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andi-o-geyser · 1 year

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A compilation of my favourite Perc’ahlia lines because I’m such a sucker for them:

“She is my heart and my judgement and the future that I have chosen.” (Percy)

“Darling, take the mask off.” (Vex)

“Every time I thought I would sink, I would see your face- your face, the first time I truly lost control, and you told me to take off the mask.“ (Percy)

“You're a good person and you're not broken anymore. All right? We're filling each other's gaps. We'll be the glue.“ (Vex)

“Never forget you’re my favourite.” (Percy)

“I’ve known a lot of people with money, and they are definitely not worth you.” (Percy)

“Nice shootin’, stud.” (Vex)

“You’ll have to amend that one name, just to be fair. It’s Lady Vex’ahlia. Lady Vex’ahlia, Baroness of the Third House of Whitestone and Grand Mistress of the Grey Hunt.” (Percy)

“My heart is someone else’s.” (Vex)

“I should have told you: it’s yours.” (Vex)

“There was a hole in my heart, and I truly believe the only reason I didn't perish from it was because you were holding my heart so tightly. I thank the gods I gave it to you. It is yours, forever and always.“ (Vex)

“I just scream, I scream.” (Vex)

“I need you here now, I need you here.” (Percy)

“You still have a little blood behind your ear.” (Vex)

“But I don’t want to be here if you’re not. Whitestone still needs you, darling. I still need you here.“ (Vex)

“You’re far too wonderful for an idiot.“ (Percy)

“He’s married, to me, and I will cut you.” (Vex)

“You have given me a future I had cheaply sold away.“ (Percy)

“You allowed me to be a part of the thing that you hold dearest. And I was so proud.“ (Vex)

“Vex, I heard you. It was the only thing I heard.” (Percy)

“Were you going to fight the Raven Queen for me?” (Vex)

“I promise to walk into the future with you. I promise to build a family with you. And I promise to always be here for an adventure with you.“ (Percy)

#all the ways the say ''i love you'' without saying it <33 #the ship of all time. fr.#didn't you hear? they literally invented romance #if it doesn't take 70+ 3 hour long episodes for them to first kiss each other then what's the fucking point #the most well built relationship i've actually every seen #they mean so so SO much to me #it's all the little moments that mean so fucking much #you can literally watch them fall in love in real time #they have an *oh* (italicized) moment! a real fucking *oh* moment!!! like?!??#this fully married couple with 5 kids is in such a slowburn portion of their relationship i feel like i may start breaking shit #relentlessly posting perc'ahlia #perc'ahlia #percy de rolo #percival de rolo #vex'ahlia #vex'ahlia de rolo #putting his full name just for the fuck of it #percival fredrickstein von musel klossowski de rolo iii #critical role #cr1 #vox machina #tlovm #tlovm spoilers #the legend of vox machina #andis thought geyser

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cuntstable · 10 months

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was talking about this with a mutual just now but it really is so funny how dio was such a failure in his god complex at the end of the day that arguably the best lesson he ever taught pucci as his evil mentour was ”ok dont do what i did which basically was just fuck around and do drugs and have sex in my mansion because i got nothing done vis a vis Heaven Plan and ultimately got killed by the joestars” and pucci took that to heart so strongly that instead of becoming another fail slut he turned into a straight edge celibate priest and ended up doing 99.9% of the heaven plan and sucessfully killing all his enemies like LOL

#like the most deadly and succesful jojos villain purely by having the cringest example. he learned that you have to get shit DONE #like i would almost bet money that like. if anything puccis probably the one who told dio that he should use knives in stand fights. like he #wasnt doing a dio homage in cape canaveral he literally invented that as a teen and dio just wrote that down #like its the kind of cunning set up that he could do but i dont think dio would on his own actually LOL #jojo #pucci posting

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ride-a-dromedary · 7 months

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Thinking about Thaniel and Halsin reuniting again when he wakes.

Thinking about how Halsin describes Thaniel as having been ripped away from him (just as he was from Oliver). How he was the only one able to see and interact with him; how Halsin is very insistent that Thaniel made him who he became. How Halsin's "very first friend" being an encapsulation of nature itself affected the entire trajectory of his life. How that implies, to me, that Halsin and Thaniel were connected on a level far stronger and more significant than just being unlikely playmates as children - even moreso than just Halsin deciding to become his protector as he aged, or the implication of the relationship becoming more along the lines of a parent and child - to the point of being so interconnected and intertwined, Thaniel evidently uprooted and followed Halsin from the High Forest to its own unpredicted detriment.

