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#my st rewatch
hawkyon-days · 7 months
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"They ditched me yesterday."
No, Dustin, your friends didn't actually abandon you yesterday. In fact, they threw you a whole ass surprise welcome, and then most of them helped you set up your thingy and stayed with you well past sunset and only then went home
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heartorbit · 5 months
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a fool and a sinner
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kyurochurro · 5 months
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TNG character sketches!! been wanting to draw this crew for a hot sec so I got around to it at 3 am last nite… LOL
(also I haven’t started tng yet but hey I dedicate this to my DAD big tng fan first Trekkie I ever met SHOUTOUT TO YOU DAD 🗣️)
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seawolvesanddragons · 8 months
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There was a beautiful era in the 90s/early 00s of fun, female lead teen movies that just hit different, were like this golden age of girls just being girls and celebrating that feeling, and no matter how Hollywood tries they will never replicate it.
I'm talking "She's the Man," "Bend it Like Beckham" "Princess Dairies" "St. Trinian's" "What a Girl Wants" "Clueless" "Uptown Girls" "John Tucker Must Die" "DEBS".....obviously there's probably a few I missed but you get the idea. Maybe the stakes weren't as high as saving the entire world, but they were important to the characters and had friendships and silliness and the goal was almost never to get the guy and you just don't get to see that anymore. Also almost all of them had banging soundtracks.
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asexualjedi · 5 months
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Julian saying “garak the tailor” to his friends like there is another garak they know
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Bitches be like, “We’re friends. We’re friends.” And then, five seconds later, it’s [tender, emotional music] and heart eyes galore.
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heartsgettingwiser62 · 3 months
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So when are we as a fandom going to stop pretending that jonathan byers isn't one of the best written and most interesting characters in st
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emblazons · 1 year
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Listen I have a whole long post I’m working on about the monologue(s) but…how do we never talk about the fact that it was Murray who actually saved everyone in every single storyline in the Piggyback with the flamethrower?
Because…lmaooooo
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—everything from stopping the demogorgon from killing Hopper and Joyce, Vecna being distracted enough for El to walk up and attack him, Steve/Robin/Nancy dropping from the walls so they could get Vecna’s body in the attic and even Eddie no longer being chipped away at by bats…was all Murray’s doing.
They even have a whole little montage of the things happening simultaneously to prove it. ☠️😂
I just think we overlook the fact that it was Murray and that flamethrower rather than “Mike’s love,” Eleven or even any elaborate plan that made even the half-victory we experienced end of S4 possible 😂 Piggyback MVP for real
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kenobihater · 2 months
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of all the star wars movies, which of them do y'all 1) enjoy the most 2) consider the best quality and 3) think you've rewatched the most. add your answers in the reblogs or replies, i'm genuinely curious how much of an overlap there is within everyone's three answers. mine don't overlap at all! they're revenge of the sith, empire strikes back, and the force awakens :^)
#len speaks#star wars#revenge of the sith#empire strikes back#the force awakens#not tagging more films than that bc i cant b bothered. incoming tag ramble ahead bc i have sw brainrot rn and im making it everyones prob❤️#i rlly struggled 2 remember if id watched tfa or aotc more. i went w/ tfa bc it was formative to me as a teen and ive seen it probably 6ish#times? whereas aotc was the first sw movie i remember (specifically the scene of obiwan serving c*nt in the bar lmao) but i've only seen it#for sure 4.5 and maybe 5.5 times. the .5 is from when i got bored after obi-wan's scene ended and ran off to go play in the mud or smthn 😭#i'm sure tfa will eventually get surpassed in number of rewatches by aotc and rots bc i don't fw the direction of the ST but that's my#current ballpark estimate of my total number of rewatches#as an adult tho if i just wanna watch a star war i'll go with aotc bc it's fun and ends semihappily and i can turn my brain off for the#spinny lightsabers. it's great background noise or for if you're sick or whatever. rots on the other hand? i won't talk through that unless#i'm quoting it with my brother and i am LOCKED IN 100% entirely entranced by it all#i almost picked rogue one for the best quality answer but i think the character writing is weaker and the facial cgi is creepy. esb beats#it by a hair imho bc of that. the vader hallway scene goes hard tho!!!#also i'm not covering shows or games or books or anything else in this post - simply the films. might ask abt shows later but that might#also give me hives bc so many of the shows suck ass and i don't rlly want ppl extolling the virtues of t.bb in my notes 💀#and yes i do think one's enjoyment and one's opinion of quality are two things that often overlap. but sometimes you just like something#bad and that's awesome. like rots is the best of the prequels by a large margin and i adore the opening and characters and many of the#scenes but that doesn't mean it's the best star wars has to offer ykwim? it's my specialest most favoritest sw movie but that doesn't blind#me to the dialogue lmfaooo
