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livefromcastledracula · 6 months

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Book Carmilla vs Adaptations (SPOILERS)

Here are a few 'interesting' adaptations. I like some of them for their own merits, but mostly dislike them as Carmilla adaptations for the below reasons, with some notable exceptions: Vampyr: The Dream of Allan Gray (1932 film): The first Carmilla inspired movie, although it keeps almost NOTHING from the novella except 'female vampire'. In this case, a creepy old lady rather than a charming young lesbian. This is a really moody, slow, acid trip of a film though, a treat for fans of vintage vampire film. (3/10) Hammer Karnstein Trilogy: The Vampire Lovers is the gayest and most book-accurate. Carmilla still kisses/seduces men before killing them, boo. The second one her identically-named reincarnation is blonde and has sex with / falls in love with a man booooooo. She's not in the third one at all. It's all very 70's and nowhere near queer enough, but at least we got the incomparable Ingrid Pitt in the first movie. 5/10. Vampire Hunter D: Bloodlust: 'Carmilla' shows up as a surprise third act villain. She's an elegant and imposing vampire queen with a castle called "Cjethe" and the Vampire King offed her previously for being A Bit Too Extra. She's... Bathory. She's Elizabeth Bathory, right down to the name of her historical castle, the elaborate gowns and the blood-bathing. Bathory in Castlevania Nocturne even looks a lot like this one. Cool scary vampire lady, but Carmilla In Name Only. 4/10 Castlevania (Games): She's fine here, but mostly just kind of a big Dracula groupie like most of the other non-Dracula vampires. Often depicting as a flying skull or mask crying bloody tears, with optional succubus-like figure reclining on top of it. Cool. Rondo of Blood has her appear together with a ninja vampire Laura with bunny ears because why the hell not. 6/10 Castlevania (Netflix show): Baddass, angry Karen. She's amazing in the first season when she's scheming against Dracula, but after that she just sort of sits on her butt sipping wine and griping about men for a whole season until Isaac storms her castle. A cool character but not a great Carmilla, because Carmilla for me is defined by how much she loves women, not how much she hates men. Still amazing voice work by Jaime Murray though and her last stand was insanely baddass. 7/10

Carmilla Web Series / Movie: My favorite adaptation. It's obviously playing waaaay fast and loose with the canon and reframing her as a charming antihero in a zany urban fantasy, but there's deep current of love for the source material, especially in the movie. Natasha Negovanlis has charisma off the charts and the Hollstein romance is adorable. This Carmilla might be a black-leather-wearing snarky millenial goth with a Canadian accent, but as the show goes on it peels back layer after layer of the romantic, poetic, wistful, world-weary immortal hinted at by the novella. This show redeems LeFanu's lovelorn villain in all the best ways. 10/10. 2019 movie / Styria movie: I still haven't seen these, have heard good things about the gothic cinematography on the most recent one but not good things about the rest of it. The trailer looked moody and pretty though, I may watch it at some point.

#carmilla weekly #carmilla #carmilla karnstein #sheridan le fanu #carmilla castlevania #carmilla of styria

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aimzicr · 8 months

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Okay I saw Last Voyage of the Demeter! I have thoughts. As someone who spent three years essaying about Dracula, as a fan and student of literature-to-film adaptations/transformations, and just as a reader and listener of Daily Dracula and Re: Dracula, I have thoughts. Mild spoilers below the cut, but nothing that would ruin the experience completely if you haven't seen/can't see it.

But please be aware: Dracula DOES go about in his Lizard Fashion™.

I wasn't expecting a one-to-one transformation of the Demeter's Log to make it on screen. After all, the story of men being silently hunted until all are dead makes for a great dread-inducing setpiece for Stoker's novel, but not so much for a standalone film. I did enjoy seeing how the story took the 'based on' as far as they could before they started stretching it.

I did have a quiet laugh as the first title-card almost seemed to suggest this was REAL and TRUE EVENTS for a second. Way to get me engaged and reference the epistolary nature of the original novel.

But yes, the story does get turned into a bit of a Last Girl Horror Movie, because they see and know there's something wrong and they're actively fighting against it, even as they get picked off one by one. An interesting take, a pretty damn good method of turning a bleak setpiece into a proper standalone story.

Dot points to follow, before I forget:

The opening with the wagons moving through the countryside was breathtakingly beautiful

(I couldn't help but think 'oh they're wearing the same hats my good friend Jonathan Harker wrote about')

The captain's log being read aloud, word for word, in quieter moments was very very good. (And, of course, by this point I know it word-for-word, so picking up on the small tweaks was quite a delight).

I enjoyed hearing the familiar names as we're introduced to the crew.

