gave us that the eggs have first day immunity. Then his actual death showed us that uhh fuck bulls and that Mike blames himself for Richas death to this day. Also gave us Imortalyson and kinda Richarlyson’s mindset of ‘fuck it we ball’. All he has ever known is one life.
Trumpet - THE MOST IMPORTANT DEATH ON THE FUCKING SERVER HOLY SHIT. Yes Trumpet died from neglect but his death lead to the Theory Bros. For those who dont know, Bad went to Maxs house to comfort him about Trumpets death and one of the ways he tried to get Maxs mind off of Trumpets death is talk about how weird the island is. Thus Bad and Max theorizing about the island and the rest is history. Also it lead to Max and Bad interacting more and kinda making Max talk to more people around the island.
Tallulah - Her nightmare with Phil and Chayanne has significance as stated above. But her death with the Code is significant because it was the first time Forever saw an egg’s death. It deeply upset him and made him a lot more serious about the eggs. Also again made Philza more paranoid.
Pomme- She hasnt died yet but her nightmare I would say is pretty significant. Kinda with Ramons nightmare, it helped give the players, admins, and audience some more rules on things and what the admins can/cant do. It also made everyone realize “Holy shit theres a weapon that does 50000 damage and will one shot you and destroy your armor” which is terrifying on its own.
Everything is so significant on this fucking island and every egg is extra significant to this island. No death is taken in vain. They truly shaped the island and everything we know about it
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eustasskidagenda · 7 months
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anon asked: Hello you <3 your writing style is so smooth, I love it! So, I would like to ask you some smutty fruity juicy smut for Law my man, Kid (maybe it will make you accept this request more easily 😇), and Sanji. Something about how they would react after being teased all the day by their s/o, like bc she’s wearing some suggestives clothes or touching them in public etc. For a female reader, if possible. And regarding the kinks, do as you wish, I trust you with the result. Hope I made the request correctly and tysm for bringing our ideas to life <333 Oh, and you can add some more characters if you want! anon, please.
Hi there! Tysm for your kind words, I'm always a bit uncertain and unconfident when I have to write scenarios in other languages than my native one ;w; So, it means a lot to me ;w; I didn't add more characters bc you already pick two of my personal fav + my ultimate fav ♡. Anyway, the meal is ready, hope it will match your expectations, thank you for requesting!☆
☆Law, Kid & Sanji after being teased all the day by their s/o
CW (generals) : MDNI, f!reader, smut, teasing
WC : 3,3k
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Law 
CW : dirty talk, fingering, overstimulation, slight degradation (usage of 'slut'), panties stuffing (mouth)
What a foolish game to tease Law. You know that, don't you? Law could write a complete book about teasing and still have much to say regarding this topic, in fact. So, sure, go ahead and tease him. Taunt him with this short skirt, bend just in front of him to grab the book you "accidentally" let fall, and try to annoy him while he's working in his office. He won't show anything, always keeping his cold and serious attitude in front of others. Law is pretty good when it comes to controlling himself. But inside, oh damn, his blood is boiling with pure desire to make you pay. Law is not one to let things fall, so he wants to avenge and he will do so.
And we all know Law is the king of shenanigans. While working, he would imagine a cruel scenario that would make you turn into a moaning, whimpering, and wet mess. He would keep thinking about it the entire day, holding back a mischievous grin as you continue to tease him. 
In fact, he thinks you're cute. You're putting in a lot of effort to tease him, but you have no knowledge about this topic. But it's fine, he'll teach you how it's done soon enough. 
Despite your attempts to annoy him, he's still working even though it's almost midnight. Even so, you enter his office once more, sitting at his desk, throwing his papers away. And you're wearing a really short skirt, one of his favorites. Slowly, you cross your legs, showing him the panties you're wearing under: again, one of his favorites. "Law, I'm bored" you whine, with wet puppy eyes.
And now the fun begins. Law would use his DF to 'room, shamble' you into your shared bedroom. Obviously, he would also lock the door from a distance. All you can do is wait for him. He won't let you go soon. He would continue working, taking pleasure in the silence and picturing your pitiful whines. 
After maybe two hours, he would finally join you, slowly opening the door to find you lying on the bed, all bored and eagerly waiting for the long wait. As you attempt to jump into his arms and say 'Law, you're here!', he would scowl mad at you and take off his hat without any consideration for you.