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willowcrowned · 2 years
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I think what really gets me about Maul post-TPM is that he’s the only Star Wars character with true agency. Because of the way the films were made, every character in the prequels is already predestined for a role—Obi-Wan must go to Tatooine, Anakin must become Vader, every person they care about must be lost to them, and every villain but Sidious must die. Maul isn’t constrained by the narrative because he’s already played his part. He killed Qui-Gon; his job is done. He was never meant to be anything more than a one-off villain, so when he’s brought back, he’s without a destiny in the way that so many other characters are not. He has nowhere he needs to end up, no one he needs to be. He alone has the power to escape from the narrative—but he doesn’t. He buys into the narrative, buys into the conflict between light and dark, buys into the idea that he has to participate in it. Maul dies to Obi-Wan on Tatooine because he makes the mistake of going back, of trying to put himself in a narrative that has no place for him anymore.
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corrodedbisexual · 1 year
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Ok we all know Eddie uses Stevie for cute reasons but what if for a while (before they start dating) Steve keeps thinking Eddie means it in an ironic/condescending way because of this right here. And he actually hates it even more than King Steve.
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hawkyon-days · 7 months
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I'm sorry but Billy's "I'm sorry" to Max is so worthless. It probably just made her guilt worse.
Also, what is he even apologising for? That she has to watch him die? That he basically hunted her and her friends down the last couple of days? That possessed!him killed all those people? That he tried to hate crime one of her friends? That he made her life hell for the last couple of years? All of the above? Who tf knows
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zinny333 · 1 year
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what gets me about far beyond the stars is that unlike other sci-fi or supernatural shows that have a “maybe it’s all a dream” episode, this episode ends with hope that even if the entirety of star trek is just benny’s imagination, just his dream, what a good dream it is
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raviollies · 1 month
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i miss blythe insane yuri but at the same time i dont like love triangles and feel like her having a good healthy relationship is ultimately a better story decision for her
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meatychunks · 3 months
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Conan the Barbarian and how it correlates to Mike's inner struggles
I know the topic of Mike's bedroom has been talked to death, whether it's the one-way sign or the buff dragon with nipples poster. However, rarely do I ever see talks on the Conan the Barbarian poster or even on the film itself, which is properly due to the film being somewhat notorious for its terrible treatment of women.
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Whenever I do see it, people usually stick it up to being a part of his gay sexual awaking, which was sprinkled throughout his introduction in this season. And while I agree that's a part of it, I believe that they choose this film specifically rather than its sequel (which was only two years old in 86') for its depictions of minorities and masculinity to perfectly sum up his struggles with not only conformity but also toxic masculinity of the 1980s.
A HEADS-UP WITH TALKS OF SEXISM, RAPE, HOMOPHOBIA PLUS BREIF NUDITY.
Let's start with how it portrays sensitivity among men. Right off the bat, we see the film favours traditional masculine values with a conversation between Conan and his father shortly before the massacre of his tribe by the doom cult, with him telling Conan not to trust anyone and allow himself to be vulnerable, only trusting the steel of his sword which, in the film's own words, was founded by men.
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Rather than this being a critique on how men are often been forced out of emotional availability by generations before them, it's taken as words of wisdom that Conan takes to heart as we see him from a scrawny kid that lost everything to a muscular killing machine, stripped from sensitivity and is seen by other characters as the prime specimen of man.