The captain's decision to retire and pass the ship on does make me reconsider the mate's stoic nature in the story as a man dedicated to his duty, rather than just an antisocial asshole. Always nice to consider things from a new angle.

Chekov's Black Dog (kind of a missed opportunity to not show Dracula using a mockery of Huck to escape, but this wasn't a one-to-one transformation of texts as I said; also no reference to a black dog being an omen of death? Missed opportunity.)

Dracula being the only one on the ship being allowed to eat meat, just a glimpse of his hypocrisy and tyranny

(Though I'm not a huge fan of modern vampires being depicted as messy eaters, Netflix's Castlevania etc: just DRINK THE BLOOD stop biting people and letting them BLEED EVERYWHERE, did your mother not teach you dining etiquette???)

"Can this disease be passed to people?" "No. Not without a bite" very cute.

The initial reveal of the face in the spyglass FUCK that was terrifying.

Considering inwardly 'why he look like that? We know he was an aristocrat when he left his castle -- wait, hang on, is this what happens when vampires get seasick? When they cross running water? They stop wearing clothes and go feral?' before I turned off my brain and stopped thinking about Seasick Naked Count Dracula

They really did need to add this new character, because the audience and the crew both needed the context and information. Otherwise, how could the crew fight back? RIP to canon, I guess, (but look at it this way: once Mina starts putting all the letters together, she gives Hellsing and the others the necessary information to kill Dracula, so... not too much of a reach?)

But Dracula, sir, bringing along a snack for the road and it ISN'T our friend Jonathan Harker?

The subtle reveal-and-conceal in the early parts of the voyage of Dracula's face and form was well done and genuinely terrifying. Just the parts where you look away for just a second and he's gone? Fuck.

"No, please! D:" "No, please~ :3"

HE'S GOING ABOUT IN HIS LIZARD FASHION AGAIN. THAT BOY AIN'T RIGHT.

Knock Knock. Who's there? Not your friend, that's for sure. (Dracula stealing this is Fucked Up, in the best way. He takes EVERYTHING from you! :) )

Vampirism as possession is an excellent way to recontextualise its parasitic history/links

Where's that tumblr post about how you can tell what a good horror film is? 'This movie's great, a kid DIES in it!'

Seeing the cloth move a second before the captain says 'I saw him move' but doubting myself. I didn't see that, right? It was just the wind. Right?

Oh. It wasn't the wind.

Men of Strength overpowered, Men of Faith made to doubt, Men of Reason rattled by answers that make no sense, and the Innocent hunted down. Dracula as a force of Pure Terror that tests one's character (and then eats, because he's a boyar and he dines on the cattle of his choosing)

Did he just slam this guy down so hard his BRAIN popped out of his skull, holy shit

'In my country, there's no-one else for him to feed on' what, do people go stale after a few bites? Dracula's a picky eater?

'He's rationing' puts the journey into even greater context. A chilling sentence in the film and in the broader understanding of the Demeter's place in the novel.

a Cool Plan to Survive The Monster is very action-movie, but I knew it wouldn't work (sorry, sometimes the spoilers/pre-knowledge ruin things)

'This is my home.' Augh. 'I'll do it.' AUGH.

The slow creeping fog rising up (like hands? like an embrace?) in the final hours was CHEF'S KISS. Beautiful effect

(Also loved the effect of the wind from His Wings displacing the fog, too. Even if you don't see him, you can see where he's been)

"What's going on?" "He knows." Oh. Well. Fuck.

The Last Voyage of the Demeter isn't told from the Captain's perspective, so much of the man's nobility and sacrifice in the name of duty is lost (even to the point that his iconic death pose is capital-m Mocked by The Dracula (almost like the old BAsTard was like 'I know you've read Stoker's book but I'm here to fuck with you, dear audience'). The Captain isn't the Final Girl in this horror movie, but they do give him a proper end as far as the film goes, even if he does get a lot more rattled and shaken than his log might suggest

There's also a sense of blurred intertextuality in vampire lore here, because they drew heavily on the Hammer Films/Buffy The Vampire Slayer context of 'vampires burning in sunlight'. Not truly Stoker's Dracula...

... then again, Dracula has a very particular Design, and is credited in the crawl as 'Dracula/Nosferatu'. He was for sure Count Orlock, rather than Dracula.

Knock Knock. I'm here watching you :3

That brief touch from Dracula as he leaves the bar was - fuck, it was a split second to make a poor man flinch, but in that brief touch was the playful terror of a tyrant: I own you, I don't fear you, you can't stop me, I control you. Nothing you said to me on the Demeter had any effect on me and you are just meat. Ta ta, darling~

The movie ending with a new survivor, the potential for a new vampire hunter, was very good. Instead of the Log of the Demeter ending in bleak despair and all hands lost, instead we have a man galvanised and ready to fight against evil, even if he has to do it alone.

