Wanna know what I wished for over the candle stuck in a tub of dip? You're looking at it. Me with my two besties doing murder stuff.
Only Murders in the Building ◆ 3x09 "Thirty"
2K notes
·
View notes
May I ask for some details about your Tav? What do you mean by hasnt really lived as a tiefling before? Like literally has never seen another tiefling? Seems like being abducted by the mindflayers introduced major life changes to your Tav
I'm sorry this took so long to answer, but I ended up doing a whole bunch of art to answer this!
Ember has a really extensive backstory that's kind of long, but the short version of it is: she was caught in the crossfire of a deal her parents made with a devil. They couldn't have a child of their own because her mother was too severely ill, so they made the deal in the hopes of returning her health and along with it the ability to bear children. Unfortunately devil deals being what they are, they ended up with Ember who the devil stole from her birth parents.
Her mom was a high elf and her dad a half-elf, and her mom's side of the family were quite vocally anti-Tiefling. Because of her mother's health problems, however, they couldn't just sever contact with her parents because they relied on their money to cover the cost of healers, expensive potion ingredients and the like. They couldn't be trusted not to be a threat to Ember though, so the decision was made to disguise her as their biological daughter throughout her childhood.
Here's an age chart!
As a result, Ember didn't even know she was a Tiefling until she was around 4 or 5, when she began to present as a sorcerer and accidentally undid the disguise spell (she ends up a bard thanks to her mom, but her control of magic comes from sorcery).
Before the events of the game, the most time she ever spent as a Tiefling was when she was 13- when her mom died and her dad disappeared, the disguise spell having relied on her mum's magic. She went through hell for a while after that and as soon as she could learn how to cast the spell herself, she jumped at the chance and went back to living as her old half-elf self. So when she gets taken by the Nautiloid, it's her being forced to actually live as her real self and as a Tiefling for the first time. As a result she doesn't have great control over her tail, because she's just straight up not used to having one.
She also spends a lot of Act 1 jumpscaring herself whenever she walks by a mirror lmao.
I do plan to do some comics that are set earlier in the game at some point, and those ones will explore more of her backstory. What I've done so far has just happened to be set in Act 3, after she's already sorted a lot of her shit out. I just have no idea when that'll actually be!
335 notes
·
View notes
idk if this is still the case but when i was really In It in animorphs feelings a couple years ago because i was unemployed for the first time in my adult life / temporarily living alone in the last house my family lived in / freaking out about climate change / generally Going Through It, and like poking around the animorphs scene on tumblr, there was this notion commonly expressed that rachel and tobias were "toxic," the major piece of evidence for which was the scene in 33 where she "tries to trap him in human morph." which like first of all i'm SOOOOOO SORRRY that the fucking fifteen-year-olds secretly fighting a guerrilla war in which their greatest threat is the mind-controlling slugs they're trying to save humanity from but their second greatest threat is the diminishing hourglass of their collective sanity as they all have to work steadily harder and more desperately to not just completely lose their shit entirely from all the violence and literal 24/7 constant threat and murder that is happening, like i'm sorry two literal children who have managed in this ongoing horror show to forge a bond of loyalty and affection and care and attraction and understanding that can act as a kind of solace neither of them have any other way to access, sorry those actual murder babies sometimes have some communication problems. lmao. but also it's insane to me that people read that scene (in which they're dancing to, i'm not making this up, iris by the goo goo dolls - i mean they don't tell us the song but it's a slow goo goo dolls number that even tobias knows, so - they're dancing to iris by the goo goo dolls at a school dance that is not going well because they are both awkward about the newfound public Officialness of their relationship and rachel who is the only one of them who has ever been capable of socializing like a normal person is in a particularly bad mood because of the emotional hangover of her starfish adventure [great concept executed terribly in the previous book], and then like after two entire minutes of letting himself feel some nice emotions tobias spots the clock and starts leaving to go demorph and then rachel runs after to him to awkwardly attempt to share that she is very fucked up about how insane she has become and she wants to hold on to things like school dances and also this is all happening in a hallway by a student poster on red tailed hawks that states their lifespan of a handful of years in the wild, it's so good) as rachel trying to trap tobias in morph, when like, first of all, "good thing happening -> time to punish myself for feeling nice for 5 whole seconds " is like THEE tobias thought pattern because he's the number one kidlit trauma baby of all time, like truly the first time i dove back into the series i was struck by how well his narrative voice captures Child Of Insane Family Dysfunctionality, he is NOT a reliable narrator on this, but also second, and more saliently, like, believing this scene is rachel attempting to trap tobias in morph requires that you believe rachel, all by herself, made a plan in advance and then attempted to execute it, which is a skill we literally never see her demonstrate even one fucking time outside of the comfortingly familiar hunting ground of the mall
356 notes
·
View notes
i dont think the comic version's end of nimona is negative specifically because the villain she happens to attach herself to is a villain by label only. blackheart is pretty much the kindest and most noble character in the book, if she happened to associate with anyone else, she probably would have been different, her killing everyone in the beginning wasnt exactly fake and i think she couldve easily been influenced to actually be worse if it was an actual villain, lol.