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Male sensitivity is often depicted as a weakness and is unsurprisingly lumped with homosexuality as something to be ridiculed. We see this as Conan tries to sneak into the temple of the cult by pretending to be a shy and nervous bystander while wearing flowers (to which he says "for a girl" when being asked the purpose of them the scene prior), this attracts the attention of a priest who makes suggestive comments about his body all while caressing his chest. He asks to continue their discussion in private, an obvious implication of a hookup, and ends up getting killed by Conan.
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Not only it's presented as something antagonistic with the act of desiring another man seen as something perverse, but also, the implications of GNC men shouldn't be taken seriously and only seen as a target for sexual assault.
Traditional masculinity carries into how women are represented. With it not only their screen time is few and far between but also only serve as sexual reward to male characters or to show off their power, women who don't fall into this category are usually ridiculed by our main protagonist, often being called sluts or hoes. They are disregarded shortly after their introduction by being killed and/or raped (including a woman being raped by Conan during his montage to power).
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The only recurring female character is Valeria (we only find that's her name in the film's credits, so take that what you will) who gives the illusion of a strong character with being able to fight aside the male characters and her snarky attribute during her introduction, but ultimately ends up being a tool for Conan by falling into the wife role with her never being able to have true goals of her own. She disappears from narrative, only to show up towards the end for a tiny bit to meet her demise.
The poster reflects her role in the narrative with its composition, with her kneeling down so the viewers' eyes lead up to the main piece Conan, just an add-on to show his power.
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Now that's not to say it doesn't cater to female viewers (and unknowingly to queer men) by taking full advantage of the female gaze with multiple lingering close-up shots of Conan, some framed in suggestive angles and even scenes only exiting just to show off Arnold Schwarzenegger's muscular frame (take the random sex scene with the witch for example). And while there is female nudity, like women in this film, it's treated with a lot less care with being in wide shots and going just as quickly as it appears.
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Which finally brings us to this film's queer coding. It's common for macho action films to fall into homoerotic undertones due to their misogynistic tendencies, this film being no different with it being parodied in other media, even during its initial release, particularly in underground comics.
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An example I like to bring up is Conan's "first time" in a fight. He's confused and nervous as he's thrust into battle bare apart from a loin cloth and is attacked by his opponent, but as the fight progresses, he gets more confident and begins to relish in it.
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Overall, the film does serve escapism for it's male audience with its power fantasy elements, but rather of it being done through our main protagonist, it's done through the world where the narrative inhabits with it taking pride that worth is achieved through physical strength, wealth and sexual conquest. And while the narrative is the classic trope of the underdog going against a figure of high power, even they can't help finding his lifestyle appealing.
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Now....
What does this tell us about Mike?
Well, we know that his family often emotionally neglect him and encourage him to give up vulnerability (i.e., making him give up his childhood toys that have emotional value and viewing his outbursts as just "delinquent behaviour").
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His poor treatment towards El starting when they are together at the start of season 3. Starting off somewhat small with implicitly being disinterested in her when they are actually alone, take their conversation during his bike ride to the mall during his introduction or him jumping on the first chance he got on reducing their time together when Hopper stepped in (despite going against his wishes when it came to looking for Will in season 1).
However, when she starts to gain some independence through Max and stops being "his pet", rather than admit his mistakes and apologise like how Lucas does with Max or how he does to Will shortly after upsetting him, he starts using sexist language and starts to get controlling when said independence is applied to her use of powers.
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His implicit homophobia during his projection, when Will (Who is canonically considered GNC during this time) implies his changed in behaviour as something negative.
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And this might be a stretch, but maybe him tying his self-worth to whether or not he is able to provide and protect is also due to the societal pressures of gender roles and him feeling inferior to El could possibly be a hint of jealousy due to her being able to fulfil said roles despite her gender.
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And we all know he has a certain type when it comes to men.
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homewrecking-lore · 11 months
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2.25 “Resolutions” // 4.02 “The Gift”
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