Music kicked ass. Very raw, very primal, very Gothic Victoriana

Lots of fun! It felt a little like they were setting up for an Extended Dracula Universe (I hope I'm misinterpreting) but I did like how Getting To Live after a traumatic experience leads to 'Fuck this guy, he's not getting away with this in the future'. Like I said before, we wanted the monster back so we could kill it, so I appreciate that's the vibe they went with for LVotD. A little bleak? Sure. But the fact that people are willing to keep fighting, even in the direst circumstances with the odds against them? That's what we need. That's what it's all about.

#last voyage of the demeter #dracula #dracula daily #re: dracula #introspective #thoughts #mild spoilers #I love me some

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halpwhatdoiputhere · 5 months

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YALL SAW A TICK TOCK VID ABOUT HOW RITCHER WAS STRUGGLING WITHOUT HIS MAGIC WHILE TREVOR WAS BEATING THE SHIT OUR OF NIGHT CREATURES WITH STICKS AND PUNCHED DRACULA IN THE FACE AND SOMEONE IN THE COMMENTS GOES

Trevor would have wrapped nocturne up by episode 3

GODDAMMMMMNNNNNNN

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gengar-pixel-2 · 4 months

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Vampire posting.

I think I'm hyperfixated...

*Glances at the header for my blog*

#gengars shitposts #shitpost #dracula castlevania #castlevania netflix #!!HEY!!! ONCE AGAIN!!#GIVE ME SPOILERS #I WILL KILL YOU #WITH THE REST OF HUMANITY.#YOU ARE NOT SAFE.#(jk jk i wouldn't kill you ofc i'd just be really upset. /gen)

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sarnai4 · 1 month

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Empathy

There's something I realized about Hector's story in Netflix's Castlevania (spoilers ahead). What happens to him is poetic justice. Hector didn't want Dracula's plan to work which, at first glance, is a good thing. Keep humans alive, please and thank you. I don't want to go out via blood rain or night creatures; however, his proposed alternative wasn't better. He was on board with a plan to keep humans as cattle where they'd be forced to breed with one another, getting ripped apart from their loved ones by those in charge. The sheer amount of physical, mental, and emotional trauma this would put everyone in is immeasurable. Yet, Hector acts as though it's a better option. The "nice" option because death is too horrific. At that point, death is a mercy.

Isaac even calls him out on this. It's a fascinating part of the episode to me because we see their beliefs. Hector views the vampires as cats who play with their food. It's all innocent. He's almost condescending in this, acting like these powerful creatures are mere beasts like a tiger in the jungle. Isaac recognizes that it's not innocent. For the food, being played with is traumatic. I think this is because of their backgrounds. What I described earlier for what would happen to people can be applied to slavery as well. Being treated as less than and getting mutilated for the sake of someone else's desires was the fate of many slaves. Isaac probably saw this happening to people and maybe his own family. So, he knows death can be better. As he told Dracula, it "always sounded peaceful to (him)." He could see how cruel the suggestion Hector had was, but the other man couldn't. When Hector learns he made a mistake in trusting Carmilla, what happens to him? Nearly the same as he wanted for the world.

Hector is beaten, humiliated, etc. He goes through so much heck that Isaac (who had made it a personal goal to kill him for his betrayal) basically said, "Sheesh, what more can I do to you that they haven't? You've suffered enough." Hector gets broken down on such a deep level that I eventually feel bad for him. I just couldn't immediately because that and worse is what he wanted for others. He wanted children to see their parents be taken away to have the blood drained out of them. He wanted people to live every moment in fear, waiting to be eaten. We even get a glimpse of the horrors from those awful siblings who came to Alucard. THAT'S what Hector's vision does to people. After he gets a very small taste of it for himself, he's able to become a better person. I didn't love is character, but he was a good character. Unfortunately, he had to learn empathy the hard way.

#castlevania netflix #Hector #Isaac #Video game shows #A really good one #As soon as I saw Dracula had humans with him I knew they'd be interesting #Isaac posts are coming eventually because I adore him

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fantasticalleigh · 4 months

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LEIGH'S RIDICULOUSLY BIG TBR/TBW LISTS

like i mentioned before i am too busy/hesitant to actually consume a lot of new media (or at least be able to focus on it) so i'm critically behind on so much stuff. don't judge me pls :S lmao

anything in bold is something that i've begun but not finished :P tagging @snow-in-the-desert bc you expressed interest in seeing the lists!

