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pink-princess-pussy-pop · 11 months

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Making Up For Lost Time - Edmund Pevensie x Reader

Based on the following two requests:

can we get an enemies to lovers with edmund that has smut in it??

PLEASEE an edmund smut,, preferably something with a risk of getting caught? or not bb i don’t mind- but a lot of dirty talking too 🤭

It's not necessarily enemies to lovers? But I really hope you enjoy it, this is probably my favorite thing I've written thus far.

Summary: You and Edmund are definitely feeling the effects of your arranged marriage.

Warnings: Language, Smut, not proofed!

Female reader

You couldn't take much more of him, nor him you. The both of you knew why the marriage had to happen, Narnia couldn't risk another war, and Calormen was losing resources due to the Great Desert. As a compromise, Peter, Caspian, and Susan met with Prince Rabadash to secure a compromise. A truce between the kingdoms and a new way for the resources to be traded was sealed with the promise of a marriage between you and Edmund.

And neither of you was happy with it.

It didn't help that you had shared chambers either. You and Edmund had asked The High Kings and Queen about a switch in rooms but they only pushed further.

"Imagine what the people would think if the newlyweds weren't sharing a room?" So you were forced to live with him. Fall asleep next to him each night, and wake by his side every morning.

Granted, Edmund wasn't intolerable. He just wasn't tolerable either. He was a handsome man, sure, but that face also came with his quick wit and sharp tongue, two things you'd grown to loathe.

He'd challenge you, yes. But his tone of speech was never rude or condescending. But the biggest thing you hated about him, he was always so charming. So sweet. So fair.

He didn't earn the title of The Just King for nothing. But it just added fuel to the fire.

He'd always let you use the bath chambers first, and never complained or protested when you took longer baths.

He didn't pressure you to do anything on your wedding night. He simply kept to himself, offering you a smile and a "goodnight" from his side of the bed. You had been told what was to come, your mind was full of stories from other women in your life. Horror stories.

"It is ever so painful."

"Not pleasurable at all!"

"I can hardly wait until it's over!"

Needless to say, when your new husband had simply wished you a good night and went to sleep, you were surprised. The next morning you woke by his side, finding it odd that he had barely moved an inch. You were basically in the middle of the large bed, Edmund sleeping soundly on the edge, right where he was the night before. You were gone before he'd woken up.

Edmund never failed to greet you kindly, entering the room quietly just in case you had decided to take a nap. He never raised his voice to you either.

Was he snarky and sassy? Of course. But he had always treated you and your family with kindness and respect. It was insufferable. Sometimes you wished he'd just be rude so you would have a real reason to hate him, aside from the fact that he was your husband but you never seemed to communicate. You had gotten used to the fact that there would never be any sort of friendship, let alone a relationship, between you and Edmund, so you resorted to hating him.

The only time he'd gotten angry with you was when you hadn't returned to the bedroom one evening. Unbeknownst to you, he began searching frantically for you, creating quite a stir in the grand castle, only to find you asleep in the library. He cursed to himself before picking your sleeping form up in his arms and bringing you back to your room.

You woke up that morning in bed, confused at first about your location, but relaxing when you saw Edmund's sleeping form next to you.

As you rolled out of bed and made your way to the bathroom you heard his voice.

"Don't do that again." You froze, turning around. His dark eyes were on yours and he was very much not asleep.

"Do what?" He sat up, giving you a view of his very shirtless torso. You averted your eyes immediately.

"Not come back." Your confusion brought your eyes to him again. His lanky, but well-built frame, was now sitting on the edge of the bed.

"What?" He rose from the bed, a hand running through his dark hair. You stare at him while he walks toward you, stopping less than a foot away from you.

"You didn't come back last night. Don't do that again." He brushed your cheek with his hand, and leaned forward, pressing a kiss there too. You could feel your cheeks heating at the proximity. The last time he'd been this close to you was your wedding. He hadn't touched you since then either.

He pulled away quickly, stepping around you.

"Did you bring me back?" You turned your head to face him.

"Yes."

...

That night, there was a ball between the great nations. Narnia was the gracious host to Archenland, the Conglomeration of Nations, Ettinsmoor, and of course, Calormen.

You hadn't seen Edmund since the morning. You had been whisked away by maids to get ready for the celebration. The ball was for you and Edmund, another party after the wedding you guessed.

You were dressed in a gorgeous light blue gown with intricate white floral stitching and lace along the neckline. It was gorgeous. The long sleeves were fitted and the back laced up like a corset. Your hair had been fixed down with small braids throughout as to not disrupt the crown you'd also be adorning for the evening.