Thaniel's being cursed and trapped quite literally *did* rip the two of them away from one another, just as tearing Thaniel's being in two twisted and created Oliver. Halsin feels a hole in his absence - a loneliness and disconnect that eats away at him. He describes losing contact with Thaniel all that time ago as being "worst of all", which is saying a lot considering what else was happening to and around Halsin at the time. And all Thaniel talked about whilst trapped was Halsin, insisting to find him because he was the only one who an entire force of nature itself believed could help it.

Losing Thaniel sent Halsin into a century long spiral; Halsin who blames himself for "dawdling" in his own pain as it suffered. Who could almost place himself in the catalyst of Ketheric Thorm's tragedy of losing his daughter pushing him to the edge. It's the elevated metaphorical adult fear of losing a child and the indescribable sorrow involved in that, mixed with the loss of an important childhood and formative influence, mixed with losing a friend, a piece of oneself, all in one.

I just imagine Halsin twitching in his skin to head immediately back to camp after convincing Oliver to return. Distractedly following behind, but evidently elsewhere, until he is dismissed or the group returns. And he is first to arrive and first to break off to his tent, pulling aside the cloth, lacking any considerable delicacy of action, to see Thaniel sitting up, blinking slowly at his surroundings. Alive; the smell of lavender heavy and sweet. Not dead and rotting, not twisted and empty. Small. Frail. Not quite whole. But alive.

And Halsin...hesitates on the threshold, hands shaking, everything having come to its head at last and he doesn't know what to do with himself. He holds his breath, fearful of any disturbance spooking the life away that they'd worked so hard to revive, until Thaniel turns its eye slowly towards him. Two deer caught in a crosspath of light. A century past and there are hundreds of things to do, hundreds of things he had planned to say to him if they succeeded, but all Halsin can manage is a strained: "It's me."

And he does not need to say who he is; Thaniel knows. All those rehearsed things fizzle away in its face. Halsin is older now, he reasons, much older; perhaps Thaniel will not recognize the century carved upon his brow just as Oliver had not. In a moment of desperation, he needs it to know him. Needs Thaniel to remember - but, fool that he is to underestimate the power of life before him, of course he remembers. Of course Thaniel would recognize him, just as he had recognized him after the long winter had passed - when he had changed so much, and was no longer a little elfling and never would be again. Just as Thaniel had recognized him every springtime after, the thawing of ice bringing another year with it, even as its face did not change at all. It must; his eyes betrayed the centuries beneath his boots, even as the child rubbed fitfully at them.

"It's me," Halsin murmurs again, falling to his knees - as if he could make himself impossibly smaller - bring him back to the beginning, turn back the years before it all went wrong. And Thaniel just nods its head and touches little hands to his face, and when he echos his name, it feels like that first thaw of spring again.

"I heard you calling," it whispers, gentle like summer breezes. "You cried for me to stop hiding. You were frightened and did not wish to play anymore. But when I came out, it had gotten dark. I could not find you."

"I know."

"I called back," he continues, even and intoned, but his lip wobbles. "You could not hear me.

"I know," Halsin repeats, brokenly.

Thaniel blinks a few more times, seemingly working out how to reteach a face long asleep, though there were no muscles to move. A false start later, a twitch of the nose, and he is...smiling. "But I kept trying - I knew you would find me."

A single stick too heavy and the dam breaks. Eyes filled with tears, he hugs Thaniel to him like he hadn't since they were children chasing each other through the underbrush with glitters of gold tangled in his hair. Since Thaniel had guided his hand to make the flowers in his father's garden grow. Since all they'd had was each other under the endless canopy of trees.

"Forgive me," Halsin whispers, a century of pain and loss and loneliness exiting from him in a single rush, the cold empty spaces inside him filling up with warmth. And at last he wakes, dragged violently into the open air after drowning for too long, blinded but alive and whole once again. Interconnected; not alone anymore. The earth sings beneath him and Oliver's spirit hovers just beyond the outskirts of his vision. Halsin chokes on his laugh. "I was never very good at this game."

