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#mouse sherlock my beloved
elloitts · 5 months
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i am SO NOT NORMAL about him again, lord help me
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thekittyfox2999 · 7 months
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I don't like Watson from The great mouse detective.
He would never call Holmes interests dull😤😤
Disney. I need this changed. NOW
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liljakonvalj · 10 months
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I watched the Great Mouse Detective tonight and as someone who loves this movie, here's some of my thoughts:
First of all and this cannot be overstated: Best. Sherlock. Holmes. Adaptation.
I was today years old when i discovered that Olivia and her dad are Scottish (which explains her father talking about catching a train at the end of the movie)
(I grew up with the swedish vhs and watched it in english for the first time today. in swedish none of the character's have any particular dialect )
The aesthetic of Victorian human London but with mice having a miniature society mirroring it?? Love that!!
Despite Basil being the titular character and being the main character in so far that he's the one going on a personal journey and change through the movie- Dawson is the POV character for most of the movie which I find interesting
The transitions when Basil tells them about Ratigan and then showing the audience what he's up to and then back to Basil's apartment are stellar
All the songs are sung in universe - I think this is the only disney movie to do this??
And two of them sung by the villain?! Outstanding move
(It should be mentioned that the remaining song was sung by sexy, stripper mice in a bar)
The heroes drink alcohol, get drugged, enjoy a strip tease and accidentaly causes a bar fight all in the same scene
Yes, the toy store was both entrancing and scary to me as a child. The first doll they see when they enter? That doll whose face smashes and nearly kills Basil and Watson? The toys from which Fidget steals the mechanics? All super terrifying
Ratigan is the only character to have a human-like five-fingered hand, all the others have standard animated four-fingered hands
Ratigan mention a that he thought basil would be 15 minutes quicker to find his lair - which he uses to taunt his enemy but it also means he cannot be there to observe his machine killing his captives. That gives them the opportunity to escape unseen. If Basil and Dawson hadn't been late they probably wouldn't have survived, just saying
The clock tower sequence!! I actually clapped when it started
The cogwheels were computer animated while the mice were drawn by hand - which makes for a really dynamic moving camera
(The man who talked about this in the extras were so enthusiastic about this. Love that for him)
Speaking of moving camera - I greatly enjoyed the camera movement when Rattigan jumped over the citizens to reach the balcony with Olivia and the bat after his plan had been foiled at Buckingham palace. It was really fluent and full of angles
Back to the clocktower: when Ratigan snaps and you can see the angry pen strokes?? They simply don't make movies like this anymore
That was of course very scary too as a child
The final battle outside on the clock hands? Give this movie all awards !!
When Basil comes cycling on that little propeller thing? Link in Tears of the kingdom wishes he could do that
In the extras someone mentioned that they'd made extensive backstories of all the characters: why Rattigan became evil, how it was for Basil to grow up so smart etc. And i desperately want to read that
I know no one cares about the swedish voice actors but I found the different performances of both Basil and Rattigan interesting. I know Vincent Price is much beloved as Ratigan (justly so) but idk if it is nostalgia speaking but I think swedish Ratigan really held up. There were actually some lines that I knew by heart in swedish where the delivery was preferable to the English one for me. After looking it up i saw that the swedish VA is an opera singer (base) which really isn't a surprise given his performance. Basil's voices were really similar normally (so similar I didn't hear the change when I switched between languages - which i did one time to freshen up the swedish voices) but the VA in swedish goes up in falsetto quite often which gives a quite manic impression. Swedish!Basil's sanity is hung by a thread in his restless pursuit of his arch nemesis - which makes his devastation when Ratigan bests him more believable imo. English!Basil is much more a proper, brittish gentleman throughout. All performances were great, I just found the differences interesting.
I have some Core visuals from this movie living rent free in my mind since childhood which are: when Basil compares the two bullets, the closeups as Fidget jumps out at the audience, when Dawson pulls out the glass door with his finger, Ratigan squishing Olivia's doll, Basils machine when analyzing the paper, when Toby makes a stair out of his ear, that flag/balloon/matchbox contraption they used to chase Ratigan at the end, the end fight on the clock arms.
Did i miss your favourite part of the movie? Any core memories from this movie for you?
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artist-issues · 1 year
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People don’t seem to understand what makes fan content good. Not likeable necessarily, because likability is another thing. I mean, objectively good.
So I’ve decided to illustrate my point. (badly, because I’m a doodler not a pro) Let’s say this is my character, Snatch. He’s just a simple character: a rat who lives on the streets, avoiding humans and surviving. But as simple as he is, Snatch has two distinct character traits that make him “Snatch.” 
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And these character traits define everything Snatch does. They are his Unbreakable Character Traits. For example, Snatch won’t jump into traffic to save neighborly  possums because he doesn’t like risking his own skin. He’s perfectly happy stealing from babies because that also gets him food without endangering the beloved skin.
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The character traits can go deeper! Like when Snatch starts to make friends or like other people, it’s usually because he was getting something out of the relationship. For example, his very closest friend, Buster the Dog, is the only friend Snatch cares about because Buster makes him feel safe. 
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So we can have adventures, and people can like my character very much, because no matter how deep or shallow the antics, he’s a consistent character. He’s always Snatch. And in my story, Snatch never grows past those particular flaws.
Now let’s say people like Snatch enough to make fan content about him. (Let’s say. Hypothetically.) They want more of Snatch! So they put him in new situations, wacky worlds, and even let him meet different characters.
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Some of the new situations can even break some rules, and that’s okay, as long as the rules aren’t about who Snatch is.
For example:
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Cyborg Snatch! (that’s cool! Maybe he escaped from a lab, and that’s why he’s so self-protective.)
See, even though a major part of Snatch has been broken—the fact that he is a regular rat with no close experience with humans—he still has an opportunity to remain Snatch. All the fan-content creator has to do is make sure Snatch’s Unbreakable Character Traits are incorporated into the cyborg story. And it has to be believable, in some sense. Maybe, like I said, Snatch is still concerned with protecting himself…but now he can do it with lasers! Or he’s still selfish, but he talks like a robot.  This way, fans of robots and fans of Snatch can have the best of both worlds. Snatch’s nastiness is still there, but you get to explore it from a new angle. You get to fall in love with his character all over again. That’s what fan-creators who really know the original and care about craft integrity LOVE about fan creations, and it’s what other fans search for, too. But there’s a dark side. When fan works just becomes Lazy Self-Service. And that happens when a character’s Unbreakable Character Traits are treated like easily-snapped old rubber bands. Unfortunately, I’m just the original creator. I can’t stop people from breaking Scratch’s Unbreakable Character Traits. They don’t really understand Snatch himself—or else, they don’t really like him for who he is. They would rather see a story about a rat who falls in love. Or maybe they want a story about a green rat who learns the value of selflessness and proves the haters wrong.  But they don’t do the work to move Snatch from a selfish coward to a selfless cutie. They don’t write Snatch into a believable scenario that would force him to learn from his mistakes and become a better rat. They don’t explain why he would ever grow out of caring for himself above all else. Instead, they simply plop a rat character into a dangerous situation, and have him save a baby mouse’s life…he willingly shares cheese with Buster…he comforts sad lady rats…and the fan-creator tells everyone that the hero rat doing all this is Snatch.
