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#mr gaiman if you see this i love you thank you for making the show
bewarethecircles · 9 months
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Neil Gaiman: "in season 2 the fan-favorite angel/demon couple will fall in love, overcome great adversity, and eventually defy heaven and hell to run off together to the stars :)"
Fans: "cool! I can't wait, does Aziraphale confess first or does Crowley?'
Neil, holding Gabriel and Beelzebub figures and making them kiss: "Does who do what now?"
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neil-gaiman · 1 month
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Hello Mr. Gaiman,
For context, my brother and I live in a place where the LGBTQIA+ community is seen as weird and not generally embraced by those who fall under the umbrella. My brother is not homophobic himself, but his colleagues are certainly... passionate... individuals about their thoughts, and to be honest I was worried he may one day be influenced to say the same homophobic things.
I remember watching the finale of Gomens S2 and being violently shocked, positively. Said brother came into the room to see if I was alright, saw me and slowly sat down next to me. I rewatched S1 and S2 with him and he absolutely loves the show.
My brother realised after watching the show that being gay and/or being part of the community is not something that should be oppressed or made fun of. Now, every time one of his colleagues says something disgusting, he makes sure to educate them.
The show means a lot to me, and it now means a lot to him as well. Thank you from the whole of my being.
That means the world to me.
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alargehunkofdebris · 9 months
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the necessary anguish of the Good Omens 2 finale
Ah ok. So after 4 years of waiting post Season One and ten cumulative years of bookish fannery, I watched bonified New Content of Good Omens. And when those credits rolled, I sat there, not in my expected state of pleasant satisfaction, but in a state of abject shock.
I actually don’t know if I’ve ever had such a reaction to a show before. Or, rather, that I could still have such a reaction. I’m thirty, for goodness sakes – I was planning on being thrilled and charmed and entertained, not having my hands shake so much that it was hard to type a text. I wasn’t planning on losing an entire night of sleep because my heart wouldn’t stop pounding really hard, Neil. This was not expected. I had an estate sale to run the next day – by God, I needed that sleep.
 Anyway. These are my thoughts on the season, and on this upswell of mourning/unhappiness at such a gut-wrenching ending. As always, this are my dumb opinions and nothing more; take with a grain of salt, etc. 
I have seen a lot of suffering on Tumblr today. Everyone is in pain, and it makes sense. I, too, am in pain. But I might be in the minority, because I thanked God/Mr. Gaiman when things turned to pure pain in the end. Because narratively, despite the anguish we all feel, this is how it needs to be. And I was getting real worried there for a second.
When we have a mini-series (ie, a show with a set number of seasons) it can’t act the same as a series without a set end. We’ve got three potential seasons; therefore, they logically should behave like a three-act play, or the three acts in the standard Western movie/book plot. This middle season is the middle act, the second act. While it definitely doesn’t work exactly the same way, and needs its own story arc to work as a season, it is still functionally the middle part of one overarching plot.
And what usually happens near the end of the second act? All Is Lost, and the Dark Night of the Soul.
We NEED this to happen. This is what makes a plot delicious. If we’d had this perfect, lovely, romantic season where the stakes aren’t raised one bit and everything is fixed at the end, we would want for nothing and the gorgeous tension that keeps us waiting and watching would be lost. We wouldn’t feel that drive to create fanfics and fanart, we wouldn’t have the need to speculate or dream, because most of the tension was eased, and you just can’t have that if you want a highly anticipated third season. We’d have nothing huge and concrete to look forward to.
In fact, I was getting really worried once the Ineffable Bureaucracy started happening on screen, because I could see (I thought) past that bend in the road toward the end. I could see how this season might conclude, with big happy confessions of love and hugs and handholding (that’s all I expected, because I only expected the same chaste level of affection with both angelic/demonic couples) and then…then it’d all be over. What more could there be? I mean, there certainly could be more, but THIS is the main thing people waited for. The Happy Confession. The hug. The handholding. Whatever we got. And in my mind, having it now, at the end of season two, just wasn’t adding up – it did not fit. It couldn’t. No, we can’t have this now. It doesn’t work.
I get this peculiar thing that happens when things start getting too “everything is great!” in a story. I get the “someone needs to die” instinct. Instead of pure happiness that things are going great, there’s this feeling of intense discomfort, because I feel the weight of the shoe that’s failing to drop. I need it to drop, or else it throws off my entire standard-Western-narrative-trained brain’s balance. In the build up to The Scene, when things seem to be going swimmingly and heading directly towards the happiest and syrupiest of endings, I had to pause and pace my living room and roll around on the floor to alleviate the sheer build up of stress. Things can’t go this well. They can’t. There hasn’t been enough bad things, this is too sweet, too much. Can’t handle it. This can’t just be pure wish-fulfillment at this point; Good Omens shouldn’t work that way, it never has. We’d be happy in the moment, but then it’ll ultimately be a let down. No more danger. Nothing keeping them apart. No more tension, no more story. It was all too easy.
And then, finally, that shoe dropped. After a season of mainly getting along and being just thrilled with each other, they began to really argue. Things got horrific and serious, and I literally let out a breath of relief. I was able to watch without pausing every two minutes for a breather. Ok. Things weren’t over. This wasn’t the end. We had more to wait for.
And then it went on. The confession started, but in that gorgeously wrong way. And for the first time that season, I was actually feeling the stress of the story. Yes, there was danger throughout this season, but it was always layered with humour and wit. You didn’t get a demon scene without them doing something hilariously stupid. You didn’t get an angel scene without them being delightfully out-of-touch. The stakes were high, but they weren’t allowed to get EXTREMELY high. We never thought there was any question of them getting out of scrapes unscathed, because it was never all serious.