Then, you were whisked away to the celebration, the guests awaiting the arrival of the newlyweds. Edmund was waiting in the corridor, dressed in the same light blue as you, his silver crown on top of his head. He looked very handsome, more so than usual, and suddenly your thoughts were filled with images of you and Edmund dancing together, of Edmund touching you, his large hand on your waist, maybe even his lips on yours.

"M'Lady?"

You blinked, eyes meeting his. What had he just called you?

"Y-yes?"

"I said are you ready to go in?" Your cheeks heated once again and you nodded, looking away from him. He chuckled and then he laced his fingers through yours, effectively making your heart stop.

...

As soon as your introductions were over, you slipped away from Edmund's side. The thoughts kept popping up in your brain. Why did you keep thinking these thoughts? Edmund didn't want to marry you, let alone consummate the marriage, so why did your brain keep doing this? You hid yourself well by the banquet table, keeping away from the crowds.

"Queen Y/N?" You turned at the use of your title, looking at the sheer opposite of your husband. A man with blonde hair and blue eyes was staring at you with a dazzling smile. You found yourself preferring Edmund's dark hair, brown eyes, and ever-present smirk.

"Hello..."

"I am Prince Cor of Archenland. It is very nice to meet you, M'Lady."

You had to stop yourself from reacting to the name Edmund had called you only an hour before. You'd much preferred it coming from his mouth than Prince Cor. Oh now you'd done it. This poor Prince was trying to make small talk with you and now you were thinking about your husband's mouth? The blush creeping over your cheeks and shoulders was enough for you to shake yourself out of your thoughts.

"It is nice to meet you too, your Highness."

As you and Cor began to make conversation, Edmund's wondering eyes found you. His hand tightened around the goblet he'd been holding and his gaze narrowed.

"Who is that?" He hadn't even noticed he was interrupting his brother.

"Who is who?" Peter replied.

"The bloke flirting with my wife, that's who." Peter held back a laugh.

"Ed, I hardly think Prince Cor would flirt with Y/N, this is your marriage celebration after all. Besides, she wouldn't flirt with someone else so shamelessly."

Edmund wasn't even listening and was halfway across the ballroom before his brother could finish speaking.

"I really do believe that astronomy is one of the most interesting subjects one can learn about-" The Just King interrupted the blonde prince, swiftly interjecting himself into the conversation.

"Hello, My Love." Your face burned at the new name. Then he turned your face to his and kisses your cheek. You could feel your heart in your ears and you looked down, suddenly interested in the floor. "May I ask what you and Prince Cor are talking about?" The blonde man looked uncomfortable.

"We were speaking-"

"I believe I asked my wife, not you." Cor lowered his head in a nod in return, quickly and quietly exiting the conversation. If looks could kill, Prince Cor would have been dead on the ballroom floor in mere seconds from Edmund's piercing glare.

You began to slip away from your husband before his strong hand wrapped around your arm and gently tugged you back. His front was lightly pressed against your back, his head lowered so he could speak into your ear.

"And where do you think you're going?" His voice sent shivers down your spine. His hand trailed up your arm, resting where your shoulder meets your collar bone, visible from the Sabrina neckline of your dress. "Are you trying to make me jealous?"

What? Were you dreaming?

"Because it's working, darling."

Edmund's hand grasps yours again and he begins to lead you out of the room, desperate to get you alone. It isn't until you are outside of the boisterous party that you speak.

"Where are we going?" Edmund stops to look around, before ushering you into a corridor adjacent to the party. "Edmund!"

"Shh!" His hand covers your mouth and he presses his front to yours, making sure you are silent and unseen as guests walk past the hall. He looks at you and almost melts at the beautiful, wide eyes looking up at him. He removes his hand from your mouth, placing it on the wall by your head. You don't even register that the other is on your waist.

You speak gently, making sure your voice is hushed.

"Edmund, why are you jealous?" Your husband takes a deep breath before glancing down the hallway. "Ed?" Your hand timidly reaches up to bring his face back to yours and his eyes widen at the contact.

"You were talking to another man. At the celebration of our wedding."

You had to stifle your shock.

"Edmund, you are my husband, you have no reason to be jealous of a prince from a neighboring kingdom." His lips quirk up a bit.

"How can I not be when you are showing more interest in anyone else but me? I am your husband and you are my wife. I should be by your side tonight." His words are so surprising and you are glad for the wall behind you, and the man in front of you, for the extra support to stand.

"I thought you would want your space."

"Why in Aslan's name would you think that?" You look at him again, taking him in completely, the way he looks in the blue fabric, his dark hair framing his face with that godforsaken crown making him look better than he had a few hours ago. "Y/N, why do you think I wouldn't want to be near you?" His eyes search yours and you blink away, far too flushed under his heavy gaze.

"You haven't ever wanted to before." The words hit him like bricks.

"What?"

The words begin to spill out before you can stop them.