This goes for characters like Snatch, who are simple or purposely nasty, and more complex characters like Sherlock Holmes or Tony Stark. No matter how complex or simple, most characters (that are good enough to have a fan following) do have Unbreakable Character Traits. Things that make the character who they are. Things that should not be changed without lots of hard work and believable buildup to explain the change.
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You see, much like real people, most characters need lots of experiences and hard knocks before they can change what makes them who they are. And if they do change those Unbreakable Character Traits, the fan creator will have to care more about the effort that it takes to understand a character and reproduce it faithfully…and care less about what makes them feel good to write without much hard work or risk.
So if you are making a story about Captain America, but he’s got trauma from losing his friends and can’t bring himself to rescue kids from a war zone because of it, then you’ve shattered one of his Unbreakable Character Traits: doing the right thing, especially when it’s hard for him. You’re not really making a story about Captain America anymore.
If you are making a story about Eddie Munson, but he’s a brave hearted warrior who takes Chrissy on a date to a fancy restaurant after beating up the whole basketball team, you’ve shattered his Unbreakable Character Traits: before the events of Stranger Things 4, Eddie Munson is afraid and runs from trouble, and he certainly doesn’t believe in conventional dates enough to spend money on a fancy restaurant. You’re not really making a story about Eddie Munson anymore. 
If you are making a story about Snatch the Rat, but he’s a cute little guy just looking to be accepted by his neighbors, you’ve shattered his Unbreakable Character Traits: Snatch doesn’t care about acceptance, he only cares about grub and shelter. You’re not really making a story about Snatch the Rat anymore.
I could go on and on. But the point is: instead of writing a story you want to see and lazily dragging established characters along when they don’t fit, just make up your own character! Or change the original, but show your work. Either way, work harder.
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rjalker · 4 months
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you can write and publish a book or comic or animation or even a home movie where Mickey Mouse investigates Cthulu-related incidents with Winnie-the-Pooh, Sherlock Holmes and Watson and my beloved Dr. Bird and dear Carnsey no one can stop you.
except maybe not knowing who Dr. Bird and Carnes are lofl...the compilation isn't done yet.
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twistedtummies2 · 2 months
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Gathering of the Greatest Gumshoes - Honorable Mentions
Welcome to A Gathering of the Greatest Gumshoes! During this month-long event, I’ll be counting my Top 31 Favorite Fictional Detectives, from movies, television, literature, video games, and more!
With that said, the countdown shall start tomorrow. Before we get to it, I want to go over some Honorable Mentions. These were Twelve Terrific Detectives who ALMOST made the cut, but not quite…
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Benoit Blanc.
Combine Tennessee Williams with Agatha Christie’s Hercule Poirot, and you’ll basically have Benoit Blanc. Played by James Bond himself, of all people, Daniel Craig, Blanc is probably the most significant old-school detective character to come out within the past few years. The central sleuth of the film “Knives Out,” and its sequel, “Glass Onion,” Blanc is a Southern gentleman detective; a slightly eccentric private eye whose somewhat cartoonish attributes bely a steely mind and equally iron-clad will. The films are actually inspired by Christie’s works, and give a sort of Americanized view of the same sort of fiction. They play out with a similar sense of humor and style, but with a few unique twists of their own. I’m mostly including Blanc here because I’m 90% certain that if I DIDN’T, someone would call me out on it; nevertheless, he’s definitely worthy of praise.
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2. C. Auguste Dupin.
Of all the detectives to come throughout this event, arguably none are as IMPORTANT as C. Auguste Dupin. This French gentleman sleuth was the invention of my favorite author, Edgar Allan Poe, who wrote three short tales featuring this character. The Dupin Trilogy – consisting of the stories “Murders in the Rue Morgue,” “The Mystery of Marie Roget,” and “The Purloined Letter” – is widely considered to be the birth of the modern detective story, and Dupin is just as widely credited as the first proper detective character in literature. Characters like Sherlock Holmes, Father Brown, and the aforementioned Hercule Poirot likely never would have existed if it weren’t for Poe’s “studies in ratiocination.” While this definitely makes Dupin worth noting – especially since I am a huge fan of Poe, and two of his Dupin stories (“Marie Roget” is sort of underbaked, in my opinion) – there’s not that much to say about the character, and he hasn’t captured the public imagination as strongly as other detectives who would follow him. Therefore, I don’t think I can, in all fairness, give him a place in the Top 31. For being the first of many, however, he has at least earned an Honorable Mention.
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3. Eddie Valiant, from Who Framed Roger Rabbit?
I’m specifically talking about the movie version here; I’ve never read the (much darker) book the famous film is based on. On that note: “Who Framed Roger Rabbit?” is a bizarre little picture, which combines literal cartoon hijinks with the trappings of a film noir styled crime story. The story focuses on hard-boiled detective Eddie Valiant – played by Bob Hoskins, in perhaps my favorite of all his roles (well...more like second favorite) – going through the wacky world of Toontown to try and solve the titular mystery. He’s joined on his quest by Roger Rabbit himself, Roger’s human bride, Jessica, and a talking taxi cab. (Because why not?) Throw in encounters with tons and tons of famous cartoon characters, from Mickey Mouse to Bugs Bunny and so many more in-between, and it’s not a surprise this film has become so beloved. Eddie, himself, is a really fun character; much of the joy of the picture comes from the fact Hoskins generally plays the character pretty straight, which makes his reactions to the zany insanity of the cartoon world around him all the more hilarious.
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4. Encyclopedia Brown.
I felt I had to include at least one “kid detective” in the bunch, and out of all the characters I could have chosen there, perhaps none are more emblematic of the genre than Encyclopedia Brown. The titular protagonist of a series of children’s detective books, Leroy “Encyclopedia” Brown is a highly observant and intelligent young man, who sells his deductive abilities the way most kids stereotypically work lemonade stands. Encyclopedia is the son of a police chief, who works and lives in the fictional seaside town of Idaville, U.S.A. Despite his youth, Encyclopedia often seems smarter than his old man, as he is extremely skilled at noticing little details that other people miss, and thus uses these inconsistencies to piece together the problem. He even has his own Mini-Moriarty to match wits with, in the form of a cunning but nasty town bully known as Bugs Meany. (Yes, that is apparently his real name.) While not especially complex, the Encyclopedia Brown books are still staples of children’s literature, being reprinted and pastiched numerous times since the 1960s. When I think of kid detectives, he’s probably the first character that comes to mind.
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5. Jake Gittes, from Chinatown.