but a big thing in the comic is that no matter how many times nimona is evasive, lies, threatens him, gets aggressive, whatever, blackheart still forgives her and unconditionally supports her and thats what helps her in the end. him keeping this attitude
and her being able to reflect on all his actions, even if he did end up hurting her in the end, is what helps her go on a new path thats not focused on fearing the possibility of being hurt because shes different
63 notes
·
View notes
Percabeth band!au where Percy is in a band that Annabeth is obsessed with and adores every member of until he asks her out. Annabeth was raised in a toxic household she can recognise a potential power trip from a mile away, so when Percy asks her out after seeing her in his crowd, she draws an immediate non-existent link between Percy and those people who get off on being idolised.
Meanwhile, Percy just saw a pretty girl in the front row and wanted to take her for dinner and be the good man his mother taught him to be!
23 notes
·
View notes
OH OH OH OH OH FULL NAME FULL NAME AKANE KISHIDA
I figured she was the one to get in touch first based on Jo knowing she wanted to see her son, but I have SO many questions about that... how does she know her son survived... how does she know Ichiban was her son and not Aoki... how does she know who Jo is and how to contact Jo... (<- tearing my hair out as we speak)
Anyway when you have the opportunity please view the gameplay footage...
obsessed how its addressed to Mr. Jo Sawashiro i dont know why that detail tickles me... thats cute..
chicken-and-egg kinda deal with Who Contacted Who first. like id ASSUME sawashiro'd get in contact with her first if he was feeling guilty enough about The Whole Situation and was willing to dig into arakawa's past imo, esp since akane wouldn't have any reason (or ability to) know who he was until after he joins the yakuza.. and i mean.. shes long gone by then.. tho that's assuming they got in contact early on and they didnt JUST start communicating within the past few years.
BUT EITHER WAY just gotta wait and see for it all to play out.. in three months <- still cant believe its coming out january 26th 👁️💋👁️
IM OBSESSED WITH THE GAMEPLAY FOOTAGE im soooo glad i was right in how they were going to handle the style change aspect (though i guess it wasnt a hard thing to predict but still..). I LOVE HOW KIRYU CAN ACTUALLY ROAM FREE THAT'S SO COOL i remember people kept speculating on how the gameplay was gonna go with how different ichi and kiryu's playstyles are and this is SUUCH a rad way to answer that question. my excitement is immeasurable and im gonna throw up
26 notes
·
View notes
why is there a subset of azula fans that are determined to prove that zuko is bad Also/was actually the worst of the two, especially pertaining to their relationship (something that is blatantly untrue btw if you like. watch the damn show lmao). why is this a thing that needs to exist
3 notes
·
View notes
no because i should say how deeply afraid this woman is of forming relationships. how it's led into certain behaviors that become difficult to resist. following the thought process of what a "horrible girl" would do because she believes that's who she is deep in her heart. the self sabotage and destruction, that goes on for years just stemming from a low sense of self. how easy it is to laugh along with people like uncle who point fun at her past.
and these are just familial / friendships. romance is even more difficult.
love is something of a shadow creature at the corner of her eye: it's horrifying. it feels like someone trying to open her chest ( both figurative and literal ). her deepest fear is someone realizing how unlovable she really is.
but on the other hand she craves the warmth of a presence.
3 notes
·
View notes