Never…until now. There was zero humour at this point. After 6 episodes of being pleasantly delighted, I was feeling the dread. However, I still thought I knew where it was going.  
See, I thought I had it figured out. If I had any extra money, I would have bet some of it. I knew that, whilst they’d likely have some kind of subtle confession of love and caring, and perhaps a touch – a hug, or a hand-hold (like Gabe and Beez) – I knew we couldn’t expect a kiss. This is a story thirty-three years in the making, and it’s always been in that grey area. They weren’t humans; they didn’t necessarily show affection that way. Besides that, we’ve had so many TV shows that get close, but rarely ones that go all the way to smoochville. OFMD was one of the very first, but it was new. It wasn’t an old, established story from the 90s like this is. It didn’t have decades-old fans waiting with bated breath for canon content. For Good Omens, we heard it time and time again in interviews; it’s a kind of love story. They had this kind of marriage. They cared for each other. They had a bromance. It’s close, but never quite there. So I thought I knew exactly how this would go, and would be thrilled with what we got. 
And then it absolutely didn’t go that way. It went exactly as far as so many hoped. And it went there like a knife to the gut.
And it was perfect.
Goddamn, what a season ending. Despite my lack of appetite and failure to sleep, I could not be happier with what Mr. Gaiman did. I am screaming crying throwing up and I’m thrilled about it.
The middle of a story is typically what drags; it never holds the highest stakes. Lord knows what we’re going to get in season three (knocking on wood), but I can only expect it to get bigger and heavier. And by God and/or Satan, am I prepared, in this deliciously painful purgatory, to wait and see.  
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notalostcausejustyet · 8 months
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As most everyone who circles around the internet knows by now, the Good Omens fandom exists. And it has gone rather feral since the release of S2. And I want to talk about that a bit, because while I’m sure it all very eye-roll inducing from the outside, there are a myriad number of reasons WHY this book and this show in particular have resonated the way they have. I grew up in a very religious household, Baptist, fundamentalist Baptist in fact. Nowadays considered extreme even by a portion of the Christian community. When I was growing up there was “The Way Things Are”. The “TRUTH” and there was the world from which you must be sheltered at all cost so as not to lose your “innocence” (please forgive the gratuitous use of parentheses through this). I was young when the novel was released, 7 and I did not discover it until I was a bit older, round about the time I started managing to get peeks at the wider world (Star Trek was one of the first glimpses I had) and it began to raise questions. Something was amiss in the version of morality that I had been taught, vs the actual world and morality as it pertains to the conundrum of humanity. Morality was not black and white. Good and evil, right and wrong, these were not a thing that could measured by the yardstick I had been given. And then, Good Omens. In the pages of this book (that I most decidedly did NOT have, it lived at the library and was read in bits and pieces) I found language for what had been only a tiny spark at the back of my mind. Language that that laid out my questions and discomfort in a way I didn’t know how to express. Language that drove me to know more, to learn more, to ask more. And in doing so I set my mind free. So many of us come from a background of religious trauma. We struggle SO much to make sense of what we intrinsically KNOW to be good and just against what we were indoctrinated into growing up. Here we find a mirror and then we are given the means to look beyond it. Good Omens is, at its heart a love story. But not only, or even just, that of an angel and a demon. It’s about being a lover of truth. It’s about love not in spite of flaws, but because of them. It’s about loving humanity and ourselves and all of the extremes and dichotomies that we are made up of. The truth is that humanity is not perfect. Far from it, but the agony and the glory and the sheer unfiltered raw mess of it all is what creates the human experience. These extremes are where art and music and fast cars and good food and wine and the perfect cup of coffee and LOVE is born. And morality, true morality is rarely wholly good, or wholly evil. It exists in the liminal spaces that we all dwell in. Good Omens allows us to see that, to accept it in the world and in ourselves and to love, not in spite, but because of it. So thank you Mr Gaiman, and Sir Pratchett who now wields his pen in the stardust. You have given us more than you perhaps you knew.
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ariaste · 2 months
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hi just read magic trick you didn’t see for the first time. was super impressed - both you and of course mr. gaiman thought all this through incredibly well and it’s very clear you’re very good at your jobs. just wanted to say thanks for making it! thank you for sharing your lovely incredible analysis with everyone! i’m excited to see where s3 takes us now and i’m excited for YOU to have your suspicions confirmed or maybe denied to be replaced with something even more exciting! overall i just think what you wrote made ME feel so much more excited for s3 and has really brought back my passion for this show. will definitely be checking out some of your fantasy novels as it’s clear you’re a wonderful magician/artist. no need to respond if you don’t like - i’m sure you get plenty of these messages a day. just wanted to let you know how appreciative of and excited and intrigued by your essay/analysis i was!!!!! it was AMAZING!!! thank you!
Thank you, that's so kind! It's really heartwarming to hear when people say they're going to check out my published books after reading my analysis! :) I hope you enjoy them!
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maaikeatthefullmoon · 9 months
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This contains Good Omens Season 2 Spoilers
It’s been a week since Good Omens S2 aired. I’m still crying. It’s been nestled in my brain. It HURTS. And today I finally figured out why it’s hurting me and why I’m clinging to the ‘theory’ I’ve developed as a coping mechanism.
First things first: I trust Neil Gaiman implicitly. He is an absolute MASTER storyteller and I know he’ll see us through to the most beautiful ending our demon, angel and the world deserve. Good Omens is the only show/story I have no worries about that I won’t love every second of it.