Jack Nicholson as a noir-style detective in some slick shades. (pauses) Do I really need to say anything else about why this one is awesome? I think that pretty much sums it all up in a nutshell. XD Honestly, more people are probably curious why Jake here isn’t in the actual countdown. Well, the fact of the matter is that I just don’t have a lot to SAY about Jake, and I blame this partially on the fact he only shows up in one movie. Most (though not all) of the detectives on the main countdown come from serialized pieces, having multiple episodes, installments, or general stories to their name. With only one film to his credit, Jake isn’t a bad detective, but it’s just hard to think of a whole lot to talk about with him, specifically, and he doesn’t stand out AS much compared to all the others who have so many appearances and so much more development behind them.
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6. Johnny Dollar, from Yours Truly, Johnny Dollar.
Most of the detectives to come are the residents of film, television, and literature, primarily. However, there’s one medium that I feel doesn’t get enough credit nowadays: radio. Back in the golden age of radio, especially in America, detective radio programs were VERY popular; crime and mystery were hot topics, and there were TONS of shows and detective characters to choose from. One of my favorites was Johnny Dollar. Dollar is an insurance investigator, whose desire to help his clients often leads to him taking on cases larger than one would expect, and he has to adventure and snoop around a great deal to figure out the problem and bring those responsible to justice. The character was so popular, they would even have him break the fourth wall of reality at times, with guest stars who literally just played themselves (such as Vincent Price, who, in one episode, joins Dollar as a guest, acting as both client and sidekick at the same time). The character was played by several actors over the series run, the most popular arguably being Bob Bailey, who tackled the role for five whole years out its near-fifteen-year run. Johnny Dollar was so popular he would later be adapted into a TV film and a graphic novel, but most people will remember this intrepid investigator best for his radio adventures.
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7. Mark McPherson, from Laura.
Played by Dana Andrews, Mark McPherson – the NYPD police detective protagonist of the classic film “Laura” – is a character who is sort of in the same boat as Jake Gittes. I absolutely love this movie; much like “Chinatown,” I think this is one of the absolute best examples of film noir storytelling there’s ever been. Not only that, but the film actually works as a legitimate mystery, with a couple of surprising twists and turns; something a lot of people don’t realize is that noir-style detective fiction doesn’t always focus on the mystery aspect of things, so it’s cool to see something that does while having all the other elements of that field. I also find it interesting how Mark’s character develops across the film, particularly in terms of his relationship to the titular character. However, beyond all that…again, I just don’t have a lot to say about McPherson, so I don’t think I can, in good conscience, give him placement in the Top 31.
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8. Mike Hammer.
One of the most renowned noir-style detectives, private eye Mike Hammer really does live up to his name. He was originally created by author and actor Mickey Spillane, who wrote for Hammer in a series of books. Unlike some other sleuths of the era, such as Sam Spade or Philip Marlowe (the latter of whom won’t be on this countdown, apologies), Hammer isn’t just a hard-boiled cynic with a biting sense of wit that’s as sharp as his mind. He is a person with an outright vendetta, who goes after criminals with a stone-cold sense of focus and intensity. He is fiery and ferocious, not simply stopping but ATTACKING crime, as he harbors a deep-seated hatred for those who hurt other people for their own evil ends. His sense of morality and justice is a bit more ambiguous than most, as he is willing to bend and even break laws in order to see what he perceives as justice done, but at the same time has great respect for the police and is a highly patriotic figure. There’s a lot of gray areas to Hammer that make him stand out amongst the crowd of snap-brim-hat-toting detectives of this style and period. The character has been played excellently by a few actors, including Humphrey Bogart, Stacy Keach (my personal favorite, pictured here), and – get this – Mickey Spillane, the creator, himself! Talk about great casting!
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9. Nancy Drew and the Hardy Boys.
I already talked about kid detectives with Encyclopedia Brown, but we mustn’t forget the ever-so-slightly more advanced stage of things: teenaged detectives. When it comes to that sub-genre, few have been as long-lasting as Nancy Drew and the Hardy Boys. These characters were the invention of Edward Stratemeyer: he was the head of the self-named publishing company Stratemeyer Syndicate, and acted as its editor and chief writer. Stratemeyer first created the Hardy Boys under the pseudonym “Franklin W. Dixon,” then later – wanting to create a female counterpart to fit into their universe, to appeal more to ladies – also thought up Nancy Drew, under the pseudonym “Carolyn Keene.” These pen names were important, as they allowed later ghost writers and other creators to publish the characters under the same oft-used pseudonym, that way Stratemeyer himself wouldn’t grow overtired due to all the other work he had to deal with. (This was a common practice back in the day.) The Hardy Boys were made in the late 1920s, and Nancy Drew first appeared in 1930; despite this age, not only are books still published and reprinted featuring these characters, but they’ve even been adapted to other media many times! In fact, as recently as 2019 there was a new Nancy Drew TV series, and in 2020 Hulu began airing a Hardy Boys series! That shows you, doesn’t it?
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10. Richard Diamond.
This character was the invention of Blake Edwards, who is probably best-remembered today – especially when it comes to detective stories – for his comedy film series “The Pink Panther,” starring the determined but utterly dull-witted Inspector Clouseau. Before the antics of Clouseau, however, Edwards put his spin on the film noir genre with the radio production “Richard Diamond, Private Detective,” starring Dick Powell (pictured here, in costume for a promo photo). The series was a sort of semi-satire of the noir-style detective story, with a sarcastic and often tongue-in-cheek sense of humor, but also with a dark and dangerous edge that was typical of the genre. Even though what happened in it could be very funny (one of my favorite running gags was Elmer Fudd himself, Arthur Q. Bryant, as the voice of Diamond’s conscience), and the plots were sometimes absurd, it didn’t treat everything like a joke. When things got serious, you never doubted people could be hurt or worse. The radio show was so well-received that the character was later adapted into a TV series by the same title, featuring David Janssen as Diamond. The TV version was even more deliberately campy in tone, with Janssen’s Diamond as a somewhat “softer” character than Powell’s. Both are great (though I personally prefer the radio version), and well-worth looking up.
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11. The Question.
As I said in the rules during my opening post, superhero characters are not going to be included here…depending on which superheroes you are talking about. Many superheroes can qualify as detectives, when you get down to it; most, if not all, are essentially fulfilling that role in their universe, by tackling crimes and facing foes that typical police can’t handle. However, there’s a big difference between a character like, say, Wonder Woman…and a character like The Question. True name Vic Sage, the Question is one of those characters you can basically consider a “super detective”: yes, they are included in the vein of the superhero genre, but the way they work is more like a classic detective than someone like Superman or the Grene Lantern. I use the DC analogies, by the way, because that is the company the Question hails from: originally created by rival company Charlton Comics, the Question was one of many Charlton characters “adopted” into the DC Universe when DC eventually bought out said rival. With his faceless demeanor, courtesy of a special mask, the Question is just as much a mystery as the crimes he seeks to solve. One of the more interesting elements of the character is that he has changed quite a lot over the years, with different writers putting a different spin on Vic Sage’s core philosophies and the kinds of adventures he goes on. Indeed, nowadays, Sage is not the ONLY Question; for a brief time, Gotham City police officer Renee Montoya – who had developed a romantic relationship with Vic – became the second Question. In typical comic book fashion, however, this was later retconned and Sage put on the mysterious mask once more. I was sorely tempted to include this character in the main list, but I actually haven’t read very many actual COMICS with the Question, so I don’t feel like it would be fair to do so.
