Crowley is such a dad he adopts every kid he finds
Oh you're the antichrist? Adopted.
Oh we had the wrong one? You're the right one? I'm adopting you too then. Yeah, I tried to kill you five minutes ago but you know how it is. Big misunderstanding.
You made a pot? Lovely. Adopted.
You're digging up bodies? Doing Wicked? Wonderful. Adopted. I will risk my existence to keep you alive.
Oh, so you're technically an immortal angel, but you act like a kid? Close enough, adopted.
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Dark as a Lake
Don't you just wanna wake up
dark as a lake
smelling like a bonfire
lost in a haze...
This one is on you @waitingtobebroken - here goes my night of non sleep...
Also: I have been thinking about Crowley's fix for extravagant watches and I have come to the conclusion that his alarm clock cannot be anything less than the onboard clock from the dearly departed Mir Space Station.
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Inspired by this fic: Something New (For Good Luck) - Chapter 1 - False_Fantasy - Hazbin Hotel (Web Series) [Archive of Our Own]
@falsefantasy
Lucifer, talking to Husk and Angel: I’d take a page out of your boyfriend’s book and-
Angel: *spits out drink*
Husk: My what?
Lucifer:
Lucifer: Oh, sorry, are you two married? Okay, husband’s book-
Angel and Husk, both blushing: NO!
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~Anthony Lockwood & Lucy Carlyle ~
by stayalive.art on Instagram.
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penelope featherington would’ve slayed so hard as a character if she went for the men of the ton as an anonymous gossip sheet. LIKE full anonymity and that kind of influence as a woman..just to regurgitate what the average member of the ton is already itching to say about young girls who can’t defend themself? like all the mystery and allure of the column just to humiliate and ruin WOMEN using the established rules of the PATRIARCHY?? WHATS even the point then?! countess boochie flagrant ass character
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[id from alt text: digital drawing of TV series' version of Portland Row, 35 from a low angle looking up. it is nighttime, sky is heavy with clouds. on the right side there's a row of residential buildings down Portland Row, number 35 is closest to the viewer. the center piece of picture is a ghost-lamp on the side of pavement. it casts a bright-green neon light on the street and houses. there are three silhouettes downt the street resembling main characters of Lockwood and Co./end id]
the light will be on for when you come back
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Crowley could always rely on his Big Scary Demon Eyes to threaten people
but there must have come a point in time as Crowley and Aziraphale grew closer together where the eyes didn't do it. Aziraphale just gazed back at him, so Crowley resorted to physical contact.
i imagine their next encounter after the Job minisode Crowley was like shit i'm going to have to do something more than that.
and so he starts grabbing Aziraphale's clothes and shoving him against walls and pulling him close to fluster intimidate him but it still doesn't work and Aziraphale just stares back at him like 。◕‿◕。 because he's smitten
and there came a point where Crowley realised he wasn't that bothered about intimidating the angel anymore - he was just using the situation as an opportunity to get closer.
an excuse to grab Aziraphale and hold him; eye to eye, noses touching, breathing in each other's air. they both knew that in different circumstances they could close that gap.
but no. Crowley plays his part as one of the bad guys thwarting his opponent. and on they go.
and then when he's sure he's going to lose him, he closes the gap between them as a final, desperate measure. to show Aziraphale, before it's too late, what exactly he's offering. What he's always been hinting at with every pull and shove.
but he's still one of the bad guys.
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