The aura surrounding him would only radiate anger and eagerness. "Get on the bed." And this is not a suggestion or a nice request coming out of his mouth, but an order. He rarely commands that directly, but when he does, you better obey really quickly. Honestly, you know it's not time to act like a brat anymore, so you should comply.
First thing first, Law would tie your wrists. "A naughty girl like you doesn't deserve to touch me." With that sentence, he would slowly remove his shirt, taking his time, playing with the buttons, and eventually revealing his bare tattooed chest. The one you love to fondle, kiss, bite, and even leave hickeys on. 
You're already squirming, anticipating being touched, anticipating intimacy with him, anticipating his skin touching yours. "Is there something wrong, y/n-ya?" Ah, yes. He would really take his time, slowly sliding his shirt down the ground, and running his beautiful tattooed hands through his hair. 
As you writhe, your short skirt goes up your thighs, revealing your panties that are already wet. "You're such a pathetic slut. You need me so badly already, y/n-ya?"
He would simply observe how your underwear is becoming more and more wet. He hasn't touched you yet. It doesn't matter if you squirm and beg, he won't care. You did that to yourself. You can try to untie yourself if you want, you're tightly tied. 
"Please Law, I'm sorry! I need you so bad! " 
" And you decided to tease me all the damn day to get my attention? You're such an eager slut. Now shut up and take it." 
Law would love to sit on the edge of the bed, close to you, but not enough to allow you to touch his skin. He would make you feel his presence, enjoying all of your pathetic whistling. And after a certain time, finally, without a word, he would run his skilled fingers along your body, touching you everywhere, avoiding your inner thighs in purpose. The more you contort and arch your back, the more he will tease you. He loves how you crave for his touch. 
As tears of frustration start to prickle at the corner of your eyes, he would roughly pinch your nipple. "Something wrong, y/n-ya?" He's tricky because if you beg for more, of course, he won't obey. And if you keep quiet, he would continue to torture your body, waiting for your answer. "That's how we tease someone, y/n-ya."
His hands would slowly, slowly, taking off your skirt and then, he would hook his thumbs under your panties, sliding them down your legs, inch by inch, revealing your bare pussy and damped folds to his eyes. "Law… I" And brutally, he would stuff your wet panties in your mouth. "Nice girls are the only ones allowed to speak." 
Your muffled complains would be pure music to his ears. He would continue to tease you, his fingers tracing patterns on your lower-stomach. Finally, sliding along your slit. "You're soaking wet for absolutely nothing." Oh, he would love to watch how your dripping core is aching, clenching around nothing, before slowly rubbing his fingers along your pussy.
"You're making a mess on the bedsheets. You better clean them right after I'm done with you. " 
He would push one finger into your pussy while you moan, your mouth still full of your own panties. Law is truly talented, even with just one finger. " One finger. That's all you deserved." 
His middle finger, which is nicely curled, would hit all your sweet spots when he circles your clit with his thumb. He would love to watch you trying to get more friction, more of him, more of his fingers. But he won't comply.
He would be painfully slow, thrusting his finger in and out of your body at an unrealistic slow pace, before brutally pushing in, and then, nice and slow again. Yes, it's frustrating, it makes you tense yourself in anticipation, and it's precisely what he's looking for. 
"See, I've told you one finger would be enough" as you cum violently all around his middle finger, making a mess on the bedsheets, with shivering thighs, shaky breath and pathetic whimpers. 
"I'm not done yet." 
Before sliding two fingers inside you. He would continue to rub your clit, hitting all your sweet spots, making you squirm on the bed as you try to untie yourself. But there is nothing you can do. You're sentenced to take more of his fingers, to cum again and again, your sensitive pussy aching and clenching.  
Then, he would take off his fingers, licking his tattoos covered in your wetness. And if you dare sigh of relief, he would slowly run his fingers along the length of his cock through his pants. 
"Oh, y/n-ya, you're here for a long, long night."
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Kid 
CW : Degradation, rough sex, fingering, dirty talk, v!sex, spanking, hair pulling, slight choking, Kid has a filthy mouth, size kink, overstimulation, unprotected sex, mention of anal sex
The master of rough sex.
Kid has absolutely no patience or self-control, and absolutely hates being teased. Whenever you tease him, his honest reaction is to grab you roughly by the wrist, pin you against the closet wall, and just fuck you roughly from behind. He doesn't give a damn if it's in a public place. 