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12. Vincent Price’s Version of “The Saint.”
Our last Honorable Mention is kind of a case of cheating, I’ll admit, and that’s the main reason he IS just an Honorable Mention. Once again referring to my rules, I declared that characters like Arsene Lupin or William James Moriarty wouldn’t count here: while they have detective ELEMENTS, those characters I feel are really very different. They are what I would call “noble rogues,” characters more similar to Robin Hood than the aforementioned C. Auguste Dupin. The Saint is one of those characters…in his original format. In the books by Leslie Charteris, from which he originates, as well as in many other interpretations, Simon Templar – a.k.a. The Saint – is the so-called “Robin Hood of Modern Crime.” He is a gentleman thief who commits crimes against other criminals, for noble goals of his own. This, however, was NOT the case in the RADIO version of The Saint, which starred Vincent Price in the role of Templar. In the radio version, the character was softened up to be a more typical private detective, whose title of The Saint came from his impeccable manners and many good deeds. I absolutely loved this radio show; it’s one of my favorite detective radio programs of the period, and among my top ten Price pieces. HOWEVER, since this version of the Saint was an outlier to basically every other take on the same character, I didn’t feel like this one really ought to count in the Top 31. Sorry, Simon. I still love ya.
Tomorrow, the countdown begins in earnest, with Number 31! For clues in this event, I’ll be using quotes uttered by each detective featured in the main list. CLUE: “Be careful, Brain! Those are probably priceless fake artifacts!”
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vousmereve · 5 months
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ㅤㅤㅤ 𑣪 Things That Spark My Curiosity!
The seeds of a profound connection often sprout from shared interests, serving as a gateway to deeper conversations. It is truly remarkable how the intertwining of our respective preferences can pave the way for enduring friendships. Below, I offer a glimpse into my world, allowing you to discern the facets of my better personality.
MUSICAL REPERTOIRE: IU, AILEE, HUH YUNJIN, LE SSERAFIM, SEVENTEEN, ENHYPEN, ITZY, Elaine, Lyn, Kehlani, Taylor Swift (big fan), beabadoobee, NIKI, wave to earth, Novo Amor, The Weeknd, Chase Atlantic, Roosevelt, Reality Club, Laufey, Lonely in the Rain, Sleeping At Last, Westlife, My Chemical Romance, Paramore, Ben Howard, Bon Iver, MALIQ & D’Essentials, Fourtwnty, and the songs I listen to, according to how I’m feeling.
SERIES & FILMS: Sherlock Holmes, Enola Holmes, Harry Potter, Marvel Cinematic Universe, Alice In Borderland, Jigsaw, Wednesday, Elizabeth, Anne With An E, Disney Princess, Barbie(s), Casper (1995), Sherlock, Tomorrowland, The Meg, The Black Demon, Shark Bait, Fall, The Rain, Me Before You, The Crown, Hocus Pocus, 1899, The Sinking of Van Der Wijck, The Maze Runner, and many are not on the list.
KOREAN DRAMA & MOVIE: Hope, 20th Century Girl, Memories of the Alhambra, W (Two Worlds), While You Were Sleeping, Descendants of the Sun, The Legend of the Blue Sea, Vincenzo, Mouse, Taxi Driver, Our Beloved Summer, Law School, Dr. Romantic, Miracle in Cell No. 7, Reply 1988, The Beauty Inside, Crash Landing On You, Are You Human?, Itaewon Class, Who Are You: School 2015, School 2017, He Is Psychometric, All Of Us Are Dead, Squid Game, Train to Busan, Fight for My Way, Romance Is A Bonus Book, Big Mouth, The Lonely and Great God (Goblin), Pinocchio, Psychopath Diary, Hell Is Other People, The Heirs, Strong Girl Bong-soon, When the Camellia Blooms, My Love from the Star, The Moon Embracing the Sun, and many are not on the list.
ANIMOVIE: Your Lie in April, Kakegurui, Singeki No Kyojin (big fan), Jujutsu Kaisen, Naruto, Naruto Shippuden, Tokyo Ghoul, Kimetsu no Yaiba, Blue Lock, Tokyo Revengers, Wotakoi: Love Is Hard for Otaku, My Little Monster, Takt Op. Destiny, Assassination Classroom, and many more are not on the list.
CHINESE DRAMA: The Untamed, Love O2O, Put Your Head on My Shoulder, A Little Thing Called First Love. (I don’t watch many Chinese dramas, if you have any recommendations please tell me)
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deer-trees · 1 year
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Chucky spoilers for s2 bc I need to yell about this or I wont sleep
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Ok first of all REVENGE NICA MY BELOVED. I LOOOVE YOUUUUUU. GO GET TIFFANY. I LOVE U I LOVE U I LOVE U. The bitch inside of me who shipped Sherlock Holmes with James Moriarty in middle school is shrieking with delight abt the potential for a deeply messy horrible problematic gay enemies to lovers cat and mouse type game btwn her and (ONCE AGAIN GOTH MILF) Tiffany where now NICA has the upper hand >:) fucking GET HER ASS.
Very mixed feelings about G.G! I adore them as a doll and they are so very cute and BILLY BOYD and I want to hold them but I miss Lachlan :( they embodied them both so damn well and I'm sad that we wont get any more of them as the twins! Especially since we got so little of Glen on their own at the end, I sort of thought they'd both switch back and forth more equally inside of the doll, and its sweet that theyve merged because I think it means theyre more in tune with each other than they were in Seed, but they never really got to talk a lot of things out as seperate people and I feel like they needed to :( the last words spoken between them as seperate entities was "Dad's dead" from Glenda, Glen didnt even get any lines!! :( however the one good thing that comes from this is all the weak cis bitches who were complaining about how using they/them for one person didn't make sense to them have NO EXCUSE NOW bc TECHNICALLY THERES TWO PEOPLE IN THERE. FUCK YOU.
Also the fact that Nica keeps up with G.G and they call her every week?? G.G has two fucked up moms and one horrible doll dad thank you very much
Also I am still sad abt Nicachucky being dead forever and about Nadine yes I'm aware that happened a few episodes ago, what about it. Idc. :( i will continue to draw nicachuck forever y'all cant stop me. But also. I am gonna be drawing so much Revenge Nica. :)
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50 notes - Posted March 14, 2022
#4
i cannot in my right mind refer to sherlock as ‘holmes’
‘watson’? sure! my dear watson, my beloved watson, wonderful watson, watson, watson, watson
but sherlock will always be sherlock to me. i know him personally, your honour. 
52 notes - Posted November 13, 2022
#3
RIP Sherlock Holmes, you would have loved spreadsheets 
122 notes - Posted October 9, 2022
#2
Listen. I just think if mouse Doctor Watson can go to mouse war in mouse Afghanistan, then mouse Sherlock Holmes can do mouse cocaine.