"You always sleep on your side with your back to me, you are always gone when I wake up, I never see you except when you come to get ready for bed, and on our wedding night you didn't..." You push through the embarrassment. "You didn't even touch me. I know this marriage isn't what we had wanted but I thought that maybe we might have been friends-" Edmund cuts off your monologue with a kiss. Your first kiss since your wedding night.

His hand moves from the wall to your neck and the other pulls you to his body, needing to get closer to you.

Your body reacts immediately, melting into the kiss, hands resting on his waist.

It ends too soon, Edmund pulling away first, putting his hand back on the wall while he catches his breath, but the other remained on your waist.

"You think I don't want to be near you?" He stares at you with an incredulous look on his handsome face. The closeness of his face to yours is enough to make you blush, again. "Darling, I haven't..." He takes a moment to breathe, his tongue darting out to wet his lips. "I didn't touch you that night because I didn't want to hurt you. I'm so bloody drawn to you that I have to sleep on the opposite side of the bed turned away from you so I don't taint your virtue. I leave in the morning because-"

Your hand covers his mouth as another rowdy group of guests wanders by the corridor. You wait for them to leave before speaking again, keeping your hand plastered onto his face.

"So, you don't hate me?"

He shakes his head.

No.

"You never did?"

No.

You remove your hand from his mouth and the two of you just stare at each other. Unmoving. It feels like minutes pass before he covers your mouth with his again.

His hand returns to your neck, pulling you to him once more.

"I'm sorry I ever made you think I didn't want you. You are the most beautiful woman I've ever seen and I am the luckiest man alive to have you as my wife."

"Edmund..." The kind words hit you straight in the heart.

"And now, it seems I have something I have to make up for." His smirk appears and it sends your insides to mush.

"But Edmund I-"

"Shhhh." He smiles, his head dipping to yours. "Don't want to get caught, now do we?" He kisses you again, this one full of heat and passion, the lack of contact between you only adding fuel to the fire.,

Edmund pulls your body flush against his and groans into your mouth. You falter at the glorious sound but he is there to support you

His kisses travel down your neck to your collarbones.

"Edmund... What are you doing?"

"Making up for lost time, darling." He grins at you again. "Now be quiet." He kisses you again, his sneaky hands running down your sides to your skirt. He breaks the kiss to look down, his hands pulling the fabric up to your waist.

"Fuck." Your eyes went wide. You'd never heard Edmund use that kind of language before. His eyes lock on yours again.

He looks perfect. He's a king. Your king. Your husband.

"Are you ok with this?" You nod yes multiple times, making him smirk yet again, and then you gasp at the contact of his fingers against your womanhood. Your hands grip his shoulders for support, his muscles tensing at the fact that you are touching him. That he is touching you. His fingers find no resistance due to the effects of his words and his ego grows. You bury your face into his shirt when his fingers slip into you. Though foreign, it is an immensely pleasurable feeling and you can't help but want more.

Then he begins to move them. You push further into him to silence your mouth, the feeling far too wonderful to not have a vocal effect.

But then his thumb brushes on something that makes you let out a loud moan. Your face flushes in embarrassment.

"Do you want everyone to know that I'm defiling you in the hallway?"

Oh dear, you're afraid his words combined with whatever he is doing with his fingers are going to kill you.

He repeats the same action but kisses you once more, your moans muffled.

Edmund can tell you are getting close, you've begun to shake, you're gasping into his mouth, and you are practically rutting into his hand. He makes the conscious decision to break the kiss to suck on your neck, covering your mouth with his free hand to silence any escaping sounds. Then, his thumb presses up again and his fingers hook inside of you and you convulse around him.

He is in awe of how gorgeous you are and what he'd just done.

As you catch your breath, your trembling hands find the waistband of his trousers and gently begin unbuttoning them, eager for more. His eyes avert to what you're doing and he curses again. You falter.

"Do-do you want me to stop?" His head shakes back and forth.

"I think I'd die if you did, love."

Edmund begins kissing your neck once again while you free him from the confinement of his tight pants and you gasp. He laughs into your neck, sending goosebumps throughout your entire body.

"Don't get shy on me now, darling. You wanted this, right?" You nod and feel him smile into your skin.

He makes quick work of your undergarments, tossing them to the side, lining himself up with your lower half.

He halts and you look into his eyes, body shaking in need and anticipation for what you had been so scared of on your wedding night.

With your eyes on his, he pushes into you, stopping when you push against him.

"Are you alright?" His voice is next to your ear.

"Just one second." Edmund waits, trying to distract himself from the way your body is clenching around him. Your small voice brings him back to reality. "Edmund."

"Yes?" You notice the rasp in his voice, the strain in his muscles. To ease him, you follow your instincts and roll your hips against his and his hands grip your hips in response, stifling the moan wanting to leave his throat.