Anyway. My hurting & crying is Aziraphale’s reaction to Crowley’s kiss. There was no joy, no reciprocity, no softening. He doesn’t lovingly return the kiss like I want. He stands there, at best just a rigid pole, at worst he appears to be fighting it.
And that struck a personal chord. But from Crowley’s POV, and in a long-standing relationship. I live with a rigid pole that I’ve tied my life to. So I’ve just completely shoehorned my obvious trauma in there and taken it on myself. And that hurts and it’s raw and it’s kind of anguish-inducing at times.
So of course, I did what any person with trauma does and developed a coping mechanism: A Theory.
It’s not a new one, I’m not clever. Anyway, here it is:
Aziraphale is quite obviously flustered as when telling Crowley his ‘great news’, with his hands flying everywhere and eyes constantly darting outside. Crowley obviously picks up on this, after all, he told him in episode one that he knows what’s up from his tone of voice. I don’t think this was his “I’m going to pop” tone.
When Crowley kisses him, the miracle sound is heard. He also very subtly nods his head during the kiss and there appears to be an ‘aura’ as well.
I think Crowley stops time (making me ask again, just who WAS he before he fell sauntered vaguely downwards to be that powerful) and they manage to speak out of the Metatron’s view & hearing. (Perhaps even Muriel is involved?)
Whilst out of time, they then swap appearances, just like at the end of S1. …After all, Neil says S2 is a bridge between S1 & 3…
Then they come back into time, (?Aziraphale’s hand relaxes on Crowley’s back?) and we finish with them being on opposite sides to their usual ones, sudden mention of a nightingale after being told there wouldn’t be one and uncharacteristic Bentley music. Oh, and I will never forget that creepy smirk in the lift. Eek.
I’ve got other thoughts about half the street not being normal humans, but this is about my trauma response so I’m going to leave it at this.
Mr Gaiman, you’re a genius. You broke my heart in a personal way due to personal trauma but I love this show, this story, this universe that you and Sir Terry created and the entire huge team has brought to life on the screen, and obviously I adore how Michael Sheen & David Tennant have inhabited these characters and brought them to life.
Thank you 🖤
(Edited the morning after I wrote this for a little more clarity and when the rigid pole was no longer near me…which is not a euphemism…sadly)
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fernsandsunflowers · 9 months
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I hyperfocused on Good Omens, Crowley and Lucifer so here's a 2000 word essay that I'm not sure even makes sense. I'm going to go and salvage the rest of the day and do some of the work I'm supposed to be doing to live or whatever now. thanks for coming
I don’t know how popular the Crowley is Lucifer theory is I haven’t read into it, but I knew of it being out there. I started thinking about it randomly today and now I am obsessed. If I’m repeating anything that’s already out there I am sorry but I – went on a whole ass journey and here's why Crowley has to be Lucifer.
Most of my knowledge on Christian mythology is based on media/books that I’ve read. I have consumed A LOT of western media and I personally love stories inspired by Christian theology, including Neil’s Lucifer comics and the TV show. So, I am familiar with the concept of using Lucifer as a medium for critique. I was however, under the impression that Lucifer and Satan were one and the same, that Satan was Lucifer before he fell. And so, when I first came across the theory that Crowley was Lucifer I was a little confused. It stuck in my head though – because, wouldn’t that be just a good fucking twist?!?! – and I started researching Lucifer and Satan. And omg.
I don’t know if there’s a lot of different things in the books that I have missed not being Christian or being born into a Christian family, where Crowley would have done things that was traditionally associated with Lucifer/Satan. I’m assuming there is and that’s what led to the theory coming about? The only thing that stuck out to me was him being the one to tempt eve. I thought Satan, as a snake, tempted Eve to eat the apple. [based on google searching I know this is also debated and maybe not actually in the bible? It was just a crafty ol’ snake?]. But everything changes when you separate Lucifer and Satan.
First on why Crowley’s angel identity is one of importance:
Crowley clearly was a high-level angel, that much is clear from S1/Book and more so in the light of evidence from season 2. S2 also starts to put more emphasis into who Crowley was before the Fall, not in the very apparent ways like that first scene where he creates a Nebula. No, in clever little foreshadowy ways.
There is overt emphasis on the miracle in terms of Aziraphale’s power than Crowley’s. I know it was half-half, but while the show never once denies that it was their combined power, it continues in a way where Aziraphale is the focus of the miracle and it’s 25 lazarii power and Crowley’s part in it is made subtler almost like Mr Gaiman is trying to get us to forget. But if that miracle is so powerful and it is so unlikely that Aziraphale could have done it being just an angel, then it implies that Crowley is incredibly powerful too.
Crowley had access to Gabriel’s files.
Crowley has clearly been mind-wiped. We all agree on that right? “I know it hurts”, “looking where the furniture isn’t”. It doesn’t seem like any of the other angels/demons have. But I think everyone’s been made to forget something, erasing memory seems to be an easy enough and common enough thing for the higher ups to do. Or for Metatron to do anyway. A little tweak here and there and everyone forgets Crowley was Lucifer, including Crowley. Someone (it’s Metatron) is playing a very delicate little chess game (Metatron I see you) and there’s a lot of little signs to show that small details are missing from everyone’s memories (Metatron!!! *shakes fist at sky*). An example is that Aziraphale and Muriel have met before. In the Job memory she was the one who went through Crowley’s contract. And I know it’s a small thing – the writers could have just decided not to acknowledge it or imply that maybe they had forgotten they had already met. People forget things all the time, and it was 100s of years ago! But the whole thing struck me as exceptionally odd. I even expected there to be a comment by Aziraphale that he had met Muriel and so her pretending to be a ‘human police officer’ was doubly hilarious. But there was nothing and, to me, it felt like there was a heavy emphasis that both individuals believed this to be their first meeting. I know they’ve lived for thousands of years and memory is a fickle thing so they could have simply forgotten that meeting. But Aziraphale isn’t the type to forget a face, especially one that helped him go through a contract for something that was very important and honestly kinda life changing for him. And Muriel honestly, also doesn’t seem the type to forget the time she helped Heaven’s ambassador on Earth go through a contract involving a pretty popular and consequential bet between God and Satan. Anyway, I digress. I don’t know why it was important to erase Crowley’s (and everyone else’s?) memory of Lucifer [but I have a theory, more on this later] but Crowley would have needed to be significant as an angel and instrumental in the Fall for it to have been necessary.