310 notes - Posted December 2, 2022
My #1 post of 2022
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The raw, chaotic power this image emits. These two together are a force against nature. No one will get out alive.
1,087 notes - Posted January 2, 2022
Get your Tumblr 2022 Year in Review →
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old-deerstalker-hat · 3 years
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6.01.1854
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butch-snufkin · 3 years
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fuck it time for holmes adaptations alignments. i couldn’t think of an antonym for homophobic sorry
an explanation because altho i hate explaining myself.. the last scale i did with no explanation literally gave me no legs to stand on 
granada holmes: the flirtatious smiles... the lingering eye contact.. fr what was the reason!!! jeremy brett said yes i am bi yes i will be playing sherlock holmes yes he will be bi too <3 and then did it (and then said “watson shouldn’t have a wife). icon
soviet holmes: scores higher on the fruity scale than granada holmes only because it did what granada holmes didn’t: gave us holmes and watson cuddling in a carriage
raffles: raffles is literally based on oscar wilde and george cecil ives (two pretty loudly gay men for the time) what more evidence do you want. not as fruity because raffles spends too much time being a bastard to be tender with bunny
the great mouse detective: i know everyone and their mother has an opinion on basil and dawson but the real fruity legend is ratigan. born out of immense homophobia but literally carried the entire movie on his back. he is my favorite character
house md: everything about the early 2000s was homophobic. except for house and wilson spending the rest of their short lives together 😔👊 rsl and hugh gave the gays everything
psych: girl idk but i feel this rating in my bones and that’s all that matters
my dearly beloved detective: they’re lesbians, harold. bit homophobic tho because jane gets a husband and shirley just? is alone i guess? so fuck that
rdj holmes: homophobic because they made irene adler and holmes kiss multiple times and nearly have sex that other time.. second movie is more fruity thanks to gay icon stephen fry 
new russian holmes: they put watson and mrs. hudson in a relationship which is just?? huh??? once again irene adler and homes are in a relationship :/
enola holmes: tewkesbury is rather fruity. enola is a lesbian. BUT also they got henry cavil aka THE no. 1 straightman to play sherlock and also mycroft is a whiny bitch 
sherlock gnomes: everything about the gnomes movies screams heterosexual even if elton john does the music for both. however sherlock gnomes do be a bit fruity
will ferrell holmes: god do i even need to explain this one
bbc sherlock: i don’t care that it was written by a gay man. it’s the equivalent of a hate crime and i can never watch b*nedict c*mberbatch in anything ever again without feeling pain  
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shezzaspeare · 3 years
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Pilot/Episode 1: Patching Things Up With Pastiche & Fanfiction
Hi, hello, and the wait is finally over! My name is Blessie, and welcome to the first episode webisode log installation I've decided to call these things an episode for now because why not also let me know what do you actually call these things episode of The Science of Fanfiction, where we take a closer look into our beloved works of fanon because we've all got plenty of time to spare till Season 5. Before I continue, I would like to thank everyone who's liked and reblogged the last few posts before this one. It means a lot for a small and growing Tumblr user like me, and your support is something I cherish more than my modules. You guys rock!
Anyways, like with most things, we have to talk about the boring and bland stuff before we proceed with the fun stuff. For today, we are going to settle the difference between a couple of things: first being the confusion between pastiche and fanfiction; then the distinctions between tropes, clichés, and stereotypes, which we'll tackle the next time. It's important for us to establish their true meanings in order for us to really understand what fanfiction truly is, even if it's merely just a work done for the fandom. I know – it's boring, it's something that shouldn't be expounded that much, but I believe that all forms of writing (unless it's plagiarised) is a work of art — and fanfiction is not something we always talk about. I hope that by the end of this, you'll learn about what they really are as much as I did. Let's begin to talk about the—
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[Image ID: A flashback of John (left) and Sherlock (right) finding an elephant (not in the screen) in a room in The Sign of Three. End ID]
. . . I did say that this GIF will always have to make an appearance here, didn't I?
So, just as with Sherlock Holmes, all other works of fiction have their own pastiches and fanfiction, and many more original works out there have taken inspiration from them to create their own books. Although they've gained popular attention, this will not be possible if they did not have taken inspiration from the materials their writers had at the time.
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[Image ID: Various actors as Dracula. Jeremy Brett in 'Dracula' (1978) (upper left), Adam Sandler in a voice role for 'Hotel Transylvania' (2012) (upper right), Gary Oldman in 'Dracula' (1992) (lower left), and Bela Lugosi in 'Dracula' (1933) (lower right). End ID]
For instance, Bram Stoker's 'Dracula' (the second most adapted literary character, next to the consulting detective himself) has been portrayed on the screen over 200 times — from Gary Oldman to Adam Sandler — and has spawned off numerous books and pastiches of its own such as Stephen King's 'Salem's Lot'. Its cultural impact served as a basis of how we see vampires today, since some characteristics of the Count were made by Stoker himself. Stoker's creation is the brainchild of his predecessors and inspirations.
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[Image ID: Vlad the Impaler (left) and a book cover of 'Carmilla' by J. Sheridan Le Fanu (right). End ID]
Other than the ongoing hysteria over dead back then and the existing vampire folklore, Stoker also took his inspirations from the published books on vampires he had at hand. He is said to have taken inspiration from Vlad the Impaler, a Romanian national hero known allegedly for having impalement as his favourite method of torture. He is also said to have been inspired by the J. Sheridan Le Fanu's 'Carmilla', a Gothic lesbian vampire novella that predates Dracula by 26 years. I could go on, but hey, we're going back to Sherlock Holmes now before I deviate any further. However, if you want to know about Dracula's literary origins, I suggest you watch Ted-ED's videos about the subject matter such as this one or this one.
Very much like Stoker, ACD didn't just conceive Holmes on his own. He took his own inspirations from what he had available at the time.
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[Image ID: Dr Joseph Bell (left) and Edgar Allan Poe (right). End ID]
As we all know, ACD's biggest inspiration for Sherlock Holmes was one of his teachers at the Edinburgh University, Joseph Bell. He was famous for his powers of deduction, and he was also interested in forensic science — both characteristics which Holmes is greatly known for. He also drew inspiration from Edgar Allan Poe's sleuth, C. Auguste Dupin ('The Purloined Letter' & 'Murders in Rue Morgue'). As ACD himself has said at the 1909 Poe Centennial Dinner: "Where was the detective story until Poe breathed life into it?" Some other writers he took after are Wilkie Collins, Émile Gaboriau, and Oscar Wilde.
Now, what does this say about us Sherlockians/Holmesians (depending if you're the coloniser or the one that was colonised)? Basically, ACD laid the groundwork for us with Sherlock Holmes: his humble abode 221B that he shares with his flatmate Dr. John Watson, his adventures, memoirs, return, casebook, last vow, and all that. Now that we have this material at hand, we can now make our own versions, takes, or even original stories featuring the characters of the Canon. Our inspiration comes from ACD's Sherlock Holmes, and we now get the chance to make our very own stories/conspiracy theories about them.