#BG3 Musing #Halsin Posting #Halsin #anyway...yeah - again half purple prose half nonsense #halsin's most valuable relationship in his life is pseudo-spiritually platonic and that means a *lot*#of course he wants to go back to his realm in the end - of course he wants to see him happy and thriving #because i feel like platonic relationships are just so wholly undervalued as being important and healing to people #i am also thinking about halsin telling oliver that he need not invent friends - halsin was likely told as a child #that thaniel was made up i feel it - treated perhaps at best as an entertainment of their son's imagination in his parents' case #because no one else had heard of him or seen him before #even in a land of magic and monsters #halsin providing oliver with the validation he wishes he had as a child #using the 'you needn't invent friends' as a reverse - thaniel is back and real and waiting for your return #see my previous post regarding this for musing about thaniel and oliver being kara-turan-esque nature spirits because tbh #they more align with that - how'd you get here thaniel #using it/he for thaniel feels right in my mind

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rainbowresurrection · 2 months

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Kinda got a love/hate relationship with the history of K/S because it's like. Can I please have a queer discussion about this 1960s television show without it being reduced to "shipper discourse". I thought Spock and Kirk were homo long before I knew that their characters spawned a fanfiction counterculture. The bisexual dude who wrote the episode that really kick-started the movement didn't know it was going to coalesce into the fan phenomenon that it did, he was just writing what he knew how to write best: the repression of burning male desire, and two dudes doing homoerotic shit. Can I just talk about the repressed burning male desire please, and the implications of a gay angle to Kirk and Spock's story, without it being referred to as shipper discourse. Can I do that. Does this make sense

#yes queer men write fanfiction but the subculture itself wasnt really centered around us or around closeted male desire which is the part #i related to #and I don't always think it gets to be talked about in a way thats ever fully divorced from that context if that makes sense?#one could argue it never WILL be divorced from that context but I believe said subtext existed before k/s was invented so #anyway this is one if my most autistic posts to date #historic moment #i hope this makes sense #k/s #star trek #the premise #like i just feel like glossing it over as ship discourse is demeaning to the actual GAY part of the discussion. this was even seen when #Gay-Gay Abrams was making his reboots and people brought up the subtext as a possibility #and creators were like “grrrrr you shippers just want your two favs to kiss onscreen” which downplays the significance of two men #being INTIMATE ONSCREEN #and is a lazy way to sweep queer male rep under the rug idk idk Im tired #Kirk and Spock will always be dismissed as a possibility and thats the excuse thats always used #its just so tied up in that fandom culture #i mean its interesting its just also frustrating at times

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koldefingre · 2 months

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Also I drew this months ago, and forgot about it??

But yeah she’s the moth to the flame (well lamp but you get it)

#allison reynolds #renee walker #aftg #all for the game #wlw #girls are just so pretty #i love them #also can we please talk about Renee in Nora’s most recent post??!#she invented the term man eater #and so did her girlfriend #and i love that for us #neil josten #digital art #the foxhole court #andrew minyard #drawing #sketch #andreil

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a-god-in-ruins-rises · 7 months

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just wanted to remind everyone that french canadians are technically latin americans.

#the french literally invented the concept #but i think the most important part of this is that it was explicitly invented #to strengthen ties with europe #which is bad #it was trying to undermine the new world identity #and specifically meant to use it to antagonize america and other anglo territories in the americas #and encourage hostility between latin america and anglo america #it's not really conceived that way anymore thanks to the french invasion of mexico so i don't think it's a big deal #but it's something to be conscious of #we need to maintain a strong pan-american/new world identity #but yeah i'm mostly memeing with this post #just using it as an opportunity to muse about stuff in the tags

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theshadowrealmitself · 1 year

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Fell asleep last night thinking about an au where Norman recovers from being the Green Goblin, but he ended up doing some really creepy stuff beforehand including attacking Peter as he was Peter Parker and not Spidey and then keeping him locked up for several days (Peter ends up with a few scars from it)

Norman avoids any jail time because he’s rich and revealed somewhat of the truth, that a medicine he was working on for himself had terrible side effects, no one knows about him being the Goblin, they only know about him attacking Peter