But today is different because he can't have his fun with you. That damn reunion for the 'alliance thing' that he agreed to because of Killer is way too long, and you're teasing him under the table by rubbing your feet against his cock. Or showing him that you're wearing your red panties, his favorite ones. The poor Kid would hold onto the table, his phalanx white due to the intense effort he's making to maintain his composure. 
Don't you dare think about his thoughts right now, because all he can imagine is you being fucked roughly like the little slut you are
The moment the meeting is over, he would try to grab your hips and fuck you immediately. If you manage to escape his grip, sticking out your tongue to mock him before running to the Victoria Punk, oh, damn, you're doomed.
Kid would waste no time looking after you, with clenched fists and gritted teeth. No one would dare approach him because, honestly, his anger is wrapping him up like an aura. And we all know how Kid deals with annoying people. 
He would slam the door of your shared bedroom angrily. Kid would be even madder if you lie on the bed, giggling and pleased with your mischiefs. "Think you're funny, fuckin’ woman?" The way he spits his words in your face is quite frightening. Now, you're not laughing anymore. "'Gonna fuckin' ruin ya" 
That's all your waiting for, right?
With sloppy moves, he would let his coat fall on the ground, take off his shirt, and throw his boots away. Before ripping all of your clothes, including your panties, and crawling onto the bed, his impressive figure looming over you. He would shamelessly use his large metallic arm to crush you onto the mattress. The prosthetic hand would hold your upper body, with two metallic fingers around your throat and the rest wrapping around your waist. "Stay fucking still, slut."
As you squirm and start to moan, turned on by how dominant he's acting right now, he would scowl angrily. "Stop bein' so fuckin' loud" with a rough slap on your inner thighs.
He would love to watch how you look, pinned down and totally helpless. All you can do is take all of him. He would make you spread your legs, pushing your knees away, and force them to touch the bed sheets in a matting press position. 
The sensation of fitting your small body between his muscular thighs would be immensely attractive to Kid. He would slam roughly two thick fingers into your soaking wet pussy without any warning or consideration, hitting all your sweet spots. The only thing you're allowed to do is take it. You won't be going anywhere. Not with his metallic hand holding you still. 
As you moan and beg for more, he would laugh mockingly. "Shut the fuck up, slut." Without a word, he would take off his fingers covered in your wetness and force them into your mouth. "Suck them clean." 
He would probably make you gag and drool a bit, forcing his fingers down your throat, enjoying how tears are starting to prickle at the corner of your eyes. "Thought it would be funny to fuckin' mess with me?" 
After taking off his fingers, he would roughly flip you over on your stomach. "Ass up. Chest down. Now." And, as you comply, he would smash your head against the pillow, forcing your back to arch until your spine hurts. 
Kid would spank you with his heavy hand. The flesh one. Leaving red marks on your cheeks and spreading them apart brutally to watch your tight pussy clenching desperately around nothing.  "You're just a fuckin slut, Y/N, gettin’ soaked just for some fingering." 
Quickly, he would slide down his pants, just enough to free his large cock, leaking in pre-cum, throbbing and twitching with impatience. Then, slamming his hips forward, burying his cock deep inside you, and bullying your cervix with his thick length. "Take it all." As you cry out from how good he's filling you up. 
"Shut the fuck up" burying your head violently against the pillow if you start to moan. And if you continue to muffle, cry out, and whimpers, Kid would wrap his large hand around your throat, squeezing roughly, silencing you. 
He would slam his cock so hard, making your ass jiggle with each thrust, his heavy balls slapping against your wet pussy, with a sloshing, obscene sound. He would make sure you feel helpless under his control, enjoying how your breath becomes shallow and labored as you struggle to get enough air through your nose. "Don't fuckin' mess with me, Y/N. Never." 
He would love to watch how your inside is swallowing his cock, burying himself so deep that it feels like he's pounding your very core. 
"You keep sucking me in, you like my cock that much, lil slut?" 
The headboard slamming against the wall would cause the bed to creak. With his hand, Kid could either slap your ass or hold you still. And sure, his eyes would be glued to his cock, sliding roughly in and out of you, glistening, all covered by your wetness. 
As he pounded into you at a breaking-spine pace, he would grunt loudly and shamelessly, sweat dripping down his face. "Cry out for me all you want, fuckin' whore." 