TO READ:

The Love Hypothesis - Ali Hazelwood

The Hurricane Wars - Thea Guanzon

Winter's Promise - Christelle Dabos

The Stand - Stephen King

North and South - Elizabeth Gaskell

The Nightingale - Kristin Hannah

Little Women - Louisa May Alcott

Work - Louisa May Alcott

Don Quixote - Miguel de Cervantes

Dr. Sleep - Stephen King

The Secret History - Donna Tartt

The Last Duel - Erik Jager

Portrait of a Lady - Henry James

The Song of Achilles - Madeline Miller

The Age of Innocence - Edith Wharton

The Great Mortality - John Kelly

Dead by Sunset - Ann Rule

Dracula - Bram Stoker

It's Lonely at the Center of the Earth - Zoe Thorogood

The Great Influenza - John M. Barry

The Monster of Florence - Douglas Preston

The Lottery and other stories - Shirley Jackson

Helter Skelter - Vincent Bugliosi with Curt Gentry

White Noise - Don DeLilo

Icebreaker - Hannah Grace

She Is a Haunting - Trang Thanh Tran

This Thing Between Us: A Novel - Gus Moreno

Parable of the Sower - Octavia E. Butler

^^ This is an incomplete list--I know there are others but these are the books I've bought over the past couple years and have not yet finished/ready. They are stacked on my desk and around my room, silently accusing me of neglect. I wither in shame. The rest of the list escapes me currently. This also doesn't include the tbrs currently on my e-reader since I can't remember where it is to see what's on there.

MOVIES/MEDIA TO WATCH:

Any Adam Driver movie that isn't on Netflix (House of Gucci, Annette, Paterson etc.) I have seen the Last Duel, Blackkklansman, This is where I leave you, Marriage Story, White Noise, Frances Ha and a few others). I know Ferarri is in theaters right now but I've kind of developed a phobia of theaters since 2020 :S

a ridiculous number of documentaries/video essays on youtube that I do not have the energy to go look for right now

Fall of the House of Usher (I love Mike Flanagan's work but I'm still hooked on Midnight Mass and Daddy Father Prewitt)

The Haunting of Bly Manor (I know everyone was obsessed with this and I meant to watch it but I was reading the Turn of the Screw when it came out and didn't want to get spoiled for it so I avoided it like the plague and finished the book but never got to watching the show)

Blue Eye Samurai

The Beguiled

Ugly Betty (I'm actually on season 2 and it's charming and funny but holy shit the amount of body shaming/slut shaming/ homophobia in this show. definitely a product of its time.)

Anne with an E

Fleabag (never finished it but thought it was amazing)

What we do in the shadows (have seen all but the most current season)

Reservation dogs

The Batman (2023)

Black Swan

The Crown

Band of Brothers

Demon Slayer

Whiplash

Wolf of Wall Street

Birds of Prey

Downton Abbey

Peaky Blinders

Nimona

Drag me to Hell

Forgetting Sarah Marshall

Queen Charlotte (halfway through but haven't finished. i hate things that make me cry when i watch them so i have to be in a very specific mood to watch emotional heavy things)

Lady Bird

The Banshees of Inisherin

BARBIE (*ducks thrown rocks* I'll get to it, i SWEAR) (but i'm amazing at avoiding spoilers at this point i still know very little about the movie)

Men

Pearl

The Invisible Man

The Turning

Succession

Suspiria

Promising Young Woman

Shiva Baby

Luca

The Green Knight

Licorice Pizza

Bullet Train

The Menu

Women Talking

Knives Out + Glass Onion (*ducks more thrown rocks*)

Paddington 2!!!!

SHadow and Bone (honestly I lost almost all interest in reading/watching this once I heard the hot villain dies. BOOOO)

Carol

That one newish show with Adam Scott that looks super liminal and sci fi i can't remember the name

The Killing of a Sacred Deer

Oppenheimer

Killers of the Flower Moon

Guardians of the Galaxy 3

M3gan

Turning Red

Everything Everywhere All At once

Nope

Barbarian

Just like the book list, I'm sure there's many other titles I'm forgetting to put here. I actually have branched out and watched a fair amount of new movies this year so i'm going to keep it going! and here's one more list just because this is fun

Stuff I watched or read in 2023 that I loved/recommend (with the caveat that not all of this came out in 2023): (and i'm not including obvious stuff like Spider man across the spiderverse)

White Noise

Don't Look Up

Living in the Time of Dying (documentary on Youtube. It is HEAVY on existentialism and the science/data on the current state of climate change. This WILL ruin your day so I'm warning you now. Definitely don't watch it today. This really affected me and I cried for a long time after watching this but it is incredibly important to keep in mind.)