"Fuck. Y/N. You can't do that." It's your turn to smirk. You do it again and he presses your body back into the wall. The soft grip on your hips tightens and his eyes meet yours, blown with lust. Then, they narrow at the smirk on your lips. "Oh, so you think that's funny do you?" He begins to slide out of you and your eyes roll backwards. Then he slams back in.

The moan that escapes your lips sets a fire in him and his hand claps back over your mouth.

"How many times do I need to tell you to be quiet?" He begins to move his hips again, the feeling ten times more wonderful than just his fingers. "Is this what you wanted?" You can barely comprehend his hushed words. "Is that why you were flirting with him? To make me jealous so I'd finally touch you?" His free hand worms its way back to the apex of your thighs, finding that place that made you squirm in no time. "You're lucky I love you." You don't even register his words as you come undone.

Edmund follows behind, pushing into you one last time before falling into you. His breathing is labored and the two of you don't speak while you catch your breath.

"Edmund!" Your heads snap toward the sound of Peter yelling his name.

"Dammnit!" He quickly makes himself presentable and you follow suit, making sure your hair isn't wild and your skirts are back in place. He takes your hand, smiling at you, before leading you back out of the hallway.

"Edmund!" Peter's back was to you.

"Peter, stop yelling, I'm right here!" The High King turns around, a glare present on his face.

"Your guests are wondering where the two of you have been! You disappeared thirty minutes ago! Get back inside, now."

Edmund doesn't reply to his bother, opting for an eye roll instead. Then he turns to you offering you a bow.

"Shall we get back to the celebration, my queen?" You giggle.

"Let's."

...

Peter may have overreacted just a bit because the only people wondering where the two of you had gone was him.

Edmund pulled you to the ballroom floor, his arms draped around your waist. You settled yours around his shoulders with a smile. The rest of the party seemed to disappear as he bent down to place a soft kiss against your lips.

You rest your head against his shoulder and whisper into his ear.

"I love you too."

AHHHHH! Y'all I'm really proud of this and hope you enjoy it. :)

#narnia edmund #king edmund the just #edmund pevensie #edmund pevensie x reader smut #edmund pevensie x reader #narnia smut #narnia #the chronicles of narnia #king edmund #edmund smut #edmund x reader #edmund x reader smut

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they-pevensie-me-rollin · 4 months

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Edmund Pevensie in the Prince Caspian movie:

Cool, suave, sassy, teenage heartthrob material

Edmund Pevensie in the Prince Caspian book:

Literally eats dirt

#i am completely normal about this boy #i love book Ed i swear he's just so different in the movies #narnia #chronicles of narnia #edmund pevensie

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heartwasglass · 5 months

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Once a king or queen of Narnia, always a king or queen. May your wisdom grace us until the stars rain down from the heavens.

#narniaedit #the chronicles of narnia #the lion the witch and the wardrobe #narnia #tconedit #disneyedit #litedit #filmedit #movieedit #paletmblr #palesources #paleresource #userblush #userpastel #*gifs #winteredit #disney

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western-woods · 2 years

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The Lion, the Witch and the Wardrobe + trivia

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chrisili · 6 months

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𝒲𝒽𝒶𝓉 𝒾𝓈 𝓌𝓇𝑜𝓃𝑔 𝓌𝒾𝓉𝒽 𝓎𝑜𝓊?

Pairing: Peter Pevensie x fem!reader

Summary: Your childhood best friend starts acting super odd and after a little incident at the train station you actually understand why.

Warnings: Spoilers if you haven’t seen the first and second movie, lots of arguing

Genre: friends to enemies to lovers? Angst? Fluff

Word count: 2,8 k

A.N.: Eh so, I actually thought this story further, like a lot but I don’t know if the rest is worth writing/reading so IF you think this needs another part eh, tell me? But again heads up, no idea if it is worth the time. THANKS FOR READING THIS ANYWAYS!

Masterlist

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Peter hugged his beloved mother one last time. “Promise me you’ll look after the others,” she said. “I will mum,” he said with a thin voice, eyes shut tight. She loses herself from the hug, smiles at him and nods, “good man.” After having said goodbye to the other three children too, she looked at them all, “alright, off you go.”

Peter and the others grabbed their luggages and started to walk closer to the train they are supposed to go in to. “Peter! Peter!” A small voice cried out, the oldest sibling looked into the direction where the voice was coming from, it was Y/N. Y/N was Peters childhood bestfriend, they went the same way to school everyday, although going to different schools because of their genders. They lived close to each other, played outside a lot and spent their times studying together (Sometimes, because both of them were not very keen on studying anyways).