What I’m trying to say is that I believe S2 was riddled with hints that Crowley’s angel identity, his past, will become important as we move forward. So his identity is possibly one that we as the audience will immediately recognize.
That’s all the technical reason’s why I think Crowley is Lucifer, but none of that stuff actually give any real foundation as to why he is Lucifer and not just another high-level angel. So here are the more abstract and very emotionally biased foundational reasons.
First a bit on etymology and history:
Lucifer (latin) is used to describe the morning appearance of the planet Venus. Venus is the morning star, the bringer of dawn or the light bringer. We all know it – it’s that big, big, bright star that always catches your eye when it’s out. Being the brightest object in the sky, outside the sun and the moon, Venus is extremely beloved and a major fixture throughout recorded human history. Because of the way she orbits around the sun, we on earth see her at different times depending on her orbital period. Either in the morning or in the evening. The morning star and the evening star. Same star. Lucifer was used to describe Venus in the morning, translating to the dawn-bringer. Venus’ appearance in the sky throughout recorded human history is described with such reverence and love. Every culture has their own stories and mythologies surrounding her and in nearly all of them (generally - each culture had specific beliefs) she represents love, light and joy. The stories differ based on whether cultures are referring to her morning appearance or her evening appearance or whether ancient cultures believed her two appearances to be the same star or different stars - There are stories of Venus’ two appearances being star-crossed lovers in ancient Vietnamese folklore, for instance.
In a lot of stories where she was seen as one and the same, including Greco-Roman folklore, the stories often featured Venus ‘falling’ or being ‘cast down’ from the heavens. These particularly related to the way Venus moves in the sky as observed from earth. Because of trajectory of her orbit around the sun, the planet never reaches the very top. That is she never rises above the sun or the moon always appearing just below and the planet never actually falls below the horizon. Apparently, this was different enough from norm (hi i don't know a lot about space) that it was included as a key point in a lot of these folktales. Numerous mythologies spoke of Venus being cast down from the heavens for trying to reach the throne. Including, in Roman folklore, that later feeds into Christian mythology. See below
Lucifer became Satan due to a small mistranslation from the Book of Isaiah. It was from a single passage following the death of the oppressor in the story, where lucifer/morning star was used, sarcastically, I gather. “How you have fallen from heaven, morning star, son of the dawn! You have been cast down to the earth, you who once laid low the nations! You said in your heart, "I will ascend to the heavens; I will raise my throne above the stars of God; I will sit enthroned on the mount of assembly, on the utmost heights of Mount Zaphon. I will ascend above the tops of the clouds; I will make myself like the Most High." But you are brought down to the realm of the dead, to the depths of the pit. Those who see you stare at you, they ponder your fate: "Is this the man who shook the earth and made kingdoms tremble, the man who made the world a wilderness, who overthrew its cities and would not let his captives go home?". This dude was just taunting his fallen adversary, but this then, over the slow passage of time, led to the idea of Satan being a fallen angel called ‘Lucifer’ who tried to take the kingdom of heaven.
On Crowley and Venus:
We know that no matter how many times or how loudly this fool (affectionate) denies that he is ‘good’ and ‘kind’, it is his entire being. His love for the universe that he so so soooo lovingly, so excitedly, helped create led to his ‘fall’. He doesn’t just love humans in all their exceptionally flawed glory, he loves all the little things that made the universe, the universe – from ducks to nebulas. Love, joy and kindness comes to him entirely naturally, more so than it does for Aziraphale (I love you, boo, I do I do I do - but Crowley is definitely the lighter grey). So taken very literally, just based on character alone, he is like Venus, he is light and joy, excitedly rising before even the sun to herald a new day for earth. The morning star, the light-bringer.
But Crowley finds out about Armageddon and he has… suggestions. I don’t know if I can see him making a direct play for the throne. Ruling isn’t him. But I can see him starting out by wanting to stop Heaven’s plans of destruction and then ‘sauntering vaguely downward’ from there. He is different from the rest of the host of heaven in that he never quite, metaphorically, at least, reaches all the way down. Point blank: he's not quite - 'evil' in his beliefs. Venus doesn’t quite fall in an arc either. There’s no clear drop, she never disappears below the horizon – she never quite ‘falls’. She just slowly loops around the earth, horizontally, sauntering vaguely at a downward angle.
On Crowley and Lucifer (A speculative association):
Crowley’s opposition to Armageddon would gradually have led to his complete disillusionment of heaven and God’s ineffable plan, over-time (see above on sauntering downward). I think he would have genuinely tried to argue and fight the Armageddon plans. Just as he did to stop Armageddon in S1/book, though he would have done it then without pretending like he didn’t care (and acting the opposite). He would have been unsuccessful, continuously, increasingly and frustratingly so – enough to start hanging out with the wrong people. Just so he had a space to vent, you know? Next thing he knew, he’s labelled traitor by association and he’s fighting a rebellion he didn’t really believe. Or may be that’s what he remembers.