Blackkklansman (i had to watch this with the volume on the lowest setting bc of all the n words being dropped so frequently lmao but goddamn this was so good and funnier than i expected.)

DIMENSION 20: Burrow's End!!!!! As well as The Unsleeping City season 1. Neverafter and A Crown of Candy are probably at the lower end of the list but I still love them. (thank you to @rogueimperator for cluing me onto how amazing D20 and Dropout are. <3 this is a whole new world lol)

Midnight Sun :)

7. Christine and the Queens - Redcar les adorables étoiles Full show on Youtube. I was supposed to see him live in October but he got injured and had to cancel the rest of his tour :( but this album and the video are incredible! Slight warning for semi nudity.

8. Game Changer on Dropout. he's been here the whole time!

9. The 1975 live at Madison Square Garden. I was lucky enough to see them twice this tour with my twin sister and we had an absolutely amazing time. They always put on amazing shows and this particular tour/their latest album meant so much to us. Even our younger brother has come with us for some of these shows so it's something we all share. (Last time they came to Chicago in 2022 the venue was too small so they didn't have the House set with them so we didn't get to see it in action until this year) Sex and The Sound will always be the perfect closers for their shows and I get so emotional every time I hear them. Core memories for sure.

10. Puss in Boots: the last wish. this seems like another obvious answer that i probably could have left off but this gets an honorary mention because our family cat was diagnosed with advanced bone cancer in August, and we had to put him down very soon after that diagnosis. We spent an agonizing week tending to him and cherishing every last second we could get with him. I've been fortunate enough to never experience the death of a pet until this year, and i almost wish we didn't have any pets at all because I've never felt such excruciating grief. He was a fat, grumpy orange boy with beautiful yellow stripes and a little yellow mustache. I was trying to distract myself and found this movie on Netflix and watched it, then recommended it to my sister (who is actually Thomas's owner but we all shared him) though I warned her the movie did deal with themes on mortality. We all watched it together the night before his final vet visit and Tommy was there with us on a comfy pillow. I hope he approved of the movie, because now any time I think of Puss in Boots i think of him. <3

I could add more to this but my eyes are tired and I'm wired up from coffee. I know this is long as hell so sorry but I had fun making it! I'll probably keep coming back to this post in the future to cross out what I've watched.

#leigh speaks

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pinchraccoon · 7 months

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Pinch Reviews: Castlevania: Nocturne

I watched the new 8 episode series from Netflix and Powerhouse Animation, Castlevania: Nocturne. Nocturne serves as a stand-alone sequel to 2017's 4 season "Castlevania" from the same production hands.

While this Tumblr blog is to keep my followers up to date on the games that I've played lately, I have been slacking on my reviews and I am hilariously behind. This is to say, since my initial playthroughs of Rondo of Blood and Symphony of the Night, I've engrossed myself in the Castlevania series wholly, having played a total of 8 games in the series this year, and watched the initial series as well.

This review will come from someone who holds the games in very high regard, and *particularly* the stories and characters of Rondo of Blood and Symphony of the Night.

I'll be starting with a largely "spoiler-less" review of the series for those who would like to watch it, and it'll consist of about 1 paragraph of text.

Castlevania Nocturne is absolutely unrelated to Castlevania at large, with only tangential thematic or plot themes that connect it to the series' larger identity. While some might point to the presence of Vampires, Belmonts, and magic and say "well what else do you need?" I find many aspects of the series' identity in campy fun, but interesting and thoughtful instances of character writing the likes of which are seen in games such as Lament of Innocence and Aria of Sorrow, as well as the immense colorful, high-contrast visual style present in Castlevania media since the *very* beginning as elements that I lament the lack of presence of. At numerous points in the show, I thought "Why is this Castlevania? None of this is related to anything Castlevania? Why not just make an original property?" Which I personally find to be a damning sentiment, but I cannot fault the show for that which it doesn't do. To longtime Castlevania fans, you may find the show somewhat underwhelming. However, on a more general term, the show features more instances than not of choppy, flat animation, flat character writing, an irritating dialogue style, and underwhelming gore elements. However, they do *some* good things! There are a few characters who I could see viewers latching onto, and there's occasionally something cool that happens.

With that out of the way, I'll now be entering my *Very Spoilery Review*

First and foremost, Castlevania Nocturne's premise, while not completely and inherently distasteful, nor impossible to do in a way that's interesting, is done incredibly distastefully and uninterestingly. I am referring specifically to Nocturne's insistence on hilariously, absolutely wildly evil Vampires who "run the planet" essentially, who are motivated to put down the French Revolution because the existence of Democracy threatens the ease of the Vampire elite to control the Royalty of the world. I expressly don't think that this is a dumb, uninteresting, or distasteful idea inherently, HOWEVER, due to the nature of Vampires existence in their original literature and folk lore implications, it's incredibly easy to see the anti-Semitic, anti-immigrant inherent themes of Bram Stoker's "Dracula" all over it.