As I have mentioned earlier, Sherlock Holmes is the most adapted literary character in history. He has been adapted in over 200 films, more than 750 radio adaptations, a ballet, 2 musicals; and he's become a mouse, a woman, a dog, even a bloody cucumber. On top of all that are numerous pastiches and fanfics, and finally, we have arrived at the main topic of our post!
Fanfiction and pastiche are often confused together since they have three common elements: they take after the original work, they usually use the characters in that original work, and more often than not do are they set in that same time frame/period or not long after that. The common misconception is that pastiche are printed fanfiction, which is only partly true. While pastiche is definitely fanfiction in some ways and vice versa, there are fanfictions out there that aren't necessarily classified as pastiche that have been published.
Let's get on with our definition of terms to clear up the confusion a little more. Pastiche, according to Literary Terms, is:
. . . a creative work that imitates another author or genre. It’s a way of paying respect, or honor, to great works of the past. Pastiche differs from parody in that pastiche isn’t making fun of the works it imitates – however, the tone of pastiche is often humorous.
A good example of a pastiche is Sophie Hannah's 'The Monogram Murders', which is her take from Agatha Christie's Hercule Poirot.
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[Image ID: A book cover of 'The Monogram Murders' by Sophie Hannah. End ID.]
Although this was a commission from Christie's estate, it's still considered as a pastiche as:
It's takes after Christie's writing style;
It is set in the early years of Poirot's career (1929), which is still within the time frame that the author wrote him in;
It features Poirot and;
It pays respect to Christie in a sense that it stays true to her (Christie) characters and way of storytelling.
Meanwhile, our good and slightly unreliable friend Wikipedia defines fanfiction as:
. . . is fictional writing written by fans, commonly of an existing work of fiction. The author uses copyrighted characters, settings, or other intellectual property from the original creator(s) as a basis for their writing. [It] ranges from a couple of sentences to an entire novel, and fans can both keep the creator's characters and settings and/or add their own. [ . . . ] [It] can be based on any fictional (and sometimes non-fictional) subject. Common bases for fanfiction include novels, movies, bands, and video games.
To avoid any copyright infringement issues if I ever use a popular fanfic in the fandom, we'll use my (unfinished and unpopular) Sherlock Wattpad fic, 'Play Pretend'. You can read it here.
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[Image ID: The second self-made book cover of Blessie/shezzaspeare's 'Play Pretend'. End ID]
Why is it considered a fanfiction and not a pastiche?
It takes after an adaptation of Sherlock Holmes (BBC Sherlock) which is a TV show, not the ACD canon itself;
The author (in this case myself) uses her own writing style and does not take after the original story's style;
Although it is set well in modern-day London and after Season 4, it also features scenes decades before the actual fanfic is set and outside of London;
I added a considerable number of characters, i.e. siblings to canon characters;
I had my own take some of the canon characters' personality especially after the events of Sherrinford;
It is written by a fan – myself. It is a work of fan labour and;
It is only a work of fanon, and isn't likely going to be considered by the show as its writing style is different from the actual show.
To put it simply, you can have more freedom in a fanfiction as it does not necessarily restrict you to follow or take after the original stories. Alternate universes (AUs) such as Unilock and Teenlock are perfect examples of this thing.
So can a pastiche be classified as fanfiction? Yes.
Can a fanfiction be classified as pastiche? Not all the time.
What's the difference? While yes, they share the basics, pastiche is technically leans more onto the original work's fundamental elements whereas fanfiction is a broader range of works inspired by the original work but doesn't necessarily follow all or any of its fundamental elements.
In order for us to understand it more, I'll give another example.
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[Image ID: The 'Enola Holmes' title card (upper left) and Henry Cavill as its Sherlock holmes (upper right). Underneath it is a a scene from the opening titles of BBC Sherlock (lower left) and Benedict Cumberbatch as Sherlock Holmes in A Scandal In Belgravia. (lower right) End ID]
Most of you are familiar with these 21st-century adaptations of Holmes: the 2020 adaptation of Nancy Springer's Enola Holmes books and BBC Sherlock, which needs no further explanation – but for those who don't know, it's basically Holmes and the gang if they were alive today. I specifically chose these two as they are the ones that I believe would get my points across best. Though both are considered as wonderful pastiches with a well-rounded cast and awesome visuals, if we break them down bit by bit, we'll see which one is more of a pastiche and which one is more of a fanfic. (Yes, I know they're both screen adaptations. However, as Enola Holmes was based on the books and BBC Sherlock's fanfiction has the show's scenes written out in most fanfics, hear me out.)
They share these characteristics of a pastiche:
They feature characters from the Canon (Sherlock Holmes, Mycroft Holmes, and Lestrade);
They have additional characters added by the writers (Including but not limited to Molly Hooper, Eurus Holmes, and Philip Anderson for BBC Sherlock while Enola Holmes has Lord Tewkesbury, Eudoria Holmes, and Enola herself) and;
They pay respect to the original Canon as their stories are based on the cases (BBC Sherlock) or simply what was going on around them (Enola Holmes).
They also share these characteristics of a fanfic:
They are made by enthusiasts of Sherlock Holmes (Moffat has called himself and Mark Gatiss 'Sherlock Holmes geeks', while Nancy Springer's Enola Holmes books are not just one or two but six);
They follow a common trope (we'll discuss these tropes in the following episodes) that goes on in the fandom (Sherlock's Sister & Modern AU)
They are based on a fictional subject (Sherlock Holmes);
They used characters and story elements that are copyrighted by the author/author's estate (fun fact: prior to the production of Enola Holmes, the Conan Doyle Estate filed a lawsuit against Springer & Netflix over Sherlock's emotions since he was more 'sympathetic' than he was portrayed in the Canon – this was later dismissed by both parties) and;
Their writing styles don't necessarily follow ACD's.
Despite these similarities, there are very obvious differences between the two that separates them from being a pastiche and a fanfiction.
Enola Holmes embodies pastiche more as it doesn't stray far away from the original elements of the Canon. It's still set in Victorian England. While Springer added characters of her own and definitely twisted the Canon to suit her series, she didn't necessarily place them out of the social construct that was going on around the characters. It follows ACD's writing style more as Enola Holmes' setting still remains within the Canon's original setting.
Meanwhile, we can safely say that BBC Sherlock is a work of fanfiction. While it did give us The Abominable Bride, the main series focused on Holmes and Watson in 21st-century England, which is drastically different from Victorian England. There are phones, black cabs, and cellphones — things which ACD Sherlock Holmes doesn't have. It also diverted from the Canon in the characters themselves, which is mostly seen in the names: Henry Baskerville became Henry Knight, Charles Augustus Milverton became Charles Augustus Magnussen, the H in Dr Watson's name stood for Hamish and Sherlock's full name is actually William Sherlock Scott Holmes. They also changed the personalities of some Canon characters: Mary was actually an ex-assassin, Mrs Hudson was an exotic dancer who drove a kick-ass sports car, Irene Adler is a dominatrix, to name a few. Moffat and Gatiss created a world of their own featuring the characters of Sir Arthur Conan Doyle, which is really what most of us fanfic writers do with Mofftiss' rendition of Holmes.