Y/N stood there with her four brothers, waiting to go into the train too. Peter smiled seeing her as she hurries over, he waves shyly trying to walk up to her. “Peter, what are you doing?” Asked his sister Susan while grabbing his arm. “Just a second, really.” He replied, giving Susan his luggage so she could put it in already. She looked at him annoyed but took it anyways.

Peter and Y/N now stood in front of each other, slightly shouting because of all the noise. “Where are you going?” She asked right away leaning in a little so he would understand better. “Some kind of professor, it’s gonna be boring really.” He said slightly chuckling. “How about you?” “A cook I think, we will probably help out in the kitchen a lot but it’s okay.” Y/N said smiling.

“Y/N come on!” John, one of her younger brothers yelled from the back. She turned around, “Yes I am coming!” She yelled back annoyed. She turned back to Peter and smiled sadly at him. “I hope you will be safe Peter, I am gonna miss you.” He was close to tears for he felt the same thing about her. When she saw that he was trying not to cry in front of her she exclaimed, “Oh Peter!” Hugging him tight with her eyes shut and tears at the corners. He hugged her back tightly, wrapping his arms around her back and crying dryly into her shoulder.

“Y/N COME ON!”

“PETER! HURRY UP!”

They both stopped hugging each other and with one last smile they both ran back to their families. You may be wondering, if they are both going into the same train, why wouldn’t they just say goodbye then? This was not possible due to the fact that the train didn’t have any walkable connections between the wagons. So, both were sitting in different wagons and off the families went. Y/N and her four younger brothers traveled to the mentioned cook and Peter, Susan, Edmund and Lucy to said Professor. Peters story you obviously know about already, Y/N arrived at a small house with no garden and no play space. They had to help in the kitchen, wash the dishes but keep quiet and under no circumstances touch. The. Food. All five of them in the kitchen, you can imagine it was a little crowded and plates sometimes fell to the ground, shattering with a high pitched sound, with the one dropping it being punished badly.

Y/Ns brothers were all younger than her. John the second oldest being only one year younger than her, 17. Oliver, the middle child, 15. Finn, 12 and the youngest Harry, 10. It was very scary for all of them but it was the scariest for Y/N, taking care of four pubescent boys looks hard already but is worse doing it.

Let’s skip time a little here, after a couple of weeks they all came back to their homes. Obviously having got to go back to school. Y/N was very happy seeing her friend again and of course the other siblings too but somehow Peter had changed over his time at the professor, he seemed more mature and even angrier, prouder and overconfident. I, of course know why he suddenly behaved so strangely having lived in Narnia for the last 15 years but Y/N didn’t and there was no one to tell her. With Peter starting getting into fights, Y/N was kind of scared of him, where was her sweet and funny Peter all of a sudden? They, naturally, grew kind of distant. They still saw each other every morning or on the streets and greeted each other, maybe smiled shortly and then continued their way.

Peter regret deeply where their relationship headed but he couldn’t have told her, she wouldn’t believe him anyways and she would think he was crazy (which she already did to be honest).

Let’s skip a little more to one fine morning, or fight morning. Y/N was close to the train station she had been using for the last years, looking at newspapers and thinking about getting some candy (which she could hardly afford but the thought was still nice). Being caught up in her dreams she only noticed her brother Oliver running up to her when he was already in front of her panting. At first she couldn’t understand what he was saying because of all the huffing but then she did, “John, he is fighting! You have to do something, the other boys are way bigger than he is!” Without having fully registered what her brother had said she was already dragged down the station. Oliver could of course, like Edmund did, help his brother too but he was a very gentle and calm soul and had no interest in fist fights.

Running down the stairs Y/N saw a lot of people in front of her blocking the view. But after some tip toeing she saw her brother, Edmund and Peter fighting against a bunch of older boys. Thankfully a police officer tore them apart and Y/N squeezed her way down to her brother. After John was done talking to the officer, Oliver and Y/N walked up to him, not very far from the other two troublemakers (Edmund and Peter) sitting on chairs by the wall.

“What on earth is wrong with you?!” Y/N exclaimed while hitting her brother with the newspaper on his head. He rubbed his head slightly, still full of adrenaline and anger from the former fight. “Nothing is bloody wrong with me! These guys attacked Peter and I helped him, that’s it.” Hearing Peters name made her slightly angry, she glanced over to Peter who was still sitting in his chair, his blonde hair slightly over his face, looking back at her. She immediately looked back at her brother with an angry face.

“It was Peters fight then, not yours!” She said in a loud voice.

“So what? Edmund helped too!” John replied with an even louder voice, almost screaming.

“That doesn’t matter at all! Edmund is Peters brother, you aren’t!” She yelled at him.

“I wish I was!” Yelled John back, almost running away with fury.