He would pull you back onto his cock with each thrust, almost tearing you in half. He would use his exceptional stamina to his advantage, plowing into you repeatedly and showing no signs of slowing down. He won't stop if you don't use your safe word for a rough session. 
"Who's fuckin' you so well?" 
His ego would be immensely satisfied if you keep shooting his name.
His hand would grab your hair, pulling it roughly, almost breaking your neck, forcing you to look at him while he fucks you. Squeal for him, cry for him under his unforgiving pace. That's all he wants. "I don't even know why I'm fuckin' you. A slut like you doesn't deserve my cock." 
He would continue until your mind starts to melt into nothingness, leaving bruises all over your skin. Your moans and his low, animalistic grunts would fill the rooms. As you cum all around his cock, he would slap your ass, keep thrusting, and overstimulate you. And brutally, he would cum inside of you, his body shaking with the force of his release. After a few more sloppy thrusts, he would pull out, his member sliding out of you with a loud plop, followed by a large amount of white sticky fluid leaking out of you.
"Keep it in, slut." 
Slowly, his thumb would find its way to your asshole. "This hole deserves some attention too, right, slut?"
Good luck, you just awake a wild beast. He would be delighted to observe your struggle to walk the next morning. That's what you get for teasing him. No one messes with Eustass Kid.
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Sanji 
CW : oral sex , fingering (reader receiving), slight food play, squirting, v!sex, Sanji is talking in French here and there 
Okay, but Sanji is almost always turned on by your simple presence. Our poor Sanji would struggle to even breathe if you decided to tease him. His eyes would always be glued to your every move. He would smoke more than usual, attempting to resist the urge to lift this beautiful dress and devour you.
Honestly, he would assume that you're angry with him. "Have I done something wrong today, Y/N?" With wet puppy eyes. 
Poor Sanji would be even more confused if you start laughing playfuly and lift up your dress slightly, revealing the elegant lace panties you're wearing today. He would struggle to cook, almost burn the dinner for the crew because his mind would be so dizzy. Oh, he would sacrifice everything to eat you out right here, right now, in front of anyone.
Sanji would cough loudly as you continue to tease him under the table during the diner with the rest of the crew. And once everyone has left the kitchen, Sanji would waste no time locking the door and just grabbing your hips and sitting you on the table. 
Let's remember the broken plates with a minute of silence.
"J'ai tellement besoin de toi, Y/N" (I need you so bad)
He would also ask you what he has done wrong today, and as you laugh and reply 'nothing, I just wanted to tease you,' Sanji would be relieved. "If my pretty girlfriend is needy, then, I have to take care of her. Je vais bien m'occuper de toi." (I gonna take care of you)
Sanji would use the environment to his advantage and cover your body with black chocolate, slowly licking your breasts covered in the warm liquid. "Tasting so good…" 
He would eat and treasure every inch of your skin, sucking on your nipples, pinching them slowly between his thumb and index finger while sucking on the other. Sanji is eager to please you and is happy to finally touch you after a long day of teasing.
He's a starving person, he would never be able to tease you back or just ignore you.
Sanji would slowly slide your panties down your legs. At the sight of your bare pussy, his cock would roughly press against the fabric of his pants. 
He would treat you like a queen even if you've been teasing him for the entire day. After all, you are his queen and you deserve the best.
While you remained on the table, he would ask "Are you comfortable?" and then kneel down and gently run his hands along your inner thighs. He would slowly bury his head between your legs. Being between your thighs is his favorite place. Pure heaven for Sanji.
Sanji, the oral sex king, would take his time, placing soft kisses on your inner thighs, slowly approaching your soaking wet pussy. "My pretty girl is so needy." 
He would eat you out by using his skills to make you moan his name loudly. Please grasp his hair and press his head harder against your lips. When you use him for your own pleasure, he loves it. His tongue flicking against your clit, he would smoothly slide two long fingers inside of you, curling them deeply inside of you. 
Sanji doesn't need anything but his skillful mouth and hands to make you feel good. Your responsiveness is something he loves. He would love to feel your legs wrapped around him as he continues to drink all of your juice as if it were a glass of red wine. 
With a gentle touch, he would intensify the passion, his tongue licking harder at your clit, and his fingers perfectly curled against all your sweet spots. Although he's patient, he's also battling against his own urge to take off his pants and slide his cock deep into your hot and wet pussy.