Peter is able to successfully get a restraining order against him tho, but Norman’s a jackass who keeps hanging out on the fringe of the distance he’s supposed to be at and speaking/yelling at Peter, stuff like “when you finally forgive me and drop this restraining order, I’ll be here with open arms,” and “Uncle Ben wouldn’t want you to hold this hate in your heart” and because of the previous mentioned richness, Peter can’t do anything unless Norman steps too closely

And tbh Peter mostly got the restraining order because he was worried it would look suspicious if “Peter Parker” didn’t seem too badly affected by things, since he was used to being attacked by Norman as Spiderman

But now that he’s keeping Norman away, even if he still hangs around, and he has visible scars from it that everyone can see, and everyone knows about the court case and what happened and keep asking him if he’s okay, he’s…starting to acknowledge that it all was traumatizing, not just the kidnapping event but the whole thing with the Green Goblin, that he was just pretending it wasn’t because he’s a hero, and people seeing how badly it’s been affecting him is actually healing in a way

#part of the au #was that Peter runs Parker Industries #and although most people are on Peter’s side #every time there’s a science event the people who set it up complain at him and try to get him to drop his restraining order against Norman #because they’re going to invite Norman #he’s rich and runs a science company #but they also have to invite Peter because even if it’s a small company he’s always putting out amazing inventions #and it makes it difficult for the organizers to plan it with the two of them always staying a certain amount away #so they’re dicks.#and Miles was upset that people could just harass Peter about his restraining order and that he’d have to deal with someone who hurt him #at this event #so he gets his dad involved as some unofficial security guard since Norman probably paid off all security at the event #which was really sweet of Miles but now Peter has no way of escaping as Spiderman #and then I fell asleep before figuring out how he’d get around that because if Miles is also at the event then his dad #would be paying attention to him too especially if Norman Osborn is nearby #so that’s why this section isn’t in the body of the post #I love Norman Osborn but sometimes gotta acknowledge he was a creep who greatly traumatized Peter #Peter Parker #Norman Osborn #Spiderman #spider man #spider-man #the green goblin

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worldwright · 6 months

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WAIT WAIT. do plants literally need love to survive???? Tesla died so quickly in part because she was neglected in her needs as a person -- did the twins only survive because Rem showed them that there was a place they COULD survive? Did Tesla's body just go "there's no place for me here" and shut down? The dependent plants only survive because people care for them and tend to their needs. Are independents the same, just with different needs?

#im having a lot of half-formed thoughts about how the plants 'know' 'how to be' a person/a part of something greater #they have a more powerful connection to symbiosis than humans do -- they KNOW they can't survive without community #humans can -- and often do -- lie to themselves that they don't need other people #but the plants KNOW that they wouldn't survive alone. and they know that humans wouldn't survive without them #the independents play a different role. they're able to see and understand humans' frequent need for self-reliance and they refute it #wait don't only the first couple tags show up in search #trigun maximum #trigun tesla #trigun #ok back to rant #independents are the mouthpiece of the plants -- their advocates #most symbiosis in nature works on a more fundamental level where such communication isn't necessary #but the humans' symbiosis with the plants operates on a higher level of consiousness #free will and sentience are essential elements of it. the humans' inventiveness and enduring will is needed for the survival of the plants #this is all just a bunch of loose post-its on the wall btw otherwise id jyst make a post about it lol #anyway thank you for your time i love yall

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q-morning-crew · 5 months

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fitpac, "roommates" who don't actually live together 🤝 curtwen, "partners" who work in two different organisations

#the most incredibly niche post ever made #what is it with gay repressed men and inventing terms for their relationships with their boyfriends #at least curtwen lived in the 50s where it was literally illegal to both be gay and hold a job #fitpac live in a homonormative society. they have 20 different people telling them to just kiss already #(i kid i kid i know they have their own reasons and also just confessed)#qsmp #spies are forever #fitpac #curtwen

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sharlmbracta · 7 months

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watching atla in my "first" language really hit different to me.

fiction and storytelling, even for ones that were originally made here, especially for ones that weren't originally made here, all of them were always more natural for me in english.

for atla, when i watched and rewatched, read and reread the series, the comic, the fanfictions all in english, the characters felt like characters more than the representations that they hold. when i turned on the series in korean, out of curiosity, the entire dynamic felt shifted in this intricate way that are both personal yet distant yet i felt like i was yanked up by this unfamiliarity i was supposed to be familiar with. if that makes any sense.