Oliver looked back and forth between his two siblings, unsure what to do but when John hurried away, he looked at Y/N and she just nodded saying he should go with him. Y/N sighed heavily looking to the ground, she picked up her suitcase and walked away too.

“Y/N!” Peter yelled from behind, now standing hoping she would stop. She did. She also turned around slightly and looked at her former best friend, she was annoyed. “What?” She said almost rolling her eyes at him. He walked closer now with small steps, almost like approaching a deer. Y/N turned around fully now, facing Peter with her heavy suitcase in her left hand and the newspaper in her right one. “I am sorry okay? I didn’t want him to fight on my behalf either, I would have told him to leave but that’s not really possible while being kicked in the face.” He said trying to smile a little at the end.

“Not hard enough…” she mumbled.

“What was that?” He asked not having fully understood her.

She just shook her head and looked into his eyes and for the first time in a year she realized how much he had actually changed. His face and especially his jaw was a lot sharper, his face was slightly longer and had matured a lot. His blonde hair was longer and it looked gorgeous on him. Having noticed how handsome he actually was she started to blush slightly, then she shook her head again trying to free herself out of his trance. The other three siblings thought about interfering but they were too amused by the drama.

“I said not hard enough! It doesn’t matter if you wanted him to be with you or not, if you hadn’t picked up a fight in the first place, he would have not been involved!” Y/N said with a firm voice, she knew her argument hardly made sense but she was angry and she hated Peters beautiful hair. He looked at her stunned, “didn’t you hear what John said? They attacked me first!”

“And god forbid you’d just walk away!” She said with the same amount of anger as Peter did.

“I shouldn’t have to!” He said trying to stay calm.

“You know what Peter, do whatever you want, I don’t care. I really don’t but at least don’t stop me, then try to apologize to me and then be angry at me anyways! Because I am done with this! Ow.” She said while turning around having felt that someone or something had pinched her. Peter looked at her confused, not even a second later Lucy felt the same thing and yelled at Susan, “OW!”

“Quiet, Lu.” Susan said calmly, looking at her sister.

“Something pinched me!” Said Lucy back, pointing at the wall.

“Hey! Stop pulling!” Exclaimed Peter turning to Edmund as he had suddenly felt the same thing, Edmund raised his hands a little in defense, “I am not touching you.”

Y/N looked at them confused and a second later the wind in the train station seemed to pick up immensely. Papers flew around, the light started to flicker and all of their hairs and clothes blowing around.

“It feels like magic.” Lucy said excited looking at Susan.

“Quick, everyone hold hands.” Said Susan after grabbing Lucy’s and Y/N’s hand. Y/N thought this was a bit silly and she didn’t want to hold Peter’s hand but she did it anyways. Edmund having a very similar feeling to Y/N just yelled, “I’m not holding your hand,” at Peter. “Just…” Peter blurred out and grabbed his brothers hand while feeling slightly warm because of Y/N’s hand in his left hand.

The five of them stood there in the train station and in the next moment they were on the beach. A beautiful white beach with the bluest water Y/N had ever seen, the other four just started to undress and run into the water laughing. Y/N didn’t pay too much attention to them, she just looked around the scenery not understanding in the slightest where she was or what just happened. When Peter looked at Y/N he walked over to her, sand on his bare feet and his shirt wet.

“You like it?” He asked her smiling from behind, he was just so incredibly happy to be back so that he barely noticed Y/Ns shocked face. She didn’t turn around, she just looked up the mountain to Cair Paravel or anyways what was left of it. “That’s not- I don’t- Where are we and why are you not freaked out, like at all?” Peter came closer standing beside her looking up to Cair Paravel too. “Because we’ve been here before.”

Later they explained everything to her, about them being kings and queens, about the white witch, Aslan, Tummnus, the beavers, the 100 years lasting winter, the wardrobe, the professor and everything else not leaving one single detail out of the story. Y/N was clearly confused and had to think about all the information she just gathered.

Peters thoughts were right, if Y/N hadn’t been magically ported to Narnia herself she would have not believed a single word but now she actually considered it.

Even later they had realized that the ruins they currently walked in had been their old castle, Cair Paravel. They found old chests and Y/N slowly understood why Peter had been so different over the last year. That night, all five of them tried to sleep in the castle ruins but Peter, he was sitting by the edge of the mountain, his legs close to his body and his head resting on his knees.

(For a better experience you could listen to Merry Christmas – Piano Version by Flying Fingers on Spotify starting now! :) )

“You know, you should really sit back a little, you might fall down.” Y/N said appearing behind Peter and sitting beside him, only a little further from the edge. He smiled at her a little tired and then kept looking straight forward into the night sky.

“I am sorry.” He said not looking at her.

“And?”

“And nothing.”