Again, I'd LOVE to see an idea such as this executed properly, however that isn't present here. Here's why. Nocturne features a cast of characters whose motivations are all in some way or another related to incredibly flat vampire characters who do nothing but kill for their entertainment and pleasure. I'm not calling for a reason to not kill the bourgeoise in the French Revolution, I just want a reason to latch onto the motivations of the characters in a way that isn't just "they're a different species than me and are also doing like, slavery and taxation and stuff and they killed someone close to me." Genuinely, EVERY SINGLE main cast member has someone who was killed by one vampire or another in the past, and while that works somewhat to unite the heroes emotional issues such that they can support one another (theoretically) it serves to illustrate the entire, sentient, living, vampire "species" as comically evil, wildly uninteresting, and most damning, caricatures of marginalized people being blamed for controlling all of human civilization. Which, to spell it out more blatantly to avoid the lack of nuance present on the internet, becomes uncomfortably synonymous with long-running theories of jews, or "lizard people" controlling government institutions.

I want to compare to Castlevania's own interpretation of Dracula as a way of demonstrating a "controlling vampire" done Right. Dracula has *very specific* *very pointed* origins and motivations that make him a far more compelling, and more than that, HUMAN, character who has a degree of feeling, despite the evil that he performs. Dracula does what he does because he's hurting, and he feels as though the world has turned and left all it's goodness behind, which, in his eyes, is the truth! It's not that he wants to control all of humanity, it's not that he wants to be worshipped as a god, it's that he just has beef, like people do.

Few to none of the vampires hold that same quality of "beef" in Nocturne. Most of the vampires don't speak, save for a few main heads of their movement, however, even these heads hold hilariously overblown, stupid, uninteresting, unsympathetic motivations that JUST serve to make me hate them on the notion that they're Objectively evil. Like, OF COURSE, I hate the Caribbean slave-owner vampire, and OF COURSE I side with Annette on hating him. He was a slave owner? Duh? You don't need to provide a thousand other scenes of the man being just flat out cruel in the interest of making me hate this man More. Half of his lines are belittling Annette, the other half is justifying slavery, and I'm not exaggerating.

Or, perhaps, consider the "main villain" of the show, Bathory. She's built up as "The Vampire Messiah" for FOUR EPISODES before we actually see her, and then when we do, FINALLY, get to see who this OVERWHELMING threat is, she just laments about, get this, HATING THE SUN. Of course she hates the sun, she's a vampire! That's the actual lamest conceivable motivation. Not to mention, she's insufferably annoying and isn't remotely entertaining to watch, nor are we ever sold on her power to any degree whatsoever other than a bunch of side characters saying "ah, well, she drank the blood of the Egyptian Goddess Sekhmet, so she's pretty strong, we would die for her." When your allegory for the ruling class is this comically evil in the "killing and maiming people" way as opposed to the "capitalist allegory" way, it reads as really wildly uncomfortable.

To summarize the last point, because of the commitment to making each and every vampire character comically evil, and the premise combined, it easily reads far too similarly to monster literature of the past which would seek to conflate the evils of the monsters in question with a specific demographic of people, which is uncomfortable to watch, and rather distasteful to write.

But my distaste for this show doesn't end there!

I'd like to discuss Annette. A lot of people are getting mad regarding "race swapping" or "omission of character in the interest of wokeness" which I think is a load of shit that I couldn't begin to entertain. I am not perturbed by the same things that those people are. Instead, I feel that the explanation of Annette and Edouard's backstory is incredibly poorly paced, and above all, gratuitous in their depiction of black generational trauma.

Annette in this series is an escaped slave who comes to France in search of a Belmont in order to hopefully be able to kill the Vampire Messiah who was foretold to increase the scale of the institutions of slavery that Annette had been fighting against for her entire life. I actually really like her motivation and how it reflects very real attitudes of Caribbean revolutionaries regarding how they felt about the French Revolution. But my main issues with the communication of her motives comes in the gratuitous depiction of a slightly dramatized form of the *very very real* trauma of slavery. This isn't like Toni Morrison's Beloved, or even something like Django Unchained, both of which don't shy away from detailing slavery in as gruesome of detail as possible for the purpose of demonstrating character as well as history. Nocturne demonstrates slavery comically, as it attempts to roll it's own fantasy elements in the same breath as their real-world slavery depiction. For example, the reason that Annette's mother is killed isn't related to the injustices of the notion of slavery in general, it's instead because her mother was practicing magic. I find that these elements in conjunction with one another create a dissonance that puts a bad taste in my mouth, all for the only real payoff to be such that Annette is knowledgeable of, and holds hatred to, the institution of slavery as well as magic.