In conclusion: while pastiche and fanfiction could have been the same thing, they're actually not. There's more to them that just printed fanfiction or pastiche e-books, and we all should take some time to see and observe them in a closer perspective.
And that's it for our first episode! I hope you enjoyed it. It was a lot fun for me to write this, especially now that I'm only starting. I would also like to note that while intensive research has been done on this series, some parts of this comes from my own observation and opinion, which may vary from yours. I am very much open to criticism, as long as it is said in a polite and civil manner. I'm still young, and to be educated as I go is something that could really help me with this series.
Like and reblog this you like it. It helps out a lot. Be sure to follow me as well and the tags underneath if you want to see more of TSoF.
See you soon!
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Blessie presents – The Science of Fanfiction: A Study In Sherlock (2021) • Next
Follow me! • My Carrd | My YouTube Channel
SOURCES • Pinterest, Google Images, Wikipedia, Literary Terms, Conan Doyle Estate, Definitions, The Sherlock Holmes Book, and Google
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How about a Platonic Sholmes and Ryuu with a gn Child reader where they do a nice family thing or smthn :) you've been doing awesome work these past few days! Don't forget to hydrate >:(
-✨
a/n: hi ✨ anon ! i made the kid around 5 years old in this ask if that's okay, i thought it would fit best ! hopefully i'm still doing good work considering i've been away for a bit gnfvsgegsfs i'm going to be cranking out these requests more now. anyways, i hope you enjoy !
sherlock and ryuunosuke with a kid headcanons
sherlock:
he's adopted another kid ?! that's not a surprise seeing how he's like a perfect dad and whatnot. he's perfect because he's so bubbly around children and can be the Cool Dad to some. he's not cruel, he is very leniant and can push the rules to make things seem more fair but if there's anything he's serious about he can and will make himself clear.
he definitely buys the kid all the cool things he thinks they'll like, he's a mind reader and the kid loves all the things he buys. sherlock also makes cool things like plush toys and little robots for the kid.
i can also see the kid bringing one of the plush toys that sherlock makes for them with them when they go out of the house for an outing or if they're simply just shopping at the local market.
he loves to bring the kid on little adventures, nothing dangerous but little outings with iris too to make it the best family outing ever ! he loves to bring you two to the park to have a picnic that you all helped prepare stuff for like the food.
the kid brings their plush to the picnic and hugs it while they're walking to a nice spot in the grass, sherlock holding your hand tight and the wicker basket in the other.
sherlock's drinking nice tea that iris made and is loudly talking to the two of his kids. he loves the both of them and to take a day off from work to relax with his little family he's even more happy than the happiest person in the world !
iris is nibbling on some sandwiches she prepared with her little sibling and smiling at all the words sherlock's saying, taking mental notes because these things could be used in the new script she's writing.
suddenly, sherlock's little kid pulls themselves up from the grass with little flowercrowns (iris taught them how to make them) for both iris and sherlock which flatter them a lot !
sherlock is quick to take off his hat to put on the cute crown of flowers, thanking his little darling and pulling them close to give them a hug and a kiss on the forehead, ruffling their hair too !
iris thanks her little sibling and tells them that she loves the crown, it's so cute and she can't help but squeal in delight, taking the crown and asking how she looked. the picnic is full of hugs, smiles and overall enjoyment !
ryuunosuke:
ryuunosuke is the overly worried and stressed parent of the bunch, worrying about if he's a good parent and always has someone babysitting his kid while he's in court, maybe a certain professor mikotoba......
he is frantically trying to make sure the kid doesn't get hurt and if they do, he's picking them up and sweating buckets as he brings them to the counter to set them on and see to their injury.
he is awkward with kids at first but he learns, susato is a big help to him and his kid sees her as their big sister (found family my beloved) and ryuunosuke as their respective dad. susato is so calm and collected that it makes ryuunosuke jealous. she can help when his child is crying with ease and ryuunosuke would have to go to a lot more lengths to make them stop (they stop crying if he trips on an open shoelace bet).
one day ryuunosuke took his child on a walk with their big sister susie and saw a cute little toy shop a bit ahead on the street. the little kid pointed off to the shop with glee, running off to inspect the contents of the window.
ryuunosuke stuttered as he got a scare at how fast his child could run ! susato chuckled at the eagerness of them. they really reminded her of ryuunosuke. he rushed up to see what was up and saw his kid staring into the thick glass.
he looked in the shop and saw that his kid was staring at the cute eyes of a plush mouse with big ears (guess who hehee). he looked into the sparkly eyes of his kid and back at the plush. he sighed and took out his wallet to see what money he had for the plush.
the plush was.. what ?! did he have enough money for that ?! he frantically looked in his wallet with sweaty palms and double—triple—quadruple checked that he was short of money and wasn't hiding any coins.... which it wasn't, that was the sad truth.
ryuunosuke put the money back in his wallet and sighed in defeat, apologising to his kid with a hand on their shoulder. he didn't like admitting he didn't have enough money for the plush but it was the best thing to do. that is until susato rushed up to them with her hand holding something.
"n-naruhodou-sama ! wait !" susato had noticed from the start that his kid was fascinated with something in the toy shop and watched the events unfold in front of her. "i have the remaining amount of money here to purchase the plush toy, here you go." she offered the last couple bits of money to him as a wave of relief washed over him.
"t-thank you, susato-san !" he put his hands together in a big thank you, "i'll pay you back as soon as possible !" smiling at his kid, he took the two into the shop to purchase the cute plush ! susato was met with a hug from two people (and a plush mouse) and smiled at the thanks she was getting.