I think he played a much larger role, unintentionally, kind of, but a role significant enough that it was important no one remembered it. I know it feels like Crowley making such a major play is against what we know of his sauntering – but I sometimes I read those statements as defensive or more a nod to him acknowledging that he did ‘fall’ in that he made some wrong and less than OK moves. But he made them with good intentions in heart, he was trying to protect the universe but it led to his association with the other side... that was unintentional – he didn’t mean to fall. This is based entirely within the context of that first scene in S2 (and the fact that this man has clearly spent hours, months, millennia contemplating morality and humanity and critiquing heavens views – more so than Aziraphale has). Pre-fall Crowley is light years apart from post-fall Crowley when it comes to taking action, to fighting the system. That man talks and acts like someone who tried really fucking tried to change the system and it failed so miserably that he’s now irrevocably jaded. There’s no fixing heaven and hell – sorry Aziraphale, I tried and it just led to eternal punishment for all those that I fought side by side with and no there are two teams trying to do the thing I was trying to stop - let’s just run away to Alpha Centuari together.
Lucifer became synonymous with Satan from a mistranslation, a small little thing drop that snowballed to most believing in something that never actually happened. That 'Satan' was a fallen angel by the name of Lucifer and it he that started and led the rebellion.
What if Lucifer (Crowley) didn’t mean to but simply sparked the rebellion, with his questions and his suggestions; what if Satan (whatever that turns out to be in Good Omens, be it an actual being or simply an amalgamation or some personification of 'sin') saw an opportunity and used Crowley? You can’t quite control how things pan out can you?
Lucifer, light bringer, just wanted to keep the light on for eternity - have it last forever (but oh, Crowley nothing lasts forever - haha I'm not traumatized), he got enough people questioning things that Satan used that as cannon fodder to stage a coup. Something that started from a genuine place, got twisted and corrupted – remember Hunger Games (and I guess the real-world?? god fuck)? Shit went off track fast and there’s all out war. Heaven won and those that rebelled were cast out.
But here’s the catch. You can’t quite stamp out an idea, not once it’s been planted (fire is catching said Katniss, eliminate their beacon said Snow, also - re: inception). How long will it take before someone turns around and goes, hey that war was crazy wasn’t it? Anyway you guys remember what Lucifer was saying before things got confusing?
Nope, you can’t have heaven’s remaining angels or even hell thinking there are ‘institutional problems’. How do you unplant an idea? Easy, how do you control weeds my dudes - pull them out by the roots!
...
Lucifer who?
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antlerx-art · 9 months
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GOOD OMENS 2 EPISODE 4 REACTION - CONTAINS SPOILERS‼️
NAZI ZOMBIE FLESH EATERS IM SO NOT READY
aziraphale why do you have to be so pretty
modern heh🤩 but not bebop🤨 HES CUTEE
OH. MY. GOD.
OH MY
NOT MOONLIGHT SERENADE
IF THIS PLAYS LATER IN THE EPISODE IN THE FLASHBACK IM GOING TO ACTUALLY FEEL SICK NEIL GAIMAN YOURE CRAZY YOURE SO CRAZY OHHHH MY GOD
okay i’m normal again
SHAX?
DONT TOUCH HIM LEAVE HIM ALONE
oh i don’t think we’ve ever seen aziraphale talking to a demon other than crowley have we?
“im a little bemused as to why crowley would risk destruction for you, you don’t seem his type at all” EHHEHHEHE aziraphale knows he is
POOR OLD FURFUR? WHAT DO YOU MEAN TICKET TO THE BIG TIME
aziraphale uhm i love you but that was VERY naive you’ll have to run her over with the car now 👍🏻
OHHH YES LONDON 1941 LETS GOOOOOOOOOOO
AAAAAAAAA its the same scene but the nazis are about to become zombie flesh eaters
furfur face reveal?
LOL THE NAZIS WENT TO HELL
ah yes nice fresh cup of fire
THE LIFT HOMEEEEEEEEE
aziraphale’s face 🫶🏻😭 “shut upppp”
“on behalf of my………..good friend here” michael sheen had an aziraphale moment in that one interview
YAY ITS AZIRAPHALE’S MAGIC SHOW
okay so furfur uses the nazis to spy on aziracrow HEHEHEH they’re gonna interrupt them during the dinner aren’t they
miracle blocker 💀
the proof being?? an almost kiss ?? i’m delusional
yummm tasty human flesh meal
AAAAAAAAAAAAAAAAAAAAAAAA THEYRE IN THE BOOKSHOP
“oh there’s no need to thank me that’s what……… friends……..do” AZIRAPHALEEEEEEEEEEE
“to mr fell (that’s me😊) a wonderful student”
AZIRAPHALE MOVING AROUND BEING EXCITED FOR THE MAGIC ACT AND CROWLEY PLAYING THE PUBLIC OH THEYRE SO THEYRE SOOOO
also what made crowley so embarrassed about it in the future?
“the farthing has vanished!!!!”
“you, my nefertiti fooling fellow~ are about to perform on the west end stage! if that doesn’t make you a professional conjurer, i don’t know what does” CROWLEY YOU HAVE TO PUT A ROMANCE WARNING BEFORE SPEAKING THIS IS SO ADORABLE
AND JUSSSST THW WAY AZIRAPHALE SMILES AT HIM????
oh my is this going to be the boa scene? 🫢
“natural dexterity” yeah now i see why crowley’s embarrassed
why does aziraphale have a firearm license HOW MANY LICENSES DOES HE HAVE
“you wot?”
CROWLEY’S GOING TO BE THE ASSISTANT I KNEW IT (THE HAND ON THE ARM!!!)