It isn't a BAD thing to discuss, depict, or have subject matter related to slavery, that's absolutely not what I'm trying to say. What I feel that the issue here is is that a significant amount of the information and cruelty shown could have been omitted and the viewer would have the same understanding of Annette's character. Because they committed far more to demonstrating than was necessary for what elements they were attempting to explore, the incredible commitment to demonstration of black generational trauma feels gratuitous and somewhat cruel. Sorta like the writer is holding it over your head like "hey! you! did you know that slavery is ALSO bad when vampires do it? let me show you some just TERRIBLE subject matter to let you know!" Like, yes, I knew this already, slavery IS evil and is perhaps THE MOST evil, so we were already on the same page here.

This concludes my largest issues with the show from a standpoint of legitimate mishandling of social issues and sensitive subject matter, the rest is more about the show in general.

I don't entirely dislike the way that Richter is written on the macro scale in Nocturne, I feel that his very real connection to the Belmont Clan and the depictions of his mother Julia Belmont, as well as his grandfather, Juste Belmont (who I felt happy to see), was very interesting and worked to the themes. BUT: On the individual, what the character says level, I find Richter SO annoying. This is related to a larger dialogue writing issue with the show in general, which is the inclination to curse like a third grader who has just learned of what swearing is. The number of times that a character uses the term "fuck" or "fucking" purely to provide unnecessary emphasis to their sentence that was perfectly good without swearing comes of as flat out cringey. Now, I swear a lot! I'm not *against* swearing! But the way that Richter and every other character is written makes them all feel unbelievably annoying. Heroes, villains, everyone says "fucking" like it's going out of style! So much so that I might propose a drinking game where you take a shot every time there's an unnecessary use of the word "fuck" in a scene. Granted, I can guarantee you'll be wildly hungover the next day, so I can't recommend doing that.

One particularly damning scene is Richter's moment of personal growth this season, realizing that he has to fight with the whole of him to protect those who he loves, and has a cool fight scene with a bunch of vampires, in which he then says This:

GENUINE COP OUT. I cannot stress enough how every single character's childish inclination toward being edgy by swearing undermines every single character.

I'm beginning to ramble somewhat though, so let's touch on a few things that I think were good and bad, but don't have a ton to say about before we wrap up.

-Drolta is a cool character, and genuinely should have been the only main villain of the show. I also adore her character design.

-The action scenes lack interesting gore, which I felt was a overwhelming positive of the 2017 Castlevania series.

-The monster designs (and show in general) lack color, and it feels like a deliberate attempt to push against the legacy of the source material.

-The animation is excellent when characters are using whips, but very jarring in scenes of standing and speaking, or even in the use of magic.

-Tera is an awful mother figure character and I felt nothing when she was turned in the finale. It doesn't help that they only drew her face twice and copypasted it between scenes it feels.

-The romance plot between Richter and Annette appearing at the end of the show is the Most Forced shit I have ever seen, almost like the writers forgot that they were love interests in the original and decided that of All of the things they had to include that that was INDISPENSABLE.

-Richter, Annette, and Maria's dynamic as a group barely exists beyond each of them calling eachother "Wankers" "bastards" and other terms of endearment. It's a hollow and ineffective means of emulating the good writing that Trevor, Sypha and Alucard had in the 2017 series, and was that show's highlight.

-I like Edouard's arc of being a monster with a soul, and it DOES help to begin to demonstrate the theme of "the lack of absolutes in good and evil", which I'll discuss later.

-Olrox is excellent. He's written well, his motivations are kept close to the chest, and he's genuinely intriguing as a character. I quite like his motivation, I like his design, I like his voice, no he's great. Best part of the show, honestly. (and the only evidence thus provided [save for alucard] of a "not completely evil" vampire)

-again, the commitment to every character exaggerating their sentences by cursing like a child is unbelievably grating.

My final point is one related to whether or not I think that in it's current state the show is worth watching. Generally, with shows, I prefer that the show have some sort of thematic relevance that reflects the progress of the story, and while I can somewhat see elements of that being shown in the "absolutes of good and evil" theme explored by the Abbot, Olrox, and Edouard, nothing is actually done with this theme, and it only comes into contact with our main cast in the finale. As such, these themes are only seen in the same way that dramatic irony is set up, but not executed on. Because of the half-execution of this theme, I feel that the show feels hollow thematically, and feels as though absolutely nothing happens or changes for a single character throughout it's runtime.