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starleska · 3 years
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ratigan for the character thingy? i know nothing about this little guy but he looks interesting
ooh excellent choice anon!!! thank you very much for sending this in - i'd be delighted to let you know a little more about Professor Ratigan ;) also, here’s a great clip of him in action!! so, for context! Professor Ratigan is the main antagonist of the 1986 Disney film 'The Great Mouse Detective', which is in turn based on Eve Titus' 'Basil of Baker Street' book series. The books and film follow the Sherlock Holmes tradition, wherein the protagonist is the eponymous Basil, a mouse who takes on the role of Sherlock Holmes. I'm not too familiar with the books, but in the movie, Professor Ratigan acts as a parallel to Sir Arthur Conan Doyle's Moriarty. he's a flamboyant, volatile, intelligent rat with a penchant for crime and villainy, and he also 'hates' (see: is very gay for) Basil with a passion. an interesting quirk of Ratigan is that, in the movie, he hates being called a rat, and insists on being referred to as a mouse. now without further ado, here are my answers: how i feel about this character oh lord, i adore him 😳 i have a terrible weakness for villains with excellent dramatic flair, as well as scientists, engineers and characters with high intelligence and arrogance to boot. he's deeply self-centred, believes himself to be the world's greatest criminal mind, and is also prone to invading the personal space of others and violence - qualities which make me weak at the knees. his design is fascinating as his movements are so fluid, and i love that disarming, sharp-toothed grin. not to mention his voice is to die for; Vincent Price delivers an unforgettable performance that makes Ratigan the absolute stand-out of the movie. i think he's the reason so many people adore this movie - he's just a perfect foil to Basil, and one of the great Disney villains 😭😭 all the people i ship romantically with this character of course i ship Basil/Ratigan!!! the tension between these two - whether you consider it romantic, sexual, or something Other in the way of the Sherlock Holmes tradition - is palpable. you can tell these two have a storied history - they behave with each other almost in the way of ex-lovers, and i don't think that's just my queer goggles on;;; (i'm also a filthy self-shipper so the idea of being pinned to a wall by Ratigan is 😳😳😳) my non-romantic OTP for this character like almost all of my f/os, Ratigan/Therapist. he desperately needs some psychological intervention, firstly to work out whether or not all that deep-seated anger comes from his constant maligning as a biological rat. i talked a little bit about this idea in this post earlier, as i love to rub my trans little hands all over everything haha my unpopular opinion about this character you know, i haven't been in the fandom long enough to know what opinions are or aren't popular!! so i'm gonna give this one that's adjacent; personally, i think The Great Mouse Detective's story and pacing were a bit all over the place. especially in the second half, there's a lot of 'empty space' where the plot could have moved much quicker, and it isn't that long a movie in the first place. i do think that the animation, performances and pure charm of concept are what make the film so beloved, rather than the story itself;;; one thing i wish would happen/had happened with this character in canon oh, how i wish we'd gotten more time with Ratigan as a whole!! given his Moriarty parallel, i was hoping we'd see some more examples of his criminal genius. given that his intellect is supposed to rival that of Basil, i would have liked to see Ratigan doing the engineering, or having a scientific moment - instead, he kidnaps Flaversham to do it for him. i understand we needed a reason for Olivia to be there (and she is a sweetie!), but still, there was a lot of undeveloped potential for Ratigan. basically, i wanted to see him flex those big brain muscles more 🥰
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18 Versions of Sherlock Holmes Ranked from Most to Least Likely to Set a Building on Fire in a Fit of Rage
Updated list here!
1. Jonny Lee Miller — Elementary
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This cool modern gent had a Moment™ in the very first episode of this series wherein he crashed Watson’s car into the side of the villain’s for absolutely no reason except the guy had pissed him off. That’s only like half a step down from setting a building on fire, which makes it almost canon, so this fantastic band tee-wearing lunatic gets first place for sure.
2. Yuko Takeuchi — Miss Sherlock
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She may look cute, but this girl is fearless and feral. She would set a building on fire on a whim and dance away, leaving her poor Watson holding the matches as a joke. We haven’t really seen her angry, but she for sure would be unstoppable if she was. Sherlock Futaba has a secret heart of gold and a not-so-secret wit of arsenic and she’s not afraid to use either of them to end your ass.
3. Benedict Cumberbatch — Sherlock
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He might tie for second place with Miss Sherlock, actually, because we all remember that one American who dared to slap Mrs. Hudson and fell out a window, several times, for it. I don’t need to tell y’all this Sherlock Holmes is vicious as a viper when he wants to be, but he’s also sweet as a newborn kitten deep down. Still, #3 is pretty high on the list and I think this emotion-driven drama queen deserves it.
4. Christopher Plummer — Murder by Decree
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For most of this 1970s movie, you would never be able to picture this Holmes with a temper at all, much less one big enough to set anything on fire. He’s empathetic, easygoing, and even downright warm. But then, after discovering how a young woman has been mistreated by people in power, he suddenly goes for a guy’s throat—literally—and then it’s easier to see why he’s #4 on my list.
5. Basil of Baker Street — The Great Mouse Detective
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Excuse me, it absolutely counts as a legitimate adaptation. This manic little guy might be cute as a button but he will go absolutely rabid on you if you push him (although he might feel bad about it a second later). I’m not saying it’s super likely, but it’s not super unlikely either. Honestly I wouldn’t take the risk.
6. Peter Cushing — The Hound of the Baskervilles (1959)
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He might not be #1 on this list, but on a list of sassiest Sherlock Holmeses ever, he would definitely be at the top. More than once this sly gentleman was seconds away from Losing It(TM) in this movie; we might not ever have seen him show his temper completely, but between his impatient (but still affectionate) bickering with Watson and his mumbled sarcasm at every other character at every available opportunity, I wouldn’t doubt his capability of setting a fire in sheer annoyance.
7. Jeremy Brett — Sherlock Holmes
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Calm but intense, this Sherlock Holmes is extremely popular, thanks mostly to Brett’s love and passion for the role; with all his self-control, every once in a while there’s a little flash of something much bigger going on underneath–his voice gets louder and his eyes get sharper and for a second you might wonder what he’s going to do. It would just depend on the situation, I think; hurt Watson, for example, and yeah…his fire will get you for sure.
8. Original Books
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There’s no Sherlock Holmes like the original. Like Brett above, the Blueprint Holmes is cool, unruffled, and very much in control most of the time, but there are a few moments here and there when he turns into lightning personified, ready to strike someone down in a split second if they stir up his wrath. Nevertheless, he is softer and kinder and more patient than most adaptations give him credit for, so he’s lower on the list.
9. Yekaterina Vasilyeva — My Dearly Beloved Detective
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This Russian movie features a rare female Sherlock Holmes. Even though the story is more silly comedy than serious mystery, Shirley as a character stands out for her perfectly in-character intensity, cleverness, and of course deductive powers. But despite her intensity, she handles all the complete idiots in her life with more resigned annoyance than anger, and even when faced with extreme insult she hardly shrugs. When tested, she’s more prone to an irritated stare than anything else, so she’s number nine.
10. Basil Rathbone — Sherlock Holmes
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Ever wanted to see Sherlock Holmes take out Nazis? This might be the series for you, then. Despite the ‘40s vintage action vibe, though, this Sherlock Holmes really doesn’t have much in the way of a temper and a lot in the way of cool, observant preplanning. When it comes to high-emotion moments, this Holmes is more urgent action than fiery temper. With all that, he tends to lean more on the non-flammable side of the Sherlock Holmes spectrum.
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About Me
I generally post or reblog observations, quotes, memes, and art about Hercule Poirot, Sherlock Holmes and other murder mysteries. (but mostly Poirot)
Feel free to talk to me, but beware: it might take a while for me to respond!
I have read almost all of the Poirot stories and I want to say half of the Sherlock Holmes stories. I’m going in chronological order.
I haven’t seen many Poirot or Holmes adaptations, but here are the ones I’ve seen:
Hercule Poirot: 
three adaptations of Murder on the Orient Express (1974, 2010, 2017)
I’m currently making my way through season 3 of Agatha Christie’s Poirot.
Sherlock Holmes: 
all of CBS Elementary (my beloved)
halfway through season 3 of BBC Sherlock (will not be continuing)
The Private Life of Sherlock Holmes
a tiny bit of the Granada’s The Memoirs of Sherlock Holmes
The Great Mouse Detective
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