THEY HELD HANDS AZIRAPHALE PUT HIS LEFT HAND ON CROWLEYS TOO OOOOOHHHH MY GOD THE AMOUNT OF SLOWED GIFS PEOPLE ARE GOING TO MAKE OF THIS MOMENT
these nazi zombies are crap what was their plan anyway
HELP they’re all soldiers
THE MIRACLE BLOCKER NOOO
OOOHHH ITS NOT GONNA END WELL IS IT
shit they took the picture
i’m actually sweating
POOR CROWLEY’S TREMBLING
WOOOO IT WORKED
AZIRAPHALE IS SO GAY WITH THAT BOA STOP STOP BEING GAY YOURE TOO SWEET
“aziraphalala” me reading his name for the first time
girl put that picture on fire it’s literally in your own hands
aziraphale has stolen the evidence with a magic trick hasn’t he
HAHA YESS HE DID
OHHHHHHHHHH THE DINNER THE DINNERRRRRR
SHADES OF GRAY VERY DARK GRAY AND VERY LIGHT GRAY ITS THEM OH ITS SO THEM IM IN TEARS
do demons even have vital organs?
“CROWLEY’S PET”😨
don’t touch his bookshop.
nina break up with them that relationship is so stressful please
NAH CROWLEY TALKING TO THE BENTLEY LIKE A DOG 💀
THEYRE GOING TO HAVE THE BALL YEAAAAAAH
tagging @neil-gaiman since he said he was interested in reading live reactions
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dumpbster-fire · 8 months
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So, a lot of people are saying that Neil Gaiman should apologize for the finale of season 2, but I don't believe he should (neither does he seem to be thinking that).
Because yes, it hurt, a lot, it was aggitating to watch and you got angry and sad and desperate to see more.
But that's just good writing isn't it? When it can touch you and move you like that, make you really feel something, it's simple plain good writing and acting. Cause it makes you care. And you know what? I am grateful to Neil Gaiman, David Tennant and Micheal Sheen to have broken my heart with that scene.
If that scene hadn't been there i wouldn't have cared as much, yes a happy ending would have probably felt nice but not as good as the end as it is.
It's absolutely brilliant, it gives you exactly what we've been waiting for but in a way that makes you not have it at all.
It builds tention, grabs your attention, leaves you with this feeling, so you may come back and watch it again, and so you shall come back for the next bit of the story.
It leaves you hanging, because it leaves you feeling. The fact that you get upset about it just shows that you care.
And if we do get a happy end its going to feel all the more rewarding for having gone through the pain first.
So yes, Mr. Gaiman, i agree, you shouldn't be sorry. (Not that my opinion should be of any importance to him lmfao)
AND ALSO
Neil Gaiman did not lie. He said the season would be quiet, calm and romantic, and you know what? It was. It really was. All of the 6 episodes were all about discovering more about the ineffable husbands, about their past and their relationship. We got brilliant glances at loving moments between them. We got to see them dance, we got to see their relationship build a bit more, we got to see Crowley care so much about Aziraphale that he threatened Gabriel. We got to see them work together once more. We got them reffering to things as "ours". We also got Crowley being comfortable in the bookshop, taking of his glasses, being vulnerable and Aziraphale being absolutely delighted to have Crowley around.
So yeah, the last 15 minutes were painful, but that doesn't make Mr. Gaiman a liar. He said the season would be, not the entire season but the overall experience, and he told the truth.
So i guess
Just a huge thanks to Neil Gaiman for writing with such brilliance and making me care.
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on-blu-ray-and-dvd · 9 months
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Good Omens 2 was simply wonderful to me in so many ways, and no matter what happened I'm so glad I got to see it
There is just so much to appreciate in it and the fact that it makes me emotional makes it that much more important to me
So I want to give a profound thank you Mr. Gaiman, and everyone else who put so much love into this show
I think it's spectacular :)
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universalcas · 1 year
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🌻 tagged by @castiel (thanks darling <3) like a decade ago to talk about 8 shows as a way to get to know me better (in no particular order) 🌻
1. Sherlock BBC:
yeah, i know what you are going to say: "that explains a lot about your mental state" and I will answer: "you are absolutely right, my love". I joined tumblr because of this show, right in the middle of the hiatus between season 2 and 3 when I was happy and innocent and the world was beautiful and bright and full of possibilities. I become obsessed with London because of it for a short period of time.
2. Hannibal:
"Achilles wished all Greeks would die, so that he and Patroclus could conquer Troy alone. It took divine intervention to bring them down"
Bryan Fuller owns me, as a human being. This show changed my DNA to the point that I haven't been able to write horror stories without having some scenes from the show in my mind. It's darks, and twisted and incredibly poetic. It has some heavy dose of art (s2 my beloved) and the relationship between Hannibal and Will Graham it's one of the most beautiful and erotic things I've seen portrayed on tv.
3. Good Omens:
I was terrified when Amazon announced that one of my favourite books was going to be adapted to tv. I didn't wanted anyone to touch it because I didn't want anything that had Terry Pratchett's (I miss him everyday) name on it to be tainted by the greedy hands of capitalism but oh boy how incredibly mistaken I was. Good Omens is my happy place, the show I always come back when I'm not feeling my best (and I'm actually excited for a completely made up season 2). It has the story, the funny characters (John Hamm as Gabriel my beloved) Tennant and Sheen are the perfect Crowley and Aziraphale and their chemistry it's just insane in every sense of the word.
4. Black Sails:
"A story is true, a story is untrue. As time extends, it matters less and less. The stories we want to believe, those are the ones that survive"
I don't know what to say about this show without risking a spoiler and I really doesn't want to spoil it to you if you haven't watched the show. If this is the case, go make yourself a favor. It's full of pirates, love, violence and righteous fury. And probably the most iconic characters I've seen in a while.