like. the characters were more the representatives and statuses such as the wordings and cultural tones but the parts where the translators failed to catch the tone of the characters themselves but rather they have compartmentlized and integrated into the labels of the statuses, those that we were more familiar with what we were relayed on the history classes. especially the words that dealt with royals. the words that referred to "father", the words that referred to "king". the words that referred to "high priests", "physicians", and "my lord". when in english (at least to me) it felt like the statuses were first and foremost used as tools to add up flavor to the character, in korean (at least to me) it felt like the statuses were first and foremost used to establish the solid grounds and frames what they would play out into in terms of the fictional politicary, and the characters added second to just slightly differentiate the framework between the royals.

(high chance that i may be rather heavily biased in this since i did only watch (made to watch) most movies and animations in english since i was at a very young age, and that habit turned into a purposeful one as i grew older, so i have a very limited range of feel of how "scripts in korean" could vary in terms of The Feel. when i watch a fiction in korean that i have already digested through thoroughly in english, the foremost automatic reflex is "wait that's not right" and more than often my brain tunes the rest out as if it was a fight or flight situation. i always thought the translations were poor, a lot of them may actually are, but even when they might be decent.)

in korean i suddenly felt the weight shifting onto the race of the characters, as if they had suddenly turned "asian" in terms that i felt (or thought i felt) more "familiar" with, in a way that reasonated way too personally- not on the "me" level but on the "national" level. especially the ones- the titles of the statuses- around the imperialism words.

(to be blunt, it felt weird and uncanny in this very specific way that the real life history drilled into you(me) to memorize (and failed to) was suddenly yanking you by the collar and making itself known the fabricated imperialism and the actual imperialism that had happened in the personal-not personal-national way at the same time shoved in your face and the titles of not only said imperialism but also the status pyramid in general which you now barely acknowledged reeked out of the mere words that the characters used.

for example, resulting in the brain functioning from

"this person is azula"

"this person is an imperialist(political) princess(raw) loyal(in patriarchy) to the(her) fatherlord(as in the actual term used by the children of the high king, who was referred and (made) reverred as the "father" of the nation via confucianism (patriarchy + family, organizations == family at its core == therefore any organization especially enforced by the nation == loyalty to the king(lord) == loyalty to your father >>> individuality))"

and suddenly you(i) feel the characters like formatted boxes and yes the characters are still there but the tone is just not there anymore, and this may be just me after only watching the last 3 episodes in this language, but i felt like aang became(as in framed into a mere box of) a {kid}, sokka became a {kid}, toph became a {sister}, katara and suki became {companions}, zuko became a {guy}, azula became an {enemy the crazy}, and ozai became an {enemy the fatherlord}. and nothing else. no lingering spices of the characters. the weight of all the statuses and namesakes clouding over (all) the flavor.)

(though the added weight is kind of interesting when considering the characters derived from the feel of both languages i guess)

below is a rambling thought of how i think this would've turned out if atla was published in here, perhaps, in the form of kdrama which seems to be the most popular medium on broadcast tv lately, especially if it was pushed for nationwide publishment.

this may be biased since this post is coming from me only, so you may ignore the rest of this post if you don't want to read a wall of condemnation of what i personally (therefore not an exact official fact) think of kdramas (regarding sexism) + how the characters would've turned out if atla was one. i won't fight you if you decide to fight me or engage in Formatted Discourse because i'm a cowardly little shit who throws up a wall of rant when braindump is required and runs away irresponsibly

i'm not someone who had watched that many kdramas, but kdramas are the thing that turns up everywhere whenever the tv on the house is on (on the few times it is actually on) and this is from my viewpoint from all the glimpses i got from the kdramas. kdramas, which seem to love so much the gender roles and how the plot "tears them apart" when ironically, the established grounds themselves are made to very heavily, both blatantly and subtly rotate around the gender stereotypes and the set of the power positions- man on high position, woman on the hardworking helping side at best. and there's always some type of "romance" going on. the arrogant male tries to get the girl, but the girl eventually makes him learn his place.