He would look at you, enjoying how your face is twisted in nothing but pure ecstasy. "You're always making the prettiest noises for me" before returning back to his duty: making you cum.
And that's what you do, squeezing his head between your thighs, grabbing a full hand of blond hair, cumming hard against his lips and around his fingers nicely curled inside you. 
Sanji would drink all of your juice, continue to eat you out, until you cum again. And again. You teased him all the day, now, he can't get enough of you. He wants more, he needs more. He would leave you with your legs shaking and turn you into a pathetic whiny mess. "Too much!" He would continue until you squirt on his face, your mind so dizzy that you can't feel your own orgasms anymore.
Finally, he would stop, licking his lips and glistening with your wetness. "Tu es si bonne, je ne peux pas m'arrêter." (You taste so good, I just can't stop.)
He would not expect you to return the favor. But it would be cruel to leave him with an uncomfortable erection. You're not cruel. Right? 
If you decide to let him slide his cock inside you, he would moan so loudly and shamelessly. The prettiest moans. You just feel so good. 
He would fuck you on the table, in all the positions, worshipping every single inch of your body until you're both exhausted.
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genericpuff · 10 days
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oh boy it's that time again
when rachel posts 'video progress' of her work and we proceed to dissect it like a frog in 9th grade science class
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like ok first the caption of "is persephone the chicken and hades the egg" makes no fucking sense except to anyone who overthinks it and goes "wait is that a reference to the popularly-perpetuated version of the myth where persephone went down to the underworld willingly and hades didn't actually exist???" because if it is ima scream lmao
but MORE IMPORTANTLY-
Here's the transcript of what she's saying in the video:
"I think I've always wanted to write Hades' and Persephone's story because obviously I really like them. It's like very much a chicken and egg situation because I think in the beginning I thought that I was going to use a very abstract black and white style, and I realized it wasn't very enticing or fun for me, um... and I started drawing these very like vibrant characters and as I drew them I understood more about the story the more that I explored the art style, um and I guess an example of that is, y'know, Persephone is like a very bright color um, and the Underworld, is a very dark dark blue, and so when she says she really sticks out so it's just environmental uh processes like that that really helped inspire the direction of the story."
(despite her expanding on the "chicken and the egg" bit it still doesn't make sense imo lmao)
But what we're seeing isn't S1 LO, it's actually from S3 of LO:
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But um... you notice anything interesting about the screenshot I just showed you?
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That literally looks NOTHING like what we see in the final panel. At the VERY least I think this goes to show how overcooked it becomes in post-production, when they add the canvas layer and hypersaturate the shit out of the colors, but even the blending technique just isn't matching up?
A lot of what she's doing in this video also feels very... non-existent, like she's brushing her pen around but very little is happening so it feels more like her just putting down random brush strokes to try and make it seem put-together but really she's just kind of pushing colors around and/or doing nothing. Especially when, again, what she's painting here looks nothing like the final picture (so at best it's a lot of wasted work??)
And knowing what we know about the assistants drawing the characters separately so that Rachel can rearrange them in the final episode layout... I don't wanna call foul play here, but this feels like yet another attempt on Rachel's behalf to make her process seem more involved than it is by simply redrawing a scene for the performative aspect of it all. It's like the "sketches" in the books looking way too 'clean' for the final product and giving the impression that she just sketched over the final panels to make them look pretty enough for print.
I also wanna mention that for some reason she's drawing this on her iPad when she owns a Cintiq. It could be because she was drawing this while abroad in the US for her conventions last fall, but despite clearly being ahead of schedule, she still wound up drawing the final episode the night of-
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Oh yeah and btw there are like a million clipping layers for what looks like just a simple drawing of Demeter. And this lines up with our previous theories about her using like 128549021809 layers for literally one character.
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And aside from all that her commentary, as always, is very nothingburger, just a bunch of word salad. Like she's literally trying to explain LO's color theory as "well Persephone is bright pink and the Underworld is dark blue so she sticks out! That's all you need to know!"
IDK, I'm not coming to any sort of ironclad conclusion based off this one video, but it does feel like yet another desperate attempt to prove that she does work on LO and doesn't just leave it all to her assistants to do at the last minute. But like... she's kind of screwed in that argument either way, because even if she draws the majority of panels in LO, that just further proves the argument that she's stopped trying.
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