5. Jonathan Strange and Mr. Norrell:
A one season show from a +1000 pages book. And it couldn't have been done better in my opinion. Highly recommended if (like me) you love dark fantasy, magic and History.
6. Fleabag:
I laughed so much and I cried so much and I didn't expect any of it but I had to let it happen. It's funny and thoughful at the same time and I really liked the way they depicted complex themes like love, loss and self-esteem.
7. American Gods:
And then it happened. Gaiman-Fuller, the match that was meant to be. The book was in need of an adaptation and the show did an incredibly service to it. It's powerfully visual and beautiful and onirical in all the right places. Watching it I feel like I'm walking on a dream.
8. Supernatural:
oh, god, oh, fuck
🔸🔸🔸🔸🔸🔸🔸🔸🔸🔸🔸
Bonus (these shows make me happy for different reasons, you can ask me more about them if you want):
Ted Lasso
The Office US
Hawaii 5-0
X-files
Law & Order
Tagging: If you see this, consider youself tagged. I'm honestly curious about what shows made you, well, you.
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gahellhimself-blog · 8 months
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🩵🩵🩵
Thanks everybody for all the support, your like, your repost.. it means a lot
I've been trough a very, very hard time not gonna lie. My bf broke up with me after 10 years in may.. and a big parts of his decision is my transidentity and transition. It's why that was hard to deal with...
Today I can say Good Omens S2 saved my life litteraly! I already saw the S1 years ago, I liked it but dont hit me the way this season hit me. The context help for sure but the love story here is exactly what I needed to see and need to see forever again.. I realise it was all I need for me in my next relationship, cause I'm ace and trans and feel represented very well here.
But the best part is my tought was "wow if I found my AZFell it would be wonderfull.." and the more time passed the more I tought "What if I'm both of them in my heart? What if I dont need anybody but me to live my perfect love story?" After all, I feel connected with them both, understand them both, cant say Im 100% Crowley or 100% Az
Maybe it's weird, but I think I finaly found a way to be in peace with myself and love myself. I could never thank enough Mr. Pratchett and Mr. Gaiman to create these two, and all the staff of the S2 to make imo, the best show ever with the best LGBTQIA+ representation.
Sorry for my english.. thank you all again.
🩵🩷🤍🩷🩵
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neil-gaiman · 8 months
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Hello Mr. Gaiman, this is not a question, this is a story about how you helped me.
I took my law school entrance exam today. A few weeks ago I decided to take a study break by watching the second season of Good Omens, since I'd enjoyed the first one so much. The continuation of the story completely engrossed me and broke my heart. But it also gave me a framework to start talking about things that have weighed heavy on me for years.
You see, I'm transgender. When I came out at the end of college, professors that had been willing to write me letters of recommendation for graduate school suddenly weren't anymore. My parents bullied me. A few weeks before graduation I moved to another state. I've had a strained, if any, relationship with my family ever since.
Through this lens I identify heavily with Crowley; questioning the precepts of gender should not have been a reason to kick me out, and if it was, it's not a place I ever want to return to.
But if I am honest, I have an Aziraphalean desire to rejoin the edifices from which I have been ejected, and attempt to fix them, not just my family but academia and society at large, and within all that is tied up my Crowlian shame that I could ever want to return to a system that has treated me so ill, to somehow validate that treatment by returning.
In applying for law school I am caving to my Aziraphalean conviction that if I can possibly effect change, I should at least try. But through this I am struggling to hold space for and honor my Crowlian "you can take your external validation and stick it where the sun don't shine" attitude that has kept me alive this far.
Watching the show didn't resolve any of these questions for me, but it did get me to confront them, to give them form and shape and language so that I can start to resolve this for myself. So thank you and everyone who worked on this show, and I hope the strike resolves promptly and positively.
P.S. I really love the in-screen trivia bits and "how its made" factoids, it feels like you're fostering the next generation of creators and it warms my heart.
I appreciate that. I hope you make it into law school and out the other side. I suspect we will need good trans lawyers soon enough.
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panfluidme · 8 months
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when you get this respond with five things that make you happy then send it to the last ten people you got notifications from 💙
Okay, first off. I'm too lazy to send it to ten people and don't want to bug anyone with sending that to people, so not doing that, sorry.
Now, five things that make me happy!
1.) rereading Cass's Apocalyptic Series. It's absolutely amazing and I get overly excited whenever I see that Cass updated the comic. I did write a short story, if you all wanna check it out.
2.) watching TMNT, specifically ROTTMNT. It's my favorite show right now, hence why my blog is a ROTTMNT only one. It might be obvious, but Donnie is my favorite from ROTTMNT, while Mikey and Raph are my favorites from the 2012 show. I haven't watched the other variations (I did watch some of the other movies when I was younger with my dad, but I don't remember them at all).
3.) Ninjago is another one of my favorite shows. I might make a separate blog for Ninjago if that's ever wanted. For a long time, Zane was my favorite character, but it somewhat recently changed to Cole. Well I am not an active person in the slightest, Cole is the person I relate to the most. I really do thing that he is very underrated.
4.) Good Omens! I love it so much! I have so many questions, but I feel like I could be bugging Mr. Neil Gaiman if I asked them and I don't wanna do that. I don't think I particularly have a favorite character since they're all entertaining and great, but I do have a soft spot for the Them.