oh and let's not forget the age gaps. i am not saying that age gap relationships are inherently bad but the notion of the "age gap where the man is much older than the woman" in itself seems to be a very popular trope in kdrama in the majority. especially especially those of which the background is set in the past like the chosun dynasty where the patriarchy was domineering its highest, when the man was always older and of higher-status than the "court receiving" woman with no exceptions, where the man always protect the woman in the end when it came down to drama-typically life-threatening on either side. i get that the "man status" is one of the things that the drama made as "that's just how history is" but (for me) it always felt like the setting deliberately focuses on the gender split and runs with it while having the effect of romanticizing and glossing over the entirety of it. man always "helping out" the woman via his status that the woman is inherently made impossible to reach, the label never quite really being approached in contrast to the advances that men always had.

so back to the subject. if atla was to be created first in here, similar to a kdrama, therefore having more parts to be glossed over by the media producer, the executives, the broadcast approvers, and their enforcements for "mass media taste" on top of the traces of patriarchy seeped everywhere that never really went away.

azula would have more limitations of what she could do, such as not really having full control of her ship or her army, somehow being distanced in some way she knows but cannot grasp, having a second in command that does all the actual command-in-power- even if the show lets her do all the fighting- due to the inhibitions as a female that she never had in the series. most importantly, scenes of her would no longer have that iconic "fear aura" she always had and controlled, entirely by herself, while still wearing the label of evil. her preciseness and manipulation closely nurtured and delicately yet forcefully groomed by her father, the entirety of her complex character, would be watered down to an overbearing snotty control freak who can't really do anything. and when she duels zuko, she would be fighting for the power she never was really given. zuko's win would be cloaked a heavy shade of patriarchal win.

katara would be framed as a righteous lecturing damsel in distress. she would show skill, she would be taking down dozens, but her selfless passion and enthusiasm would be made thwarted to "catch" the attention of stereotypical prying males. she would be pinned down by a manhandle and there would be a dramatic, perhaps romanticized, male rescue. she would be fighting more stereotypical men targetting her than doing her actual part of saving the goddamn world. in the series, the one "blatantly patriarchal" society she had to face in the northern water tribe overturned in quick succession due to a usage of a plot ticket of acknowledgement of personal loss of a high master due to the patriarchal norm as well as an acknowledgement of katara's skill and resilence. i can't even start to imagine how it would've turned out if atla were to be produced in here.

toph would be framed a "loudmouthed little brat", as a guy who captured her in a metal box had said it. she would be strong, she would be vigilant, but she would be ignored, she would be babied more, and she would be made to either simply shrug them off, or be condescended as if she was nothing but a child when she does show her anger. her rightful anger would be treated as nothing but a simple child's fit. either that or her gender would have been replaced entirely, as she was made in the ember island play scene, but with more region-typical stereotypes laced along the way.

all of them would be made to wear some lipstick and makeup.

all of them would be made to wear tightly fitted clothing on their higher torso, in some way.

all of them would be regularly commented of their appearances in some way.

all of them would abruptly find themselves in the face of blatant sexism as if it was an obvious topic in a conversation.

i would continue to scrutinize over how suki, aang, sokka, hakoda, and ozai would have been, but i'm not sure i honestly could, at least in terms of accuracy, with my current state of experience and knowledge on kdramas and korean media culture as well as the limited time i have. (and i really don't want to compartmentalize my time further watching tv dramas for "culture studying" sake)

so uh. thanks for reading? i guess. if you did. through the entire wall of ramble text. which i doubt. congratulations. i wouldn't read it too

#LONG POST #rant #atla #character #character study or something but not really i guess #language #status #mostly that i guess #kdramas?#i was infuriated with that one line that translated sokka's “have i ever mentioned how sweet it is that you invented metalbending”#to “i don't know how pretty you are for inventing metalbending”#and i was like. what the fucking hell. is that supposed to mean.#and so came the final push to rant down the lower half of this post #even if that was a mistranslation of “how sweet it is” i am still mad #every bit of the dialogue/transcription is at least slightly off which is why i don't use translated material if the source language is eng #the entire fucking tone and context is DEAD on translation #which i deem as the most important thing for solidifying the delivery of the expected character establishment for the audience.#i don't know about the rest of the folks here but. to hell with it. i would do a BETTER job thank you very much #ramble #brain dump #period typical misogyny #but is it only under “period typical” if it's regarding kdrama?

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