“No angry remark or anything?” She asked him extra dramatic as a joke.

He just scoffs, “stop it, I am not nearly as aggressive as you claim me to be.”

Y/N just slightly laughs. “True… I am sorry too. I shouldn’t have treated you the way I did.”

“You had every right. You didn’t know, I should have been the one to tell you instead of just going around and acting like a king.”

“Yeah about that, am I supposed to call you ‘your majesty’ now?” Y/N said slightly laughing and Peter joined her. “I would be delighted if the beautiful lady Y/L/N just called me by my regular name.” He said in a jokingly kingly tone and they laughed again.

“Beautiful huh?” She said nudging his arm slightly with hers and he smiled at her nodding.

“Certainly, lady Y/L/N you must be the most beautiful woman I’ve ever seen in my life.” He said bravely as the high king he is but Y/N got slightly flustered and turned her face to the front, away from Peter.

“Well you’re not the only one with good eyesight. Earlier at the train station… I thought you looked really handsome. I must have been too caught up in my own world to notice how handsome you’ve gotten in the past year.” That said he looked at her a little stunned and she quickly added, “not that you weren’t handsome before! It’s just I haven’t seen you in a while, at least not really and I was just surprised and why aren’t you stopping me?” She whined while rambling on and on.

Peter smiled at her again, “I appreciate it. I- I- Can I- Can I… kiss you?”

He said all of a sudden which may seems weird to you but you have to understand that both of them were in the most beautiful setting in the whole universe. The stars being much brighter in Narnia in the sky with the clearest beach in front of them on a little mountain, a slight breeze rushing through their hair. Having just reconnected with your best friend you had liked in a romantic way for forever, you would feel very similar to what they felt, happy.

Y/N just bit her lip, not in an erotic way. It looked more like a smiling donkey, she was just as happy and overwhelmed with feelings as he was and she nod her head up and down while smiling still. He touched her left cheek so softly that he almost didn’t feel it at all, then he leaned into her also smiling and they kissed each other, eyes closed and heads slightly tilted. It was a short but intense kiss for none of them had ever felt so safe in their entire life. Their foreheads rested against each other and with their eyes still closed they both laughed into the night.

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artist-issues · 9 months

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About Greta Gerwig, Little Women, and Narnia

Greta Gerwig should not be in the Narnia realm at all. As anything.

The Narnia stories are inseparable from Christianity. Greta Gerwig is a Unitarian Universalist. This means she, in her own personal life, doesn’t believe in the saving work of Jesus Christ, which is a core belief of Christianity, and a core theme in Narnia. Everything in the Narnia books hinges on this, from the character motivations to the structure of the fantasy world to the way the magic in Narnia works.

Additionally, the women in Narnia do not adhere to post-modern or even antique feministic values. They are celebrated for their love and tender-heartedness and faith, all of which require self-sacrifice. Aravis of The Horse and His Boy starts out a proud warrior escaping an arranged marriage and ends up a humbled lady of Archenland court marrying the Prince. Susan Pevensie is at her best when she’s tender-hearted and at her worst when she doubts and becomes more concerned about her own identity than others. The school that Eustace and Jill go to in The Silver Chair is derided for it’s feministic views. By contrast, modern feminism is opposed to self-sacrifice, and that is the kind of thing Greta Gerwig demonstrates belief in throughout all of her works.

Am I saying that no person who isn’t a Christian or some type of conservative when it comes to feminism can ever work on Narnia? Absolutely not. I’m not saying that. Lots of people on the Walden Media Narnia movie (the first one), which was great, were not Christians and did not believe in the saving work of Christ. But they stayed faithful to the source material, even if they didn’t believe in the source material themselves. So the story retained it’s autonomy and power.

Greta Gerwig can’t do that. She has already demonstrated that she does not know how to make a story that hangs on to it’s integral source material if she, herself, doesn’t agree with that source material. She can’t be objective, and therefore, she can’t be faithful to what Narnia is.

How do I know that? Little Women.

I don’t care if you liked the Little Women movie by Greta Gerwig. I don’t care if the acting was “amazing” and I don’t care if Timothee Chalamet and Florence Pugh are great in it. I said exactly what I said. Greta Gerwig made a great movie—but she made a terrible adaptation of Little Women.

It was not Little Women. She made changes to Little Women. What changes, you ask? Changes to the specific pieces of the source material that did not reflect Greta Gerwig’s personal views.

That’s the cardinal sin for directors of adaptive stories or remakes—to make changes to the core themes of a classic tale, because you don’t agree with those core themes. That’s called mutilation, not “updates.”