5.) writing and rping. I have so many ideas and am still learning how to draw, so writing is the best way for me to get those ideas out. I like to share them on Tumblr, AO3, and Wattpad so people can enjoy and hopefully to get some feedback (but that's not the reason why I post). Rping is fun cause I get to get other's perspectives on things and see how my writing style mixes with others.
Thank you for asking me this! This was a lot of fun! There's a lot more things that make me happy, but I was limited to five, hehe.
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teejaystumbles · 2 years
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Appeal to read the Sandman comics (it’s more of a rant sry)
I came back to tumblr to see if it had picked up on the Sandman, and damn, has it ever! (I should have known) I’m so glad to see a new fandom thriving!
I now strongly appeal to you: Read the comics so we can talk about all the stuff NOT in the show yet! Read them so I don’t cringe when I see people messing up characterizing Dream (which luckily doesn’t happen that often, you’re amazing) or making up things - guys, reading the canon material will answer a lot of your questions! It will put things in perspective - and now I’m crying at THAT particular word because YOU WOULD KNOW if you’d read it - maybe skip out on the last books for now, but maybe don’t because “Brief Lives” is in my opinion one of the best Sandman books - I’m sorry, I just want to see the fancast for Delirium, the essays about Dream’s character that actually work with what the books give us, the cries of shippers at the realization of how long the Corinthian has been around for and how deep his betrayal ACTUALLY must hurt Dream, and I don’t ship it but I acknowledge the urge to do so because I’ve read the books and think there’s too little explanation why the Corinthian is important to Dream, Mr Gaiman, I lack some insight here, and I wait for the fandom to help with that - now there’s an essay forming in my head to answer that question myself and I love how books and shows make one think and disect and analyze and create! tumblr may not be the same as it was but it’s still a great platform for sharing that kind of stuff, so thanks for being here!
I just wish to see more creative content from a fandom that doesn’t work solely off the Netflix show. I’ll be here until we manage that, via the show or all of us having read it. I’ll wait.
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getmemymicroscope · 2 years
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One of the truths of reading, I think, is that you start expecting something from an author after you've read a work of theirs (or, at least, I do, because my brain is a total mess). Like, John Grisham means legal thrillers. Agatha Christie means detective stories, usually ending with everyone sitting together in a room as the truths are unveiled. Michael Crichton's works meant sci-fi, with a lot of the 'sci.' And, as such, based on the one book of Neil Gaiman's that I've read thus far (Good Omens) - which, I know, it entirely my own fault for not having read more - I was expecting something 'laugh out loud' funny, because that's how I'd found Good Omens.
This ... well, it wasn't that, especially not at the start. So it took me a while to get into it. But then, when I was into it, I just couldn't stop. There were definitely some instances/lines that did make me audibly chuckle (thank heavens for reading for reading from the comforts of my own couch), but more than that - I just found this a totally enthralling story.
The way Gaiman builds this world, literally right under our feet, is spectacular. His way of describing things - it vaguely reminds me of those memes about how people will measure things with anything except the metric system: his introduction of Mr. Croup and Mr. Vandemar especially so. It's a fun ride (walk?, jaunt?, stroll?) through the underbelly of a city that I, well, unfortunately, don't entirely recognize; yet, even, then, I feel like I was there with them.
Richard is, in many aspects, a very unheroic hero - I mean, he has some mental strength (see the ordeal) and some sort of respectable moral compass, but he's also deathly afraid of heights, is claustrophobic, desires nothing more than a return to his original, if uneventful, life - and he's not afraid to announce this, multiple times, to anyone that will listen. His entire purpose of being on this journey is to end the journey and be back home. And in a world where so many main characters are 'extravagant' this or 'superhero' that or 'amazing' at everything (and don't get me wrong, I love those stories too), it's nice to find a character that you somewhat relate with in a more "I want an uneventful life" way. He makes the "mistake" (not a mistake) of helping someone, and suddenly his life is much more eventful than he would ever have hoped for.
I really like Door, and I think partially this is because, well before I even know what this story was about, I'd created in my mind a sort of similar character - well, similar only in the sense that they could open doors. It's a completely different concept, really, beyond the opening of doors that are closed for others - but that small bit of similarity sort of made me immediately like Door (aka, I'm glad she didn't somehow turn out to be evil).
My reading quest for this year (this decade? this past decade?) has been totally stunted by medical school/training/work and by my sudden fascination with movies and TV shows that are accessible whenever I want, but books like this make me not only want to read more, but also write more (also stunted, though mostly just by pure lack of motivation).
Like Good Omens, this is a fantastical journey that combines our world with bits of a fantasy-like recreation beyond our world as we know it, but it still feels like a very different type of story (admittedly, I haven't re-read Good Omens in a few years). But what it does do is shine another light on just how great Neil Gaiman's writing, and world-building, is. The characters, the story, the journey from start to end - it is masterful writing.
I'm clearly going to need to read more of his works, and I'm clearly going to need to go in with a fully open mind as to what exactly I'm getting. There have been rumors (more than rumors?) of a sequel - and this book I read, in fact, also has a short return to London Below as we follow the Marquis on a quest to find his coat - and now, having read this, I cannot wait for this sequel. It feels like, with a title like The Seven Sisters, it would be more like a spiritual sequel that brings us back to London Below but not necessarily reintroduces us to Door or Richard (though, of course, I could be very wrong about that) - which would be slightly sad, at least, to not meet them again, but I'm sure Gaiman will quickly squash that sadness with his writing and whatever story he pens for us to read.
What a book. I love most things I read and watch (well, not the "this is gonna be so bad, I should watch it for laughs" watch, but the more serious watches; though, that is definitely being tested by current day nonsense) to the point of rating almost everything as 4-5 stars, but this is easily 5 stars out of 5.
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