In some ways, this show being 8 episodes is really fitting, as it feels like in any other anime when you watch a show to episode 8 and then stop watching, but in this case they didn't release or make the rest of the season, which will likely be released later on in a "season 2" that does literally anything at all to provide the themes or story elements any merit.

Personally, I think I would confidently call this show "unfinished." There is no "win" to match the characters growth, the little that they did, and I felt that I was left on a lazy cliffhanger because of arbitrary fail-states.

As a fan of Castlevania, this could not be further from its source material, as a fan of shows that are good, Nocturne also manages to fail.

It pains me to say that I don't think it's worth your time, as I really want people to get into Castlevania, but I really cannot stress enough that this show is not even close to a good demonstration of what the series is about, or what the series' themes are. Genuinely, I don't care if you don't care about the games, they are better than this show, which is hard to measure, because they're different mediums, but I'm confident in this assessment.

#pinch raccoon #castlevania nocturne #castlevania #pinch reviews #richter belmont #vtuber #envtuber #indie vtuber #raccoon #twitch streamer #youtube #netflix

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dragongirlfangs · 9 months

Text

Okay so, since an actual trailer for Castlevania Nocturne is coming out tomorrow I need to get this out of my head, because I am so fucking excited for this show I can’t even explain how much.

So, my hypothesis for the story of this season/s, and specifically for the villains of this version of the story.

(Castlevania Netflix Season 4 spoilers under the cut.)

So, in Rondo of Blood and Symphony of the Night Dracula is the main villain. Very directly in Rondo as the main threat of the story, and more indirectly in Symphony as he’s not immediately involved with the plot, but he is still the reason why Shaft brainwashes Richter and the plot happens.

But if they’re following the end of Season 4 this cannot happen in Nocturne, because Dracula and Lisa got a happy ending at the end. At this point, even if Lisa dies of old age before he does, she died happy while they’re together, Dracula has no reason to still want humanity dead. Which means that there have to be new villains.

... except not really, because Shaft exists. He’s basically Dracula’s lieutenant in Rondo as the one who revives him there, and he causes the inciting incident in Symphony. Obviously, he wouldn’t be working towards reviving/serving Dracula in this continuity - unless in some twisted metaphorical way of serving him by “continuing his work to destroy humanity” - so he’s either working alone with that possible motivation, or working with someone else.

And we have a possible, even likely candidate: count Olrox

He’s a simply a mid-game boss in Symphony of the Night, but he’s notable for two reasons: because he’s cool as hell and his second form is a giant lizard that shoots lasers, and because he’s another vampire residing in Dracula’s castle, while the brainwashed Richter is there and Shaft is working to revive his master.

This is something that categorically doesn’t happen in the games, unless the particular vampire also serves Dracula directly. So we can count that Olrox is either that, or looking at how ostentatious his Quarters (as the area you find him in is called in the game) are, that he might be a direct ally or even a ‘friend’ of Dracula (or working together with Shaft, possibly).

So, my theory for Nocturne would go like:

Shaft and Olrox are working together, in a similar way to Shaft and Dracula in Rondo of Blood, perhaps wishing to continue Dracula’s work of destroying humanity, or even to sort help Olrox of ‘take’ Dracula’s place as the leading, most powerful vampire lord in the world (two goals that, aren’t incompatible now that I think about it). And that’s the reason why the Rondo part of Nocturne happens, their own invasion of humanity, following Dracula’s footsteps directly or indirectly.

I’m less sure of how a hypothetical Symphony portion would go, assuming the series goes there, but there wouldn’t be a lot to change if it did. Shaft can still kidnap and brainwash Richter to take over maybe Castlevania itself, maybe Olrox’s castle? (and please I’m begging the writers to make said brainwashing explicitly more like “Richter actually believes he might become obsolete when his purpose as a Belmont vampire hunter is complete, and is terrified of it, even if he would never act like his brainwashed self under normal circumstances” like the game kinda sorta implies, rather than a straight up possession, it would be so much more interesting), and have Olrox either not die in the Rondo portion, or just not have him here! and let Shaft take center stage as the main villain trying to continue what they started after Richter is saved.

SO YEAH, that’s my theory. And sure, the writers might just, create new villains for Nocturne and throw me (and us all) for a loop, and I’d be fine with that, but if they’re primarily working into translating the story of the games, I think this might be a very possible way for the story to go.

#castlevania #castlevania nocturne #castlevania netflix #richter belmont #now time for the tRAILER TOMORROW TO PROVE ME WRONG-

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