Here’s how she did it in two major ways in Little Women:

She cut out Jo’s humble response to Friedrich’s gentle rebuke of sensation stories, and replaced it with a feministic self-pitying outburst from Joe and s borderline apathetic, cool piece of feminist advice from Friedrich. That takes all the continuity out of it and warps the characters. That scene is so pivotal in the book. It’s Jo, respecting a man who is much older and excellent in character than any other she’s ever known, and feeling immediately humbled by him calling her out. She’d never have responded that way if Laurie called her out. They would have argued. But this scene was supposed to show what Jo needed from a future romantic partner. She needed someone she respected, someone who could be wise and gentle—two things Laurie is not. She needed someone who would help her take her eyes off of worldly success and herself, and onto eternal benefits to mankind, specifically, the effect her stories might have on children. His gentle, respectful, wise love (and the love of characters like Beth) turns Jo from a self-absorbed writer into a selfless mother, like her own Marmee.

But Greta Gerwig never wanted Jo to be a selfless mother. She wanted, and I quote, “Jo’s love to be her work, and her romance with Friedrich secondary.” You know why?

Because that’s what Greta Gerwig believes in. Greta Gerwig’s life is her work. Watch any of her movies, you’ll see the smudge marks of that wholehearted belief all over them. She can’t even be objective when the whole point of a character is to make work secondary, as was certainly the case with the character of Jo March. No. She has to twist up one of the best American heroines ever into an automaton of herself.

The second way she mutilated source material is with Amy and Laurie. In the books, Amy and Laurie grow to love each other out of the character deficiencies that they make up for in one another. At the start of their courtship, Amy is ambitious and Laurie is lazy. Amy wants to marry for advantage, and Laurie wants to make much of his spurned love for Jo by giving up on life. And that’s it.

It’s Amy who first wakes up to feeling something romantic toward Laurie, not Laurie, and Laurie is not the first to make a move on her. Laurie does not know he is in love with Amy until well after she knows she loves him. Then, he does not make the first outward advance on Amy. They both come to the same conclusion together; when they do, she does not resist. In Greta Gerwig’s version, he’s back to falling in love with a girl who’s resisting, because that’s where Timothee Chalamet’s emotional acting shines or whatever.

But that’s not the worst part. The worst part is that she adds a feminism speech from Amy, as a reason for her resistance, and she subtracts the scene where Laurie actually proposes. The scene where Laurie proposes, in the book, is so beautiful.

The two characters are in love, they know they’re in love, and neither of them is insecure about it. Amy has learned that she needs a life-partner who knows her and will protect her, like her old home-values did, and not some rich aristocrat or prince. Laurie has learned that he needs a life-partner who can stir him toward change, not through big explosive arguments and hope of conquered affection like Jo, but with gentle love and sheer inspiration, found in Amy.

So, in the most beautiful analogy for courtship that ends in marriage ever, he proposes to her while they’re rowing on a lake. She’s sitting next to him in the middle of the boat, she’s got one oar, he’s got the other, and she says, “How well we pull together, don’t we?” And he says, “so well that I wish we might always be in the same boat. Will you, Amy?” And she says “yes.”

That’s it. No argument. No big, passionate, sentimental explosion like he had with Jo. No wrenched and broken heart-strings. He didn’t have to convince her. She didn’t have to resist. Because entirely without force, and entirely without insecurity, they protected each other’s hearts and came to a conclusion that was based on something so much deeper and more eternal than fleeting passion.

Greta Gerwig cut that out and listened to Meryl Streep and put in another stormy lover’s-quarrel speech from Amy about why she couldn’t be with Laurie because she was in Jo’s shadow, and feminism and marrying for advantage, blah blah blah. It’s terrible. It’s mutilation. It ruins everything the original Little Women had.

it doesn’t matter if she got some of the characters right. It doesn’t matter if she got a lot of the quotes right. It doesn’t matter if all of Act 1 of the movie is mostly-book-accurate. If you change load-bearing themes or character motivations, you show that you can’t be objective and faithful to the source material.

It is fine if Greta Gerwig wants to make a movie about a woman who loves her work more than anything else. It is fine if she wants to make a movie about how women are under-appreciated for their minds and souls, and have characters that go on a journey to prove it. But it is not fine to use someone else’s story to say it. Make your own story, Greta Gerwig.

Oh, you already did? See: Lady Bird? See: Frances Ha? Then come up with something new. Don’t shoehorn your same beliefs into every franchise that is offered to you, like vomiting, then eating the vomit and regurgitating it over and over in new colors. Figure out how to tell someone else’s story in a faithful way, objectively, or else keep your stained hands off until you can clean them up. Especially, keep them off Narnia.

Greta Gerwig makes movies for Greta Gerwig, by Greta Gerwig. She can’t be objective, and for that, she can’t do Narnia. She can’t do it justice, she can’t do it faithfully, because she makes movies for herself, by herself.

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